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jq37 · 4 years

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The Royal Report– A Crown of Candy Ep 10 Blood and Bread

Come Together

Welcome back and I hope you took advantage of the opportunity to catch your breath because the Rocks family is granted no such reprieve. Fresh off the heels of Jet’s tragic murder by Ciabatta and Calroy answering the question of whether a cake can coup, we pick back up with Theo who’s foiled his imprisonment by making use of the skills Lazuli taught him and magically busting down the door. Then, he makes use of his other knight skills and absolutely eviscerates the shocked guards outside.

He runs for the King’s quarters and, obviously, doesn’t find Amethar as he’s in a smoking crater outside, but he does run into Caramelinda who he immediately informs of the situation as best he can. Cara is confused, even as guards (Cal’s men) show up and start firing on them. She tries to get them to stop on her royal authority but Theo hears a lot more soldiers coming on a Nat 20 Insight and is like, “We need to go.” Cara does her own Insight check and has the good sense to follow him.

They run and Theo takes her into a little secret door in one of the hallways. Just in time too, because Cal walks by all camp-y kids movie villain, clearly telegraphing his intention to kill Cara, and tries drawing her out by saying some bait-y stuff about Amethar but Theo says they should ignore it and they escape down a spiral staircase instead of confronting Cal.

Meanwhile, Ruby (still Invisible) runs across the bridge, feels Jet pass, and keeps running, all the way to the standing stones of the Sugar Plum Fairy.

“Bring her back,” she demands, tearfully. “I know you can bring her back. What is the point of having magic if I can’t bring her back. Please.”

The SPF appears and gently says that the nature of the world is such that she can’t bring Jet back. However, it may be possible to bring them to Jet. Go north to the Stone Candy Mountain, she says. That’s where she is and where her sister is waiting.

Ruby then sneaks her way back to the castle, and sees Kerradin on his way there with about 30 knights. On double Nat 20s, when she gets to the castle, she clocks her dad immediately. Cumulous (who was also in the general area Ruby just came from and can now see where she is based on the glow of her magic, though he doesn’t know it’s her) also sees Amethar. Ruby, horrified at the thought of losing both her sister and father within about five minutes, runs to him.

Liam, still in the lingerie shop, hears Ciabatta wonder where the “witch boy” (Liam himself) went and also gives away some plot info for free: Alfredi has been hanged and she was apparently the only person skilled enough to make watersteel daggers. They’re fresh out. They leave and Liam pops out of the Rope Trick. He checks the glowing chest and sees that all that’s in there is a glowing rock--ambush bait. He then wraps Jet’s body in tasteful lingerie (sure), puts it in a cabinet for later retrieval, and takes her sword and locket for Ruby before stealthing away to find the others.

Amethar, fallen but not Fallen, unsteadily picks himself up, just in time to see the magic glow of his invisible daughter’s footsteps approaching him. “Pops, it’s me,” she says, voice wavering. “I think Jet is dead.” Amethar gives her a huge dad hug as she channels some of his barbarian energy, vowing to kill whoever did this, and their children, and drown their lands. The very stealthy Liam and Cumulous also show up for this--Liam joining the hug and Cumulous just announcing his presence awkwardly when his name is mentioned.

Liam lets them know where Jet’s body is and also gives Jet’s things to Ruby. Ruby takes the sword but haltingly insists that Liam keep the locket--it won’t work alone, and besides, Jet would want him to have it.

Cara and Theo pop out of the secret tunnel and the kids instantly Perception/Insight check her (no doubt feeling burned after Cal’s betrayal). Ruby, on a 23, gets nothing sinister--it’s just her extremely freaked out mom. With that reassurance, she reveals that Jet is dead and Liam chimes in that it was Ciabatta and his men. Liam accusatorily mentions the letter that got them ambushed and Cara claims to not only not know about the letter, but to not know the lingerie lady at all.

Ruby lets everyone know that Kerradin is on his way and Cara says that most of the Castle Candy soldiers have been sent to Castle Many Licks on Cal’s orders. It’s mainly just Cal’s men in the castle--the castle that is currently being redecorated with House Cruller banners. Translation: They’re F’d.

Amethar remembers that Manta Ray Jack is still in the harbor and--after talking Liam out of going rogue and tracking Kerradin--the group decides getting to him and making a break for it is the best bet. They pick a path that will go past the lingerie shop so they can pick up Jet’s body on the way.

They see torches being lit and hear dogs--clearly a search party coming for them--so Ruby uses Prestidigitation to scent the path with anise so the dogs will be confused (which Brennan rewards with disadvantage on tracking checks). Ruby and Amethar are both mortally wounded, but they decide that getting away ASAP is a better option than waiting to tend to their wounds. They roll initiative and head off.

The Sweet Escape

This is another unusual combat episode from Crown of Candy. There’s not so much brawling as there is running and trying to avoid fighting. I don’t think a play by play will be very interesting, so I’ll just give a quick rundown of the highlights.

The mechanics of this is it’s basically a series of group stealth checks until they get to where they’re going. Ruby still has 25 mins left on her invisibility and Brennan lets her cast Mage Hand with a 1st level spell slot to keep Theo’s armor from clinking and giving him disadvantage for seven rounds.

They fail their first round of checks and are spotted by hot-hounds (hot dog hounds, of course). Cumulous tells the group to keep going and he stays behind to handle it. He kills the dogs (yay?) but alerts other guards in doing so. Liam, with his crossbow, headshots the guard about to make trouble for Cumulous and then Cumulous steals his chariot.

Ruby, cantrip master, uses her Mage Hand (feeling a kiss on her cheek as she does) to hold a lantern and send it in a different direction, creating more confusion for the people tracking them.

Cumulous, on a Nat 20 Animal Handling check, fully on purpose (and after taking a bunch of damage from being fired on by ballista) drives the chariot off a cliff.

We’ll get back to that.

Liam, four rounds in, remembers that, oh yeah, he *does* have Pass Without Trace which gives +10 to all stealth checks--a little late but a game changer nonetheless. As he casts it, Cumulous feels the call of something like the Hungry One but not the Hungry One and Liam feels that same weird magical feeling he did running from the Cathedral in Comida.

Cumulous, as he rockets off the cliff (killing the horses in a very Hardwon Surefoot move), uses Fluffwind (his staff) to cast Gaseous Form--dropping his speed to a snail’s pace but saving his candy bacon.

The rest of the group does stealth checks until they make it to Dulcington. Ruby sets a tent on fire with her lantern as a distraction and all of them have to cross a river (the bridge is occupied by guards). Ruby gets a Nat 1 and falls in but Liam gets a Nat 20 and helps her across.

Unfortunately, the initial splash into the river alerted guards and they’re run up on by Ceresian soldiers. But, really, it’s more of a minor annoyance. Between Peppermint Batman critting, Ruby doing some sniping (losing her Invisibility in the process), Theo desperate to not see another Rocks dead on his watch, and Amethar in a full dad-rage, these guys are dead before they even have a chance to attack.

Cumulous drops Gaseous Form and anime sprints back to the gang.

Amethar and Liam grab Jet’s body and then run for the harbor with the others. Theo Messages Jack to get the ship ready because they’re gonna be there in a minute and they need to go NOW.

Enemy archers fire on them but they ignore it and just keep running. When they show up, Jack is confused but they’re like, “Sail now, questions later.”

Brennan says there’s no way they’re gonna get the ship going before soldiers catch up with them but he obviously didn’t count on Amethar going into a rage and just pushing the boat himself, snapping the mooring keeping it docked. As soldiers ride up on them, Ruby uses Mage Hand to help with the few remaining ropes and Theo casts Knock to undo the reins on one of the horses, sending the mounted soldier flying.

They narrowly escape up the river, and that’s where we end our episode.

Thing I’m Concerned About

This is something I mentioned as an aside in the last recap and it seems that it’s become relevant so I’ll be more explicit now. When the tear-away lingerie came up in episode one, it seemed like it was news to Cara (and I’m sure Brennan too because it was obv off the cuff). But last episode, the letter they got seemed to indicate that she was in cahoots with that person. But then in this episode, after a pretty high Insight check that indicated she was on the level, she said he didn’t know about any lingerie lady. Which seems to indicate setup, right? Which would make sense there was nothing at the shop and assassins waiting (assassins who seemed unsurprised to see the kids and not her for what it’s worth). But the way they got the letter, with Cara leaving the room, it seems like she would have seen it. So was that even really her? Is there a bad guy walking around with Disguise Self? If so, Bad! Also Bad! if she actually does turn out to be bad and it was like a DC 30 Insight check to find out, “Surprise! Your mom has been secretly evil this whole time!” Cara calls Ciabatta Imperator before she gets that info and idk if that’s Brennan misspeaking or A Clue and it *better* be the first because I don’t have the energy for *another* betrayal right now. It does seem like exactly the kind of thing you’d use in story to bait the twins if you knew them though, right? Like anyone who even sorta knew them (but especially someone who really knew them like Cal--was he there for that lingerie conversation in episode 1?) would know that was surefire twin-bait.

Don’t love that the SPF is, with different faces and different tactics, corralling everyone to the Mountains. I don’t know what her game is but I Do Not Trust fae. Also, maybe I’m being paranoid but when the SPF said, “Your sister is waiting,” I def had a burst of...your sister as in Jet or your sister as in this bastard child who we know nothing about? Wouldn’t that be such a dirty trick? To skirt fae lying rules (idk if they exist in this world) by talking about Jet a bunch and then saying, “Your sister is waiting,” about a totally different (half) sister?

So who all is working together? Cal last week said he was working with Alfredi and Ciabatta was also working with Alfredi. Plus, Kerradin was there (which, sidenote, WILD. Did Alfredi just take all the heat or something?). But I can't imagine everyone’s goals are fully synced. Ciabatta seems to mostly care for his own power. The Pontifex wants the Ramsian Doctrine fulfilled presumably which puts her at cross-purposes to Cal. What’s everyone’s game here. Is any of this stuff just happening independently of the others and Amethar just has hella enemies/has just lost Concord protection?

All this “like the Hungry One but not the Hungry One” stuff has me suspicious. People have mentioned to me that the noises that Brennan makes when he brings that up are kinda snorty and pig-like which raises two possibilities. It could be the vengeful spirit of Preston--which would go with the ice motif since he’s a peppermint pig and we all know peppermint is the cold magic of candy. It could also be related to the Great Boar of the Meatlands. I can see a pig spirit showing favor to an angry kid who took good care of his best pig friend who then tragically died, even with the cross-food barrier. Idk, we’ll see how this goes.

Ruby, my girl, please don’t do anything rash in your grief. You’re 1000% valid but please stay as levelheaded as you can.

Five More Things

Lol at Ally very confidently saying they don’t have Pass Without a Trace even after being reminded of it and then three turns later being like wait nevermind.

Killshot Thompson at it again with those precision voice breaks at all the most heart-crushing times. I would have loved to have seen Emily’s reactions from video village during the scene with Amethar. And then the, “I can’t lose another. Please,” to Liam? Ugh. My heart.

Ally’s “WHY?” when Manta Ray Jack started ringing that bell was beautiful.

“Another secret black woman,” might be the funniest thing Lou has ever said. And he’s said a lot of funny things. He originated, “Somebody call Wizards of the Coast.”

A second set of double Nat 20s from Siobhan! She also did it in Fantasy High Sophomore Year when freeing Fig from mind control. The only other person I think who’s done it is Lou as Fabian during the arcade battle in FH S1. You can’t really tell because of the way I glossed over the nitty gritty of this ep, but the Nat 20s were really out of control this session. It’s just that, as the cast said in Adventuring Party, Nat 20s don’t get you spectacular things this season. They just mean you get to not die that turn.

#dimension 20 #dimension 20 spoilers #a crown of candy #a crown of candy spoilers #the royal report

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jurassicparkpodcast · 3 years

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James Ronan's Top 5 Jurassic Park 3 Film Moments

The third article in this series counting down my Top 5 film moments looks at the 2001 Jurassic film Jurassic Park 3. Considered by many fans to be the black sheep of the Jurassic Park film series. (Thanks to the Jurassic Vault for the great images)

Jurassic Park 3 had a very troubled development. Directed by Joe Johnston (the first time for the franchise to have another director other than Spielberg) the film never had a final draft of the script before shooting. It released with mixed reviews and only made $368 million on a $93 million budget. It remains the lowest grossing Jurassic Park film and one of the most controversial in terms of canon consistency within the franchise. I decided to take the opportunity to now go over some of my Top 5 film moments from JP3 as the film celebrated its 19th anniversary back in late July. Strangely Universal seems to have a problem remembering the dates of theatrical release for the Jurassic films. Jurassic Park 3 according to the Jurassic World Twitter account released on July 17th, 2001 but in fact it actually released on July 18th, 2001 theatrically. Jurassic Outpost recently conducted a very interesting interview with Shelly Johnson the Cinematographer on JP3, it is well worth checking out for some in-depth film insight on the production and development of the film.

Before I get into my Top 5 moments, I want to just mention a few of the reasons why JP3 remains a controversial instalment in the Jurassic Park series among the fandom. Jurassic Park 3 again takes place on the island of Isla Sorna, the same island that was seen in The Lost World: Jurassic Park. Sorna in JP3 looks radically different in terms of flora compared with what was seen in The Lost World with lush tropical forests compared to the redwoods seen throughout most of the previous film. Many fans speculate that Sorna has a diverse flora on the island with different biomes being separated by the different sides of the island. It was an interesting choice to change the vegetation from what was seen in The Lost World for the third film and remains a debated topic within the fandom.

We are also introduced once again to some new Velociraptors in Jurassic Park 3. These Raptors are more intelligent than the previous Raptors we have seen throughout the series. Behaviour of the Raptors is a big plot point of the film with Dr. Alan Grant and Dr. Ellie Sattler discussing their intelligence, before we get a scene of Billy showcasing a 3D model of a Velociraptor resonating chamber. The Male Raptors are shown with quills on the backs of their head and neck, a palaeontology characteristic introduced to make the Raptors a bit more accurate and to appease fans who wanted to see feathers on display in the film. Speaking of Dr. Alan Grant and Dr. Ellie Sattler both Sam Neill and Laura Dern return to Jurassic Park 3 with Sam Neill again in a major role, despite both actors missing from the previous instalment in the franchise. Whilst Sam Neill and Laura Dern’s return to the franchise was most welcome, many fans had and continue to take issue with how their relationship changes from Jurassic Park to Jurassic Park 3. With Ellie now married to Mark Deggler (who works for the US State Department) who she has two children with. Alan is very much on his own and still working on dinosaurs helping palaeontology students like Billy Brennan. Whilst I am very much excited for Sam Neill and Laura Dern’s re-appearance in Jurassic World: Dominion, I am really hoping they keep the dynamic they had as friends from JP3 and don’t break up the family Ellie had in the third film. Just leave it be, as Jurassic World: Dominion has enough to cover as it is following on from Jurassic World: Fallen Kingdom. Another issue JP3 brought up is around the Pteranodons being shown free at the end of TLW and another species of Pteranodon being caged up and finally getting free during the events of the third film. Whilst these issues may seem trivial to some, Jurassic Park 3 does not really address any of them, which is why they remain hotly debated topics within the fandom.

Unlike the previous films John Williams does not return to score the film. Don Davis takes on the composer role with a soundtrack that is quite different from the past Jurassic films but still retains some of the classic Jurassic themes. Jurassic Park 3 is my least favourite film in the franchise, but the film does have some great sequences and character moments that are worth looking at so let’s break down what moments really impacted me shall we?

5. Billy Stop! (The Pteranodon Attack Sequence)

The Pteranodon attack sequence is up as my 5th Top moment from the film. Many fans including me love the Pteranodon Aviary design, the layout, and the amount of mist throughout the sequence which really set the scene as a completely strange and unknown part of Isla Sorna. The Pteranodons themselves showcase behaviour which can be related to the original Jurassic Park novel. The Aviary sequence in the original novel is very different, but it was nice to see that JP3 took that sequence as inspiration and made its own thing whilst still referring to the original novel with Alan, Lex, and Tim. We knew Billy would end up using the parachute further on in the movie as when they first discover it, after the Spinosaurus attack sequence Grant asks Billy “if he can fly one of those?” Overall, the sequence is well done and when Billy gets attacked by the Pteranodons in the water, the attack is brutal.

The music by Don Davis in this scene also amps up the horror of Billy being tortured in the water as he goes down stream whilst another Pteranodon turns and looks at both Dr. Grant and Paul Kirby. It is surprisingly quite a dark scene for JP3 which overall has the lightest tone of any Jurassic film. Ultimately Billy survives the attack sequence, which for me really negates the impact of the attack in the first place. If anything, it would have been more appropriate for Dr. Grant to have found Billy’s body later on washed up on a riverbank, with Billy holding Dr. Grant's hat. Not only would have it been a poignant moment, but it would have aided Grant’s development further to have lost a student on such an expedition that ultimately shouldn’t have occurred in the first place.

4. What’s a bad idea? (The Spinosaurus Plane Attack)

I think many JP3 fans might be surprised that this is 4th on my list in terms of Top moments in JP3. But my main complaints in this scene relate to the behaviour of the Spinosaurus aegyptiacus itself which as a plot device, seems to have a knack for following the main group around the island. The death of Cooper is so well done and is in my opinion the best death in JP3 period. The setup for the Spinosaurus from Coopers death is so well done that the aeroplane attack sequence just doesn’t live up to the awesome death we just saw moments before. We also don’t see any remorse or loss from Udesky or any of the group that Cooper and Nash have just died after the plane attack and it is just odd to say the least in the context of the film.

