#bear with me I have reached the age that its getting kinda weird to fan girl at all the usually characters

[codylabs]

My Top 10 Ships

I’m not a very romantic sort of guy, I’m not real forgiving to departures from canon, I get easily annoyed at inconsistencies, and I don’t watch much television and movies, so in order for me to ship something, it has to be a GOOD ship. I default toward rejecting ships, so to impress ME, it must be built on logic, and evidence, it’s gotta be something I can suspend my disbelief far enough to accept. And it’s gotta have story behind it, something deep, some hefty emotional weight; if it doesn’t tickle this man’s cold reptilian heart with strong beats and excellent writing, it goes straight to the trash. I absoLUTELY will not stand for any of these weird little cute, pretty, pandering, trashy crack ships that everybody seems to be clumsily throwing characters into. Most ships are trash ships. They are not good ships.

You think your ship is good? You like your ship?

You ship it?

No you don’t.

Get out of here.

You will listen to me. I will tell you. Look at me. I’m the Captain now.

Here are the 10 good ships.

10. The Rocinante, The Expanse

A resoundingly excellent ship. Unlike most ships you see out there, this thing was actually designed with realistic space combat in mind. It’s got 6 computer-controlled gatling turrets covering every angle, it accelerates in whatever direction it’s pointing, its bridge is right in the center to put as much armor as possible between enemies and crew, overall a much better-designed vehicle than most everything you see about.

That being said, I didn’t have much connection to this ship. Its crew weren’t really interesting, the aesthetic was kinda bleak, and I basically stopped watching after the phazon showed up. And the Rocinante itself has pretty poor redundancy. Enemy bullets can literally just pass through it (as is realistic for a ship this size) so how about multiple main engines huh? Absolutely tragic oversight. And its interior looks too much like an Apple product. How are you supposed to work on it? Where are the wires and pipes??? The handholds?????

9. Ares IV M.A.V., The Martian

Almost more of a symbol than a ship. A symbol of freedom, of escape. A beautiful symbol. This is what Mark Watney spends the whole movie trying to reach, with an entire world backing him up, and an entire world trying to stop him. It’s the goal of the movie, and it just looks so beautiful when he finally reaches it and sees it sitting there in the middle of the desert, ass down, nose up; a tall, proud symbol. This ship has a special significance for me because the author of the original book really did his research on the scientific requirements and details of a Mars Ascent Vehicle, and it was actually inspired by the E.R.V. in another book, ‘A Case For Mars’, which I read when I was younger. “Makes its own methane-oxygen fuel on-site by using nuclear power to break down CO2 in the atmosphere and combining it with stored hydrogen, don’t you know.” I say as I adjust my spectacles and puff my pipe.

The M.A.V. in the movie does have a few issues, such as hallway and rooms running straight up through where the fuel tanks ought to be (instead of a lift/ladder on the exterior) and a rugged, industrial aesthetic that looks too heavy and cumbersome for a ship of its type. (And you’re seriously telling me he couldn’t have used the capsule’s RCS to literally bypass the movie’s entire climax? WHY NOT? The book never mentioned him having to drain the monopropellant!!!) But I’ll let that slide. Great movie.

8. Biggest Boy, The Greatship

(I don’t know the ship name so I had to make up a name. You know what, I think it’s actually just called the Greatship.)

So it’s a starship the size of Jupiter, empty, unmanned, perfectly mysterious, that comes gliding into the galaxy a couple million years into humanity’s future. Where did it come from? Who made it and how? Good questions. It’s powered by matter-antimatter annihilation reactions from within planet-sized internal tanks, and its engines use hydrogen and fusion exhaust as reaction mass, and its hull is made of hyperfiber, a super-strong fictional material with a 4-dimensional lattice structure, able to weather impacts by spreading them out over various dimensions where the impact occurred in a different place.

I hope that after the first few entries, you didn’t get the impression that I am somehow against futuristic, far-out, impossible technologies. Quite the opposite! I love me some hyperdrive and anti-gravity and A.I. and stuff. However! Ships must be well-designed for the technology available, and must take no creative liberties except those explicitly allowed by the difference in the setting. The laws of physics don’t disappear when the magic crystals come out, the magic crystals are merely a different tool to combat them. Engineering will always exist, should start with the tools and work outward, form follows function. Star Wars ships, for instance, are trash because they don’t mount their repulsorlift arrays consistently, they’re not aerodynamic, and their engines aren’t aligned around their center of masses.

So I like the Great Ship. Although the story is pretty far-fetched, and a lot of crazy, out-there scifi events transpire deep in the ship’s depths, the book always strictly kept its own rules in mind, and never broke those rules, no matter how outlandishly crazy things got. Thanks for comprehending something so incomprehensible, Robert Reed. You inspired me miles in my own work.

7. The Ghost, The Sea Wolf

The story may be fiction, but the Ghost was as real as ghosts can be.

Jack London did his research. No, not research, he LIVED this. The Ghost is a seal-hunting schooner much like one that he served aboard during his rollercoaster of a life, and he captured every detail of its operation, of its requirements, of its mechanics, and of the incredible toll it took on the people that lived such a life. The boat is made to feel as oppressive and claustrophobic as a prison, as if it were an extension of the monster that commanded it, directly in contrast to the expansive beauty of the sea around them. My goodness, what a beautiful book. What a moving, interesting, challenging book, with such a story! This book is one of the climaxes of fiction, and one of the inspirations for Shifting Sands, if I remember correctly. I would recommend this book to anybody. Beautiful.

6. Ferbnessa, Phineas and Ferb

Okay, so I hope we can all agree that Vanessa is nothing but bad news. But that being said, Ferb knows exactly the relationship he wants, and by golly, he goes for it. Most male characters would stutter or get nervous or lose confidence around their crush, especially if that crush is about a hundred miles out of their league or if they already had another boyfriend, but Ferb? No. Not my man Ferb. He’s slighly too much of a legend to fall for such childish pitfalls. He doesn’t posture, he doesn’t creep or flirt or try to sabotage the other men in her life, he doesn’t even speak a word, he just maintains his blank expression, cranks his own already-inhuman levels of confidence and competence up through the roof to borderline olympian levels, and continues being himself. These rare moments of Ferbly passion are some of the few open windows we get into the grandiose machinations of his mysterious mind, and he uses it to bring out the best in Vanessa as well. And in the future episode, set years down the line, wouldn’t you know it, they’re a pair.

All joking aside though, this whole ship is basically comedy. It’s a super small part of the show, it’s only in like 5 episodes, it’s a running gag, it’s hilarious. It’s great. And it fits right into the tone and the feel of the show, because P&F’s entire world really is a comedy about going for it and living your dreams. So this is just the best thing ever. It’s been about a decade since then, and I still burst out laughing at how much of a pristine picture of ideal masculinity Ferb is. Become like Ferb, boys, and you will become men.

Legendary.

Eat your heart out, Dipper.

3. Shunk, Voltron

(I don’t know the ship name so I had to make up a name)

Huge props to the voltron team for making a female alien character (even a romantic interest) with NO BOOBS. Do you have ANY idea how sick and tired I am of artists throwing a big ol’ pair of balonkadongs onto lobsters and snakes when almost everything in the real world besides folks and cows have either 0 or 8+ of them? Everything’s gotta be traditionally sexy and recognizably-feminine and GREAT now you just canonized all the porn! Disgusteg

but now look at Shay. She’s a rock person. She’s got silicon-based biology, she probably weighs 500 lbs and bleeds sand. She’s got enormous hands and weird knees and no nose and lumps everywhere, AND YET STILL the show plays all the tropes 100% straight with her being a fair young maiden and a sweet princess. And it works because Hunk is just this great guy who’s exactly as sweet and caring, and he’s not the most attractive of the Paladins either, so he probably lives his life looking past appearances. He doesn’t care that she’s an alien rock, he cares about her as a person, and she obviously worships him right back. Even though Shay is shown in season 1 and then never again until season 7, Hunk still avoids alternative romantic entanglements, citing ‘a rock I know’, and it just adds to his persona as this infinitely loyal teddy bear. I tip my hat to this, the single ship I know that’s 0% sexy and 100% wholesome.

And Hunk is the best Paladin. He’s just the greatest. I revere him. I salute him as he walks past. This man among men. Look at this guy. I don’t even care about any of the other ships in Voltron (I mean, the Castle of Lions is okay, but it’s outriggers are kinda spindly) but Hunk and Shay deserve each other.

4. Wendip, Gravity Falls

So Dipper’s 12/13, and Wendy’s 15. That’s a pretty giant age difference. Maybe you fans have fooled yourselves into thinking it’s not, but it is. She knows it. He knows it. His sister knows it. Your mom knows it. So halfway through the show, when he finally got around to confessing his feelings to her, she told him no. Sure they’re still friends, sure they like each other, and sure they have a lot of chemistry and they still have a movie night every Friday, but at the end of the day, he’s a smelly little midget who has to go back to California at the end of the Summer, and she’s a older girl with approximately zero romantic feelings for him. So the notion that it could work out is pretty obvious to everyone, and especially to him, pretty much hopeless. And he really did handle it all pretty poorly and immaturely too, he objectified her and stalked her and simped up a storm and sabotaged her boyfriend, so perhaps he deserved what he got. Perhaps it’s better this way.

And yet.

And yet Wendy never really got a happy ending in the show. And Dipper never got a conclusive romance either. So after everything, it’s easy to think about it how he thinks about it, by wondering how things could have been, if everything were just so slightly different, if she’d said yes or if they united again. She wishes she could be younger, he wishes he could be older. She’s more dominant, he’s more recessive. She has a lot of serious issues in her life, and could really seriously use a driven, heroic, intelligent friend to help her out, give her purpose, and steer her right. And Lord knows he could use somebody with street smarts and actual muscles to have his back now and again. They complement each other perfectly. They make up for each others’ weaknesses. They’re everything they ever wanted from another, and if you do the math, their children would be actual literal supersoldiers.

