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#anyway yeah here’s that scene from greatest hits aka one of my favorite scenes
peachcitt · 10 months
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“Consider me pressured,” he says, plucking a cigarette from the carton and placing it between his lips. He gestures for the lighter in her lap.
“Well, don’t smoke just because I said so,” she says. “It’s not a good habit to start.”
“It’s a habit I already have,” Adrien says, his lips pulling sheepish around the cigarette that he’s artfully dangling at the edge of his mouth. “I’m just letting you pressure me into it again.”
“As long as it’s not your first,” she says, leaning forward and cupping one hand around the end of his cigarette, using the other to flick the lighter on.
His golden eyelashes brush his cheekbones as he inhales. “It would’ve been a pleasure to have you as my first,” he murmurs, looking up at her as smoke curls out from his lips.
from chapter 13 of my fic greatest hits :)<3
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jiminrings · 3 years
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hi hannah !! can i request a drabble where jungkook visits florist!y/n and he went “hi i’m here to get a flower for my girlfriend” and the girlfriend is y/n. i’m sorry if it doesn’t make sense 😭 love u <3
full blooms
love u too bestie <3
aka jungkook really should’ve thought this through!!
...... oh no
there are so many people in the shop
not just any shop though :D
sometimes you collectively forget that this is yOUR shop and you’re the literal owner of it and you’re not just working it
and sometimes, you forget just how influential things could be
case in point: kim taehyung !!
kim taehyung as in the hottest musician in the scene rn, who happens to be vante on spotify, AND someone who you just happen to know as kim taehyung!!!
kim taehyung as in the friendly customer who comes into your shop more oftenly to look at your flowers than to buy them
and you just let him look at them without buying anything because there’s no harm in it!! the guy is just straight-up Vibing looking at the flowers
(and he also leaves a handsome tip in your jar even when he doesn’t buy anything!!)
you just knew him to be that pleasant customer,,, not exactly a world-renowned musician you couldn’t exactly piece together
but apparently, you’re now more aware than ever lmao
taehyung sneaked in the name of your flower shop somewhere into the lyrics of the mOST famous song from his newly-released album
flowers from spring day on my mind, corner of the street with the neon sign, heaven on my mind and i spent no dime
goddamn
it just so happens that you letting THEE vante look at flowers as he pleases has become his favorite routine and it just makes him so happy in general
so happy to the point that your shop is specifically mentioned
— so, so happy to the point that your shop had become fully-packed and was making single-file lines that stretched all across four blocks overnight
so sO happy to the point that he had unknowingly become a catalyst for your shop to be almost fined because so many people were clogging sidewalks and a warning to get it together so that there would be better organization
YOUR SHOP WAS LITERALLY FEATURED ON THE NEWS?????
anyways, taehyung slipped in from the staffroom you mentioned to him in passing two days after he dropped his album, and then could you properly freak out about him
he was giggly the whole time when you were spouting out your disbelief for him but tHEN he also apologized for all the (positive & money-making) trouble he’s gotten you into
and he managed to sales-talk you (u swear u are the boss here) into collaborating with him for a limited collection with all the favorite flowers he’s taken note of so he could share it with his fans
he even brought you a notebook with all the illustrations and ideas he’s conceptualized so yeah,,,, there’s that
not only do you serve more than a full house in your flower shop and spend much more hours and energy, you’ve also agreed to add something big into your plate that’s easily getting crowded
what a good thing you have jungkook :D
you could literally not ask for a better boyfriend than jungkook
he’s been so supportive the whole time and he kept sHRIEKING when you casually told him that the frequent sight-seeing customer turned out to be vante himself
“all this time?! all this time and you fORGOT to mention to me that he wears a leather watch and a pearl necklace??? baby, those are basically his trademarks!!”
he supports you in ways you can’t even fathom <3
he was supposed to help you in the shop to help tackle the horde of vante-loving and flowers-from-spring-day enthusiasts, but he got an even better idea
he spent the whole week designing and building an online website for spring day from scratch!! he wanted it to be perfect for you and everything you stand by
also even him, a computer sciences graduate, had to back up the website extra nifty because he already predicts that it would get so much traffic (!!)
he took it upon himself to hire from his friends to be your helpers for the shop because ur severely under-staffed
he has tHREE more-than-willing candidates!!!
jimin’s summer job in college was him being a cashier in goddamn music festivals :D OF COURSE he’s gonna be the greatest cashier you’ll ever have!!! he can whip up change even before the customer hands the bills; he’s that good
he also has a great stern voice of making people stand in organized lines and not cut it so that would come handy
hoseok has a great instinct for color theory!!! he just knows what works and what doesn’t and you need an extra mind to help conceptualize arrangements in the blink of an eye
namjoon is a master of small talk and an all-rounder!! you have a loT of customers who have no gist whatsoever on what they want, and you don’t want to risk giving them an arrangement they loathe!! he knows how to hit it
he was actually so excited when jungkook pitched him a job offer
he could literally go “y/n, the lady in yellow has a dalmatian. i could tell she would tulips in her arrangement along with hydrangeas.”
so that’s that, basically
you and jungkook have been hectic and apart for a whole week because you practically sleep in the shop trying to keep up with everything
he’s actually keeping the website and sneaky hires from you as secrets in the meantime because he wants to surprise you!!! like literally right now
he enters from the staffroom and make sure none of the people waiting by the entrance see him because that would be utter chaos
the shutters are all closed so no one from outside can see what’s inside, but you actually fAIL to realize that your shop would still be closed for another ten minutes
the moment you hear a voice, your mind automatically goes to “hi! welcome to spring day. what blooms would you like?” mode :|
jungkook frowns because you look so haggard under his trained eye even if you still look well-kempt!! you can’t have your shops and yourself appear ratty in the eager instagram stories that taehyung’s fans take
but that’s okay!!! he’ll coax you to come home with him tonight because he’s gonna tell you about his hires this morning
“hi! welcome to spring day. what blooms would you like?”
you briefly look up to send a smile, already fetching your paper on your left hand and twine and scissors on the other
“hi! i’m here to get flowers for my girlfriend.”
“that sounds lovely. what would you-“
wait
hold on a second
that’s jungkook’s voice....??
that’s your bOYFRIEND’S VOICE???
“j-jungkook?”
you mutter and the boy beams in return, registering the blank look on your face to be surprise instead of what you’re thinking
the tears suddenly pool at the corner of your eyes even before you realize
“is this your way of breaking up with me?”
...
.....
“what? nO!”
your shoulders visibly sag in relief but jungkook’s clearly perplexed on how you even came to that
“why would i ever be dumb enough to break up with you?” he immediately consoles you when you bury your face in your hands, hopping over the counter to put you in a massive hug
“i-i haven’t slept, dummy!! and i figured that you hate me because we haven’t seen each other for a week and-“
you say in between sobs and chuckles, giggling when your cheeks are smushed and jungkook keeps peppering you with wet kisses
“ten minutes before opening,” kook sweetly reminds you, kissing you on the lips after an entire week that the sheer euphoria he’s getting now is enough to last another
“mhmmm,” you hum when he presses his warm hand on the small of your back, “tell me about your week in ten minutes.”
“sounds good,” he affirms, scratching your scalp that makes you relax even more until he stops red-faced —
“but like, while multitasking, y’know? kiss me while i tell you about my week.”
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yutaya · 3 years
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Iron Fist Rewatch 1x05: Under Leaf Pluck Lotus
I like this shot. The way the women are shown reflected in the wall first. Also lol quintessential synchronized female power strut
Why wait until you’re IN the office to move your wedding ring?? Or to unbutton your shirt? Well, that one I can understand - let all the people who see you heading INTO the office see the shirt still buttoned up. The ring, though - unless the POINT is to be seen moving it? Imply that you’re open to cheating or something? Ugh.
This is so sketchy.
Danny’s employees be like: “Having? My voice heard? At work? Having? My opinion? Be valued? My? Contribution? Being? Acknowledged? Personally??? ??? ??? What is happening????? ??????” And then it’s the “the worthy leader’s people love and are completely loyal to them” trope (aka one of my greatest weaknesses) forever. <3
Lmao Joy you’re cold.
