Ya’ll I used to jokingly consider this, but nah, there is enough evidence in the book to suggest:
Henry ruins Dorian out of spite and jealousy towards Basil for moving on from him.
Let’s get right into this.
I went back into the book because I wanted to review the post I made about Henry and misogyny earlier. Besides the usual annoyance at Henry’s dumb stupid rant, I noticed this line:
“I had buried my romance in a bed of asphodel.”
And then it hit me that Henry’s worst rants about women only come after the topic of marriage, but more specifically, commitment. Which then led to an even more interesting idea: I’m pretty sure Henry mostly uses ‘women’ as cover to complain about Basil and Basil’s ‘lack of commitment to him.’
I want to note that there’s a lot of interesting things in regards to Henry and his relationship with women that I’d love to go into, but this will focus solely on him and Basil.
Here’s what Henry says in his misogynistic ass rant after Sibyl dies. (This is from the 1891 ver):
“But [Sibyl] would have soon found out that you were absolutely indifferent to her. And when a woman finds that out about her husband, she either becomes dreadfully dowdy, or wears very smart bonnets that some other woman’s husband has to pay for.”
Basil is often considered ‘unfashionable’/‘dowdy’ by Henry’s standards. This is only further proven in what he says about Basil’s disappearance:
“Why should he have been murdered? He was not clever enough to have enemies. Of course, he had a wonderful genius for painting. But a man can paint like Velasquez and yet be as dull as possible. Basil was really rather dull. He only interested me once, and that was when he told me, years ago, that he had a wild adoration for you and that you were the dominant motive of his art.”
But that isn’t all. The last part of that quote matches one to one to Henry’s claim about women (or Sibyl, specifically). Basil was not only ‘dull’, but his only ‘fashionable’ attribute, his art, grew ‘dowdy’ once he discovered Dorian’s indifference to him.
Henry also says this about women:
“Good resolutions are useless attempts to interfere with scientific laws. Their origin is pure vanity. Their result is absolutely nil.”
And later:
“But women never know when the curtain has fallen. They always want a sixth act, and as soon as the interest of the play is entirely over, they propose to continue it. If they were allowed their own way, every comedy would have a tragic ending, and every tragedy would culminate in a farce. They are charmingly artificial, but they have no sense of art.”
Guess who makes resolutions regarding goodness? Basil, who refuses to believe that Dorian is nothing but a good, pure man.
“[Basil] could not bear the idea of reproaching [Dorian] any more. After all, his indifference was probably merely a mood that would pass away. There was so much in him that was good, so much in him that was noble.”
Basil’s arc traditionally should have ended once Dorian rejects him. Between that chapter and the chapter where Basil dies, there is no mention of Basil in any form. By all means, Basil’s role in the story is over—and then he demands the ‘sixth act’ to confront Dorian.
And finally:
“Besides, nothing makes one so vain as being told that one is a sinner. Conscience makes egotists of us all. Yes; there is really no end to the consolations that women find in modern life. Indeed, I have not mentioned the most important one.”
“What is that, Harry?” said the lad listlessly.
“Oh, the obvious consolation. Taking some one else’s admirer when one loses one’s own.”
Now before I point out the obvious irony of Henry literally 'taking someone else's admirer' (henry actually has a lot in common with his 'criticisms' of women), I want to bring your attention to a key part we don’t discuss enough about in the book.
““Life has always poppies in her hands. Of course, now and then things linger. I once wore nothing but violets all through one season, as a form of artistic mourning for a romance that would not die. Ultimately, however, it did die. I forget what killed it. I think it was her proposing to sacrifice the whole world for me. That is always a dreadful moment. It fills one with the terror of eternity. Well—would you believe it?—a week ago, at Lady Hampshire’s, I found myself seated at dinner next the lady in question, and she insisted on going over the whole thing again, and digging up the past, and raking up the future. I had buried my romance in a bed of asphodel.”
So I’m gonna make an educated guess and say Henry is lying his ass off here. He did not have a ‘romance’ with a woman. He certainly did not get an emotional, romantic attachment with a ‘woman’. I feel comfortable saying this because 1) his general distaste for women literally points to this being bullshit and 2) a significant change that was made from the 1890 version of the book to the 1891 version.
This is the quote in 1890:
“I once wore nothing but violets all through one season, as mourning for a romance that would not die.”
This is 1891:
“I once wore nothing but violets all through one season, as a form of artistic mourning for a romance that would not die.”
Well, well, well, who is the arti—It’s Basil. He’s literally talking about Basil here. AND GUESS WHAT VIOLETS MEAN IN VICTORIAN FLOWER LANGUAGE?
A couple of things actually, but the top three are:
‘Faithfulness, Modesty, and Love.’
Henry emotionally had been faithful to Basil. While I doubt he was monogamous in anyway, Basil held a special place that no else would ever have. Not even Dorian.
And this brings me back to the quote that originally sent me down this rabbit hole:
“I had buried my romance in a bed of asphodel.”
In the 1890 version, it says:
“I had buried my romance in a bed of poppies.”
Poppies are known to mean death and would have fit perfectly if Henry was saying he felt nothing for the relationship, but what does asphodel mean?
‘Love Beyond The Grave’, ‘Remembered Beyond The Tomb’ and sometimes, ‘My regrets follow you to the grave’.
(NOTE: please keep in mind floriography could mean certain things based on the color and the type of flowers. That being said, considering Wilde described the shit out of every setting he wrote, the lack of detail about the flowers suggest the most broad meaning is meant to be taken.)
Henry isn't over Basil. He couldn't kill the love, so he buried it and took Dorian as a consolation and revenge. He will never be able to get over Basil until Basil or himself dies.
