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#bringing up how i didn't get accepted to the colorado one and asking me why not and its noy like i fucking know!!!!
puckngrind · 3 years
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Leave Her Wild: Chapter 2 - N. MacKinnon
Summary: MacKenzie and her friends head to opening night for the Colorado Avalanche.
Warnings: swearing, alcohol
Word count: 2, 675
Series masterlist / Puck ‘n Grind’s masterlist
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Flames.
"You are really gonna wear that?" Mosi looks her friend up and down.
"Yeah, why?" MacKenzie tugs at her jersey. Of course she was going to wear it. Opening night, only hockey jersey she owned. Was a Christmas gift from her parents last year. She did a little twirl to show it off to the group of unamused friends.
"Because..." Drew rolls his hands and she rolls her eyes.
"Laissez les bons temps rouler!" Remy waves his hands in the air.
"That means, Let..." MacKenzie starts.
"Let the good times roll! We know.” Drew and Mosi say in unison.
"Alright, Mac is going to be wearing that. Remy has clearly pre-gamed. Mosi should’ve. We have our tickets and I'm driving so let's go." Drew starts herding the friend group out of MacKenzie's condo.
Opening night at Pepsi Center was always an event. MacKenzie and Drew got tickets from their volunteer efforts so the group headed out for their first time ever. They had gone to a Rockies game after Remy moved to Denver but normally the friend group didn't really do sporting events as outings.
“Is someone gonna explain these rules?” Remy plopped down from his first beer run with Drew and handed MacKenzie one. Eyeing her for the answer.
“Yeah. Kinda like soccer. You know?” She started. Knowing she was the only one who knew anything about hockey. “You can yell, cheer, boo. Doesn't really matter because no one really pays attention to the crazy you say.” The group all nod and she knows they will just clap when those around them do.
“So pizza-Jeep boy is wearing what color?” Mosi whisper yells while leaning into MacKenzie’s side during warmups.
“He’s in the blue and maroon jersey. The white is the Flames.” MacKenzie doesn’t take her eyes off the ice looking for Nathan to point him out but feels Mosi’s eyes on her. “Yes, Mo?”
“But… um... never mind.” Mosi stutters strangely.
"There he is." Kenzie ignores and points to the screen where they have a close up of Nathan showing his stats from the previous season.
The game starts which quieted the group’s chatter while everyone but Kenzie tried following the puck and going from watching the ice to the screen and back.
“Let’s go boys!” MacKenzie stands and yells after a big play with everyone in her section turning to look at her.
“Mac!” Drew pulls her down to her seat. “Check your surroundings.”
“You know I don’t care, right?” MacKenzie starts clapping again with a little cheer.
“As always, you do you.” Drew slow claps along as the game progresses.
Even though MacKenzie warned her friends that there might be only a goal or two, the game was high scoring which the friends all enjoyed. Remy cheered when anyone scored regardless of team. Colorado winning made the home crowd pumped and buzzing about being the year.
"We realize the season has over 80 games, right?" Kenzie comments to no one in particular as they head down the stairs.
“Food! Real food and drinks that don’t cost a million bucks.” Mosi begs on the way out.
“Allons! Let’s go!” Remy points to the closest restaurant he can see. "That one! Onward." Remy leads the group over.
Drinks, food, laughter fill the table as they banter back and forth.
“Isn’t that her, Mac?” MacKenzie hears someone nearby. She turns to see Nathan, Cale and a few more guys at a table about ten feet away. Nathan nods. She raises her hand then quickly feels the blood rushing to her face.
“Kenzie Lou, why are you the same color as your jersey?” Remy looks her up and down.
“Oh.” Drew mumbles with his mouth full seeing the table MacKenzie just waved towards.
“Oh yeah, this is gonna be fun!” Mosi clapped and is greeted with a kick under the table. “Ouch. Well it is.”
MacKenzie huffs and stands to her feet. Inhales and walks right over to the table of what she assumed was full of professional hockey players.
“Nice game Nathan.” She stops right at the end of his table and knows her face is still bright red.
“Looks like you were rooting for the other team there. Sorry 'bout that.” One of the boys down the table barks out.
“Hi MacKenzie. Thanks. Were you there? At the game, I mean.” Nathan turns his body towards her.
“Yes. Got tickets because of the foundation thing so we all went.” She gestures towards her eager looking friends. They wave and Nathan waves back with a flick of his wrist.
“Oh cool. So you are a… a Calgary fan?” Nathan gulps hard taking in the home Flames jersey.
“Well, a Tkachuk fan, actually. Yeah.” MacKenzie looks over at the 19 on her shoulder. “He was phenomenal last… ya'll. Well. Yeah.” MacKenzie looks around the amused players and shuts up.
“Sorry, let me introduce you. Guys, this is the other Mac. MacKenzie. Uh. Shit. I never caught your last name.” Nathan looks at her searching for a name.
“Blackwood.” MacKenzie answers and the guy across from Nate spits out his drink. “Um.” She just looks at him.
Nate wipes his face and stares down his teammate. “Are you fucking serious, EJ?”
“Sorry man.” EJ hands him another napkin. “No teeth.” He flashes his massive gap which makes MacKenzie giggle softly and Nathan groan.
“Let me get this straight. You live in Cale and Tyson’s building, volunteer with youth, only seem to follow Tkachuk 'cause you don't seem to know Avs hockey.” He wipes his mouth to continue. MacKenzie recognizes him as the captain from the game. “Have the same name as a goalie in the league, and are giving my boy, Nate here a run for his money.” Gabe winks with a sinister smile.
“Wait what?” MacKenzie puts her fingers to the bridge of her nose.
“What he means is…” Nate starts and MacKenzie places a finger up to stop him.
“No the goalie thing. I’m choosing to ignore the last part for now.” She says which gets a reaction from the entire table.
“Mackenzie Blackwood is a goalie in New Jersey. You happen to have the same name.” Nate explains.
“Gotcha. I’ll be honest, I catch games when I can but it’s background noise.” MacKenzie still feels her cheeks on fire but doesn’t let it stop her. “I will go to a Flames games if I'm in town when they play ya'll then a Blues game when I’m home with my dad and brother. Most of my hockey following is checking stats or social media.” She takes a deep breath not wanting to look directly at the table that all seem mesmerized by her presence. “Anyway, just wanted to say hi, which I did. So…. Nice game gentleman. Enjoy your post game dinner. Good seeing you again Nate. Cale.” MacKenzie nods and turns on her heals to her friends who haven’t touched their food since she left.
"Kenzie Lou!" Remy softly squeals.
"Don't." MacKenzie grits her teeth.
"What the hell did you talk to an entire table of NHL players about?" Mosi ignores her friend's request.
"I guess I have the same name as a goalie in the league." She annoyingly answers.
Drew starts typing before anyone can respond. "Oh yes. Mackenzie Blackwood. K not capitalized. Canadian. 22. New Jersey rookie who started last year. Wait, how does that happen?" Drew looks at MacKenzie's face . "Later. I'll google it later."
"Could we eat please?" MacKenzie takes a drink of her water and starts to finish her meal. She feels a ping on her phone and turns it over to read the notification.
Nathan's i-phone wants to airdrop you. Accept?
MacKenzie looks over and he nods at the phone. She looks back to accept and sees a screenshot from his notes apologizing for being awkward and asking for her number. She seems confused.
"Kenz?" Mosi questions.
"He wants my number." MacKenzie whispers.
"I'm confused." Remy whispers back.
"Found my phone on airdrop. Smart at least." MacKenzie chuckles.
"So airdrop your digits back to him or I will." Mosi pulls her phone out. "I just need to turn on mine. Who keeps it on? You, of course you do Mac." Mosi looks at Kenzie amused.
"Should I?" MacKenzie pulls at her loose curl wrapping it around her finger and letting it bounce back.
"YES!" Drew almost yells. "What could it hurt? Have a new contact for work at the least." Drew knew exactly what would get MacKenzie to send her number. She looks down to see Remy had written down her number on his napkin. The man always had a pen on him.
"Snap this to 'em." Remy pushed it over so MacKenzie did just that. Almost throwing her phone down as soon as she did. It buzzed not even a minute later.
Maybe Nate: Hi Mackenzie. This is Nate.
MacKenzie: Hi Nate. You can call me Kenzie or Mac
Nate: Okay Kenzie.
She looks up at him and he smiles wide.
Kenzie: enjoy your dinner
Nate: Same. I’ll text you later
She didn’t expect to hear from Nate but the next morning while getting ready for work, MacKenzie hears her text notification.
Nate: good morning. We are off Sunday and a few of us are playing cards at Cale’s place. Would you and your friends want to come over? It’s not far for you.
She stares at the text and starts to pace. Then sends out a group text.