“Is that heroin? You bring drugs into my office?” *Laughing/sobbing*
Ward just staring blankly while Danny name drops a bunch of triad stuff like Ward is supposed to know what that is. Danny: “...It’s a criminal syndicate.” Ward: *heavy sigh*
Danny, continuing: “So I was talking to the criminals with the hatchets and asked them for intel. They sent me a box, which was clearly a message!” Ward: “You 👏 sound 👏 in 👏 sane. 👏” Danny: “No, look, the proof is that the symbol on this heroin looks like the undying dragon that made me a living weapon!”
Lol “Harold said so himself” no faster way to turn Ward off a plan, sorry Danny
Danny. How do you manage to make half your conversations sound sketchy as hell?
Joy: *brings up the Hatchet men and Red Hook right after Danny was telling Ward about it in relation to the Hand* Ward: *alarm bells ringing because HAS DANNY BEEN TELLING JOY ALL THE THINGS WE SPECIFICALLY ARE NOT ALLOWED TO TELL JOY?* Joy: Anyway, about Dad’s cancer... Ward: Oh, ok then.
Siiiiiiigh this conversation where Ward reassures Joy that she’s a good person making the right decision when she feels bad about doing something but does it anyway - to protect their own company and personal interests - and adds on a load of “also you don’t really feel guilty because you think this is wrong, you just feel sad because you’re remembering Dad, don’t mix it up”
Colleen to Claire, Iron Fist 1x05: “Oh what was that? Come on, hit me.” Colleen to Misty, Luke Cage 2x03: *hitting directly on Misty’s stump while Misty yells at her to stop* “You came to me. I’m not easy. You don’t like that?”
Claire: “I guess I got tired of people doing things for me all the time.” Claire was a helpful nurse in Daredevil, and a friend with medical knowledge in Luke Cage - Iron Fist is where she says “I am tired of being reactionary”
LOL Danny’s cute little smile when he comes in to see Colleen doing her normal thing, training a student, just - it’s so loving and adorable even though they BARELY KNOW EACH OTHER YET
Claire just giving Colleen knowing looks ahahahaha
This scene is SO CUTE Jessica and Finn do such a great job playing all the body language and speech cadences like two teenagers with crushes on each other
DANNY ordering takeout for a talk with someone without even checking to see if they’re free first is SO PRESUMPTUOUS what if she wasn’t free (which she WASN’T) or didn’t want to talk or had already eaten/already had meal plans?
I’m literally laughing out loud hahahaha takeout hahahaha
Claire is laughing at them too. This fumbling “date?” conversation is too adorable I can’t
LMAO Claire knows EXACTLY how much she is third wheeling them right now but she doesn’t care because Damn that food looks good. Girl knows what she wants. (Also a little bit of female solidarity helping to buffer when your friend has literally said “no” to the guy - but in this particular case it’s SO OBVIOUS that Colleen likes him back that I read she’s leaning more towards the ‘it’s just to make sure but also that food looks REALLY good’ - then again, especially with all the things Claire has seen there really is no such thing as ‘too cautious’... let’s go with the way she hints is an opening and when Colleen leaps on the opportunity for Claire to stay it becomes ‘yep, I’m definitely doing this, Colleen doesn’t want to be alone with the dude: confirmed’)
Ward is looking at the problem as what it is: a set-up, and they don’t fall for traps. Joy goes “Remember that I am better at public perception than you - there are more factors here to consider than what everyone involved in this particular case knows. I’M thinking long term about potential future ramifications.”
“He’s in a completely different world, Joy.” “He lives in ours, now.”
That awkward moment when you’re already digging in and someone starts praying
The way Danny just goes shutters down mode when Claire starts probing about how harsh life in the monastery was
Colleen, brainwaving to Claire: ‘YOU BITCH DON’T LEAVE ME HERE’ Claire, brainwaving right back: ‘”Vow of chastity.” I’m good. You’re on your own, girl.’ She does do one last check in to make sure Colleen really isn’t worried though which I appreciate.
Danny. You lovable buffoon. You think Ward’s problem is that he doesn’t believe you? And that if he did believe this was happening he would of course immediately take action to shut it down? Colleen to Ward, sometime in the future: “Danny has Always had way more faith in you than you deserve.” ToT
Colleen: “Ok soooo I’m still not seeing the part where you had to come tell me this? Am I just your favorite sounding board or...?” Danny: “Well, I want you to come stakeout and possibly getting killed WITH me, of course.” Colleen: “Wait, is this a date?” Danny: “What? No! I mean. Unless you want it to be?” Colleen: “No!” Danny: “No. No, uh, definitely, uh, not a date. Heh.” Colleen: “Good.” Danny: “Good.” *both nod*
Of course the argument that gets to Colleen is how this will endanger her students.
DANNY trying to convince someone to do something and then when they hesitate dropping “by the way I’m your new landlord” on them is SKETCHY you foolish foolish boy. How do you manage to come across so sketchy all the time?!
Ward: *cheerfully throwing Danny under the bus* Joy: *warning Look* Ward: *sighhhhhh you ruin all my fun Joy*
Joy: *radiating ‘just wait til we’re alone’ vibes at Ward* “:) I will back up my brother wholeheartedly because we are a united front and I refuse to let the board see any cracks to even try and exploit :)” *’JUST YOU WAIT WARD YOUR ASS IS GRASS’*
Ahahaha “Ward has always led our company to greatness with his mad genius” when Ward knows most of those decisions were actually Harold I’m cry
Danny. That’s Colleen’s private property Danny. It’s very presumptuous to order takeout, buy her building, and start playing with her katana, Danny.
Martial art style teasing rivalry culture I love it
They’re too cute
AI YA
“suck on that, Dad” Ward be like “yeah i went against everything smart that Joy and board were arguing for me to do just to make your precious company look bad DAD whatchu gonna do, huh? gonna send me more vaguely threatening text messages about how not a single moment in my life is private from you, huh, DAD? fuck you”
Danny: “it’s just nice, having someone to count on.” Colleen: “You have the Meachums.” Danny: *remains silent* IT’S SO DAMNING ahahaha Colleen has so many reasons to hate the Meachums hahahaha
Danny: “I don’t even know what I’m doing or saying until it’s taken the wrong way,” Well, I’m glad you realize that, Danny. You’ve seen how many times in the last TWO EPISODES ALONE people have recoiled slightly and gone “woah, woah, what are you doing?” Oh buddy.
Danny: “Ok, look, this stakeout is dangerous, but it’s not ILLEGAL. Technically, I own that pier, so it’s not trespassing or anything.” Radovan: “No hospitals! I’m a wanted man in several countries.”
High Ward T_T and the two different conversations Ward and Joy are having right now T_T and the way Joy doesn’t have the information to even begin to know what Ward is talking about but how she can FEEL that it’s BAD and - T___T
High Ward with his walls down cuddling Joy’s arm and saying “you stood by me” and Joy scared as hell but not hesitating on “we’re family,” as her explanation T________T
“The Hand.” - Danny knew this was The Hand going in. Claire is freaking out because SHE LEFT HELL’S KITCHEN TO GET AWAY FROM THE HAND FUCK THAT HOW DOES THIS KEEP HAPPENING TO HER? Colleen is freaking out for an entirely different reason. :(
“The Hand is everywhere.” Cut from Claire and Danny to a new shot of Colleen looking on in the background.
Claire: “This is not something a rich kid from the Upper West Side can just ‘handle’, ok? This is a job that requires someone with special.... skills.” Ahahahaa poor Claire how DOES this keep happening to her?
Danny, with utmost conviction: “I am the ONLY one who can defeat them.” Claire: *long, defeated sigh. How many freaking times has she heard this before and how many times will she hear it again?*
Colleen: “This is my choice.” Danny hears: “because it’s the right thing to do and I care about the people of this city especially my kids who are highly likely to be effected and also I maybe care about you too.” Colleen means: “because this is the Bad Hand that is sullying my family’s good name and I will not let that stand. I will work together with my family and we will defeat this.”
Gao: “’His hands’. Are you sure it wasn’t his fist?” Guard: “Ummmmm what’s the difference”
CULTS ARE SO SCARY HE REALLY JUST KNELT THERE AAAAAH
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Also was tagged by the wonderful @kmaknation <3
1. What was your very first anime ever? Have you ever finished it?
Naruto. Lmao I’m so original. Um I finished the manga but no way have I finished the anime. 
