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#anyway thirsts wil be open :)
gently-yours · 2 months
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Okay well while i'm in an emotionally vulnerable and open mood, I realized I've been thinking about my body lately and I think that's also a big part of why I started this blog. I'm gonna talk about it here just to get to voice some thoughts, it'll be under the line
I don't necessarily have big body issues. I mean I get insecure sometimes, it kinda comes and goes, but I've broadly speaking learned to love my body. Not just because it's my body and it gets me through the day and it's a temple and so on, but because I genuinely feel pretty sexy (again at least sometimes, it varies) and also I've learned from experience that some people are very much in to my bodytype, even though it's not immediately socially obvious. Throwback to that time where David Harbour went shirtless in Stranger Things and I saw a bunch of people thirsting openly about a guy who looked like me for the first time! That brought me on this journey of self-discovery that made me stop trying to change my body fundamentally and instead just focus on my health and mental well-being. Which is I gotta say a big improvement!!!
I think my biggest kink is probably to be desired, I want to feel sexy and lusted after, and I think that's a big part of why I love the idea of being possessed by someone, the idea that someone could be so in to me that they'd want to own me, control me, is really fucking hot! It's like an umbrella-kink, that everything else I like fits in to. My second biggest turn-on is bringing other people to orgasm. Like I've had several sexual encounters where I brought someone to orgasm and didn't cum myself, but I still left satisfied. It just feels great. I semi-ironically call this a people-pleaser kink, it's probably not a kink and it's fairly gosh darn vanilla really but man it turns me on to make someone else cum.
Anyway, the point I want to make is, I think the biggest reason why I started this blog is that I feel like the bodytype that I have is pretty rare to see in the BDSM space, and when it does it's not in the way I want to see my self. Like when I actually do find someone who looks like me in porn or other content, the focus is usually on fatphobic degradation, and that's just not for me, man. Or it's feeder-fetish content, which is also just not my thing. I'm not shaming here, if it's consensual and the people involved are having fun and getting off then it's good!! I mean actual fatphobia is obviously bad, and I hope that it doesn't carry on to actual real life for those people. A little degradation kink is perfectly fine but fat people deserve love and respect it's gotta be said. But me, I want to feel loved and desired, and I'm not planning on putting on any weight (except for that I want to work out more and get a bigger butt/thicker thighs, but I digress).
I realised a lot of the content I consumed was about femboys, the old gfd staple, and as much as femboys are hot and I get it it was just hard to reflect myself in them. Especially without feeling like I was losing progress on my self-love journey, as I started feeling the desire to change my body so that I could start being desired like they were. So I decided that the healthy solution was probably just to deal with this issue head on, and try and create some content myself where I can try and bridge the gap between the fact that I do feel sexy with the body I have, but also want to be submissive and desired. And here I am! I'm probably gonna create more posts about how I think my tits are very grabbable, but that's because they are! And also I really like my butt it's gotta be said.
If you read through all of that then thank you I love you. Even though the post that broke 100 notes wasn't about my bodytype at all it still felt very validating to share my thoughts and be seen. I'm sure the generally-applicable stuff wil always do better, just by nature of being generally-applicable, but I do hope that as I allow myself to share more of the things I'm insecure about that will get a good response too. Not only would I feel great, but I'm sure there's other people out there with similar bodytype and experiences to mine who could gain confidence from it as well. And who knows, maybe I'll share some sexy photos of myself one day wink wink nudge nudge and so on. Probably not anytime soon though, but I'd like to get there. Should probably talk to my therapist about how much the idea of being objectified by people on the internet excites me.
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serostuffsmh · 3 years
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𝐓𝐇𝐈𝐑𝐒𝐓𝐒 𝐎𝐏𝐄𝐍!
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➳ 𝙧𝙚𝙖𝙙 𝙩𝙝𝙚 𝙧𝙪𝙡𝙚𝙨 𝙩𝙤 𝙨𝙚𝙚 𝙖𝙡𝙡 𝙩𝙝𝙚 𝙘𝙝𝙖𝙧𝙖𝙘𝙩𝙚𝙧𝙨 𝙄 𝙬𝙧𝙞𝙩𝙚 𝙛𝙤𝙧
➳ 𝙩𝙝𝙞𝙧𝙨𝙩𝙨 𝙖𝙧𝙚 𝙨𝙢𝙪𝙩 𝙙𝙧𝙖𝙗𝙗𝙡𝙚𝙨 𝙖𝙣𝙙 𝙡𝙞𝙩𝙩𝙡𝙚 𝙨𝙘𝙚𝙣𝙖𝙧𝙞𝙤𝙨
➳ 𝙩𝙝𝙞𝙧𝙨𝙩𝙨 𝙬𝙞𝙡𝙡 𝙖𝙡𝙨𝙤 𝙞𝙣𝙘𝙡𝙪𝙙𝙚 𝙫𝙞𝙨𝙪𝙖𝙡 𝙖𝙞𝙙𝙨
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dromaeo-sauridae · 2 years
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HEHE Yes. So this song rly makes me think of c!Wil, and I swear it isn't just because it has to do with Trains/subway, Underground - Cody Fry "I woke up underground Not a light, not a sound I threw my voice into the dark But the dark had no remark Just repeated what I said
Claustrophobic at first Struck by hunger and thirst I stood up and looked around There was nothing to be found Just a world I couldn't see" + "Then my fear began to ease From far away whispered a breeze Telling me to move along Move along there's nothing wrong So I cornered my resolve
Took a breath and took a step Encountered metal on my left What a strange thing to find Metal in this place of mine Running lengthwise down the hall
And I heard,"Whoo"
Then a light broke through the black I was standing on a track That little light began to grow There was no where I could go
And the ground began to shake No time left to hit the brake That little light was closing in And suddenly I'm floating
Love, I see you now, You found me here underground" THAT'S PRETTY MUCH THE WHOLE LYRICS, so sorry for the long ask -o-
NO YOURE ABSOLUTELY RIGHT LIKE. man fully expected to never wake up again, then he opens his eyes in this. place?? like!!!! a ! anyway i gotta listen to this immediately
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the-darklings · 4 years
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—𝒃𝒖𝒍𝒍𝒆𝒕 𝒕𝒐 𝒚𝒐𝒖𝒓 𝒉𝒆𝒂𝒅;
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pairing: john wick x f!reader x santino d’antonio
word count: 13.7k+
summary: There’s only so much you can push a person before something cracks and breaks permanently. 
warnings: swearing, angst, strong violence (the usual lol)
notes: ahhhh it’s good to be back! I’ve missed you guys SO MUCH!! And I hope you all missed COA too. As always, thank you for your incredible support. ENJOY!!!
children of ares series: 01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | . . | 10 |
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You move down the staircase quickly, your feet nimble against the concrete as you approach the large, blinding white car.
Across from you, Ares greets you with a subdued grin and hands clasped in front of her. She can no doubt read your expression, read the way your jaw and fingers keep flexing and your eyes shimmer with emotion. Beside Ares, Roberto shifts, clearly wary of how this will go, but moves to open the car door for you.
No other car you recognise is around, and if it had been anyone other than Winston himself telling you about Santino surrounding the place, you won’t have believed them.
It’s peaceful.
Or at least as peaceful as New York City can be at rush hour.
Why would you let him do this? you sign and know that your movements are sharp with anger.
Ares frowns slightly, nonplussed by your display of irritation and gives you a pointed look.
Did you really think we would just stand by and watch?
You have nothing to say in reply to that. Because if the situation had been reversed and it had been Santino, or even Ares herself, you wouldn’t have let it go either. You would have fought for them. But the mere thought of how close it all came to ending very badly cramps your stomach with an anxious, crippling sort of fear.
You don’t want to lose anyone else.
Sharing a long look, you both stand in silence for a moment before you incline your head and slide inside the large vehicle.
Green eyes watch you from behind his folded fingers that rest in front of his face. He looks solemn in a way you rarely see from him. He’s always been on the showy side. Santino likes making spectacles of his power. You imagine it appeals to his egoistical nature—his natural thirst for more, always more.
The world and everything in it is not enough.
In the seconds that take for Roberto to close the door, neither of you speak, silently observing the other with a grave sort of seriousness.
The door slams shut and the stillness between you stretches.
“Of all the stupid things to do, Santino,” you begin eventually, emotionless, direct. “What were you thinking?”
He doesn’t answer you. It takes another prolonged moment to realise what exactly he is doing. He’s drinking in the sight of you. Perhaps because he—even more so than you—realises how much of a close call this has been. Certainly the closest since Chicago.
“Why would you do this?” you demand after another lull of quiet between you, desperate for some sort of clarification.
His silence is starting to make you uncomfortable. Because it drags on and on and on. Because he is here and—
“I gave you my word, (Name). I swore to you,” he says, at last, finally lowering his hands into his lap. He shifts in his seat and the intensity of his regard makes you uneasy. Danger crowds all around you because deep down you know that right now Santino may say something that will crumble that wall between you. “Do you know how many times I have done so, and not gotten rid of the other party immediately after?”
You swallow and shake your head.
“Once,” he reveals to you, his features drawn and voice flat. “Only you. Does that adequately answer your question, carissima?”
“And if it had ended in blood?”
Something flickers across his expression; something cold and vicious and cruel. “Then so be it,” he intones softly; a cutting caress, a purr of his accent that sinks into you. “I would have torn that building apart brick by brick to get to you.”
“Stop.”
His expression creases with confusion.
“Stop,” you repeat, tighter, pained. “You don’t—I know you, Santino. All you care about is power. You will always choose Camorra first, despite what you might think. We both know that.”
His features harden at that, his eyes narrowing. There is nothing he can say because you’re right. It doesn’t make you angry or sad anymore. You have gone through this before. And you know he cares—that there is that small shred of him that’s still capable of good, and he shows it to you.
But John cared too, and he still left.  
“It’s okay. They’re your family,” you soothe with a small, forlorn smile. “You’re the blood of Camorra. What was it that you said to me once? Blood for blood? Those are your family’s words. I’m grateful for what you did, I am. More than you know but don’t ever do that again. You don’t risk your position for me.”
He sits up abruptly, his composure cracking around the edges and you instinctively tense before relaxing. His eyes rage as he stares at you, his elbows resting on his thighs and the charged silence between you hangs. His head dips slightly and his lips twist into a slight, biting smile.  
“I gave you the word of old Camorra,” he reminds softly, and leans so close you smell him—can feel the heat of him in your space. “I don’t think you quite grasp the severity of such a promise, cara. In the eyes of the High Table, I made an unbreakable vow to protect you. They could never—”
“You would have broken one of their two sacred rules to protect me,” you argue immediately, and that pang of worry you felt earlier sharpens your words. “The table would have outvoted Camorra and consequences of that—”
“I don’t care about the consequences.”
You gaze at him silently. The stubborn tilt of his chin, at that unyielding, wilful look in his eyes, the inherent pride with which he holds himself. Santino usually doesn’t care for consequences, you know that, but this is not like other times.
“Don’t you?” you whisper gently, sadly, and unleash a question that’s been plaguing you for years, knowing full well the damage it will do. “So if it came down to a choice between myself and Camorra?”
He jerks back, his previously parted lips pressing shut tightly at your question. With a flicker, the enraged worry fades and something distant takes its place. You see it happen, watch how he puts up his own wall up brick-by-brick. It empties his expression of that achingly familiar fondness and openness he shows seemingly only to you. The Camorra heir is the only thing left. A shell of a man you know. A shell that he shows others but not you, never you. Not anymore.
Chaos rages in his eyes but he doesn’t speak a word, clearly caught off guard by your purposeful backing into a corner.
There is no correct way to answer this. He cares for you. But he loves Camorra—it’s everything to him. His past, present, and future too. Regardless of how he might feel about his ties and position in it. If he means his words about protecting you, then he would have to sacrifice everything.
So maybe he cares, and maybe he wants to protect you, but you are not worth everything.
At least this time, you are not blindsided by the care of another to see that truth.
“That’s what I thought,” you note quietly and he swallows, unblinking. You try for a smile and reach out, lightly placing your fingers on his still hand, squeezing once. “It’s okay, grumpy. I would never ask you to make that choice anyway.”
You release your hold on him and move to open the door but he intercepts you, his burning fingers latching onto your wrist. Your eyes meet and his stare is frenzied as he peers at you, clearly looking for something to say.
“You. I—”
You can count on one hand the number of times you have seen Santino of all people struggling for words. But they seem to have escaped him, and you wait another moment before freeing your wrist from his hold, giving him a terse smile.
“Please, don’t lie to me,” you request seriously, and open the car door. “Not you.”
He doesn’t try to stop you again.
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Unlike the last time you were here, there’s no rain. This time, the sun shines high and bright, its rays warming the skin of your cheek as you stare blankly ahead.