I do have issues with how the plane attack sequence takes place. The fact that the Spinosaurus can track down the plane after it crashes rather quickly without anyone hearing it approach until it breaks open the plane is a major problem I have. Whilst this type of issue can also be compared to the Tyrannosaurus Rex appearance in the Visitor Centre at the end of Jurassic Park, how this scene takes place in JP3 with the Spinosaurus is very different. We assume that the Spinosaurus is a fairly intelligent animal to have tracked the group down and to destroy the plane the way it does, but later on in the film when it finds the group at the fence and also attacks the boat on the river we see that the animal doesn’t have much behaviour at all. Unfortunately, the animal is only used in servicing the plot and we don’t see anything more to it then to just act as a B movie monster. I really like the Spinosaurus design for what it was/is and the animatronic as well as the CGI still look really good on screen, despite the animatronic being stiff in some sequences.

I do like the scene when the plane falls out of the tree and the group are all screaming as we get a cool shot of the plane just crunching up as it hits the ground under its immense weight. It is also the first and only sequence throughout the films where an aeroplane comes under attack from a dinosaur. It makes my 4th spot though for setting up the Spinosaurus for what it ultimately is, a movie monster with little character. It is a shame that the Spinosaurus is showcased this way because it was the first Spinosaurid to be featured in a Jurassic Park film. Ultimately a lot of this comes down to the filmmakers deciding that a bigger and scary dinosaur needed to take down the T.Rex and become the focal point for the film. But the Spinosaurus lacks animalistic behaviour, something we saw more from the other dinosaurs throughout the previous two films. We never see it drink; we never see it sleep. We don’t see it hunt other dinosaurs (apart from the T.Rex kill) or fish despite spooking them in the river. It is just there to chase the group around the island and in its final scene, it runs away from fire and is never seen again.

3. Brachiosaurus on the Bank

Third on my list takes place after one of my favourite JP discussions throughout the films. I must quote it below because not only is it so poignant in the context of the film but is one of those moments in JP3 that was needed a bit more throughout.

Dr. Grant: I have a theory that there are two kinds of boys. There are those that want to be astronomers, and those that want to be astronauts. The astronomer, or the palaeontologist, gets to study these amazing things from a place of complete safety.

Erik: But then you never get to go into space.

Dr. Grant: Exactly. That's the difference between imagining and seeing: to be able to touch them. And that's... that's all that Billy wanted.

This discussion between Alan and Eric was another plot point that made me want to pursue palaeontology as a career. My dream career after seeing Jurassic Park was palaeontology but this discussion in JP3 also hit me and has stuck with me ever since I saw the film back in 2001. However, whilst this discussion has resonated with me a lot over the years, I want to discuss the scene after, where we see most of the herbivores of Isla Sorna along the river whilst the classic Jurassic theme is played. Probably one of the mot awe-inspiring moments in the film, echoing the Brachiosaurus scene in Jurassic Park.

We see four Brachiosaurs alongside two Ankylosaurs, a herd of Stegosaurs and a few Parasaurolophus in the background. All the dinosaurs in Jurassic Park 3 are depicted with the most colourful designs we have seen throughout the first three films. The Brachiosaurs in particular display a very distinct patterning with a red skull and orange eyes. As someone who likes the improvements in colour design that the dinosaurs display in JP3 the Brachiosaur colour design is bizarre to say the least especially the skull where the redness is quite patchy. The eyes are also orange which contrasts too much with the red and the rest of the colour pattern. Regardless of the dinosaur designs the scene itself is set up and executed very well. The boat just casually glides down the river as the dinosaurs watch on. You really feel the size of the dinosaurs in this scene and it brings back that sense of wonder and awe of these creatures which we didn’t get in TLW apart from seeing the Stegosaurus herd for the first time. Whilst the river scene in JP3 is very brief it goes a long way to allowing the film some breathing room just taking in the dinosaurs in their island environment.

2. This is how you play God. (The INGEN compound)

Down to the final two now! My second on my list of Top moments must be the INGEN compound and its exploration by the group of the genetics laboratory/Embryonics Administration. There are two key things that make this scene outstanding. The first is the set design which is incredible, especially with the sunlight coming in through the windows. I love the grittiness, dirtiness, and rawness of how the genetics laboratory looks, as it was left after releasing the dinosaurs into the wild. We get a real sense of the experiments INGEN was doing on the dinosaurs with the green tanks as well as how they were looked after with the incubators. The second thing I love about this scene is the score that plays alongside it, called the Raptor Room. Again, this score is very reminiscent of the Hatching Baby Raptor theme from Jurassic Park and fits so incredibly well with the group walking through looking at what INGEN was doing. The theme captures that wonder of creation which we first saw in Jurassic Park with the hatchling baby Raptor but applies it in different circumstances whilst looking at experimental dinosaurs and hatched eggshells.

The INGEN compound is also a huge plot point in terms of INGENs operations on Sorna which was discussed in TLW where Hammond mentioned “Site B being the factory floor” for the dinosaurs. Here we truly get to see the factory floor in all its glory and for me it is one of the most interesting scenes in Jurassic Park 3. As someone who loves both the original novels, knowing that the INGEN genetics lab/compound is a huge part of the second book, I was thrilled when it was shown on Sorna within the film. The way this whole scene is shot remains for me one of my favourite scenes in JP3 and it adds some really interesting backstory to INGEN as a company, how they operated and how things were left when they released the dinosaurs on Sorna and left the island.

1. Dr. Alan Grant Palaeontology Lecture

Going full circle my Top favourite film moment within Jurassic Park 3 belongs to the man himself Dr. Alan Grant in his palaeontology presentation on Raptors. One of the earliest film scenes taking place only seven minutes in, the way this scene is presented shows what many palaeontologists do at some point in their lives, giving presentations/lectures to the public. I really love the scene because it takes place like a proper lecture. It gives backstory to the viewer as to Alan's life as well as the current discussion going on regarding Raptor intelligence at the time, something of which is brought up throughout and becomes a focal point of the film's story. We see Raptor claws on display as Alan talks about the theories surrounding Raptor intelligence and behaviour.

Unlike Jurassic Park where palaeontology is seen in the field it is great to see JP3 embrace palaeontology talks to the public as it shows engagement with the wider audience and in this case the cinema audience. Obviously by now everyone in the lecture room knows about INGEN, Nublar and Sorna after the events of TLW due to the San Diego incident, and others like Ian Malcolm breaking NDA speaking out about what INGEN was doing and the deaths as a result. Alan calls INGEN out for “creating nothing more than theme park monsters, nothing more and nothing less” in the lecture room. This view changes again later in the film when Alan says to Billy on the plane “he forgotten”, referring to forgetting what it’s like to see a dinosaur for the first time. I enjoy the way the lecture talk plays out with Alan refusing to take questions relating to Jurassic Park and the San Diego incident. The fact that the Islands are such a present focus suggests that Alan just can’t get away from being linked to Jurassic Park and the events he was unfortunately involved in. What can be clearly seen is that Alan is tired of it all, he never wants to go back to the islands. He ultimately has a love hate relationship with the INGEN dinosaurs and what Jurassic Park was all about.

Many fans like myself take issue with Grant going so easily to Sorna with the Kirby’s due to money and most fans agree that it is such a 180-character change after saying “no force on earth or heaven could get him there”. Ultimately though, Alan is very much impacted by past film events and it is shown throughout. It is just a shame that by the end of the film these changes throughout his character are just left, nothing is done with them at all. After surviving another close call of death on another dinosaur island Alan isn’t too worried about the creatures getting off or the Pteranodons leaving Sorna for new nesting grounds.

This contrasts greatly to Ian Malcolm’s view of the world and the destruction caused by the genetic power INGEN unleashed as he sees it. This is an underlying theme in TLW from Malcolm due to his involvement on the island and his injury but is seen much more bluntly in Jurassic World: Fallen Kingdom. It will be interesting to see how these different views of INGENs dinosaurs will be shown when both Ian and Alan are shown on screen together in Jurassic World: Dominion. I would say Alan falls somewhere in the middle whilst Ian seems to be vehemently against genetic power being out in the world. Regardless of the changes to Grant's character throughout JP3 the palaeontology lecture is a great piece of exposition, backstory and set up for Raptor intelligence. As well as Alan's life in the spotlight and what many palaeontologists enjoy doing, giving thrilling lectures on dinosaurs to the public. Because it is filmed so well and so enjoyable to watch it makes my number one spot as my favourite film moment from Jurassic Park 3.

Written by: James Ronan

#article #james ronan #jurassic park 3 #top 5 jurassic park 3 film moments

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geneeste · 5 years

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One-shot fic writer meme

list your five longest one-shot fics on AO3 (not chaptered works or series) with the word count, fandom, year, and comments/kudos/bookmarks. one-shots are the short stories to fandom’s books and a distinctly different process in my experience.

@lovebeyondmeasure tagged me (;])

1. falling in reverse (7333 words - Arrow, Oliver/Felicity - 2018 - 32 comments - 284 kudos - 34 bookmarks) I only posted it in two chapters because of a POV change, so I’m counting it as a one-shot. I started this one because Felicity had been through this horrible trauma and injury and this supposed miracle cure and there was basically no follow up about that — nothing about her recovery, the struggles she likely had, or how she was coping with the less than ideal circumstances surrounding 5x20 (plus I really really needed to rehab Oliver. Really.). It took ages to write. AGES. Like 9 months. I gestated this fucking thing and birthed it and it was nearly as painful. Also it went through like 15 people before I finally finished it. This story is never coming down, ever.

2. Forfeit (4681 words - Stargate SG-1, Sam/Jack/Team - 2011 - 7 comments - 40 kudos - 4 bookmarks) This one was borne out of a similar dissatisfaction with a show. In this case, I was always frustrated by how sterile the combat was and how few consequences were actually shown as a result. I think people liked it, but also lots of people kinda hated me for, um, MAJOR CHARACTER DEATH reasons. It’s not an easy story by any means, but it’s among the stories of which I am the proudest. I’m still mad at myself for not giving Teal’c a bigger role in this story, though — I sat with it for a long time trying to make his voice work and it’s one of my biggest failings that I couldn’t. In the end he had the most important line I’ve possibly ever written, and I hope that makes up for it a little.

3. the devil’s right there in the details (4479 words - Timeless, Wyatt/Lucy - 2017 - 54 comments - 248 kudos - 36 bookmarks) In a nice change from the two above, this one was incredibly easy to write. It was one of those rare occasions when the 1) the plot came to me in a flash, 2) the narrative just flowed out (which is generally not normal for me), and 3) the characterizations just seemed really natural to me. I love the nutty conspiracy-theoristyness of it and teamyness of it. One of my faves just because of the smooth experience I had writing it.

4. god himself would call it justice (3774 words - Arrow, Oliver/Felicity - 2016 - 41 comments - 137 kudos - 26 bookmarks) This story. Oof. This one is also a little brutal. (I’M SORRY. Why do I love hurting my faves? I don’t know, but I doooooooooooo.) I also spent a ton of time on it, listening to Chris Pureka's most depressing music on repeat. For weeks. (I am a very slow writer, have you figured this out about me?) I really loved (and still love) a darker Felicity (or, at least, a Felicity who’s allowed to have more emotional range and depth), and have always been intrigued by the idea of flipping the power structure between Oliver and Felicity. Also one of my favorite stories.

5. back in the ring (2915 words - Arrow, Oliver/Felicity/OTA - 2016 - 16 comments - 83 kudos - 8 bookmarks) Oh my god, why am I like this? I AM THE WORST. But also -- I guess a running theme in my writing is how there are always consequences and growth for characters when you put them through the wringer for the sake of plot. Be they physical (like in Forfeit and falling in reverse) or emotional (like in god himself or this fic). There have to be consequences, otherwise what is the point of all the misery? I always need for there to be a point. In this case, the point was (and always will be for me) that the original Arrow team need each other on a level that is just fundamental to their identities and well-being, and they’re always fighting to get back to each other.

Okay, so this list desperately needs to lighten up, so honorable mentions!

5a. Cabin in the Woods (2891 words - Arrow, Oliver/Felicity/Team - 2016 - 45 comments - 294 kudos - 28 bookmarks) I love this fic so much. It was SO much fun to write, and it came absurdly easy. Also I think I was maybe a little drunk when I wrote it? (I don’t make a habit of writing and drinking, I swear!) Anyway, I love writing humor and half the time I suck at it, but I think I nailed it with this fic. It’s so silly. My beloved.

5b. The Dark Ages (2120 words - Bones, Brennan & Hodgins, Brennan/Booth - 2011 - 10 comments - 137 kudos - 21 bookmarks) This was a prompt response during a comment fic-a-thon on LJ (requested by an author whom I love, Amilyn). And -- y’all, do you have any idea how hard it is to make childbirth interesting? IT IS NOT EASY. I really love this little fic because I got to write a sort of unusual friendship and play with the emergency baby express trope. And also, this is another one that, although tricky, wasn’t a huge pain to write. I count it as a big win, and a fave. ;)

Seriously, all my writer friends should do this and say I tagged you so I can read back through your fic. Consider yourselves all tagged. <3

#fanfic #arrow fic #bones fic #sg1 fic #timeless fic #oliver queen x felicity smoak #brennan x booth #wyatt logan x lucy preston #OTA #sam carter x jack o'neill

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piracytheorist · 5 years

Text

My Notes on Rewatching “Call Girl”

I amuse myself by thinking that watching this film is an important rite of passage for anyone who’s an all-in Colin fan, as in, one who’ll watch anything and everything he’s in, no matter the content, theme or quality.

I actually used to think that this was a pretty bad movie... but, as you might have seen from my last few posts, I recently realized this isn’t the case. Sure, it is not your average short film, but breaking it down you realize it’s doing most things right from a filmmaking point. I mean, you don’t have to love it, but it does a great job overall.

And I mean, it’s got Colin in it. How bad can it be? ;)

Beware of spoilers, if you haven’t seen the film. And if you do wanna see it, here it is :D

I'm still surprised that... this is it. That's Colin freaking O'Donoghue right there. The pirate. The cowboy. The astronaut. The man the myth the legend.

Ah, early 00's.

Wait. Ok let's make a breakdown of the decoration here. There's: 1) a heart anatomy poster 2) a frame with an undiscernible picture 3) IS THAT AN ASTRONAUT FIGURE? dun_dun_dun.mp3 4) a small penguin (?) plushie with a nautical (?) hat on it 5) are those... mantis figurines stuck on the sides of the screen????

Oooooh boy you sure have some very specific decorations on your desk.

The music stops abruptly when Brendan's mother calls out to him to not close the door because she wants to see him studying. That's interesting. Also how old is Brennan supposed to be? Is he supposed to be in high school, or an adult in college? What was the age of consent in Ireland in 2003?

This vibe, though. White perfect shirt and dark vest...

The look of "I'm gonna look at hot girls with my bedroom's door open while my parents argue across the hall" ALSO YES THAT'S A MANTIS

This just makes me laugh so much. Can you imagine sweet innocent (mostly) virgin Brendan typing it and his heartbeat skyrocketing?

Seriously though, that "Welcome back Brendan" thing. With one small addition you add a whole point in his backstory about him trying to deal with his urges.

Jesus I have forgotten so much. As soon as Brendan hears his mother coming, he immediately clicks "Dump her" on the "Virtual Babe" and it just... explodes.

With a full low-quality boom sound effect to boot. Like seriously if you were trying to hide why the f have your speakers on. You had one job, Brendan.

A rare glimpse into Brendan's room, and I'm trying to understand what the pattern on his sheets are. Maybe I'm just confused by the astronaut figurine, but it looks... vaguely... about space? Like, if you squint, the circular thing on the top left looks like Saturn's rings. No?

Also, Brendan's mom being obsessed with disinfection. That was 2003.

"I don't want filth getting into my house while I'm gone." And two hours later, her son has sex on her bed.

Oh wait, his father says "The only contact [Brendan] has with the outside world is through that bloody computer of his," in a... weird, tone? Like he's trying to placate the mother's fears of any rave party suddenly taking place in the house, but also with his tone (and maybe by using the word "bloody"? idk I'm no native speaker but it piques my interest) it doesn't seem like he's very... understanding and/or supportive of his probably very shy and/or socially awkward son.

Mom: That reminds me, block off the internet, will you? Dad: *scoffs* Why not lock him in a tower while you're at it?

He is sassy though!

Lookit him though! So sad he won't be able to create and look at Virtual BabesTM while his parents are gone.

The parent's accents strike me more towards a British one and I got confused for a bit, but then I remembered that we see Brendan use euros later, lol.

*hatching the plan to search in his father's briefcase for any cards for escort services*

This is where I started feeling that this movie is better than I’d remembered. Like, it does the job of delivering Brendan's guilt over "tresspassing" into his parents room and disobeying his mother, as well as his fear of being discovered, even though he watched his parents drive away, so he'd hear the car if they came back, in a pretty well-done and clear way.

I love how he immediately knows exactly where to look. His father's such an organized fella. Also those pills that he seems to not need immediately (thus leaving them behind for the weekend) are... something. They're put there for a reason and I wonder what that could have been.

There's not even a moment of hesitation, once he opens the briefcase. He doesn't put the card back in, he only looks briefly at his parents' photo but then he's like "Yeah. I'm doing it."

That smile as he sees the card though, lol.

Casual reminder to have safe sex, lads.

And then the phone operator is like, full business mode. Brendan stutters for one (1) second and she's immediately like, "You want a girl?" She's like, I've had tons of people like you, lad, can't waste my time waiting until you find the courage to ask. You wanna hire or not?

OH MY GOD I JUST REALIZED The operator asks for the address, Brendan gives it, then asks how much does it cost. Then the operator says "Same as usual." BRUH she knew the address from how often his father used the service!

And then poor Brendan checks his savings and his "Uh..." says it all about how he wishes he could hire someone for longer than an hour. Bro, calm down. It's your first time.