2. What’s the longest anime series you’ve ever watched?
Fricking One Piece omg. Currently sitting at 816 episodes and no end in sight, but I love it to death so you won’t catch me complaining. Also I haven’t actually watched all of it. Just a very large chunk lol
3. Do you listen to music or anything while working/writing/drawing? What is it or why not?
If I’m drawing/working I’ll listen to whatever I’m into at the moment. But if I’m trying to write usually I’ll listen to kpop or anime/Japanese music so I don’t get as distracted singing along to it (bcus I don’t know the words as well lol).
4. Who is your most hated pairing? The never-gonna-happen-paring(NGHP)?
Oh geez. Elv u tryin to get me in a fight with somebody lol
I hate just about any pairing that is a kid/teen with an adult. Like a few years’ gap is one thing but like a full-grown with a teen, even a legal teen just creeps me out. Pretty much any incest ship as well, obviously. So for example pretty much any Attack on Titan pairing that has the kids with the veterans, or certain ships from Vampire Knight (with the exception of one that I didn’t realize was incest until after I started hardcore shipping it and finished the manga and I’m still mad omg). Idk I know I got some hardcore NOTPs but I can’t think of most of them rn ugh. Ok I’ll just say it tho I hated Kaname/Yuki from Vampire Knight there we all happy now? Ill hit u up if I remember the others lol
5. What anime/manga did you first draw/write for?
Narutooo. Except I never actually finished or published any of those fics so idk if that counts haha.
6. Subtitles or dubbed anime?
Usually subtitles, although there are a very few where I can’t stand the Japanese voicing and gotta watch the dub to save my sanity XD
7. What anime/video game/manga world would you not mind living in? One that you would never in a million years go to?
Oh geez too many choices options here. Okay you’re getting one of all if I can think of them lol.
Anime/manga/video game world I would like to go to:
Haikyuu!!
My Hero Academia
Idk man I don’t actually play a lot of different video games I just play a bunch from the same half a dozen or less series um. Idk I’d like to say Darksiders just cause those worlds are rad but also I would die like 20 minutes in so um. That would not be a good idea. But also it would be awesome.
Anime/manga/video game world I would not like to go to:
Attack on Titan
Zodiac Wars 
The Evil Within
8. Do you ever use song lyrics in actual conversation? What song?
AHAHA. Yes. I frequently make references to Kesha songs. Um “Tik Tok” (”Party don’t start til I walk in”, obvs) and a couple others but I can’t think of them rn...also I frequently make references to that song line “Haven’t you people ever heard of closing the *coughs* goshdarn door” (sorry Elv no swears this time haha)
9. What’s your worst/funniest injury story?
The worst one is the one where I was in a really bad bike crash and split my face open really bad. It took ages to heal omg I was so miserable. I can’t really think of any funny ones rn but I’ll hit u up if I think of anything.
10. Who are your top three Voice Actors?
Khary Payton
I’ve watched a couple shows that he voices in and he plays a lot of neat black/black-coded characters but lbr here the biggest reason I like him is because he voices my fave Young Justice character Aqualad so uh yeah. Also funny story he also apparently voices Aqualad’s father which must have been both amusing and awkward bcus a) they share a lot of scenes in s2 and b) they end up fighting so he had to argue with himself like that must’ve been entertaining 
Kevin Michael Richardson
Legit my favorite voice actor ever omg. One of the few I can almost always pick out even tho i.d.ing vcs ain’t my greatest skill. Voices Martian Manhunter (one of my fave superheroes) in Young Justice. Plays tons of other big bads and just bigs like. Is it a big tough guy with a deep voice in an action TV show? It’s probably KMR. He plays in tons of shows I love, Transformers stuff and tons of DC superhero stuff and Thundercats...Star Wars and Avatar the Last Airbender too apparently. This guy is in everythiiing. Fave voice actor forever honestly he’s sooo good.
Fff I almost couldn’t think of anyone else but then. How could I forget wow
Liam O’Brien
A fave vc since before I really paid attention to that kind of stuff because he voices absolutely my favorite Naruto character ever, Gaara. He’s done a bunch of other big stuff I enjoy too like Transformers, Bleach, AND OMG. Kay I went through their IMDB pages to do this part and omg. He also plays War from Darksiders aka my favorite video game franchise ever how did I forget that. Did I even know. Anyways. He’s played in tons of other big video game and anime franchises too but honestly whenever I hear his name my only thought “hey that’s the guy who plays Gaara!” Also he’s really funny, too.
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obtusemedia · 4 years
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The 100 best songs of the 2010s: #50-26
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#50: “I Love It” by Icona Pop feat. Charli XCX (2012)
“I Love It” is about as close as the early ‘10s bubblegum pop scene got to punk rock. 
Swedish one-hit-wonders Icona Pop, with the songwriting help of pop wizard Charli XCX, crafted a single that feels like a punch in the face. It’s short, it’s repetitive and it flies middle fingers in the face of authority, older generations and anyone else who pissed them off. The bridge’s iconic line, “You’re from the ‘70s, but I’m a ‘90s bitch,” sums up the theme of “I Love It” more than I ever could.
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#49: “Shut Up Kiss Me” by Angel Olsen (2016)
I feel bad putting Angel Olsen — unequivocally one of the ‘10′s greatest talents — this relatively low on the list. But she’s more of an album artist than a singles one, so just listen to MY WOMAN if you want a more full picture of her.
But she does have at least one instant showstopper in her catalogue. “Shut Up Kiss Me” is a a perfect mix of too-cool indie and painfully Midwestern heartland rock. Olsen’s voice is defiantly old-school, like a Greatest Generation-era country singer or Lana Del Rey-via-Missouri, but she makes it work somehow over the song’s clanging garage-rock guitars.
“Shut Up Kiss Me” is a spark of energetic, flirty fun, proving the ‘90s and ‘50s should be combined more often.
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#48: “Uptown Funk” by Mark Ronson and Bruno Mars (2014)
After starting the 2010′s with some insanely bland pop, Bruno Mars wisely course-corrected into slick retro-pop and delivered some of the best hits of the decade. “24K Magic,” “Locked Out Of Heaven,” “Finesse,” “Treasure” — all wonderful in my book.
But of course, none of Mars’ hits compare to the towering masterpiece that is “Uptown Funk.” That’s partly because he teamed up with another retro-pop titan, Mark Ronson, to deliver the goods. The combination of Mars’ borderline-kitsch, cartoony swagger and Ronson’s Minneapolis-style funk is a wonder to behold. It’s easy to dance to, easy to sing (or I guess, chant) along with, so it’s no wonder that it conquered the world in early 2015.
Does “Uptown Funk” shamelessly ripoff Morris Day and The Gap Band? Sure. But sometimes, pastiches can turn into something greater.
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#47: “212″ by Azealia Banks (2011)
I’d rather not talk about how Azealia Banks self-destructed her own career by starting (and losing) feuds left and right. Even Kanye West would be embarrassed at her lack of filter.
No, let’s focus on that brief window where Banks appeared to be the future of hip-hop, thanks to her firebomb of a single, “212.” This song still goes hard in the paint eight years later. The playful, bouncy beat is a perfect match for Banks’ dexterous flow and filthy lines. It somehow still retains its shocking power nine years later.
Banks had that power to grab your attention. It’s a shame that talent went to waste, but at least we’ll always have “212.”
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#46: “Every Teardrop Is a Waterfall” by Coldplay (2011)
Just wanted to remind all of you: Coldplay was actually really good. Even on their obnoxiously optimistic, day-glo 2011 album Mylo Xyloto. And especially on that album’s lead single, the EDM-lite, slow-burning, anthemic “Every Teardrop Is a Waterfall.”
Is it corny? Of course, it’s Coldplay. Does it light up every pleasure center in my brain anyways? Again: Of course, it’s Coldplay. Just give into the U2-esque guitars, thumping synths and Chris Martin wailing away about waterfalls or whatever. I don’t know why it works, but it sure as hell does.