Kenzie: Nate and some of the Avs want us to come over Sunday. Thoughts?
MacKenzie got all three messages immediately in return.
Mosi: obviously yes
Drew: yes is the only answer
Remy: fuck ya!
MacKenzie sent a text to Nate saying yes and asked what they could bring. She wasn't surprised Nate said nothing just themselves.
Sunday rolled around. MacKenzie and her friends walked down to Cale’s condo. She stopped in front of the door and Drew reached over her to knock. Kenzie looked up at him.
"What, just making sure we don't have to stand here forever." The door swung open as Drew finishes his statement.
“Nate, they are here and at least she’s not in a Flames jersey today.” The curly haired guy MacKenzie knew was Tyson from a quick google search of the team over the weekend.
“Decided to leave that at home, Tyson, but I can go get it.” MacKenzie points while giving him a half smile.
“Oh, and she...” Tyson turns to see Nathan behind him. “And she knows my name.”
“Sorry, don’t mind him. He got checked a little too hard at practice this morning.” Nathan pulls Tyson back into the condo. “Come in please.” He gestured and they moved past Nathan into the condo that was the mirror image of MacKenzie’s just slightly larger.
"Make yourselves comfortable." Cale popped his head out from the kitchen. "I'm sure you know where everything is."
"Yeah, just backwards." MacKenzie looks down the hall to the rooms. "Two or three?"
"Three. You?" MacKenzie raises two fingers and realizes her friends have already made their way into the living room.
"Thanks for coming." Nate was still standing behind her and she jumped.
"Thanks for inviting us. My mother tells me I need to make more friends here." MacKenzie sighs.
"Same actually. Tells me the team isn't enough." Nathan looks over her at his friends that were also his coworkers.
"Work, travel, and such keep my circle small." MacKenzie admits. "Oddly, same. You travel for work?" Nathan pushes his hands into his pockets and leans against the wall.
"I do then try to do different things for fun, you know?" She leans against the other wall.
"That's cool. Where are you heading next?"
MacKenzie's mind normally would be racing. Thinking of all the reasons why she shouldn't tell this essential stranger her work schedule but something about him made her feel easy. Maybe how he had more to lose if he burnt her. He didn't know what she did for a living but she could make his life miserable. Maybe it was the simplicity of their conversation or the kindness in his eyes. She felt like she could talk to him.
"Colorado Springs then off to Washington D.C. for the rest of the week and into next week." She answered him.
"Oh, I think we are in D.C. next weekend or maybe the beginning of the week." He stares at his foot kicking the invisible dirt then looked back up at MacKenzie.
"We are. Now are you two just gonna talk in the hall or are you gonna play cards here?" Gabe leans around the corner. "We've already gotten to know Kenzie's friends... let's go!" He gives Nate a look that doesn't go unnoticed. The two walk into the living room.
“Do I need to make introductions?” Nate looks around the room at all the eyes on both of them.
“Well, I googled ya’ll in preparation for today… so… I think I’m good.” She scans the room and sees a few of the girlfriends or wives. “Well, I don’t know the ladies.”
Nate took a moment to identify the few sitting around the room and who they belonged to. Pulling out an empty chair for MacKenzie. “Here, you can play here.” She sat down and pulled her legs up criss crossed under her as Gabe explained the rules. The group played poker until there were four left. JT, Nathan, MacKenzie, and Mosi. Mosi kept saying she accidentally won her table which made the competitive men agitated but made MacKenzie amused. Eventually it was just Nathan and MacKenzie.
“Kenzie, I think you and Nate need a wager of some sort.” Drew drops a bottle of water next to her and she glares up at him.
“I’m game.” Nate pipes up.
“Okay, so what if I win?” Kenzie takes a sip of water.
“Glass seats at the game of your choice.” Gabe declares.
“Okay, and if Nate wins?” Kenzie directs her attention to the captain who now has his hands on Nathan’s shoulders.
“You go out to dinner with him.” Gabe squeezes Nathan’s shoulders and smiles at Kenzie.
“Uh…” Nathan tries to nervously interject.
“That’s fine.” Kenzie tries to control her blush by not directly looking at Nathan then overcomes it to look right into his soft eyes. "Let's play."
Cale starts to deal and everyone can feel the shift of all eyes on the table even though most had scattered once they were knocked out in individual conversations. After three hands, Nathan goes all in.
"I think he's bluffing." MacKenzie whispers and pushes all her chips to the center.
"Kenzie..." He breathes out and Gabe's hand returns to his shoulder.
They place their cards down and Nathan wins with a full house. The cheers start and Nathan just stares at Kenzie who gives him a small smile. She gets up and heads to the kitchen to grab a drink. Finding Cale's rum and starts pouring more than necessary into her diet coke. Takes a drink and feels someone behind her.
"Drew, I'm not that competitive." She doesn't even turn around.
"It's not Drew." Nate murmurs.
MacKenzie turns around slowly. "Sorry. Nice game." She raises her glass to him.
"We don't have to go out for dinner, you know." Nathan shifts his weight.
"Well, a deal is a deal, right?" Kenzie tries not to breath him in as he reaches around her for a water but he smells amazing. He shrugs his shoulders. "If I won, would I have glass seats?" She leans into the counter.
"Yes, you can still have them if you want." Nate fiddles with the bottle, flicking at the paper label.
"So, dinner. When we both get back in town, okay?" Kenzie takes a sip and looks up at Nathan.
"Yes, I'll have my people call your people then." Nathan laughs.
"So Gabe will call Mosi?" MacKenzie bites her cheek with her comeback.
"Oooorrrr... I'll just text you." Nathan replies.
MacKenzie takes a drink again and winces with the burn. "That works too."
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kileyrose-2003 · 4 years
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Dan Torrance x Fem! Reader: Intro
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A/N: Hello lovelies! This is the beginning of the fic I posted about earlier during the week that is going to be revolved alot around Rose. How many parts It'll turn out being, I don't know. Most of this fic, I'm doing in pretty big detail and I've never written anything like this before.
I am going on a date on Valentine's Day to most likely see Birds of Prey and from what I've heard about it, my sappy Bisexual heart already has a soft spot for Harley Quinn and Roman Sionis so I probably will begin accepting request for them as well as the Dr. Sleep characters I already write for. (Doctor Sleep Request are still open) I do have 2 Rose the Hat request am I working on rn. Anyways, Criticism is welcome on this one. I hope you enjoy and all is well.
Warnings: Child abuse, sexual tension, mentioned violence against children, gore, kidnapping, the usual.
Key: Dragă is the equivalent to sweetheart in Romanian
1980:
SNAP! Rose the Hat removed the top from one of their many full cannisters. "Eat well, live long," She whispered amorously before members of The True pushed her out of the way to get a whiff of their freshest thing of steam.
She stepped back, crossing her arms as she watched The True feast. This one's name was Anthony and she could remember juiceness in the taste of his steam. Yet, she didn't want him.
She missed the feel of the hunt and seeing the steamheads squirm underneath her. Rose felt a pair of arms wrap around her waist and she smiled at Crow, kissing the crook of his neck. "Aren't we quite frisky?"
"Just in love with you." He kissed her cheek and rubbed up and down her sides. "Crow.." Her eyes rolled into the back of her head. "I want you Rosie..only if you're okay with it, of course."
"You idiot, you already know the answer to that question." She smashed her lips against his and the two of them stepped into her trailers.
The noises coming from her RV were not unfamiliar to anyone who belonged to The Knot. When all was said and done, the two laid in each other's arms. Having their typically late night talks.
"There's not as much steam." Rose rolled her eyes into the back of her head. "Oh please don't be daft." She rolled over and buried her head in his bare chest. "We have three empty cannisters, not a big deal."
"It is a big deal. That's all time low for us and the kids now are being taught the whole stranger danger things. It's not as easy to lure them in."
"Well then what do you suppose we do about it? Without turning anyone." Rose looked him in the eye.
"Well, I've been thinking about it for a while...I have an idea but I don't know if you're going to want to hear it. It's a little..unorthodox." Rose raised a brow and chuckled. "Oh? Do tell because now I'm curious.
"You're going to think I'm insane, Rosie." She rolled her eyes. "Oh please, you of all people know I've seen it all. Just be honest and tell me."
"What if we got a baby or a kid?" He fiddled around with his hat. Rose had to fight the urge to laugh. "A baby? What the fuck would we both do with a baby?"
"Well not exactly a baby but look, I was thinking most rube children typically tend to relate to other rube children better than adults."
"And?"
"And what if we got a child, a particularly steamy one, to help us get what we need?" Rose thought about it for a moment. "That beats the whole point of not turning anyone though. Because I know you well enough to know that eventually you will get attached to it and you'll end up wanting to turn it."
