#barbara wilton
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Barbara: Viola...*hic* can you pick me up? I can't....move
Viola: *Sigh* For the love of god Barbara, stop being so dramatic and help me find a MOVIE GOD DAMN IT!!!
#let this be known..i want someone to comic dub this#batim#batim au#the ink chronicles#barbara wilton#viola ayden#my art#fanart
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Hey, bestie, question.
Are you gonna do more doodles of your favorite owl lady?
Y E S
Y E S!!!!!!!
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@nia1sworld
Here you go heh maybe make a second part but ye
#crossover#the ink chronicles#my art#my artwork#digital art#digital artwork#digital drawing#undertale au#undertale oc#Inkres#Moon#barbara wilton
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Owl lady!
Owl lady!
How is Barbara (@nia1sworld's oc) coming out?
Is it good or something? Cause I can't wait to see the owl lady!
Aaaaaa Its getting horrible!!! Ive already reemade it 3 times😭 I hate animation!! Serious! Nothin's getting good AAAAAAAA
LOOK AT THIIISS
IT'S JUST ONE FRAME BUT ONLY THIS ALREASY DELIVERS THE SHIT QUALITY ANIMATION
FORGIVE ME FOR SCREAMINF
But everything is just getting bad, but I wont give up! I'm going to give this animation to her!>:))✨✨✨✨🌟🌟🌟🌟🌟
But for now just have some Sketches of Barbara and Careen👇👇
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#batim#ask the ink chronicles#the ink chronicles#barbara wilton#DJ beastmode#marina beastmode#wyatt collymore#my art#fanart#tethertale
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"WIVES AND DAUGHTERS" (1999) Review
"WIVES AND DAUGHTERS" (1999) Review
Twenty-three years have passed since the BBC first aired "WIVES AND DAUGHTERS", the 1999 adaptation of Elizabeth Gaskell’s 1865 novel. And despite the passage of time, it has a sterling reputation as one of the best adaptations of a literary source in recent years.
Adapted by Andrew Davies and directed by Nicholas Renton, "WIVES AND DAUGHTERS" told the story of Molly Gibson, the young daughter of a local village doctor during the last decade of the Georgian era. The four-part miniseries struck me as Molly’s coming-of-age story. She and her widowed father lived an idyllic life until two things occurred. One, her father married a woman she disliked, a former governess named Hyacinth “Claire” Kirkpatrick. And two, Molly fell in love with one Roger Hamley, the science-minded younger son of a local squire.
If Dr. Gibson had his way, Molly would have never experienced any coming-of-age. But after one of his apprentices became romantically interested in her, he became determined to keep her in a state of perpetual adolescence. But his actions merely ensured that he would fail. First, he arranged for Molly to become the companion to Mrs. Hamley, the sickly wife of the squire. This gave Molly the opportunity to form an emotional attachment to the Hamley, befriend and fall in love with younger son, Roger. Then Dr. Gibson committed another act that defeated his purpose. He married former governess Hyacinth Kirkpatrick in order to provide Molly with a stepmother. This action backfired, since Molly never warmed up to the selfish and socially ambitious older woman. However, she did befriend the new Mrs. Gibson’s rebellious and more worldly and daughter, Cynthia Kirkpatrick. Not only did both Kirkpatrick women managed to disrupt the Gibson household, but Molly’s relationship with Cynthia would open her eyes to a great deal more about relationships and life in general – both the good and bad.
Other subplots abounded in ”WIVES AND DAUGHTERS”. Molly had a first-hand look into the conflict between the loveable, yet impatient and slightly selfish Squire Hamley and his more genteel older son, Osbourne. At first, the Hamleys seemed to regard Osbourne as the key to the family’s return to its former glory. But Osbourne’s scholastic troubles and excessive spending (for a secret French wife for whom he provided a private household) ended up disappointing Squire Hamley. Instead, he transferred his hopes to his younger and more studious son, Roger; who seemed to be on the verge of making a name for himself as a naturalist in Britain’s scientific community.