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#45: “Capacity” by Charly Bliss (2019)
After writing an entire album of bubbly grunge-pop jams filled with non sequiturs, New Yorkers Charly Bliss got a little more serious with their follow up, “Capacity.” The new wave anthem perfectly encapsulates the suffering of emotional labor, and when you try to be everything for everyone. Lead singer Eva Hendricks’ normally vibrant voice is self-constrained for most of the song, until the climax, when it feels like a weight has been lifted off. 
“Capacity” is the perfect compromise for Charly Bliss: It retains their irresistible hooks, while using that pop songwriting to convey something more important. 
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#44: “Rollercoaster” by Bleachers (2014)
Jack Antonoff is probably the pop producer of the decade. His ‘80s-fetishizing fingerprints are all over the ‘10s pop scene, from his bombastic early days with fun., to his minimalist work with Lorde’s career-defining Melodrama. And don’t forget Taylor Swift’s career-derailing reputation — his production was one of that album’s bright spots.
But naturally, the songs Antonoff saved for himself and his side project Bleachers were perfect pop nuggets too. “Rollercoaster” is probably Bleachers’ best. This slice of pure, unfiltered new wave bubblegum is so catchy that you’d swear it’s a cover of a classic pop song from 30 years earlier. You’d have to try pretty damn hard (or just dislike pop) to dislike it.
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#43: “Sprawl II (Mountains Beyond Mountains)” by Arcade Fire (2010)
Remember when Arcade Fire were still the darlings of the music industry? One listen to The Suburbs and you’ll be reminded why they were at one point considered the indie U2.
“Sprawl II” is just one of many highlights on The Suburbs, but as the climax of that album, it’s bulletproof. Regine Chassagne takes the vocal reigns here, delivering her best-ever yelpy, high-pitched performance. In an album all about the suffocating nature of suburban sprawl, “Sprawl II” perfectly encapsulates the difficulty of escaping the endless housing developments and crumbling strip malls. In a way, it’s the millennials’ “Born To Run” — all about getting away to a brighter future. Just swap crumbling factories for drive-thrus.
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#42: “Don’t Start Now” by Dua Lipa (2019)
Dua Lipa was always a solid popstar. Jams like “Electricity” and “New Rules” were fun, energetic dance-pop singles. But she was never truly transcendent until “Don’t Start Now” arrived in the decade’s waning months. Lipa went full disco queen on the track, effortlessly riding a fat slap-bass line all the way to pop euphoria. Her robotic, staccato delivery on the chorus sells the song’s icy post-breakup-brushoff feel. If “Don’t Start Now” is any indication, expect Lipa to be one of the 2020s’ best stars. 
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#41: “Scorpio Rising” by Soccer Mommy (2018)
Nashville singer-songwriter Sophie Allison, AKA Soccer Mommy (maybe the decade’s best/worst band name), doesn’t dance around with her lyrics. They cut straight to the heartbreak in the most brutal way. And there’s no song that exemplifies this better than her power-ballad, “Scorpio Rising.”
The slow-burner is about a slowly-dissolving long-distance relationship. Allison knows her boyfriend has eyes on someone else that actually lives near him, and she has to let him go. It’s tragic in a routine way, and the twanging guitars and Allison’s longing vocals really sell both the realism and the angst of the scenario.
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#40: “I Blame Myself” by Sky Ferreira (2013)
Pending on how great her long-awaited sophomore album Masochism is — if it ever comes out — Sky Ferreira will be one of the 10′s biggest what-ifs. After a solid EP in 2012, her 2013 debut, Night Time, My Time was a beautifully grimy blend of ‘80s new wave and ‘90s grunge. Even with HAIM, Chvrches and Lorde releasing debuts that year, Ferreira seemed to be the top of the pop class of 2013. But the second album still hasn’t arrived.
Luckily, Night Time, My Time is an untouchable masterpiece, and its synthpop centerpiece, “I Blame Myself,” shows exactly what Ferreira’s capable of. Surrounded by songs with crashing guitars, the bright synths and drum machine rumble makes it one of the album’s more minimalist tracks. And the song itself is a great exploration of the guilt, anger and self-doubt that comes after a breakup. It’s a more-than-worthy sequel to her breakout single, “Everything Is Embarrassing.”
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#39: “Dreams and Nightmares (Intro)” by Meek Mill (2012)
Me, listening to the first 96 seconds of “Dreams and Nightmares”: Yeah, okay, this is pretty nice. It’s a good come-up track, dreamy instrumentation.
Me, starting at the 97-second mark of “Dreams and Nightmares” and for the rest of the song: OH MY GOD MY HEART RATE JUST TRIPLED WHAT’S HAPPENING IS THIS THE GREATEST SONG EVER
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#38: “Closer” by The Chainsmokers and Halsey (2016)
The Chainsmokers made a lot of bad music in the 2010s. Halsey made a lot of mediocre music in the same time frame. But when they joined forces? An accidental masterpiece was created.
I’m not going to argue that “Closer” is high art by any means. It’s trashy to the highest degree, and it’s not even critic-approved, hipstery bubblegum like Carly Rae Jepsen or Charli XCX. Nope, “Closer” is the definition of lowest-common-denominator pop. There’s not much special to it.
Then why do I love it so much? Three years later, I still remember every word will sing along with glee. I love the random, pointless details like that mattress stolen in Boulder, or that Blink-182 song overplayed in Tuscon (the song’s couple apparently spent lots of time in Pac-12 college towns...surprised they didn’t throw in a shout-out to Corvallis while they were at it). I love the cheap-sounding bleepy-bloopy drop. And I legitimately think, despite being a bland singer, Andrew Taggart has vocal chemistry with Halsey.
“Closer” will likely never be a critical darling. But I think it’ll stick around in the public consciousness as a guilty pleasure — I know it’s my favorite guilty pleasure of the 10s. I guess that makes it the “Don’t Stop Believin’“ of this decade. There are certainly worse things to be.
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#37: “House of Balloons / Glass Table Girls” by The Weeknd (2011)
In 2011 — before he became Daft Punk’s new muse, before he developed an uncanny knack for writing songs that sound like lost Michael Jackson classics, before he became a hook artist for Beyoncé and Kanye, even before he fought Adam Sandler in a Safdie Brothers movie — The Weeknd was just a mysterious, shadowy figure. Nobody knew what he looked like, or what his real name was. And that didn’t matter, because he gave us gloriously depraved futurist R&B classics like “House of Balloons / Glass Table Girls.”
As much as I love The Weeknd’s pop sellout era — I struggled not putting “Starboy,” “I Feel It Coming” or “The Hills” on this list — “House of Balloons/Glass Table Girls” is something truly special. The two-part song starts as an invitation into The Weeknd’s creepy world. With a heavy Siouxie and the Banshees sample (not the only time he borrowed from ‘80s art-rock), he lets the listener into his “happy house,” which sounds anything but.
By the time you reach the song’s second half, things take a sharp veer into overt sleaze, all cocaine and sex. The song is so nocturnal here that if you listen to it during the day, Spotify will refuse to play it. “Glass Table Girls,” like The Weekend, is a creature of the night. And even though he’d have better hooks later in this career, that first hedonistic rush is still the best.
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#36: “Gone” by Charli XCX feat. Christine and the Queens (2019)
Charli XCX, after years of getting ~this close~ to penning a generational anthem, finally hit the nail on the head in the last summer of the decade.
“Gone” is an anxious, dystopian banger worthy of two of the ‘10′s best alt-pop heroes. It perfectly captures the intense self-loathing and fear when surrounded by people you don’t know/don’t like. And wrapping it all up in a glitched-out breakdown? *chef’s kiss*
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#35: “BOOGIE” by BROCKHAMPTON (2017)
“BOOGIE” is the sound of absolute chaos. The beat is composed of a lurching bassline, air-raid sirens and a squawking sax riff, all turned up to 11. Throw in radically varying verses from six (!!) different BROCKHAMPTON members, a music video where the sprawling Texas collective paints themselves blue and wreaks havoc in a convenience store and weirdo bars including arguably the most non sequitur/best flex of the decade (“Best boy band since One Direction/Making n*ggas itch like a skin infection”), and you’ve got a perfect BROCKHAMPTON song.
