I have an enormous dislike for the current fruits of AI, like a lot of people on the internet. And some of my issues stem from how ChatGPT, Dall-E, and generative Ai as a whole are products of the worst trends of late stage capitalism. These issues unfortunately fall flat with my tech-enthusiast and not-super-socially-conscious friends. But when we're talking AI Art specifically, I have another, bigger issue that bothers me more than the above. AI Art is empty.
The thing about art is that it's very much the product of someone's personal journey. Someone learned how to draw, and fleshed out their personal preferences in the process. So when you see a beautiful picture online, you can look up who made it and see what else they made. If they're a fandom artist, they've probably drawn most of the characters you like. (Bonus points if the fandom is super, super niche). And if they aren't? That's okay. If their art style is cool, there's still more pretty pictures to appreciate. You can't do this with AI. Full stop.
Generative AI is cool, because in theory there's an endless supply of pictures. No more waiting for your favorite artists to update, no more desperately digging through the internet for rare character art, you can just plug it into Dall-E. And boom. Art. Don't like it? Tweak the prompt and try again. That sounds great, until you realize there is no consistent style. There's no joy to be found in perusing the artist's gallery. You can't comment and briefly connect over your shared interest. You can't follow them and build a friendly relationship, or even become friends for real. There's nothing there but a soulless image generator. No interesting art style. No gallery. No shared interest. It's empty. If this is supposed to be the future, the future sucks.
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round up // SEPTEMBER 23
My fellow Fall Goblins, we must usher in the Autumn by force!
One of the joys of not using TikTok and minimizing your Instagram use over time is any content you do watch is even more tailored to your interests than an algorithm because only people who know and love are sending it to you directly. I am embracing my Fall Goblin status (as @taryndelaniesmith coined it) with the new iced pumpkin chai at Starbucks and rewatching Gilmore Girls. (Sorry to sound like an #ad.) Less related to the latest equinox, I’ve been catching up with 2023 releases, digging into women’s memoirs, and, yes, still thinking about Barbie. If these September picks don’t tide you over all through October, add these movies with Autumn vibes to your watchlist.
September Crowd-Pleasers
1. The Equalizer 3 (2023)
If the if-it-ain’t-broke-don’t-fix-it mentality is what you’re looking for in the action genre, this more than delivers because Antoine Fuqua is one of the best at making action that is both beautifully shot and easy to follow. (Just a reminder that his Magnificent Seven remake is deeply underrated!) Setting this adventure on one of the dreamiest coastal towns in the world means this is the best-looking Equalizer yet, but even that isn’t the real draw. Read my full review for ZekeFilm. Crowd: 8/10 // Critic: 7/10
2. My Big Fat Greek Wedding 3 (2023)
Someone’s ex shows up unexpectedly, family secrets are unearthed, and we have to find something for Joey Fatone to do! Fortunately, even with all that story, this is still a good time and also a step up from the Netflix and Hallmark-style movies that have become the de facto purgatory for rom-coms and family comedies in the last 10 years. Read my full review for ZekeFilm. Crowd: 8.5/10 // Critic: 6.5/10
3. A Haunting in Venice (2023)
To use a Moneyball metaphor, if Knives Out and Only Murders in the Building are hitting grand slams and home runs, these Agatha Christie movies are focused on getting on base. Haunting is like watching your favorite team win 1-0—you may not remember the game the rest of your life, but it’s still a win. Read my full review for ZekeFilm. Crowd: 8/10 // Critic: 7.5/10
in the Building are hitting grand slams and home runs, these Agatha Christie movies are focused on getting on base. Haunting is like watching your favorite team win 1-0—you may not remember the game the rest of your life, but it’s still a win. Read my full review for ZekeFilm. Crowd: 8/10 // Critic: 7.5/10
4. GUTS by Olivia Rodrigo (2023)
Queen! The opening track’s satiric take on the unattainable expectations for modern women goes right up there with America Ferrera’s speech in Barbie, and “pretty isn’t pretty” and “teenage dream” are excellent companions for those themes. “bad idea right?” is a hilarious anthem meant for shouting at the top of your lungs, and “get him back!” is one of the flat-out best pop songs since, well, “drivers license.” While GUTS may not have a track that transcends that generation-crossing ballad, this album is a step up because it avoids the repetition of the breakup tracks from SOUR.