The ceremony is modest but Marcus has never had many friends. Such is the life of an assassin for hire. You are loyal to no one but yourself. Some have friends, others even create families but that rarely ends well unless you have the power to keep them hidden and safe. And even then, accidents happen and misfortune befalls people at most unexpected times and you know that well.
The casket sits surrounded by a sea of flowers, beautiful and lustrous, and your eyes move away, making you shift in your black dress uncomfortably. You never did sort out your problems before he—
The sun shining directly in your eyes makes your head hurt even more, and you blink the blinding rays away. The last three days have been dedicated to your work. To crushing ingredients and extracting necessary compounds for your solutions and poisons. It’s been long hours of boiling, drying and distilling different ingredients. Poison making takes time and precision. Your stock has been running dangerously low due to your busy schedule over these last few months, and this has been as good a time as any. An escape. Besides, you didn’t want to appear suspicious. It’s a known fact that you often disappear for close to a week, completely submerging yourself in work. If the High Table is watching, they will see you simply carrying on with your normal routine.
You’ve also left a message with Charon before disappearing. No one but Winston or the High Table itself is to disturb you.
Not like it has stopped Santino from trying. You haven’t answered any of his calls or texts. Or John’s for that matter. You have left them both with a simple ‘Busy working. Will speak to you soon.’ before going silent. Truthfully, you weren’t in the headspace to deal with either of them, and the many, many complications that come with them.
The last few days have been too destructive on you. Your relapse has struck hard, and you’ve been avoiding sleep unless absolutely necessary which, while hardly a solution, at least allows you time to work. To focus on something other than the abyss inside you, dark and foul. It’s easier to work yourself to the bone till you pass out from exhaustion and only vaguely recall hazy, fervent dreams than to experience them for yourself. Easier to pretend that you are happy and free and fixed now that Tarasov is dead.
Footsteps draw closer towards you from behind, and your fingers snake around a concealed blade in your jacket sleeve.
Your eyes flicker briefly to the side and you pause, the knot between your shoulder blades loosening.  
“John. I didn’t expect you to show up,” you greet, a touch wary when he comes to stand beside you clad in one of his customary black suits. “I figured you leaving the Continental meant that you’ve gone back.”
Back to his old life. Gone, possibly, for good.
Sunlight bathes him in a warm glow, giving him an appearance of an ordinary man dragged out from his life in the shadows and into the light. The curve of his shoulders is heavy though as is the subdued glimmer of pain in his eyes as he peers at the casket in front of him. The priest keeps reciting verses and for a second you think he’s not going to answer you at all. That perhaps he didn’t hear you over the loudness of his own mind.
“Marcus was my oldest friend,” he finally says after a period of stillness between you. “It’s the least I can do.”
Indeed he was.
And now he’s gone.
All because of Tarasov. All because you assumed your gamble will pay off without any problems and that Tarasov’s fury will be directed only at you.
“He never should have—it’s not fair,” you breathe thickly, pained, and your tiredness only makes the stinging pain more intense. “In some twisted way it still...it still feels like Tarasov won. He fucking won.”
Because Marcus is dead and you will never get a chance to make things right between you. Will never get a chance to apologise for all the hurtful words you have spoken to him. Or vice versa. It will stay like this forever. Unfinished. He will never know that you’re sorry and that despite you not being the best of friends, he was still someone you respected. Admired, even. At least back in the early days. Back when his and John’s abilities have seemed inhuman to you.
“He didn’t,” John’s quiet voice interrupts your troubled thoughts and you glance at him. But the man is not looking at you. His sad, dark eyes linger on the coffin. “Viggo might have taken lives, our friends, but we’re still here. We have to honour that. Not let it be in vain.”
You can’t help but scoff. Have all those years on the outside really made him this soft? Naive? Both.
“In vain...all deaths are in vain,” you remind him, your words overflowing with resentment. “Tarasov is dead too, and that should make me happy but it doesn’t.”
Because now there’s just nothing. Tarasov, for his many evil deeds and misgivings, has been like an anchor to you for years. He has been a purpose and a drive. A need to become better, deadlier, more feared. If John had been Tarasov’s boogeyman, then you would be the most vicious beast on his chain. So much so that he would go to bed every night with a fear that one day that monster might turn around and bite him instead. You’ve achieved that. The unease, the fear, his death.
Now what?
He’s robbed you of so many years. Has caused so much pain and misery. It feels like killing him thousand times over still won’t be enough. It won’t bring back your parents, won’t erase Tokyo, won’t magically fix what was broken. You thought that it might. Figured that his death would be the key to finally knowing peace.
The last few days have proven that you couldn’t have been further from the truth.  
Now, Tarasov is just another ghost haunting you at every corner.
Now, you feel adrift, purposeless.
Beside you, John shifts and you feel his focus on you.
“I know. Me neither.”
His words are a mere whisper; nothing more than a frayed murmur of still too fresh, strangled grief that’s only made worse by the fact that he’s had to bury his wife, puppy, and oldest friend all in a span of few weeks. Your heart clenches when you look at him. His expression falters only for a second before he rearranges it back into that hard, unfeeling mask you’re used to seeing but that second of raw agony breaks your own composure.
“John, I—”
“I’m sorry—” he halts, his voice cracking with sorrow. He blinks up at you before his gaze goes to the ground. “I miss her. It’s still...”
Still painful, still fresh, still a crushing weight that won’t ease no matter what you do.
You know it takes a lot for him to admit that out loud. John has always been withdrawn, mostly living with his emotions in private. It comes from years of living in a cruel world that uses any sign of weakness against you. For a moment, in the shining sun, you don’t see John from now. You see the John you knew. The younger version who would look at you with that look in his eyes. A look you could never decipher but made you feel more cared for than you could ever put into words.
“Don’t apologise,” you force out, your own words coming out a bit strangled. You hesitate before reaching out and taking his hand in your own. You let the resentment, the pain, the bitterness fade for a moment. In that instance, it’s simply about empathy for another human being. Your old friend. It’s about recognising the pain he carries and clearly struggles with processing. You wanted to punish him. Or you thought you did. But now that you’re faced with it…it doesn’t taste as sweet as you had hoped. Seeing his pain just feels as hollow as Tarasov’s death did. “You love her and it never quite leaves you. Death of a loved one. You don’t have to be strong.”
When your parents were killed, it had punctured a wound inside you so deep that it wasn’t until you met him that you realised how lost you’ve been. How you hadn’t been living at all. Tarasov had chained you to his side, and you had considered your life to be over. John reminded you that there’s more.
Once upon a time, he saved you without even realising it.
You stand, hand-in-hand, for a long time before he speaks again. This time, his voice is more placid, his control regained once again.
“You don’t deserve this.”
You can’t quite help your ironic grin, as empty as it is.
“We don’t deserve a great many things,” you remind him, your words mild, melancholic. “They still happen though.”
His fingers twitch and turn to wrap around yours more securely. Together, you watch as the casket gets lowered into the ground bit by bit.
You both know what it means to bury those you love.
What it means to lose and lose.
“Maybe—” he starts before stopping himself and you feel yourself frown.
“Maybe?” you prompt.
John visibly hesitates and you turn to look at him in surprise. He doesn’t hesitate often, if ever. “Maybe you could stop by the house sometime?” he wonders, and his words are cautious, his lips parted and expression guarded as if he’s expecting the worst possible response. “For a cup of coffee or tea. The dog was looking for you too. I think he likes you.”
You feel yourself swallow heavily. This might be an instance of tranquillity between you but it doesn’t change anything. Your initial swell of rage at his return has subsided, and you’re indeed far too exhausted both physically and emotionally to muster up much of an angry response right now. But the pain still exists, no matter how deeply buried. You can’t just up wipe the slate clean. But maybe—
Maybe.
Your eyes go back to the hole in the ground. Your thoughts go to Marcus. Marcus who died. Marcus who you will never see again, never talk to again. You missed the chance to make it right with him. And just how close did you and John both come to losing your lives only days prior? Too close.
Maybe it would be easier to let this go. Let this resentment and anger between you fade.
You don’t know if you’re strong enough for it, don’t know if you can or even will.
But how will you know if you don’t at least try?
“I can’t promise you anything,” you murmur, feeling raw from the honesty of those words. You can’t promise him what he no doubt wants. Absolution. Closure. Some semblance of hope to hold onto. But all you can give him is a chance.  
“I know,” he says quietly in return and your eyes meet. “I’m not asking for anything else. Just...company, if you are willing to offer it.”
You gaze at him thoughtfully, caught between refusal and acceptance.
Caught between letting go and being in the present, or clinging to the anger that has fuelled you—rightfully so—for years.  
You think about it for a while.
“Okay,” you speak, at last, your voice thin. You give him a tiny nod before letting go of his hand. “Okay, yeah. I can do that.”
John doesn’t smile. He doesn’t show much of an outward reaction. But his eyes lighten, something like relief reflecting back at you. You imagine it means more to him than he lets on even if he doesn’t show it, and that’s fine. You don’t exactly expect him to dance around you in circles from happiness.
Your eyes sweep over the graveyard as the people around start to scatter. “And your car?”
He hesitates again. “I have a lead. Soon,” he reassures. “I don’t want more bloodshed. Just my car and then...”
Your eyebrows arch. John looks exhausted, and you suspect it’s not his healing wounds that are the cause of that exhaustion.
“And then?”
“And then, peace.”
Birds chirp overhead as you stare at him in disbelief.
“Peace?” you echo, your scepticism clear. “You’re going to broker for peace with Abram?”
John dips his head in a nod but doesn’t look surprised by your reaction. Perhaps he knows how it sounds. After the slaughter he has unleashed, it seems tragically funny that John wants peace now. But perhaps you are alike in that sense. The blood-thirst that had originally clouded your judgement has passed, losing its previous intensity. Now, only bone-deep weariness is left.
“Yeah. There’s been enough death in the last few days,” he notes, only confirming your thoughts. “I’ve had enough of it.”
Enough.
You’ve seen so much death that by now you consider it a constant companion. But how much has John lost? He needs time to grieve. Properly. Iosef took that from him and he paid the ultimate price for that. His life.
“And if he declares war on you?” you wonder carefully, knowing that in your world, that’s the more likely scenario. “You killed his only brother and nephew.”
Winston told you bits and pieces of what happened when the news came to the High Table. The Russians, predictably, were making noise. Calling for a hunt. Retribution. The only thing stopping them was the knowledge of who had committed this massacre.
John Wick is known better to the Russians than anyone else. Healthy fear and a show of strength from John’s part are the only things keeping them back. They know better than to make an enemy of the boogeyman.
But the High Table is…wary. Winston didn’t have to say it explicitly for you to read into his deeper implication. John’s return has been an unexpected turn of events. It feels like someone has taken a large rock and thrown it into a too still pond. The ripples of what happened less than a week ago are being felt across the globe. It still concerns you that what may come back in reply will only cause more trouble.
But your conversation with John has eased your mind. He truly has no intention of coming back. He hit like a hurricane, leaving nothing but death and devastation in his wake, and will now retreat back to the other side he has made his home.
Hopefully, with time, everything will settle once again.
“If he is as smart as you said,” he says and there is something frigid about his low words. “He will take the offer of peace and live on another day.”
Or die. It goes unsaid but the implication is clear.
The last of the funeral party disperses, and the diggers get to work as you both watch in silence. The first shovel of dirt hits with a resounding, hollow sound and it pierces right through you. It grinds into your bones, crushing whatever little joy you might have felt about Tarasov and Perkins being dead.
It’s too high of a price to pay.
“He was a good man,” you remark, thoughtful and sad. Memories of his snarky, biting comments come flashing through your mind like a used film reel and you can’t help but snort. “A bastard. But a good man. Let’s not waste it.”
John is already looking at you when you glance his way and he nods his head in agreement. But before he can say anything else, his eyes snag onto something over your shoulder, and you see the previous ease of his expression drain and harden into something else. He switches from man to hunter in a blink of an eye.
The sudden change in the air between you makes you straighten subtly. You don’t have many weapons on you—you came to a funeral, not a battlefield, after all—but you also have your hands.
Battle instincts wash over you, and you push back your exhaustion, your current instability.
Inhaling deeply, you slowly incline your head, sneaking a look over your shoulder discreetly.
For the second time that day, your muscles relax.
Standing in front of a too familiar white Land Rover is Ares who is openly glaring at John. She catches your stare across the graveyard, and her glare drops as she nods her head in a greeting with a slight smirk. On the other side of the car, and facing away from you, stands Roberto. He seems to be scanning the nearby area and the retreating people with the usual scowl he thinks makes him look more ferocious.