And then he's like, waiting all anxiously by the door. I've never hired an escort service but I feel ya dude.

And of course Barbara the nosy neighbor, here to bring us to the edge of our seats, lol.

Look at how organized their fridge is. Why is that chick suddenly so eager to cook something for him? There looks to be so much food already prepared in there.

And dude. This movie has set-ups. Barbara tries to open a cupboard to like pick up ingredients to cook something, and Brendan, with a sudden "No!" rushes in and closes it. It only makes sense later, when we see that that's where he hid the money for the call girl.

Yikes she booped his nose as she left... what is he, ten? I mean even if he's supposed to be a teen here it's still... like... he's not a little boy to fucking boop his nose. No wonder her mother seems to trust her with taking care of him, with how both treat him like he's a child.

Hi there! You're gonna die :D

Shit I just noticed the portrait on the wall. Is that a... is that a fucking ruff collar his mother is wearing???? (btw I had to search to find that term with "shakespeare collar" XD)

I mean... you can't help falling for it. At first you're like, she seems too... simple for a call girl. But then you're like, who else could it be who also knows his name?

I wonder what would've happened if she hadn't asked to use the bathroom, which prompted her to look at his parents' bedroom and him to... initiate contact. Would he have mustered the courage to actually ask her about it or would he have been so flustered until she'd say something? What would she say? "You know, your mother said you would [something]" and he would FREAK THE FUCK OUT because how does his mother know? Would they have stayed there in awkward silence long enough for his mother to call, him to pick up and find out what she was really there for?

I mean, look at that! I'm speculacting the "what-ifs"! Good fucking movie!

That look, though. You suddenly go from "Aw you cute" to "WTF I know you're thirsty for it but that's... creepy"

Look at that smile, though! She is pretty nosy!

I just... I love everything about this. The way she's smiling at nosing in in her boss' bedroom. Him creeping behind her like the future killer that he is, actually scaring her. The way he says "This is my mother's room," so shy and collected. The fucking music, too. How it slowly builds up from the moment she spots the bedroom and it starts developing when Brendan kisses her.

And that kiss. So chaste and shy and yet she's like, wow yeah let's have sex now.

"You're not as shy as you look." LOL

For the pre-sex scene I just wanna link y'all to @killian-whump 's post about it, since it says it all.

Also dude the voicemail is set up from that moment too, but we've yet to hear what it includes, aside from his mother being bossy about the smallest things. "I hope you haven't gone back to bed." IF ONLY YOU KNEW. Not only what bed he's gone to, but also what he's doing on said bed.

"You don't waste much time, do you?" Lol if only you knew. And again his first response is to apologize if he did anything wrong.

And you know what? Plot twists are a hell of a lot of fun and well made when they make you go back and see things with the new perspective. Like, how chill and simple she was, why she said the last line I mentioned, the newly-known reasons why she said it was kinky to have sex in his mother's bedroom... *slams hand on table* That's a great way to do a plot twist! A fucking plus!

Like seriously, this convo: B: Have you met my father? M: No, but a lot of the other girls have though.

Pre-plot twist viewer: Wow whAT how do you say it like that Post-plot twist viewer: Yeah makes sense

M: I think he gets sympathy from them, like, you know, cause his wife's such an old witch... *realizes* Oh, I'm sorry! I shouldn't have said that! *more failed excuses and then THAT face*

And like, that's a bit inappropriate in any case but pre-plot twist you're like WTAF. And then you're like eh makes sense for frustrated employees to pity their bitchy boss' seemingly calm husband...

And there's that set-up from before. Job well done, film.

And then their argument about the money. Brendan being confused about the amount, Mandy saying she'll come back and speak to his mother about it...

Seriously though what if he'd found out the voicemail after he'd had sex and before the "confrontation"? Would he like, have sent her on her merry way with all the money and then had more sex with the actual call girl?

And then his instinct, to try and make sure his mother won't find out, is to fucking threaten the woman with a knife. Wow, a little too much, Brendan. And then his first instinct, when they're fighting, is to search and grab the knife and fucking stab her. Lbr though that's just baby Colin finding his call for playing messed-up characters.

Also how did she die so quickly. Guess I found one weakness in the plot XD

And now you're like Jesus he just murdered her but when Barbara comes a-knocking and he looks at her and exasperatedly calls her name, you're like... same, bro.

And the stupid bastard didn't even wash the blood off his arm. Like seriously, Brendan, either do a murder correctly or don't do it at all. At least you can't say he wasn't dedicated, bro sliced his own arm open. *pats head* you'll learn, my little murderous bean, you'll learn.

Brendan: I was doing the dishes. Barbara: Did your parents leave them for you to do? They must have left in a rush this morning.

Yes, Barbara, he can do the dishes, he's in an undetermined age between late teens and-

Barbara: They didn't even make their bed.

Wtf you nosy bitch.

See what I'm saying? Full character development for a character with like, two minutes of screentime.

And then the voicemail drops like an anvil. My first thought when his mother said that Mandy is nothing but trouble I was like "Yo look who's talking" but then I thought that... yeah she did creep in her boss' bedroom, actually had sex with her son in it, then pretty much talked dirt to him about her... I mean she definitely didn't deserve to die, but maybe his mother was a good judge of character for one (1) moment.

And then Lorraine appears.

And Brendan's like "Now I have money for like, three hours with her. Maybe I'll even convince her to help me hide the body too."

“OR MAYBE I’LL JUST KILL HER TOO.”

In conlusion, yup, I’m pretty glad I spent a good hour and a bit watching, analyzing, writing this review and screencapping this film. 10/10 would rewatch and review again.

#Colin O'Donoghue #/#//#///#////#Call Girl

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anachroniisms-blog1 · 5 years

Text

&&. —(amelia caitlin hawthorne)? yes, (she) does look a lot like (stella maeve), but (she) is just a (thirty) year old (witch) and last i heard, they were (the sheriff) . around east end, people say (she) is known to be quite (-self-destructive), but can also be (+resourceful). maybe that’s why (amelia)’s theme song is (devil like me - rainbow kitten surprise)?

Like this and I’ll slip into your DMs to plot!

BACKGROUND

[tw: child death, death, dark magic in general]

“Put your faith in science, anything else will only lead you astray.” This is not the first thing Amelia hears her father say to her but it is certainly the first thing she attributes to him. Amelia Caitlin Arlen-Hawthorne was born in the midnight hour in Piedmont, California one late October. She was a curious minded child and at a young age she found a passion for science. Though Cassandra was the sole child of the Arlen-Hawthorne household, she knew little about her parents. There seemed to be a certain kind of distance between them. There was her father, stern and scientific. He was a forensic scientist who was overworked and underpaid. And then there was her mother, kind and esoteric, whom Amelia only knew from the side of a bed. Cassandra passed away when Amelia was 10, leaving the majority of her life a secret. This included her status as a witch.

Amelia’s magic started showing itself soon after her mother’s death. The sadness she felt manifested itself through her powers and Amelia, completely unknowing of just what she was, was terrified. She kept her magic to herself, convinced she was going crazy.

It was chance that about a year or so after her stumbling onto her magic, the Lux Coven, especially the Hawthorne family, came knocking. Brennan Hawthorne, Cassandra’s brother, showed up on the Arlen-Hawthorne doorstep in Piedmont, California. Brennan had his sister’s kindness but he and Cassandra differed in that he did not share her distaste for light magic; the very distaste that had led her to dissociate from the coven years ago. Brennan wanted to teach Amelia about their family’s legacy, to show her what she was capable of - show her that she was capable of great good. In Brennan, Amelia finally saw an opportunity to gain some answers about her mother and herself. Intent to keep family close, Brennan offered Amelia the option to come spend every school with the coven.

That’s exactly what happened. Every year till she was 21, Amelia stayed with the Hawthorne side of the family. Every year she fell more in love with magic and less in love with science. It didn’t matter if it was light magic, Amelia felt a sense of community with the Hawthorne’s, something that was a first time for the only child. When she finally graduated with an undergraduate degree in biochemistry like her father, she had no intention of actually using the degree. Amelia bid her father farewell and moved to East End to become a part of the Hawthorne coven.

Amelia grew close to the Leroy family during this time. She dated the oldest, Jameson, through high school.

When Jameson left for Oregon at 18, Amelia stayed in East End for college. She double majored in Biochem and criminology.

It was at some point, during her undergraduate studies that she found herself dating Jameson’s younger brother, Bennett. The two fell in love and soon got married. He was dedicated to the Church. She found a way to live with that.

Tragedy struck when their first set of twins was still born. A wedge formed between the two.

The Hawthornes were part of the Coven of Amaranthus and were naturally attuned to light magic. But East End has its dark corners. Amelia took up magic with her childhood Jameson that was looking for an apprentice. The young witch took up an apprenticeship without telling any of her family or coven.

Amelia’s hopes and dreams blinded her to the reality of the situation. She hoped to be a strong witch, one that could catch up to the rest of the coven. She felt behind, having grown up California - away from all this. She dreamed of Jameson and saw the two of them building something new and stronger together. For a few glorious years, Amelia felt seen.

It was only her hopes and dreams. Jameson had something darker planned.

Jameson needed Amelia’s bones, see? All 206 of them for this little spell he wanted to try. A thing he’d finally been sitting on and developing for years. When he told her about this spell, he failed to mention how she’d be part of it. It was probably her survival instinct that saved her by the skin of her teeth in the end. They gathered the ingredients and began the steps. Amelia’s felt the dark magic sweep through her, rattle her bones, maybe even realign a few, and somehow she knew that danger was heading towards her like a freight train.

She escaped, after a fight of course. She managed to get away with her life, a wounded heart, a cursed body and… Jameson’s grimoire.

The young witch ran. Home was her first inclination. But when she arrived, she found she didn’t have it in herself to tell her uncle or her Coven about her own stupidity. She deserved what had happened to her. This was obviously the price of something else replacing her Coven in her mind’s eye. It was betrayal, wasn’t it? It weighed down on her like a great shame. Amelia felt so stupid for trusting, for loving. She slunk back to her coven tail between her legs.

But something felt wrong. While Amelia and Jameson hadn’t completed the spell (whatever it was supposed to do), something had nestled within her nonetheless. She flipped through the stolen grimoire searching for answers and found none.

Amelia has been in East End for a while now. Sure she’s a witch, but that’s not exactly a full time occupation that puts money on the table is it? For as long as they’ve been in East End, the Hawthorne’s have been protectors of the land. She started off as a detective and has worked her way up. She is now Sheriff. It’s an occupation her father would have been proud of.

ABOUT (TL;DR)

Her mother, Cassandra, was part of the Coven of Amaranthus in East End, the oldest coven in town, but Cassandra grew up in California away from it

When her mother passed away, Amelia was whisked away to East End to join her mother’s coven and was brought to live with the Hawthorne side of the family.

Amelia felt out of place in the new town, but felt at home with the Leroys. Dated Jameson through high school. Broke up when he moved to Oregon.

Went to college. Met Jameson’s younger brother, Bennett there. They dated. They got married.

Their first set of twins was still born. Amelia and Bennett grew apart.

Amelia turned more towards dark magic.

Jameson, now back in town, took Amelia under his wing as his apprentice. They struck up an affair.

Jameson had sinister plans. The witch wanted to use her for dark magic, Amelia barely escaped - and something most definitely went wrong. She’s trying to figure out what’s wrong with her. All she has is the grimoire of the dark witch she escaped from

She’s trying to do justice to the Hawthorne name. Is now Sheriff of East End. It’s her whole life.

She avoids talking about her stray from the light at all costs

PERSONALITY / OTHER

Goes by her middle name amongst close friends.

Amelia loves to read. While she has a strong taste for the classics, her heart still beats for all things scientific and analytical. Her degree was in biochemistry and a copy of the Scientific American can stop in her tracks.

She has an undeniable passion for the outdoors with little tolerance for an urban sprawl. Amelia makes an effort to go camping at least once a month. When not dressed for work (where she likes to make it appear that she has at least some semblance of control) she is wearing boots and flannel.

She is a heavy smoker; a bad habit she picked up since moving to East End. Amelia rolls her own cigarettes. She enjoys the method associated with the gesture and it allows her to be picky with the tobacco she uses. It’s calming and she appreciates the deep irony of assembling something that is slowly killing her.

Amelia has taken on a lone-wolf personality. She has few friends if any, and so most of her time is spent investing in the relationships she has with her clients. Even though she wants community more than anything, Amelia is purposely keeping herself at a distance from other people. If there was one phrase guiding her life at the moment it would be: “Trust no one” - for sake of her safety and theirs.

She is an inventor at heart, always trying a new potion or inventing a new spell.

BASICALLY WITCH JESSICA JONES / RAYLAN GIVENS

WANTED CONNECTIONS

Exes

Clients

Friends That Make Sure She’s Still Alive

Witch friends

Enemies

Anything in between - give this a like, and we can figure something out!

#eastend.intro #( amelia hawthorne ; devil like me )

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eddycurrents · 6 years

Photo

For the week of 27 August 2018

Quick Bits:

A Walk Through Hell #4 focuses largely on flashbacks to the case the agents were working before whatever’s currently happening happened and...I’m not really sure of anything that’s going on. I think that’s kind of the point, unsure as to how everything is supposed to connect and what any of it all adds up to. Great art from Goran Sudžuka and Ive Svorcina, though.

| Published by AfterShock

Beyonders #1 is off to a great start. Between this and The Lost City Explorers, it seems like AfterShock right now has pseudoarchaeology stitched up and it’s wonderful. Paul Jenkins, Wesley St. Claire, and Marshall Dillon kick this one off with a wee bit more crunch, though there’s a very interesting upheaval this issue that will make you wonder what’s going on.

| Published by AfterShock

Blackwood #4 brings this series to an end and it is dark. Very dark. Evan Dorkin, Veronica & Andy Fish have crafted a wonderful horror story here, with some interesting twists, and one hell of an ending.

| Published by Dark Horse

Bone Parish #2 takes a deep dive in to some of the foundational moments of the Winters clan, even as they begin to deal with the fallout of one of their dealers dying from an overdose. This is great stuff. The art from Jonas Scharf and Alex Guimarães is incredible. Great detail and atmosphere, perfectly bringing to life the premise and characters from Cullen Bunn.

| Published by BOOM! Studios

Brothers Dracul #5 circles back around to the beginning of the story, as we reach the end of this interesting retelling and interpretation of the intersection of both the historical and legendary story of Vlad the Impaler, from Cullen Bunn, Mirko Colak, Maria Santaolalla, and Simon Bowland. There’s an interesting twist here that certainly paints Vlad’s action in a different light, and I hope we see it followed up upon in a second series.

| Published by AfterShock

Cyber Force #5 is a nice change of pace as Bryan Hill, Matt Hawkins, Atilio Rojo, and Troy Peteri introduce us to another old familiar face. This incarnation of the team definitely is taking its time to be brought together, but when the storytelling is as entertaining and the artwork is as gorgeous as this, it doesn’t really matter. To note, though, this is not the kind of decompression that feels empty or padded, it’s just fleshing out characters and their lives more than what we’ve seen before.

| Published by Image / Top Cow

Daredevil Annual #1 presents a standalone story of Misty Knight’s days as a detective and her first meeting with Daredevil. It’s good. It feels a bit more like a pilot for a Misty Knight series than necessarily a Daredevil tale, but, as I said, it’s good. The art from Marcio Takara and Marcelo Maiolo is nice. I really like Takara’s style which gives me hints of Phil Hester, Jim Mahfood, and Tomm Coker.

| Published by Marvel

Dungeons & Dragons: Evil at Baldur’s Gate #5 is another fun one, with a focus this issue on Boo. I’ve really enjoyed this series, with Jim Zub giving the party a bit of a breather between larger adventures and giving a great look at them as individual characters. Great art, too, including this issue from Francesco Mortarino and Jordi Escuin.

| Published by IDW

Edge of Spider-Geddon #2 gives us a view into another alternate Spiderverse, circling back around to SP//dr, and giving us a new twist on the power and responsibility rubric and VEN#m. It’s nice to see Lonnie Nadler and Zac Thompson play with more technological horror, with some incredible artwork from Alberto Alburquerque and Tríona Farrell.

| Published by Marvel

Euthanauts #2 is a thing of beauty. Nick Robles and Eva De La Cruz are seriously delivering some of the best art in comics right now with this series. The page layouts, character designs, use of colour, and incorporation of lettering choices from Aditya Bidikar, just elevate the storytelling immensely. Not even to mention how Tini Howard is making the weird science seamless in the dialogue. This is great.

| Published by IDW / Black Crown

Exiles #7 concludes the Old West-ish arc with cowboy T’Challa. Drop dead gorgeous artwork from guest artist Rod Reis. His depiction of the ultimate villain here shows some nice influence from Bill Sienkiewicz.

| Published by Marvel

Extermination #2 brings the fight to the school, even as the team (and the reader, although it’s not a bad thing) is still confused as to what is really going on. I love this, the tension that Ed Brisson, Pepe Larraz, and Marte Gracia are building is palpable, and the hints of kid!Cable’s actions are chilling. Also, the art is just phenomenal.

| Published by Marvel

Harbinger Wars 2 #4 is kind of the end to this, but the ramifications and fallout are all supposed to appear in the Aftermath issue. That being said, Matt Kindt, Tomás Giorello, Renato Guedes, Diego Rodriguez, and Dave Sharpe go all out for the spectacle in this final confrontation between Livewire and X-O Manowar. It is still kind of insane how Capshaw could possibly consider what GATE and OMEN have done as being “good”, especially in light of Palmer going absolutely batshit insane, but it does lead to interesting set-up for future conflicts.

