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#anyway. i dont think ill write any
avatar-aaang · 2 years
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oh okay yea im going insane actually
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mrpsychokiller · 4 months
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tex red vs blue is insanely transgender but im the only one who sees it that way because im crazy in the head.
what if there was a past version of yourself. a woman, a wife, a mother, with long hair and a sweet smile. and she died long ago. and you are her. but you are not her. you're nothing like her, but the people who knew her desperately want you to be her, want to preserve the memory they have in their minds of the woman they loved through you. but you never asked to be her, never asked to carry the burden of someone else's expectation of who or what you should be. you have a new name. you prefer to go by this one. people remark on how weird it is that it's a guy's name. sometimes the people who loved [the past version of] you call you by your old name. they are not referring to you when they say it. you live in the shadows of someone who's long gone, and you're something different now, but you don't feel like you're ever allowed to define yourself on your own terms, to be your own person, to control your own life, because you exist solely through the memories people had of you. and the longer she has been gone for, the more desperately people try to get her back, the less you resemble her and the less you know who you are, or if you ever even got to be anything at all. what i mean is that transition could have saved him
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hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows
but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there
(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in
& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)
"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"
but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.
and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.
(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)
and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know
i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4
However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.
which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!
all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself
(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)
#this is a very disjointed ramble but when are they ever put together!#i have to start at point a to get to point 36 yk yk#trying to write down my thoughts is like trying to keep a firm grip on a lubed up ferret#SOAPED!!! SOAPED UP!!! I MEANT SOAP yk that doesnt make it any better. anyway moving on dont look at me#its. its. the more i think about wally the more i go insane#like he's got neurosis stacked on neurosis stacked on-#there is something soooo wrong with him <3#homebogging#welcome home speculation#wh speculation#i do think his heart is in the right place. i do think he's trying to achieve something he thinks is good & best for everyone#but... despite being aware of more than his friends... technically knowing more Truth than them#he's more trapped by that knowledge. he's ruled by it. and he doesn't really have the -#i dont want to say capacity bc i have to believe that he Can change. he just doesnt know how / currently doesnt want to / is too scared to#but he doesn't have the freedom the others have. bc in their ignorance they can ignore their confines#in a way they're more real than wally despite living in a fabricated world as fabricated people with fabricated lives#they're authentic in their ignorance#and ive said it before and ill say it again - wally was created as a blank slate while everyone else already had a Foundation#no matter how false their memories are they Have them. they have the tools to change and want change#they already perceive themselves as more than what they were made for. they think they're People (not humans - people) dont they?#so if they learn theyre trapped... they'll want out. meanwhile wally is already stuck bc while they have - in a way - More#the neighborhood & the show are all wally has. he knows there's outside but he doesnt have any reason to Want that outside#bc why would he want to leave home? why would he want anything to change? it's his sole purpose isnt it?#idk i just think wally would benefit from being told 'you dont need a purpose / you dont need to adhere to a purpose / you are enough as Yo#doing what You want. you can just Be'#but yk. what was i talking about again#oh yeah - wally is so so aware and yet so in the dark#he's got one half of the puzzle but they're all corner/edge pieces and he's trying to fill the inside space with Nothing#hm. i wonder if he'll end up needing the other neighbors to help finish the puzzle... who's to say who's to say!!#FUCK YOU TUMBLR I HAD MORE TO SAY. CUT OFF AGAIN AGH
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eebie · 10 months
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i cant keep it hidden any longer
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skitskatdacat63 · 7 months
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Boy King AU | Vettonso + Martian | 1.3k
There's something about putting the future emperor of the Holy Realm on his knees like this. About how easily he goes, how willingly, how obediently. What would his adoring public think if they could see him now. If they saw their beloved king pressed down like this, in the cramped space between Fernando's legs. When they realized their little boy king took it like he was a little concubine instead. 
Fernando's bitterness is lifted away in moments like these, like taking off a heavy cloak on a winter's day. It was hard to feel humiliated about his own situation when watching Sebastian debase himself like this. 
He always gives himself up so easily. When Fernando threaded his fingers through his thick curls. When he pulled them, and then when he pressed his face down further down into the vee of his legs.  Sebastian rubbed his cheek into the coarse fabric of Fernando's breeches and blinked up at him. Fernando had to smother an embarrassing sound; he was just like a little cat!
Sebastian quirked his lips up into an odd little smile and slightly rose up on his knees, "What's funny?" Fernando swallowed lightly and schooled his face back into being impassive, "Nothing. As you were." Sebastian simply smirked at him and let himself be pushed back down by the fist clenched in his hair. 
Fernando scoffed internally, there was only so much pleasure in putting the other man in his place when he instead acted like this, this degrading action, was his birthright. He took to ruling and indulging in carnal pleasures as if they were of equal gravity. To be privileged to hold such high station and also let himself be taken apart like this…Fernando felt embarrassed for him.