It does. To everyone but people who know him. Those that do are perfectly aware that his personality is closer to that of a golden retriever than a wild wolf. A protective golden retriever but hardly a dangerous one unless provoked. He’s one of the very few you’ve never doubted when it comes to loyalty towards Santino. And you know—better than most—how hard it can be to work under the man. How demanding he can be. Perhaps that is why unlike most heirs, Santino doesn’t have an inner circle.
He doesn’t trust people enough to rely on their judgement and council. Nor does he need it, according to him.  
“She’s a friend,” you reassure John whose expression, unlike your own, has not relaxed. “And I need to talk with her.”
Santino must have sent her to speak with you.
You have to hold back a sigh at that thought. Sending Ares as a bridge between you is a cheap move, but at least he knows better than to push and come in person.
The thought of Santino seeing John again almost makes you bristle.
You have no idea how a reunion between the two would go. But you doubt it would be anything good.
Ares is Santino’s tested and tried method because you never refuse her. Predictable but clever bastard.
Sighing, you turn towards your old partner and give him a quick, vacant smile. “I’ll see you around, Baba Yaga.”
He hesitates as if he wants to say something else but stops himself. He nods his head once, solemn as always, and you turn to go with one last look in his direction.
Cutting a straight line through the graveyard, you get to the car in a few minutes and your hands are forming signs before you even come to a stop.
Why are you here?
Ares only stares at you as if she’s questioning your intelligence.
He wishes to speak with you.
“I have to work, Ares,” you bite out, coming to a stop before her. “I just buried an old associate of mine. I have other priorities other than Santino as well.”
She sighs, clearly frustrated and even Roberto looks surprised but masks it quickly when you look his way. You’re glad that she only brought him and not the rest of her little pack.
At least talk with him. He does not like it when you are angry at him.
“Then maybe he should have thought of that before putting you, himself, and everyone else in danger because he felt like proving a goddamn point.”
Because that’s what it was.
The only thing it could have been.
Santino may have given you the word of old Camorra but he must have known that if it had come down to it—
It wouldn’t have made a difference. In fact, it likely would have made an already bad situation worse. It was a show of power, of his pride, and perhaps it was ultimately about protecting you but it doesn’t change the fact that him risking everything didn’t make sense.
It makes you feel cold to the very marrow of your damaged soul, thinking about it.
I will never abandon you.
But he almost did. Even if by some miracle both of you had lived, you likely would have been forbidden from ever seeing him again. And that’s the best-case scenario. It would have been as good as losing him forever.
They’ve become important to you. So important. The idea of not seeing him, or Ares, or even Roberto ever again chills you.
Ares seems to have arrived at a similar conclusion judging by her narrowed-eyed almost angry expression.
It terrifies you, she signs with a deep-set frown, the fact that he came through for you. Why?
“Because I swore to myself that I will never be the second choice again,” you choke out because you would like to think that she’s one of the few who can truly understand. Because she knows how badly you suffered. She knows Santino—is one of the few who considers him a genuine friend—and knows all about the depth of his ambition. “Because I—I’m not strong enough to...”
To love. To trust him wholeheartedly. Only to be dropped when it longer feels thrilling for him. When something better comes along. When someone offers him something he can’t refuse in exchange for you, your services, just you.
You’ve been picked apart and used over and over again.
Your life hasn’t felt like your own for so long now.
With Santino, you have always stood as an equal. That’s the one fact that no one seems to fully grasp. Because they don’t know about you and him and things you have gone through together. The blood you’ve shed and the bodies you’ve buried—the hard-won trust and reliance on one another that’s taken years to build. They’ve only heard stories about you, rarely exaggerated but often twisted to fit a different narrative.
If that balance were to ever change he would simply become another individual in a long line of people who’ve tried to abuse you.
You can’t have that.
“We both know what he is,” you tell her softly, and her expression falters, the heat in her gaze cooling a touch. “And I will not ask him to change on my behalf because I know he never will. Santino is Santino, and that’s fine. I like him just how he is.”
Even the selfishness, even the cunning, even the greed.
You’re hardly a saint yourself. In many ways, you’re worse.
Ares stands still for a prolonged stretch of quiet between you. The sun warms her, bathing her face in a soft light that in return softens her features, and you don’t quite understand her expression. She looks caught between understanding and exasperation. Her crisp suit makes no noise and neither does she but what she signs next slices through you like a hot knife, burying itself deep.
He is not like him.  
You go still. In the body, in mind, in standing rooted to the ground.
From the corner of your eye, you think you see Roberto wince. He’s been learning ASL for almost two years now so you don’t doubt that he understood exactly what was just conveyed to you.
Ares, as always, holds your gaze, unashamed. She’s too direct to not mean her words or feel sorry for expressing her thoughts on the matter.
Your own expression must be caught between empty and furious.
To compare John and Santino is—
Pressing your mouth into a rigid line, you look away from her, an angry pulse pounding your head with a strength that almost makes you dizzy.
“I will see Santino when I want to see him,” you inform her stiffly. “Not whenever he feels bored and needs entertainment.”
With that said, you turn away from her but Roberto stops you this time, raising his hands in a pacifying motion. “He’s just worried, V,” the man phrases carefully, his brows furrowed. “We all are—”
Your eyes cut to him sharply and he retreats at the look on your face.
Your shoes crunch against the gravel but you don’t look back at either of them as you walk away.
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If there is one thing you truly do despise about New York City it’s the traffic.
Most days it’s horrendous, and today it seems to be even more awful than usual.
Your cheek has gone partially numb from leaning against your palm for almost twenty minutes. You stare outside the taxi window, counting your breaths inside your head. The taxi driver—a man in his 50ties with silver hair and a short, stocky build—seems to instinctively pick up on the fact that you’re not in the mood to talk. Or maybe he’s just an asshole. One way or another, you’re grateful for the quiet even if it leaves you to navigate the scary landscape that is your mind.
Your previous minor headache has now transformed into a full-blown pounding monstrosity and your eyes water from exhaustion. You haven’t slept in…too long. Maybe two days. You fully expect yourself to collapse on the hotel bed the moment you get back to the Continental. There are only two blocks left till you get there but you’ve been stuck in this traffic for ten minutes now, unmoving.
He is not him.
The memory comes unbidden and makes your fingers curl into fists.
Of course, they’re not.
They’re so different it’s staggering.
But it’s easier to turn away, to run away from any possibility of happiness because it may lead to pain again. The darkness of your past still clings to you. So many wrong moves, so much shame and failure.
You still feel a phantom of that helplessness when Tarasov told you your parents were dead. Weak. Always too weak and too helpless. A little girl playing at being strong. Something has been taken from deep inside you and that gap, that hole, still makes you feel stuck in that suffocating flat. Kishi’s blood still coats your tongue when you wake up from your nightmares. Sometimes—too often—it feels like no time has passed at all, and you’re simply stuck in that loop of despair.
Helpless. Always helpless. Unable to feel, to move on like other people would be able to.
Santino is not John, and John is not Santino.
But you’ve given one of them power over you once. Trusted and believed.
Where exactly did that lead to?
The taxi crawls towards the intersection and you jolt from your deep thought, wincing at the stab of pain that drums through your head.
You would prefer not to throw up in the taxi.
A sound of screeching tires rips through the air and your head jerks to the side—
The impact slams the taxi to one side, tires screaming across the asphalt as windows shatter on the driver side. Your head slams against the passenger door, your vision going black for a moment. Your ears ring, everything blurring in front of you. The driver slumps towards you, his head covered in blood and you moan low in your throat as you try to reach for him. Your seatbelt holds you back and you reach for it—
The passenger door flies open and someone grabs your arm roughly, jerking you back. The belt cuts harshly into your chest and neck, stopping you, and instinct takes over. The figure trying to drag you out screams when a blade clumsily sinks into their arm.
You twist, every bit of malicious intent happily on display and rip the blade out, letting the blood flow freely. The radial artery bleeds heavily if nicked and the male figure staggers back, trying to ebb the flow while levelling his gun on you. You can’t see his face over the black blur of his mask but that doesn’t matter. He’s pissed and in pain—not the best combo. Using the gap of time to your advantage, you hack the bloody blade against your seatbelt.     
“Shit.”
Finally, the material snaps, and you jerk to the side clumsily, a shot missing you by inches. Your blade sinks into the man’s chest but the gear he’s wearing stops it from reaching anything fatal like arteries, heart or lungs. The man staggers back from impact though, grasping at the blade, and you pull out your pistol—a sleek and easy to hide Glock 42—and fire only once. This close up, it would have been embarrassing to miss but it’s still a messy shot.  
The man falls to the floor but your victory is short-lived.
Bullets rain against the side of the taxi and you throw yourself out of the car through the open door. Your knees hit the asphalt with a creak and you roll to the side, curling to make yourself a smaller target. If the driver inside wasn’t dead from the impact, then he sure as hell is now. Your ears echo with the loud bangs made only more deafening by the surrounding screams of fleeing people.
Shaking your head vigorously, you try to focus, snap back into now because this isn’t random.
This is an ambush.  
And you’re outgunned and exhausted.
Your fingers go to your coat, pulling out the only gas canister you’ve taken with you due to low stock and hurry your fingers when the gunshots suddenly cut out. They either hope they got you, or they know they didn’t.
The vial slots inside and you shake the canister; a few sharp, graceless swings back and forth. You only have five rounds left in your pistol. Too few.
Footsteps crunch on the shattered glass on the other side of the taxi, heading towards you and you curl downwards, waiting.
A foot appears first, hesitant, and you slam another blade into the shoe, cutting right through it and feel the blade sink into flesh, muscle and bone. Another black-clad figure jerks in agony, their aim veering to the side and you jump to your feet, ripping the blade from the attacker’s foot and sinking it into their neck instead.
The body falls towards you.
You grunt under the additional weight but use the body as a meat shield, immediately aiming your pistol at another two approaching figures and shooting them right in the face with a savage sort of speed.
Three rounds left.
When ambushed only two things matter: speed and efficiency.
John has taught you that one person can withstand a tempest and still come out victorious on the other side if they’re smart.
And you have done so again and again. This will be no different.
Someone grabs you from behind, and you careen back, your dead meat shield dropping to the ground when you’re harshly dragged back. Arms lock around your neck and you roll the slippery blade between your fingers before sinking it into the arms holding you. With a loud snarl, you rip the blade out and repeat the motion and again. Blood pours across your chest—hot and slippery—and their grip falters, giving you just enough leeway to twist your arm behind you and fire blindly.
Two left. Shit.
You turn sharply and sink the blade into your attacker’s neck to finish him off.
The body slumps to the side and—
An explosion rips through the air next to you, and you feel the shockwave of heat and smoke throw you back, your head slamming against the dirty pavement.
Everything goes white.
Your stomach coils and your exhausted body slants weakly to one side.
Don’t lose focus. Get up. Get up.
It sounds like a mix of voices, all of them anxious.
Your tongue feels thick and dry in your mouth, and the coldness of pavement sinks into your forehead as you try to roll over. Dizzy and drained and unable to make your muscles obey.
You haven’t slept in two days, hardly eaten or exercised, and your body strains under its natural limits when faced with your ironlike tenacity.
People scream in the far distance.
Move. You’re making yourself into a target. Move.
You brace yourself on your palms, trembling, and gnash your teeth together till your jaw aches. Swaying, you hoist yourself onto your knees.
Not again. Get up. Please, amore—
You straighten, determined.
And feel a cold, hard barrel of a gun push into the back of your skull.
Your body freezes, tense, and you blink, clearing your vision desperately. Ice rushes through your veins when you realise that the explosion has made you lose your pistol. Your hands are terribly empty. You can’t reach for another blade before that trigger is pulled.      
“Well, well, who do we have here?” a filtered female voice wonders mockingly, clear French accent lacing her lovely voice. “Seems like we caught ourselves a snake.”
Something crystallises inside you; a shadow, an echo of Tokyo. Of that stillness that made you tear Kishi’s throat out without hesitation, that made you hunt and kill dozens when they made a sport out of hunting you.
That survival instinct that makes you brutal, that makes you terrible.
Mock a snake and you might just get struck down.
“You’re about to make a very big mistake.”
You sound deceptively calm despite your injuries and mounting fury.
“Mistake? No. I think you will—”
Your eyes lift to the car in front of you and the blurry reflection of a figure behind you. On your knees, you appear small. Weak. A downwards angle is a major disadvantage when you have a gun pressed to your head as well.
But it’s either do or die.
You drop to the floor and drive your leg behind you. To put a gun to someone like that one has to stand close and the viciousness of your kick connects just as you suspected. You roll over immediately and reach forward to grab the hand holding the gun.
It fires.
You flinch at the loudness but it misses your head and you push yourself forward, adrenaline surging through your veins.