"Rosie, they wouldn't be an it. They would be family. By the time they would be old enough to be turned the cannisters would be full and she-"
"She?" Rose questioned. "Assuming it's a girl. They don't have be a girl but anyways, by that point all the cannisters would be full because we'd have them to help us find the steamheads and it wouldn't be an issue turning them because we'd have such an easier time finding steam."
Rose sighed rubbed her face. "I don't know..it's just- Crow, I'm not fit, no- we're not fit to raise children. We kill them, Crow!"
"I know but we have everything to gain and nothing to lose. Worse case we wipe the kid's mind and everything goes back to normal or we kill 'em."
Rose stared deeply into Crow's eyes and pulled his face close to her's. "I'll think about it." She kissed the top of his head and looked up at the clock on the wall. "The rubes are probably wondering when they'll hear from you. Time you get ready to get on the road, big man."
"I know," He groaned and stood up, kissing the top of her. "Just think about it?" Rose made a humming noise and kissed his hand before watching him walk away.
Rose actually did think about it for a while before bringing up the matter with the Grampa Flick while Crow was away on business and the others were asleep.
"Well..it could be worth a shot. It's really up to you though, Rosie." She took a sip of her tea. "I'm not asking for pros and cons. I want to know what you think I should do."
He gripped his cane in his hand and sighed. "I think it's worth a shot. Even if it doesn't work out, we still do end up with extra steam and it's not like we hurt for money, Rosie."
"You're sure?" Rose held her hands in his. "I'm positive." She looked him up and down as if she was analyzing him. "Okay." She stood up from the lawn chair and kissed the top of Flick's head. "You won't mention anything to Crow when he comes back and make sure the rest of the family doesn't either?"
"Not a word," He coughed. "Not a word." She nodded and smirked as she walked away.
About two days after that conversation, Rose began her search for the perfect fit for The Knot. The first two weeks she hit nothing but finally she found something.
Just outside of a resort area in Colorado, Rose discovered a small row of cookie cutter homes located on the beginnings of a mountain. While she thought the houses were very rube like, she paid them no mind. What interested her more was what laid beyond those homes.
Farther up the road if you made a left, there was a long dirt driveway that after about a mile or two, lead up to a large cabin.
At first the house seemed like nothing but ordinary at first glance but to people who shined the way The True Knot did, it was a light shining to the moths searching meaninglessly in the dark.
Hardly anyone ever came in and out of the house and took Rose over a week to actually pin you as the steamhead in the house since you did have an older brother.
You were different from the rest of your family. "Special," Rose heard your mother mutter to you one night as she tucked you though she didn't have to be in her head to know special was not the word she was actually thinking of.
She was scared of you. Your whole family was scared of you and Rose couldn't understand why. You never were particularly domineering with your gifts and you always obeyed everything they asked of you. Even staying out of there heads when they felt their minds going adrift yet, they were terrified of you.
Rose watched you for weeks, constantly consulting back and forth with Grampa Flick about whether you'd be a good fit for a group. You didn't seem to notice though, as you were preoccupied with other things in your home life and wanted nothing but to hear from at least either of your parents that they loved you.
The one night in particular, Rose got to have a front row seat on your pain. She sat up on a tree branch, swinging her legs back and forth as she stared intensely at your bedroom window. The rest of the house was dark but your room was lit up like a Christmas tree.
"Now do you see why we're so stressed out?!" Your silhouette came into view from the light colored curtains shrouding your window and Rose could make out the outline of a male much taller than standing across from you.
"I-i'm sorry, daddy!" You screamed, terror brimming from everything to your voice to your posture. "I-i can't help...I wanna be normal!" You sobbed hysterically. "Come on, dad. She can't help she is, the way she is."
"Quiet, son!" Rose shook her head, still keeping her eyes fixed you. "Fucking rubes," She muttered under her breath.
Your father's fiery gaze turned back to you. "Then why can't you be normal?!!" Rose could see him gripping your wrist and closed her eyes as she heard the sound of a hand smacking against flesh followed by a scream. "Dad!" She heard your brother yell followed by another hit, except this time a male cry radiated through the house.
Rose could take no more and began her way back to the jeep as she seen your mother's figure enter view. "What the hell is going on in here?" She could hear from the distance, the further Rose went the more she blocked out the noise.
She got in the car and watched your house for a few moments. The light went out in your room and Rose could hear no more screams. She admitted a sigh of relief and covered her face. She knew it was unhealthy to feel so attached to you. She didn't even know you but that insecurness in your voice reminded her so much of yourself and how lonely she felt when she was younger. Rose had to have you. There was no option.
When Rose shared the news with the rest of The Knot, there was hesitance at first but eventually they gave in. Knowing that she was their leader and they'd do as she intended anyways.
The next couple of days were spent carefully meditating in her RV away from the rest of The Knot and planting little worms your head. While Rose didn't think you would give her much trouble leaving home once she got in your head, she was taking no chances.
The night before she planned on taking you, Crow finally came back from business and Rose still had no intentions of telling him what she was doing. Besides an extra add on steam, she figured she could also use you as sort of a gift to Crow. An 'I'm sorry I don't listen to you and here's me making up for it.'
He knew something up when she refused to speak anyone in The Knot but didn't question it. He figured she was going through one of her moods and decided it was probably best not to say anything to her at all.
The next morning when you woke up, you felt an almost magnetic pull on your body like something or someone wanted your attention from outside. It wasn't a scary pull like the ones from whatever stray lost souls were around. This pull felt warm and safe.
You unbraided your long, Y/c/h and threw on the first dress you seen in your closet before skipping downstairs. "Where do you think you're going?" Your mother called out from the kitchen. "Just to pick some flowers." You made up.
"Don't wander to far, please." You slipped on a pair of sneakers. "I won't. I promise. I'll see you soon, mama." You blew her kiss, hoping she'd return the gesture but the older woman refused to even look at you and you stepped onto your porch dejectedly.
You closed your eyes and focused your attention to the direction of the pull. It came from the woods and you hesitated, thinking of all the ghostie people you seen come from there yet something kept telling you to just go for it.
You walked off towards the edge of the woods, letting your shine be your guide. Even though it was still day, everything was so dark and desolate around you. You felt chills on your arms the further you went and just as you were about to turn around you felt the pull grow stronger, horribly strong.
"Well, hi there!" You jumped at the unexpected voice and spun around to look at Rose. You squeezed your eyes shut, expecting her to morph into one of the ghostie people but she didn't. Rose chuckled and you blushed. "..Hi." You toddled over to the much the taller woman, staring deeply into her gray eyes before she pulled you into a small hug.
The gesture was surprising but it didn't bother you. It was her aura that bothered you. Something was off about her. "I was wondering when you were going to get here." She smiled and held out a flower in her left hand. "Do you want one?"
"Yes please," You hummed in the cutest little voice, getting the feeling that this was a person you didn't want to mess with yet you thought the top hat lady in front of you had to be probably the prettiest person you'd ever seen in your short existence.
Rose smiled and slipped the flower in your hand, but not before taking it gently in her own for a second. "There you are, Y/n." Your eyes widened and Rose chuckled. "What's the matter?"
"You know my name?" Rose smirked self assuredly and ran an empty hand through your hair. "Of course I do! I know everything about you. How else did you think I was able to get you here?" Her tone was questioning but hinted on a doting nature.
You pulled away from her, still a little frightened but Rose gently gripped your wrist. "There's no need to be scared, honey. I'm special, like you." You shook your head, thinking back to what your dad said the other week and looked down a little ashamed. "Oh...I-I'm not special." You tried to deny. "Oh yes, you are. You are a very talented little girl."
(You can hear me can't you, sweetie?)
At first a feeling of panic arose inside you but it sooned bubbled over with excitement.
(I thought I was the only one!)
Rose thought about scolding you over how loud your thought came out but let it go because she too knew how happy she felt the first she knew she wasn't alone.
(You are far from the only one, Y/n. There are alot of other special people out there.)
"My friends..my very, very best friends, they're all special like us. I bet you must have friends who are so magical like you." You shook your head. "No?"
"I don't have alot of friends and my family doesn't think I'm special," You pouted. "That's because they're jealous because not all people can be special like us. Besides, I wouldn't worry about them."
"Why?" You asked sweetly. "Because I'm here to take you away from all that. I'm here to give you a family. Don't you want a family, Y/n?"
"I-i already have a family." The look in Rose's eyes scared you. It was possessive and determined. "But they're not really family though. Tell me dear, when the last time you've heard either of your parents say they love you?" You felt a pang of sadness ringing through you. "I-i should get back to my mom." Rose gripped at your wrist again, this time enough to hurt. "No, no..stay a while. See more magic."