He is dragged away from his musings when Sebastian moved to settle his hands in Fernando's lap, clutching his hips over the fabric and slightly squeezing; Fernando fought against the urge to shiver. Sebastian pushed up the skirt of Fernando's waistcoat and smoothed his hands over the opening flap of his breeches.
His eyes darted up at Fernando again, a daft smile on his face. Fernando scowled at him, "What?" Seb's grin sharpened, "You could stand to be a little more gracious. This is your future emperor, and future husband might I add, kneeling for you on this dirty, depraved, derelict- ah–" Fernando tugged on his hair again and hissed, "Well then, why don't you show me how eager you are to perform your marital duties?" 
Seb licked his lips, completely unconcerned by Fernando's annoyance, and unbuttoned one side of the closure to Fernando's breeches and moved to open the other–
The door to the carriage flew open, arrival announcement dying on a wheezing breath as the servant took in the image the two kings made. One splayed across the seat, exuding power, the other kneeled, debauched, between the former's legs. 
One would be hard pressed to determine which was higher on the totem of power and titles. 
There was something gratifying about this to Fernando, about being caught. He had been humiliated enough throughout the entire courtship, what was one more thing? And, certainly, what was one more thing if he could drag Sebastian down into the dirt with him. 
"Oh Mark, don't act so abashed! It's nothing you haven't seen before, in fact, we have been in this very position not even a fortnight ago!"
Oh. Yes. That. 
It was hard to be completely pleased when he remembered how Sebastian had already spent years prior to their engagement sampling the palace's ample selection of fellow high-born men. And how all those men seemed to be completely and utterly wrapped around his little finger.
Fernando released his hand from Sebastian's hair as if it had burned him. He did not understand why he felt ashamed with Mark looking in on them like this. Fernando was the one marrying Sebastian, not Mark; Mark was just a lowly courtier who had the esteemed duty of spending practically every waking hour with the brat…something he himself was decidedly not looking forward to. 
Sebastian stayed kneeling, staring impassively up at Mark, still fiddling with the clasp on Fernando's breeches. Fernando gritted his teeth and looked up from where he was watching Sebastian's clever little hands; Mark stared back at him placidly. 
Mark's indifference made the entire situation worse. Fernando now felt as if he was not doing anything unique, not doing anything particularly new. How many other men had Mark caught Seb with in this exact position? Fernando felt like he was just another plaything of the boy king, soon to be boy emperor, except his position was forever, permanent. He was the "Kept King", the king who only kept his throne due to the whims of a boy who doesn't even understand what power is.
Mark coughed, "Well," he says, "Your Majesty, I do believe you have a meeting to attend." Seb pouted at him and whined, "We were just getting to the main course," but still braced himself on Fernando's thighs and got up off the carriage floor. 
Seb pranced down the steps Mark had placed next to the carriage, miming tripping sown the stairs, snickering when his action made Mark reflexively reach out to grab him, and then playfully skipped off the final step. 
Fernando couldn't help but stare as Mark made the weirdest grimace in response, and he inexplicably felt all his mortification seep away from him. Huh. Maybe Mark is-
Seb then turned around and frowned at him, seemingly disappointed, but his eyes are deceivingly sharp, "Fernando, I regret to inform you that I have other duties I must attend to, you will simply have to wait." He then grinned up at Mark next to him and giggled as the other man stiffened when Sebastian looped both of his arms through Mark's. 
He leaned all his weight on the other man, Mark not so much as shifting his weight, "Oh Mark, won't you carry me back to the palace? I'm so very tired after all the horse riding," Seb looked up at him imploringly.
Fernando observed as Mark rolled his eyes and shrugged off the man, though notably not pulling his arm from Seb's grasp, and he got the distinct feeling that this exact scene had been played out countless times before. 
Fernando clenched his jaw as he watched Seb turn and saunter off, Mark trotting alongside him like a loyal dog. Fernando was supposed to be the unaffected one in this partnership, the unflustered one, the unconcerned one. And yet here he stood, in broad daylight, in a foreign kingdom, on the steps of a carriage with his breeches half unbuttoned and his cravat in disarray. 
He heard a cough from beside him, jolted and looked to the side. Sebastian's loyal Horse Master stood there, lounging against the side of the carriage. Fernando had forgotten who had even been driving the carriage in the first place. After Seb has let himself be pushed down, his hair still windswept from their ride together, everything else seemed to fade away. His thoughts were reduced only to how he could mess up the younger man's hair further. 
Jenson grinned at him wolfishly, and casually crossed his legs,  "First time?" he inquired. Fernando glared at him. The other man laughed openly at him, "What? He's a busy man with big prospects. You're not his majesty's only conquest, you know. Now your throne on the other hand…"
Fernando seethed, it was one thing to be humiliated by the future emperor, but to be patronized by the king's horse boy? No. It would simply not do. He closed his eyes in annoyance, pinched the bridge of his nose, exhaled, and prepared a speech about how he was not about to be talked down to by a man who didn't even have a throne to speak of! 
But when he opened his eyes again and opened his mouth to begin his tirade, Jenson was already wandering away to tend to the horses. Dios mío, Fernando was not mentally prepared to spend the rest of his life with all of these impertinent morons. 