There is no hesitation to be found in you as you kick the woman in front of you again. This time in her leg and her stance falters, her gun firing twice more, both off-target. You use her moment of unsteadiness to drive your knee up and straight into the pointy end of her elbow.
Your knee explodes with numbing sort of pain but the satisfaction of hearing her olecranon fracture into little pieces is more than worth it. An open break. She will need surgery and weeks of healing, and that’s assuming the joint will ever heal well enough for her to use her arm again.
They wanted the Vipress.
They got her.
The woman howls; a loud, screeching sound and you drive your fist into her delicate face, silencing her. You grapple for her gun, ready to finish her off like you did her buddies earlier, but before you can grab it someone slams into you, their knee connecting with your ribs.
The strength behind the kick jerks you to the side, and you hit the pavement with a shout of pain. You suck in desperate inhales of oxygen, terrified and numb with pain. Air rushes into your lungs, and with it dizzying relief.
Not broken.  
“You bitch!”
A male voice drills into your eardrums this time, and your head drags to the side. A tall, lean man hovers around the woman, his blonde hair a halo around his head. His features are sharp, almost aristocratic in their beauty. If the woman is beautiful with her large eyes and full lips, he’s a completely different breed of terrible sort of beauty. But his expression is twisted with such terrifying fury and madness that it knocks the wind out of you even harder than his kick did.
You know them.
Or rather, know of them.
The woman with her equally blonde hair snarls at you like a wild animal, and it’s by the tattoos on their faces that you recognise them.
They both have a heart etched deep into the skin of their left cheek in startling scarlet.
The Lovers.
French hitmen renown for their brutality and utter, toxic dependency on each other. Most considered them too unhinged to hire but those desperate and in need of bloody, dirty work to be done came to them first.
You’ve only heard stories about their blood rituals and the revolting way they handled the bodies they disposed of. The torture they delighted in, and the mayhem they unleashed on anyone who so much as scratched the other.
The man—what is his name; does it even matter—makes a sound at the back of his throat when he sees the severity of the female’s injury, and throws something directly at you. You roll out of the way, your ribs throbbing and you wince, your eyes trying to locate the object that you heard hit the ground not far from you.
Beep. Beep.
Stumbling twice, you scramble onto your feet and dash towards the nearby car, clumsily sliding across the bonnet just as the explosion rips through the air with another deafening bang. The car windows shake from the blow, a few cracking and you crumple onto the pathway, covering your head to avoid any falling glass.
Pyromaniacs. Right. Forgot about that.
“Get back here, you little rat!” the man shouts loudly, his voice cracking with viciousness.
Shots fly above your head, and you reach between your legs, pulling out your last blade from the security of your inner thigh. Your fingers tremble around the familiar cool weight, and you lick your lips shakily, tasting salt and blood. Your weakened muscles twinge and twitch from the overload, and you roll your shoulders, relaxing them as much as you can.
No pain. Pain can come later. Feel nothing right now.
Flipping the blade in your hand, you go to your dress and slide the blade across your thigh, cutting the dark material clinging to your body. If it comes down to hand on hand you need the space and ability to use your legs freely. They’re far stronger than your arms—a rather annoying disadvantage Ares often uses against you in your sparring matches.
Distantly, you hear the female moan in pain and the sound of too many feet rushing closer towards you. The shots cut out and an eerie silence falls over the usually bustling New York street.
“Bring the snake to me!”
How many?
You lean down, peering through the gap between the pavement and the car, and count at least ten.
Shit, shit, shit.
Right.
Desperate measures, then.
Hurriedly, you shrug off your singed coat, pulling out your gas canister. You weren’t going to use it one or two guys. No, the more the merrier.
“You can’t hide from us, snake,” the man shouts, his voice wicked with a promise of delightful violence. “We’ll bleed you dry. Remove that pretty skin of yours piece by piece.”
His accent is not as noticeable as his girlfriend’s, you can’t help but think absentmindedly.
Usually, you would assume something like that to be an empty threat, but hearing the choked, furious bloodlust in the man’s voice makes you think otherwise.
You count your breaths, count in your head. Numb your mind to the pain raging through your side.
Uno. Due—
Sucking in a sharp breath, you throw the canister over the car with all your might. It sails through the air—not as far as you would have liked, and you recognise your mistake the moment you see the figures approaching fully.
The fumes explode from the canister. Perfect as always.
Except the soldiers are wearing goddamn gasmasks. They had known exactly what to expect, what to prepare for, and how to counter. At most, the fumes will cause confusion due to poor visibility and mild air passage irritation. Still usable since it will slow down their reactions but nowhere near good enough. Your paralyser momentarily locks down the airway enzyme functionality, usually without any irreversible damage.
But not if the victim only inhales a filtered version of it.
Panic is fleeting but stinging, and then you hurdle your mind to Plan B.
Simple.
You gamble.    
The blade leaves your fingers, finding its target in the closest attacker to your position and you follow behind instantly. The heavy vapour drowns the area and you hear the confused shouts that are followed by a couple of misguided, terrified shots into empty air.
Rules of survival say that you should never part with your weapon.
A weaponless fighter is a dead fighter.
But your blade is only a distraction; another smokescreen for the real target.
You’re fast. That’s always been your greatest asset besides your poison.
You will survive this. You will make it.  
Your body crashes into the figure, and you rip the blade stuck in his armour and drive it in his neck instead, grabbing his gun. It happens in a span of seconds and you roll when the body hits the ground. In the confusion, more barrels start seeking you out.
But you know your work. You know the density, the deadliness of it. It is your shroud. It may not paralyse them but it will cloak you like silent death.
You can’t shoot their chests. Ineffective.
But their heads are targets begging to be shot.
You straighten from your crouch and shoot upwards, the bullet knocking the nearest man in front of you straight in the jaw. Blood sprays and you shift out of the way. You grab his gun and others scatter, too worried to shoot in case they hit one another, but realising that you have no intention of coming quietly.  
The city is on your side though. No wind reaches the deep concrete jungle street and your vapour holds strong and thick.
With two guns in hand, you turn and run.
Confusion, chaos, and two dead. It will buy you precious seconds of a head start.
You’re proud but not stupid, and not about to risk your life when you’re at such a disadvantage and running on fumes.
The Continental is a holy ground of your world. Your one and only safe haven. No one can touch you there or risk the wrath of the High Table. Your only hope right now.
There’s only a matter of getting there.
You tear through the street, ducking every once in a while and zigzagging just in case any more explosions are aimed your way.
As if that thought conjures a response, a custom made explosion sails over you and hits the ground ahead. You throw yourself to the side and the bang that follows is ear-splitting. Ducking behind a minibus, you answer with your own gunfire but only fire three shots—two hitting and one missing. You know the explosion was about slowing you down, cutting you off. You can’t afford them catching up to you.
And then, even worse, you see the blonde male coming at you with startling speed, his teeth bared as he decreases the distance between you.
You fire but he’s too far away and ducks to the side too.
Your lungs are on fire, your side feels like it’s splitting at the seams, and the knee you used to break the female’s arm quakes.
Despite that, you swallow your inability, your weakness, and leave your momentary shelter, dashing in the direction of the Continental.
You’re close. So close. Just around the corner and then it’s a straight line across the street.
A shot whistles past your ear and you stumble, crashing against a car heavily before unloading an entire clip of continuous fire. Three more masked figures collapse dead, and you throw the empty gun to the side, aiming with another.
Most of the attackers disperse under the threat of bullets and you dash forward again, occasionally firing over your shoulder to keep them at bay.
The Continental walls appear before you, looming and imposing as always, and for a second you choke on sheer relief.
It adds a new spark of life into you and you sprint across the street, the stitch in your side making it hard to breathe evenly. The piercing red uniforms of the doormen greet you, and you take it two steps at a time as you run up the stairs. You crash against the glass door and jerk to the side when a bullet smashes a window right next to your head. Turning around, you fire at the blonde following you, only to be greeted by the horrific click of an empty chamber.
You throw yourself forward, lowering your head as another shot misses you and hear one of the doormen collapse behind you, groaning in agony.
He’s not going to stop.
It’s a horrifying conclusion to arrive at, but you know in your gut that it’s the right one.
For injuring his lover, this man is willing to fire at you even while you stand on Continental grounds.
Slamming your shoulder against the door, you practically fall inside the hotel. The people in the foyer are all rod still, gaping openly at the commotion. But you pay them no heed, sprinting towards the nearest table where a flower vase stands and smashing it against the ground. You grip the largest, sharpest piece of ceramic, and aim the empty gun at the door where the blonde man forces himself inside with strength that makes the glass rattle.
His face splits into a beaming, pleased grin when he spots you and his gun rises immediately, aiming at you.
“Shoot me now, and you’re dead,” you gasp out, your words dripping with agony.
The blonde’s expression only appears more eager at your words, his dark eyes burning.
“I’m going to—”
“Can I help you, sir? A drink perhaps?”
You have never felt more relieved in your life to hear Winston’s smooth voice behind you. His crisp steps come closer and he passes you, coming to stand partially in front of you. He’s in a suit as always and appears completely calm despite the situation, his arms resting at his sides. Charon steps to your side as well and you almost collapse from relief right there and then.
“Move out of my way, pensioner,” the Lover snarls, his excited expression morphing into something dangerous, wild. “The snake is mine.”
You take a hobbling step towards Winston, your invisible hackles rising when the blonde doesn’t lower his gun.
Winston tuts, the sound irritated and displeased.
“Why I am sure that your grievance with dear Vipress is more than founded, I encourage you to remember that no business shall be conducted on Continental grounds,” he states, his words clear and direct; a polite warning. “So I will have to ask you to leave.”
“I said get the fuck out of my way!”
The man’s voice pierces through the deadly silent foyer and you go rigid, rising the sharp shard in your palm slightly. If he so much as tries to hurt Winston—
“Mhm, very well,” the older man remarks, sounding bored. “Let me reiterate that in a way you can understand, then. Either you get out of my hotel right now or I will have you removed. In a body bag.”
A hush falls over the foyer and then a shift.
You don’t need to turn around to hear numerous weapons being drawn. This entire foyer would gladly shoot the blonde for breaking the rules. In fact, the High Table might even reward them for it.
And more importantly than that, the Lovers are outsiders. You are New York. And every single person in this hotel would kill for you as you would for them. It’s a deep running respect and protectiveness for your own lot. New York governs itself. It’s a beast different from any other city and crime family out there.
It’s one of the most cutthroat cities there is.
But an attack on one is an attack on all.
The New York Continental is your home.
And right now you feel its protective embrace once again.
That realisation reflects back on the man’s face, his expression twitching. He looks enraged in an unstable, worrying way but his gun lowers slowly.
“This isn’t over,” he whispers but the foyer is so quiet he might as well have shouted it. His face slackens, his skin glistening with sweat as his dark eyes drill into you. A brief, off-kilter smile twitches his thin lips and you control a shiver. “No. For what you did to my love...I will have your head on a spike, Vipress. I will wear your skin as a trophy. It was personal before but now—now, you made it so much worse. The Black Dragon is coming for you. You and Santino D’Antonio are marked.”
His fingers go to a pocket on his vest cautiously and he pulls out a slim, dark card. He doesn’t drop his stare as he licks it leisurely and drops it to the ground.
Then he turns and wanders out of the hotel without so much as a backwards glance.
A breath rattles out of your lungs, hushed and strangled, and you hate the severity of exhaustion that wants to fold your knees right away. Charon reaches out as if to steady you but you jerk back, unable to hold back your instinctive response. He does not look offended by it but you still spare him an apologetic look.
Winston doesn’t turn around till the male Lover is gone from sight. He gestures for his staff to rush and check the injured doormen before he looks at you. His eyes sweep over your figure, taking in your terrible state and he sighs wearily, his gaze sharp and knowing.  
“Making new friends, are we?”
You don’t have enough energy left in your body to answer him—not even a joke or a jibe.
That seems to be all Winston needs to determine where you’re at emotionally, if not physically.  
“Come with me.”
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The gauze tightens around your waist and you flinch, your jaw clicking.
“Do not move,” Doc chides for the third time in less than ten minutes, shuffling around you as he pulls on the material again. “It needs to be secure, you know that. Goodness me, you were lucky your ribs weren’t broken.”
“Yeah, lucky,” you mutter shortly, wincing again, and stare over Doc’s shoulder, trying to breathe. “Do you think—”
A commotion reaches your ears and you go taut, your mouth snapping shut at once. Your head snaps towards the closed door of Winston’s office as you try to determine what’s going on. Doc lowers your new shirt down and takes a cautious step back too.
Have the Lovers come back for more? What now?
“I apologise Mr D’Antonio but—”
“Get out of my way,” a too-familiar accented voice hisses, furious. “Where is she?”