5. Gran Turismo (2023)
A movie about gamer-turned-racecar-driver does not scream A Movie for Taylor™, but a movie starring Orlando Bloom and David Harbour sure does! I went in skeptical but ended up emotionally invested in this based-on-a-true-coming-of-age-story sports movie that was much better than it needed to be thanks to this charismatic cast and Neill Blomkamp’s innovative directing. Crowd: 8.5/10 // Critic: 7.5/10
More September Crowd-Pleasers: Our Lips Are Sealed (2000) is just an Annette and Frankie movie starring the Olsen twins, a baby kangaroo named Boomer, and Jason he-better-win-an-Oscar-someday Clarke // Did you know Samuel L. Jackson and John Travolta reunited in Basic (2003)? It’s a fun thriller with plot in the vein of A Few Good Men from the director Die Hard // Accepted (2006) is cruder than my typical taste, but Justin Long and the script find heart and insightful comedy in an update to Animal House // Is Terminator Salvation (2009) an underrated gem of the franchise even without Schwarzenegger? // Iron Sky (2012), a sci-fi action flick in which astronauts find a secret base the Nazis fled to in 1945, is one of the most fun bad movies I’ve seen in a long time // Sisu (2023) is the John Wick of WWII Finland with all the fun and none of the baggage of world building // Stephen Colbert, Jimmy Fallon, Jimmy Kimmel, Seth Meyers, and John Oliver are teaming up for the Strike Force Five podcast, and their conversations are as random and delightful as you’d hope
September Critic Picks
1. Girls on Film by Alicia Malone (2022)
Turner Classic Movies host Alicia Malone’s memoir looks back on her life through the films that influenced her growing up and through the ones the ones that have represented her life as a woman. She shares how Gentlemen Prefer Blondes, Mad Love, National Velvet, The NeverEnding Story, and Smooth Talk have impacted her life, as well as behind-the-scenes stories from her career and her Hollywood adventures. (In one, she shares a life-changing conversation she had with an unnamed actor in Rome. I’m choosing to believe it was Andrew Garfield!) A thoughtful combination of reflection and cinema history, I had trouble putting this down.
2. And So They Were Married (1936)
In a Parent Trap-reverse plot, single parents Mary Astor and Melvyn Douglas fall for each other at a ski lodge over a Christmas holiday, but their kids (Edith Fellows, Jackie Moran) can’t stand each other. I will definitely be revisiting this charming screwball rom-com this holiday season! Crowd: 8.5/10 // Critic: 8.5/10
3. The Beautiful Letdown (Our Version) [Deluxe Edition] by Switchfoot (2023)
Nostalgia overload! I didn’t know I needed the Jonas Brothers, Relient K, and more covering one of the core albums of my youth.
4. Archive by Sofia Coppola (2023)
If, like me, you love films about lonely women, scrapbooks so thick they can't close, photos of people in period costumes using modern technology, and learning everything you can about an artist’s process, you'll also love this 500-page collection of Sofia Coppola’s mood boards, character notes, and story inspirations.
5. Good Reads
If you’re still thinking about Barbie, these are great companion pieces for digging into the ideas it’s exploring:
“The Good Christian Girl: A Fable,” ChristianityToday.com (2010)
“Single Christian Women Are Much More Than Their Wombs,” ChristianityToday.com (2023)
“Men Are Lost. Here’s a Map Out of the Wilderness,” WashingtonPost.com (2023)
“Barbie Affirms the Goodness of Women's Embodiment,” KatelynBeaty.substack.com (2023)
"In the Beginning, There Was Barbie,” vox.com (2023)
And only tangentially related to Barbie, this piece:
“The Real Lesson From the Lizzo Saga: Don’t Deify Celebrities,” WashingtonPost.com (2023)
More September Critic Picks: The Big Short (2015) is the platonic ideal of an Adam McKay issues movie // Can we get more old school pop records like The Dip Delivers by The Dip (2019), please? // Before Forrest Gump, there was Being There (1979), which is a slow-burn comedy only someone as stellar as Peter Sellers could pull off // Hanna (2011) makes me wish more directors like Joe Wright were tackling action thrillers starring Saoirse Ronan-caliber actresses
Also in September…
My two takeaways from Dumb Money (2023) are that
Money is, well, dumb
We have not figured out how to make movies about the Internet yet
This comedy feels like scrolling through the Internet: always entertaining, needlessly profane, and featuring TikTok dances even when I’m not looking for them. Read my full review for ZekeFilm.
Photo credits: Alicia Malone, Switchfoot, Sofia Coppola. IMDb.com.
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