In the past couple years, BROCKHAMPTON has refined their sound a solid, reliable formula: quirky bars, creaky beats, general vibe of angst. The collective is more reliably good now, but there was something special about their unpredictable crash-landing in 2017. “BOOGIE,” while being an absolute banger, still features Joba delivering an entire voice in a yelping scream, and Merlyn Wood (my favorite of the group) rhymes “willy” with itself 40 times or so. It’s a deeply odd song. But it’s the best kind of odd.
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#34: “The Woman That Loves You” by Japanese Breakfast (2015)
A gorgeous introduction to what would become one of the late-’10′s premier indie acts, “The Woman That Loves You” is synthy dream-pop perfected.
Michelle Zauner, AKA Japanese Breakfast, has one of those voices that works as its own instrument, bending and shifting timbres when the song needs it. In “Woman,” her softer, cooing style is mostly used to fit the dusky atmosphere created by the song’s hypnotic guitar riff and slowly rumbling drums. And when the song’s climax hits in the song’s middle, her vocals burst into exasperated joy while twinkling synths explode in the background.
“The Woman That Loves You” is a songs that demands to be listened to at twilight; it’s a potential end-credits classic. The fact that Zauner was able to live up to its promise with two incredible albums just makes her debut single’s legacy even stronger.
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#33: “Shabba” by A$AP Ferg feat. A$AP Rocky (2013)
The A$AP Crew’s peak turned out to be surprisingly short. Ater A$AP Rocky and A$AP Ferg dominated 2013, their careers wound up in gradual decline afterwards. Rocky honorably tried to switch up his style, but nothing ever stuck and Travis Scott took over his lane. And Ferg just kind of became bland.
But the duo will always have one glorious moment: the ignant-rap masterpiece “Shabba.” Over a trunk-rattling beat that sounds like a Hitchcock soundtrack filtered through a trap lens, Ferg and Rocky have the time of their lives bragging about money and women. On the surface, it’s a generic trap song. But it’s the platonic ideal for a generic trap song — both insanely fun, but with a bit of legitimate edge. It’s something MCs would try to top for the rest of the decade. And they would never come close.
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#32: “Adored” by Hatchie (2018)
It’s been only about two years since Hatchie released her debut single, “Sure,” and yet the Brisbane artist already feels like an essential figure in ‘10s dream pop. Her ghostly vocals and spaced-out guitars hit the ground running immediately, and she hasn’t disappointed since.
Hatchie’s best single, “Adored,” is probably about the closest she came to a true dancefloor filler. The single — released by Adult Swim, weirdly enough — is a yearning and insanely catchy. It sounds like if The Cranberries added some synthesizers and a pounding, euphoric dance beat to one of their classic songs. Hatchie makes the listener wait over two minutes for the chorus, but its melody is so pristine that it’s worth the wait. And if she’s willing to toss off a dream pop anthem as spectacular as “Adored” as a loosie single, I think Hatchie has a very bright future ahead.
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#31: “Loud Places” by Jamie xx feat. Romy (2015)
The hook for Jamie xx’s solo debut album, In Color, is that it didn’t try to sound like London rave music. Instead, it captured the feelings and emotions that ravers feel while in London’s nightclubs. It was a dance album that made you think of dancing, rather than make you actually want to dance.
That sounds pretentious as hell, I realize, but Jamie xx — a member of indie-pop stalwarts The xx — nailed the execution, particularly on the haunting lead single with The xx’s lead singer, Romy, “Loud Places.”
The song is about finding euphoria on the dance floor, but instead of being a banger, it’s mostly subdued and minimalist. Its verses are just Romy’s whispers, plus a few quiet synths. Then, a ghostly sample of a 1977 soul song explodes into the mix with pounding drums, and you’re hypnotized. A twinkling percussion loop and a repeated, twanging guitar riff rush in to compliment.
With “Loud Places,” Jamie xx proved that he was ready to move beyond The xx’s hyper-minimalist style, and create his own type of anthem.
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#30: “Harvard” by Diet Cig (2015)
Diet Cig’s best songs work because of their raw emotional power. Lead singer/guitarist Alex Luciano has a voice that, while not as technically impressive as an Ariana Grande or Whitney Houston, can perfectly deliver anguish and outrage. And she was never more powerful than on Diet Cig’s breakout single, “Harvard.”
The feeling conveyed in “Harvard” is jealousy and betrayal: A guy starts dating a bougie Ivy League woman after breaking up with the narrator. The short song dives get into detail for much of its running time, with Luciano sneering that her new girlfriend’s “not as loud” and making fun of his new, white-collar life.
But the song’s thesis, and arguably the best chorus of the decade, is saved for the final 30 seconds of the song. Over crashing drums and lo-fi guitar, Luciano screams off-key, “FUCK YOUR IVY LEAGUE SWEATER!” It’s both visceral and relatable for anyone who feels left behind.
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#29: “Shallow” by Bradley Cooper and Lady Gaga (2018)
“Shallow” is the best soundtrack song of the decade and one of the best of all time. Despite its odd structure, the chemistry between Bradley Cooper (and his solid Eddie Vedder impersonation) and Lady Gaga — sorry, I mean Jackson Maine and Ally — is undeniable. And that magical “AHHHAAAAAAAAA” where Gaga reminds everyone that she’s arguably the greatest vocal powerhouse of her generation? Ugh. It’s perfect.
Also, if I can get on a tangent — A Star Is Born should’ve swept the 2018 Oscars. In what universe is Green Book a better movie? Or Rami Malek’s lip-synching job a better performance than Bradley Cooper’s tragic, grizzled turn? (Olivia Colman was very good in The Favourite, so I can live with Gaga losing).
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#28: “I Can Never Be Myself When You’re Around” by Chromatics (2015)
Chromatics were the decade’s most frustrating, yet brilliant act. The Portland group only put out one full-length album in the 2010′s — 2012′s stellar Kill For Love — before waiting three years to put out follow-up singles in 2015 with the promise of a new album, Dear Tommy, by Valentine’s Day. But Dear Tommy has yet to arrive nearly five years later, and almost all of its incredible singles were taken down from streaming services.
One of those disappearing singles (that just returned this fall!!) was “I Can Never Be Myself When You’re Around,” a roller-disco masterpiece. It managed to hold onto Chromatics’ signature ghostly ‘80s-noir sound while adding a thumping bass line and snapping snare drums. The band had made danceable tunes before, like “Looking For Love,” but they were usually more minimalist affairs. “When You’re Around” is the Chromatics formula on steroids, and shockingly it works.
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#27: “Wednesday Night Melody” by Bleached (2016)
From its raucous skater-punk guitars to the undeniably catchy Go-Go’s vocal harmonies, “Wednesday Night Melody” is the platonic ideal for a Los Angeles rock jam.
Bleached, one of the decade’s most underrated acts, has written plenty of songs written for driving full-speed with the windows down on Pacific Coast Highway, but “Wednesday Night Melody” is their sound perfected. Receiving the torch from fellow Californians Weezer, Bleached found just the right balance between massive hooks and crunchy guitars. It’s the pinnacle of the mid-’10s brief bubblegum-punk movement.
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#26: “LMK” by Kelela (2017)
“LMK,” the highlight of arguably the decade’s finest R&B album, Take Me Apart, is a masterclass in retrofuturism.
Kelela and producers Jam City create a blacklight alternate reality with “LMK,” in which 1986, 1999 and 2050 all seamlessly meld. The new-wave synths, stuttering Timbaland-esque rhythms and icy vibe make for an incredible experience. Kelela’s cool is impenetrable — appropriate given as the song is basically telling a potential lover in the club to chill out and just talk to her.
In a weak era for R&B, it’s truly a shame that Kelela hasn’t yet become the megastar she deserves to be. But in that alternate reality, weirdo bangers like “LMK” are playing 24/7.
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funface2 · 5 years
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Tony Romo’s wild week, Phil Mickelson’s funny chat with Larry David, and my meeting with Tiger Woods(!) – Golf Digest
Welcome to another edition of The Grind, where we may never wash our right hand again. Yep, that’s right, it happened. After more than a decade of lurking around Tiger Woods, I finally got an official introduction to the GOAT. And a couple co-workers were able to document this historic occasion:
No, I won’t reveal what we were talking about. That’s private. I also can’t remember because it was such a blur. But basically, it was just two dudes yucking it up over golf. No big deal. Kidding. It was a BIG deal. And Tiger, I was also kidding about not washing my hand since our encounter. Totally kidding … I swear … so let’s do it again sometime. In the meantime, here’s what else is going on in the world of golf.
