Oh yeah I recently had a moment of realization, which is that Lady Catherine's main underlying motive for pushing the Darcy/Anne marriage isn't actually her ideas about keeping property in the family etc, or her agreement with her late sister at all.
The number one reason she's so wedded to it is the same basic reason Mrs. Bennet is so eager to have Mr. Collins as a son-in-law.
Because while Rosings isn't entailed, which has allowed her to lady it over the demesne all this time on the strength of her daughter's status as heiress, property law is such that as soon as there's a man in the family--as soon as Anne weds--it will all belong to him.
And while she won't be forced to find other lodging or anything unless a truly dreadful groom winkles his way in, she'll no longer be the mistress of the place as she has been all this time, not even as much the mistress as she was before she was widowed, because that will be Anne's place now. She will be only the mother of the wife of the master of Rosings.
And there is not likely to be any great supply of fellows of sufficient distinction and lineage to meet her high standards, who will want Anne (whose main appeal is her property), who will also allow their mother-in-law to rule the roost.
Darcy is a known quantity, who doesn't especially want Rosings and can be relied upon to prioritize Pemberley. And he is very respectful of his honorable aunt. Lady Catherine makes it clear she believes her sway over him is considerably higher than it actually is, because he values his family so highly and hates a fuss, so she has always always gotten her way with him before.
If she could get Anne married to Darcy, then she could fulfill her maternal obligation to Anne, and her lineal obligations to the de Bourghs and the Fitzwilliams. Without having to give hardly anything up herself.
And it's really cool how it's set up like this! Because the fact that the system is rigged so a woman fulfilling her duties to family and society inherently obliterates any power base of her own is totally fucked up, and wanting to resist that is understandable and sympathetic.
But as is so often the case, the easiest way to resist or evade such compulsions and injustices is by finding a way to exploit other people, and gain your own security and independence by taking theirs away.
And so Lady Catherine, like Mrs. Bennet, is ultimately a tacky and appallingly selfish human being.
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you know what i DO want to talk about? that scene on top of the truck where nona’s arguing w varun, and varun asks “do you love?” and nona says, “yes - no yes. i don’t know what it means. i say it, but i dont know what it means. did i ever know what it meant?” which is truly heartbreaking to hear from a character who’s spent the entire book up until now loving most everything she lays her eyes on with nearly reckless abandon.
and fifty pages later - after paul’s birth (pyrrha saying, “it’s not love, what you’re about to do. it’s a mistake.” being almost immediately replied to with, “the perfect friendship, the perfect love.”/”life is too short, and love is too long.”), and kiriona’s interrogation (”okay. different question -- do you love her?”), a near constant barrage of “what does love really mean?” and “what is love?” and “what would love make you do?” “what lengths would you go to for love?” when she’s already struggling with the idea of knowing if she’s felt love at all - she very nearly gives in to that despair, the lack of certainty that she knows what her feelings mean and that she’s allowed to feel them. she’s mourning, and she’s not able to reach pyrrha through her grief, and everyone else she’s with is more broken than she’s ever seen them before. but then paul reminds her of noodle. and nona, in a moment of lurching panic, decides to live, if only just to save noodle.
to me, that’s a devastating moment of raw, human love. it’s like that moment in alien (1979) where ripley’s about to abandon ship, and then goes back when she realises jones (the ship cat) is still on board. nona was ready to let them all die, hopless and lost and sad, every one of them-- but noodle, a sweet yet unimportant pet, is what brings her back.
and i think that’s what make’s paul’s statement of, “it’s done, it’s finished. you can’t take loved away.” hit as hard as it does. she’s just had this crisis of faith in her own personal belief system of loving-things-for-the-sake-of-loving-them, only to have it reaffirmed, and is now facing the abyss of personhood, facing returning to a self who was hurt and was deeply angry, going so far as to say, “i’ll be different...and palamedes -- i won’t love him...i won’t love anything, i won’t know how.”
paul says, “don’t worry,” (even though she just explained why she was worried), “we loved you too,” because maybe nona’s right and she won’t know how to love anymore, but she needs to know that she did. she did love, and she was loved, and there was never a doubt in anyone elses mind that she loved them fully and completely and genuinely. maybe she thought she was faking it, maybe she thought she was just making it up, but it was real, and now it’s done, and no one can take it away. no one.
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i honestly do feel that eiffel's disrespect for authority and willingness to complain are positive traits. in terms of 'these are things i value in real people', but also for what it represents and what he's resisting within the narrative of wolf 359.
it's notable in the face of cutter's personal philosophy and goddard's corporate culture (pryce & carter #5, etc.) ... eiffel won't just accept anything, he won't do his job with a smile (he might not do his job at all, but either way, he reserves the right to be upset about it), he won't learn to compartmentalize. he will complain. he will keep on complaining. he values emotional honesty, and actively encourages others to express their feelings, especially the ones that aren't goddard-approved.
no matter what happens, or how long they've been up there, he never gets desensitized, and i think there's really something about someone who will keep saying 'this isn't normal, it isn't okay, i'm not okay with it, and i ask you to also not be okay with it,' even when he seems alone in saying it. their situation is horrible, and he feels everything so strongly. being able to express that is healthy, and it's human. i find it reassuring.
