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#andrew loog oldham
waugh-bao · 2 months
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some very cool pics I found on omegaauctions
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theatrepup · 4 months
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Andrew Loog Oldham talks about Brian Jones' work on "She Smiled Sweetly." Plus a photo from the Monterey Festival I haven't seen before. (from the book 1967: A Complete Rock Music History of the Summer of Love by Harvey Kubernik)
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lisamarie-vee · 3 months
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moonlightmile12 · 5 months
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"I ran into Jack on the staircase of the Speakeasy in 1974 when I was producing Donovan. I hadn’t seen him since ’66, and Jack’s opening words to me were: "Andrew! How are you? Do I have to be bisexual to make it?" And I went, "Uh oh, you’ve been hanging around with Mick too long, honey."
Mick has this habit of playing with people who haven’t actually got a head for it. Like Mick Taylor. Mick Taylor’s a perfect example—turned him into Humpty Dumpty inside of two years."
Andrew Loog Oldham
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jonesbrianshining · 26 days
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Marianne Faithfull and Andrew Loog Oldham (manager and producer)
Marianne Faithfull's early days with the Rolling Stones in 1964
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odk-2 · 10 months
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Rolling Stones - (I Can't Get No) Satisfaction Mono/Stereo
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The Rolling Stones - (I Can't Get No) Satisfaction (1965) Mick Jagger/ Keith Richards from: "(I Can't Get No) Satisfaction" / "The Under Assistant West Coast Promotion Man" (US Single) "(I Can't Get No) Satisfaction" / "The Spider and the Fly" (UK Single) "Out of Our Heads" (LP) "Singles Collection: The London Years" (CD|LP) (1989 Compilation)
Rock | British Invasion
Mono: JukeHostUK (left click = play) (320kbps)
♪♪♪ ♪♪♪ ♪♪♪
Stereo: JukeHostUK (left click = play) (320kbps)
Personnel: Mick Jagger: Vocals / Harmonica Keith Richards: Backing Vocals / Fuzz Guitar / Electric Guitar / Acoustic Guitar Brian Jones: Electric Rhythm Guitars / Acoustic Guitar / Harmonica / Piano / Organ Bill Wyman: Bass Charlie Watts: Drums
Jack Nitzsche: Piano / Organ / Tambourine Ian Stewart: Piano / Organ / Marimba
Produced by Andrew Loog Oldham
Recorded: @ The RCA Records Studios in Hollywood, California USA on May 12, 1965
Single Released: on June 5, 1965 (US) on August 20, 1965 (UK)
London Records (US) Decca Records (UK)
Album Release: Out of Our Heads July 30, 1965 (US) September 24, 1965 (UK)
London Records (US) Decca Records (UK)
Singles Collection: The London Years Compilation: Released: on August 15, 1989
ABKCO Records
It is one of the world's most popular songs, and was No. 31 on Rolling Stone magazine's 500 Greatest Songs of All Time list in 2021. It was inducted into the Grammy Hall of Fame in 1998, and it is the 10th ranked song on critics' all-time lists according to Acclaimed Music. The song was added to the US National Recording Registry of the Library of Congress in 2006. - Wikipedia
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rhapsodynew · 17 days
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Rare Photographs of the Rolling Stones
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At the unused sleeve shoot for Beggar’s Banquet, at Swarkestone Hall Pavilion, Derbyshire, Autumn 1968
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The Rolling Stones Let It Bleed: Inside the Stones’ hedonistic farewell to the ‘60s
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The Rolling Stones in 1964.
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Mick Jagger in 1964.
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Bent Rej photographs Charlie Watts at home in London, 1965.
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The Glimmer Twins, by Bent Rej, photo taken in Copenhagen in 1970.
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Goats Head Soup, by David Bailey, 1973.
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eppysboys · 1 year
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Photos by Marc Sharratt
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waugh-bao · 2 months
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That's not all!! Cause I have more to share
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ttexed · 1 year
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The Werewolves - The Flesh Express
A few people have been asking me lately about Dallas' glam/bluesy/tops of the scene combo, the mighty Werewolves, who opened when The New York Dolls came to Big D in 1974. Here's "The Flesh Express" https://youtu.be/bTcxq-RhMnM & "Hollywood Millionaire" https://youtu.be/IBQQVwrj9Bc from their first album, produced by Andrew Loog Oldham & believe me they were even better live..
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The Werewolves - Hollywood Millionaire
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leftfield-fm · 7 months
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The first broadside came because Andrew had written provocative notes on the cover of our second album. We knew nothing about it until we saw the finished record; but Andrew's doodlings in the bath one night pitched us into a major controversy, causing questions to be asked in the House of Lords. He wrote: "Cast deep in your pocket for loot to buy this disc of groovies and fancy words. If you don't have bread, see that blind man, knock him on the head, steal his wallet and low and behold you have the loot, if you put in the boot, good, another one sold!"
"Sheer damned bad taste," declared the National Association for the Blind. "It is extraordinary that a company like Decca should print anything like this." Decca's chairman, Sir Edward Lewis, responded: "I am told that this inscription was intended to be humorous, but I am afraid this jargon does not make sense to me."
Mick told a newspaper: "The stuff about the blind man has nothing to do with us; we didn't write it," while Keith commented: "It is just a sick joke. I'm sorry if the blind people are upset, but you can see a lot sicker things on TV." Andrew said he composed the words for fun: "I'm fed up with writing the usual blurbs on sleeves."
Many people, though, continued to find the remarks offensive. On 16 March, Lord Conesford asked in the House of Lords what government action was planned and if the attention of the Director of Public Prosecutions had been drawn to the "offensive" album cover. The Home Office Joint Parliamentary under-secretary replied that the director was aware of the matter, but in his view, there was "no evidence that these words have been published in circumstances constituting a criminal offence." The heat of the controversy was reduced when Sir Edward Lewis instructed that the offending words be deleted from future pressings of the LP. We had survived another round.
excerpt from Bill Wyman's memoir, Stone Alone
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sbrown82 · 1 year
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What was the relationship between The Stones and Andrew Loog Oldham? Did he really treat Mick better than the rest?
Andrew Loog Oldham was the Rolling Stones’ manager, producer, publicist, babysitter, wingman, and referee amongst other things. He played a very pivotal role in the band’s image and early success. He even made some key tweaks to ready them for the public, like convincing the group to add a “g” to their name Rollin’ Stones and dropping piano player Ian Stewart who looked like Fred Flintstone from their onstage lineup. He also suggested that they start writing their own songs, which led to the infamous incident when Andrew locked Mick Jagger and Keith Richards in a room until they came up with a song worthy to be included on a Stones' album. He didn’t treat Mick better, but he saw that Mick was the most charismatic of the band. He had that X-factor, that star quality the other guys probably didn’t have, so he sort of pushed him to the front! Andrew quit working with the band because he was getting carried away with all of it: drugs, partying, etc.
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lisamarie-vee · 1 year
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