Or at least that’s the way a lot of people see it. There’s been immeasurable mountains of fanfiction and fanart from people who are just so sad that in a show full of happy endings and dreams coming true and old regrets being resolved and children growing up, that one ending would never be happy, one dream would never come to pass, one regret would stick with you forever, one child would never grow up. Maybe if you extrapolate out the story they’d end up together? Or maybe they’d find other, better partners? Maybe romance isn’t all that important in the grand scheme of things, and this is the best ending there could have been? Perhaps, perhaps not. But in any case, there’s a lot of very rich storytelling potential for the untold journey before them, and for the paths that could have been.

Stop drawing fetish art of Wendy, you insufferable heathen actual donkeys.

3. Kataang, Avatar: The Last Airbender

Now HERE’S a serious relationship. Not just a romantic ship, (though it is that,) not just some cutesy, funny thing or some ship-war fodder, (though it is cute and funny and did spawn a ship-war,) not just a matter of certainty and destiny, (though it is certain and was destined,) this is a real, TANGIBLE relationship, that these characters built together over a solid year of on-screen adventuring and fighting. They’ve helped each other through trauma, they’ve been there for each other in their darkest moments, they learned martial-arts together, they’ve fought back-to back against grown men, they’ve worked front-to-front sawing through steel girders, they’ve saved each other’s lives, he once ACTUALLY DIED and she brought him BACK. They end up respecting each other, and valuing each other in the intimate way that only true friends do.

And they’re shown working through all their imperfections and mistakes too. Aang sometimes oversteps boundaries and says stupid stuff because he’s a kid, and Katara sometimes scolds him and controls him because she’s motherly and orderly, they get jealous of each other, but none of those things drive them apart, and they deal with them, and they conquer them, and they keep a very legitimate and multi-faceted friendship going, and that’s the key to it all. The fact that this friendship becomes romance is just proof that it was a friendship of quality.

I think people tend to overlook or forget this ship because the last few episodes of the show found them in a pretty dark place, needing to deal with matters of life and death and justice in very different ways, and unlike all their other issues, we don’t really get to see them reconciling these differences before the story ends, which kind of leaves a sour taste between them. And Katara goes on a couple missions with Zuko around the same time, so now half of all people want Zutara, when in actuality, Zutara is a trash ship, which is a true science fact.

2. Serenity, Firefly

Only reason this ship isn’t #1 is because it isn’t constructed using a proper aerospace philosophy; it’s made of bulky machinery and steel beams and chunky plates, it looks more like an ocean vessel from the inside, and is WAY too big for its 6-12 person crew and light cargo capacity. Plus it doesn’t have any room for fuel and its got no wheels on its landing legs and no downward-facing windows and its reactor is just too dang SMOL and its engines are attached too flimsily. This all wouldn’t be too much of an issue if they were going for a far-future aesthetic, but if you’re trying to do something grounded and semi-contemporary, you need to lose some weight girl, I’m sorry.

But by gosh does it make up for it in heart. The entire inside of this ship was mapped out and made on set, with so many homely little decorations and touches to make every room feel like the person who inhabits it, sterile professional blue for the doc’s medbay, warm happy red for Kaylee’s engine room, all-serious-business-but-also-plastic-dinos for Wash’s cockpit... It hit me hard when this baby it crashed in the movie, and it felt almost real when River pretended to mind-meld with it. This ship has more soul in one buffer panel than most shows have in the entire cast, enough to make it seem like its own character, even in a show crowded with charming characters. I love this ship intimately, even if I would have built it differently.

1. Colonial Vessel 46.18′\, Gravity Falls

(I don’t know the ship name so I had to make up a name)

You didn’t think I’d leave out this one, did you? After all the fanfiction I’ve written? This is basically my ship at this point. Anyway, enough about me; the vessel beneath Crash Site Omega really is the quintessential alien ship; its perfectly cliche flying-saucer design taps into all the audience’s pre-existing fanciful notions and imaginings and disbelief-suspension, meanwhile its presentation isn’t cliche or fanciful in the slightest. 

There’s not much to say about it from a technical standpoint, besides personal musings: it would need anti-gravity to stay airborne without thrusters, it would need a FTL drive to cross the distances it did, its drones would need to be made of some kind of semi-liquid to move like they do... But these sort of out-of-the-box, never-before-seen, world-expanding brain-knocks are exactly what makes this ship special. It’s an alien ship, built with technology unknown to people, forged from materials that people don’t possess, and inhabited by beings we will never meet. For all we know, this ship could be perfectly sound from an engineering standpoint, and no engineer in the audience could claim to prove it otherwise, because unlike something like the T.A.R.D.I.S., they never try and fail to explain it away with science buzzwords or canonize its details or show off some fancy glowy reactor. This ancient husk is left as a yawning pit in reason, and that’s beautiful.

Moreover, this ship is an amazingly powerful narrative tool, and a mind-blowing surprise to drop in as a setpiece during the show’s final episodes. This ship embodies everything that made the show’s mysteries special: the evidence presented so early and so consistently, the creativity in creature design, action, and worldbuilding, the yawning depths of unknowable lore, and most of all the burning, unquenched desire to know more... The imprint this ship made in the cliffs over the town has been hanging over the characters’ heads the entire series, and its hull was below their feet from day one, so when they finally revealed it, and explored it, it felt invigorating. Rewarding. This ship, and the glorious feelings and thoughts it represents, have inspired to no end, and haven’t ended yet.

Honorable mentions:

Westley and Buttercup, The Princess Bride

Ooooh man I tell you what, it was really hard trimming this down to 10 for the list, and this one just barely didn’t make the cut, and that mainly because I have a sweet spot for animation and for warrior women, and this sweetness ain’t animated, and this damsel is as distressed as they get. And they don’t have a whole lot of chemistry? I don’t know how to measure that, but I feel like there was a lot of friendship stated that was never shown? Is it sacrilege to say that about True Love? I guess I’ve never exactly had True Love, so what do I know?

The entire plot centers around his devotion to her, and her love for him, and the lengths they go to for one another. He studies fencing and wrestling and wits and tactics for years on a pirate ship as he tried to return to her, and she refused the advances and the offers of an actual prince for as long as she could, even though she thought him dead, and was ready to kill herself when she knew him to be alive and not to be hers. And just such excellent action and characters and humor and story in the entire book surrounding it. Possibly an even better movie, somehow. Happy happy happy happy. They don’t make movies like this no more, why is that? Sad.

Endurance, Interstellar

Actually a pretty realistic design, all considering. They nailed the aesthetic, and the cinematography, and the feel.

It does lose points though, firstly because the shuttlecraft require a booster stage to make it into orbit when leaving Earth, but for the rest of the movie, whenever they’re landing on planets with similar gravity and atmosphere, they can just fly away like it’s no big deal, which is a big inconsistency, both with real life, and more importantly with itself. And how did an under-equipped and struggling space program put this thing in orbit in the first place, anyway? And why don’t their ships land on their asses like proper rockets? And why not tell the crew members the full plan before leaving? See, it’s little things like that, little inconsistencies made for the sake of fitting with story beats and simplifying it for the audience’s sake, that sours this ship for me. I don’t mind creative liberties, but actual plot holes? This thing has a few plot holes, and plot holes are absolutely yucky. So although most of this ship is very yummy, the yucky parts make it all yucky.

Yucky.

Plus its heavy cargo shuttles are about the least-aerodynamic things imaginable, and that’s also yucky, and there’s porcelain tiles in the stasis bay, like what?

Couldashouldawoulda been yummy.

The Hermes, The Martian

This ship. This friggin’ ship.

A beautiful ship. A well-conceived ship. A mathematically sound and engineered ship. It had so many many good ideas behind it. So much math went into calculating its thrust and orbital dynamics for this movie, so much work went into making it fit a contemporary space aesthetic, the panels, the heat sinks, the tanks, so much PRESENTATION I could KISS IT HMWA, but taken as a whole, engineering-wise, the whole ship falls flat on its face, because it just doesn’t fit together. It doesn’t make sense. Look at all those countless modules along its length. What do they do? They don’t do anything! It’s a quarter mile long, and it’s built for only 6 people? It’s meant to carry a lander? Where does the lander dock? Why are the useful airlocks so far off the center of gravity? Why does it have a cockpit? Why is the forward airlock so looooong? Why is the entire ship so loooooong? Why is the ring spinning so slowly? It’s not hard math to figure out how fast it needs to spin! You’re telling me you did ORBITAL DYNAMICS but not the SINGLE physics 101 equation needed to figure out how fast the ring needs to spin??

Btw, let’s talk about that rotating section in the middle! Think about the rotating section! That rotating section means that the front and the back of the ship aren’t actually connected! There’s just a pair of ring-shaped slip-slidey bearings bridging the ship’s middle, slip-slidey bearings that electricity, computer signals, and water and air pipes can’t cross. Why did they design it that way?? In the book the entire ship spun, which makes so much more sense! Why does it have solar panels when it has a reactor canonically capable of 40 times their output? Why are the fuel tanks so small? Why is it always facing prograde even when canonically burning retrograde? Why? WHY? BLRRRRGGGGGRGGGRGGG

In Conclusion, Ships Are Neat

#wendip #ferbnessa #kataang #shunk #gravity falls #expanse #the martian #interstellar #dipper pines #wendy corduroy #ferb fletcher #vanessa doofenshmirtz #avatar aang #katara #voltron #hunk #shay #the princess bride #serenity #firefly #what do I even put here there's so much

[phoenotopia]

2019 December Update

The game is officially playable from beginning to end!

That battle has concluded...

Soon begins the war! But first, a brief reprieve for the holidays.

And I must throw in the usual caveats. We're still playtesting, we're still polishing, we still gotta get age ratings, more red tape, etc etc. And most importantly, we need to figure out the launch strategy. Think Megaman, charging his shot for 5 and a half years... We're not allowed to miss at this point. It has to HIT.

Luckily, we're in a relatively stable position where we don't have to rush the game out immediately. It's not LAUNCH or STARVE - it's... take some time to aim a little. We don't want to launch in the shadow of a bigger behemoth game, and we don't want to launch completely unknown either. We have to build up the game's media presence, which has been neglected so far. I know it's annoying to have to continue to wait... but please bear with us a little longer!

Here's what we've been doing for the past couple months.