#i love how i kept saying to people: no no i shant write any fic for this. only art.#me like two weeks later: hey guys :)#this is just: i was sitting in class and had a drawing idea but then im obv not drawing *this* in class so my brain went into narrative mod#not exactly 'baby's first ficlet!!!' but moreso ive not written in a while so i hope its alright???#but aaahhh this was actually pretty fun!! idk i think it was bcs i was also being brainrotted by the image of seb kneeling....#maybe ill draw it. but it felt like something that needed the context of narrative and not just oo here is a drawing!#anyways you can always ask me for a directors cut-(PLEASE PLEAE BEGGING PLEASE)#see this is why im not cut out for writing fic#its not like i dont think it can speak for itself. more that im just an overly reflective person who wants to explain all my thoughts#if i wrote fic itd really be just: chapter 1. chapter 1.5 chapter 2. chapter 2.5#anyways i think its pretty obvious but this is before their wedding and just like peak bitterness.#well not peak. peak would be the first year- first few months of their marriage#but this is fernando who is only just realizing how naive all his expectations of seb were and getting a glimpse of his future#but mostly: mindgames and power play and: whos actually really winning?#also my god jense is literally the best chara in this au. he is vibing and basically just witnessing ye olde reality tv#mark and fernando are always in a weird powerplay with seb(even if seb isnt even consiously doing so) and jense is just free from it all#hmm now how does one go about tagging fic#vettonso#f1 fanfic#formula 1 fanfic#f1#formula 1#martian#sebmark#also idk why im always so concerned abt tagging when im basically just writing this for my little boy king following i have somehow formed#hahaha! it is art to me!:#catie.art.#boy king au
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dapperrokyuu · 3 days
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On the topic of Mochijun, Im sorry to say, but the pace of Vanitas no Carte is just so killed for me right now, I cant really feel anything about it for more than a moment, catch me when chapters are normal length or something spectacular happens and its impact can be properly conveyed through 16 pages- 😔✌️
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lesbiangiratina · 8 months
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Not very fond of people like waving off testament’s gender as just a Gear Thing but well at least it becomes funny when people apply it to gears as a whole. Like yeah i can agree with that. It has nothing to do with being a gear tho theyre all just transgender
#okay ill talk about it seriously down here#it does feel like the original intent behind their androgyny was to kind of Other them from humanity#daisuke saying theyve transcended humanity / talking about their ‘inhuman beauty’#i dont want to call it dehumanizing since theres like. a weird positive (…i guess) angle of them being ‘above’ humanity#thats just kind of a trope though. like nonhuman characters without a human concept of gender or sexuality. yknow#but anyway strive didnt really go back on this. they kinda made it a part of their arc?#i think dev backyard says that theyve ‘lived without the concept of gender’ since being turned into a gear#but theres no disconnect from humanity that goes along with that anymore#i like the implication that reconciling with humanity and more importantly their OWN humanity coincided with their presumable transition!#alright now for the part of this i dont like. its weird to assume the gear conversion had some effect on their body and THATS why theyre nb#i think any implications of that are vague enough to be dismissed#i wouldnt even call them Implications its like. messy (and contradictory!) early 2000s phrasing and a theory about 1 line of dialogue lol#early fandom stuff im aware of but dont know enough to talk about aside. nowadays its just used to like#excuse their androgyny. by gamers who cant just. believe that theyre nonbinary because they want to be. lol#not because of anything that was done to their body against their will. or even more simply because theyre just a gear and are Above gender#literally theyre just nonbinary. isnt that cool. i wish everyone could agree this is cool and end the discussion there.#except for me. i can discuss it all i want forever. because im the understander.#whatever. at least the section of testament’s wiki page theorizing about their genitalia is gone now. kissaroo for whoever took that off.#I NEED TO WRITE UP THAT TIMELINE IM LITERALLY NOT KIDDING WHEN I SAY IM AUTISTIC ABOUT TESTAMENT’S GENDER. CLEARLY#the kat goes meow#gg
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moonsidesong · 7 months
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man i was so excited to download puyo chronicle when i first hacked my 2ds since it never ran that well on our home pc with citra and it ran even worse on my laptop. but i didnt get that far into it for reasons that i assumed were just because i wasnt as into puyo anymore at the time. well. now im here again. and im realizing maybe this game just isnt very good
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naenaex0xx · 12 days
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maybe I'm comfortable with tumblr because I get to say things I don't usually tell anyone
#like how my day is? or what dumb stuff im doing lol#my “safe space” where i got to meet people somehow (and theyre very cool :3c)#well. im happy if i get to do it now#cmon nae! sympathy points wont do you any good !!#okay so. tumblr gets to be my little planner too cause i get to write things in the momoment#so im writing things im proud of!#brushed my teeth for more than two mins today#n i actually washed a lil! its embarrassing writing this here because i dont want anyone thinking im dirty.... since its gross#but anyways.. im getting better at putting my phone down at night!#that means fixing my sleep right? i just have to sort out the mornings since i lose track of time#and struggle to leave bed (its too comfyyyy >.<)#and oh. i want to start going on walks..#itll be hard since the house is getting done n stuff but. anytine if the day. i feel like taking walks woukd be better for me#just to keave the house. my eyes always hurts when i steo outside#n thats not good :<#those are my goals for now. i do wanna get closer to my friends. and actually make friends!#ive had no friendships for nearly a year at college lol#its just been 'oh well' but i have actually felt lonely... oh well-#i guess i wanna get closer to people?#and.. talk to ny old friends too#i feel to guilty#im not good with this stuff. it drains me#but anyways. baby steps right? who knows#maybe ill make a friend on the trip! or next year too! that sounds good#ik nobody'll probably read this cause its word vomit lol#but basically yay yippee im feelin kinds alright#<333#posts.nae/rambles
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todayisafridaynight · 8 months
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poppo oc that i made as a joke accidentally breaching containment. maybe.