“Miss Vipress is being seen to—”
“I asked you where is she,” Santino snarls and you hear steps coming closer. “Does Winston only employ incompetent idiots, hm? Fine. Get out of my way. Now.”
The office door slams open with a bang and Santino marches into the room, his body coiled with rage. His charcoal grey suit flows like a dark cloud around his body, and he halts once he notices you seated on the sofa. His expression drops and he takes a second to observe you before he cuts the distance between you. From the corner of your eye, you see Ares step into the room after him, shooting an irritated look at Charon who hovers in the doorway.
But you can’t look away from Santino. Because he wears an expression of that terrible calm and that’s always worrying. He doesn’t seem to notice Doc when he comes to stand in front of you, and the older man politely steps aside.
“Must you be this theatric?” you wonder calmly, but your voice sounds worn, lacking the usual teasing note. Santino says nothing. You breathe audibly through your parted lips before swallowing. You know what you look like: torn, bruised, bloody. It’s not too different from a state you were in seemingly a lifetime ago now. “You should see the other guys. They’re a mess.”
Still nothing.
“Say something,” you breathe, desperate but faint.
Santino’s expression twitches and you see the effort it takes him to keep his face unreadable. He reaches forward cautiously, his Rolex on display, and his fingertips brush against your chin gingerly, tilting your head slightly. His fingers are searing hot against your cooler skin and you hold back a shiver. His thumb traces a little patch of your skin gently, taking in the bruises and the scratches as well as your pinched expression with a rapt sort of grimness.
He asks only one thing, his voice terrible in its coldness. “Who?”
“The Lovers.”
It isn’t you who answers him. Your eyes swing towards the door where Winston now stands, his eyebrows arched as he observes the scene before him.
Santino doesn’t drop his hand right away.
His fingers linger as he continues gazing at you for another few moments. Then his hand drops and he straightens with that arrogant twitch of his mouth, his hands sliding into his pockets as he turns to face the older man. His open worry only moments ago is locked away and now only displeasure remains.
“The Lovers,” Santino repeats softly and tilts his head in consideration. Winston enters the room and goes for his bottle of brandy, pouring himself a generous amount. “Those French maniacs?”
“That,” you begin dryly, recalling their unhinged behaviour. “Is a very apt way of putting it.”
For once, Santino does not find whatever you said amusing. He only looks at Winston and his mouth twists; displeased, irritated.
“You allowed this to happen.”
Your lips part in shock. “Santino.”
“Allowed it?” Winston echoes flatly, looking towards the Italian. “Why Mr D’Antonio I was unaware that besides being a Camorra Spare you’re also a part-time comedian.”
Santino takes a step closer and one of his hands flies out of his pocket. He points at Winston, enraged, and you exhale tiredly with a roll of your eyes.
“Then how do you explain her being attacked at your hotel not once,” he spits out, barely controlled, and it only thickens his accent. “No, not once but twice, hm?”
The older man observes Santino with an emotionless expression before taking a slow swing of his drink. “Mr D’Antonio,” he begins as if talking to a child. “Need I remind you that if it weren’t for the very rules that govern this fine establishment, then we would be looking at far more severe consequences. Besides the attack itself happened outside the Continental grounds.”
“I want their heads.”
Winston gestures vaguely with his hand. “Be my guest,” he deadpans. “Though it seems to me like it’s you two that will be sought out by them. Care to explain this?”
He reaches into his pocket and pulls out a slim black card and shows it to you both.
An image of a curling dragon is imprinted deep into the card, its eyes slashed twice and snarling face smeared with two smudges of dried blood.
A calling card. A marking.
You and Santino D’Antonio are marked.
For death.
Santino’s head snaps in your direction, his arm finally lowering, and you meet his stare evenly. In his wild gaze, you see a thousand things and your lips press into an even firmer line. You feel Winston’s eyes burn holes into you and fight to keep your own expression straight.  
“I assume you know what the Black Dragon is.”
His expression is stony and you don’t miss the scathing undercurrent in his words.
“Yes,” you say before Santino can no doubt offer something snarkier or provoking in reply. Your eyes connect again, an understanding—realisation—peering back at you. He knows what this is. What it means. “They’re janitors of the High Table. We know.”
Chicago.
Everything, always, inevitably, circles back to Chicago.
“My, my, so it’s not ignorance but stupidity that’s responsible for this,” Winston shoots back at once, his tone and stare cutting, and you see Santino scowl visibly, fighting to control his temper. “My next question then, if I may, is to ask what exactly you have done?”
You should tell him.
But Santino’s words from the warehouse attack halt your tongue.
We broke his precious rules. He will inform those who have the power to punish you.
If you tell Winston, he will be duty-bound to inform the High Table about a breach of rules. This way, at least, you can keep him in the dark and if worse comes to worst, he cannot be held accountable because he doesn’t know anything. You abhor the very idea, but you have no other choice. Not with how recent the Tarasov incident is.  
You look back towards Winston again and give him a one-shoulder shrug, trying to appear casual, unbothered. “A situation gone wrong. We’ll sort it out.”
You don’t miss a flash of surprise that contorts Santino’s face briefly before he relaxes.  
For a good reason too.
When it comes to these matters, you always take Winston’s side. Keeping things a secret puts a bad taste in your mouth.
A memory of a hotel room, a phone, a message, and a closing door pierces you suddenly, and you fiddle with your fingers.
“Honesty or nothing.”
You exhale sharply, your eyes flying to the older man’s serious face.
It’s an old agreement between you—one you swore to a long time ago. Either you tell each other the honest, unfiltered truth or nothing at all. No lies. It’s the one rule that you’ve always abided by. It’s likely the only reason why he also trusts you with any information at all. Over the years, you have proven yourself to be worthy of his trust. What he tells you stays between you.
Trust, in your world, is the rarest form of currency. You both know that.
For a tense moment you simply peer at each other, and then you offer him a lifeless, “Nothing.”
His expression hardens and he places the card on the table, more forceful than you’re used to seeing, and laces his hands in front of him.
“The Lovers are rabid,” he tells you and his head tilts as he glances from you to Santino and then back to you again. “They barely abide by the rule of the High Table. Being marked by the Black Dragon is even worse. Whatever it is you two did, I suggest you sort it out quickly.”
“Ah, rest assured, Winston, I will have Camorra hunt them down like dogs,” Santino states coldly, his hand sliding back inside his pocket as he peers at the manager with a faint sneer. “There is no place left for them where I won’t find them. È il mio cavallo di battaglia.”
Winston pulls a mock surprised expression. “Do you even have that power anymore, Mr D’Antonio? To command Camorra on a hunt like that?”
Haughtiness melts away from Santino’s expression at that and he notably hesitates.
He doesn’t.
As an heir apparent he would have had that power.
But as a Spare…
His influence now is minimal by comparison.
He may make a plea to Gianna if he believes his life is being threatened but there’s no guarantee she will offer help. Or care for that matter.  
“It doesn’t matter,” you cut in when you see the way his expression crumbles, how those words hit exactly where it hurts. “They caught me off guard today. There will be no second time. They’ll be rotting corpses by the end of the week.”
Winston shakes his head, sighing, “You’re not dealing with your average street thugs, dear. You’re dealing with something that’s far above you.”
“And it doesn’t matter,” you say again, harsher, and he takes in the fierce twist of your mouth thoughtfully, considering. “I don’t give a shit who the Lovers are or what the Black Dragon wants. They come for any of us again and they die choking on their own blood.”
A brief glimmer of a smirk appears across the seams of Santino’s mouth but you ignore it.
Winston continues to watch you pensively but doesn’t look surprised by your venomous declaration.
“And your plan?” he prompts curiously, one eyebrow lifting in an open challenge.
Your eyes drift towards the man next to you whose green eyes are guarded when they meet your own, and you force yourself to smile. “The oldest in the book. Bait.”
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The penthouse is eerily quiet as you stare at the New York skyline.
The dizzying display of lights twinkle in front of you, and you focus on them. Focus on counting in your head too. With every mental number, you inhale; small, controlled breaths that don’t strain the gauze wrapped firmly around your waist. Doc has been clear. Either you rest your overworked body or he will refuse to order you any new materials.
You didn’t think the old man was capable of blackmail, but then again, you both work with some of the most powerful people on the planet. To survive that, you need to be just as—if not more—cunning.
Santino has been on the phone for almost twenty minutes now, making phonecall after phonecall in the kitchen. The wild mix of different languages has blurred in your ears by this point and you let your mind drift as you stare outside.
You don’t know how you’re still standing.
Adrenaline is only temporarily useful and tends to leave you more exhausted than before.  
It seems like you have hit a stage where your body simply refuses to shut down. Perhaps it’s a survival instinct, or perhaps it’s the knowledge that you’re being hunted.
Why they attacked you first and not Santino seems obvious at first glance.
You’re the easier target.
But maybe you’re underestimating the Lovers and whoever else is behind this. They were so organised, prepared—they’ve studied you. Perhaps the reason for such a focused effort to catch you off guard is because the exact opposite is true.
They consider you to be the deadlier of the two.  
Your tongue runs unhurriedly over your teeth, and you frown at your blurry reflection. Copper burns your tongue, and you squeeze your eyes shut tightly, reminding yourself that it’s not real.
You’ve brushed your teeth and tongue three times but the taste of blood still won’t fade.
The skin on your neck tingles suddenly and you rub your hand against it, wincing at the sensitivity of it. You had scrubbed your shoulder and neck raw in the shower, wild with desperation to get the blood off your skin.
You could have stayed holed up at the Continental.
But hiding is not how you overcome your enemies.
No, you plan on finding them. Wherever they are.
Neither Santino nor Winston appeared too enthusiastic about your plan but they couldn’t argue your logic.
If the Lovers or the Black Dragon want you and Santino, they will have to come to you and collect.
No rules apply out in the open. For either party.
Forcing your mind to focus on that line of thought, you consider your options.
“Chicago, then.”
You blink out of your stupor, looking over your shoulder at Santino who approaches you leisurely. His suit jacket is off, leaving him in only a shirt and a vest but something about his gait worries you.
He reminds you too much of a caged animal.
For a man like him, being hunted—challenged—like this is insulting. You can feel the restless energy rushing through his veins from across the room.
“Chicago,” you agree lightly, and you stare at each other for a tense minute. “But why now? Why wait so long?”
That’s the one thing that’s been tripping you up. Every time you think about it, that’s the one fact that doesn’t seem to make any sense.
After Chicago, you both waited for months to see if anything would come of it. When nothing did, you both assumed that luck had been on your side. But what was it that Winston said? Luck always runs out?
Still, waiting almost four years seems a little extreme when on a quest for revenge.
“Oh, I have theories, cara,” he says but appears too distracted. His lips part and he comes to stand in front of you. “Are you in pain?”
You shake your head, smiling faintly. “Doc gave me stuff strong enough to numb a horse. I’ll be fine. You know I had worse while sparring. And theories?”
But Santino doesn’t look reassured by your words. He focuses on your neck and your hand drops away.
He clears his throat and glances out towards the city.
“Whoever is behind this likely waited to see if I would become the next head.”
Oh. It would make sense.
Camorra is power. Camorra is the second seat at the table—one of the oldest, founding families of the High Table. Their power is immense. Very few measure up. As a head, Santino would have been a near-impossible target. He could have unleashed hell with a snap of his fingers.
“And I believe that the reason they did not attack you sooner, amore,” he begins shrewdly, his eyebrows furrowing, and you read the fury there. “Is because of Tarasov.”
You let his words sink in and look away, nodding your head slightly. “Of course,” you mumble, and it feels ridiculously obvious now that he’s mentioned it. “I was Tarasov’s most prized possession. He might have sought out retribution if I mysteriously died. Not to mention the fact that the Russians have two seats at the table. They might have demanded that the Dragon is held accountable. But if I’m not attached to anyone…then my death is a clean sweep. No consequences.”
He nods and you exhale deeply, your head dipping tiredly, and he steps even closer.
“They will not touch you,” he states firmly, quietly, and his fingertips hover over your neck. His expression is strained and you reach out, pressing your thumb against the deep, harsh line between his brows. His frown eases immediately and a slight grin twists your mouth, faint but teasing. Your fingers drop away but his own hand catches yours and he presses your fingers to his cheek instead. “Are you still angry at me?”
His question is nothing more than a faint whisper, his gaze as heated as it is guarded, and you shake your head.
“No,” you tell him frankly. “But I do want to know why you did what you did.”
He presses into your palm, even while a sardonic smile twists his mouth. “You would have me weak before you, amore? Hmm? Is that it?”
“I would have you honest.”