---------- THE SCRIPT ----------

The script sits at over 80,000 words. I didn't realize the significance until a teammate told me that that's actually as long as a novel! I looked it up, and sure enough, it's a little longer than the first Harry Potter. But unlike Harry Potter, hardly any of these words are wasted on, pffft, narration. It's all juicy dialogue!

(Some of the game's golden nuggets of dialogue)

There was actually a lot of mundanity getting to the end. Pirate, acting as my editor, caught tons of errors and inconsistencies. One of the most recurring issues had to do with capitalization. I like to capitalize things, often inconsistently. Some common questions that arose:

Why is this text highlighted yellow, and this one highlighted blue?

Why is this monster name capitalized, but this monster not?

Why is this item capitalized, and this one not?

... and so on!

All very mundane issues, but all very necessary to tackle. And there was a TON of 'em. (em vs 'em was another thing we had to make consistent). I actually did some research to see what capitalization rules Zelda had. From what I could tell, when it comes to animals and monsters in the Zelda universe:

All monsters are capitalized

All regular animals are not capitalized

The Cuccos are special, and ARE capitalized

(a collage of Zelda pictures I assembled to study)

In the Zelda universe, all regular items are lowercase, but highlighted blue when mentioned in a quest context (e.g. "butter", "hylian wheat"). Items can be uppercase, if they are special named items (e.g. "Sheikah Slate"). We adopted similar rules as Zelda in some cases, and deviated in others. For instance, in the Phoenotopia universe, there isn't a clear distinction between animals and monsters - that fish monster is really just an animal that happens to be the alpha predator in its natural habitat. So most entities are lowercase, but "big deal" entities can be uppercase.

(we made a formal document to consult whenever a question regarding capitalization arises)

---------- A SAMPLING of QUEST AND CHARACTERS ----------

A lot of new quests have arisen in our great writing effort extending over the past several months. And with it, new characters, big and small. I'll tease a sampling of some of them here (warning: some light spoilers ahead):

My favorite new quest is undoubtedly our game's new "Trading Quest". This one takes inspiration from the Zelda series - the trading quest similarly has you roaming the world and its towns in search of needy people who desire a particular item. Deliver them the item they desire, and get a new item. Do this 10 times, and the ultimate weapon awaits you at the end.

I tried some things to vary up the formula. Some NPCs don't reveal what they need right away - steps have to be taken to get them there. It's also possible to go down the wrong route in the sequence, and have to double-back. We try to keep it interesting.

---------- LOOT PLACEMENTS & GAME BALANCING ----------

A great effort was also spent towards balancing the game this past 2 months. Because even one good healing item, easily obtained, can throw the game's whole difficulty off-kilter. And this same principle applies to other areas, like the money economy and player powerup options. Altogether, they form a very delicate ecosystem for enjoyment.

One of the recent things I did for this game was put down exactly where each heart ruby, energy gem, and moonstone could be found. And this was actually a rather involved process because you have a limited number of rewards to distribute (you wouldn't want the final max HP count to be a weird number like 297). Put too many rewards in the beginning, and the late dungeons would have no rewards to offer. Put too much in the end, and the inverse happens.

I found myself going back into earlier areas and plundering their rewards to fill the later areas. And then to ensure a relatively even spread of rewards within each area themselves, I drew crude maps of the dungeons & their reward spots, so that they could be studied from a bird's eye perspective.

But it was still not enough. With NPC quests and towns also taking up their own allotment of the rewards, I found myself running low on things to distribute. So I went back to the books and upped the number of rewards across the board. Before there were 44 Heart Rubies to collect - there are now 55. Before each Heart Ruby boosted your max HP by 5, but now each one now boosts your max HP by 4, so your final max HP count would still end up the same. It's kinda similar to what happened with Twilight Princess, where they broke with tradition and made 5 heart containers required to gain a new heart instead of the usual 4. Overall, the final tally for treasure to find is:

55 heart pieces

30 energy gems

108 moon stones

Who's crazy enough to collect them all?

---------- BADGES / ACHIEVEMENTS ----------

As one of the game's finishing touches, there's a menu for BADGES - they're this game's version of achievements. This is an ongoing task that we hope to stamp out this December. A few favorites of mine from the original flash game will return ("Pillow Connoisseur" is among them).

(The menu looks like this before any badges are earned)

I allocated slots for just 33 badges, so we're selecting the badges very carefully. We got rid of most of the fluffy ones that appeared in the flash game - we wanted to reduce the number of badges that you would earn automatically for just playing the game (so no more "1st boss", "2nd boss", "3rd boss" achievements). We're aiming for a healthy mix of easily earned badges, hard earned badges, collectathon badges, secret fun badges, and so on.

The badges have another twist - they bear miniaturized portraits of characters from the game! In the initial brainstorm mockup phase, I wasn't really fond of the badge designs. You got a medal of a heart because you collected some hearts, and you got the medal of a moonstone for collecting moonstones, etc. It just seemed so... expected.

(various badge mockups)

How could we engage the players on a more fun and deep level? The idea came - what if we attached pictures of the people you meet on your journey? And these people's stories and character would have a connection with the achievement? That could keep the player guessing which character would come attached with an achievement, or even reveal a hidden detail about the character you didn't know.

---------- MUSIC ----------

Will has just one more task to do. And that's to recut the song for the trailer. One of our other goals for this December is to make a really good trailer... again. There's actually 2 other trailers we cut and never made public for reasons. Maybe I'll talk about them one day in the post-mortem.

Since this may be the last conventional update, we wondered with which song to best leave the audience. And we decided that the most suitable song is "Sanctuary". It's a song that the player will often encounter often when they happen upon a quiet resting place in the world.

There's a little story behind this song. Two and a half years ago, I linked Will the Earthbound song, "Buzz buzz's prophecy", and told him, make a song like that!

In response, Will made "Sanctuary".

Give it a listen HERE. What do you think? Did Will hit close to the greats?

---------- FAN ART ----------

Three fan arts have come in the last couple months. I display them here proudly:

Another submission by Cody G! Gale looking shy as she flashes the V sign for the camera. I like how Cody G's art is continually evolving. Note the additional detail on her eye, and how her hair is drawn extra fluffy. Very nice!

Shafiyahh is another consistent contributor, and made one in the spirit of Halloween. I really like their costumes! Gale as an angel, and Lisa as a demon, fittingly captures their relationship, since Gale is the responsible one and Lisa is the troublemaker. So cute!

A contribution from a new artist, Negativus Core! Wow, Gale looks so bada-- here! We often forget about Gale's tough side due to the cutesy graphics. This is probably how her enemies see her. And the gummy (slime) is a cute touch!

---------- FINAL NOTES ----------

Similar to last year, this will be the last update for a while. If things run too slow, I'll post a status update come end of February 2020.

It's possible, and this is a BIG IF, that something notable happens sooner than expected - like we're going to a con or we have reason to drop the trailer sooner than later. If so, this blog will update earlier than expected. BIG IF. Otherwise, it's end of February till next you hear of us.

The game's development has reached a new uncharted territory. We're going to take the time and figure out exactly what our next steps are. In addition, we'll still be doing some playtesting and script polishing. And we'll be taking a break too. It is the holiday season, things move kind of slow around this time of year. We'll enjoy the company of our family and friends.

Until then, Merry Christmas and a Happy New Year!

[sealers100]

A (brief) review of every Donald Sutherland movie (so far)

I’m not coping well with quarantine at all and no one else seems to be either (which makes me feel a bit better) So what started out of boredom back over christmas break has turned into a quest to find and watch every Donald Sutherland movie ever. Probably not my best idea since a lot of them are very old and hard to find and would need to be bought online (which isn't an option right now.) Don’t ask me why, this kinda just happened and I’m not gonna fight it. So stick around for an unprofessional review of a very professional actor’s long film career. 

(if anyone has any suggestions or knows where to find more hmu) 

M*A*S*H*

Ah talk about a movie that didn’t age well (but neither did Holiday Inn and we still watch that) I’m not here to bash on it for being problematic because apart from the way they treated Houlihan, I genuinely loved this movie. It had be rolling the whole time just like the show and I still catch myself whistling like Hawkeye all the time. Probably still like the show better and Alan Alda’s Hawkeye (sorry Donald) but its definitely been a go to when I’m having a rough day.

Kelly’s Heroes

I think this was the first movie of his I ever saw as a little girl and I remember being very confused. (since it didn’t match my dad’s military stories at all) so this ended up being the first one I went out of my way to hunt down and watch and sorry to Clint Eastwood but Donald stole this movie from literally everyone. He’s hilarious, he’s sexy, he steals the show and it’s definitely one of his more underrated movies (the movie itself is a bit long) which is a damn shame since he (literally) died filming this one. (if you don’t know the story, look it up its wild)

Alex in Wonderland 

Wow, who knew he could be such a convincing asshole! At least he becomes aware of it by the end of the film but I just felt so lost by the end. Like ,what did I watch, what happens now? Not one of my favorites but definitely interesting and a sure product of the early 70s. Overall, he does have a lot of good scene (a scene with THE Federico Fellini) that are sometimes light-hearted, dumb, cute, irritating, and just...what? The relationship between him, his wife, and children is probably the only redeeming factor since its pretty accurate for how his actions strain his relationships. I am gonna be honest though, I only watched this one to see him as a long haired hippie 😂 (sorry). 

Klute

Leave it to Jane Fonda to remind me why I’m bisexual (I wish she wasn’t always a prostitute) Although there was a lot more of her and a lot less of him, even though he is John Klute. I am an absolute sucker for those old black and white noir movies and this is no different. It leaves some feelings to be desired at times (Donald apparently felt the same way) but you can really tell there’s a fascinating chemistry between him and Jane (because there actually was) Overall the story was entertaining but the character’s themselves seemed somewhat drab. I wish we got to know more about them and had more scenes with more emotion apart from just the sex and love scenes. Oh well, it was still a pretty damn good movie and I’d definitely watch it again if I got the chance.