Another subplot centered on Cynthia Kirkpatrick. The French-educated and very beautiful young woman seemed to have struck both the Gibson family and the village of Hollingford with the force of a whirlwind. Cynthia projected a sexuality and worldliness that attracted nearly every male around her – including Roger Hamley. Unfortunately for Molly, Mrs. Gibson’s plans for her daughter included an ambitious marriage to the older Hamley sibling, Osbourne. But when the intensely pragmatic woman discovered that the older Hamley sibling’s health was in a precarious state, she encouraged Cynthia to set her sights on Roger. And considering his feelings for her, Cynthia had no trouble in achieving her mother’s goals with an engagement. Cynthia also had a secret that eventually affected Molly. Five years before, she had become secretly engaged to Lord Cumnor’s land agent, Mr. Preston. The latter’s insistence on a wedding date and Molly’s involvement on Cynthia’s behalf led the doctor’s daughter to become a target of village gossip.
Not only is Gaskell’s novel considered a masterpiece by literary critics, but this 1999 adaptation turned out to be highly regarded by television critics and viewers, as well. Some critics consider it to be the best adaptation of a Gaskell novel. Other critics believe it might be a toss-up between ”WIVES AND DAUGHTERS” and the 2007 miniseries, ”CRANFORD”. The 1999 miniseries certainly won its share of television awards. And if I must be honest, those awards were well-deserved. ”WIVES AND DAUGHTERS” provided a complex and in-depth peek into an English village society during the last decade of the Georgian era through the eyes of Molly Gibson. I must admit that I have rarely come across a movie or television series set during the 1820s or the 1830s. And I would certainly consider ”WIVES AND DAUGHTERS” among the best. Screenwriter Andrew Davies and director Nicholas Renton did a marvelous job in drawing the audience into Molly’s world.
The setting and story of ”WIVES AND DAUGHTERS” - or at least most of them – seemed to perfectly represent this precarious stage in Britain’s history in which the country found itself balanced between the static world of the Georgian period and the social and scientific upheavals that ushered in the Victorian Age. Davies and Renton manifested this in Molly’s coming-of-age story, which included her father’s reluctance to allow her to develop into an adult and her relationship with Cynthia. The screenwriter and the director also manifested this precarious stage in the relationship between Squire Hamley and his two sons – Obsbourne and Roger. As for the latter, many believe that Gaskell based his character on her distant cousin, the naturalist Charles Darwin who became a prominent figure in the Victorian Age’s scientific community.
Davies and Renton also did an excellent job of exploring the in-depth emotions of familial and romantic love in ”WIVES AND DAUGHTERS” also explored the in-depth emotions of familial and romantic love. Molly’s close relationship with her father – fully explored in Episode One – eventually grew weaker due to Dr.Gibson’s attempts to keep her close and at an adolescent stage. I found it interesting that although Squire Hamley grew to adore Molly, he made it clear to the doctor that he would never consider her – the daughter of a country doctor – as a suitable wife for either of his sons. Yet, Roger Osborne ended up married to a young French woman beneath his social station, and Roger eventually became engaged to Dr. Gibson’s step-daughter, Cynthia and married to Molly by the end of the series. Already, Victorian Britain’s social upheavals – at least in ”WIVES AND DAUGHTERS” - had began to rear its head. Cynthia’s love life, which turned out to be the best plotline in the story – also turned Molly’s life upside-down and forced her onto the path of adulthood.