The fingers holding your own to his face trail upwards, and he takes your forearm, pressing a lingering kiss against your inner wrist. Something inside your chest sparks to life at the heat of his lips on your skin. He holds your gaze the entire time and for a split second, you see his eyes flicker down. Down towards your lips. It only lasts a second before he blinks, and then his attention drifts back to you. He lowers your wrist from his face but doesn’t let go of your hand.
He regards you seriously, his hesitance clear before his lips finally part.
“All my life,” he begins, his voice thick with…something. Something that you can’t put into words but his tone, the look on his face, all wrap around your heart like a fist. “I’ve been told that I was born to rule Camorra. That it's my only goal and purpose in life. That like my father and his father before him, I will rule an empire. That I had to prove myself worthy of it. Oh, amore, you know very well how I obeyed. I killed, cheated, stole, slept and lied my way through every problem. There were no rules and no price too high to pay for power.”
He pauses and you stare at him as he swallows, working his jaw. His lips twist again but it’s not a smile, not quite. There is something raw about him like this, all vicious whispers and raging eyes.
“Ah, yes. I would have bled this world if it had meant getting that seat because without it—”
He breaks off and your lips thin with silent understanding.
Because without the seat, he feels like a failure. Like everything he’s done in his life has been for nothing. It’s a matter of adjusting to life after the goal—the dream—he’s been chasing for over thirty years is taken away.
Santino clicks his tongue and looks back at you. His green eyes roam over your features slowly and the look on his face—
“Then you came along,” he remarks mildly, and there is something arresting—downright intimate—about the way he gazes at you. This man—this wonderful, terrible man—who you’ve cursed, and laughed, and cried and bled with looks at you like you’re an answer to a lifelong prayer. Like it hurts to look at you but he still does it anyway. “Crashed right into my life, didn’t you, (Name)? And I wanted you from the moment I saw you, and every moment since then.”
His words are like hands around your throat.
They are divine, and they are terrible.
“Santino—”
“Hear me,” he insists, and his free hand comes to rest against the curve of your cheek; an anchor, a rope. “This is the truth you wanted from me, bella. And the truth is this: I lost the title, but I have no intention of losing you too. So, to answer your question from the other day…neither. I have no intention of choosing between you and Camorra.”
Because he wants everything.
Years ago, back when you first started working together on odd jobs now and again, you asked him what he wanted. Back when you felt nothing but mild disdain for him, his answer had come as no surprise.
“I want everything,” he had divulged to you through heavy cigar smoke and a devilish, self-assured smirk. “And I plan to take it. One way or another.”
Selfish, cruel man.
“Men like my brother are not capable of love. But if they find it, you will never be loved like that again.”
Gianna had warned you.
You pull away from him, half-turning as his hands drop away from you, and glance back at him.
He doesn’t look surprised.
He never does anymore.
What, if anything, can you offer in response to that?
“We—” you choke on your words—on the excuses, the insecurities, the lies that would be easier to tell—and clear your throat weakly, trying and failing to get rid of the lump there. “We should prepare…for…if it comes to war…”
“Call in your life debt.”
Something cold settles in the pit of your stomach. It washes away the simmering heat, numbs the quiver in your heart.
Your head snaps to him so quickly, you feel the awful sting of pain slice through your nerves.
“What?”
But Santino only stares at you with that uncompromising, stubborn expression. The heir of Camorra stands before you; all business and sharp edges, unreasonable.
“Go to him and demand payment,” he voices coolly and tugs casually on one of his shirt sleeves with a tilt of his head, all arrogance. “Get the infamous Boogeyman to do something useful for once. Hm? Get him to repay for all you have done for him.”
“No.”
It comes out quicker and harsher than you intended. But the image of John’s grief twisted expression burns behind your eyelids, and you shake your head again. He’s out. It’s over. Let him live a peaceful life with his dog, away from all of this. You’re not about to drag him back into this life over your mistakes while he’s trying to grieve his dead wife and oldest friend.
Enough.
He’s had enough. There’s only so much you can push a person before something cracks and breaks permanently.
You would know.
Santino’s lips curve and he chuckles, breathless, but the look in his eyes is downright vicious.
“And why not, cara mia?” he demands, his voice almost melodic with its bitterness. “Why not?”
“He’s retired,” you force out but you can tell right away that for Santino it won’t be enough. He has resented John for too long for that to be valid reasoning. “He’s out.”
“Not good enough.”
Something flickers across his features then. A slow, halting thing that stills his usually animated body. His expression chips away till only terrible, focused intent remains. He closes the distance between you and reaches for you, for your neck, for the chain that rests against your throat.
“Don’t,” you plead weakly, and hurriedly wrap your fingers around his, halting him. He looks up at you, and you feel like you’re going to be sick. “Please—”
He jerks the chain upwards, freeing it from under your shirt and the weight at the end of the chain slides down till it bumps against his fingers.
It’s so still that you can hear your heartbeat hammering in your ears.
You can’t breathe. It has nothing to do with the pain or the bandages, and everything to do with the calm emptiness with which Santino observes John’s ring resting on the chain.
He doesn’t look surprised to see it.
Almost like he knew. Perhaps he always has.
But how do you begin to explain it?
How do you explain to him that the only two precious things you’ve ever owned are always with you this way? Close to your heart.
The silver viper rests against his folded fingers and you grip his hand. “I—”
“Do you still love him? Is that it?”
His soft question seizes your heart.
“No.”
He’s silent for a beat.
“I wish…” he murmurs gently, and looks up at you, his gaze empty. “I wish I believed that.”
He lets go, allowing the ring to fall back against your chest and turns to go.
Wanting to believe in someone should be enough.
Wanting to love someone should be enough.
But it isn’t.
It isn’t.
. . .
an: and now you know what happened to John’s ring :D
A few of you have asked questions about it but I’ve very purposely avoided answering anything for the sake of this reveal. I mean she wears it for multiple reasons but you can only imagine how it looks from Santino’s POV. 
So we’re beginning a major story arc so strap yourselves in, the fun is just starting :D And, as always, your support.....I’ve missed you guys skdjfhsd thank you so much for being so understanding! <33 all your comments, theories, fanart...wowowow. you’re all incredible. 
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severelynerdysheep · 3 years
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Quick reminder with this talk of new “high animal welfare” labels being introduced on the packaged flesh of murdered piglets/pigs. Though the label scheme would probably expand to chicken flesh, lamb flesh, cow flesh, dairy, eggs etc.
These labels (if enacted) will be completely meaningless in terms of real animal welfare because real animal welfare respect the animals basic rights to live free from human inflicted exploitation/suffering. So real animal welfare cannot exist when that animal is being exploited and murdered for profit. Which all “animal products” are the result of. There is no level of “animal welfare” which would make the “product” being labelled anything other than the result of violent injustice. 
These labels will just add to the “humane” myth animal ag likes to perpetuate in order to ease the consciousness of consumers into falsely believing that they butchered animal flesh from murdered animals, calves weaning mil, eggs etc. are anything other than the result of animal abuse/cruelty. Which of course they are, since there is no way to farm, exploit and take the life of another sentient being for profit that isn’t by its very definition animal abuse. If you buy any animal flesh, dairy or egg “product” you are paying for violent injustice/abuse against the most defenceless of sentient beings. And a new label will not change that fact. No label will erase the fact that these “products” are the result of exploitation and murder. That they are the result of animal abuse of the most horrific kind. And to buy/consume them if you can at all avoid doing so is ethically unjustifiable and deeply cruel. 
To quote:
“We turn these living beings into data points, flowcharts, and percentages—calculate to a decimal point’s certainty the exact cost of every aspect of their lives and details for their deaths. We relegate the annual mass murder of over 3 billion day-old conscious, innocent babies to a footnote. A footnote in a study conducted for the welfare regulations we’re so graciously creating. We deem them legally sentient, deserving freedom from hunger, thirst, discomfort, pain, injury, disease, fear, distress and mental suffering—then use this very recognition of their capacity to feel the same emotions and sensations as we do to design—in language so disturbingly detached it’s nothing short of sociopathic—the exact manner in which we may legally violate, imprison, cut, burn, alter, and murder them.
This is how profoundly illogical our thinking is when it comes to animals. It goes against all basic human understanding. Knowing better but doing wrong anyway is worse than having no knowledge. Yet we have the audacity to hold this legislative recognition of non-human sentience on high as a giant step forward for the rights of animals. As if systematically exploiting individuals with fully admitted knowledge and comprehension of their capacity to suffer is something to commend.
Look what we offer ourselves as evidence of progress: a reduction in animals slipping and falling on their way to slaughter in one abattoir in one country. When we look at our actions from the other side, the perverse absurdity of our deluded self-congratulations is astounding. If you were in the place of these beings, how grateful would you feel if your captor laid down a bathmat on the ramp to your execution?
Is this really the best we have to offer? Being the most courteous murderers? The most considerate rapists? Pouring untold resources into these convoluted laws and regulations, all the while completely blind to the fact that there’s another option entirely.”
And of course, the most “humane” method of murdering piglets/pigs in slaughterhouses, so the method that would be the used to murder the animals whos butchered flesh will be approved as the result of “high animal welfare”? It’s literally forcing them into gas chambers which burn them from the inside out as they are slowly stunned via gas before stringing them upside down to have their throats cut open with a knife.
Highest welfare method of murdering pigs below:
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To quote some former and current “humane” farmers from farms which would get this new “animal welfare” label:
“In my experience, there is no such thing as humane animal products, humane farming practices, humane transport, or humane slaughter.”
“Humane labels still designate animal lives as so inherently inferior and existentially worthless that breeding, exploiting, and killing them for completely unnecessary reasons can still be embraced, celebrated even, as “ethical” and “humane.”
“As a pig farmer, I live an unethical life shrouded in the justificatory trappings of social acceptance. There is more, even, than simple acceptance. There is actually celebration of the way I raise the pigs. Because I give the pigs lives that are as close to natural as is possible in an unnatural system, I am honorable, I am just, I am humane — while all the while behind the shroud, I am a slaveholder and a murderer.”
“I would tell everyone, “They have a really great life, up until they no longer have one.” It makes me cringe now to type that. I wholeheartedly believed in the “humane slaughter” myth.”
“Livestock farmers, no matter what kind — from the largest, most cynical, and inhumane factory farmers to the smallest, seemingly most ethical pasture-based farmers — traffic in death. It is death that is our aim, our purpose. Death is the end. Life is the means. Money the reward.”
"Farmers today keep themselves in ignorance of the needs and true nature of pigs precisely because to know would put their conscience in a terrible bind. Wilful ignorance of this kind is no better than complicity."
More testimonies from many former “humane” farmers here
A great article from @acti-veg on “ethical” animal farming
Two videos on welfarism here and here.
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dragqueenpentheus · 3 years
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Okay no one has to read this but i DO have to write it:
PYROC VS FATHER PAUL
Ya bitch needs an art break bc im getting angry about voices existing as i try to keep myself entertained. Today is NOT a god one for sinking into repetitive line work and that’s just about all i have on the table atm
SO! Im gunna do a little thinking about my little meow meows all fucked up by religion. Just a comparison for my sanity and interests. Pyroc is my baby i wrote him for the first time years ago. Five?????????? Whadda hell. Going on six.
ANYWAY john joined religion because of his trauma. His sister died and he felt lost. He was unmoored in this fishing village and looking for reason looking for hope. Hed had his heart broken and trying to make sense of tragedy on his own was totally beyond him. Thats why his interactions with riley in AA are SO good like. He knows that confusion and he knows the rhetoric that’s supposed to combat it. Only it dooesnt work for riley.
The same sort of thing happens for pyrc, only inverted. Loss urns him away from god and religion because its SO strong in his family and not only is he loosing trust in god, but his kin as well. He’s suspicious there’s mre they arent telling him, at the point of his fathers death. And he agrees to, on the surface, absolutely wholly throw himself in to being the second the family and the village need. But he’s keeping his treachery under wraps.
That’s one of the coolest things about father paul imo is like. That slow unraveling of what is. Frankly. An awful half assed plan, driven by fear and loneliness and desperation and dementia and love. Even VERY obvious things like. Taking down the newspaper photo of his young self ‘slip’ by him. I think, on some level, its DEEPLY intentional. He wants people to CHOOSE this. He wants people like bev. He wants people who see him and are in aw of him beating god. Of killing death. He wants to be worshiped and adored and for people to come to him willingly, no tragedy driving them to his arms.
Pyroc also wnats to be worshipped, but he ALSO wants to do the worshipping. He really longs for an element of almost????? But not quite??? Subjection?? He wants to be shown something and for a Great Voice to tell him, unquestioningly and unerringly that it is GOOD. Full stop. And then he wants to spend his life worshipping it. But this booko is an exploration of how….. no such thing exists. And more importantly no great voice exists either. There is nothing wholly good, nothing wholy evil. His lack of faith in himself once he becomes god is him starting to understand that as well. Thats on purpose baked into the lore. The starting point was ‘what if god was a position and in order to get promoted you had to be a murderer. No matter what’. He understands things are not wholly good, at that point. I onder how long it will be for him to realize they are not fully evil as well?