Lady Ice

Basically Magnum before Magnum was even a thing. Now just because a movie is bad doesn’t mean it can’t be entertaining. I love the whole Miami Vice vibe I get from this and again, huge fan of private investigators, detectives and dirty schemes. His acting might not be exemplary but I don’t even care. The movie is fun and not every movie has to be deep and meaningful. Nothing wrong with just watching a movie for the hell of it. And that moustache, it’s my kryptonite. 😆

Don’t Look Now

If you haven’t seen this movie, stop reading my bs and go watch it right now. (its free on crackle) This is such a good movie I could make a whole post on it alone. Donald and Julie Christie (I’m still not over her either) put so much into every scene, giving us such a beautiful relationship that’s been fraught with tragedy. Every scene is beautiful and eerie and enchanting Iloveitsomuch!!! I don’t wanna spoil too much because the ending turns everything on its head. I’m not sure if this is meant to be a horror movie but it really walks that uncanny valley with the whole setting of Venice in it’s off season, the dark corridors, creepy premonitions. I will spoil this, I love how for once, the man is the psychic instead of the woman, which is a trope that waaaaaay over done. AND THE SCANDAL! Okay sex scenes in movie isn't exactly scandalous but this one was surprisingly realistic (no they didn’t actually have sex) so everyone in the 70s pitched a hissy fit over it and I can’t understand why. It’s by far the most realistic and beautiful sex scene I’ve ever watch, hats off to Donald and Julie. God Bless Nicholas Roeg for this masterpiece, aaaaahhh just go watch it its so good!

Fellini’s Casanova 

Alright but bear with me on this. I think I had a religious experience while watching this movie. I was overly exhausted and had my eye on it for a while said ‘fuck it let’s watch something weird.’ This what actually started by quarantine marathon (how appropriate) and I can safely say, I think this is the most beautiful, most grotesque, most enchantingly beautiful and yet dark and bizarre movies I’ve ever seen. Donald makes such a convincing 18t century venetian lover and they really went all out with his appearance, acting and the scenery of the whole movie. Everyone in the film seems to genuinely enjoyed everything they’re doing (which says a lot they do some crazy shit in this one) and the whole time, everything is erriley whimsical, almost like a fever dream (which is what this film might have been I dunno). And the fact it spans the entirety of Casanova’s life, from his highest point to his absolute lowest decent into squalor just proves that Fellini holds nothing back AT ALL. Again, no spoilers (I don’t really think I can spoil this film) but there’s just copious amounts of sex and its just plain strange but if you find it in your heart to give it a try, please do. If you’re not sure about it that’s fine definitely not for everyone. However I highly recommend Fellini’s other works. (go watch La Strada)  

Invasion of the Bodysnatchers 

Hahaha oh man I can’t tell you how many times I’ve seen this movie. My friends and I in college had a horror movie night and this one seriously freaked out my roommate (i’m so sorry). I love me some sci-fi (I run a star trek blog) and this not only gave me lots of Donald but also Leonard Nimoy, (along with a very young Jeff Goldblum) so yes, this is now one of my favorite sci-fi movies (I did a film analysis on it too). I don’t recommend watching it in quarantine unless you’re into freaking yourself about a global pandemic. I will say, this movie is an anomaly  since I think it might be the only movie that is not only better than its remake, but also better than the book (which I also read) This one gives us Donald (and his moustache) playing of all things, a health inspector (I’m dying) whos put into some creepy scenarios of apocalyptic proportions. This is one of those horror movies that’s fun without being funny. It’s got plenty of drama and awkwardness between to characters while also reaching it’s cult classic status. All the actors in this film manage to give such a convincing performance that you can’t help but feel like you’re right there with the characters, which makes for a fun and terrifying ride. 10/10 would scare my roommate again.

The Great Train Robbery

Donald Sutherland AND Sean Connery? Sounds like a great pair right? Well they are, sort of. Okay this movie looks like a typical british drama, buuuuut I’m not so sure about this one. Donald is pretty great in this one and so is Sean, but I’m just very confused if it’s trying to be serious or funny? The plot itself makes sense and its pretty good but the execution is just...what? Oh well, Donald and Sean make an entertaining pair with their odd “train heist” I felt this movie would have done much better if it went for either one side or the other instead of jumping all over the place, and it played out much more like a soap opera. It’s not bad though but its not a favorite of mine. 

Bear Island

Okay I’ve been pretty nice so far, but this...the only real redeeming part of this movie is Donald and his beard. Which is such a shame because I feel like this could have been SUCH a good movie. The story itself is really good and enthralling but somebody somewhere dropped the ball. No, they didn’t drop it. They threw it off a cliff. Nothing about this movie makes sense, most everyone’s acting is subpar, and I don’t blame them because the script was probably the main offender of this film. Even Donald’s acting is uncharacteristically bad. I know shoot me, criticized his acting.  It’s just so strange to see what could have easily been a fantastic film. Someone send this to Philip Kaufman and ask for a remake because this one needs it. 

Ordinary People

Oh God, this movie. This movie means so much to me. Again, watched it with my roommate, we sobbed like children and its now a must see in our group. The fact that Donald wasn’t even nominated for an oscar for this film is a travesty. A story like this is something that in a way I’ve lived myself. Everyone’s acting in this film is superb and as someone who would know, yes, all of this is very really and very heart wrenching to watch. I don’t mean to get sappy or anything, but I have been Calvin Jarrett, I (and I’m sure others) have been that mediator who eventually is broken by the two fighting forces. Watching his eventual collapse is so surreal and wow this movie really broke me in some spots. Uhg god this movie, I wanna cry just thinking about it. I’d totally watch it but I’ll just spend the whole time wanting to hug him. 

Eye of the Needle 

If any of you know me personally, you’ll know I’m absolutely terrified of needles, so this might not have been the best movie for me to watch, but I had no idea what I was getting myself into. This whole movie is actually pretty fantastic. For once, Donald plays a bad guy, but you can almost root for him (if he wasn’t a nazi) I felt so conflicted because while yes I wanted him to take her away from her horrible husband, hes a damn dirty Nazi, and we don’t stan. Of course, Donald’s character is extremely charming but I’m left wondering if his character really did have feelings for Kate Nelligan. I have a feeling that I could really run with this story. This one is a thrilling story with a thick plot that tears its characters apart. I can’t help but love it.

Crackers

Fight me, I thought it was funny. Not really but this is one of those “entertaining but not really good” movies. Donald’s character is...well, he reminds me a lot of most of my exes. He’s just down on his luck, he’s not a bad guy. Yeah that sums up how I feel about his character. However, the movie overall is pretty damn funny. At least it knows it’s a comedy and it even has a sweet(ish) ending. I will say its not great, but there is a good scene with Donald falling flat on his ass which was so worth the whole rest of the movie. This one is still on my quarantine go to for when I just wanna forget about life for a while. 

Rosary Murders

So this little gem I kinda just watched on a whim thinking it would be some campy horror movie that was very pro-catholic and woooweee was I wrong. I loved this movie so much I ended up watching it twice, two nights in a row. It really was a thrilling movie with a plot thicker than pea soup, all while throwing some (slight) shade at the catholic church. This movie goes less for the horror side of things and more for the shock and drama and it does it well. Not to mention he makes one hell of a cute priest. I loved the hell out of this one and I’m glad i decided on this one the other night. I might even watch it again who knows. 

Pride and Prejudice

Everyone in this movie is neurotic as hell except for Donald Sutherland and Keira Knightly. Sorry I was never a huge Jane Austen fan but I admire her ability to write hell of a good slow burn and that exactly what this is. Hell most of you know what this movie is about so I’m not gonna talk about it too much. Its one of those movies everyone else seems to have seen and I haven’t so mom and I sat down and watched it together. She just laughed as I sat there yelling at the TV, waiting for an exasperated Donald to come on. His final scene though, so sweet. I did like how the movie showed a father daughter relationship that wasn’t toxic (not like the last one) but I was kinda over the whole song and dance after a while. I’m sure most people think its a really good movie but I just don’t get it. 

The Hunger Games (All of them) 

As I understand it, this movie actually means a lot to Donald, as it does to a lot of people, and that he really enjoyed working with Jennifer Lawrence, so that’s nice. Yes I’ve seen all three (four) movies, read all the books and I couldn’t think of anyone else to better play Katniss Everdeen’s antithesis than someone like Donald. I feel like this is one of those roles that was just made for him. He was such a scary and venomous villain that played so well off of the main protagonist. Uhg I really do love the Hunger Games Series, it was a huge part of my childhood, I just hate how the fans destroy people who love the main villain, like many fandoms do (looking at you star trek). I wish I could just enjoy these movies in peace without everyone being so polarized on them. 

Oh wow there’s definitely gonna be a part two but as of now, this is all I got. I’ve got a long way to go and (with the way things are looking here in the U.S.) I’ve got plenty of time to do so. I really do enjoy doing these kinds of things so if you want me to watch and ramble about any other movies (no, it doesn’t have to have Donald Sutherland) I’m gonna be in quarantine for a while, so let’s at least do something fun to pass the time. 😊

#Donald Sutherland #this brings me joy #Im gonna laugh if I actually watch all his movies #mash #hunger games #pride and prejudice #ordinary people #I'm not gonna tag every movie wed be here all day

[gwiiyeoweo]

Umbra sends Noctis way, waaaaay into the past and into Somnus' own bed. Well, the second part he did himself.

Pairing: Noctis/Somnus Rating: Explicit

The Royal Lucian genes are a helluva thing. 

When Regis once remarked how similar his son looked to his father Mors, Noctis thought it was pretty common and definitely nothing out of the ordinary. If his biology classes taught him anything, it was that grandchildren can bear a striking resemblance to their grandparents compared to their parents. Noctis had only seen Mors through news articles and the grand portrait adorning the Hall of Kings, its walls dedicated solely to the everlasting frames of royals past. He couldn't really see how a gray-haired man could look so close to 15-year old him, but when he Moogled a younger snapshot of Mors he almost mistook the old photo as himself.

There were definite similarities in bone structure and hell, even that tiny mole near the corner of their mouths. 

But this? This is like staring into a straight-up reflection.

He’s literally looking up, eyes half-lidded and face twisted in pleasure with a touch of pain, but through the haze of heat lighting up his body and mind, Noctis can’t help but think of the irony and plot twist and — 

“You’re thinking again,” Somnus reprimands, voice just a mark away from a growl, “of something other than me.” 

As if in punishment, the man digs his fingers into Noctis’ thighs — just another set of marks to add to the blooming bruises along his wrists and the curious rough circles on his collarbones and neck — and hoists his hips up into a better angle to slam himself into. 