The miniseries’ greatest virtue turned out to be the collection of complex supporting characters that gave ”WIVES AND DAUGHTERS” its energy and drive. For me, this was especially true of five characters - Hyacinth Kirkpatrick Gibson (Francesca Annis), Squire Hamley (Michael Gambon), Osborne Hamley (Tom Hollander), Mr. Preston (Iain Glen) and Cynthia Kirkpatrick (Keeley Hawes). When the miniseries focused upon these characters, I found myself fascinated by the story. Each character struck me as so complex that it seemed a pity that none of them was the main character. Michael Gambon won both a BAFTA TV Award and a Royal Television Society Award for his portrayal of the likeable, yet socially rigid and selfish landowner, who seemed determined to return his family to its former glory, via one or both of his sons. I must admit that Squire Hamley was truly a fascinating and complex character. Although I liked him a lot, there were times I could have happily strangle him for viewing his sons as instruments for his familial ambitions and inability to truly understand them at times. Francesca Annis earned a nomination for her portrayal of the self-absorbed and social climbing Hyacinth Kirkpatrick Gibson. One would, at first, be inclined to label Hyacinth as an “evil” stepmother. But Annis’ performance made it clear that Hyacinth was not at all one-dimensional. She also managed to inject a good deal of pathos into her character, allowing one to understand that some of Hyacinth’s behavior stemmed from a sense of survival for herself and her family, due to years spent in the social wasteland as a governess and underpaid schoolteacher.
Tom Hollander gave a very affecting and sympathetic performance as the poetic Osborne Hamley, the squire’s elder son who constantly disappointed his father. From other articles and reviews of ”WIVES AND DAUGHTERS”, many tend to view Osborne as a weak and self-involved man. I never got that impression from Hollander’s complex portrayal. Instead, I saw a man whose only real weakness was an inability to admit to his father that he had made a socially inacceptable marriage. It was this weakness that led to scholastic problems at the university and monetary problems. Iain Glen’s Mr. Preston seemed to be the villain of the story – at least on a superficial level. His Mr. Preston tried to coerce Cynthia into honoring her promise to marry him after five years. Superficially, Glen portrayed Mr. Preston as a smug and slightly arrogant man, who seemed obsessed with Cynthia. However, thanks to his complex performance, he revealed to audiences that Mr. Preston had been nothing more than a victim of Cynthia’s capricious and selfish behavior. As for Cynthia, Keely Hawes gave a delicious performance as Molly’s sexy and very likeable stepsister. What I found interesting about Hawes’ Cynthia is that the character possessed a talent for avoiding responsibility for her actions, along with an inability for returning love . . . yet, seems quite capable of winning the affections of everyone around her. Except for Dr. Gibson. The rest of the cast included Bill Paterson, who gave a charming, yet complex performance as Dr. Gibson; along with Barbara Flynn and Deborah Findlay as the Misses Brownings, and Rosamund Pike as Lady Harriet Cumnor, who all gave solid performances.
Justine Waddell did a good job in carrying the four-part miniseries and making Molly Gibson a very likeable leading character. Yet, there were times when Waddell’s Molly came across as a bit too ideal for my tastes. Aside from her quick temper, she seemed to lack any real personal flaws. One could name her naivety as a flaw. But that particular state of mind is something the average human being will always experience during his or her lifetime. Overall, Molly was . . . nice, but not what I would call an interesting lead character. Her reaction to her father’s new marriage and her involvement with Cynthia’s problems with Mr. Preston seemed to be the only times I truly found her interesting. I certainly could not say the same about Squire Hamley’s younger son, Roger. In fact, I did not find him interesting at all. To me, Roger was simply a BORING character. Perhaps Anthony Howell was not at fault and did all he could with the role. The actor certainly portrayed Roger as a likeable and compassionate man. But the character was just boring. If I had been Gaskell or even Davies, I would have portrayed Roger as a more complex and interesting character. Or allow Molly to fall in love with a more interesting character. Alas, neither happened. Roger’s only flaw seemed to be a habit of falling in love with women on a superficial level.