You shook your head and struggled. "Just a fresh new start with your real family. You don't remember me and your daddy?" She held your tiny hand in her's. "No.." You said softly but now you started to question yourself. Maybe you did. Pictures of a man with black hair flashed infront of your eyes. "He loves you so much. We love you so much and we want you to come home with us. You want to come home with." For a moment you found yourself taken back by the warmth and you thought maybe it wouldn't be so bad to go with her.
"N-no! I can't. I won't-" Rose shushed you, sending you calming waves that started to make you feel tired and sluggish. "Or maybe I-i do wanna go home." You mumbled hesitantly, still trying to keep some grip on reality. "You do want to go home. You're happy to come home."
Every piece of control you had began to fade and your mind went blank. "I-I'm happy." Your mind finally caved and Rose held her arms open to you and you stepped into them. "Good girl. Sleep well, Y/n.." You went limp in her arms and everything went black around you.
By the next hour, any memories you had of your family would be gone and everything you ever knew would be fabrications Rose made up in your head.
Part 1: The True Knot
The fire at The Knot's campground burned bright in the mix of the setting sun when Rose arrived back at home. She stepped out of the Jeep, slinging your stirring form over her shoulder. "Mhh..wha-what's happening?" Rose shushed you and walked down hill with you. "Nothing. We just got home." There was a pause. "Do you know who I am?"
You had to think about it for a moment. "M-mama?" You asked hesitantly. "Yes," Rose hummed and pressed a kiss to your temple.
You heard the crunching of leaves and turned to see people walking towards you. "Mommy?" You whispered nervously and held onto Rose's floral patterned shirt tightly, still feeling some of the residual emptiness from your true upbringing.
"Shh..it's okay, my sweet. They're family and they're just going to watch you for a few minutes. Mommy has someone she has to address in conversation and then I'll come get you. Okay?"
"O-okay." You nodded and let her hand you off to Silent Sarey as she walked off not to far in the distance to one of the larger size trailers, knocking on it before stepping inside.
"Crow?" He looked up from his copy of 'A Clockwork Orange' with a smile. "Yes, Rosie?" She plopped down in his lap. "I missed you." She kissed his ear, nipping at the cartilage. "How the business deal?"
"A waste of my time." He kissed her forehead. "Well, you were out I didn't waste my time." He raised a brow. "What are you playing at?" She smirked and turned her gaze in the opposite direction. "You can let her in now," She called out loudly.
The door to his trailer swung open and shut and you stepped inside. Crow's face went blank and he put a hand up to his chin. "Rosie, what the hell did you-"
Rose grinned and knelt down to your level. "Come here, Y/n. There's someone important I want you to meet."
You obeyed and approached Rose, letting her scoop you up in her arms. The two lovers exchanged glances but nothing was spoken out loud. "This is your daddy, Y/n."
"Hi." You smiled sweetly and Crow cracked a large grin. "Hi honey...Rosie, can I-" Rose nodded and shifted you over to Crow.
At first you tensed up but the closer you snuggled up to him, the more you relaxed. "My little darling." Rose smiled softly as he kissed the top of your head and rocked you in his arms. "I love you so much."
"I love you too daddy." Crow held you in silence for a few more minutes until he attempted to hand you off to Rose. You gripped onto his shirt tightly and buried your head in his chest. "Don't let me go," You begged. You were still so touch starved and he just felt so warm and kind.
Rose was slightly taken aback. You knew her more than Crow yet you were already attached to him. "I won't, I promise." He maneuvered you that way he was cradling you and he rocked you back and forth.
She felt a pang of jealousy growing inside her, feeling slightly threatened that you seemed to like Crow more than her but she didn't let it bother her too much. She had a feeling you were going to be a mommy's and daddy's girl.
It didn't take long for you to fall asleep, feeling soothed by Crow's presence. "So..are you happy?" Rose asked lowly.
"Very...Rosie?" She made a slight humming noise. "Where'd you find her?" He asked hesitantly. "A little outside the more touristy area of Colorado. The rubes she belonged to are nothing worth writing home about if you catch my drift."
He nodded solemnly. "How-what did you to her to make her-" Her warm grey eyes interlocked with his. "Do you care?" He decided he didn't. Sometimes it was best to not know anything at all.
Part 2: Danny
Your presence in The True Knot did not bring in that much of an increase in steam but you made it much easier to find steamheads which was extremely helpful to Crow in the long run.
No longer did he have to take an extra cannister for himself to find far away steamheads because all he'd have to do is ask you if you felt someone 'special like you,' close by and without knowing any better, you'd always say yes and immediately pointed him in the right direction.
Neither him or Rose let you near the rubes anymore, though. Not that long after Rose brought you home she had you try to lure a little girl over to her but the girl's parents, both big steamheads, knew better.
For you to be gone for a half an hour was normal, maybe even forty five minutes since you were a child after all and barely ever got to see kids your age, let alone like you but an hour was way too long.
What the rubes said or did to you neither Rose or Crow could figure out but the both of them agreed they didn't like the mortified expression on your face or the tears that stained your cheeks afterwards.
The two of them took turns securing their food, that way you wouldn't ever see what exactly it was that they did to your newly made friend but if Crow was being honest with himself, he probably would of admitted somewhere deep down he knew you probably knew the truth of what they did way before he would of liked you to know.
While Rose secured their meal he tried asking you alot of different ways what it was that they said or did to you but you wouldn't say. He let it slide for a while and settled on just comforting you for a while but made sure to bring up again later on when everything was all said and done with their hunt.
"You got to talk to me, Y/n," He tried his hardest to not sound like he was begging as he pulled the covers over your tiny. Rose stood in the corner of the RV and stared as if she was examining everything you said and did.
You shook your head avidly and nuzzled closely to his form. "I can't." He ran his fingers through your hair. "Why not? Honey, you know we're not mad and you're not in trouble."
"Because it would make you and mommy sad and I don't want to make either of you sad." Rose bit down on her lip as Crow thought of a reply. "Baby, you could never-"
"Leave her be, Crow," Rose interrupted. "She's had a long enough of a day and she doesn't need either of us interrogating her. When she's ready to talk about it, she will."
Crow let out a sigh and nodded. "Okay." He shut the light off above your bed and kissed both your cheeks. "Goodnight, sweetheart."
"Night daddy." He ran fingers through your hair one last time before stepping away.
The next morning when you woke up Rose sat across from you on your bed, lazily sipping on her tea. "Good morning, my sweet."
"Morning mommy." She plopped a kiss sloppily into your hair and handed you a cup of tea. "Can I have a little talk with you?" You nodded and set your cup of tea down on the ledge of the window.
You looked Rose deeply in the eyes and she took your tiny hands in her's. "I know you don't want to talk about what happened yesterday but I want you to know that not everything everyone says is necessarily true. You're understanding what I'm getting at?"
You nodded and Rose smiled. "Just know that no matter what, none of us would ever hurt you and we love you. Alright?"
"Okay." Rose reached inside the pocket of her jeans and pulled a necklace with a little crystal obelisk hanging from it. "This was given to me by someone very special a long time ago. You probably wouldn't know, but at one point I felt lonely like you. Maybe a little scared so they gave me this, along with my hat. My hat will always stay with me I think you need this more than I do."
She placed the necklace in your hand. "Whenever you feel, lost, scared, whatever. You squeeze that stone, and that stone will keep you safe. Got it?" You placed the necklace around your neck and nodded. "Thanks mommy." You hugged Rose tightly. "You're welcome, my dearest..I love you so much." She kissed your cheek. "I love you too, mama."
In that moment, Rose didn't care whether you even brought in steam or not. She truly just enjoyed you. It was the first time she could truly say she loved you. The whole Knot really did love you. They would do it all over again with raising you if they could and not change a thing about you or that entire duration of time. Except when they brought you to Florida.
December, 1980:
"Y/n, my love. It's morning." Rose gently shook your shoulders and you groaned. "Why are you all up so early?" You sat up and stretched. "We're going to move camp today." You raised a brow. "This early? I feel like we just got here," You whined sleepily.
"I know but daddy and I have some business to attend to." She ran her fingers through your hair. "You'll like the next place better. It has a pretty lake overlooking it and trees. There's lots of flowers there too." She paused and ran a thumb across your cheek. "We can pick some later if you want." You smiled softly. "I like flowers."
"I know you do, my sweet girl." Rose pulled you into her arms and held you for a few moments, kissing the top of your head. "Go get dressed and say good morning to daddy. He'll get aggravated if I keep asking him if we're ready to move."
You giggled and slid out of her lap. "Okay mama." You placed a tiny kiss on her cheek and picked out a bohemian dress from your dresser that Apron Annie sowed you once Rose gave her word you were the one.