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tokyoteddywolf · 1 month
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22 isn't very much at all, I think.
#5am rambles#anyways ignore this as per usual im just thinking in a post that i'll delete soon. i just worry and writing it helps.#you ever wonder when you'll “grow up'? and then realize youre not even fully grown?#that theres still more to learn in life and that the mistakes you make are just that? mistakes?#that you are still so very very young in a world that is so very very old?#im almost 23. barely a quarter of my lifespan. im still a child in a way- my brain not fully formed.#you ever wonder how many mistakes you can make before you figure something out?#I dont know much of anything really. that's the sad part. and the adults who were supposed to help me learn... didnt.#i was failed. and now im a failure. at almost not quite 23 years old. Maybe i wont be a failure in another few years.#i still have a while to go before I die. I'm not going to waste time thinking about it. im just going to try my best.#I have time. I can learn. Grace and patience are not endless but damn if i dont try to figure things out#first step though is meds and therapy tho. we're done with the pity party. some things you just have to accept are okay#cuz my whole life i was taught that being emotional is a weakness. its pathetic and stupid to be upset or angry about anything.#any time i wanted to show i was upset or angry i was 'wrong'. i was 'selfish' and 'dramatic'#so i suppressed and pretended i was fine. that i wasnt weak and pathetic. that i was good and not an annoyance or burden.#i am not weak. i am not pathetic. i am fine i am fine i am fine you dont need to worry about the inconvenience at your door.#sometimes the shame is so much that i cant look at myself or even think i deserve help. that therapy is for people with real problems.#that i feel like ill just be told im like this for attention or dramatics. that im such a disappointment and selfish too.#ive been a “problem” my whole life to the point i dunno if i CAN be fixed. that anxiety eats me alive every day.#therapy is supposed to give you methods to cope#i dunno if it'll work though. I forget my appointments a lot. i struggle to talk sometimes. i may be autistic but its hard to get diagnosed.#emotions are so hard to figure out.
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voidcoretxt · 1 month
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but there are lots of fish left in the sea, there are lots of fish in business suits that talk and walk on human feet & visit doctors & have weak knees ...Oh Please Let Me Join Your Cult..!!! Ill Paint My Face In Yr Colours!!!!!!! (u had a real nice face, i had an early death.)
#needed to. write these lyrics out#ultimately i think i was meant 2 be some1s dead love interest they nvr get over#no matter how many better more interesting people they meet#idk. being loved like that sounds nice. likeee have dead wife flashbacks about me lol. love me love me love me#but yeah anyway. i love these last few lines of the song#before the whole the ocean washed open/over your grave part (id have included it but i think it only works like. as music. not Just words)#its really nice. like there are lotsss of fish left in the sea but also. OH PLEASE LET ME JOIN YOUR CULT LET ME LET MWE LET ME#i like it. it Gets It.#i dont believw that im capable of like. understanding art tbh im kinda too stupid. even for car seat headrest!#and the interpretations of this song that ive read online are different than mine so like. lol. ure abt to read something so utterly stupid#but its like. the desperation. you will never love me but ill do anything to change that. please. Please.#i will worship you i will forsake any and all individuality i previously had please just let me be with you. please. Please.#ya know?#i cant say ive never felt that way before. cant say im not currently feeling like this still (im working on it tho. working working working#its a nice song. i like it.#anyway. gentlemen its been a wonderful evening but sadly ive got an ask to answer so i must leave. farewell godspeed etc#we will see eachother again once i find a song i like that was made in 2007#voidcore.txt#goddd theres so many typos in this. tumblr please let me edit tags on mobile
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youssefguedira · 2 years
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welcome back to diabolik au everyone! in which they are actually beginning to get somewhere
Two days after his first meeting with Di Genova, and with three days left of Merrick’s deadline, Joe wakes with a sense of looming dread. He still has no idea how he’s going to manage to bring Merrick the real paintings in three days, nor does he have any real way of escaping the situation - he doesn’t imagine Merrick will let him go that easily, even if he resorts to fleeing the country. 