Due to Molly’s idealistic personality and Roger’s dull one, I found their romance very unsatisfying. Renton handled their blossoming friendship rather nicely in Episode One. However, Roger took one look at Cynthia in Episode Two and immediately fell in love. Worse, he left England for Africa after proposing marriage to her. Roger did not return to Hollingford until past the middle of Episode Four. This left Renton and Davies at least a half hour or so to develop Roger’s romance with Molly and get them married. And how did he fall in love with her? Roger took one look at Molly wearing a sophisticated ball gown and hairstyle (courtesy of Lady Harriet) and fell in love. Ironically, he fell in love with Molly in the same manner he had fallen in love with Cynthia. That did not bode well with me. Many have praised Davies for providing a memorable ending to Gaskell’s story, considering that she died of a heart attack before completing the novel’s last chapter. I would have found it romantic myself, if I had not found the couple’s romance rushed and unsatisfying. I realize that ”WIVES AND DAUGHTERS” is not solely about Molly and Roger’s romance. I also realize that the romance was nothing more than one of the story’s subplots. But that does not excuse what I saw as a poorly dramatized romance that began and ended on a hasty note.
I also found the miniseries’ early sequence – Molly’s first meeting with her future stepmother at Lord Cumnor’s estate – somewhat unnecessary. I can only assume that this sequence was supposed to establish Hyacinth Kirkpatrick’s selfish nature and Molly’s dislike of her. Yet, by the time the series ended, I had the feeling that the impact of Molly’s relationship with her stepmother did not seem as strong as I had earlier believed it would, while watching Episode One. Most of Molly's problems seemed to be centered around Cynthia's relationships with both Roger and Mr. Preston.
Thankfully, ”WIVES AND DAUGHTERS” has more to offer than just an interesting tale and excellent performances. Production designer Gerry Scott did a solid job in bringing the late Georgian Era back to life in a small, English village. And if I must be honest, I adore Deirdre Clancy’s costumes. I found them colorful and strongly reminiscent of the late 1820s and early 1830s. Cinematographer Fred Tammes did justice to the miniseries’ early 19th century setting. He made Hollingsford look like a very colorful place to live and southern Africa very exotic, yet desolate.
I wish I could say that I found "WIVES AND DAUGHTERS" to be a complete delight. But due to a leading female character that I found too idealistic and her unsatisfying romance with a very dull character in the miniseries’ last quarter, I cannot make that claim. And as I had stated earlier, I found the early sequence featuring Molly's first meeting with her future stepmother a bit unnecessary. But the virtues far outweighed the flaws. "WIVES AND DAUGHTERS" conveyed an interesting coming-of-age story, thanks to the leading character’s interactions with some well-written supporting characters. It also provided viewers with a tantalizing look into the changing social mores of Britain, as it prepared to transcend from the Georgian Era to the Victorian Age.
#elizabeth gaskell#Andrew Davies#nicholas renton#wives and daughters#wives and daughters 1999#justine waddell#keeley hawes#francesca annis#bill paterson#anthony howell#tom hollander#Michael Gambon#penelope wilton#barbara flynn#deborah findlay#iain glen#barbara leigh-hunt#rosamund pike#elizabeth spriggs#richard coyle#ian carmichael#shaughan seymour#jemima rooper#tonia chauvet#period drama#period dramas#costume drama
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The hottest tea from Lady C in 2023
God knows why and I'm clearly a masochist, but I had a whim to watch all her 2023 videos and have transcribed the juiciest bits. (Watching them at 1.5 speed helps...a little.)
1/19/23:
“I am telling you everybody is sitting on a massive secret. . . Massive! They have been doing so for awhile. The family didn’t know about it! For quite awhile! They were actually enlightened by the public in dribs and drabs. More than that i do not wish to say at this juncture. There is nothing the RF have to apologize for.”
"I know what each side has on the other and let me tell you something - Harry and Meghan have nothing compared to what is had against them."
1/10/2023
"Harry seems to have never understood in his 38 years on this Earth that there's a reason why the Buckingham Palace press office exists. He ought to know it only too well.
"They were busy putting out fires to preserve his reputation and presenting it from being scorched. Until he left the royal family and then started to attack them, at which point they've let him speak for himself.