Bc pruitt does hm hm hm an interesting move. Where he takes something the narritve is very sure to communicate is EVIL no wiggle room just fact. Even if its driven by animal instinct its. Evil. And he makes it, not just good, but HOLY. And god i LOVEEEE that for him i ADOREEE that what a MOVE. Driven by desperation and dementia and relief and ‘if god saved me than maybe i can be good despite loving and sinning and maybe if i defeat god then i will be Thee Good’. SO sexy of him. Im really fascinated by his morality. He seems to have an understanding of the shades of grey in some respects??? But if he had a BETTER one with more forgiveness in his heart i feel like hed have left the church anyway after sarah was born??? Even if millie didnt ask him??? That might just be my own sensibilities creeping in but ….. like he culd have seen her on the weekends. He can do other jobs. Hes straight (??? Not totally convinced of this) he could have just dated her that makes me crazy. LIKE OBV HE HAD LINES HE THOUGHT THAT WOULD CROSS AND HE HAD INTERNALIZED THE CHURCH AND THE RULES AND SHE WAS MARRIED AND ECT ECT i know he couldnt have really but. Thye were straight. They coulda.
Im not gunna do fantasy homophobia bc i think its …………….. Boring. But i think some element of??? The vindlegaurd line MUST be passed along and for that particular rules must be applied. But thats also boring as hell :/ maybe i can work in my parthenogenesis lore?????????? I bet pyroc would love building that spell in any universe. That’s the sequal when he goes to magic university in helsin. But yeah i do like the concept that. Anyone can have a baby thru magic its just a time and energy commitment. Just a matter of wanting it enough together. Every baby is so deeply wanted and its mere existence is proof. Thats dope i love that. HMMM to be decided at a later date when im deeper into the story i think. I still havent figured out fully how and where and why orion is going to be invovled and if???? Pyroc and orion are even going to be romantic??????? Im torn im TORn…….
Thikns about john bonding w sarah over science and learning and starts wEEPING…. Like theres some surity beloved. Its just a matter of uncovering. I think sarah felt that same thirst for answers and hunted them differently. Her faith is in logic and science. I loveeee her god. Every scene w her and her dad absolutely RUIN me like!!!!!! SHE DOESNT KNOW!!! SHE DOESNT KNOW HOW LOVED SHE IS!!!!!! I hope at hte very end she saw the blood as the gesture of love it SO clearly was and not him trying to poison her. God i love that she spat it out. GOD. Thats about being gay, btw. Spits the religious offering that could save you across the gasoline soaked church floor like BABE!!!!!!!!!!!!!!!!!! I think we as a collective should talk about the possibiites around sarah/erin more. Bc their defiance combined would be. Earth SHATTERING for crockett.
In the future pyroc gets a kid. Ever since that campaign where Enemy ended up playing his daughter im like. How did i NOT know this idiot wanted nothing more in the entire world than to travel it with his daughter. I dont care how or why hes getting a kid. Hed be so doting and awful abut it. He would need orion as a co-parent for the kids self esteem to be normal levels. thINKS ABOUT PAUL GETTING TO RAISE SARAH AND JUST ABSOLUTELY GASSING HER UPPPPPPPP HANGING EVERY DOODLE SHE EVER MADE ON TEH FRIDGE. BOASTING ABOUT HER SCEINECE PROJECT OT ANYONE WITHIN EYESIGHT EVEN THOUGH ‘WE K N O W JOHNWE WERE ALL AT THE SCEINCE FAIR’!!!!!!!!!!! Let these fuck ups be doting fathers im fucking begging. That scene where paul is like. You take ccare of everyone on the island sarah. Its more than being a doctor. You comfort them.
HM HM comfort is such a thing for Miss Bitch like!! He sees it as a Good Thing. He tries to bring it for riley by asking to hold the AA meetings on island ((also manipulation. Obvously also manipulation. I wouldnt have bene shocked if he was slipping the vampire blood into the coffee every meeting either. But thats just a theory. A game theory.)) ANYWAY he sees comfort as hly. The church gave it to him when he needed it. The angel gave it to him in the cave. Feeling safe and warm is HIGH on his list of priorities and what makes him hand over respect.
I think pyroc has lived a very comfortable life in SO many ways, but in none he. Activly recognizes. A key part of his character arc his him…. Opening his eyes to the world around them. Seeing the privilege he has and being like. Wait. This isnt Right. We have to change thi. And when no one agrees ti shifts to I have to change this. With Violence. A little revolutionary <3 it only costs the life of his whole ass family
Thats more fun comparison ground like…… paul is SO much about I know whats right and there is a cost but i AM ignoring it. Like HE KNOOOOWSSSS he knooooows he just doesnt want o See. I’m not sure if im going to surprise yroc with the ……megadeath of. His whole family. Or if it’s a choice he has to activly make. I think a choice makes it more compelling, more layerd. It has to be in the moment though, becaus ei think thats. A key difference between them. Pyroc wouldnt do it.. hed just leave hed peace out and do what he could in small ways. But he wouldnt do his big stand off with god. Hed shrink his goals in order to not hurt his family. Out of love?? Intimidation?? Some instinct wihtin him that balks at the idea of disobedience??? I think even he doesnt know. But i LOVE john becaue he jsut decides to lie. He closes his eyes and says i am being stupid on purpose. I think thats PERHAPS more compelling than good guy coward pyroc BUT!!!!! Thats who he is rip to ths little man. Cant change him now hes a whole ass child in my head. The PLOT i can change. Him….. not without massive character development <3
UGH!!!!!!!!!!!!!! MM set my brain on FIRE!!!! Im so glad nano is coming up. I love sharpening pyroc against the comparison of other AMAZING characters. Father paul hill my beloved millstone <3 anyway sorry to anyone who reads this its literally me unhinging my jaw and emptying my brain out. I had to write stuff that wasn’t novel or fic. A little character time down and dirty. I wil NOT be editing this love and light to future me trying to decode this
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worddumb · 3 years
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Wilbur’s character sheet for Apes Together Strong :D
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Name: Wilbur Flower Soot Minecraft 
Age: 26 
Gender: bigender 
Pronouns: she/he 
Appearance: tall as fuck, like way too tall, white, pretty pretty pretty, like if there was a competition ‘how conventionally attractive you are’ she wouldn’t win cause he’s too pretty, chestnut curly hair, dark brown eyes, sweaters, long flowing skirts, jeans, modest style (except when he dresses like a walking thirst trap) 
Where from: born and raised in Danville CA
Family: 
her birth family was straight up unpog, fundumentalist christians who beat him, did the whole soap for swearing routine and gave her up for adoption when she came out 
Phil: took them in at 16, was the first to show them unconditional love without the beatings, was an amazing father to the point of her picking up his accent, but things started to go downhill when Phil got promoted at his job at Amicis, started appearing at home rarer and rarer, became more irritable, and started shutting them out 
Techno: his identical twin, they had to do quite a bit of work on their relationship, including with therapists, to unlearn the toxic dynamic their birth family thrust upon them, and are closer than close, it’s inconceivable for them to lie to each other for anything but comedy and inconceivable to really fight for real, where one goes, the other follows, they are siblings your honour 
Fundy: Phil adopted Fundy when they were 18, and the poor thing was so fucking scared of letting them in it took half a year to get him to open up, but when he did, he became the loveliest little brother Flow could wish for. Their relationship spoiled Wilbur and Techno decided to go work at Amicis after Phil’s run moment, and Wil misses him very much. 
Tommy: Phil adopted Tommy when they were 21 in a transparent attempt to fix things up, which was a terrible idea, but Techno convinced Flower to play along cause the kid didn’t deserve to deal with their shit. Flow kinda didn’t much like Tommy at the start and was nice to him out of spite, but eventually the little menace wormed his way to her heart, and now he’s almost like her kid. 
Friends: 
has internet friends, mostly, doesn’t truly open up to any of them but manages to keep good relationships anyway because he’s good at listening 
Skills: 
being funny: trauma does that to people 
cooking: phil taught him <3 doesn’t cook as much now, at work too much 
guitar: she,,, she like music 
writing: he likes to write character pieces 
work: mostly the skill of handling paperwork and accounting, kinda hates both 
video games: is a casual gamer, likes to play with Techno 
Personality and character: 
creative extrovert 
strengths: determined, charming, curious, perceptive of emotions
weaknesses: controlling, easily emotional, vindictive, oblivious as to the cause of the emotions she perceives most of the time 
yearning: to be an amazing sibling, be needed 
goal: take down Amicis (personal), be by Techno’s side 
dream: to live a normal life in an ideal world where neither he nor Techno would have to be hurt 
fears: losing his family 
insecurities: that she’s not enough, that she can’t keep those she loves near, to a lesser extent that she’s not a good person 
beliefs: he refuses to label himself as anything but a communist, just to piss people off <3 otherwise, he believes in all people being equally deserving of basic decency such as food, medicine and shelter, in the abolishment of the state as a whole and all that good shit 
what would she die for: his family 
(picrew used: https://picrew.me/image_maker/257476 )
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laketaj24 · 6 years
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Queen II: Sub!Erik
Thirst 💦👅 Day, I saved the Queen for Last! This Thirst-Day is over!! I hope you have enjoyed the fics! I’l do a masterlist for them tomorrow! Thanks for all your requests!! If they weren’t done this week, they likely wil be posted next week! This was fun! Thanks for going down the Rabbit hole with me. (Also, I surely did it for the culture lol)
Queen I
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Requests:  For thirst day 🙌 Can I get one where Erik is Sub! With handcuffs and him constantly reminding me that he's mines, go all out Queen! Whimpering and everything 😭😭😭😭😭 - ANON Listen the culture need Erik sucking toes for the one time - ANON I would love to see Erik at his peak crazy. I need his ass to scare people so bad that bitches don’t even wanna approach his ass...until the reader comes along. - ANON Warnings: Sub!Erik
E: Come have dinner tonight with me? (1:32pm)
E: Please. (3:45pm)
You debate for a moment. You hadn’t seen him in two weeks, you had to work out of the country and you didn’t want to admit that you missed him. You’d told him not to cum, but you knew Erik. He’d probably done it anyway
Y/N: See you at your place. (6:49pm)
You weren’t a fan of going to his house, it made it too personal, but you never turned down food. You arrive, and you hear him outside.
“Man! Why the fuck can people not listen around this motherfucker! I said do the fucking inventory in the morning Stace! You don’t listen to shit.”
“You didn’t say that! You said-,”
“Ey, naw, I know what the fuck I said! God damn! You don’t listen. Get the fuck out.”
“Fuck you Erik! I been counting this shit for you for years and I don’t have to put up with that shit.” You turn the corner stepping into the back door where they were. “You want something done you fucking ask!”
“Fuck you! Get the fuck out or are you fucking deaf!” He tosses the papers to the floor and they fall at your feet. “Y/N.”
You give him a smug smile stepping over the papers. “Mad?”
“Always, dumb fucker.” Stacy says leaving the house.
“What the fuck ever!!!” He says slamming the side door and rejoining you in the kitchen. “Y/N, you should use the front door babe.”
“Why were you yelling at that damn woman like that?” You place your keys down on the table and pull the chair from the table. Erik reaches for a chair and you shake your head. “No, N’Jadaka I didn’t tell you to sit.” You smile and he looks at you. “Now speak…”
“They fucking shit up.”
“So you gotta yell at her. You’re her fucking boss, tell her to do it right and she should do it. Let me teach you how it’s done since you’re confuse baby” You shrug out of the jacket revealing your short dress. You spread your legs and look up at him. “Fucking kneel for me N’Jadaka… Tell me what you see.”
Erik drips to his knees and his eye level with your pussy. He pulls his teeth hungrily over his lip. And all that rage was gone instantly. “I missed you Queen.”
“Did you cum while I was gone?” You ask dipping your finger into yourself with a soft moan. “Answer me?” You stroke your clit over and over feeling the tingle of nerves come alive each time you touched yourself. “Now.”
“Yes.”
“With…”
“My hand…” He says with his eyes locked on the swift movements that were going on below. “I missed you.”
“Oh, I’m sure. I wanted you to wait so you could fill me with all that damn lust you’d saved from me, but like your employee… you don’t follow fucking directions.” You retrieve your fingers from your pussy and rub them down Erik’s lip. Then you place your finger in his mouth. “Suck.”
Eagerly his takes your finger in his mouth sucking all your juice from it and you take it back out. “Let me taste you.”