| Published by Valiant

Hillbilly: Red-Eyed Witchery From Beyond #1 begins the next adventure of the black-eyed tramp. I get a bit of a Beowulf vibe from Eric Powell’s set-up and I’m interested to see where it goes. This series sees Powell passing on the artistic duties to Simone Di Meo, Brennan Wagner, and Warren Montgomery and it’s an interesting visual shift from the washes of Powell’s own work in the original series. I quite like Di Meo’s style, which reminds me a bit of James Harren and Troy Nixey.

| Published by Albatross Funnybooks

House Amok #1 is something I’m not sure I can describe. It’s kind of a family drama, but if that family were all collectively sharing a hallucinatory experience or delusion. It’s a very interesting concept that’s only partially revealed by Christopher Sebela, Shawn McManus, Lee Loughridge, and Aditya Baker, but it leads to a very compelling start here. Gorgeous artwork from McManus and Loughridge.

| Published by IDW / Black Crown

Hunt for Wolverine: Dead Ends #1, like all four of the Hunt for Wolverine mini-series, is kind of a bit of treading water. I cannot say it or any of the previous series are bad, taken on their own separated from this “event”, they’re usually quite good, but as a whole it’s kind of disappointing. It’s a search for Wolverine that kind of comes up empty, acting as a prequel to the return of Wolverine, despite already having returned in Marvel Legacy and hopped across numerous different titles, before apparently being used for evil, as per throwaway bits in the fourth issues of those previously mentioned minis that didn’t necessarily connect with the plots of those minis. It feels a bit scattered and unnecessary, unfortunately, especially when it comes to comparing notes, coming up with the organization we already knew was behind it, and a bit of hand-waving mystery and grandstanding that still tells us a whole lot of nothing. It’s sound and fury. All of which is a bit of a shame because I otherwise generally enjoy the work of Charles Soule and Ramon Rosanas.

| Published by Marvel

Isola #5... Just look at the artwork. Karl Kerschl and Msassyk just keep delivering page after page after page of beauty.

| Published by Image

Jessica Jones #2 reaffirms that this is one of the best things that Marvel is currently publishing, with the next two chapters in this story. Kelly Thompson’s dialogue, narration, and banter throughout this issue is spot on, propulsive, and funny as hell when it needs to be, but what elevates it is that this isn’t your typical talking heads approach. The characters are doing stuff, like hunting sea monsters, instead of sitting at a desk or whatever. It’s a refreshing change that overall just makes this all the better. Not to mention Mattia De Iulis’ stunning artwork. It’s slick and polished with a line style that somewhat reminds me of Paul Gulacy and a bit of Rick Mays, and an approach to shadow and colour similar to Frazer Irving. This is a great series that really shouldn’t be missed.

| Published by Marvel

Judge Dredd: Under Siege #4 wraps up this entertaining series from Mark Russell, Max Dunbar, Jose Luis Rio, and Shawn Lee. I really like Dunbar’s take on Dredd and the Russell’s idea of people creating their own law in the absence of law is an interesting philosophical counterpoint to the idea of man naturally sliding towards a state of chaos. Even the mutants striving for society is an interesting challenge to the typical idea of things falling apart.

| Published by IDW

New Mutants: Dead Souls #6 concludes the series with Illyana putting the pieces together for what actually has been going on, it isn’t a pretty picture. This has been a great series from Matthew Rosenberg, Adam Gorham, Michael Garland, and Clayton Cowles and the revelations this issue are heavy. The implications for the X-universe is huge and I want more.

| Published by Marvel

The New World #2 essentially reveals itself as a romance comic, amidst the ultraviolence and social engineering. Didn’t really see that coming, but it’s an interesting move. Trippy art from Tradd Moore, Heather Moore, and Ludwig Olimba.

| Published by Image

Paradise Court #2 continues to be an entertaining horror comic from Joe Brusha, Babisu Kourtis, Leonardo Paciarotti, and Taylor Esposito. This gives us the part of the story where our protagonist is experiencing the horror and everyone else is telling her she’s just imagining it, but it’s still well told and well illustrated.

| Published by Zenescope

Rick and Morty vs. Dungeons & Dragons #1 is about as perfect a crossover of two properties as you can get. Morty trying to get into D&D because he thinks it will get him laid is the perfect in to the world of the game and the cartoon, perfectly blending the two for fans of both without alienating or diminishing either. Jim Zub, Patrick Rothfuss, Troy Little, Leonardo Ito, and Robbie Robbins are faithful to both and in doing so deliver a wonderful beginning to this story, that also educates along the way.

| Published by IDW & Oni Press

Runaways #12 is easily one of the best issues in what has already been an exemplary series. Rainbow Rowell, Kris Anka, Matthew Wilson, and Joe Carmagna focus here on forgiveness, acceptance, and second chances, with some truly beautiful character work between Gert & Victor and Nico & Karolina. If you don’t have a giant grin on your face by the end of the issue, I question your humanity.

| Published by Marvel

Submerged #2 is still weird, very weird, but there’s some really good bits in here demonstrating some of the emotional manipulation that family members sometimes employ. Beautiful, ethereal artwork from Lisa Sterle and Stelladia.

| Published by Vault

Venom: First Host #1 is somewhat strange to see in light of where Donny Cates and Ryan Stegman have taken the character, but this limited series from Mike Costa, Mark Bagley, Andrew Hennessy, Dono Sánchez-Almara, and Clayton Cowles serves as both an interesting addendum to the symbiote’s history and as a continuation (and likely capstone) to the previous creative team’s run. It’s pretty decent.

| Published by Marvel

Web of Venom: Ve’Nam #1 is a one shot fleshing out the backstory of Rex Strickland and the SHIELD experiment that bonded the early symbiotes to soldiers set loose during the Vietnam War. It’s an entertaining tale with some nice guest stars and sweet art by Donny Cates, Juanan Ramírez, Felipe Sobreiro, and Clayton Cowles. I particularly like the scratchy, faded look in the art to make it look a bit “old”.

| Published by Marvel

X-23 #3 is great. Mariko Tamaki has nailed the characters and the art from Juann Cabal and Nolan Woodard is incredible. The page designs alone elevate the storytelling immensely.

| Published by Marvel

The X-Files: Case Files - Hoot Goes There? #2 concludes the second of this new approach of a series of mini-series and it’s...weird? Funny, but weird. Definitely taking a page out of some of the more outlandish episodes of the series, where you question whether or not what you saw happened actually happened. Still, it’s entertaining, which is all that really matters. Fun from Joe and Keith Lansdale, Silvia Califano, Valentina Pinto, and Shawn Lee.

| Published by IDW

X-Men Blue #34 looks like it largely serves as a capstone to Cullen Bunn’s work with Magneto over the past four years or so, as he winds down his run here and continues to tidy the characters up a bit before he’s done and hands the reins off to the next band of storytellers. It feels like there’s a lot more here that he would have like to have told, but what we get here is still excellent. The hints at the next stage for Magneto and mutantkind are intriguing. Great art from Marcus To and Matt Milla.

| Published by Marvel

X-O Manowar #18 gives an interesting transition from this flashback of Aric’s pre-Shanhara life to his return to Earth, focusing on how ideas, people, and culture keeps changing. Matt Kindt delivers a pretty chilling reaction to it. All with some nice artwork from Trevor Hairsine, Brian Thies, and Diego Rodriguez.

| Published by Valiant

Other Highlights: Deadpool: Assassin #6, GI Joe: A Real American Hero #255, KINO #9, Marvel Two-in-One #9, Mighty Morphin Power Rangers: Shattered Grid #1, Modern Fantasy #3, Moon Knight #198, Ms. Marvel #33, Red Sonja #20, Rick & Morty #41, StarCraft: Scavengers #2, Star Wars: Lando - Double or Nothing #4, Star Wars: Poe Dameron Annual #2, Star Wars Adventures #13, TMNT: Bebop & Rocksteady Hit the Road #5, Wayward #28, X-Men: Grand Design - Second Genesis #2

Recommended Collections: 2021 - Volume 1, 30 Days of Night, Big Trouble in Little China: Old Man Jack - Volume 1, Black Cloud - Volume 2: No Return, DuckTales Classics - Volume 1, Eugenic, Factory, Femme Magnifique, I Hate Fairyland - Volume 4, James Bond: Hammerhead, Judas, Killer Instinct, Stray Bullets: Sunshine & Roses - Volume 2

d. emerson eddy is not the very model of a modern major general. Nor a scientist salarian for that matter.

#This Week in Comics

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miasswier · 6 years

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miasswier’s ultimate glee ranking: no 88

88: Pilot

Written by: Ryan Murphy, Brad Falchuck, Ian Brennan Directed by: Ryan Murphy

Overall Thoughts: I have a love-hate relationship with this episode. Before it was announced that Darren would be on Glee, I was told by several family friends that they thought I would really like Glee. So, I gave it a try. The first time I watched the pilot I think I got… ten minutes in? I had to stop. I was so bored. A few months later I was recommended Glee again, and I though, well, that’s like four people now that have told me to watch this show – I should try again. So, I did. I got maybe fifteen minutes in. I just could. not. do it.

I only managed to finally watch this episode the whole way through after watching several other episodes that gave me more of a feel for what the show was actually like, and made me curious enough to actually stick the pilot out. Plus, my favourite actor was going to be on the show, and I needed to catch up. I think I’ve watched this episode all the way through a grand total of three times.

That being said, I didn’t actually mind it this time around. It does feel draggy at parts, but what pilot doesn’t? I felt very nostalgic watching it, especially since we got “2009”, which filled in a bunch of this episodes gaps. Finn’s stuff, especially, was fun to watch, albeit heart-wrenching. Honestly, I think nostalgia is part of why this episode is where it is on this list. If it weren’t for the nostalgia, it would probably be a lot lower. Plus, there’s some pretty funny parts.

What I Like:

They do a good job of introducing Rachel as an obnoxious character, but also creating sympathy for her. The MySpace scene in particular tugged at my heartstrings. The words she’s speaking are so annoying, but when you watch her read the mean comments it really makes you want to root for her. Lea Michele does an amazing job at saying so much with just a little frown.

“I’ll pee in a cup. I’ll pee.”

Finn <3 As much as it frustrates me that they had him start out by being a passive bully, they do a pretty good job of showing some good character development, even just within these 50 minutes. You can tell that Finn wants to be more than what he is. Also, I’ve always found it sweet how much he obviously cares for his mom. Even though the whole “Finn finds a father figure in Will” storyline pisses me off, at least they never tried to act like Finn’s mom wasn’t enough. It’s clear he loves her, respects her, and wants to do right by her.

Great foreshadowing on the Kurt/Finn crush storyline! This is the first time I’ve noticed, but when Finn first starts singing in “You’re the One That I Want” and Rachel looks over at him and smiles in interest, Kurt is doing the exact same thing. It’s cool that they obviously already knew where they were going with that story.

The introduction to Emma’s OCD. I like that this was introduced in the first episode, and wasn’t just dropped as the show continued.

Howard Bamboo. I really wish he’d been a bigger character on the show. He’s hilarious, and adorable.

This isn’t really something the show did on purpose, but I find it really funny that Sue says that Will is “blurring the lines” while “When I Get You Alone” plays in the background.

“There’s nothing ironic about show choir.”

“Being a part of something special makes you special.” Oh, right in the nostalgic feels.

What I Don’t Like:

Quite a bit actually.

First things first: it’s too long. It’s only about 5 minutes longer than a regular episode, but it feels eternal. So much of it just drags on, and on, and on. Ugh.

There is way too much focus on Will. You can obviously tell that Finn and Rachel are going to be the main teenage characters, but they really paint Will as the protagonist in this episode. Having seen the whole show, it’s clear that Rachel is the main protagonist of the show, and that starts to come out relatively early on. I wish that they’d made that more clear in the pilot. Also, I hate Will.

The way Terri was characterized always pissed me off. She’s almost more cartoony than Sue in how absolutely horrible she is. The dichotomy presented in this episode of “Terri – Bad; Emma – Good” is annoying. I get that she’s a terrible person, but did she have to be that terrible? I mean, aside from Will saying that “she used to be so full of joy” there’s no indication as to why he would be married to someone like Terri. Plus, the way that the show always tried to push the “Will needs to get away from Terri because she emasculates him” narrative has always bothered me, and that comes across from minute fucking one. Basically just the beginning of this shows weird obsession with masculinity and “what it means to be a man” or whatever.

Emma’s creepy crush on Will, and Ken’s creepy crush on Emma. Like, I get having a crush on someone, but the way both of them act around the people they’re crushing on is really weird. They’re adults, not teenagers. Yet, the way that Emma acts around Will is dangerously similar to the way that Rachel acts around Finn (even just in this episode). I don’t know if they were purposefully trying to parallel the Finn/Rachel and Will/Emma relationships, but it definitely comes across that way, and it’s pretty weird. As for Ken, he’s just pushy and licking Emma’s door handle was just gross and immature.

Sue’s characterization. You would not know from this episode that she’s being set up as the show’s main antagonist. Yeah, she’s not that nice about the Glee club, but neither is Ken. In fact, Ken comes across as more of an antagonist here than Sue does. I mean, come on, she’s got like two scenes in the whole episode. I feel like they didn’t really know what to do with her yet.

Puck and Quinn. I find the mean popular kids character so annoying, and Puck and Quinn are just ridiculously exaggerated. Puck especially is not characterized as someone who interests me, or who I want to root for. Watching this episode, I don’t care if he has character development. It’s kind of the same with Quinn. Unlike Rachel, the show doesn’t juxtapose their obnoxious behaviour with something that makes you want to cheer for them. They’re just straight up mean.

There’s actually a lot of offensive stuff in this episode – ableism, homophobia, transphobia, to name a few. I mean, it’s cool to see this and contrast it with the end of the show when these issues had been dealt with, but it’s still shocking to see Quinn calling Rachel “RuPaul”, or listen to Figgins refer to Artie as “a cripple”. Yikes.

Will instantly making it clear to the audience and to Rachel that she’s his favourite student. He literally tells her that she’s the best singer in there. I feel like this would be more acceptable if the show hadn’t become such an ensemble show. Within the episode it doesn’t seem too out of place, but when looked at in the context of the whole show it’s a pretty shitty move. Also, he goes out of his way to blackmail Finn just so that Rachel will stay in the club. That’s pretty ugly.

Will’s Spanish. “Que hace en tu verano pasado” literally translates to “What it did in your previous summer”. It should be “Que hiciste el verano pasado”. I know a lot of people might not catch this, but it’s kind of frustrating that they didn’t try and make sure he was using the correct verb tense. I mean, it foreshadows the Will being a bad Spanish teacher stuff in season 3, but at this point they want us to cheer for Will. The audience is supposed to want him to stay at McKinley. We’re supposed to think he’s a good teacher. Instead they show him butchering the language he teaches, purposefully showing favouritism towards a student, and blackmailing someone and giving him false hopes about a scholarship. Considering Will is the “hero” of the story, he really, really doesn’t come across very well.

Songs:

Respect: I wish we’d gotten this full song. Mercedes absolutely kills it. Also, it’s interesting watching this having watched “2009” – Mercedes is (rightfully) upset in “2009” about how Rachel gets the first solo, but hers is the first solo of the show. Sure, it’s not a complete solo, and “On My Own” is more fleshed out, but it’s still technically the first solo. It’s just cool how that turned out.

Mr. Cellophane: Same as above, I wish we’d gotten this full song. Not just because I like this song in and of itself, but because Kurt sounds really good singing it. Plus, the way he fixes his hair as he holds that note always makes me giggle.

I Kissed a Girl: I don’t like this song. I briefly did, when it was popular, but the first time I heard it after realizing I was bisexual made me very angry. That being said, I think the context for it is better here than in “I Kissed a Girl” (which I have a lot of issues with, but if you’ve read my review of that episode you already know that), and it does a good job of introducing Tina’s voice.

On My Own: Very emotional, and an amazing introduction to Rachel as a character. She sounds fantastic, and the montage, as mentioned above, really makes you want to cheer for her. I don’t particularly like the song in and of itself, but it still works really well as a character piece.

Sit Down You’re Rocking the Boat: Again, another song I’m not a particularly big fan of, but it’s still a pretty humorous sequence. I don’t think they sound as terrible as they seem to think they do. Artie sounds good, it displays his voice really well. It’s actually always confused me how Rachel insists on needing a male who can keep up with her vocally when Artie shows he’s a very powerful vocalist in this number.

I Can’t Fight This Feeling: While Finn sounds good in this song, it’s definitely not his strongest, and the fact that Will is listening to him in the shower (and doesn’t seem to realize how creepy that is) really puts a damper on the number as a whole.

You’re the One That I Want: Funny, and a pretty interesting way of introducing the love plot for Finn and Rachel. There’s not a lot of shows where the main couple start off with one half being blatantly, ridiculously obvious about their feelings, and the other half being totally terrified of how out there the first person is. While they basically ruined this by having them kiss in literally the next episode, it’s still a pretty original way of introducing Finchel, as a couple. Also, nostalgia.

Rehab: Watching this number, I don’t really understand why they’re all so freaked out. Yeah, VA is good, but a lot of that comes from the fact that they’re big. If you actually watch the choreography, it’s really not that complex. There’s a few cool moves, but nothing like some of their later stuff (I mean, let’s compare “Bohemian Rhapsody” to this number). There’s just a lot of them on stage. That’s it.

Leaving on a Jet Plane: Ugh. Not only is it boring, but we’re forced to watch Emma creepily draw a heart around Will’s picture in the yearbook like she’s some lovesick freshman in love with the senior football captain. Again, there’s a real high school feel to the way they portray Emma’s crush on Will. I know she’s inexperienced, but the audience doesn’t know that yet, and honestly, I know people just as inexperienced as Emma, and a lot younger than her too, that don’t act like smitten twelve year olds around their crush. It’s infantilizing, and kind of gross.