A knock on his door draws him out of his thoughts. “Mr. al-Kaysani?” a voice asks. “I have your breakfast.”
Joe shakes his head in an attempt to clear his thoughts, takes a few breaths to steady himself, and answers. “Come in, please.”
Roberto pushes open the door, wheeling a trolley with a white tablecloth draped over it and a silver tray on top with him. He had been assigned by the hotel to assist Joe, but Joe’s barely seen him at all, and he barely speaks. 
“Thank you, Roberto,” Joe says. Roberto nods and leaves the room.
Joe lifts the lid from the tray to reveal a neat-looking plate of food that Joe barely notices, because placed carefully in front of it is a small piece of paper. They were fake, is all it says.
Joe picks up the note and flips it over. The back is blank, and the note itself is made up of cuttings from what Joe assumes are newspaper articles. There’s no identifying information, but there’s only one person who could possibly have sent it.
And Joe has a sneaking suspicion that that person may be much closer than Joe had thought.
“Roberto?” he calls, standing up and opening the door. “I have a question.”
“Can I help you?” Roberto asks. 
“Do you know anything about this?” Joe holds up the note. Roberto crosses the room to stand in front of him, his eyes flicking down to study the note, and Joe tracks the movement. There had been something about the man that had seemed familiar before, but now…
“What would make you think I would know anything?” Roberto asks. It’s not a denial. 
“A hunch, I suppose,” Joe says. “Do you know anything about Di Genova?”
It’s a risk, one Joe wouldn’t take unless he was almost completely certain he was right. Roberto’s expression doesn’t change at all. “I have heard he is not the sort of person you would want to meet,” he says. 
“And if I did want to meet him?” Joe asks. 
“Why would you want to do that?” Roberto asks.
Joe decides to go for the truth. If he’s wrong - which he doesn’t think he is, but he could be - then how could this possibly make the situation he’s already in worse? “Because I am desperate,” he says, “and I think he may be the only person who can help me.”
Roberto is silent for a long time, studying Joe’s expression. “In that case,” he says finally, and this time his voice is lower, almost familiar. He reaches back to grasp something at the back of his neck, and then pulls off his face - which, Joe realises, must have been a mask the whole time - and lets his hand drop. 
The man standing before Joe now is both familiar and unfamiliar at once. Joe hadn’t seen his face when they’d met before, but there’s no mistaking his eyes. Di Genova.
The thief doesn’t flinch when Joe reaches up without really thinking about it at all, when Joe’s fingertips brush his cheekbone, tracing over the lines of his face. There is a kind of danger in it, in being so close to this man who could probably kill him without even thinking, and yet the thief stays completely and perfectly still. And when he looks at Joe, something about him seems to soften around the edges - not quite gentle, but something close to it. 
“I spoke to the police,” Joe says after what feels like an eternity, letting his hand drop. “Asked after an Inspector Smith. They told me that man doesn’t exist. So I wondered who could have spoken to me that night, but it was you, wasn’t it? With one of those.” He gestures to the mask in the thief’s hand. “Not exactly an infallible disguise. Did you think I wouldn’t possibly find out?”
“By the time you did, I would have been long gone,” the thief says. “If everything had gone to plan. But this is not what you wanted to talk about, is it?”
Instead of answering straight away, Joe steps away and sits down on the edge of the bed. The thief’s eyes track his every movement. He doesn’t move.
“I told you about the deal with Merrick,” Joe begins. “It’s not the first time I’ve done this kind of thing. What I do - what my friend and I have been doing for a few years - is sell fakes to corrupt businessmen with more money than morals and use the information we find on them to expose their corruption. I thought we were untraceable, but it seems Merrick traced us, or more specifically me. He knew, or guessed, the paintings were fake, and he wanted to make a new deal.”
“What kind of deal?” the thief asks, and this time he moves, crossing the room towards Joe to sit beside him. 
“I have four days to bring him the real paintings. Three, now. Or he releases all the information he has on me to law enforcement. I can’t contact anyone else in time, and if I try to run, he’ll release it anyway and I’ll have to go into hiding. I don’t know of anyone who can possibly help me, except you.” He doesn’t look at the thief when he says it. “I know you have no reason to, but-”
The thief reaches over with one hand, tilting Joe’s head gently to face him. Joe is frozen at the contact, at the way the thief’s eyes flick over his expression. He doesn’t dare move.
“I will do it,” the thief says after a moment, moving his hand away. “The paintings. I can find them for you in that time. And I will take the file he has on you, too. That way he won’t be able to threaten you again.”
“In only three days?” Joe asks, half disbelievingly. “That can’t be possible.”
There’s the tiniest hint of a smile on the thief’s lips, what Joe imagines must pass as a wide grin on anyone else. “I have my ways. Have some faith, Joe.” 
It’s strangely reassuring, even though it shouldn’t be. There are only inches of space between them. “And what will you expect in return?” Joe asks. “I can’t imagine you would do all of it for free.”