"I'm telling you, I know as a fact of one huge (when I tell you 'huge', I mean HUGE! Bigger than his ego or Megan's ego) story that Buckingham Palace has been, behind the scenes desperately trying to douse.
"One. At least one."
1/7/2023
Diana had an affair with the Earl of Pembroke after William's birth but before Harry was born. "The 17th Earl of Pembroke was a tall, slim, dashingly handsome movie producer, with the ideal looks for a romantic hero. According to Barbara Cartland, his ancestral home Wilton House, in Wiltshire near Salisbury, was one of the most beautiful homes in Britain. Henry Herbert, Earl of Pembroke and Montgomery, was top drawer.
"He and the rest of his family had always mixed in royal circles as I can personally attest, having met him in 1975 at a party given by Princess Elizabeth of Yugoslavia. He was also the producer of the movie that destroyed Koo Stark's chances of becoming the Duchess of York. He didn't flip my light switch, but he flipped Diana's."
1/5/2023
Viewer Question "I want to know whether you can assure us that Harry and Megs will get their comeuppance this year."
Lady C: "You don't have to wait that long. Sometime this year, on more than one location, Harry and Megan are going to discover that what goes around, comes around and if you prod the bear long and hard enough, he will not only get up and growl, but he will swipe at you and he might even tear your raiments and remove your masks, and you will be revealed in all of your ingloriousness for what you truly are.
"Take it from me, you don't have that long to wait. A few months - there's a lot in the pipeline. "
"Oh, people are going to get their just desserts. They're going to discover that attack was not the best form of defense. Sometimes coming clean is a far better policy.
"(The Royal Family) came to the conclusion, quite justified it has to be said, that Harry wanted them to breach the rules governing the press and the royal family for his and Megan's convenience. It wasn't only for their convenience, to the best of my information. It was more than for their convenience. More than that, I do not wish to say on that particular point." (Implying that Harry wanted them to cover something up?)
1/3/2023
"I'm choosing my words very carefully. There are persistent reports from extremely well-placed people, some of whom are long-standing friends of Harry's, that Harry and Megan lead entirely separate lives. They are de facto separated, although they are living supposedly and ostensibly and superficially and very occasionally under the same roof.
"Harry is trying to make tracks back with friends, many of whom have spurned his attempts but he's not trying to make tracks back with the family because he is insistent that he is in the right, he's always been in the right. incidentally Harry's always had a massive ego, and has always been pretty uncontrollable.Tthat was one of the virtues of Meghan: she was able to control him, as we've seen, but that allure seems to have become water to a large extent under the bridge. I think William has a far more realistic attitude of what the outcome of all of this is going to be: very sad."
"Remember, Meghan she told the queen, 'Use me as you will, as if the queen was a John. Very interesting, that comment that she made."
Bonus: 12/31/2022 - New Year's Eve
"I don't think Harry's book is going to stay on the best sellers list for any length of time, unless of course Harry and Megan start to come clean." (raises her eyebrow.)
"Meghan's like an egg beater in one's brain, but I'm going to leave you with a sword. You're going to see Megan in all her shorn glory. That's right -depend on it. Megan is going to be revealed to the world as she truly is. That's gonna be something worth seeing."
12/20/2022 - (This is the one that intrigues me most.)
"Harry and Meghan were absolutely right to be terrified (in Liverpool), and I have no doubt she was playing every card in the book in case what had gone down, came out. Let me put it that way. But he didn’t, and they are really dumb to be belaboring the point. Because now, it’s only a matter of time before what went down, it does come out. Let’s see if she commits suicide then, because what went down is definitely not going to be something he or she wants to come out. I make that point for what it’s worth.
Netflix is laying the ground for assisting in what is the most flagrant sleight of hand and manipulation ever perpetrated upon the public."
What is Harry looking down at? This was their visit to the Wirral, near Liverpool. Is this what Lady C is referring to?