Don’t Stop Believing: This song and this scene is the highlight of the episode. I mean, DSB is what made Glee, Glee. It’s emotional, and it’s strong. Plus, after all these years, it has the nostalgia aspect. Definitely the strongest number of the episode.

Final Thoughts: Considering that the first season of Glee was so well received and liked, it has a really lukewarm start. It has some good, funny moments, but overall it’s draggy, and there’s way too much Will. Usually when I do Glee re-watches, I skip this one. It’s nice for the nostalgia of it all, and for a couple of funny lines, but that’s basically it.

#ultimate glee ranking

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troofless · 5 years

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Under-appreciated light novels recommendation list, ranked in terms of PLEASE READ, to ehh, I’ll just put it in anyway:

Legend of Sun Knight (Completed Translation+Series): Set in a world of knights and magic, this series is golden comedy because the MC literally carries the plot. He’s smart, snarky and sleazy… but in a good way. I wrote about it here, but this series is for people who love comedy and political-castle-intrigue-level manipulation. ANYWAY PLEASE READ IT IT’S UP THERE ON MY TOP TEN BOOKS TO READ. No anime or manga translation. WHY.

Rakuin no Monshou (Completed Translation): For people who love the switching-the-royal-prince-with-a-body-double trope, political manoeuvring, military tactics, having the main character travel to different countries and exploring their governing system, and major character growth. No ecchi scenes, mentions of sex and rape (if any) are not elaborated on. Love between the MC and the female lead is more of a stranger to mutual respect to love, but since the female lead is literally 14-15 (they’re engaged to foster peace between two countries and not some lolicon thing), there are literally 0 sexy/blushy blushy/kissing/intimacy scenes between them. In the story their relationship feels less like a lovey dovey couple and more like the relationship between two generals that trust each other. This doesn’t have an anime or manga series after it. Why.

Only Sense Online (Ongoing Translation, Ongoing Series): Unlike the recent isekai and trapped-in-an-online-game-and-if-you-die-in-the-game-you-die-for-realsies trends that are going around right now, this is just a game where the MC has fun playing a normal VRMMO and makes new friends in it. …In fact, the MC isn’t an otaku or a game maniac, his sister and childhood friend are the ones crazy about levelling up and doing all the main subjugation-monster quests and everything, he’s more of the chill type who’d rather hang back and craft stuff to sell in his shop. He likes doing things at his own pace and learning how to craft new things in his own time. Instead of battling monsters and levelling up, he’s more likely to be seen harvesting items and mining rocks. Oh, and also at the start of the game he mis-clicked and is stuck in a female avatar, and combined with his mothering, take-care-of-everyone personality, everyone treats him like like a ‘nanny’ and is in awe of his ‘moe-ness’, even though he keeps insisting he’s a guy. One of the story’s underlying message is that different people have different ways of enjoying the same game, be it doing quests in a party, creating items to support players, roleplaying, and even PKing, and that’s okay because that’s what a game is for. No angst or permanent character deaths (it is a game after all), tis for warming your heart with the sheer sunny goodness that is the MC. No ecchi. Has an ongoing manga series, but no anime.

Hidan no Aria (Ongoing Translation, Completed Series): MC goes to a 'military’ school that trains students to be armed detectives, or as they say, ‘Butei’ (Busou Tantei). Think mercenaries. Female MC is a OP genius and major tsundere, only out-shadowed by our MC. MC considers himself weak, and because of his genes, his innate OP powers is only triggered when a certain condition is met: aka when he is sexually aroused. (Insert sexy times.) In this mode he doesn’t get flashy superpowers or anything (at least, by the world’s standard) — all it does it accelerate his brain’s thought process, but it gets so OP to the point where can deflect bullets with his own bullets and slice bullets in two with his knife. OP God Mode. This trigger also turns him into a major flirt and gigolo that can’t say no to a girl, which caused him to actively seek to avoid situations where he is in close contact with girls to prevent being triggered. Has a ‘harem’ of girls if you wanna call it that way, but even though the story is halfway translated as of now, it’s obvious he’s fallen for the main female lead. You’d only want to read this story to find out the next BS thing the MC does when he’s triggered, and it can only get higher and higher. Seriously, the moment where he catches a bullet in his teeth (way later in the story) gives you the best feeling ever. To put it in the Female MC’s words: "How about that rating, Kinji? Being classed by the world as a dangerous character who fights non-humans? Tell me how do you like that?” And his words: "–I’m a senior high school student. My grades are slightly below average, and I attend a violent school.”, and his monologue: [At least that was what I want to be. Honestly…] Had a 2011 anime and ongoing manga series, as well as a Yuri spinoff series (as per the usual anime law decreeing that all spinoffs have to have Yuri plot in them, see Soul Eater and Fate Prisma).

Baka to Test to Shoukanjuu (Completed Translation + Series): Idiots doing idiotic things in school. Interesting battle system, with loads of comedy. Loads. Of. Comedy. No ecchi scenes. Had an two-season anime series in 2010 and 2011, and a manga series.

Chrome Shelled Regios (Completed Translation + Series): Main character is OP but gets debuffed at the very start, tries to restart his life as a normal person but realises that his innate talent for fighting doesn’t allow him to. Has many female love interests but at the end MC only chooses one. ‘Magic’ system works a little differently from conventional sources, nearing more to martial arts style, and telekinesis-telepathy combination rather than enchanting-spell type. What else can I say other than the MC controls a weapon made of thousands of infinitely thin and sharp wires that he uses to slice bugs (the main enemy) up with... which is so badass. (Though his main weapon is a sword.) No ecchi scenes. The sideplot about ‘fate’ and the history of the setting gets a little confusing though. This had an anime, but since the director died right before the 2009 anime ended it’s unlikely that a second season will come out. It does have a manga side plot series that is completed and a great accompaniment to the main light novel.

CubexCursedxCurious (Completed Translation + Series): MC lives in a house that is apparently so holy that cursed weapons journey there to get purified and lift their cursed. Oh yeah, and some cursed weapons can turn into people too (Soul Eater style?). Wielding the weapons will obviously give you great power, but it also has serious drawbacks, e.g. A sword cursed to be able to slice through anything, drawback is that their owner will be consumed by bloodlust and is compelled to draw blood with that sword (in other words, the old regular cursed sword rule). MC is of course immune to curses (and so he can wield that sword) because he was born in that holy place. Female lead is originally a torture device made of 32 different torture tools, including Iron Maiden, Guillotine, Pendulum, etc. Literally the first scene is the female lead found naked (since her real form is a mcfreaking cube I would not be surprised) in the MC’s kitchen looking for food to eat so let there be a representative of the subsequent ecchi scenes to be found. The cursed tool system is cool, anyway. MC doesn’t end up with anyone is particular. Plus point: Not all female characters introduced are in love with the male MC. Just three (3) girls. Also, the second light novel doesn’t feature the ‘second’ heroine’s backstory arc like a lot of light novels do... but instead a couple of a girl and a genderfluid character. Cool stuff. Had a 2011 anime and (very behind) manga series.

Other more well known ones:

Mahou Shoujo Ikusei Keikaku (Up to Date Translation, Ongoing Series): Think Battle Royale x Danganronpa x the Mahou Shoujo Trope. Lots of blood and death, so don’t bother if you don’t want to see your favourite character die/put through lots of angst and depression. Each Magical Girl has different superpowers and you’d only want to read it in hopes of seeing your favourite character live to the end/have a cool death scene/have cool action scenes in general. One of the underlying themes was that it’s not a given that powerful people will always win; the strong can be overthrown by the weak (I can think of at least two occasions), a person can win a killing game without any blood on their hands, and the magical government is pretty much corrupt. Had a recent 2016 anime series and a manga series.

Hyouka (Up to Date Translation and Series): Based on Agatha Christie stories, think mysteries but without any actual murder.

And then I’ll throw in a few English books to show that I have good taste in books:

Captive Prince by CS Pacat: Gayyyyy + lots of politics. THE ROMANCE THOUGH.... enemies to tentative friends to hostile ‘ah we’re supposed to be on opposing sides as enemies of each other’s nation’ to lovers YEAAHHHHHHH. Some parts are explicit, yeah.

In Other Lands by Sarah Rees Brennan: MC was dragged into a magical military academy in a magical land to be a child soldier, but instead of being typical Harry Potter he is snarky, sarcastic and actually raises valid questions like why the heck are they raising child soldiers??? Bisexual icon male MC who is also a pacifist I love him he must be protected

Code Name Verity by Elizabeth Wein: War story narrated by a spy who was caught by enemy soldiers and forced to reveal her state secrets in the form of written narrative. Mystery and unreliable narrator time! If you can survive the first few draggy chapters and then a little more the reveal is SO. REWARDING. Female MC.

Good Omens by Neil Gaiman and Terry Pratchett: I tried recommending this to my friend and sadly I realised that if you have no background knowledge on Christianity and what the apocalypse details you may not find this interesting. It’s a shame because it’s so funny. EDIT: I’m so glad it got a TV series??? That means more people will read the book, which is amazing, right???

The Sherwood Ring by Elizabeth Marie Pope: Female MC and the story of her ancestor’s romances (think short story-style but all connected together). Straight romance. Female MC.

Any book by Brandon Sanderson: Yes. Just… yes.

Summers at Castle Auburn by Sharon Shinn: A bastard girl stays in the castle with her royal relatives for the summer. (If you’re wondering there is discrimination against her as a commoner but overall she is loved by her family there.) Somehow the only page I have bookmarked in this book is the part near the end where the MC commits royal crimes, and is slapped by the king, giving the reader no small amount of satisfaction. Fantasy-style with small amount of political intrigue, female MC is a apprentice hedgewitch so she knows herbal knowledge (which is a prominent part of the book when she uses it?). Anyway, please read.

A Posse of Princesses by Sherwood Smith: Female princess MC is invited to a large one week (?) party with the other country’s princes and princesses to celebrate this big county’s prince’s great birthday or smth. Some political intrigue and also great plot twist. At the end of it I got really invested in the romance between the side characters bc they were really well developed lol..

The Queen’s Thief Series by Megan Whalen Turner: The third book is my favourite book because I love the MC (Costis!!!!!), bless his innocent soul (COSTIS!!!!!!) caught up in the nefarious plots of the first book MC. Little romance and more of political plots.

Warriors by Erin Hunter: I had to include at least one joke book and this was it. Anyway this was the series I grew up reading, honestly the third series had the best MC in the blind, grumpy, no-nonsense healer who is so refreshingly different from a normal ‘hero archetype’ MC. (*whisper* You gotta talk about the furries, troof!) Oh. Oh yeah, they’re all cats.

#troofless stuff #living trooflessly #I just finished reading Rakuin no Monshou and it ended satisfactorily #troofless reads books

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hellyes-tommccamus · 7 years

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Mutant X [TV] (2001-2004)

S01E12 “Double Vision”

[spoilers]

Sci-fi/action

Tom McCamus plays a main role in season 1

This is one of my favourite episodes for many reasons. For one, it’s mostly about Emma, who has the most interesting powers. I also love it when one actor plays several characters and the hero turned villain for one episode trope is always fun.

Brennan takes Emma to meet one of his old friends, Maddie Conlan (Joanne Vannicola) who has lured them into a GSA trap. Maddie has some kind of energy power and when her energy ball hits Brennan’s electric bolt, it sends out a shock wave that knocks everyone to the ground. It affects Emma more than anyone, as she is now two people. And there’s nothing scientific about that. Cloning doesn’t work that way.

Brennan takes one of the Emmas back to Sanctuary. And for the first time in quite a few episodes, she’s wearing the Lab Underwear. The shorts, at least. Maybe Adam had to admit that they were way too revealing for medical examinations, and let her wear a sleeveless top. Adam says her molecular structure has somehow been altered, but he’s not sure how. A molecular structure change is more likely to affect outward appearance than a genetic change. But then all sorts of genetic alterations happen on this show and they don’t seem to be visible in most cases. Emma is very anxious about being scanned. She doesn’t seem to have lost her memory as she still knows who everyone is, so surely she must remember that the machine is safe. But then anxiety doesn’t really care for past experience, it can appear at any time, without warning or sense.

Brennan is confused about Maddie. He didn’t expect her to double cross him like that, and he had never known her to have New Mutant powers either. Adam says it is hard to believe they could have evolved in a short period of time. That suggests that Adam maybe thinks there are “natural” New Mutants that appear in nature by chance mutation, and have been nowhere near Genomex. It’s not hard to believe as there have always been reports throughout history of people being able to do things with their minds and bodies that seem impossible to most of us. But I don’t think we see anything like that on the show.

The other Emma is at Genomex, being examined by scientists. Mason talks to Maddie about her health. She is suffering from headaches, which is an interesting thing to note. Most New Mutants we have seen so far have suffered no physical ill effects from their powers. It is only natural that using powers would use enormous amounts of energy and start to take a toll on one’s health. From the conversation it seems that Dr Harrison has been doing operations on her to give her powers. What sort of operations? No elaboration is done on that subject. I would have thought most genetic manipulation would be done through injections and infusions. Physical operations seem rather drastic and unnecessary. But this is the same Dr Harrison who is a botanist. And couldn’t run his own company. I don’t know about you but I’d prefer to have a doctor specialising in human surgery operating on me. Just because you have the title Doctor doesn’t make you an expert in all fields of science (or any, in some cases).

Brennan goes to a bar and awesome TV indie band Vibrolux is playing (I would love a copy of their Greatest Hits if anyone knows where I can get one). He asks barman Axel (Kedar Brown) about Maddie and he eventually tells him where he thinks she might be.

Dr Harrison is about to inject the GSA’s Emma with something but she grabs his wrist. Mason refers to him as a Biogeneticist, a term that doesn’t specifically relate to humans or plants. From now on, he’s dealing with humans. And working for a Genomex. Who knows what happened to his company? It’s never mentioned again. Emma attacks the GS Agents and attempts to escape, but she is surrounded and tells Mason that she wants to work for him.

Shalimar and Jesse have the most euphoric fight ever. I mean it’s great to have fun while training but they seriously look like they’re on some kind of crazy drug. But Anxious Emma soon puts a stop to that, and insists they wear martial arts helmets and gloves. Where did she even get those? Obviously she’s being over the top here. Training with protective gear is all well and good, but not really helpful when you’re out in the real world having actual fights. Which they do, a lot.

Mason is unsurprisingly dubious about Reckless Emma’s defection from Mutant X and believes this is some kind of scam. It’s interesting to hear her talk about being almost kept prisoner by do-gooders. It’s a point no-one has really made before. All of them had to leave their lives, including any family, friends and jobs behind for the cause. And how on earth did they explain to others why they suddenly decided to go to live with someone who they would only be able to describe as an eccentric millionaire? I have decided to refer to the Emmas as Anxious Emma and Reckless Emma instead of good and evil, because that’s the way I perceive them. A completely different story could have played out if Brennan had picked up the other Emma. Anxious Emma may have worked for the GSA anyway, out of fear. Reckless Emma may have encouraged the Mutant X team to get into more hot water than usual. As I write so much about this show anyway, I may well write that fanfic.

Dr Harrison reports that he has lost Maddie. Mason doesn’t seem bothered. It’s surprising how many screw ups Dr Harrison gets away with. Others get put in stasis for far fewer. Reckless Emma volunteers to go and find her. I like her annoyed “it was a feeling, I’ll know when I get there” as it must be very frustrating trying to explain a power like hers to others who can’t possibly understand.

Adam questions Anxious Emma but she insists she is fine, even though she was having disjointed visions that seem frightening.

Brennan returns to the bar and all I can say is I hope there are still bars like this in Canada that play nothing but music by obscure upbeat psychedelic Canadian bands. I remember Vibrolux being on other TV shows at the time, but I had to research the song from this scene, and it is by Rocket Science. There is a much more famous Australian band by the same name which makes research difficult. But there is something very satisfying about tracking down obscure things.

After physically threatening the barman, Brennan is told that Maddie is hiding out in the back of the bar. Maddie makes a comment that suggests that she may have been a natural telekinetic before the experiments on her. Chance mutation or previous treatment at Genomex? We never hear about people who were treated at Genomex and didn’t end up being New Mutants with noticeable powers, but that could be because they aren’t a threat to society or vulnerable, or maybe they are just not interesting.

Reckless Emma shows up and attacks Brennan and the GS Agents accompanying her grab Maddie. Brennan gives chase and is followed by Anxious Emma. He sees both of them and they see each other.

The Mutant X team puzzle over the two Emmas. Shalimar has the best idea - maybe Emma has been cloned (If you haven’t seen it already I can’t recommend Orphan Black enough. Clones galore. Also Tom McCamus and Andrew Gillies.) But Adam is ready with some bogus science. Apparently Brennan’s and Maddie’s powers combined to cut through cellular material to a genetic level. Which would honestly probably just kill everyone in the room. An unpredictable force like that would likely rip DNA to shreds, and I’m not sure if anyone has tried that, but it would mean untold devastation to a living thing if it affected all of its cells. Not magic twins. But magic twins are admittedly much more interesting from a plot perspective.

Adam explains further and says that he thinks the force separated Emma’s DNA double helixes strands from each other (I’m pointing out the great correct usage of strand here!) then reformed as two separate entities. Now there is a way for DNA strands to separate, the enzyme helicase does this to allow DNA replication which happens before cell division. But this is at a cellular level, definitely not at an organism level. I’m afraid to say the real life consequences would likely be something akin to cancer. You wouldn’t suddenly have two - identical but not quite - copies of the person. But, suspending disbelief, errors occur during replication, so it is likely that you wouldn’t get two exactly identical copies, slight differences are to be expected. Adam says that it is likely to be fatal if they can’t join the two of them together again. Personally I would imagine jamming the DNA of two people to make them into one would be more harmful. Their DNA has somehow recombined, so I would suggest leaving them alone, no matter how inconvenient it is to have two Emmas.