“Consider it a favour,” the thief says. Joe raises his eyebrows in disbelief, which makes the thief’s almost-smile widen just a little. “Is it really that unbelievable? I do not need anything from you, Joe.”
“Not unbelievable,” Joe says. “Just unexpected. Given everything that I’ve heard, some of which you told me.”
“Perhaps I have changed my mind,” the thief says. They are so, so close now, close enough that Joe could lean in and-
“What happens after?” Joe asks, largely to distract himself from that line of thought. “You said nobody knows your true face. I could go to the police if I wanted to. This could all be a trap.”
“It could be,” the thief says, but doesn't elaborate. “I will find you in two days. There is a cafe I will meet you at, and I will tell you where you can find the paintings then. That will give you enough time.”
“How will I know it’s you?”
“A code phrase. I will tell you, ‘Yusuf al-Kaysani, you are the most beautiful man I have ever met.’” 
Joe takes a moment to remember how to breathe after that. And then he asks, because he can’t resist any longer, “What’s your name?”
The thief is quiet for a moment, and Joe thinks he isn’t going to answer, but then he says, “Nicolò.”
It suits him. “Nicolò,” Joe says, testing it out. There is something unreadable in Nicolò’s expression when he says it. “In two days’ time, then, Nicolò.”
“In two days’ time,” Nicolò repeats. He pulls away abruptly and stands. “I will see you then.”
Joe watches, half mesmerised, as Nicolò pulls his mask back on and seems to transform seamlessly back into Roberto. But this time when he speaks, it’s with his own voice. “Goodbye, Yusuf.”
He leaves, and Yusuf is once again alone. 
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potatobugz · 1 year
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opening untitled google doc #7592 so I can attempt to write something again but ultimately never finish it
#rambles#but ill keep doing it bc. if i dont write i will never learn#i had another homestuck scenario i wanted to write but you see i only have an idea for one specific part#and i have 0 writing experience so i cant write it that well if i dont have a good udea 4 what i want to happen#anyways the premise is that feferi ascends to god tier (more like cod tier) after eridan kills her#& she revives nepeta and equius. the rest of the trolls r like hesitant to revive eridan right away#but feferi goes ahead and revives him anyway bc she has very conflicting feelings & shes like 'i just wanna talk 2 him 38('#ofc this backfires#eridan waking up & immediately assuming the worst; freaks out and runs away from her cuz he thinks shes gonna [krill] him again#(fish pun bc i saw the opportunity and couldn't resist)#then he runs into kanaya and freaks out EVEN MORE and then attempts to run down stairs & trips on his dumb scarf (affectionate)#and falls down a flight of stairs#ive had that specific scenario in my mind for like a few days now!!! and ive been dying to put it down somewhere!! augh#other cincepts i havent fleshed out include: eridan hiding from everyone on the meteor. eridan and gamzee alliance maybe.#some exploration on how kanaya feels abt this bc i feel like kanaya is always portrayed as angry at eridan but ppl forget WHY shes angry!!!#shes *greiving*. the matriorb was like the hope for their entire race & she was tasked 2 protect it and it got destroyed#its very sad to me. murderstuck as a whole is tragic 2 me because theyre all children and i dont think any of them shoulda died#idk i hope that makes sense#um also eridan putting themself in a cycle of 'not evil anymore i want to be loved now. evil again' cuz#characters who destroy their relationships w others over and over again mean everything to me. self destructive characters my beloved#and also everyone who was revived makes it to the alpha session so eridan and roxy friendship can thrive <3 (i am ill)#and also eridan transgender arc is mandatory sorry#wow i am sorry 4 talking so much down here ive been DYING 2 get this idea out but like#i cant ramble normally in posts i have to do it in the tags or i get self conscious otherwise agh#feel free to add onto this if youd like i think#homestuck#oh also maybe nonbinary roxy too maybe bc i really like nb roxy headcanon and also t4t pale eriroxy so wonderful
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flovverworks · 5 months
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wanted to talk about gran & loss since msq is updating, but ive been busy....<3 BUT i did think about it with akira and even though theyre both on very opposite ends (grans very much more Always present + the hell that is current msq is......yknow...), losing 21+ ppl at once Is gonna have them inconsolable for a while regardless of how much they knew itd happen
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waywardsalt · 1 year
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the phantom hourglass manga is the one i care about the most out of all of the loz manga and therefore the one i am most willing to rip apart because of its relation to the game, its own problems, and the potential that was lost or thrown away for any reason at all
making this separate than the list of things i liked about the phantom hourglass manga
im not going to be too organized about this; ill go by topic and in each topic go in chronological order through the manga and everything else will probably be all over the place
im not even going to touch the story yet and just go after the art off the bat because i really believe that this manga has the weakest art of all of them. i dont know if its due to some kind of time crunch or a lack of care but its really… im not expecting any of these books to have killer art, but in ph it just feels like there was less effort with inconsistencies in some designs and either very low detail or just absent backgrounds. this feels like a mean-spirited critique since i understand that manga is difficult to create and requires a lot of effort but its just visually… worse than the loz manga that came before or after it.