“I just did.” You pull the chair closer sitting in the chair and put your feet on his shoulders. “You too greedy sometime Erik. Too mean to people and you shouldn’t be. Your feet toes trace down his jawline and then to his lips. “Suck.” You smile. Erik hesitates but starts kissing your feet and then he sucks you softly and kisses down to your inner thighs. You grip him by his dreads before he makes it to your middle and shake your head. “I don’t think you’ve earned that yet.”
“Queen.”
“No begging yet baby, stroke yourself. Show your Queen what you were doing when she asked you not to cum?” You fold your arms over your chest closing your legs. “Now.”
He pulls himself from his shorts. He’s swollen, rigid and upright. You raise your brow watching him stroke himself first slowly as he admires your entire body. He circles his tip and then goes faster for a second and slows down relishing in his own forceful tugs. You open your legs wide for him and push your fingers back into your body.
“Tell me what I feel like N’Jadaka…”
“You’re so fucking soft Queen, like velvet or silk.” He pauses and you watch his veins in his neck strain. His dick flinches he was literally ready to cum at the mention of what you feel like. “Fucking perfect, Queen.”
“And how does Queen taste?” You’re wicked pumping your fingers faster placing one leg on the table to get a better view. “Hmmm, tell me.”
“Like heaven, so fucking sweet.” He stops controlling himself. “May I cum?”
“No N’Jadaka… but keep fucking stroking.” You go faster throwing your head back picturing him flicking his tongue over your clit and diving into you. You lose yourself going harder and faster until your coming around your own fingers. “Oooo shit… did you see that baby… come clean it up.” Erik is against his stomach hard for you he crawls over to you placing his head between your legs devouring your cum like he’d never tasted it before then you feel his cum hit your leg. Both of his hands were on your thighs, so he’d just cum from the damn taste. You smile cheering for yourself inside. You grab his chin. “What’s this?” You swipe it from your leg tasting the salty cum and shaking your head. “Someone has to be punished now.” You push him down on the floor shaking your head as you retrieve the handcuffs from the bed. “That’s the second time I told you not to cum and you did N’Jadaka. I’m disappointed. Hands up.” You secure the cuffs around his hands and grab your rope tying them to the heavy table. “Now I got to work you back up?”
Erik breathes as you straddle him. Your hands hit his chest and he flinches again nearly semi-hard again. “I wanna taste you.”
“I said no.” You say slapping him playfully. You turn yourself around and admire him strained again. “I like to see you all tied up and whining you know that don’t you?” You slide down his body until your own is dick stroking yourself up and down on him. “Damn N’Jadaka I can feel that thick ass vein.” You wind yourself on him until the friction causes you to cum and you gush lightly on him.
Erik whimpers. “Please.”
“No, I didn’t ask you to beg. The answer is no. Remember who the boss is? Tell me.” You stand over him looking down with a smile. “I wanna taste.” You’re back on him dragging your tongue across that vein and he arches from the floor.
“Ahh shit.” He moans and then they turn to cries nearly, small whimpers as you take him in your mouth and suck. You bob up and down whirling your tongue over him until your teeth scrape him and his body is writhing for you. You stop and face him. “Queen…”
“You wanna fuck me?”
“Yes.” He sobs.
You reach up uncuffing him and immediately his hands are on your ass guiding you over his dick You sink down on him and Erik sits up fucking you wild. His hips slam into you over and over with hungry grunts accompanying each one. You realize he’s taken over holding your body to chase his own high and you don’t stop him. You relish in it. Erik snaps into you a few more times and you push him to the ground feeling he was close. “Enjoy yourself?” You whisper.
“Yes.” He says going slower as you take the lead bouncing on him with your feet planted firmly on the ground. He couldn’t stop looking at the way you rode him, slipping deep into you and then nearly all the way out until you engulf him again. “You feel so damn good N’Jadaka. How does this feel baby?”
He says nothing and your hand slaps his cheek a few times and you see those glorious gold canines you loved as he hisses trying to control himself again. “Good.” He cries. “I’m cumming Queen, Can I cum?”
“Yes.” And he’s out of you spurting his cum up in ribbons on his stomach. “Damn Queen.”
“It’s Y/N.” You kiss him. “I hope this food is still warm.”
 Tagging:  @challaxkillmonger @wakanda-inspired @misspooh@valynsia@vanitykocaine @harleycativy@jecourt@virgosapphire79@sparklemichele@theunsweetenedtruth@ahhhhkeya@iamrheaspeaks @thiccdaddy-mbaku@muse-of-mbaku@myboyfriendgiriboy@someareblindtoitsbeauty@brittyevans@almostpurelysmut@readsalot73@ivarsshieldmadien@slimmiyagi@cinnabearice@royallyprincesslilly @hutchj @madamslayyy
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skeetvr · 5 years
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heyyy  all  !!  i’m  bee  n  i’m  here  with  this  babe  .,,  i’ve  never  played  rita  before  so  i’m  highkey  excited  but  also  b  patient  with  me  pls  while  i  figure  her  out  ??  she’s  a  tricky  one  to  figure  out  ok.
⋅ ◆ ⋆ —  ❛  KRISTINE FROSETH / SHE/HER  ❜   ╱   when  you  think  of  chamomile  tea  steeped  a  moment  too  long,  the  scratch  of  quill  against  parchment  &  a  bit  of  lace  unravelling  at  the  ends,  is  it  RITA  SKEETER  you  think  of  ?  because  i  sure  do,  i  also  know,  for  a  fact  that  this  year  is  rita’s  seventh  year  &  they  have  a  lot  on  their  plate,  like:  alchemy,  astronomy  &  the  school  paper.  boy,  aren’t  they  a  busy  little  SLYTHERIN.  i  sure  would  like  to  know  who  their  life  pans  out,  wouldn’t  you  ? 
BACKGROUND !
rita  skeeter  was  born  to  a  fairly  respectable  pureblood  family  –  from  the  outside,  at  least.  from  the  inside,  they’d  certainly  had  their  fair  share  of  scandals,  but  what  pureblood  family  didn’t  ?  
her  mother  fell  pregnant  with  rita  when  she  was  only  sixteen  years  old,  unmarried,  and  in  her  sixth  year  at  hogwarts.  worse  –  rita’s  father  was  a  halfblood.  knowing  it’d  be  the  shame  of  the  family,  rita’s  grandparents  quickly  pulled  her  out  of  school,  telling  everyone  she’d  now  be  going  abroad  to  beauxbatons.  and  when  rita  was  born,  she  was  passed  off  as  the  second  daughter  of  the  couple  who  were,  in  truth,  her  grandparents,  and  the  sister  of  the  woman  who  was,  in  truth,  her  mother.
born  into  lies  &  deceit  as  she  was,  is  it  any  surprise  rita  learned  to  be  fascinated  by  the  secrets  of  the  world  surrounding  her  ?  she  was  always  a  curious  child,  always  opening  doors  marked  do  not  open  and  asking  questions  that  made  her  ‘ parents ’  quickly  shush  her  &  hurry  away.  she  read  voraciously,  devoured  anything  that  fell  in  her  lap,  from  fiction  to  newspapers  to  tabloids,  and  faithfully  kept  a  journal  of  her  life  in  looping  cursive.
when  rita  was  eight,  her  mother  ran  away  from  home  with  a  squib  wizard.  rita’s  grandparents  forbid  her  to  ever  contact  them  again,  and  told  everyone  that  she  had  died.  and  so  rita  saw  the  ugly  underbelly  of  the  world  at  a  young  age.  and  it  fascinated  her.  no  matter  how  adults  might  pretend  to  be  infallible,  each  one  had  their  own  set  of  secret  shames.
she  was  always  wilful,  always  fiercely  independent.  her  grandparents  were  all  too  happy  to  let  her  take  care  of  herself,  to  let  her  roam  free  as  much  as  she  liked.  and  she  did.  she  enjoyed  being  alone,  being  governed  by  nobody  but  herself.  everyone  shook  their  heads  in  pity  at  her  poor  ‘ parents ’,  so  heartbroken  by  their  eldest  daughter’s  death  that  they  simply  couldn’t  control  this  nosey,  half  savage  child.
rita  was  nearly  a  hatstall  between  ravenclaw  and  slytherin,  sitting  on  that  stool  for  eight  and  a  half  minutes  while  the  hat  debated.  eventually  it  settled  on  slytherin  –  although  rita’s  thirst  for  knowledge  &  learning  would  have  suited  her  well  in  ravenclaw,  her  methods  for  attaining  that  knowledge  were  uniquely  slytherin.
she  started  a  school  newspaper  in  fourth  year  –  at  first  it  was  crude,  nothing  more  than  a  single  piece  of  parchment,  double  sided,  with  hand-scrawled  articles  and  rita  the  sole  journalist,  editor  &  publisher.  but  she  kept  it  up,  and  eventually  it  blossomed  into  something  more,  something  she  could  actually  be  proud  of  creating.
it  really  took  off  in  its  second  year,  after  rita  added  the  feature  which  would  become  its  main  selling  point  –  a  gossip  column.  leaving  nothing,  and  no  one,  out.  rita’s  habit  of  sticking  her  nose  where  it  didn’t  belong  became  simultaneously  her  greatest  asset  and  her  downfall.  everyone  knew  who  she  was,  and  as  much  as  they  pretended  to  judge  her  for  it,  the  newspaper  had  never  been  so  popular.  
rita  wasn’t  surprised.  people  were  never  as  good  as  they  claimed  to  be.  they  were  just  animals,  acting  on  envy  &  lust  &  greed,  and  all  of  the  other  base  instincts  that  were  supposed  to  be  sins.  they  could  go  ahead  &  hate  her  for  exposing  that.  she  didn’t  mind.  she  was  used  to  being  alone.
she  fabricates  articles  from  time  to  time,  but  only  when  gossip  is  running  slow  –  unfortunately,  something  that’s  been  happening  more  and  more  frequently  as  of   late,  as  more  and  more  people  clam  up  the  moment  she  enters  a  room.  oh,  well.  she’s  always  enjoyed  creative  writing,  anyway.
she  has  a  very  cynical  view  of  relationships  –  both  platonic  &  romantic.  she  doesn’t  let  herself  trust  anyone,  and  gives  other  people  reasons  not  to  trust  her.  she  doesn’t  think  she  needs  to  get  close  to  anyone.  and  as  for  romance  –  well,  look  at  her  mother.  how  she  ran  away  with  a  man  she  thought  she  loved,  and  how  it  ruined  her.  look  at  her  grandparents.  sleeping  in  separate  beds  by  night,  keeping  up  a  shiny-perfect  facade  by  day.
rita  isn’t  all  cynicism  and  selfishness,  though.  she  does  have  her  good  qualities.  for  one,  she’s  incredibly  passionate  about  her  courses,  something  that  surprises  a  lot  of  people  who  don’t  regularly  have  class  with  her.  those  who  do  have  class  with  her  are  used  to  her  sitting  in  the  front,  glasses  perched  on  the  end  of  her  nose,  firing  off  question  after  question  to  the  poor  professor.  
she  also  doesn’t  let  anyone  tell  her  what  to  do.  she  is,  and  has  always  been,  stubbornly  her  own  person.  as  much  as  she  may  lie,  she  is  genuine  when  it  comes  to  being  herself.  she  openly  acknowledges  her  flaws,  and  acknowledges  her  strengths.  and  she  doesn’t  let  anyone  else’s  opinion  of  her  slow  her  down.
she’s  had  a  little  secret  of  her  own,  recently.  last  year  there  was  a  rumour  going  around  that  some  gryffindor  was  secretly  an  animagus  –  which,  obviously,  was  too  ridiculous  &  far-fetched  for  even  rita  to  publish  –  but  it  got  her  thinking. 
she’s  been  spending  late  nights  in  the  library,  reading  up  on  the  history  &  technique  of  becoming  an  animagus.  she’s  been  devoting  extra  time  to  transfiguration  with  a  fiery  determination.  the  o  she  got  in  her  transfiguration  owl  wasn’t  good  enough.  she  needs  to  be  better.  she  knows  that  to  try  and  become  an  animagus  would  be  notoriously  difficult.  the  hardest  challenge  she’d  ever  face.
it’s  a  good  thing  rita  likes  a  challenge.
so  that’s  rita:  selfish,  cynical,  passionate,  brilliant,  conniving,  curious,  distrustful,  greedy,  unflinching,  uncompromising,  determined,  resourceful,  honest,  deceitful.  she’s  a  strange  mix  of  contradictions,  but  …  well,  at  least  she  keeps  life  at  hogwarts  interesting.
uhhh  i  don’t  have  the  energy  rn  to  write  up  a  list  of  wanted  plots  but  if  u  wanna  plot,  like  this  or  hmu  !!
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