Anxious Emma denies that this is true. She insists that she is the real Emma. There is a significant question of ethics in this episode. Two new people have been created, accident or not. Is it really right to effectively destroy the two of them to get the original back?

Reckless Emma tells Mason that Adam now knows about her defection. She doesn’t mention the other Emma to him, but instead contacts her herself. It seems the comm-link rings were duplicated also (and her clothes, luckily for her). Inanimate objects do not have DNA so I can’t think of any explanation that could be given here. Reckless Emma plans to tamper with the stasis system at Genomex and kill everyone there.

Anxious Emma tells Adam straight away and while she is horrified by what the other Emma is suggesting, he plays devil’s advocate.

Reckless Emma orders a neat bourbon. We later learn that Emma isn’t a drinker, but her reckless side doesn’t care about that. She uses her powers to manipulate the barman into letting her have it for free. We know she has used her powers for personal gain in the past, but presumably since she joined Mutant X she has only used them to further their goals. Adam meets with her, and his negotiating skills leave much to be desired. Some of what he says makes no sense. He says that they are two halves of a whole, but then says they are the same. They can’t be both. She makes him believe he is blind and runs off. How did he not see that coming? (I’ll get my coat.)

Adam works on a method to get the two Emmas back together and sends Shalimar and Jesse to get Reckless Emma out of Genomex.

Reckless Emma wins the award for most comedic use if telempathy and sends Dr Harrison running to the bathroom so she can rescue Maddie. Mason shows up and questions her, but of course he knows what is coming so he tells her not to use her telempathy on him (why wasn’t she fitted with a sub dermal governor as usual? I guess everyone is absent minded this week). So she punches him. I guess you could say he walked into that one (the doorman has now brought my coat to me).

Anxious Emma frets about the other her, and Shalimar and Jesse’s safety, and everything. Lauren Lee Smith does a really fantastic job of portraying someone with anxiety. It’s not something that is seen on TV much. We get to see throughout the show how this side of Emma worries about everything, how she is physically affected by the anxiety, and how the attempts of others to calm her down do little to reassure her. The reckless side of her, while kinda fun, is just a generic badass, a character we’ve seen over and over. She is so distrustful of her team that she locks them in the lab to stop them putting her back together with her other self. It’s interesting to see that both sides of her despise the other. And that can be something we all experience. Perhaps we hate ourselves for being too scared to do something, or for doing something reckless.

Emma has a rather technical plan. Somehow she knows where the regulator for the stasis pods is located and how easy it is to disable. And somehow she knows that by disabling it, the temperature of the whole place will drop to deadly levels within five minutes. Now stasis is not a current technology, as we’ve covered before. But I would hope that the system was more robust than that, with failsafes in place to prevent disasters like this from occurring. And also the refrigeration is designed to stay inside the pods. If this was manipulated to fill the whole facility, that cooling power would be spread over a much larger area, so the likelihood would be that the staff would complain and put their coats on. Or the thing would explode and kill everyone.

Luckily Adam somehow knows the exact amount of volts Brennan needs to hit the door with to let them out. I guess it would be too easy to open the door from the inside.

Maddie hits the stasis regulator, and instead of taking five minutes (which now seems relatively reasonable) everyone immediately passes out.

Jesse has a strange reading that covers the entire wavelength spectrum. I don’t think that’s very scientific, but Adam knows straight away what has happened and tells Jesse what to do. It works and everyone wakes up. Mason calls a meeting with the heads of department, which I would say is probably the least efficient way of dealing with an emergency.

Shalimar and Jesse are involved in a needlessly violent bar brawl, all to find some information. Another point where negotiation skills might have come in handy. When Reckless Emma refuses to go with them, Shalimar punches her. Concussions all round this week!

The two Emmas must wear the new less-revealing lab underwear in order to be magically put back together. Adam tells Brennan and Maddie to once again combine their powers in order to help get them back together. Now considering what happened last time, this doesn’t seem like a great idea. Perhaps last time Brennan and Maddie were immune to the DNA cleaving effects of their own combined powers, but this time the rest of the team is in the room. But of course it works perfectly, and they are left with the original, rather confused Emma. But will they ever really know if she went back together exactly in the way she was before?

Dr Harrison and Mason discuss their future plans for research. Mason mentions that a Maddie was not a New Mutant to begin with, so that means that there are people in this world that have certain powers that they are born with. Dr Harrison wants some expendable research subjects, and Mason glances at him significantly, implying that he should experiment on himself.

Maddie gets a new start. Adam reassures Emma and does a nice speech about everyone being composed of opposing traits, nobody is completely one thing or another. Which I think is a big theme that runs through the whole of Mutant X. It is full of complex characters and situations that have no easy answers.

#mutant x #tom mccamus #lauren lee smith #andrew gillies #joanne vannicola #kedar brown #victoria pratt #victor webster #john shea #forbes march #science #tv science #sci fi #vibrolux #rocket science #canadian bands

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aspiestvmusings · 7 years

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SCORPION/QUINTIS S4 WISH LIST:

Here is a list of thing I want to see happen on Scorpion in s4:

Things I want to see/know/hear about in S4:

QUINTIS/TOBY-HAPPY RELATED:

Quintis talking about the events of past year and/or talking about “when is the right time” aka proper conclusion to the Cd-baby plot with them talking about..things. And deciding when the right time would be, and what option they will choose (bio kid, adoption)

Quintis pregnancy plot or adoption plot (I would prefer a pregnancy plot...after the events of 3x07, but I’d also love an adoption story, which is still very fitting for them)* #ep403getstheballrollingkinda

If there is a Quintis pregnancy, I hope we don’t jump from “month 1″ to “month 9″ fast, but instead get to see the whole, or at least most of the, journey. because this plot gives opportunity for some pretty great comedy (grumpy, tough mechanic with a big belly putting everyone in their places who think a pregnant lady cannot work. a’la Brennan/Bones style + using Toby as an errands boy) + some sweet Quintis moments (Toby will go all out and do all that "sweet/annoying” stuff like talking to the belly, and reading to the baby, and so on...) And we’d get emotional plot...with her worrying that something could happen during childbirth (like it did with her mom), and worry about the genius/normal possibility, plus worrying about becoming parents... even if that was addressed already during the s3 Cd-baby plot...

If there is a Quintis baby, then I personally hope he/she will be a genius (even if they won’t know for a little while). Though two geniuses raising a “normal” would also make an interesting story, I’d love to see Quintis & The Team raising a genius & teaching him/her... their skills (like they’re doing with Ralph, though they started with him only at age 9...now we could start with age 9 days...)

If there is a Quintis baby, then unless they name him/her Marcus or Grace, they better come up with a great name. Also.. my vote still goes to baby girl, because the team needs more girls-power, and the team’s already growing a boy-genius (Ralph), so they need a girl-genius (Baby Quintis), too.

NEW! Since we know there will be a Quintis family plot (pregnancy or adoption...is the question...) and we know there have been several mentions of Toby’s gambling past, and since Happy’s emotional storyline lead to the Quintis wedding, then it’s only logical that it’ll be Toby’s emotional storyline thatll lead to a Quintis baby. And I hope that they’ll use of of these “dramatic” scenarious: a) have Collins be the threat (to pregnant Happy, to their newborn baby or their adopted kid); b) Have Collins play some more mind games and “drive” Toby to gambling/almost gambling...and we’d explore the addict storyline this way; c) have “Bruno” or someone from Toby’s past be a threat...demanding payment...now that both Quintis & TeamScorpion are extra broke + Quintis is planning to have a child. Making him just stressed or actually gamble.; d) Have there be some fertility issues or Quintis thinking this isn’t happening for them, but then happening for real (opposite of S3 Cd-baby plot: in s3 they were excited aboiut a baby that never was...in s they would then be unhappy (worried, anxious) about not having a baby, when there actually would be one... That’s as far as I want them to go with “fertility issues” for these two. Drama is loved by tv writers, and it looks great on screen, but 100% “no” is in my books not an option for these two. If I have one wish...it’s that the show would let them have also a bio kid...

If there is a Quintis baby... Allie could be the first “nanny”...until Patrick is out/back again. Or they could bring back Ray...again. ETA: Or expand Patty’s (Sly’s team-mate for his other job...as the Alderman) job description. Or Ada, who will be cured by then. (Ada could replace Happy in the field til she’s on maternity leave/stuck in the garage and/or be the babysitter for a while) Or someone else from the past.. Or the team could just stay in the Garage, to babysit the littlest genius, one member at a time (different team member in each ep/during each case...they’ve used this option a lot in s2 & s3 already...) Basically... if they wanted to..they could make it work storyline wise (and production wise...with working with small humans on set) The logistics, both for the fictional characters and the real world production team might be a lot to handle, but it can be done!

The Quintis place (that we will finally see Happy’s place/... now Quintis place/home) - that set has to be built for S4, and I want to see it...how they’ve combined their stuff, and what their home looks like after they’ve settled in. I just want to see Toby’s hat hanging on a coat-hook in the hallway, and their things “mixed” (Happy & her tools, Toby & his books) - their two personal styles combined, creating a new...”their” place... I cannot wait to see the set for their house/apartment.

Quintis “domestic” scene - not a “bedroom” scene as some mean it, but them just being home, casually - watching cop shows on tv together, reading books, playing board-games, building something, teaching each-other each others skill sets, just talking or bickering or “fighting” about little things (”no the picture goes on that wall” ...”no, it goes on THAT wall...”), waking up together (we gotta get confirmation if Happy is the little spoon or not...after 2x13 we gotta know)...

Toby carrying Happy to bed (or to the sofa), and covering her up with a blanket, after she’s fallen asleep

Happy taking care of a sick Toby/Toby taking care of a sick Happy

Quintis movie-nights (it’s been hinted that they’re both movie fans, and love watching tv shows, so...) - seeing them watch a movie/tv marathon...

Happy wearing Toby’s clothes (his Harvard-Tee, his hoodies... works both for pregnant Happy...whose clothes don’t fit her anymore, and for non-pregnant Happy ...who just likes “to feel him close” that way)

Quintis "You can leave your hat on” scene...where this song plays and/or Happy says this to Toby...before we cut to black (end of scene/ep). We know she secretly loves the hat, and we know they (both!) love to dress up for “alone time”, so... this is in character. #weneedaconfirmationabouthowHappyreallyfeelsaboutthehat #iloveyourhat #icanseehistupidhat

Quintis dancing to “Shiny Happy People” at their home/in the extra baby room/in the Garage/on the rooftop... recreating the 2x13 Patrick & Grace Quinn - Happy’s parents - scene from the VHS tape Happy watched. Bonus points if Happy is pregnant during this dance scene.

Quintis team-work during cases! Happy getting to show off her mechanic skills & Toby getting to show off his doctor skills. And vice versa/in reverse - Toby showing off what he’s learned from her & Happy showing off what shes learned from him. #ep405 #ep410

Quintis teaching each other their skills (a’la 1x13 deleted end scene style: Toby teaching Happy about noticing human behaviour -- like he did in 3x22 with that hand placement comment and medicine & Happy teaching Toby mechanics, buildings stuff, etc...)

The return of significant little things/presents - the dollhouse from 2x04 (that they worked on together in season 2), the rocking chair (from 3x06 that Toby “built” for Happy and their kid), the “attaboy” key-fob (that Happy gave Toby as a present in 3x11), the “Sparking Mike ” toy robot (that Toby gave Happy as a present), the “Toby Dick” framed picture (from 3x22)...among other things. I want to see all those items in the Quintis home...and their places in their home... Several can be used as decorating the “extra room” aka future baby Grace/Marcus Quinn-Curtis room. #ep407

Married Quintis being the same two adorable genius dorks, bickering, and being simply themselves... (confirming that simply signing some papers doesn’t mean that a person’s personality changes completely, and they still remain themselves, even if they do change, and adapt to each other more and more...) #everysingleepisode

Quintis still adapting to living together & being married. Fun storylines and scenes about them getting used to the “changes” in their lives. (They moved in together, officially, in ep 322, and got to cohabitate only for a month til their wedding day & the 3-week “deserted island” adventure aka their “honeymoon”... so it’s still kinda new for them...

Quintis honeymoon... a proper one. Not really seeing their honeymoon (they, and the whole team, really need a long vacation after the year of crazy events they’ve had...so 6 weeks off is a must...and good reason for a timejump on the show...) but seeing them leave for their vacation, and returning after... #idontthinkthiswillhappenforthem

Quintis duet! Quintis singing....together. Or one of them playing the piano/an intrument, and the other one singing... #kinda

Quintis high5-s, Quintis fist-bumps, Quintis foreheard/top-of-the-head kisses, Quintis hugs, Quintis kisses #LittleSweetQuintisMoments#401 #402

Quintis nicknames! More nicknames from Toby. But also from Happy! #getcreativewithnicknames #401 #402

Quintis Garage Rooftop scenes! Quintis/Team at Kovelsky’s scenes

Flashback to 2x13 rooftop cuddling in the tent (what happened after the ep ended)

Flashback to the moment when Quintis became official - the when, how... revealed in detail (either shown visually as a flashback, or revealed in words/by someone telling the story)

Quintis planting an oak tree (their tree, “a mighty love oak”) and/or tend to one they planted on their wedding day/during/after the honeymoon PS. If it’s not a topic in S3 finale/wedding ep, then definitely in s4, please

Toby’s “new” car! After his old blue convertible was blown up in last seasons premiere... did Happy fix it up, or did Toby already got a new car (or have they just carpooled/both drove Happy’s truck), or will he be getting a new car... will they be getting a new car (a “family car”) soon?

Perfect Quintis Christmas!

Quintis book-club! Toby reading two books at once (and Happy admiring the sight) and Happy reading a book and/or Toby/Happy both reading a book... #bookreadingdate #quietnightathomeorinthegarage

Quintis as the support team in the Garage (a la 3x08) - both Toby & Happy staying behind during a case, and being together in the Garage, communicating via comms with the others.

Toby’s new computer and mobile phone backgrounds/wallpapers to be shown. The old/usual “playing cards decks wallpaper” replaced with something else, possibly Happy/Quintis/team related.

A Valentine’s day episode! Quintis Valentines day!

Quintis anniversary! Quintis 1st wedding anniversary (May 2018....a year after their May 2017 wedding), Quintis 1st date/get together anniversary...

Happy (and the team) having to save Toby’s life during a case (kind of like Toby did in 2x13 in the South Pole, and/or the team did in 2x12 at the dam...but not like 2x06...where she kinda did already...)

Toby and his gambling past - Bruno & his debts (payment plan) story line brought back/continued and finished. Learn to identity of Bruno, and learn more about Toby’s debts etc. PS. If it’s not a topic in S3 finale/wedding ep, then definitely in s4, please

NEW! (added after s4 premiere) Quintis/TeamScorpion Vs Collins. He’ll be back...we all know it. And while I think he’ll go after Walt/Paige/Ralph...I kinda wish that maybe he’ll go after Happy (pregnant Happy) or Quintis kid... so we’d get a great emotional storyline. And see again the fierce Happy. Cause they’re all scared of Queen Happy...also Collins. She is a worthy opponent to him, and after 224 she would so extra scary if the bearded trickster tried to hurt her/her gamily again.

TEAM/OTHER CHARACTERS RELATED:

Sly and “Megan Dodd Pediatric Care Unit/Ward” - that plot was dropped too fast (no explanation given why & no mention of this plot or why it was “forgotten” in any of the interviews or dvd extras...or anywhere), with no resolution at the end of s2. One way to bring it back (after so much time, and make it seem natural) is simply to have it be related to Quintis baby - they visit the place when the baby is born (it’s obvious Quintis baby is gonna be born “in the middle of nowhere, during a mission”..but after that they will go to the hospital for a checkup, and it’d be a great time to “casually” mention MDPCW, and give “closure” to that “dropped” plot, with just one little scene)

Storyline for Sly! #ep401 #ep402 #ep403

Storyline for Cabe! #ep402 #ep403

Ada (Happy’s mechanic friend, Ada Pearce, from 3x18) to be mentioned or returning. Either we hear how Walt’s search for a donor match goes and how her life in the bubble/after getting out of the bubble has gone OR we actually get to see her again. Ada would be a perfect “replacement” on the team on the field while Happy is stuck in the Garage. As in: for the Happy/Quintis pregnancy plot (that is coming..in the future) Cause while Toby and others (as seen in 3x16, 3x14, etc) have picked up things from Happy’s skillset, it would be better to have a “mechanic” on the team during missions. Or just extra member of the team (like Tim was for a while - two federal agents instead of one) Or...she could be the nanny/babysitter.

More (mentions, at least) of the Mechan-Chicks! website and the mechanchiks and their fun adventures/teamwork. They helped fix Ada’s house after the 3x18 case/events. They must do similar projects..more often..now...

The return of old “fan fave” characters: Collins as the teams main opponent and the shows main villain, Ray #Ray-turn, Allie, Ada, Maya, Megan (in flashbacks...somehow), Patrick (Happy’s dad), Drew (Ralph’s dad), Walt’s parents, Patty (3x15) etc... #Patty403 #Allie403 #Ray405 #Richard405

Allie returning (since she obviously isn’t really a fan of working for Patel, then she might enjoy another job change), and she cold become the Scorpion “office assistant” or the (Quintis baby) nanny/babysitter while others are on missions.

The return of Mark Collins. Collins vs Cyclone (in whatever form, please) #ep401 #ep402 #

Team Scorpion VS Team Anti-Scorpion. The Team facing an enemy, who are geniuses & like them, only with bad intentions. Two teams of geniuses going against each other. The team meeting their match(es).

Grandpa/Dad Cabe & his kiddos (the team) scenes/moments/storylines....