BOY DO I HAVE GOOD NEWS FOR HENRY/s
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The art is lovely and now I'm gonna ramble because that's what I do when I care about something.
For the love of women, please PLEASE can fan artists remember to add muscle to their Shadowhunter ladies? I'll commend Bowater for cleverly giving James that sculpted and lean look without making him a beefcake (nothing against beefcakes, I'd love to hug them), but Cordelia is once again suffering from Arms And Shoulders Too Slender It's Hard To Even Imagine Her Picking Up A Sword. There is some there, yes, but artists shouldn't be afraid of giving particularly Female Main Characters weight and toned muscle. Cordelia is supposed to be nearly the same height as James as far as I can remember, and she's curvy, and full, and she wields a sword like it's second nature to her. Please explain why she looks so tiny in James' lap.
Also I'm pretty sure marriage runes are supposed to go over the heart whenever possible (thinking about Will's parabatai rune being over his heart instead -- he didn't get Tessa to draw over the scar, did he??) and... either I'm looking at the picture wrong or James' rune is not over where his heart should be.
For the matter, where are their other runes and scars?? James' Voyance rune isn't even on his hand. And I'm pretty sure he's right handed. I could have that wrong though.
Another thing: no one can ever decide what Cordelia's hair looks like and it's the funniest thing to me. This is what happens when all you do is vaguely say the colour is like fire but also like rose petals but also a flowing river of those things but also is Red (probably for redhead, but then from there I never understand where the rose petal analogy comes from considering the typical rose is a deep bloody colour -- I do acknowledge the existence of those light orange varieties though which might more closely resemble red hair). In the end, I'm glad readers can infer what they want and imagine the characters how they like.
Anyone else think James looks like he's built like a tennis player? Oddly specific, maybe, but it was a thought I had. Mostly the arms and somewhat narrow body.
James' hair is nice, his eyes are an interesting take on gold in the shadows. Bowater managed to also make him look closely related to his father, so bravo for that.
In the end, the focus is obviously on the marriage runes and not other physical aspects outside of it being clear that this is James and Cordelia. Bowater's style is very beautiful and elegant. Love the way fabric and lighting is done too. I'll add also that it is possible to be a smaller person who is slender but still strong so I mean Cordelia's not necessarily done wrong, I just interpret her appearance differently. Obviously, they're both hot and they're both attractive and I have my qualms with the series, chronicles, and author -- the fandom I am so-so on, though I'm still here, aren't I? And I'm taking the time to ramble about my thoughts on a piece of fanart -- but this is good. Gorgeous, even. Both James and Cordelia are beautiful.
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thinking again about how all my heroes react to being pokemon...
nuri: hate, fear, wants to be human again, looks down on the other pokemon, more similar to gengar than she'd like to admit. had to grow to become a better person. honestly this is sort of like a brother bear situation where the transformation serves more as a "right your wrongs" thing
rin: sheer euphoria. was confused but adores her new form and doesnt miss her original body at all. loves to experiment with her fire. sunbathes a lot, seems very relaxed and at ease with herself, adjusted the fastest of the heroes. was probably into transhumanism to begin with honestly
eris: wasnt supposed to be a pikachu specifically so he took the longest to adjust and cope with his new form. felt very... conflicted. like nuri, he was afraid initially, his body felt wrong, but he doesnt miss his human form either... once emolga teaches him basic electric type techniques, he seems to get better with accepting his form.
aspen: is in a different boat from the others in that its a reincarnation case- its got the soul of a human and human traits, but it hatched from an egg and was raised alongside pokemon. its only when those human memories start to surface that things get confusing for it. but it doesnt mind being an oshawott at all because thats what it knows now... if anything, being a human is more confusing to it.
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Hey y'all- lemme get a little honest about white privilege and ignorance for a second. We're talking about me in this case. Bc I wanna send a thank you to people I've seen on Twitter discussing the use of the 'nickname' Calico Jack uses for Edward in fanfics.
I've been working on a reunion fight between Stede and Ed for weeks now and in my first draft of it I wrote something like:
"Ol' *Nickname*, really is an evil monster down to his evil heart, right?" being said by Ed to Stede.
The intention was to use this nickname as the painful characterization it was in the show as a point for Ed to push how he was feeling. That he felt like all the blame was being unfairly thrown his way, like Stede was looking him as nothing more than the monster everyone else has seen, like Stede was seeing the same racist caricature that so many have assumed was all there was to him.
I thought this reasoning to use to nickname as the slur it was, was enough to justify using it. But when I started seeing the discussion of it, I started to get worried. Most of the posts about the use of the name were to not include it as a nickname, as it isn't really one. To instead replace it with "Beardie" or other things in a context of friendliness. But I wasn't really using it that way, so I wasn't sure how the input applied to the scene I was writing... But I chose to err on the side of caution.
I've gone ahead and re-written the line as:
"’The ol’ Demon really is rotten, all the way through his evil fucking bones right into his evil fucking heart’, right?" to just use a different nickname, though the passage loses as bit of the point I was going for...
But - as a white fic writer - my priority is not to be "making points" at the expense of my POC readers.
Just food for thought in case other fic writers run into this sort of question themselves. Lines can be rewritten, even if they don't work in the same way as you as originally wanted the dialogue to go. But POC people in fandom deal with enough racism as is, I do not want to pile onto it in making this space further unsafe for them to participate in.
Remember, education is a never ending endeavor. There are more than a few times when lack of education will fail you. Listen and adjust, it something we all need to keep working at because adding to the suffering of POC's for one's own self interest will never be the right way to go about things.
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