I keep thinking about how Bionicle as a story was written to sell toys for an aging-but-still-children/teenager fanbase and found another layer of hilarity about the Toa Metru's ages.
I can make a sensible argument that the Toa Metru can be read as young teenagers, because their books were aimed at that age bracket.
Of course, they're not literally teenagers. Characters are devices for the story. Characters don't have to be human or even physically resemble humans, as long as they resonate with the audience. So you get animals, gods, mythical beings in general, objects, plants, planets, or semi-organic semi-mechanical constructs with elemental powers plus more. That's not going even into other facets of storytelling related to characters.
Also, stories are often created with a specific audience to appeal to. The stories' characters experience situations that said audience is familiar / can resonate with / finds cool.
The books focusing on the Toa Mata are a power fantasy for children in the sense of make-believe games. You can be a super-powered hero, too! The Mata Nui Online Games are a different kind of power fantasy where the non-powered, outsider characters among the matoran come together as they are and show their heroic resolve. You are a child and you might be small and appear weird to others, which doesn't change that your actions matter, too!
The Toa Metru's adventures are darker in tone, events, characters, and setting. The Toa Metru become and stay outcasts during their time as toa. They are flung by authority (adults) into a responsibility they used to see as amazing but turns out is difficult and isolating in the place where they live. They both want to be independent and for somebody else to make decisions for them to ease the burden.
Ignorance of their previous circle as the best place gets shattered as they experience other places and their home from a different angle. The highest authority they used to look to for guidance brands them as criminals for something they didn't do, and this makes them pariahs in the perception of their former peers. They get transformed into monsters and feel like ones, when they were arguably treated as such already before as Toa Metru.
This is a story that would appeal to some groups of young teenagers, because they can relate with these experience and know the Toa Metru are the stories' heroes.
Back to this post's beginning:
Onewa still can be arguably the oldest of the Toa Metru. In this interpretation, he equals roughly a sixteen-years old who had to work several jobs to survive, dealt with a lot of shit, has comparatively more worldly knowledge to others of his age, and now thinks he's The Expert (TM) in how the world and every person works.
When he's never left his neighborhood before because it was discouraged, and doesn't realize that
"No, things work very differently in other places. And bad things happen there, too." - And
"You might have gotten a good reading of your fellow teenager, but you're not even considering what kind of shit they went through."
He has his reasons for how he acts. It doesn't make his behavior okay, but it does explain it.
Hello! You ship Zephrit right?? I’m genuinely curious as to how this ship came to be, I’ve been digging around and seeing some great art (including yours omg I love your art) is there like concert footage of Ifrit and Zephyr? (Bc Terzomega there is lots of on stage footage and stuff) Anyways, I would love if you could tell me more about zephrit!!
EEE I would love to talk about it!! I'm not sure the exact origins of it so I'm definitely gonna ramble a little (a lot) - but they did have a lot of fun things on stage together!
I do think part of it is just the overall closeness of the Popestar lineup, at least in my opinion. It definitely feels like a lot of other ships along the lines of "these two interacted and have a good energy together and I think they should kiss about it" HAHAHA
But honestly, Ifrit played around so much with everyone and did NOT let Zephyr fade into the background and I really do love that, especially when it's so hard to find good clips of keyboardists.. and Zeph was so lively, it helped that Ifrit was Right There for them to goof around with
Another factor might be that Ifrit and Zephyr were the only two ghouls who didn't move on in the lineup (aside from Ivy, who of course is nor mentioned enough because of how briefly he was there). We got to see Aether, Dew, and Mountain's relationships all evolve together while Zephyr and Ifrit are a little seperate from that, only being there for the year.
And bonus chronic pain/fatigue ghoul X excited heat pack ghoul
Digging in my Zeph Stash but I'm sure I have more and better stage moments hidden somewhere ^^ I am always willing to talk about anything Popestar ghouls, especially Zephyr related!! They're just a bit more difficult to find because there's really only so much recordings online from the era, especially ones that focus on anyone else *but* Terzo
re-organized my bookshelf for the first time in four or five years and wowzas it is so much better now !!! also I have far more books than I thought I did - nothing like moving nearly every single book you own to make you realize just how many there are :')
really pleased with it though - I've got all my fairytale and nursery rhyme and other poem books in one section and another section has all my classic children's books (heidi, phantom tollbooth, black beauty, narnia, anne of green gables, a wrinkle in time series, etc)
and then !!! my visually favourite shelves:
i managed to fit my entire trixie belden and james herriot and little house on the prairie series all on one shelf !!!! huge win !!! and then I've got (most of my) zine collection and my big birds dictionary series and Philbert the Telephone on the shelf underneath :3
full offence but if anyone has ever said anything so cruel to someone online that you’ve caused that person to leave their safe space on the internet… what is wrong with you?
I know a lot of people say the opposite happened for them but I find I am much less tolerant of being alone for prolonged periods of time after quarantine happened. Maybe that’s due to the fact that even before quarantine I was typically alone; and now that I’m moved out of my parents house I actually have opportunities to hang out with people and have used those opportunities often, I now know how it feels to not be alone constantly. It’s nice to not be alone all the time but sometimes I miss the fact I would be able to just do stuff alone more often. Now it feels almost impossible to do things without even the motivation of showing someone what I’ve done
I really just saw someone, on this website, tell a person who felt disturbed by a friend’s suicidal thoughts that maybe the friend shouldn’t have unloaded on them like that.
Are you fucking kidding me?? What are people supposed to do, then? Keep that shit shoved so deep inside them that they actually end up killing themselves??
I understand it can be really disturbing to hear that shit from someone who’s close to you, but bearing that discomfort is in fact necessary because maybe people need a friend’s support before seeking professional help. And that discomfort is nowhere nearly as bad as the pain of losing a friend. Get over yourselves.