More Ralph/Team, Ralph/Quintis, Ralph/Sly, Ralph/Walt...scenes and storylines.

Ferret Bueller - seen again, or his fate mentioned. #

A team origins episode (story) - how everyone met (in detail) We’ve gotten glimpses of the backstory and “how I met everyone” in past episodes - 1x02, 1x03, 1x10, 1x22, 3x23... but we don’t know all the details and haven’t really seen the “flashbacks” to the first meetings or the early days of the team...when they were still “building the company”

A case involving a baby/toddler/child that the team has to protect & take care of (babysit, take custody of during the case), and Quintis is tasked with looking after the kid. (a la Peraltiago in 4x16 with Terry’s kids) And this leads to them having the “babies” talk and/or be a test-run for their future (if it’s already conformed they’re going to be parents)

Cases with animals/living creatures (deer in 4x03 already confirmed). Unless they’re saving the case with scorpions for the shows series finale/last season, I hope to see also a case involving a scorpion...soon.

Happy building stuff! Happy making more presents to her family members (like she’s built stuff for Sly & “Megan” & Toby - Birdroni, photo phrames, comics humidifier, wedding band, keychain) & Toby “building” stuff... #ep402

The Curtis Clan - an episode/storyline focused on Toby and his family/parents - finally meeting his dad/mom/parents/family. He’s the last team members whose parent(s) we haven’t met. Or heard much about at all. PS. If it’s not a topic in S3 finale/wedding ep, then definitely in s4, please

The story behind Toby’s fedora/hat - when did it become his signature look, and the reasons behind it...etc

The story behind Toby’s “bracelet” - what’s the significance of it?

*Here’s one scenario for the Quintis pregnancy/baby plot (reveal) IN A SEPARATE POST

This is the first, very initial list. More things will be added to the list...with time.

PS. This list does not include anything about the shows lead ship/main couple... on purpose. Not because I don’t have thoughts on them (the Ralph, Walt, Paige family & dynamic... because I do), but because I’ve decided not to blog about this ship, hence leaving out anything related to their storylines. Also from this list.

Post created/Last update: April 25th, 2017/Oct 6th, 2017

#CBS SCORPION #QUINTIS #Toby Curtis #Happy Quinn #SPOILERS #WISH LIST #QUINTIS WISH LIST #SEASON 4 WISH LIST #SCORPION S4 WISH LIST #SCORPION SEASON 4 WISH LIST #QUINTIS S4 WISH LIST #SCORPION WRITERS #Happy x Toby #Toby x Happy #TEAM QUINTIS #aspiestvmusings #QUINTIS SEASON 4 WISH LIST

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jq37 · 5 years

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thoughts on this week's ep?

**spoilers for broadway brawl**

***Before we start, I remembered as I was typing this one of the important notes I lost from last week’s recap: Interesting that Christmas seemingly went off without a hitch. I expected Santa to come back into play somehow (like, someone would check on him to make sure Christmas was still on or he’d call them in to help or something) but he hasn’t, at least not yet.***

My guys, my guys, my guys. Was that something or was that something?

I think I am on record as saying that combat is my least favorite part of ttrpgs generally speaking because I’m here for the RP but when a combat episode shines it really freaking shines (see eg: that first combat ep of Bloodkeep where everyone went full Galaxy Brain except for Matt who couldn’t hit a single thing) and this is such a good example. This is easily a top five ep of the season for me, maybe top three so let’s get into it and break down why it was so awesome.

We start right where we left off with Titania and members of her court having come into the theater to beat the tar out of Misty mid-show.

Quick note: At the end of last ep, it was set up so that Misty was thrust on stage right after hearing the mirror was on stage which would place this fight right at the top of Act 2 but at the start of this ep, Brennan seems to indicate that it’s taking place during what would be the closing number. Which would make more sense but imagine you go see a play, the first act is super dope, and then the second act is an insane, minute long fight that’s pretty unconnected to the plot and then a buff, naked, beautiful man tells you the show is over and you should leave. Wild. Anyway.

Pixies with tommy guns in inherently funny.

So one of the things that makes this fight really great is the way it directly ties into the story in a way besides “These bad guys are in our way.” Misty is using this show as a part of her reincarnation spell so if the show is messed up, it fails and she’s on her last life. Brennan has a cool mechanic of making her roll death saves every round at a difficulty lower than her modifier (which is s/t crazy like 11) but that gets harder with damage done to her and performance checks failed by other players who decide to jump on stage. It’s a great way to make the battle feel like it has more personal stakes and it’s my fave original Brennan mechanic since the Family in Flames Sophie’s Choice situation.

(I love that the death save counter is changed for theater comedy/tragedy masks for this. Nice touch.)

Em, Esther, and Wally are also at the fight which is clutch.

Also, Sondheim is specifically here which is an insane detail to add just because.

WILD that no one knows what’s going on with the ritual initially because, as Lou almost does, getting all the civilians out is the smart move and it would COMPLETELY ruin Misty’s plans instantly.

Lou having Kingston take the stairs bc’s he’s 50+ years old and has no time for that nonsense has equal but opposite energy to him doing extra rolls for Fabian to do unnecessary parkour before a simple attack because Fabian’s Like That.

Murph fireblasts the hell out of Titania’s foot soldiers right off the bat from outside of counterspell range which is very cool.

“Give me a performance check for the cockroach.”

“You’re upstaging me bitch?”

Another great thing about this fight is that because of it’s theatrical nature, everyone’s RPing it more than a usual battle ep (or more intensely maybe is what I mean).

Titania hypnotizes Don Confetti and his goons into fighting for her.

“She doesn’t know she’s in a play but she does sing most of her dialogue which is helpful for you.” Titania is just Like That.

Pete drops an erupting earth and drops a sick 37 damage on those same minions Kug got.

I didn’t notice before but yeah, Ally does roll die like a f-ing beyblade champion.

Emily hearing Murph’s low key, offhand comments and cracking up is great.

“Get Sondheim!” (Emily and then Ally: WHAT?!)

Actual living dude Stephen Sondheim being involved in this fight is just so ridiculous and fun and crazy.

We go around to Misty’s turn and she has to beat a 28 (upped from 10) and she fails which feels worse than a normal failed death save somehow.

Lou, in a very good RP move, tells Pete to tell Misty to end the show so she can tell them not to so the group has a valid reason to not evacuate which is a thing they (or at least him and Ricky) would obviously want to do.

Sophie, the madwoman, jumps out of the balcony, grabs a costume, then runs on stage. Emily’s glee at being told that her grabbing the costume will give her advantage is great. She’s always trying to figure out how to make the most of her moves. She is the living embodiment of the concept of method to madness (which is from Hamlet since we’re talking Shakespeare today).

Ox is constantly dying (Brennan!) but also it’s like, why was he even there before the fight started? I’ve never seen a non-service dog in a theater.

Ricky: Is this part of it?

Oh, forgot to mention that everything that happens on stage is kinda shielded by the Umbral Arcana so everyone watching thinks it’s part of the show, which is a cool plot detail.

Ricky gets fULLY NAKED (Emily, with perfect comic timing: Now do I roll with disadvantage?) and leaps into the fray. He casts Protection from Evil and Good on her which (1) He does by Magic Mike body-rolling on her while he’s naked and considering how much shorter she is that her raises some interesting questions about positioning and (2) is the most clutch use of this spell I’ve seen in a while. It’s a spell I always wanna take as a Paladin because it makes sense character-wise, but I’ve never been able to actually use it because we’re never fighting fiends, fae, or celestial.

Brennan’s dime change change reversal of the critic’s comments on Ricky’s body rolls when Zac re-rolls his 11 makes me glad I never had to face him in a debate team setting.

Ally: What’s Esther’s deal ;)/Brennan: *Esther’s Weapon Stats*

“Your only secret you’ve ever had in your life is that you have a crush on her.”

Wally has a beautiful singing voice and a working knowledge of Midsummer's which is wild.

Lou’s periodic, “My man”’s when Ally/Pete does something cool. He’s very dialed into being Kingston.

Ricky’s aura keeps everyone near him from being charmed and Misty saves everyone else w/ a nat 20 counterspell. Few things in D&D are more satisfying than a well executed counterspell.

Titania trying to get Pete to be her consort or something when he just over the super posh Priya is very funny.

“I mean between me and Sondheim, get Sondheim!”

“DO WE HAVE HOMEWORK TONIGHT?” (“We did have homework.”)

Anyway, Misty has one success now!

Misty tries to use puppet to get Titania to drop her crown and it doesn’t work. Brennan says the crown is Crown of Stars which I looked up and it’s actually a spell, not a physical crown, but I’m assuming he used the mechanical effects of the spell on a physical item.

Brennan doing all these musical/singing bits when he absolutely doesn’t have to. I love it.

I love Ricky and Sophie being the two martial fighting heavy hitters of the group. Like, the two fighters, having the spellcasters’ backs.

I hope the one kung fu fan in the back of the theater never sees another Broadway show again because he’s gonna be so disappointed.

“I’m just so inspired by that beautiful penis.”

Murph, out of character, verbally acknowledging how insane what they’re doing is. I love when someone pauses in a game of D&D to just recite what’s currently happening out of context so everyone can appreciate how crazy it is. D&D. Gotta love it..

Emily and Siobhan have a quick conversation in the background about whether Sondheim did Les Mis or not (not, that’s Claude-Michel Schönberg) while Brennan and Murph are Ring nonsense.

I also was mildly suspicious of Alyssa so I’m glad Kingston checked her out.

The entire roast of Brennan when he’s selecting D6s is an instantly iconic D20 moment. I can’t do it justice. You kinda just have to see it.

“Someone call Wizards of the Coast!”

Em, Wally, and Alyssa go out when Titania puts out a huge spell that blinds Kug.

“Yummy, yummy, tastes like ass.”

On Misty’s next turn, she rolls a fail which makes it 2 failures to 1 success. Brennan mentions that a nat 1 counts as 2 failures and a nat 20 counts as 2 successes. I’m sure that won’t be relevant later because you can’t foreshadow things when dice rolls are completely random.

Misty fails on puppet again again and Titania goes full Wicked Witch of the West on her and starts Jonesing for those shoessss.

Emily’s Emily(tm) move of the session is doing a flying leap at Titania, hitting her with a stunning strike and having Brennan retract the Box off Doom he was pulling out because she can’t save when she’s stunned. She just plummets out of the sky.

Don Confetti respecting the sacrament of marriage as he goes full Opera ghost and tries to garrote Sophie.

Ricky (still naked) grabs the crown from Titania, tosses it to Misty, and, with some improv and a good charisma roll, makes the show suddenly make sense to the very confused but entertained audience.

I’m so glad that Murph decided to turn into a bear and that they made the Winter’s tale ref. I should have had faith in Brennan and Siobhan, the theater nerds. Exit pursued by a bear y’all.

Lou and Emily bonding over being proud of their die for rolling well when they lend it out for a big roll.

Really wish Pete had wild magic surged in this fight. Just to add that extra bit of chaos.

With a very good turn (no damage taken, no performances failed) Misty only has to avoid snake eyes to get through this turn. She leapfrogs over that low bar and rolls a nat 20, instantly fulfilling her win condition. At this point, the play is superfluous and Titania is still down.

“Brennan lost and now he knows reddit is gonna eat his ass.”

OK, remember how I said earlier that Misty seems like the kind of character you nudge a little temptation at just to spice things up? Yeah, her killing Titania and getting the crown of the Seelie Fae makes me a liiiitle apprehensive, but we’ll see how that turns out.

“I killed my queen! This is America we don’t have royalty here.”

“Bear, I don’t know who you are, but take me on your back, let me ride on stage.” —creator of West Side Story, Stephen Sondheim

Misty charms the critic at the show to make sure they get a good review which is such a fae thing to do.

Kingston’s clearly not loving attacking Don and Co. post “real fight” what with his whole Do No Harm thing (well, that’s Dr’s but same principle applies I assume) is a good character detail. For that matter, so is Ricky just taking Titania’s crown and not beheading her which he super could have done while she was down but it would have been very incongruous with everything else about him.

Brian “This isn’t Loony Tunes” Murphy throws Sondheim as a projectile weapon at a pixie who snaps the pixie’s neck and then does a monologue at the audience.

I love it when someone rolls low on an insight check and Brennan gives them useless info and then they repeat it in their character’s voice.

4 mins from the end of the ep, Siobhan realizes there are two Perrys in this story for the first time and has a bigger reaction to that than almost everything else in this ep except her nat 20.

Ricky looks for costume faun legs to cover his fully out dick instead of costume pants or even his own pants.

Misty starts glowing with reincarnation energy and she runs into her dressing room for privacy. Also, she still super hasn’t told anyone what’s going on. (ALSO, assuming she’s gonna make the world think she died, it’s gonna be wild for the company of the show to have their leading lady put on the performance of her life and then die on opening night).

“Who am I to refuse a crown when it’s placed so deftly upon my head?”

You know that behind the scenes thing where Brennan is like, “Yeah, I knew Siobhan was gonna steal that book,”? I got some of those vibes during the crown scene.

The implications of what Misty did are gonna be left until next ep but Brennan says something about her creating her own court and it looks like she’s recruiting followers in the promo. IDK how I feel about that (these stories tend to have great power--especially tied to powerful magical items--as a corrupting force) but I am very excited to see how it goes down! See you then!

#the unsleeping city #dimension 20 #asks #galfast

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jq37 · 5 years

Note

oh my GOD the new ep!!!! like!!!!!!!!! SO MUCH happened but then also the preview for the next ep looks SO GOOD

**spoilers for first kisses and last words**

Hoo boy this was, as I predicted, a BIG one. Not that I needed to be an oracle to figure that out since there’s only a few eps left but man did it deliver.

I still think that Cool Kids, Cold Case had the most off the wall nonsense happening in the shortest period of time but this ep I think was overall the most consistently wild ep.

So let’s take it from the top.

I think I forgot to mention it before but Adaine’s, “I go into a rage,” hardcore cracked me up.

“I have hold person.”/”I stuff a sock in her mouth.” Insult to injury Adaine.

The entire group dunking on Aelwen, forgetting that Riz is literally bleeding out, half dead.

“sausage festival”

Adaine really was dead serious about her snitching threat huh?

Ally miming a boom mic.

I love how everyone including Siobhan mess up Aelwen’s name or mix it up with Adaine’s half the time.

And speaking of, wow. What a rise and fall for her in 3 eps (and about an hour in game time). She’s queen of the nerds. She’s not even cool at her own school. And terrified of whoever she made whatever shady deal with. I know she literally tried to kill the whole party last ep and that she’s the worst but I almost feel for her.

Almost.

“This is not on you. This is on the world within which you inhabit.”

I love Adaine’s semi-indigent, “We’re not going to kill you,” because Alwen was 100% ready to murder them which, side note, imagine how much on an international incident that would have been.

Lol at the group tag team bullying Aelwen about going to Mumple and Adaine using her magic jacket for super petty BS.

“Hey mom!”/”GodDAMMIT honey.”

The parent/kid relationships are so good in this show.

Everyone but Kristen parkouring off the roof when Sklonda specifically set up a ladder.

“The put a girl in a palimpsest,” followed immediately by, “She went to a party,” as if those are on the same level.

Sklonda Gukgak DUNKING Aelwen into the squad car with a technical assist from Adaine. I knew she was gonna be my fave parent from her intro scene and I love her even more than I thought.

“With all due respect, (A/N: Which is none), suck my dick, fuck you.”

“She tried to murder me.”/”BE THAT AS IT IS.”

“Eh, you carry a gun.”

“No one who’s detecting maidens is a maiden.”

I feel like I’m quoting a lot today but there were so many money lines this episode.

Everyone always loses it when Brennan starts doing the Identify spell voice and I love it.

Adaine’s dad is T R A S H

Adaine’s mom on the other hand…I’ve been wondering about her for a little while because usually the outright emotional abuse has been from her dad while her mom is either not there or not saying anything. So I’ve been wondering was her deal is and we finally got the start of an answer. I know we only have a few eps left but I hope we go a little deeper into what exactly is going on there. It seems like Adaine’s parents are gonna be a big factor in whatever endgame is planned so fingers crossed,

Everyone cracking up as Emily backs Fig into a corner talking to Penelope.

I love Gorgug so freaking much. Just his good natured, lumbering self. EVery time Zac opens his mouth gold falls out.

Emily MAXED out her deception huh?

I think Siobhan must have forgotten that she took the crystal with Ostentasia away from Aelwen at the end of last ep. Either that or they willingly gave it to the cops and I forgot (but I think it’s the former because she said in this ep that it was in Aelwen’s pocket when at the end of the last ep she def took it).

My autocorrect keeps wanting me to type Ellen for Aelwen. I WISH.

I knew it! He’s a PIRATE. Suck it Fabian. (lol at Adaine stirring the pot. That was like Adaine being sincerely polite and Siobhan trying to cause problems and I love mixed motive player/character decisions).

I wonder if the banker is named after John Hughes.

I can’t believe the dumb bank is actually a huge plot point.

Yikes, re: Bill and Fabian. That got tense. Though I’ve kinda been waiting for some kind of blowout for a while. His dad runs very hot and cold and I figured it would only be a matter of time before we saw some of the cold.

Also, Lou breaking character in the middle of that very intense moment to clarify a plot point.

Sidenote: For a hot sec after reading the title of the ep and remembering how Sklonda is competent to the point of (probably) breaking the original plot, I was so concerned she was gonna eat it this ep. So glad she didn’t.

Anyway, the idea of swinging sadly on a rope is so freaking funny.

Fig: Can I offer you a sad song in this trying time?

Huge portrait of Bill Seacaster in Fabian’s room.