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my biggest issue with percy's competence in the show isn't about him being smart or knowledgeable or anything.. but more about how an mc should function in a hidden fantasy story. they are supposed to be more distanced from everything. they are supposed to be confused and not know what tf is going on. because that's a big part of what makes them relatable to the audience. it's like an entire angle when it comes to world building--introducing the mc and the reader to everything at the same time. we are able to put ourselves in the mc's shoes and also learn things in a way that feels natural. but with percy just.. spouting greek myths he's apparently known forever (bc of him mom and mythomagic etc.) it distances him. it removes a lot of the meta reasons of why he was kept from this greater magical world for so long.
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Rozemyne: Ferdinand is so dumb, how can he not see people obviously care for him? I adore him and Sylvester would fight the Zent for him. Not to mention how much Elvira idolizes him. Truly. How can he be so oblivious
Also Rozemyne: Oh Sylvester could absolutely just murder me lol. I’m a commoner there’s no reason for him to keep me around other than the goodness of his heart
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being attracted to women is so hard cause i’ll think a woman is hot asf and be interested in her but then my brain goes “how DARE you sexualize her??? hasn’t she been through ENOUGH!? can’t women do ANYTHING without being sexualized???”
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Hum...
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once again thinking about that scene in s15 when they find garmadon again and all wu can think about is how happy he is to see his brother again
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im sorry to hear people are stomping all over your boundaries, big props to you for sticking up for yourself and putting your foot down. I hope you're doing ok (/gen)
on another, hopefully happier note, i noticed your info post mentions that you self ship! I'd love to hear about your favourite self ships if you're comfortable talking about them some time?
i actually never did or had interest in this but then haitham waltzed in so hes the first and only one (this whole thing flusters me so its smth i indulge in for myself in private by reading or daydreaming or sometimes i babble and ramble about him very in depth)
(most hkvthm things i draw is just me going 'wish that was me' and drawing it LMFAO)
ohh also same w kaveh but in a slightly different way than haitham (theyre both the only ones) i want them to hold hands. i want them to hold my hands. there
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one of my advisors emotionally eviscerated me in my dissertation meeting this morning and made me cry in front of him and my school dad (my other advisor). i know that some people have the “you doubted me and i’m going to prove you wrong so you can eat your words” instinct when they receive criticism but instead i was cursed with the the “internalize it until i feel worthless and the last five years of my life in which i’ve been studying toward this goal i deserve but have had many undeserved obstacles to feel pointless” reflex
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Omg I'm glad I found a fellow new teen titans hater (or at least critic) because while I think Wolfman had some really neat ideas it really amazes me how so much of what he's written for Dick is like the polar opposite of his character for 40 years and how people ignore that simply because they don't read golden/silver age batman... like I hate reboot Nightwing as much as anyone but it's crazy to me how people think he's always been the most anal about his moral code as if it didn't take years for him to develop it after watching Bruce (like in canon: https://64.media.tumblr.com/f20ae729d626788129a371dab7f790db/5b84ba907a5dc5f9-ac/s1280x1920/e0e719108502d4fa51364eb748450141fd1bcedd.png), or how he'd give up college/a day life to be Robin when in canon he was the one all gung-ho about going to college while Bruce hoped for him to stay home (and ironically enough Bruce quit Wayne Industries himself so he could focus full-time on being Batman lmao: https://64.media.tumblr.com/48945b33fa70a2bfbded0fe6c83017d0/68e853c82fce0d82-5a/s1280x1920/32e3b3ab44fa7364ca82eb63bb8c6d5bbbbb7132.png), or even that Dick wouldn't have the patience to mentor children or something when the literal purpose of creating Robin was to be a role model for children to relate to and sef-insert themselves as his friend, hence why he always excelled in school and sports and stuff...like Bill Finger even created this concept of "Robin's Regulars" to show that Dick liked kids and inspired them (https://4.bp.blogspot.com/_wpPLG-yJpJw/S5v2_3KXjdI/AAAAAAAADnM/1aOMBWuCmT0/s400/robinsregulars.jpg)... the good part is that NTT took place when Dick was just 18-19, I can easily pass it off as his angsty phase that he grew out of in the same way Peter's Ditko era is passed off as his edgy college kid phase in-universe that he outgrew thanks to his friends lmao