"I don't think daddy could ever get mad at you." You mumbled as you slid the dress over your head. "He loves you alot. He doesn't even have to say it. I can see it in his mind." Rose smiled softly. "Daddy is a very loving man. He loves you alot too." You could tell she was trying to hide something from you and you attempted to get inside her head to figure out what she was thinking but she immediately shut you out.
"Mommy!" You whined. "Sorry sweetie. You're just not old enough yet." Rose ran a quick brush through your hair. "And then when you're old enough, you're not going to want to know." She plopped a kiss on the top of your head. "Now go on."
"Okay," You pouted and stepped outside. You seen Grampa Flick sitting outside on his lawn chair and waved. "Good morning, Grampa."
"Morning, dragă." He held his arms out to give you a hug which you immediately gave him. "Have you seen, papa?"
"His trailer." He pointed to the left. "Thanks Grampa." You kissed his cheeks and walked off in the other direction. You watched Crow fiddle a few of the bottom conpartments on his trailer before saying anything.
"Hi daddy!" Crow turned to look at you and smiled, stopping whatever he was doin. "Hey babe." He scooped you up in his arms and kissed your cheeks, his mustache tickling you slightly. "How'd you sleep?"
"Good. Mama and I cuddled last night so she kept me warm." You smiled happily. "She gives good cuddles, right?"
"The best!" You smiled and nuzzled closely to him. "Daddy, what's that for?" He turned his head to the side. "What's what for, sweetie?"
"That." You pointed to the rope by his feet and he kicked it aside quickly. "Oh..nothing you have to worry about." You furrowed your little brows curiously and he smiled gamely.
Was he trying to trick you or something? Crow chuckled and kissed your cheeks. "I don't have to be in your mind to know what you're thinking." He gently set you down on your feet and knelt down to your level. "We'll tell you when you're older, okay?"
"Okay, daddy." He placed a kiss on your forehead. "Good girl. Anyways-" He ran his fingers through your hair. "What do you need?"
"Mommy wanted to know if we were ready to go. She sent me because she was afraid to ask you. I don't know why though." Crow chuckled and shook his head. "You can tell mommy, I'll be ready in about thirty minutes. Got it?"
"Got it." You skipped away and Crow let out sigh, wondering just how much longer they could hide all this from you til you got too curious for your own good.
The ride to Florida was long and didn't have that much interesting scenery. The roads were long and straight and it didn't take you long to fall asleep in the passenger seat of Rose's colossal RV.
That whole time while she knew you were fast asleep, Rose used her radio system to formulate a plan on how they were going to trap Violet. Normally one of them would stay with you while other went with the rest of the group but this time they couldn't afford to have one of them stay. From what Rose could tell at the time, this kid was big steam all though it wouldn't be til years later it was in fact the wrong child she chose to take within just a few mile radius of each other.
Once you reached the campsite Rose quickly woke you up and informed you she had some business to attend to with Crow. "Y/n, stay inside while I'm out." You let out a groan. "But mama-"
"No buts." Rose knelt down to your level and ran her fingers through your hair. "It won't be that long."
"I don't like being by myself in here though. It's scary," You whined and nuzzled into her. You pointed to the cabinet she kept all the cannisters in. "I hear things in there and it makes me feel small and it's scary."
'And see things too.' You thought but wouldn't dare say outloud. You curled into Rose and she kissed the top of your head. "Hey, it's okay..Nothing can make you feel small unless you really feel small and tell me, what are you Y/n?"
"Tiny but mighty." Rose grinned proudly. "Exactly, so no. You are not afraid. Because I know whatever you hear coming from that cabinet, you can deal with. Right?" You nodded and she ran a hand through your hair. "You still have the necklace I gave you?"
"Yes mama." You squeezed the pendant hanging from your neck. "Good, that'll keep you nice and safe." You nodded and she pressed a kiss against your head, handing you her TV remote. "I'll be back, my flower."
She gave you a slight wave before slamming the door shut behind her. You quickly ran over to her bed and buried yourself under the covers as you turned the TV on.
'Snow White' was playing on one of those channels you were scrolling through and you settled down, snuggling into the blankets. You didn't know how long the movie was on when you felt a cold hand lace their hand on top of yours.
Your blood ran cold and you squeezed your eyes as your open hand squeezed the necklace your mother gave you. "You know, this movie used to be my favorite too when I was a little girl."
You seen the face of a bloodied and clearly beaten woman infront of you and you fell backwards off of Rose's bed. "When I was alive, I thought you were a freak but now I know you're special and I never got the chance to appreciate you, my special girl."
"Please..please, go away." You squeezed the necklace as hard as you could. If you weren't in Rose's possession, you would of known who the woman standing infront of you was automatically but now you hadn't a clue. "Stay safe, my little one." Your real mother bent down to kiss your head and you let out a scream before running as far as you could. "MAMA!!" You shrieked.
Not even 15 minutes later you were farther from Rose than you even were before and The True arrived back to where a majority of their trailers were parked with a hysterical Violet in tow.
"Please let me go! My mommy will be so worried about me. Please, please, please!" She begged. None of them paid her any mind though as they began to bound her. They were so used to the screams and begs by now, it didn't bother them.
"So where are we going after this?" Crow asked, as he threw a couple of items that they would need later to various unoccupied members of The True.
"I don't know. I was thinking maybe Massachusetts, because you know how Y/n loves the snow.." Rose continued to talk as Crow zoned out, putting the left over rope in the storage compartment of his RV. "..She is in your trailer, right?" Rose closed the door to her RV.
Crow furrowed his brows. "Who?" Rose sighed inwardly. "Y/n, Crow Daddy. She is in your trailer, I hope. Because she's not in mine." He closed the compartment and unlocked the door to the trailer. "Let me see."
He walked inside and shut the door behind him, examining the space for you. "Crow, she's there right?" You weren't. A spike of panic rised in him and he ran his fingers through his hair in a frustrated manner, unlocking an almost unconfident reserve on his face. "Uh, yeah..she's in there," He lied through his teeth, desperate to save him and you from Rose's wrath. "Rosie, is it okay if I stop with her really quick to get some fresh air?" He asked. "I don't care what you do. You'll be able to find your way back?"
"Sure." He smiled through gritted teeth even though Rose couldn't see him and silently cursed you underneath his breath. "Okay..tell Y/n, I love her." Rose began to walk off to her RV after making sure Barry had everything with Violet handled.
"I will.." He watched the rest of the caravan leave before getting behind the wheel and closing his eye. "Alright Y/n, let's hope my instincts are good enough."
Meanwhile a few minutes away in driving distance, as you passed the lakeside view Rose told you about, you heard noise coming from the distance and jumped back.
The more you listened though, the more you realized there was mostly children there. You walked up the small hill and watched them for a second. "So many rubes.' You thought to yourself. 'None of them like well..or not?'
You began to feel that same magnetic pull you felt from Rose the first time you encountered her and you found your eyes fixated on a boy sitting by himself.
You felt attached to your family but never did you feel such a connection strangers and you didn't know why. It wouldn't be until years later, you would put two and two together and realize the person infront of you was in fact your soulmate.
Despite your fear of all the rubes around you carefully approached the stranger sitting on the bench, not daring to put your guard down.
"You mind if I sit next to you?" The little boy shook his head and you sat down next to him. "What's your name?"
"..Danny." You smiled. "That's a nice name. I'm Y/n, it's nice to meet you." He didn't say anything back but you didn't mind. Your parents were both mostly laid back but if there was a thing they were big on, it was respect.
"..nice to meet you too. Sorry, I'm just having an off day." You shrugged. "I'm okay. Do you want to talk about it?"
"No..you wouldn't understand." The more you looked at him the more, the more you could tell he wasn't exactly so rube like.
(Is it because of this?)
The boy sitting next to you looked at you blankly. "Danny, I know you can hear me," You said softly. "No..not because of that. Well..maybe a little. She'll just keep coming until she gets me. I don't care what Dick says."
"Who will come and get you?" You asked then blushed. "Sorry, I shouldn't of pried." Dan shrugged dismissively and looked up towards his apartment building and pointed to the bathroom. "The lady in the bathroom."
A decaying woman flashed infront of your eyes and your posture stiffened. "You can see her, right?"
"Yeah, I see her..If it makes you feel better, I see scary things too sometimes." You took his hand in your equally tiny ones. Dan felt the urge to pull away from you but there was this warm element to you that made him feel comforted by you.
"Really?" You nodded solemnly and moved your hand away from his to take a necklace of your neck. It had a little crystal obelisk hanging from the bottom if it. "My mommy gave this to me for when I get scared. If you squeeze the crystal, it's supposed to make you feel safe." He said nothing and you put the obelisk in his hand. "I think you need it more than I do."