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Nicholas Wilton was born in San Francisco, California and spent his youth exploring the wilderness areas of Marin County. As a teenager he studied design with the German contemporary glass artist Ludwig Schaffrath, who catalyzed his ongoing passion for art making. Nicholas studied art at the College of Creative Studies in Santa Barbara and then went on to receive his BFA from Art Center College of Design in Pasadena. In addition to gallery exhibitions and the inclusion in numerous private and corporate collections in both the United States and Europe,
NICHOLAS WILTON’s paintings are visual poems. Color, texture, and organic forms are layered into a complex visual weave that hints at the underlying feelings and complexity of our lives. His work almost entirely relies on the metaphorical, patterning and the abstract rather than any particular literal iconography. In a recent interview with Art Collector Magazine, Wilton explains “It’s the accuracy of the feeling I am interested in rather than the accuracy of a specific representation that is already understood or recognizable. My work is deliberately open ended, more obtuse for this very reason. I want it to be reinterpreted, incorporated into the experiences and personal stories of others.”
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We've got a problem @slantjones is fianlly insulting @nia1sworld and saying about her Oc Barbara Wilton suck!
https://64.media.tumblr.com/d4e77d627bf3b3a13a788d8b57bfe81a/4ccfa5b51d72f9c8-13/s400x600/c27fdcf52f7e4d94cd6608d9d3c9adf7ebddd410.pnj
And she's finally making porn of her Ocs or as her series, The Ink Chronicles
https://64.media.tumblr.com/635c9ba383d67d5f113c470d735c879a/4ccfa5b51d72f9c8-7b/s400x600/eaadc9897091d911f1c5bc3befab65a850eaaadd.pnj
Spread this to the world, and tell everyone to make fanart of Barbara Wilton, the owl lady! She deserves love
WHAT?!! 😨
SPREAD THE WORD, EVERYONE!!! NIA DESERVES BETTER!!! THAT RAT LOVER INSULTING NIA AND EVEN MAKE P*RN OF NIA'S OCS!!!
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Art Request: Can you do the robot trio/siblings? They're names are Barbara Wilton, Wyatt Collymore, and DJ Beastmode/Marina Beastmode
They're from my series the Ink Chronicles
Here they are !!! @nia1sworld
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Say, I heard you love @nia1sworld Oc Barbara Wilton!
What's up with that?
(I'm not being rude, I just wanna know)
She's very neat and I wanna follow her around like I'm a lost puppy simple as that
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THIS IS PART 2!!!!! I'm sleepy
Part 1
Ocs belongs to their creators:
Moon/Inkres: @e-icreator23
Nor and Jasar: @foxalone
Stella: @yanair25
Barbara Wilton: Me
#ocs belong to their creators#batim#batim au#the ink chronicles#barbara wilton#moon#inkres#jasar sans#stella sans#nor sans#stella#nor#jasar#my art#fanart
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COMIC DUB + AN AFTERMATH
credit: @nia1sworld
#the ink chronicles#barbara wilton#careen jewel#careen x barbara#barbara x careen#careen and barbara#SPOOK#I DONT LIKE MY OLD OC THAT IS A FANBOY 😭😭😭😭😭😭😭😭😭😭🥺🥺🥺🥺🥺🥺🥺😤😤😤😤😤😤#Leave my inky baby alone 🥺
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Heh these two again so ye
Also I wanna want to say something about ships, I will draw with some of the with other people up but do know that those are non canon so yeah. Just wanna so them for fun but have no ties in with who they are actually with. I was asked this in persons one time so yeah I want to make sure it’s clear.
#undertale au#undertale oc#crossover#Barbara#barbara wilton#my art#my artwork#digital art#digital artwork#digital drawing#inkres#Moon#some info
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This might be an odd question but....are you a simp to @nia1sworld Oc Barbara Wilton? Do you want to draw Barbara Wilton? Cause you got a blushy crush on her!!! 😏
No
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