It does the trick. Something like fire and lightning, something like magic hits Noctis in all the worst and best ways, and he scrambles for purchase, hands flinging up to claw at the pillows as he arches his back and keens.

He’s learned that Somnus can be gentle in his own ways, if one overlooks the narcissism that veils his true heart — a heart that, beyond blood and family and love, treasures his people and will tread through fire and sacrifices if (when) necessary. But the young king makes for a rough and merciless lover. With every brutal thrust, he draws out a sob and smiles ever the wider for it, Noctis’ wanton cries a sweet music to his ears. He only slows when he has Noctis babbling his name in an incoherent string of stammers and gasps, rewarding him with a soft kiss to his temple before he picks up the unrelenting pace again. “Much better,” he purrs, watching the way his near-copy writhes and sings with a gaze that scorches.

Noctis will admit, that fucking his great-great-great-great-whatever grandfather was never on his agenda; though given the many generations separating their blood, they were probably just as related, if not less, as he would be to Ignis or Gladio, considering how their families were borne out of the Caelum line to begin with. Hell, being transported all the way to this ancient Lucian era was a minor surprise to this fork in the road. The night before they set off for Ardyn and Insomnia, to reclaim the throne and bring back the light, he asked Umbra for a last trip down memory lane, only for the dog to throw him ages further and in free fall thousands of feet up. Good thing he was used to falling by now, and he was never more thankful to still have his warping powers and the Armiger. 

Except, he sort of screwed himself over by warping right in front of Somnus Fucking Lucis Caelum. 

‘Shiva’s tits, ’ he couldn’t help but think, not out of fear or anxiety but because Somnus looked exactly like he did when he was still twenty. He thought he must have landed in a time before all that… shit went down between the two, before Ardyn turned saint turned martyr trying to foolishly save the world one person at a time. Before Somnus went with the ‘go big or go home’ method and burned down anything that did so much as cough.

Before their clashing ideologies led them to clashing swords. 

He never really thought he’d be grateful for being stuck in the purgatory known as the Crystal, but it’s a perk to see their ancient history play across his eyelids like a giant home theater. 

Somnus probably shared similar thoughts at seeing his living reflection, considering the bulging eyes and the white cast across his face — which, really, would have been rather comical in any other circumstances — but it wasn’t until later when Noctis was one hundred percent sure that had been the reason, when he looked in the mirror and realized he was smaller and younger and twenty again. Because while Noctis thought he was looking at a past version of himself, Somnus was looking at a near replica of his own. Age and all, minus the hairstyle.

Without revealing his true origins and the outcome of the future, Noctis had to think on the fly, and he still curses himself for not having the same quick mind that Ignis does (Did? Would? Time travel is weird). 

“I’m a Messenger,” he said a second too fast, internally beating himself up for being so godsdamn stupid. “I didn’t have a physical form, so I took on the first one I saw. You.”

It worked out in his favor that Somnus was never a god-fearing man, a downright heretic compared to Ardyn, but that explanation was enough to satisfy him. And his ego, probably, that a demigod would choose to liken himself to Somnus’ visage. Oh, and that he currently has said demigod moaning and flushed beneath him, pliant and desperate and sobbing with ecstasy.

“Somnus, ” Noctis cries out, hands moving from the pillow to grab at the man’s arms, blunt nails leaving pink trails in their wake. 

Somnus smiles at that, wicked and slow despite the exertion that sweats down his skin and brow. He recognizes the sudden tightness around his cock, of Noctis clenching around him and his stomach straining its muscles, as well as the swell that coils within his own. 

“Hold on, pretty thing,” Somnus purrs, moving one hand from Noctis’ thigh to his cock, keeping a grip just a hair from pain but miles away from release. “Together we go.”

‘Arrogant prick, ’ Noctis thinks, despite the frustration and heat haze of pleasure filling his mind to the brim. Somnus may as well stand in front of a mirror and flirt with himself if he’s going to continue spewing words like that at someone who looks exactly like him. But he’s teetering on the edge, held back by a cruel hand and a vicious pace, and he’s desperate enough to even meet Somnus’ thrusts by rocking his own hips in conjunction. 

It’s not long until Somnus gives out, and Noctis thinks he blanks out for a moment when all he sees is white, when that same exhilaration runs through his nerves and spine and taps into something deeper than a great orgasm ever could. 

Their first time together, Noctis was stuck between fear and wonder when he came to the realization that his magic, as faint as it is ever since it had been culled by that Marilith attack, was reaching out toward Somnus’ own and that — yeah. That’s kinda weird.

He’s had sex with others before, men and women alike, some ending poorly and others fan-fucking-tastic. But that whole magic thing? Still virgin territory. The side-effects of fucking another Caelum, he now knows. He still hasn’t hashed out the details of it, though Somnus is becoming ever the wiser about it, who first chalked it up to the benefit of fucking a so-called Messenger but now has his own suspicions. A matter of time before the ruse is up and Noctis has to come clean about it all like, “Hey! I’m actually from the future and your great-times-a-hundred-somethin’-grandson. The future’s shit, by the way, cause Bahamut and all of you are dumbasses!”

But for now, Somnus cleans them up with nary a fuss about dirtying his dainty royal hands as he wipes them both down with a wet cloth, which is surprisingly soft and fluffy for their time period. Sure, he could be a dick and a half when it came to his personality, but Noctis likes to think of him as a prissy cat that actually loves cuddles and attention. Especially when Somnus drapes an arm around him and practically buries his face into the crook of Noctis’ neck, breathing in their combined scents of each other and their aftermath. 

Noctis gently rakes his fingers through the man’s scalp and stares at the ceiling of the canopy bed, wondering how exactly his new ‘future’ will play out. He doesn’t know if or when Umbra will return to take him to the present — he turns his head at every faint bark he hears, and Somnus teases him for it relentlessly — and he damn well doesn’t know if anything he does here will change the timeline anyway. But he likes to believe and hope that he can do at least something, anything to lessen the blows of tragedy when they come. 

“You’re thinking again,” Somnus sighs, though his tone is less out of irritation and more of concern. Noctis has figured out how to read these tiny differences, like how those brows like to just slightly crease when worried or how he sets his jaw when angered. His eyebrows are lowered, barely, as his gaze searches for the cracks of truth hidden beneath Noctis’ true face. Too bad he won’t be getting them, not now. “After such a rousing time, even.”

“Messenger problems.” Noctis turns his head to return the gaze, but less inquisitive and more secretive. 

“Then tell me, dear night.”

Noctis feels something funky in his chest. Which he’s quick to ignore because he definitely does not want to admit what it is. He lightly taps his forehead against Somnus’ own, craning his neck slightly to meet each other, and does his damned hardest to look at him with as much feigned honesty as he can muster. It’s gotten easier lately, to lie and twist half-truths, but not without effort. 

“One day. When you’re ready.” 

‘When I’m ready, ’ he means instead. He wants to trust Somnus, but he won’t be ready for the backlash if the worst case scenario happens. 

Somnus stares back, lips working themselves into a retort and Noctis expects an argument or a demand to know now. It wouldn’t be the first they clashed with words, Somnus standing on his pedestal and believing his birthright and lineage granted him the secret musings of the gods with Noctis standing just as stalwart and refusing to budge. But tonight instead, he harrumphs and concedes to their middle ground, closing his eyes and burying his face further into the crease between Noctis and the pillows to murmur, “It best be soon, Noctis. I am not known for my patience, unlike my long-suffering brother.”  

Noctis only manages a hum, pushing back the anxieties and what-if’s should that time come. When it comes, he corrects. He knows it’s inevitable, that the truth will rear its head one way or another. But it’s up to him on how it’ll all play out and if the results will end up in fortune or disaster. 

Right now, though, he’s exhausted — the good kind, not the fatigue that makes his bones ache and his muscles quiver — and Somnus is true to his name, pulling Noctis into sleep with his warmth and soft breath ghosting across skin. He’ll put more thought into it in the morning, come up with a more serious plan rather than half-ass snippets. Sooner rather than later, because Noctis isn’t known for his patience either.

“Goodnight,” Somnus manages through the lethargy in his voice.

“Good… sleep.” Noctis glances down in hopes of catching a reaction to his pun.

And he does, when Somnus opens his eyes for just a moment to make sure the other catches his definite eye roll. Noctis smiles at that, and he takes that image with him into his dreams.

#ff15 #final fantasy xv #noctis lucis caelum #somnus lucis caelum #kinktober 2019 #i can type

[aro-aizawa]

Tell us about your AUs!! I’m curious!!

!!!!! an interested person???? hi anon i love you know that i would die for you without hesitation. bless you for letting me gush over my aus. this might be a lil messy (and long holy shit) considering im answering from my phone but from memory here are my aus (which i aint gonna lie are mostly either angst, hurt/comfort or canon divergent, or a mix of the three) in no particular order:

edit: now that im on computer it’s all under the cut but here’s a quick table of contents:

the one where hisashi is a pro hero

the one where hisashi is a villain

underground gladiator arena kidnap fic

the one where aizawa is inko’s brother

MUTE TODOROKI

izuku is related to all for one

gamer au

the one where uraraka is the protag instead

hp au

disney aus galore

the Spite™️ fic

the one where hisashi is a pro hero

heads up in literally none of my aus is midoriya hisashi a good parent. i mean in canon we know exactly three details about him being his name, his quirk and that he works abroad. that’s it. so, i don’t really like “good parent hisashi”. this au is basically ‘hey what if izuku got a fire quirk from his dad’ combined with my own personal views on fire, and then also deciding ‘wait what if hisashi and endevor did the same shit’. so it’s basically an au where izuku is in the same situation as todoroki.

it’s….kind of complicated now that it’s written down. in my head its p straight forwards?? anyways, basically my view on fire is that it absolutely shouldn’t be demonized as much as it is. because without fire, life couldn’t exist. it’s warmth and life and beauty. i just…think that view of it is perfect for izuku, and i always wanted to try my hand at fire quirk izuku.