WE’RE BUYING
Cameron Champ: I wasn’t expecting the end of the Safeway Open to get me to cry, but there I was tearing up watching a young golfer hug his father in celebration while on the phone with his dying grandfather, PaPa Champ, who got him into the game. What a moving scene. As someone whose own grandfather did the same (RIP Poppa Myers), it hit me about as hard as Champ hits a golf ball.
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Daniel Shirey
Speaking of which, Champ became just the eighth golfer in the past 20 years to win a PGA Tour event while leading the field in driving distance and scrambling. And he showed off both those aspects of his game on the 72nd hole with a 369-yard drive down the middle and a beautiful chip to set up his winning birdie.
https://twitter.com/PGATOUR/status/1178478887271096321
That was a special moment, and Champ is a special player. And with the Sanderson Farms rooster to go along with the Safeway Open wine barrel, he’s got quite a special trophy collection already.
Tony Romo: I’ll admit, I thought the Tony Romo PGA Tour experience had worn out its welcome a bit with him accepting his fourth sponsor’s exemption into an event where he had no local ties. But Romo had the sports world talking (Hence, why tournaments keep inviting him) following an opening 70 that put him in great shape to make the cut. Romo beat his first-round playing partners—PGA Tour members Beau Hossler and Michael Gellerman—by a combined 10(!) shots on Thursday. How ‘bout that Cowboy!
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Jonathan Ferrey
Of course, his Friday performance, a four-over 76, wasn’t quite as spectacular, but Romo did beat a dozen tour pros even while missing the cut. He returned to his day job for CBS on Sunday, and after watching parts of that Bears-Vikings game he and Jim Nantz were forced to sit through, I can see why the former QB wanted to get out of work so badly.
Rory’s bunker lessons: A couple weeks ago, Rory McIlroy gave Justin Timberlake a bunker lesson. Now Timberlake is doing things like this:
https://twitter.com/EuropeanTour/status/1177222413760835584
Sign me up for a lesson, Rors.
WE’RE SELLING
Rory’s “course setup” complaints: I love Rory McIlroy. I love that he speaks his mind. I just think in this case, he’s not properly representing the whole story. McIlroy roasted the European Tour for its easy setups, but the timing was bad considering he had just finished the Alfred Dunhill Links Championship, which is a pro-am. A pro-am in which Rory played with his dad, Gerry, who shot a gross 69 (three under) at Kingsbarns!
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Ross Kinnaird
Can you imagine being so good at golf that you complain about a course being too easy? Must be nice, am I right? Also kudos to Gerry for carrying his son to a T-1 finish in the team competition. Sadly, the McIlroys lost on a tiebreaker to Tommy Fleetwood and his partner because Fleetwood shot a lower score (64) on Sunday than Rory (67). Way to let your dad down, Rory. Kidding. Sort of.
“Spitgate”: Romo’s score had sports fans abuzz on Thursday, but a shot he hit on Friday wound up setting Golf Twitter aflame. The QB accidentally hit into triple coverage (the threesome in front) on a par 5 with a 3-wood from 278(!) yards to five feet. Then this happened:
https://twitter.com/jasondean2000/status/1177755076028321792
Here’s how PGA Tour rookie Kristoffer Ventura explained it:
https://twitter.com/krisventura95/status/1177799074566696962
We’ll take your word for it, Kris. A (OSU) Cowboy wouldn’t do that to another Cowboy.
“Flipgate”: Former PGA Tour pro and current Korean Tour money leader Bio Kim was suspended for three YEARS for flipping off a fan whose cellphone made noise during a tournament he eventually won:
https://twitter.com/ryanlavnergc/status/1179044209648705537?s=12
Allow me to echo Ryan’s sentiments. A THREE-YEAR ban for this?! Wow. That is harsh. And how about that photo of Kim kneeling before the Korean media begging for forgiveness? Geez, it’s not like he killed the fan with the cell phone. Anyway, let’s just say it’s a good thing Sergio Garcia doesn’t play on the Korean Tour …
ON TAP
The PGA Tour heads to Las Vegas for the Shriners Hospitals for Children Open, AKA that tournament Smylie Kaufman won. Man, I can’t believe four years have passed since that. Keep grinding, Smylie. Hopefully, you’ll be back on tour full time next year.
Random tournament fact: Patrick Cantlay has won and finished runner-up the past two years in Vegas. That’s a lot of money to play with at the blackjack tables.
RANDOM PROP BETS OF THE WEEK
—Someone will spit on Brooks Koepka’s golf ball this week: 1 MILLION-to-1 odds
—Phil Mickelson will win the Shriners Open: 100-to-1 odds (Actual odds. Wow.)
—Vegas casinos will get a boost this week: LOCK
PHOTO OF THE WEEK
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Jonathan Ferrey
Again, what a scene. All the best to the Champs during this bittersweet time.
VIRAL VIDEO OF THE WEEK
This compilation of PGA Tour stars hitting tee shots over the corner of the Old Course Hotel on the famed Road Hole is mesmerizing:
https://twitter.com/GolfDigest/status/1178304741648080896
Juuuuust a bit different from this video that made the rounds a couple weeks ago:
https://twitter.com/lads_golf/status/1171368583819157504?s=21
QUOTE OF THE WEEK
“No matter if I win one more tournament, 10 more tournaments, whatever it may be, this will be the greatest moment in my golfing career for sure.” —Cameron Champ
THIS WEEK IN CELEBRITY GOLFERS (NOT NAMED TONY ROMO)
Michael Strahan participated in Tiger Woods’ newest charity golf event, the Nexus Cup, and challenged the host to a putting contest on Liberty National’s 18th green. Not only did Woods roll a 20-footer in on his first attempt, but he celebrated like he had just won the Masters. Check it out (40-second mark):
https://twitter.com/GMA/status/1177569369930420224
That and Strahan arguing with Lawrence Taylor over QB sack supremacy were the highlights of the event. Well, other than meeting Tiger. Did I mention I met Tiger?
THIS WEEK IN PHIL BEING PHIL
Mickelson struggled at the Safeway Open, missing the cut in his first event of the 2019-’20 season, but he really stepped up his game when it came to his latest “Phireside With Phil” video.
https://twitter.com/PhilMickelson/status/1176523612532236289
Larry David?! After playing golf (Would that be called a “Round and chat”?) with the comedic legend? Pretty, pretty, pretty good. Yeah, yeah, everyone else already made the same joke, but I don’t care. The part when they talk about Phil’s Hall of Fame jacket was particularly good. Netflix, pick up this show already!
THIS WEEK IN EDDIE PEPPERELL BEING EDDIE PEPPERELL
https://twitter.com/GolfDigest/status/1177670054877507584
He should legally change his name to Eddie PeppereLOL.
THIS AND THAT
M.J. Hur won the LPGA’s Indy Women in Tech Championship by four shots at Brickyard Crossing Golf Club. You could say she “raced away with the title.” Get it? Sorry. … Congrats to Victor Perez on winning his first European Tour title at the Alfred Dunhill Links Championship. Perez shot a final-round 70 and still finished (Look away, Rory!) 22 under par. … Five golfers, according to a Reuters report, had their drivers fail tests ahead of the Safeway Open now that the PGA Tour has really started to crack down. Kinda makes you wonder how many hot clubs have been in players’ bags in recent years. … China’s Yuxin Lin won the Asia-Pacific Amateur Championship, earning an invitation to next year’s Masters. It will be the second trip to Augusta National for the 18-year-old. Impressive. … And finally, Costco had to refund its latest batch of golf balls because they were cutting too easily. Bad job making the balls, but good job reacting by my favorite store. And if they are looking to hire someone for quality control their golf balls, I have just the person:
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My daughter needs to start earning her keep at some point.
RANDOM QUESTIONS TO PONDER
Did anyone test Tony Romo’s 3-wood?
Is Costco ever going to bring back chocolate froyo?
Should I go for the bro-hug with Tiger next time?