"You're sure?" You nodded and for the first time in a while, Danny Torrance actually gave a hint of a smile.
(Thanks, Y/n.)
(You're welcome.)
"Y/n?" You could hear someone calling your name and you turned around. "Y/n, honey?" You looked at Dan. "That's my daddy. I have to go before I get in trouble. Bye Danny."
"Bye." He was a person of very few words but it didn't bother you in the slightest. All you knew was you didn't want your dad to see him. You didn't know what was going on but you knew something wasn't right.
"Y/n?" You sprinted towards him. "Daddy!" You exclaimed. Crow's eyes went wide with relief. "Y/n." Your father pulled you close to him. "Don't you run off like that EVER again. You understand me?" You could see his infrequent temper in his eyes and you were quick to nod. "What the hell were you thinking?"
"I-i-" Crow didn't bother to wait for a response from you before he continued speaking.
"People out here are bad, Y/n. They'd hurt you in a heartbeat." He cupped the sides of your face. "Do you know or did you even think about how upset your mother and I would be if you just disappeared?"
You felt your heart sink and your lips trembled. You knew there was a possibility they might do bad things but that didn't mean you didn't love them because of it. You felt so selfish and cruel. "I-i didn't think about it. I'm sorry daddy.." Your eyes watered as you looked down at the ground and he sighed. "Just don't do it again, got it?" He wiped one of your tears away. "Yes daddy. Y-you're not going to tell mommy, are you?"
Crow kissed your cheeks gently. "No, I won't tell her. I think this can be our little secret. What do you think?" You let out a giggle and Crow smiled. "That's my girl. Come on, let's get you back to the caravan before mom notices we're gone because you know how she gets."
You nodded and held your arms out to Crow who immediately scooped you up. You wrapped your tiny arms around his neck and nuzzled closely to him as he carried you away.
(Y/n?)
You smiled softly as you felt that little ping in your head.
(Yeah, Danny?)
(Am I ever going to see you again?)
You paused before responding.
(Maybe. I hope so because I like you Danny.)
(Me too, Y/n.)
You felt one of Crow's finger poking your shoulder and you pulled yourself out of your thoughts. "Yes, daddy?" You asked. "Did you feel someone steamy?" He whispered in your ear.
You thought about telling the truth but thought of Danny. You only just met him but something deep down told you, you couldn't let him get hurt. Maybe..just maybe, all rubes weren't so bad after all. "No, daddy," You lied.
"You're sure?" He pressed. "I'm sure." Crow sighed and patted your back. It would of been nice to have double the amount of steamheads but he supposed Violet would be enough to sustain them for a while. Besides, beggars couldn't be choosers and he trusted you enough to think you wouldn't lie to him. "Okay, honey.."
The next time you would see Danny Torrance after that fateful December day, would be 26 years later and by that time any bridge you had built with The True Knot would be burned.
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Dancing lessons
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Hi!! I'm sorry, this one took forever, I had a Dengue Virus outbreak to deal with for the last three weeks and I even had the damn thing myself, not funny, wouldn't recommend it, it felt like shit and I had to skip work two days, thankfully no mortal victims, at least not on my watch, but the town is still recovering, anyway work is crazy and that's why I haven't update anything, I'm really sorry
Summary: Barry is finally cast in a feature, the problem? He said he could dance and now he can either disappoint Sally or found a way to learn some steps.
Part 1 ● Part 2 ● Part 3 ● Part 4 ● Part 5 ● Part 6 ● Part 7 ● Part 8 ● Epilogue
Warnings: Swearing, blood, violence, guns, cheating maybe.
Part 4
The lights on your studio were still on when you entered, and the dry blood on the floor made a horrible sight that almost made you faint again, thankfully a strong arm was holding you since you get out of the car, and he was looking at the floor too.
"I can clean that if you want" He said helping you sit down on a chair. "I'm not sure if you should climb your stairs yet"
"Thanks, that would be great. I would say leave it but I have class early tomorrow and is not a nice view for a bunch of 4 year olds" you said thinking about the wooden floor and how much damage the blood would cause, and Barry walk inside the storage closet looking for a mop.
"Then I will leave it there, you are insane if you think you are going to give any class tomorrow" He came back with the cleaning supplies and gave you a judging look, lacking any authority since he was holding a bottle of detergent in on hand and a bucket in the other.
"Fine mom, I'll cancel" you held your hands high in surrender "Actually I can use a day off, I have this terrible student in the afternoon, he is a pain in the ass" You said and he rolled his eyes at you while rolling up his sleeves and starting to clean the floor.
An hour later the floor was spotless, he had an odd talent cleaning up blood, and made a funny shocked face when you pointed it out, the clock announce it was merely 8:00 pm and you had to remain awake until 6:00 am at least.
"I feel well enough to go upstairs, you can leave now" you told him hoping he would listen since his presence made you feel uneasy at times.
"No way, the doctor gave me a list of things to check up every couple hours, and if I leave you would fall asleep, but let's go get you upstairs, you will be more comfortable on your couch" He said approaching with the clear intention of carrying you on his arms.
"I can walk, that won't be necessary" You said quickly, ignoring the idea of how wonderful would it be to be held in those arms.
Maybe that was the reason you had end up screaming in the first place, an elaborate defense mechanism your brain set up in motion to ignore the growing feelings you had every time he enter the studio, every time you held his hand and forced down your waist while you were dancing, and the longing in your skin asking for more.
Of course there was handsome men in your class every now and then, grooms, fathers of the bride, actors, etc. and you had always conduct yourself professionally regardless the clear intentions some of them may have. And you have always respected your marriage with Alan even in the worst of times. But Barry was different, there was just something about the way he looked at you that make you want to scream and run away because it terrifies you how easily you could fall for him.
"Are you feeling nauseous?" He asked once you were sitting on the couch, and you nodded no "Tired? Clouded vision? Having incoherent thoughts?" He continued reading the list the doctor gave him.
"I believe I'm a big green marshmallow queen of the north pole, but that's normal right?" You say dead serious and he hide a grin behind the white sheet of paper.
"Very funny, we should call the doctor and share the joke with her" he said seriously.
"Fine, I'm sorry. I have a minor pain in my head, but I can see and hear perfectly clear, I remember everything that had happened clearly and I don't feel like vomiting" you said and he put the list away satisfied with your answers. "I'm sorry I'm being an imposition to you, I'm sure you had plans" You continued and he opened his mouth to reply he was staying once again so you keep talking before he did "And since you are staying here at least let me fix you something to eat, is late and I don't think you have eaten". You stood up and he followed you to the kitchen.
"You really don't have to, I can make a sandwich if you tell me where things are, or we could order something, I don't think you should be near sharp objects" He plead alarmed when you took out a large knife from a drawer.
"Fine, but I'm paying, and once again I can assure you this is nothing I have had worst" you said putting down the cutting board and opening the fridge to offer him a beer "once I broke my leg in 3 pieces" you said confidently showing him a long thin scar on the side of your leg and suddenly feeling exposed since you haven't change from your dancing clothes, and you didn't feel the same confidence wearing them outside the studio.
"I've been shoot, a lot" he said lifting part of his shirt showing you a couple scars, not helping the situation in your mind.
"Ok war hero, you win, can you please order the food, I am going to change, feel yourself at home" You said patting his hand urging him to cover and hurrying to your room away from him.
***
Y/N took forever to come out and when she finally did she was wearing a comfortable pajama, and was drying her hair with a towel.
"You took a shower?" Barry asked upset "You could have fallen"
"But thankfully I didn't, I have to I was covered in blood and I need to find a way to cover this" She pointed at the place the doctor have shaved her hair and she tried to hide it with a lock of hair.
"I'm sure the parents would understand you had an accident" he said confused by her despair.
"Yeah, they will mostly, but Alan would make a big deal out of it and I'm sure he will use it as an excuse to keep pushing me into selling the studio" She said letting her hair alone and crawling onto the couch.
"Why would he do that?" He asked trying to be interested and ignoring the pinch of jealousy he felt once again when she mentioned his name "I mean you do charge a lot but you have many clients"
"Is not about the business, he just thinks I should sale the studio to Macy since she knows how to run it, and move with him to Dallas or Colorado or whenever his company wants him, that way he would be home every night to see our children" She said exasperated at the idea.
"Children?" He asked a bit shocked since she never had mentioned any children before.
"The hypothetical children we will have in case I actually leave this place behind" She said with a sad look on her face.
"So you don't want to have children?" He asked now genuinely interested. "I mean it's okay if you don't" he said quickly.
"Honestly?" She asked and he nodded "I really don't know, I mean when I was 22 and dancing in Moscow I have this crazy fantasy that I would retire in glory from ballet at 32 and meet a wonderful man and have a girl and she would be a great dancer by the age of 4." She had a sad smile on her face as if she could see herself in the moment she was describing.