also one of my few aus that’s actually gonna have a ship focus?? in that it’s tododeku but honestly knowing me i might end up accidentally dropping that aspect of it like i tend to do a LOT bc of my inability to write crushes (im an aro who’s never had a crush so me writing romance is…awkward at best lol)

the one where hisashi is a villain

i have……admittedly a lot of versions of this au. it’s by far one of my favourites to think about, for several reasons actually, mostly bc of angst but also because the hurt/comfort potential there is incredible.

my most current version of this au though plays with the idea that in the mha society those with ‘villainous’ quirks get discrimated against and pushed so the only chance they do have to survive is to turn to villainy. in this au i play with hisashi and inko’s quirks a little to make them more villainous and easier to discriminate against, for example hisashi can cremate anything he touches into ashes at will, and inko can minorly manipulate the limbs of other people although she’s mainly limited to pulling them towards her or pushing them back.

in this version, izuku is quirkless and still goes through ua determined to change the way that society works and right the wrongs in how it’s set up while also proving that quirkless people aren’t useless. a lot of dadzawa in this one because it is my w e a k n e s s. there’s a few other elements thrown in there, but overall that’s the basic jist of it.

underground gladiator arena kidnap fic

one of my darker aus where a group of villains kidnap kids who took the ua exam to create an “everything goes” fight club that customers can watch and occasionally participate in.

my general idea for this was “the sports festival is pretty brutal when you think about it. it’s almost like everything but killing goes” and then i thought that in a superpowered society there is no way there isn’t any kind of underground fight club where people can go full out w their quirks.

hence this au was born! the kids who’re kidnapped w izuku have been constantly changing over the ladt year or so that i’ve had this idea but rn i decided on having shinsou, kaminari, mina, tokoyami and yaoyorozu w him. the rest would be filled w ocs bc the villains weren’t dumb enough to kidnap all of the heroics students, just a handful.

bearing in mind the kids are all taken a couple days after the entrance exam so they’re not familiar with each other and izuku is the only one familiar w a pro hero and that’s a secret. not to mention he’s only used his quirk once at this point, and he has no access to recovery girl’s quirk so he has to figure smth out IMMEDIATELY or he’s completely fucked.

the one where aizawa is inko’s brother

look if you inspect my aus carefully you’ll see a theme and that theme is i fucking love aizawa. anyways, in this one izuku has a pretty powerful nullification quirk and is trained by aizawa. aizawa and inko have like an eight or ten year age difference, so they weren’t all that close until inko reached out when izuku was eight.

i’ll admit this is one of my lesser developed aus but it’s canon divergent with a focus on izuku hoping to be an underground hero. and due to his quirk and that aspect of his personality, it kind of changes a lot of things??? potentially a short(ish) au if i ever got round to writing it out. maybs about 20k-30k words idk.

(this is mostly born bc i feel like people forget that there’s only a fifteen year age difference between aizawa and izuku for a number of reasons. also bc inko/aizawa….is kind of weird in my mind. definitely not a fan :///)

MUTE TODOROKI

look i fucking love mute aus okay, but when i was trying to apply it to the mha universe i started thinking “holy shit todoroki could definitely be mute” or smth and ever since this au is close to my heart.

basically when poor rei burned lil shouto, she mentally scarred him into mutism. ever since the kettle incident, shouto can’t speak a word. endeavor is told by the doctor that although nothing physically is wrong, shouto is mute. endeavor is a DICK and p much decides he’ll just wait it out for shouto to finally talk bc he’s just being childish (basically he’s ablist and doesn’t let todoroki learn sign. which is bullshit but doesn’t majorly effect him bc he’s homeschooled until high school anyway).

it’s sort of canon divergent but also maybe a complete au??? in that there’s no league of villains. when all might fought afo the first time he succeeded in putting a stop to the villain and killing him. izuku still gets ofa, but he’s not the protag of the story, this time it’s todoroki.

anyways, ua sees that todoroki is mute (which isn’t registered and completely unknown to the general public) and doesn’t know sign language (resorting to notes and/or charades if he needs to communicate something), and decides to investigate that shit.

endeavor eventually gets what he deserves bc the trash bag can go rot in hell, and that’s p much all i got aside from the class realising FAST they need to adopt and love todoroki so there’s a lot of wholesome bonding there.

izuku is related to all for one

admittedly this one is one of my most underdeveloped aus but i still love it all the same. basically my take on it bc the whole ‘afo is hisashi’ thing kinda weirds me out considering afo is at least 200 years old. in this au he’s izuku’s grandfather and inko is his daugther who escaped him and lives in hiding.

i haven’t decided whether i want this au to be my take on izuku having afo or if it’s another quirkless izuku au. i haven’t gotten very far into it, all i know is that afo has no emotions and he’s a heartless bastard (me hating the dad for one trope w a passion) so there’s sort of MAJOR angst potential if i decide to go down that route.

gamer au

izuku’s quirk is that his life is a game. that’s….that’s it. if you’re familiar with sword art online, it has a lot of influence from that w/o the characters or plot or pervertedness or incest because what the fuck sao was so bad with all those. still pissed bc outside that it had potential and i think abt that a lot.

anyways, so y’know how in a lot of rpgs there’s the hud w stats and an inventory system and abilities?? well apply that to izuku and he’s p much that. the world “autosaves” whenever he sleeps, but he can’t manually load a save. if he dies he starts over from his last autosave.

bc of his access to abilities and stuff, he has the potential to be powerful bc hey he can basically do magic, but at the same time he just healed his body completely by drinking this drink he made w herbs and shit last night. also he can carry a ludicrous amount of shit that couldn’t possible fit in his backpack but apparently he’s got seventeen cheese wheels in there and room for half the classroom furniture too.

izuku sees the world w a hud which would be annoying but it’s normal for izuku. in fact, he sort of hates watching tv because the hud doesn’t appear on the screen and it’s so weird and bizarre he doesn’t really like it.

i haven’t planned anything but details of the quirk bc it can get waaaay too overpowered too quickly and hhhh i sort of burnt out of different ways this would effect canon, so i didn’t think abt it. but i did figure out that izuku would have so many gaming analogies for his friends and be into like a thousand different games.

the one where uraraka is the protag instead

born when i was complaining about how shitty horikoshi is at writing his female characters i brainstormed this au in a discord server where i overhauled canon w a more badass uraraka. (and she doesn’t even get ofa!!! she’s just badass on her own!!!)

basically bc she’s a lot more confident and determined in this au she influences a lot of her classmates. the other girls are a lot more active in their actions and are more than just the background characters. uraraka’s full strength is explored and i think i planned for her to win the sports festival bc she deserved it.

also inspired by the idea i had of pro hero uraraka kicking a lamp post down on her own strength and using it to put a comet home run on a villain like she did in the battle trial. bc holy shit that’s a fantastic mental image.

basically my “mha girls fucking rule and fuck horikoshi’s shitty writing” au

hp au

ah yes, finally we get to my take on the most generic of aus. basically i just wanted todoroki in hufflepuff to piss off endeavor and basically loving it bc he befriends izuku in it. i definitely haven’t developed this au outside of worldbuilding in how i’d combine the two universes whilst fixing both jkr and horikoshi’s bad writing.

i actually wrote a snippet that’s somewhere on my blog that i can’t link to now but you could probs for search it. but this was basically born from me getting angry at people putting the kids in the wrong houses. im a firm believer that izuku fits in nearly every house but hufflepuff and slytherin suits him the most while todoroki is ABSOLUTELY a hufflepuff. i wanted some platonic tododeku bonding so i put izuku in hufflepuff. uraraka is slytherin, iida is gryffindor, and it’d be too messy to list all the kids so i won’t.

but!! what im most happy w in this au is how i incoporate mha stuff into it. like how hagakure isn’t actually invisible she just got permanently hexed by her brother to always be unnoticed so you can never know what she looks like or where she is. tokoyami has a bird head due to a failed attempt at becoming an animagi. its permanent and although he could get it fixed, theres actually a number of wizards w the same thing do there’s a lot of animal like wizards. shinhou comes from a pureblood family thats been known for their dark magic, even though the last four generations haven’t been dark wizards the wizardinv world is convinced he’ll be a dark wizard too but shinsou wants to prove them wrong. amajiki being a metamorphmagus who shifts his limbs into animals when he’s nervous. etc etc. i have too much worldbuilding and no plot lmao.

disney aus galore

one day i thought up abt three different disney aus for the mha universe but my first idea was a little mermaid au for momojirou w momo being the princess and jirou being the mermaid.

except besides the basic premise i p much scrapped the whole movie in that jirou learns sign language to talk to momo and the two play music together. jirou plays piano or w/e whilst momo sings. it’s v gay. theres a ball and they dance and then kiss. i never wrote it out bc i didn’t wanna add conflict in it but never got round to actually writing it lmao.

but i thought up a tododeku tangled au, kiribaku cinderella au, tsuocha princess and the frog au, and a couple others that i didn’t plan out fully. still close to my heart if i ever manage to get round to writing them out. each would probs either be a long shot at 7k-15k words or a short multichapter fic at 25k-30k words.

the Spite™️ fic

the fic where i get pissed at every shitty thing about horikoshi’s writing. izuku gets mad at all might for his views on quirkless people and gets into ua on his first try. izuku rightfully does not take bakugou’s shit and calls him out at every opportunity. bakugou’s actions have repercussions. all might gets punished for almost letting bakugou kill izuku in an exercise.

izuku gets pissed over a lot of shit basically. also at one point he either punts mineta into the sun or loudly and publicly makes the argument that mineta should be expelled from ua including evidence and testimonies from the girls. and he encourages nearly all of them to get better costumes.

i haven’t actually written much abt it but if there’s smth i got pissed @ horikoshi for smth in canon it’d be address in this fic bc oh boy am i never spiteful so it’s kind of theraputic to write even tho i haven’t done it in a while.

uh….i have a lot more but man i think i’ve been writing this for like an hour or two idk im gonna finish this before the app crashes or smth. thank you for letting me ramble this got long oops sorry.

#shut up danni #mha #danni’s aus #hhhhh im passionate abt many of these aus as you can tell #this is a free pass to tell me which/if you’re interested in btw #long post

[clankuchiki]

Some thoughts and other stuff about Bleach

These are strictly my opinion as a long term Bleach fan. You are free to disagree obviously, but do so in a respectful fashion. Thank you. I’m mostly typing all this to get it out of my head.