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Bài viết Tony Romo’s wild week, Phil Mickelson’s funny chat with Larry David, and my meeting with Tiger Woods(!) – Golf Digest đã xuất hiện đầu tiên vào ngày Funface.
from Funface https://funface.net/funny-news/tony-romos-wild-week-phil-mickelsons-funny-chat-with-larry-david-and-my-meeting-with-tiger-woods-golf-digest/
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zezeryous · 7 years
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my thoughts now that i finally finished legend of the galactic heroes aka that post about “this thing was amazing and then the end happened”
long rant and big spoilers under the cut (obviously)
oh boy what a fucking phenomenal series. like, definitely one of my faves that also had some of the smartest writing (well up until ep 105 anyway) the series as a whole was so intelligent and had plenty of commentary on democracy, autocracy, and the benefits/limitations of each one. the characters always had solid reasons for doing what they did
and then the end of episode 104 happened
i have no problems with the rest of that episode cause it was just as well thought out and planned as the previous episodes. but then Julian and the others on Iserlohn decided to fall for the most obvious trap, which to me was seriously out of character. like okay here we have some of the most intelligent people in the whole series and they decide to go negotiate with Oberstein (fuck that guy btw) about the future of the democratic movement in order to release 5000 political prisoners (who were captured why exactly?? again what the fuck Oberstein) when it was such an obvious trap for Oberstein to lure them to Heinessen, capture, and then execute them for treason against the empire. there was absolutely no political or militaristic advantage for retrieving those 5000 people other than “hey we don’t wanna leave anyone behind”... hell the prisoners wouldn’t have even wanted Julian and the others come for them cause their lives are worth much more even though there are fewer of them. i never quite put my finger on it but looking back, this was definitely where my problems with the writing started.
on to episode 105 aka “Oberstein is so fucking incompetent at his job and can’t do anything right” the whole prison riot and the aftermath of it was a direct result of Oberstein not being able to do his fucking job. at this point it was just comical honestly. oh yeah and there was the whole “oh eyah we knew where one of the greatest threats to the Empire was and didn’t do jack shit about it” thing, which GOD WHY. also just how. did Oberstein manage to keep his job after the clusterfuck that just happened like???? shakes Reinhard Oberstein is the cause of this clusterfuck and doesn’t know how to do his job so FIRE HIM ALREADY LIKE YOU SHOULD HAVE DONE WHEN HE LET ALL THOSE NUKES HIT THAT PLANET YOU DUMBFUCK. so obviously dumb writing all around here
episode 106 wasn’t awful but still suffered from not smart writing. like if someone bursts into your room with the intent to assassinate you, you just don’t stand there looking at the guy. you take some sort of action to protect yourself as well as your very pregnant sister in law. also you kinda want to get a woman going into labor out of a burning building as soon as possible with limited contact with smoke.
episode 107-108 aka dumb space battle that happened for legitimately no reason. just why did this happen in the first place??? honestly.... both sides were wanting to negotiate peacefully and then???? things turned into a full out battle?? like okay a small Empire fleet started shooting on Iserlohn forces for no fucking reason and for some reason nobody bothered to tell this to Reinhard and his admirals?????? like this whole battle could have been avoided if someone had said “yeah one of our ships was dumb and started the whole thing. Iserlohn didn’t start it and didn’t want it to happen in the first place” again BOTH SIDES WANTED TO PEACEFULLY NEGOTIATE. which speaking of, where the fuck was Frederica. she’s supposedly the political leader and should be the one leading the negotiations, not Julian. i’m still fucking pissed about that. the whole point of separating the political and military sides after Yang’s death was to avoid a military government and not having Frederica lead the negotiations completely forgets why the split happened in the first place. onto the deaths.... they had absolutely zero impact on me unlike Kircheis, Reuenthal, and Yang’s deaths. they felt cheap and meaningless and like they didn’t really serve much of a purpose aside from shock value, Schenkopp’s in particular. his death could have been avoided by i don’t know, maybe broadcasting to Reinhard’s ship that they wanted to have peaceful negotiations like they intended to before the battle happened, instead of sneaking on board Reinhard’s ship and start negotiations that way. also for what the fuck kind of reason was Poplan part of the team sneaking onto Reinhard’s ship when hand to hand combat is not his specialty. that whole operation was just so stupid and poorly thought out especially when i know these characters are so much smarter than this.
eps 109 and 110 were not as dumbly written as the previous two but boy. again i’m gonna return to my point of where the fuck was Frederica in the negotiations and why was she back on Iserlohn?? if Frederica was present for the negotiations, it would not only make so much more sense but we’d get to see more of her badass skills and possible conversations between her and Hilda. of all the characters i wish had met during the series, Hilda and Frederica are on the top of the list. two badass ladies who have a solid grasp on politics and know what the fuck they’re doing unlike some other people. i would have killed to see them interact but no, Frederica was not part of the negotiations like she should have been and Hilda was pretty much cast aside as a character once she gave birth. her storyline ended after giving birth to the prince and that kinda pissed me off. she becomes ruler of the Empire after Reinhard dies and we didn’t get to see any of that from her????? instead we get her standing off to the side holding her and Reinhard’s baby in most every scene after giving birth. this show was SO GOOD with how it handled its women and then in the final episodes, none of them really mattered except for Karin. what probably pisses me off the most though was how the plotline with the Terraists ended. it was a complete afterthought and not executed well at all. there was so much potential with that plotline, so much they could have done. to me, the Terraists were the biggest threat to peace and unity in the galaxy, had the ability to very easily fuck everything up, and had more power over the situation than even the Empire. the Earth church and Rubinsky’s plots were slowly built up and hinted at throughout the series and were portrayed as a huge fucking deal, but clearly went absolutely nowhere in the end.
what i thought was gonna happen and how i would have liked to see the ending go was to maybe have the Empire and Iserlohn fight a little and then once the Terraists made their move to ruin everything, call a truce and work together to stop the Terraists’ plot. it would have been so much smarter than what we got and it would have given the plot with the Earch church a proper climax and conclusion instead of the flaming pile of garbage afterthought of an ending they got.
again, don’t get me wrong, i absolutely LOVED the rest of the series but i just really wish the last few episodes didn’t suffer from the horrible dumb writing it got. my roommate Katelyn and i threw out a couple ideas of why this was and after ruling out an anime original ending, came to the conclusion that the author of the original novels probably wrote himself into a corner near the end and hastily wrote himself out of it, ending up with not as polished of a final product as the other novels.
still, overall, a 10/10 series and one of my top five favorite anime. we still have 50 some-odd episodes of the Guiden to watch that we’re really looking forward to, and i’m especially looking forward to most likely cosplaying Yang next year too
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daleisgreat · 5 years
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Furious 7
The first official spinoff of the Fast and Furious franchise hit theaters this weekend with the release of Hobbs and Shaw. It only seems fitting then with that hitting theaters to continue my trek through covering the series here with 2015’s Furious 7 (trailer). The seventh entry in the series showcased Jason Statham in the role of the unstoppable villain, Deckard Shaw. Furious 7 also infamously went down as the last film in the series to feature one of the two franchise lead-men, Paul Walker since he perished in a tragic car wreck in the midst of shooting this film. His brother took his place in several stand-in spots for the final scenes to be shot with his character. Needless to say one of the burning questions I had originally going into this at the theaters opening weekend was how were they going to handle writing him off the series? I will cross that bridge in towards the end of this entry. Furious 7 has a new director at the helm with James Wan of Saw, Insidious and Conjuring fame. He has a killer opening shot of Deckard Shaw at the hospital bedside of his brother, Owen (Luke Evans), who barely survived the aftermath of his clash with Dom (Vin Diesel) in the last film and Deckard promising to avenge him. Another opening act shot that gelled with me was Letty (Michelle Rodriguez) and Dom revisiting the Race Wars rally for the first time in the series since the original film to get our obligatory drag race out of the way early where Letty easily lays waste to her opposition. I appreciated the callback to Race Wars, and was surprised to see them dig out periphery character Hector (Noel Gugliemi) from the original film to make a fun cameo too.