Adaine is gonna bring up him kissing her sister very time she needs to get out of something w/ Fabian for the rest of her immortal life.

Another sidenote: This is a little thing but I always think it’s interesting when fantasy worlds have the same months and days as us when they’re named after like Norse Gods and Roman statesmen that wouldn’t exist in their world. Same with Roman numerals and Irish coffee.

“Am I allowed to smoke in here?”/”Of course.”

I really like the character detail that Adaine is always really polite to everyone, including/especially people like Fabian’s maid and Basrar. People that she wouldn’t necessarily “have to” be polite to, you know? It’s like she’s trying to make up for the fact that her family is a bag of dicks.

“Fantasy Google”

The whole bit with Fabian’s porn stash was so good. This group is so good w/ yes-adning each other.

“Privateer me a new one.” Emily is so good.

“Special investment” Suspicious

I was thinking “I can’t believe looking at a bank’s FAQs is part of this game,” right as Brennan said it.

So I went back and watched Siobhan’s face from when Emily first mentioned Kal Vaxis to when she got the connection to KVX and it took her 22 seconds. I also missed the quick cut to Brennan when Gorgug asks, “What is Kal Vaxis,” and you can tell he knows they’re so close to breaking it with the little grin on his face. I wish we had gotten a reaction shot right after she got it. Anyway, great team solve w/ the MVP trophy to Siobhan/Adaine.

I loved when Zac, Emily, and Siobhan all whipped out their laminated maps in tandem to figure out what was happening.

The hard mood change from Adaine dropping the bomb about Riz’s dad and to forming a committee to help Gorgug flirt with Zelda was wild.

Kristen telling anyone to be suave is hysterical.

What a DISASTER of a committee Gorgug’s friends are. Well meaning but so trash

Fig: Tell her you got a SICK tattoo

Adaine: Bring her to see art in the middle of the night

Fabian: You cannot date this person (Kristen: You absolutely have to)

Kristen: Actually not garbage advice but she is in no position to be giving dating advice to anyone

Riz: Having a literal existential crisis

“Who else is he gonna date?” WOW, savage Adaine.

I meant to say this before but I love how Adaine’s go-to is immediately ice cream and she’s always on board to go to Basrar’s. Like how when she texted everyone 2 eps ago she was like, “Let’s get ice cream now.”

Mmm, don’t love that Gorthalax isn’t answering his phone. I have been waiting for a significant adult to die for a while now.

OK, look, the whole thing about Penelope and Dayne being eternal prom king/queen. Is it wild? Yes. Is it implausible? No. No it’s not. Even Murph, most veteran player, was kind of like, “Wait, does that make sense?” Because, in this setting, it kind of would? I’m not sure it fits within the story so far and I’d have to go back and listen to the more lore-y stuff again but the conceit itself is like the exact right amount of crazy to fit in this setting? And they never cut to Brennan like I wanted so I could judge his face for any kind of tell. But anyway, you guys know I’ve been predicting a prom finale and this would fit right into a prom finale.

The girls giving Gorgug a pep talk before his date was ADORABLE.

Gorgug having to check his phone to remember three words, “You look nice.”

“Your friends are popular and loud” True

Zelda’s a BARBARIAN! She’s a MEGA BARBARIAN!

I know they mean ecstasy like intense emotion but I kept thinking, like, molly.

Hmm, so Penelope wanted to know if Zelda had hooked up w/ Gorgug, ie: if she was a maiden. Can they only palimpsest maidens? Or (as we will get to later) does nice guy Biz only want virginal maidens for his creepy reverse Weird Science arcade setup?

Zelda listing off every type of metal and then Gorgug’s, “Same stuff,” was perfect comic timing on Zac’s part.

Imagine the Hangman screaming down the road on fire, Zelda completely terrified.

I love the Hangman so freaking much.

“DO NOT GIVE TREATS TO MY MOTORCYCLE.”

I can’t believe everyone is living at the freaking crappy apartments. I knew they were all gonna end up hanging at one persons’ house but I kinda figured it would be Fabian’s house or Gorgug’s house.

I”m also concerned about Bill. I feel like we keep getting reminded that he’s mortal a LOT.

Did Gorgug’s parents have indoor fireworks on tap for Gorgug’s first date?

Oh my God the whole docking conversation. Never play chicken with Brennan because the dude will not blink.

“We didn’t do that.” That’s his other best comic timing moment of the ep.

“Polishing my axe”

Kristen this episode

I really wish they’d made the roll to find Ragh later in the ep. Fig is so ride or die for Gilear now and I love it.

“I fall asleep.”

Adaine almost making her parents dunk on Gilear but then pulling back.

But also, Adaine and Gilear going off the the oracle together.

“Fig pack it in.”

Affirmations with Fig and Gilear.

Fig, do you really think platonically cuddling with Kristen is the move?

Riz setting himself up for a dramatic entrance is so fantastic.

Hmm, so Biz and Zayne were attacked at the same time. That’s why that cold pill detail was in there way back. I’ve been trying to figure out what was always planned and what was quick re-working but Brennan is so good I can never really tell.

Are multiple unrelated groups just getting into palimpsests at the same time? Or mostly unrelated groups tied to one person?

“We are not gonna get our security deposit back.”

RIZ’S DAD IS JAMES BOND! YES! I didn’t know I wanted that to be the case until it happened and now that’s the only acceptable option.

Riz didn’t get the 20′s he needed when fighting Aelwen but man he got it at the best story moment this week.

Oh man that home movie

The pearl is grey. Interesting.

“Mom our family is so awesome Mom we’re all so badass, I thought it was just us but Dad is awesome too, why didn’t you tell me Mom?”

Sklonda: Internally screaming.

Man he went full Inigo Montoya.

“I’ve got nimble escape so…”

“I guess we have a two bedroom,” I think was a really underrated funny line.

Did Riz ever tell his mom about the time of death thing.

Everyone inundating Gilear with overlapping chatter.

lol the Hangman likes Zelda’s family

Ally’s panicked, “FUCK” is always hilarious.

Why are all the adults in Gorgug’s life trying to get him laid?

OK so the elementals were conjured by Aelwn’s magic Brennan said. He said by Aelwen’s magic, not by Aelwen. I wonder if that turn of phrase was specific or arbitrary. Like, we were told where Aelwen is but we don’t know. Was she forced to do it (either by threat or by magic)? Clearly someone (Biz?) is pulling her strings to at least some degree.

“It’s probably about marriage.” “WAR HAS BEEN DECLARED.”

That happened fast

Fun fact from my International Law class: When a government kidnaps someone, it’s called rendition.

“There’s a war, fuck school.”

Yeah it is wild that Adaine’s parents didn’t call her.

OK so did the Elves get Aelwen back but also go, “But you still need to go to jail.” Because they cut Brennan off before the end of that sentence which might have had more clues in it.

“I text my mom k”

I also wanna know who gave Kristen a slushy marg (It’s war times. I bet things are looser now)

Murph’s face when Brennan said, “Lucky Stones” was so good. That was so Riz.

S/O to Ally for pre-casting Guardian of Faith. Good instinct.

AHHHHHH BIZ

As I said in an earlier conversation s/o to Adaine for DUNKING on him at every opportunity because he DESERVED IT. Also, her instincts for who sucks in this game have been spot on.

Another s/o to Riz for having the presence of mind to not pull a Star Lord and to pretend to be on the bad dude’s side for long enough to gain some kind of upper hand.

OK, wow was not expecting that twist. I feel like I need to go back and rewatch some stuff to get a better handle of the timeline and stuff. Like, when exactly did the girls start going missing again? And what year is Biz? Has he been masterminding this whole thing? I feel like no but I feel like he’s masterminding his own thing which happens to a puzzle piece in something bigger? BUT IT’S A PRETTY DAMN BIG PIECE. Who opened the new arcade? Is it connected to the bank? How did Biz get involved? Who’s his supplier? Did someone hook up Biz, Daybreak, Penelope, and Aelwen with Palimpsests to do their own separate things, hoping that at least one of them would succeed which would somehow be good for the mystery person? I am so excited to find out and I really hope Brennan and the cast do a Q+A sesh after S1 is over to hash some stuff out.

Siobhan’s face when Biz said he was going after Adaine.

ALSO, you’re just gonna TELL RIZ and you wanna PUT ONE OF HIS BEST FRIENDS into a MAGIC CRYSTAL???? AND YOU THOUGHT HE’D BE ON BOARD? Like, even if he was, what about the 4 other people who are there?????

(sidenote, wild Gorgug’s parents just left them alone, no questions asked)

Theme-wise, this is the fight ep I’m most excited for. It seems rad as hell.

All that yelling in the promo for next week. Either the raddest thing possible happened or there was a TPK. There is no other option.

Wow, that was a stellar ep and this is a really long post. I really can’t wait for next week’s!

Edit: I meant to say before, is Penelope’s FB album like…a hit list? Like does whoever’s doing the actual dirty work (Biz? S/o else?) know that whoever she takes a picture with is who they should target?

#fantasy high #fantasy high spoilers #asks #anon #Anonymous

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jq37 · 5 years

Note

I'll be the one that bites the bullet. Fantasy High episode 11--thoughts?

**spoilers for cool kids, cold case**

Hoo boy.

That could be my entire write up honestly because, geez ya'll.

Let's break it down.

Sidenote, I just got mildly into Overwatch so every time I say that and I say it a fair amount, I hear Lucio in my head.

Anyway, like I said in an earlier post, I'm now pretty sure that the bloodrush fight didn't go the way Brennan expected. Like either he didn't expect them to win or that they would win but not kill Daybreak because there was so much exposition and change and repositioning in this episode. It was a lot like the first session with all the setup. It's like he needed to get them on a new trajectory so he took an episode to time jump and change the status quo before--BAM. But we're getting to that.

In another show or even another episode of this show, the opening convo with Ragh might have been the wildest part of the ep. There’s just so much to unpack there.

Fig making him kowtow to Gorgug and everyone being like dude, stop making it weird.

Before she did that, Emily paused and you could just see every other person looking like “What insane thing is gonna come out of her mouth now?”

Kristen getting the scoop on his super gay dreams.

Adaine trying to get him to got to therapy (and also to realize that he's gay).

The group whole ass making him cry for possibly the first time?

Fabian trying to shut everything down.

“You’re cumming from your eyes.”

Kristen, please stop. I’m begging you.

As I suspected, the group reached the point of yeah, we NEED to call Riz's mom this ep. Like, they *had* to call her. You can only realistically take shenanigans so far before it becomes straight unrealistic to not just call a responsible adult.

And, speaking of, yay! We got to see a little of everyone’s parents just like I wanted/predicted.

We actually got a lot of stuff from my wishlist. There’s so much time jumping and stuff in this episode I don’t even know where to start.

This is probably the wrong place to start but I remember wondering what their Christmas equivalent was because they can’t have Christmas because of the Christ thing so when they were like Solstice I was like, oh duh. It’s literally right there. How could I miss it.

OK I guess

Christmas Solstice party at Gorgug’s house! I knew his house would end up being the hang house.

Sklonda handled the situation pretty close to how I thought she would. I really think Brennan was forced into a, “This adult is too responsible to not wipe out my next ten plot points over the course of a week,” corner and that’s why he had to pivot. More on that later.

Fabian just refusing to eat any of the fast food she got them.

I totally forgot Adaine has diplomatic immunity. Which actually means she’s the ideal Bad Kid to do anything shady they need done, even though that’s not really her style.

Unlike, other people

We’re getting there

I’m glad Brennan drew the line at Kristen’s parents actively being in a cult. He was like, OK no. They’re willfully ignorant but they’re not PART OF THE CULT.

I also think it’s interesting that they didn’t actually kick her out? Like they sorta kinda did but not really because it seems like she’s couch surfing of her own volition a little and staying home sometimes too? I wonder how her brothers are doing.

Both of Fig’s dads just work at her school now. I wonder is they commiserate about her w/ Goldenhoard.

I can’t believe Brennan is letting her just ruin the life of this random, full-adult dwarf doctor. Like, imagine if any adult in her life found out about that.

Brennan says bud a lot. Almost as much as he says rad.

Gorgug choosing playing the drums as his proficiency, but not well. Just, like, a simple drum beat. Bro. Why.

Adaine’s makeover!

I knew we were gonna get to see that. Or at least I really hoped we would.

And it was in boutique setting similar to what I imagined. A little surprised that she went straight for the jeans and t-shirt thing but dope. I want fan-art.

Also, if I hadn’t already been convinced, that scene would have convinced me that Fabian got everyone the gifts (before it was confirmed later).

“You’d look nice as a sailor.” Is that like a pirate thing, bro?

Real talk, does Fabian for-real, for-real have a crush on Adaine low key?He’s complimented her looks more than once, which he hasn’t done with the other girls. They’re at a similar social class which might be a factor. And he clearly has a thing for blond elves.

WE’LL GET TO IT.

I am Concerned about Adaine’s jean jacket, regardless of how dope it is.

Someone needs to talk to Fig about the rat thing. Possibly also Emily.

42069 LANE (or whatever it was). I hate that I love Brennan for that.

“The worst thing about you is that you’re rich.”

But aww, Fabian. I’m glad it ended up being him (and shoutout to the anon who pointed that out to me). This is exactly the character growth I wanted from him.

When Gorthalax said that tryouts had already happened, I was legit upset for Fabian for a sec. Also, how did I know Gorgug was gonna somehow end up on the bloodrush team?

Guys I feel like there’s still a million more things to talk about.

Adaine finding out about Riz’s dad. God I hope there’s a heart to heart soon but she won’t just drop that info unless she has a really good reason.

GILEAR. I can’t believe that was him on a NAT 20. God, he has zero game. Also, imagine Fig and Riz as siblings. Lord.

The return of Tracker. I was concerned that she was in college but she’s like a Sophomore so Kristen is good to go as soon as she stops being a total disaster so actually that’s probably a moot point.

Sidenote, kinda surprised that she’s a cleric. I thought she was off religion totally but I guess she just switched. But I feel like it’s hard to be totally non-religious in a world where gods 100% for sure exist?

Adaine going, “Mrs. Gukgak. Actually Captain Gukgak,” to her racist-ass dad gave me life.

OK so re: the whole conversation about perditional contradoxy and treaties and war and such. How much of that was in the plan and how much of that was last minute retooling by Brennan? Because, I’m going to be honest. If it wasn’t for that comment by Siobhan, I would never have guessed that we were off the rails. But, with that in mind, this feels like the work of a GM who needs to keep the game going because things ended up moving too quickly.

It does answer the question of where the story is going now that the Harvestmen seem to be taken care of. I was a little surprised when Brennan was like, “Yeah Riz’s mom gets them all arrested,” because I’d assumed that the bad guy was going to be just the higher guy on the totem pole.

OK, I’m sure I’m missing some things because this was a JAM PACKED ep so, if I missed something you wanted my thoughts on, please tell me and I’ll be super happy to write more words but let’s get into that scene.

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

OK OK OK

Before we start, I’m so pumped about all of this development but I hate how often I’m going to have to type the word Eolwyn because my fingers refuse to accept that that’s how that’s spelled.

ANYWAY

Dude, the pacing, switching between Adaine and home and the rest of the gang at the party. Like, I knew what the reveal had to be as soon as she walked in but I was still like, “Oh my God. Oh my GOD.”

Sidenote: It was very convenient for Brennan that Adaine never actually read those books because it was an easy and non-cheating way to dole out exposition now, later in the game.

What were the mechanics of Adaine not being invited to that party? Did Eolwyn specifically get her not invited? Did she actually get invited but couldn’t go because of the dinner at home? Did all her friends still decide to go, knowing she wasn’t invited? Was she OK with that? How exactly did that go down?

EOLWYN

BUSTING into that party

Magicking up a bunch of LOVE SLAVE PUPPETS

SNORTING magic coke

Playing Spin the Bottle DEATH ROULETTE

MAKING OUT WITH FABIAN

CUT TO: I’M GOING TO KILL MY SISTER

DAMN BRENNAN, I did NOT Expect you to go THAT hard.

AND THEN IT KEPT GOING

Assuming they all live, I can’t WAIT for the, “YOU KISSED MY SISTER????” conversation.

Which means they’ve either never met Eolwyn or only in passing and not enough to remember her.

Shoutout to Riz for being the only person to give Adaine a heads up.

Her eyes glow blue when she does certain types of magic so I’m just picturing her walking into that room, eyes blazing blue, ready to F up her sister (even BEFORE she finds out what’s going on).

I don’t remember if she called Eolwyn a c**t in this ep or the promo for next but I was like, “Oh damn.” Like you got her to escalate her cursing that much that quickly? Damn.

Also, I love that when she’s really upset, Adaine skips the magic and just starts hitting people.

OK, so remember in the first ep when Eolwyn tried to have Adaine steal that book? The book that I’m pretty sure is the one they mentioned as having wards on it to keep monster stuff from happening at school? So, here’s what I want to know. Has Eolwyn always been a part of this? Because, clearly, it looks like she is right now. But it’s possible the original intent was that she wanted to get Adaine to do it as a prank, not knowing it was important and then, Brennan checked his notes while salvaging the plot and decided to work it in.

Also, unlikely, but imagine if Eolwyn somehow induced Adaine’s panic attack during her entrance exam to Hudol specifically so she would fail, have to go to Augefort, and steal the book for her. Wouldn’t that be wild?

Idek what else to say about that last ten minutes or so that isn’t just incoherent, Ally-esque screeching.

I have to say, battle eps are never my faves but I’m looking forward to this one more than any other one so far.

Man, I can’t believe I thought Eolwyn asking for that textbook might turn into a sister bonding moment. Lol @ past me.

Anyway, kick her ass Adaine!

#fantasy high #asks #anon #idk which anon #y'all can always ask me more questions if you have them #on or off anon #anonymous

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