some specific grievances i have with the art are things like inconsistent designs of some characters (linebeck is hard to draw and i get that but hes just… never totally consistent) and some items like weapons (the shape of bellumbeck’s sword changes during the fight for some reason) and stuff is… left out. the fire temple has basically no layout since link’s just in some flavor of void for the entire blaaz fight. one of the panels with linebeck’s ship shows it from the behind at an angle where you should see the deck but its just not there
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his ship is also missing its chimney on the cover art
this is also more of an opinion thing but the way astrid looks almost nothing like her game counterpart is just… it’s a nickpick based on opinion but that is Not The Same Character.
you can absolutely tell a fantastic story with lacking art, but the reason why im criticizing this manga’s art is because its the tenth in a series of manga who, up until this point, has had consistently good art, and then it drops off with weak backgrounds and character inconsistencies.
plus, i really care about how this story is visually portrayed.
the pacing, even with half of the story cut, is also a bit of a problem. as far as i'm aware, this is the only loz manga to have significant chunks of the story cut out, and while it admittedly works well with only half of the story, it fucks with the pacing a bit. specifically, it screws over linebeck's arc, which i'll talk about more in a different section, but it also kind of glosses over the phantom sword and (obviously) loses some possible time for further character exploration and whatever. the cut from the ghost ship right to jolene right to the final boss is, while handled well, kind of abrupt.
obviously, cutting half of the damn story will make what's kept feel a little too fast, but even some of the stuff more original to the manga is paced weirdly or is just... eh.
there's a bit after neri is found where linebeck decides to stop working with link and basically ditches him and this whole thing lasts one to two goddamn pages before everything is patched up and good and... why even include it if you turn the page and oh problem fucking solved. it's even a little out of character for linebeck at that point since a few pages before he's seen getting the sands of time for link and it's... it make sense but it's a really extreme character choice and while it serves its purpose (introducing the idea of linebeck not valuing other people very much and realizing that) it's still extremely brief.
the added stuff with linebeck being a past member of the ghost ship, while fine and interesting at first glance is also a strange choice that doesn't work all that well? it works for characterization and all of that but it makes for a weird situation with linebeck's character motivation where he's a coward and after the ghost ship for the treasure on it, but if he was present on the ghost ship literally as it was fucking gutted then he would know exactly what the danger of the ship is and want to avoid it no matter what. in the game his motivation for going after the ghost ship works because he doesn't know for certain whats on that ship and has never been on it. plus, aside from character backstory and whatever, it doesnt serve much of a purpose. linebeck even makes some comments about the ship's interior and the like but it all amounts to nothing because link never actually goes into the ship anyways. it's just a weird backstory to give linebeck.
the shuffling around (and cutting of one of) the three final bosses is also weird. it makes sense for the story order the manga goes with, but it actually lowers the stakes for the bellumbeck fight (in the game literally everything is on the line but in the manga its just linebeck and they absolutely use that to their advantage but still) and mixing the ghost ship fight and bellum fights make the final encounter really brief and kind of anticlimactic in some way. it's difficult to express, but the order of the final bosses in the game makes bellum a more interesting villain and melds with linebeck's arc in a much more interesting way. it feels like there was a specific reason for that given order and for the manga to just toss that aside means it loses something.
also reserving pretty much an entire chapter for jolene is A Choice to make. there's nothing wrong with using an adaptation to flesh out a character but here you don't learn anything new about jolene she just kind of makes very little sense in her motivations when you give her more screen time but dont change her from wanting to kill linebeck for fucking off but also still liking him maybe. good for you if you like jolene since she got more time here but they did pretty much nothing interesting with her
this is something i figured out while writing this, but the manga actually does Fuck All with the actual hourglass. you could've cut the fucking thing out and it wouldn't have effected the story too much. link never goes into the temple every again and the phantom sword is just. made on request with link having no interaction with it before using it to kill bellum. the only time the phantom hourglass is actually plot relevant aside from link first getting it and then using it to gather sand is when bellum tells link to bring it to the temple and then it's used exactly once to stop time and then it's used as proof that everything happened. oshus says link needs to use it and the sand to break the curse over the temple of the ocean king and then that never actually happens the sand and the hourglass is just used once to stop time once and otherwise it might as well not be in the story it's so weird. it's also implied that oshus needs the sand to restore tetra after he returns to his own true form but they dont say anything about that after he initially mentions it so who cares. oshus also tells link that zuaz will teach him how to defeat bellum. link never meets zuaz and still beats bellum anyways.
it feels like they cut the latter half of the story but forgot that the fucking majority of linebeck's entire goddamn character arc happens in that part of the story. sure, most of the cutscenes and whatever happens in the first part and linebeck does develop a bit in the first part but he doesn't really start to change until after the ghost ship, when you get his letter and his dialogue starts to change slightly to suggest that he's starting to like link more and care about something other than the possibility of treasure. the manga cutting out the latter half of the story but still making linebeck's arc end in similar places makes his arc feel really fast and even abrupt in the manga. he goes from being fully motivated to get treasure and still kind of selfish to caring a lot for link and deciding not to wish for treasure and the time was just NOT put in to make that a smooth transition.