"Moscow? As in Russia?" He asked.
"Yep, I was about to become a Prima Ballerina, then I broke my leg and every money I had went to surgery and recovery and suddenly I was no longer fitting to play Odette, or any major role and eventually like three years after I have to come back, I worked in Broadway for a while, that's when I met Alan"
"Sounds romantic" he said sarcastically making her laugh
"It was, at least at first, but then I had another lesion in my ankle so I was no longer able to work there either, and he was nice and sweet and he was with me, so we got married and end up here, five years later dealing with moms that feel their children would be next Maria Kowroski"
Barry's phone start ringing and he went downstairs to pick up the food, when he came back she was holding a big photo album in her lap.
"I haven't seen one of those in forever" He said entering the apartment holding the bag with Chinese food. "I thought everyone had digital albums these days"
"They do, but you can't do this to digital pictures" She said showing him burned hole in one of the photos. "Kids these days, what would they burn when they break up with a boyfriend? Anyway I'm starving" she pointed to the kitchen so they could eat.
They share an animated meal talking about how life and technology was passing by them, maybe a little lost resentful than usually since they both have the same opinions on the matter.
"Did you told him?" He asked after a while, he was leaning back in his chair looking at her finishing some noodles. "About not wanting kids I mean"
"Of course I did, since we were dating,but he had this idea that he would make me change my mind, and I was sure I would make him change his. Now we have civil dinners when he is home and pretend we are not angry at the way this marriage turned out, just waiting for one of us to give up and accept the other terms" She said and her bluntness took him by surprise again.
"I'm sorry" he said with a sad frown on his face "Earlier when I said this was your dream job and that your situation is perfect, I have no idea and I'm sorry"
"Don't be, I shouldn't have to try and prove you wrong forcing myself to do the Odile's Coda, since I'm clearly not in shape to do it" She smile at him and pointed the injury in her head.
"Well that only make it worse, why would you need to prove anything to me? I'm really sorry"
"Relax, you already making up for it being here, and is only 10:00 pm, do you want to play a board game? I would say we watch a movie but I would fall asleep quicker that way" She said and he agreed.
They played scrabble, bringing out some dark competitive instincts on both of them, only interrupted when Barry took a couple trips to the bathroom to call Sally who was not upset at all that he had canceled their dinner since she had this amazing party to go to.
By 3:00 am and feeling extremely tired and looking at her about to give up he call the hospital, the doctor kindly told him she was clear to sleep, news he took gratefully, but before he could tell her she was already curled in the couch, he sit next to her and let her rest her head on his chest, maybe when they woke up he could feel guilt and remorse about it, maybe he would have to stay away from her since he was obviously interested in her but at that moment he was very comfortable and lost in the smell of her hair to care about anything else.
@meraki--mei
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bluewatsons · 4 years
Conversation
Ivan Illich with Jerry Brown, We the People, KPFA (March 22, 1996)
Brown: This hour we have a very special privilege and opportunity. We have here in the studio in Los Angeles Ivan Illich and Carl Mitchum, two friends of mine who I hope you'll enjoy our conversation. Listen in. You'll find it instructive. Ivan Illich is the author of a book, very famous in the 1970s, called Deschooling Society, another book called Medical Nemesis. He's also the author of Celebration of Awareness, Tools for Conviviality, Gender, and now his most recent book called In the Vineyard of the Text, a commentary on a 12th century scholar and saint, Hugh of St. Victor. Along with us here in the studio is Carl Mitchum, a professor of humanities, presently Visiting Scholar at the Colorado School of Mines and on a more permanent basis a professor at Penn State where Ivan Illich and his friends and fellow scholars meet every year for a few months to study these ideas that over the next hour we're going to do our best to elucidate and share. Ivan, why don't we just start with the book that I first encountered when I became aware of you, and that is the book Deschooling. Can you reflect on what you were thinking about when you wrote it and how you might see that reality today because we're still struggling with schools in this society. There's still a dependency on professionals that seems to have control of how we learn or don't learn and I just have to wonder have we made any progress in creating the context where people get the sense that they are in charge of their own learning?
Illich: During the later 60s I had a chance in a year and a half to give a dozen different addresses to people who were concerned with education and schooling at which I had looked as a historian. I asked myself, since when are people born needy? In need for instance of education. Since when do we have to learn the language we speak by being taught by somebody. I stood in front of a group and asked, who of you remembers from whom your child has learned walking? Among a hundred people certainly thirty would raise their hands and I would say, I guarantee you are all graduates of education schools. I wanted to find out where the idea came from that all over the world people have to be assembled in specific groups of not less than fifteen, otherwise it's not a class, not more than forty, otherwise they are underprivileged, for yearly, not less than 800 hours, otherwise they don't get enough, not more than a 1,100 hours, otherwise it's considered a prison, for four year periods by somebody else who has undergone this for a longer time. How did it come about that such a crazy process like schooling would become necessary? Then I realized that it was something like engineering people, that our society doesn't only produce artifact things but artifact people. And that it doesn't do that by the content of the curriculum, by what we are taught, but by getting them through this ritual which makes them believe that learning happens as a result of being taught. That learning can be divided into separate tasks. That learning can be measured and pieces can be added one to the other. That learning provides value for the objects which then sell in the market. And it's true. The more expensive the schooling of a person the more money he will make in the course of his life. This in spite of the certainty from a social science point of view that there's absolutely no relationship between the curriculum content and what people actually do satisfactory for themselves or society in life. That we know since that beautiful book by Ivar Birg [?], The Great Training Robbery. In the meantime there are least thirty or forty other studies, all of which show the same thing. The curricular content has absolutely no effect on how people perform. The latent functions of schooling, that is the hidden curriculum, which forms individuals into needy people who know that they have now satisfied a little bit of their needs for education is much more important. So that was the reason why I went into it.
Brown: So Deschooling was based on the insight that the school industry teaches people, not teaches them but manipulates them, into thinking that they have certain needs that the school itself alone can satisfy?
Illich: That they have needs. Not all people whom I knew as a young man had needs. We were hungry but we couldn't translate the hunger into a need for food stuff. They were hungry for a tortilla, for comida, not calories. The idea that people are born with needs, that needs can be translated into rights, that these rights can be translated into entitlements, is a development of the modern world and it's reasonable, it's acceptable, it's obvious only for people who have had some of their educational needs awakened or created, then satisfied and then learned that we have less than others. Schooling, which we engage in and supposedly creates equal opportunities, has become the unique, never before attempted way of dividing the whole society into classes. Everybody knows in which level of his twelve or sixteen years of schooling he has dropped out, and in addition knows what price tag is attached to the higher schooling he has gotten.
Brown: So you get a precise definition of where you are in the social hierarchy by how much schooling your had or how much schooling you don't have, so you didn't know you needed fourteen years and a postgraduate degree or to get out of high school depending upon where you lived.
Illich: It's a history of degrading the majority of people.
Brown: So you take somebody who's poor and you modernize the poverty by not only having a person that doesn't have a lot of material goods but now lacks the mental self-confidence that his father or grandfather had before that.
Illich: And I can create a world for him in which he needs constantly something which--at that time I searched for a word I didn't findd, context sensitive help. You know, when you are in front of a computer and when you are in that program and put in Word Perfect it tells you what help you need at that point at which you are. This is instructions for use. This is incorporation of teaching into the object with which you encounter at its high point. We have created a world in which people constantly are grateful if they are taken by the hand to know how to use a knife or to use the coffee maker or how to go on from here in text composing.
Brown: So basically what you have is we're getting a world that more and more makes people dependent and the dependency isn't on nature or on their friends but on those who run the institution, whether it's a school or a ...
Illich: I don't want to go that far in my paranoia. To say the ones who run the institution, that is exactly what Mitchum there intensely explored over the years. It is that increasingly people live in an artifact and become artifacts themselves, feel satisfied, feel fit for that artifact insofar as they themselves have been manipulated. That is the reason why the two of us in several dozen of our closer flings [?], our invisible table--I don't like college--concern themselves with the things in the world as it is today as determinants of the possibility of friendship, of being really face to face to each other. Usually the people who do the philosophy of things, of artifacts, of technology, are concerned about what technology does to society for instance. Inevitably modern technology has polarized society. It has polluted the environment. It has disabled very simple native abilities and made them dependent on objects.
Brown: Like an automobile.
Illich: An automobile which cuts out the use value from your feet. Like an automobile which makes the world inaccessible when actually that means in Latin using your feet to get somewhere. The automobile makes it unthinkable. I recently had the question, "You're a liar!" when I said to somebody I walked down the spine of the Andes. Every Spaniard in the 16th, 17th century did that. The idea that somebody could just walk! He can jog perhaps in the morning but he can't walk anywhere! The world has become inaccessible because we drive there.