admittedly i think trying to ascertain any kind of moral code from bruce or dick in the golden age is a bit of a directionless endeavor bc the writers switched things up soooo often depending on whether they want to pander to morality or comedic value 😭 like there's a golden age issue where bruce quite literally lets= someone die in an electric whirlpool of some kind omds it was hysterical. but yeah interestingly with wolfman i like a lot of the things he did with dick as a character if i view them as developments resulting not only from his personal foray into adulthood but also from the distance that started to grow between him and bruce. it was completely logical for dick to reassess a lot of the things he wanted back when he thought it was going to be him and bruce forever versus at present when bruce clearly no longer wanted to sanction him being robin and dick took that to mean he wasn't good enough (even though bruce was merely being protective and trying to respect dick's own ability to choose his own path in life). the problem with wolfman is that rather than portray it as a series of newfound assessments made in context of newfound developments in dick's life, he wrote these assessments as if they had been lodged in dick's mind since the day he was taken in. which to me at least seems to diminish the significance of dick's development into a more agitated, hyper-emotional control freak. it's not supposed to be something that's always been there. it's more latent. dick's belief in himself with respect to his relationship with bruce sort of hung by a thread for the entirety of their tenure together. that's what happens when you let a nine-year-old become a vigilante and spend nearly nine years together thereafter fighting crime with him as your exclusive partner. it builds expectations, hopes, dreams. for his entire life dick was building up to this.. fantasy almost. and when he went to college it still wasn't so bad because even if there was a desire to be independent he still felt like he had bruce's support. the fantasy remained intact. it was only when dick started to realize that being in college hindered what he really wanted to do with his life, and then bruce opposed him on it, and then they proceeded to disagree on a number of other things—as respectfully as they could admittedly. that was the nice thing about the early 80s. they actually talked in the truest sense of the word—and then bruce finally cut the cord (so to speak) on robin existing as a required extension of batman, that the floodgates really opened. every latent positive emotion that dick had ever felt in his life because of what he believed bruce had given him unconditionally was suddenly up for dissection. and that's how you proceeded to get the neurotic ticking time bomb we know and love so well today. or at least that's how i like to conceptualize it in my head
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𝗚𝗮𝗹𝗲 𝗶𝘀 𝗿𝗲𝗹𝘂𝗰𝘁𝗮𝗻𝘁 𝘁𝗼 𝘀𝗲𝗲𝗸 𝗵𝗲𝗹𝗽 𝗵𝗶𝗺𝘀𝗲𝗹𝗳, 𝗯𝘂𝘁 𝗲𝗮𝗴𝗲𝗿 𝘁𝗼 𝗹𝗲𝗻𝗱 𝗵𝗶𝘀 𝗵𝗮𝗻𝗱 𝘄𝗵𝗲𝗻𝗲𝘃𝗲𝗿 𝗻𝗲𝗲𝗱𝗲𝗱. This, beyond being a testament to his softer heart, his rather sizable well of care, is a consequence of his time shared with Mystra. Being a worshipper, a follower and lover both to the mother of magic, Gale is far more familiar with giving than receiving. A tremendous deal more. Beyond those illusions of love, Mystra granted him nothing, and whenever she was troubled, even sour or short, it was Gale, doting Gale, who would smooth it out. In truth, short of the stars, he had offered her everything. His whole life to boot. Still, living for some years prioritizing Mystra, Gale's grown notably reluctant to ask for help. It's why, when strapped with the netherese orb, newly blighted and rotting to death, he'd sooner clamored in his tower than look to friends. He's loathed to show his folly, of course, and is far from a fan of stirring worry, but with Mystra, any ask he'd made was resolutely shunned, and from his lover, his deity, that left its mark. Gale--a giver, a man that wants to hope but doesn't dare to--is not a man to ask for anything. If ever he does, the ask is comically small, and even then, he expects to be denied almost immediately. Consequently, an eager kindness leaves him floored. Gale can read displeasure. (See: Mystra.) Gale's trained to soothe it, too. Yet, when confronted with the novelty of that same generosity, your resident Gale of Waterdeep is like a fish out of water.
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oh my god i/me/myself fits ten like crazy i have been searching for a loser to put that song on their character playlist for forever
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the woes of the night hittin. naws my nails off
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“ And it hurts so much! Life is suffering. It is hard! The world is cursed. But still, you find reasons to keep on living." ... "I don't regret a thing, you know. I don't regret the struggles. I don't regret the hardships. The pain. The sorrow. And I've seen so much of it! But still. I don't regret what I've done or how I've lived my life. I just wish the world had been a better place. A better place for them, for us... But surely, a better place for you, my dear." ... "I feel like a vast vessel, with so many dusty rooms and cabins... I have so many of them... So many memories... Some of them are gone, but some of them... Some of them will live on forever. In you, in others. ”
- Astrid, Spiritfarer Farewell Edition
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HOYOVERSE'S BIGGEST FUCK YOU TO ME
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