And yeah, I’m particularly defensive about the Kuchikis, but eh, it’s a Kuchiki blog so that’s to be expected.

Bleach should have stopped after the end of the battle against Aizen, and without the whole evolution thing. It was downright ridiculous and boring.

Ageing makes no sense sometimes ?? How does it work in the Soul Society ? Renji & Rukia’s kid looks the same as Ichigo’s and Orihime’s.  But Byakuya & Soi Fon who were shown as teen, were young adults 50 years later. So do you age normally when you are young, and it starts to slow down when you reach your teens or close to adulthood ??

Considering above point, it would make sense that Yoruichi could be a childhood friend of Soujun (Byakuya’s dad and also my husband). It would be cutter to think Yoruichi is close to Byakuya for this reason rather than just because they both are from a high nobility family.

Ichigo became a downright pain in the ass somewhere in the middle of the Aizen Battle arc, and stayed that way up until the end. I KNOW he is the main character and he’s supposed to save the day as such, but I hated how he got all the powerzTM, it just felt ridiculous. Along with the evolution thingie too. You get shinigami powers, you get hollow powers, you get fullbring power blablabla. I also hated how it made the captains look like useless morons who can’t even do their jobs.

I’ll never forgive Kubo for what he did to Byakuya and Ukitake, I’m still not over this.

The fullbring arc was so boring, I have a hard time reading it again to remember stuff. I hated all the characters, apart from Riruka who actually made me laugh.

The quincy arc felt forced but I won’t speak much about this because I can’t even remember most of it, apart where it hurts.

The fact that “everyone” gets a bankai felt a bit weird. When we had Byakuya VS Ichigo, Byakuya spoke about it like it was a super big deal, like only a really small handful of people could achieve it. Well seems like they all decided to be in the same time span.

Byakuya and Hisana give me the feels, so pure. ;A;

What if Rukia was in fact, Hisana’s daughter instead of sister ?

Soujun is the cutest bleach dad, no opposition possible on this.

I’m still salty that Kubo introduced new characters in the second databook and have never done anything with them. I mean, Soujun, COME ONE ! (And Yamada too, he looks like an asshole and I want to know more about him)

The final end felt super weird too. I’m not a shipper so I couldn’t care less who ends up with who, but it just weird me out.  We only had an handful of actual relationships throughout the manga and I felt fine with it.

Both the kids annoy me, I don’t know if it’s because I usually like to stay as far as possible from kids in life, or they are both portrayed annoyingly.

I want to know how Byakuya and Hisana met, like how ?? Tell me !!

I also wish we knew more about the Nobles roles in the Soul Society, they seem important enough, but we know next to nothing about them. I wish this could have been addressed in a databook or something. I mean, I understand it could have been super boring in the actual storyline.

The arrancars were cool, mostly Grimmjow and Ulqui. They made it worthwhile.

Gin, you were amazing, rip baby.

I couldn’t care less about the quincy, they hurt my baby, they gotta pay.

Ichigo should remember that if not for his hollow, he would have been killed by Byakuya during their fight. good times.

Him getting a bankai when he did made sense at the time, but it was just the same scenario on repeat on each arc after that.

Yeah I’m a salty fuck.

Even so, Bleach holds the record for me for the number of characters that I actually love. In each books/manga/movie/game/whatever, I always have one or more favourite characters, but Bleach is the only one where I love that many of them. I obviously love the Kuchikis, but also Yoruichi, Soi Fon, Matsumoto, Hisagi, Renji, Kira, Ukitake, Shunsui, Ulquiorra, Grimmjow.. That’s what kept me going with Bleach, the characters I loved.

I also LOVE the universe of Bleach, I mean, isn’t the Soul Society super rad ??? I love how it was constructed and balanced. I love how each division has its own motto and how they differ from each others. I would have loved to see more about the daily life in a division. How is it like ? How close can you get to your captain ? Like can you be pals with them if they’re pretty chill ? What do you do each day if you aren’t out there chasing hollows.

What are the powers of the four noble houses and who are the other two ??

What the hell happened with the shiba clan ?  My noisy ass wants to know !

Who was Byakuya’s mom ? How did she meet Soujun ? Where they actually in love or was their union planned way before they could decide for themselves ? How did Soujun died ? We know it was in battle, but who did this ? I want names. Is Byakuya an only child ? (Rukia doesn’t really count here since I’m talking blood family)

What about Ginrei ? I feel like he’s close to Byakuya in terms of personality and he was a rowdy kid too. What about his wife ? How many kids did they have ? My weird headcanon is that they had 7 children, 6 daughters and Soujun was born the last and way after his sisters. He was kinda not planned and Ginrei had lost hope to ever had a son. And then, BAM, surprise. And then, due to his wife being a bit too old to bear children now, even though she could still have them, she died in childbirth. (Why do I even have that sob headcanon ???)

About Ginrei again .. We know Soujun wanted to join the 6th division because he was worried for his dad. But Ginrei was worried about his son’s health, which wasn’t great (that’s canon) so why the hell didn’t he stop him from joining the division. He made him a vice captain, why would he do that if he knew he wasn’t capable of fighting because of his health, and despite his talents, being a Kuchiki and all ? Because “he was going to be the next head of the kuchiki” seems a bit weak of an argument if you ask me.

Still about Ginrei, when did he became a captain ? What was his zanpakutou like ? what about his bankai ? who was the captain of the 6th division before him ? was it a member of the kuchiki clan as well ? Ginrei’s grand father maybe ?

How were the noble family founded ? Who decided who gets the higher place ?

How much shit did Byakuya get for marrying Hisana ? Did he think his parents might have opposed this relationship, or Soujun being kind  hearted would have been okay with this ?

Summary of how I feel about Ichigo in one panel, courtesy of Rukia :

I think I’ve rambled enough right now. Excuse typos.

#bleach #thoughts

[tomeandflickcorner]

OUAT Episode Analysis- Ill-Boding Patterns

Probably not a very good idea to expect this to be a very long analysis.  But this episode actually made Nasty Habits and The Bear and the Bow look good by comparison.  For the record, if any die-hard Rumple fans want to read this, please proceed with caution.  While I don’t necessarily bash him in this one, I do seriously question his logic/reasoning in some places.

So let’s talk about the flashback portion first.  Its right after Rumple became the Dark One, and he pops up in the middle of an Ogre War battle to pretty much disintegrate the ogres.  Although, I do question his claim that he killed ‘all of them.’  If he killed ‘all’ of the ogres, wouldn’t that mean they would have been extinct, and they wouldn’t have been around during the age of Regina, Snow, Charming, Belle, etc? But maybe he just meant all the ogres on the battlefield.  Either way, we’re also introduced to Beowulf in this scene, as he’s among the men who were on the battlefield.  We also see him wielding the fated sword; the one with the red pommel stone.   It apparently was forged with Light Magic, and that the person wielding it was sure to become a hero.  Anyway, sometime later, everyone is at the tavern, singing praises to DO Rumple for having saved them from the ogres.  But then Beowulf comes in, announcing to everyone that DO Rumple killed the ogres with Dark Magic, exposing him as the Dark One.  The weird thing is, the people in the tavern seem genuinely surprised by this reveal.  Why?  I mean, these people have been living alongside Spinner Rumpelstiltskin for years now.  They must have noticed his self-imposed limp is gone, and that he’s now a walking disco ball, right?  What did they think caused the obvious changes?  Really, why was this such a big shock to everyone in the tavern?  

Regardless, time goes on, but now Boy Baelfire is being bullied because his father is the Dark One.   Which is rather idiotic, if you ask me. I mean, they KNOW his father is the Dark One.  It’s like picking on the offspring of a crime lord, or someone in the Mafia.  It’s just something you don’t do.  Because it’s gonna get you killed.  Obviously, Rumple’s not happy about his kid getting picked on, and decides to have a ‘talk’ with the parents of the boys who are bullying him, despite Boy Baelfire begging him not to make it worse.  Out of nowhere, some villages arrive, saying this creature called the Grundel attacked and abducted some of the men in the village. They say Beowolf went off after the monster, but he hasn’t returned, leaving them worried.  Remembering how DO Rumple vanquished the ogres, they want him to go and stop the Grundel as well.  

So they go off to find the Grundel, but DO Rumple’s going on about how he’s not going to use magic because he promised Boy Baelfire he wouldn’t use it anymore.  Which begs the question of how he planned to deal with the Grundel, as DO Rumple didn’t really have any manner of weapon other than his magic. But the even bigger question is why he had Boy Baelfire come with him.  Considering how much he claimed he wanted his son safe from the ogres, why would he bring him along on this dangerous monster hunt?  In any event, on the way, Boy Baelfire finds out that DO Rumple brought his dagger with him, because he didn’t want to risk anyone finding it.  After brief exchange in which Boy Baelfire compares the dagger to his father’s old crutch, DO Rumple entrusts the dagger to his son.  They eventually find the cave where the Grundel lives.  But then it turns out the whole thing was all just a trick set up by Beowulf to frame DO Rumple for the deaths of the men taken from the village.  Because Beowulf wants everyone to see DO Rumple as a monster.  He even manages to wrestle the dagger away from Boy Baelfire in order to Dagger Command DO Rumple to remain with the bodies of his ‘victims,’ so the villagers could see the ‘proof’ with their own eyes.  But when Beowulf starts to go back to the village, Boy Baelfire manages to get the dagger back from him.  And, after some stuff happens, he realizes that no one in the village will believe DO Rumple was framed for the deaths of those men.  So, he ends up Dagger Commanding Rumple to kill Beowulf before he could reach the village.