honestly linebeck overall got fucked in the manga more than any other character. his arc was shafted, his characterization is strange and even kind of changed from the game, he's never drawn consistently and doesn't even look great since he seems to be stuck between two styles when he's drawn, he's more shallow and generally a less interesting character, and while most of that is probably a product of having one book to cover ph, it's still a problem.
like with all of the loz manga, the extremely limited amount of space and time the story is given absolutely fucks it over so you really are stuck with telling nothing more than an abridged and seriously inferior version of the story. i dont care how good the original stuff is if it barely qualifies as a good adaptation. the story wasn't told all of the way and none of the game's strengths are kept or expanded upon. you lose the majority of the best character's arc and depth. half of the story was cut. the title item is barely used. it feels like they didn't really care about adapting phantom hourglass and just hashed out a trimmed-down version of the story to fit into 188 pages and while there was some effort put in with a bit of a unique take on linebeck but it just falls flat when everything around it feels like it wasn't given a second thought.
i'm not suggesting that the author's didn't fucking care, i don't know what the process was with this, but it just... it doesnt feel like they actually wanted to earnestly create a good adaptation of this game. i have an altered perspective on all of this because this game is my special interest and something i deeply care about and inspect the little details of and it kinda just sucks that phantom hourglass never got a good adaptation because... this game has some serious potential for a really good extended adaptation.
Unlike the other Zelda games that the other manga cover, the structure of the journey in Phantom Hourglass has an insane amount of space for fleshing out of character, exploration of new concepts or character relationships, or just.. whatever you want. Providing you cover the original story, of course. Off the bat, there's a nebulous amount of travel time between islands, which can be used by authors for character moments and interactions and just little moments that can be used to further themes or concepts. You can use the implied time overseas between islands to have some interactions between Link and Linebeck. Show the three fairies hanging out with each other. Show the whole crew becoming closer to each other as time drags on.
Linebeck's existence and function within Phantom Hourglass alone is so fucking unique and amazingly good for an extended adaptation. In most other Zelda games, the companions are pretty much glued to Link's side and follows him through dungeons, or they're characters locked in a specific place, more or less divorced from Link's quest, but Linebeck is an integral part of the plot, present for every part of it as it advances, and yet he's out doing fuck-all while Link is in dungeons. He's a great excuse for authors to add detail to islands, write new characterization for background characters, or even just give Linebeck his own b-plot running concurrently with the game's normal plot. He's important to the plot and yet doesn't touch the gameplay; he's free to do whatever you want while Link does dungeon stuff. One possible idea I've mentioned before is the idea of, while Link is in the temple of the Ocean King, is to create and explore a possible relationship between Oshus and Linebeck. Scenes of them talking can be used to flesh out Oshus as a character and to add some extra depth to Linebeck and make his arc more interesting to follow.
There is... SO MUCH you can do with Phantom Hourglass if you care enough to do it, and I'm just so frustrated that we got this solid 4/10 of a manga.
#salty talks#bitching about the loz manga#hi if you think i'm wrong or made a mistake in this i implore you to fucking yell at me for it#i care about this game so fucking much that i would love to know if i fucked this up in any way#anyways uhhhh yeah. oof. it sucks.#i dont like jolene at all and have tags blacklisted to reflect that and will not touch stuff w/ her so thats why i dont read this much#jolene wanting to kill linebeck but still being implied to be attached to him makes me slightly uncomfortable ngl#probably one of the biggest reasons why i dislike her so much she gives me really bad vibes and is annoying#anyways. yall out here talking about how this manga has good dadbeck moments are fucking lying#maybe i cant see it because i have a good relationship with my dad but at best he's just. idk he gives a shit abt link at the most#i hate manga astrid i hate her so muhc. like. look at astrid in the game. what the fuck were the manga artists smoking#game astrid looks nothing like manga astrid and i like game astrid better.#this is incoherent bc im tired and i dont know how to write things like this and im so fucking tired#if you want clarification about any of this like you want me to talk about something specific?#send an ask or bring it up in a reblog or smth ill gladly discuss this book and why i kinda want to feed it to my dog#i just. game linebeck has queer vibes. game linebeck can be read as autistic#manga linebeck is neither. milquetoast ass fuckin wet cardboard take on a character#i dont even hate him he just fucking sucks compared to game linebeck#like. i hold game bellumbeck in such high regard bc everything about is is wonderful its a beautiful climax#every little thing about it is great i love the stakes i love the implications you can make about linebeck about bellum#the music the atmosphere the events leading up to it its place compared to other final bosses#manga bellumbeck is cool but its not what it could be#i didnt add any more photo evidence for art grievances bc theres a lot. bellumbeck's design changes between chapters#can you tell when making this post is no longer fueled by tired hate. can you#i thought about painting a target on my back and tagging this as phantom hourglass but thats a bad idea lol
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