Just like the post-credits tag scene in Fast & Furious 6 eluded to, Furious 7 finally puts a tidy bow on the split timelines in the canon. Stick with me…..the previous three Fast films technically all took place before Tokyo Drift since Han (Sung Kang) perished in that film but the filmmakers liked him so much that they kept bringing him back. To wrap up this glaring loose end, after an exhilarating fight with Hobbs (Dwayne ‘The Rock’ Johnson), Shaw breaks into Hobbs’ computer to find the location of Han and assassinate him to get Dom’s attention. Props to Furious 7 for tracking down Lucas Black to get him back in his role as Sean Boswell for a scene with Dom wrapping up the Tokyo chapter of the series. I remember being both stoked to see Black back, and bummed to see him limited to only one scene and almost expected to see him welcomed as part of Dom’s gang. There are currently rumors he will be back in a bigger role in the upcoming ninth film in the series. Since we still see Dom’s crew at Han’s funeral and all the succeeding events seemingly transpire in the weeks afterwards it is safe to presume this movie still is set in 2006 when Tokyo Drift initially released….that is until we see in the early part of Furious 7 Letty visiting her old grave that has a 2009 death year on it from when we thought she died in the fourth film, which should have took place before Tokyo Drift…..ah forget it.
Anyways, point being is whenever year Furious 7 transpires, it is hard to believe it was in the 2000s decade (aka ‘The Aughts’) after Dom’s crew meets up with secret government ghost agent Mr. Nobody (Kurt Russell). Mr. Nobody essentially gives the government’s unofficial backing to Dom’s gang as their go to master heist crew for secret-ops missions. He also introduces the gang to all kinds of high-tech level gadgetry right that seems like it was pulled right out of the latest 007 film. I could not remember the name of Russell’s character when writing this and I cannot stand the name ‘Mr. Nobody’ the moment I looked it up for reference for this so I will instead just refer to his character as his real name Kurt Russell from here on out because Kurt Russell is portrayed as a bonafide badass in this film. Russell helps Dom’s crew rescue kidnapped hacker, Ramsey (Nathalie Emmanuel), who has knowledge of a ‘God’s Eye’ device which has access to all the security and cell phone cameras across the world. Of course, there are the now-obligatory ridiculous stunt scenes that result in Team Ride or Die snatching Ramsey away from the terrorists. It involves a hilarious sequence of skydiving cars and culminates with Dom escaping terrorists by intentionally flipping his car down a cliff and literally walking right out of the totaled car and brushing it off without any injury! Not even a bandage! Trust me, things get even more gloriously ludicrous from there when Ramsey tells the crew they must traverse to Abu Dhabi to procure the ‘God’s Eye.’ If you thought things were bonkers with the safe in Fast Five and the heroic tank leaps and infinite runway in the sixth movie, then props to Wan for somehow topping those stunts with a must-see to believe ‘Cars Can’t Fly’ moment in Furious 7 involving a three million dollar car and the Etihad Towers. It is easily one of the all-time ‘holy shit’ moments in big-budget blockbuster cinema history, and that is saying something!
After some more back and forth shenanigans with Shaw, everything comes to a boil in a heavy duty final act involving predator drones, car jousts, Hobbs donning a chain gun against a helicopter and an epic Dom vs Shaw street fight. This all adds up to Dom’s gang being masters at car-heisting, street races, breathtaking vehicle stunt-work and fluent in the latest and greatest top-secret government tech. 007 Car Heisters….or something like that. This is the first time I saw Furious 7 since the theaters and I forgot about how awesome the overall arc and climatic action/stunt-work/heist scenes were compared to the previous movies. It is easily in the same class with the raised stakes and budget the previous two movies established. A lot of that amazing stunt work is chronicled in the near two hours of extra features. Flying Cars is a fascinating watch to see how skydivers literally jumped out with flying cars to get those up-close camera shots during the car skydiving sequence. Tower Jumps is also worth checking out to see how the ‘Cars Can’t Fly’ sequence was pulled off. Both are quick watches at around seven minutes each while Talking Fast is a broader all encompassing extra at just over a half hour where Wan curates his favorite moments and scenes from the film and it nicely jumps to interviews with the cast members involved in each moment and Wan provides additional insight to how he pulled off some key shots. Talking Fast suffices for the lack of a commentary track from Wan that Justin Lin spoiled me with on the last four Fast home video releases.
There are a few other smaller extras on the BluRay covering other stunt-work and fight scenes, but what surprisingly jumped out to me in this last smattering of bonus features is one covering the making of the Fast and Furious Supercharged Ride attraction at Universal Studios. I coincidentally went on that ride on vacation earlier this year and can confirm it captures the spirit of the films and spares no expense when compared to the other big budget rides at Universal Studios. Finally, there is the Wiz Khalifa music video, ‘See You Again’ that is easily identified for being the song that closed off Furious 7 with its emotional farewell scene for Paul Walker. Yes, it is time to touch on Furious 7 sending Paul Walker off into the sunset. Wan and the rest of the filmmakers could not have done it any better. It is undoubtedly a rough scene to get through and I would be lying if I said I was not holding back any sniffles and getting dusty-eyed throughout it. Part of me thought they were going to kill off Connor, and I had no idea what the script originally called for, but the final on-screen product was the perfect way to sunset the Connor and Mia (Jordana Brewster) characters out of the picture by them going on their own to be a family. I will never forget I was at a gas station shortly after leaving a minor league hockey game with another film buff when I found out about the news and we both needed a moment to take it all in. Ironically enough, earlier that day before the hockey game I was at a pawn shop and bought the PS2 Fast and Furious game.
This was the final film in the franchise I watched along with Dan, Vinny and Alex of Giant Bomb in their Film and 40s commentary series. It made for once again another highly entertaining watch as I echoed many of their sentiments throughout. Highlights include the quote ‘That’s some Asura’s Wrath shit’ during a big stunt moment, Dan picking Alex’s brain on getting into Deftones, priceless reactions to the huge car skydiving and tower leap moments, predicting future celebrity villains, them trying to add up the Tokyo Drift plot lines like I was earlier and searching online for a replica Vin Diesel cross necklace on Amazon. Oh yeah, and I did indeed share along in the sniffles with them during the aforementioned emotional final scene. And that is Furious 7. I apologize for repeating myself, but it seems worth repeating all I remembered going into it again was the Paul Walker farewell and I forgot how good the stuntwork and caliber of jaw-dropping moments were here especially when stacked up to prior films in the series. Again, Furious 7 stands in the same league with the big budget blockbusters that the fifth and sixth installments evolved into and I loved how it found another way to raise the stakes by introducing Kurt Russell’s character into the fray and giving them the government’s unofficial blessing as being super-hi-tech ghost agents. With the untimely death of Paul Walker and the fitting farewell scene for him to close off the film I will forever have a special place for Furious 7 in the brand’s hierarchy.
'For Paul' Other Random Backlog Movie Blogs 3 12 Angry Men (1957) 12 Rounds 3: Lockdown 21 Jump Street The Accountant Angry Video Game Nerd: The Movie Atari: Game Over The Avengers: Age of Ultron The Avengers: Infinity War Batman: The Killing Joke Batman: Mask of the Phantasm Batman V Superman: Dawn of Justice Bounty Hunters Cabin in the Woods Captain America: Civil War Captain America: The First Avenger Captain America: The Winter Soldier Christmas Eve Clash of the Titans (1981) Clint Eastwood 11-pack Special The Condemned 2 Countdown Creed Deck the Halls Die Hard Dredd The Eliminators The Equalizer Dirty Work Faster Fast and Furious I-VIII Field of Dreams Fight Club The Fighter For Love of the Game Good Will Hunting Gravity Guardians of the Galaxy Guardians of the Galaxy Vol 2 Hercules: Reborn Hitman Indiana Jones 1-4 Ink The Interrogation Interstellar Jobs Joy Ride 1-3 Major League Man of Steel Man on the Moon Marine 3-6 Metallica: Some Kind of Monster Mortal Kombat National Treasure National Treasure: Book of Secrets The Replacements Reservoir Dogs Rocky I-VII Running Films Part 1 Running Films Part 2 San Andreas ScoobyDoo Wrestlemania Mystery The Secret Life of Walter Mitty Shoot em Up Skyscraper Small Town Santa Steve Jobs Source Code Star Trek I-XIII Take Me Home Tonight TMNT The Tooth Fairy 1 & 2 UHF Veronica Mars Vision Quest The War Wild Wonder Woman The Wrestler (2008) X-Men: Apocalypse X-Men: Days of Future Past
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