Okay, so at first, I was all ‘what is this?’  Now, I am not a fan of Neal by any stretch of the imagination, but I did always like Boy Baelfire.  And….wasn’t he always completely against Rumple using his magic?  So I was wondering how they were going to explain away his sudden hypocritical attitude.  But then DO Rumple, seeing his son was planning to continue using the dagger to keep the other kids from bullying him, slips a memory potion into Boy Baelfire’s tea, making him forget everything that happened after they left the cave.  So now, Boy Baelfire believes his father killed Beowulf of his own accord and reacts poorly.  So, fine, that little inconsistency is dealt with.  But now it’s like they’re trying to paint Rumple as a good father who willingly let Boy Baelfire have the wrong idea in order to keep his son from being consumed by darkness.  I don’t know.  That just feels like ‘too little, too late’ to me. Besides, if DO Rumpelstiltskin was this against seeing his son’s heart become corrupted, you’d think he’d have been able to actually go with him through the bean portal instead of displaying a reluctance to give up his power.  So there’s a little part of me that wonders if DO Rumple wiped Boy Baelfire’s memory because he just didn’t like the idea of someone, even his kid, controlling him via the dagger, and that it wasn’t solely out of concern for his son’s soul. Then again, I could be wrong.

On the other hand, the fact that Boy Baelfire was capable of actually wanting to use his father’s status as the Dark One to his advantage does kinda make it easier to connect him with Neal. All this time, I was stumped how such a likable, noble kid like Baelfire grew up to be a colossal d-bag like Neal. But, according to this flashback, the trait of being willing to use unsavory methods to get what he wants was a part of his character all along.  The memory potion DO Rumple spiked his tea with just threw a metaphorical rug over it.

Come to think of it, however, this does bring up a tiny issue.  WAAAAYYY back in S1, when August was trying to masquerade as an Adult Baelfire, Gold decides that August can’t possibly be his son because his son would never try to control him with the dagger.  But again, as this episode shows, Baelfire/Neal was capable of such a thing.  But I can understand how A&E would have forgotten that bit.  After all, that episode aired about 6 years ago.  It’s highly doubtful they go back over 6 seasons worth of material when writing episodes.  The confusing OUAT timeline is proof of that.

Finally, there was that one final detail about this flashback.  At one point (I think it was during the final confrontation with Beowulf, when DO Rumple and Boy Baelfire were realizing no one would doubt Beowulf’s claims against Rumpelstiltskin), Rumple is all ‘it’s okay, because we can just move somewhere else!’  Oh, really, Rumpy-Rumps?  NOW you’re willing to move to another village?  After refusing to even consider moving when Milah was miserable and practically begging for a fresh start somewhere else, you’re able to agree to the prospect, now?  You hear that?  That’s the sound of me throwing a random object across the room in aggravated frustration.

Moving on to the present day, Gideon is still plotting to kill Emma, thinking that doing so will enable him to absorb her Savior powers or something.  Again, I fail to understand how he got that idea, but hopefully they’ll explain in a future episode.  Maybe when he finally figures out that he’s way off base.  But Gold finds him stealing the broken sword hilt from the Sheriff’s Station and magically knocks him out.  He takes Gideon to the clock tower (which seems to have been fixed off camera) and they go on for a bit about Gideon’s dumb plan.  At one point, I did feel bad for him.  He explains how, while growing up in the Dark Realm, the copy of Her Handsome Hero that Belle gave him as a baby had been a huge comfort to him.  Until the Black Fairy caught him reading it and did this whole twisted scheme to break his spirit.  Essentially, she gave him a chance to stop her from beating some other kid, but Young Gideon found he couldn’t bring himself to do anything.  Gideon now feels he acted like a coward, and now he needs to become a hero to redeem himself.  But I say he’s being too hard on himself.  When this incident occurred, Gideon was still a little boy.  Even if he decided to step out of his cell, there was nothing he could have done to stop the Black Fairy from hurting that other kid.  To label him a coward for that is nothing short of victim blaming.  For crying out loud, people.  Young Gideon was a little boy growing up in an abusive environment. He should not be blamed for being unable to fight back against his abuser.  Anyone who says otherwise is a depraved jerk.  Regardless, Gideon’s got it in his head that the only way he can become a hero and defeat the Black Fairy is by killing Emma.  Because he’s somehow convinced that doing so will enable him to absorb her Savior Powers.  Gold, instead of doing the logical thing by pointing out that Gideon could simply ask Emma to help train him in the ways of Light Magic so he’d become strong enough to defeat the Black Fairy on his own, decides to help Gideon repair the Fated Sword. Apparently, it can only be repaired with Shady Blue’s blood.  Because she was the one who forged it?  I didn’t quite follow that part.  Regardless, because Gideon taking Blue’s blood to repair the sword would cause his heart to become darkened, Gold volunteers to take Blue’s blood himself so Gideon wouldn’t have to soil his hands or whatever.  Which is stupid.  It’s like hiring a hit man to kill someone.  Even though it’s not your hand that pulled the trigger, the dead person’s death is still on you.  How is this any different?  I am asking.  And again, it doesn’t explain how Gideon thinks he’ll achieve instant hero status by killing Emma.  But Gold doesn’t seem to be thinking that far ahead.  Not that he’d give a bat’s behind if Emma died, of course.  He’s already proven that he wouldn’t hesitate to trick Emma into suicide in order to regain the power of the Dark One.  So he’s probably not going to really care if Gideon kills Emma.  The weird thing is that Belle seems to be going along with all of this, or at least buys the warped logic that Gideon will be unscathed by the darkness if Gold performs his dirty work for him.  I just don’t know with Belle anymore.  I get that this is her son and all, but he’s planning to kill someone who isn’t supposed to be an enemy because his mind is off on some bizarre tangent.  Not to mention the person Gideon plans to kill is the True Love of one of Belle’s friends.  (Are Belle and Killian still friends?  It’s unclear.)  I really don’t know what to think of Belle right now.

Meanwhile, we get a subplot with Robin Clone.  It turns out the fancy box he swiped from Regina’s vault contains potions he plans to use at the town line in order to get out of Storybrooke.  If you remember back to the start of the season, Evil Queenie put a barrier wall around the whole town to stop Snow and Charming from escaping when the heart-controlled Count of Monte Crisco was on the loose. And because that barrier is still up, no one can leave Storybrooke.  But Robin Clone plans to try with the potions he stole from Regina and even convinces Zelena to come along, while making it known he has no intention of claiming parental rights to Baby Robyn.  When they attempt to bring down the barrier, they’re intercepted by Regina.  They have a bit of back and forth with Robin Clone stating he doesn’t want to live in Storybrooke, as he’ll always feel like he’s living in Robin Prime’s shadow.  In the end, Regina decides to let them go.  But the potions fail to bring down the barrier, so Regina promises she will search every book in her possession to find a way to remove the barrier so Robin Clone can start over elsewhere.  Later on, we get a scene with Regina and Zelena, in which Regina actually acknowledges how pointless her scheme to split herself off from her ‘dark side’ was.  She even seems to accept that she did the stuff Evil Queen did, finally stopping her tendency to treat Evil Queen as a separate entity.  (Whether or not she lets this revelation stick this time around has yet to be seen.) Regina then comes up with a new theory about Robin Clone.  She now feels that he was a test to see if she could move on with her life.  A test she feels she failed.  But just when I was starting to become invested in Regina’s plotline again, Regina and Zelena discover Queen Cobra has gotten out of her cage.  Turns out Queen Cobra tracked down Robin Clone and somehow was able to turn back into a human.  I couldn’t quite follow how it happened, to be honest.  Queen Cobra just bites Robin Clone, and she’s suddenly back to being a human.  However it happened, it now looks like Evil Queen and Robin Clone, who I now liken to a male Lacey, are going to team up and become the dark version of Outlaw Queen.

Finally, we get the tiny scrap of Captain Swan that was featured in the episode.  I have to say, while I knew going into the episode that it was going to be a Rumple centric, I was still disappointed by the lack of attention giving to them. And no, it’s not just my shipper bias talking.  Emma is the show’s main character.  So what’s with her only appearing in this episode for two minutes?  She at least had a bigger role in ‘Nasty Habits’ and ‘The Bear and the Bow.’  Anyway, Killian is in an emotional turmoil after finding out that he was the one responsible for the death of Charming’s father. He spends the majority of the episode at Granny’s, downing multiple shots of rum in an attempt to come to terms with it.  Even so, I like that his first instinct was to go to Archie for guidance, but he had to make do with rum because Archie wasn’t in his office.  When Archie runs into him at Granny’s, Killian admits that, while he knows he could take the secret to his grave, he wants to tell Emma about what he’d learned, even if it meant losing her forever.  Because he genuinely believes this will be the thing that makes Emma change her mind about their relationship.  After a full day of drinking and filling himself up with liquid courage, Killian finally returns home with the intention of telling Emma the truth.  Unfortunately, he doesn’t get the chance.  When he returns home, he’s met with a warm welcome from Emma, who reveals she stumbled across the ring.  She apologizes for ruining the surprise, but invites him to ask her anyway, telling him that her answer will be ‘yes.’ Caught up in the moment, seeing Emma so willing for this to happen, Killian complies by getting down on one knee, proposing on the spot.

Obviously, I have mixed feelings about this.  I am thrilled to see Emma and Killian officially engaged.  And the actual proposal, while not the most flamboyant, was simple and to the point.  Which is probably what Emma prefers.  Not to mention how huge it is for Emma, the woman who once had walls higher than Mt. Everest and stated that she never committed to anything more than one night stands, to actually ask Killian to propose when she learns that was his intention.  At the same time, it does stink that the proposal happened before Killian could admit his role in Robert’s death.  But I don’t fault him for not telling Emma before proposing. Because he came to the house with the sole intention of coming clean.  But Emma pretty much backed him into a corner when she revealed she found the ring he bought for her.  As Killian said in ‘Street Rats,’ he wants Emma to have nothing less than her heart’s desire.  Of course he wouldn’t want to let her down and dash her hopes when he sees her that eager for him to propose.  And you know he’s not going to keep silent for much longer.  I’ll be surprised if he doesn’t spill in the next episode.  I just hope Evil Queen doesn’t beat him to it, seeing as how she’s back.  If she even knows, that is.  It’s unknown at the moment, but the fact that she was the one who made Charming aware that his father’s death wasn’t an accident does make one question what she was trying to accomplish by telling him that.

(Click here to read more Episode Analyses)

#ouat episode analysis #ouat 6x13 #ill-boding patterns #slightly anti Rumpelstiltskin #anti neal cassidy #milah deserved better #regina mills #does this count as anti regina? #zelena #wish robin #killian jones #emma swan #captain swan