Brown: So the objects, like a car or even like a school, change who we are.
Illich: Who you are and even more deeply they change the way your senses work. Traditionally the gaze was conceived as a way of fingering, of touching. The old Greeks spoke about looking as a way of sending out my psychopodia [?], my soul's limbs, to touch your face and establish a relationship between the two of us which is this relationship, and this relationship was called vision. Then, after Galileo at the time of Kepler, the idea developed that the eyes are receptors into which light brings something from the outside, keeping you separate from me even when I look at you. Even if I gaze at you. Even if I enjoy your face. People began to conceive of their eyes as some kind of camera obscura. In our age people conceive of their eyes and actually use them as if they were part of a machinery. They speak about interface. Anybody who says to me, I want to have an interface with you, I say please go somewhere else, to a toilet or wherever you want, to a mirror. Anybody who says, I want to communicate with you, I say can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are.
Brown: Carl, were you going to jump in here?
Mitchum: I think that when Ivan talks about the importance of artifacts, or objects, and how they influence the way we experience ourselves and relate to others that's the thing in Ivan's work that has been continually most challenging to me because as I've tried to reflect and think about the world in which I live, a world in which a hundred years ago, even fifty years ago, when I was growing up there was a predominance of natural objects around. Rocks, trees, animals, chickens. Even in the city there was a predominance of natural vegetation and that's all changed. We live in a world in which the artifice of our environment overwhelms the natural foundation or context of the past. As Ivan has pointed out, that artifice is undergoing a fundamental transformation in what he referred to as context sensitive help screens. We spend more time now in front of a screen of one kind or another than we used to spend face to face with other humans beings--either the screen of the television set, the screen of the computer, the screen of my little digital clock right here in front of me.
Brown: And then even the city that we see is some kind of a screen with the billboards, the buildings. It's a mirror of the technological change and manipulation of nature. We're seeing this--what is this thing that we're seeing?
Mitchum: And we begin to experience the world, like when we're driving in a car the windshield becomes a kind of screen. The world becomes flattened to that screen. What was the term that Barbara used, Ivan?
Illich: The windshield gaze, but I found at the Penn State Library a report on the Texas meeting of windshield technicians. Last year we had three volumes with some 870 contributions about how to engineer the windshield view which always makes you be where you're not yet.
Brown: So you're looking ahead.
Illich: You're looking at what lies ahead, where we are not yet, which of course makes us with terrible feeling like when you are with somebody and he always wants to know where we will be next week, where we will be the next hour, instead of being right here. It makes facing each other increasingly more difficult because people can't detach themselves anymore from the idea that what we look at has been manipulated and programmed by somebody.
Brown: But people have always been subject to domination in one form or another in society. Now this is a different form of this kind of control.
Mitchum: It's not domination. It's transformation.
Illich: Let's stop for a moment and take that seriously because you give me some idea of who's listening to us. Definitely what I ought to do was until quite recently in all cultures which we know of determined by the idea of hierarchy being natural, being a given. The human condition, which can be that of the tropics or that of cold climate, which can be that of a very highly sophisticated Greek politea [?], with slavery or God know what horrors, or which can be that of a monastery in the 12th century. Being something given in which I live, which I have to learn to suffer. People didn't speak of a culture. The word didn't exist. But they spoke about the style of the art of suffering which we have here and not somewhere else. Somewhere else knows how to suffer his human condition. All this has been blown away, but what was common to all these forms of suffering the human condition was some kind of hierarchy which led them to the idea. The two of us, we haven't seen each other for a year now, and when we saw each other we bowed in front of each other and I had this clear feeling just as I was deeply impressed by some of the things which recently I have read of you. You also had a similar bow. This very idea of bowing. Don't bow in front of a screen. It's made impossible for people, or very difficult, who constantly see non-persons on the screen. I remember the day when that kid told me, "Yes, but I did see this evening Kennedy and then President Bush and then also E.T." For goodness sake, I am not something like them. I am somebody who wants to respect you, who wants to look up to you. This has been deeply undermined. That's the reason why I am saying that thing with the domination is important. Abuse of this leads to domination.
Mitchum: The abuse of the screen leads to domination?
Illich: Domination ought to be distinguished.
Brown: That was really hierarchy. I was speaking of more hierarchy. You think of the medieval period, the kings and the clerics and the peasants, and then we have this world of democracy where supposedly we're all equal and yet it turns out quite different from that.
Illich: But domination, let's say superiority, manipulation. With equality, dealing with the other, from above becomes manipulation.
Brown: So you're saying in a context of equality if you bow to someone that's already wrong.
Illich: It is already wrong and probably he will manipulate you. He will use devices and tools. He will manage you. There's a tremendous difference between managing somebody under the assumptions of equality and being able to exploit, to command, to deny another persons under conditions of hierarchy. The very idea of power is something literate, like money or watts [?] which can be loaded anywhere, is a very modern idea. It makes you believe that women and men can fight for power. In traditional society where human was Adam and Eve, where their relationship was a proportion like in music. A quint [?]. You hear a quint. You don't hear two sounds which combine to a quint.
Brown: What's a quint? A note?
Illich: A note, yes.
Mitchum: Two notes that harmonize.
Brown: A chord.
Illich: If you take a chord, divide it two to three and then listen to it you get that which people all through history have enjoyed as beauty, as music. Until Bach. That's the only thing which we can enjoy is music. And then from 1730 to 1890 modern music reflects a completely new view which you can make something they called music out of tempet [?] tones, that is tones which are artificially, using logarithms, defined in such a way that they are all slightly off proportion but provide the possibility of symphonic arrangements of international usage. I'm really addicted to precisely this horrible, impure noise which is modern music but I know that it is nothing to do with traditional Gregorian, with traditional Greek, with any kind of past music where people didn't hear individual tones which together give a proper arrangement. But they only could hear the relationship between the two sides of a chord. The loss of the sense of proportionality, the loss of the sense that our friendship is not Jerry plus Ivan and some interaction between them as if they were two screens, two programs, two machines, but an irreality [?] which is beautiful in itself. That sense seems to me that which I would like to save. I can't do that in politics. I can't do that in public life. I can do that only cultivating, we get together around spaghetti and a glass of wine.
Brown: So now in your earlier period you were more engaged in thinking about and writing about things like medicine or the medical world or the schools or tools or energy or transportation and now what you're just saying that you really have to focus on friendship, on people, around a table. Is there something that changed in you or something that changed in the world that brought you to that perspective?
Illich: I guess both. I am surrounded for the first time in my life with people above 25 who were born in the year, or shortly after the year, during which I had one experience of what they call medically in America depression of two weeks. I called it melancholia. I called it acedia.
Brown: Acedia being one of the seven deadly sins.
Illich: Which is the inactivity which results from a man seeing how enormously difficult it is for a man to do the right thing.
Brown: Also called sloth in some translations.
Illich: In good English. Sloth. I had a period of very black sloth and didn't want to continue writing on that book Tools for Conviviality. I said to myself, you don't have kids yourself. If you had kids now probably you wouldn't do it because you couldn't imagine your own kids. But you'll go on and finish this. I understood what ashes [?] were, what it meant to have to move into a world of the technological shell of which we spoke before. And now these people are born in that age. I can speak differently to these people than I could speak to people of the sixties. In '68 when I made people aware of the horrors implicitly inevitably affected by sickening medicine because it creates more sick people than it can help, stupefying education of which we just spoke, time-consuming acceleration of traffic so that the majority of people have to spend many more hours in traffic jams in order to make a few people like you and me and perhaps even Mitchum omnipresent, that was our main concern. Today my main concern is in which way, and these people understand it, technology has devastated the road from one to the other, to friendship, and yet therefore it is not our task to run out into the world to help others who are less privileged than we are. Some people must do this and I must collaborate with it. The real task is to remove from my own mind that screen. You and Mitchum spoke just a few minutes ago which makes your face inaccessible to me, which removes the thou which you are and from whose gaze, whose pupilla in the eye, I receive myself inaccessible to me.
...
Brown: Ivan just mentioned you had a focus on these larger societal issues and now you're coming to focus in recent years on the more immediate friendship. I'm very struck by the fact that you've always when I've used the word communication and then you say computers communicate but people talk, people have a conversation. I think the same thing is also true of the word relationship. You can have a relationship among instruments or between instruments, but you can only have a friendship between two people or among human beings. I guess one of the obvious points about the modern sophisticated world would be the technological terms that invade our own understanding of ourselves and our immediate life. In this book that Ivan has written called In the Vineyard of the Text he called my attention to footnote 53 which is from the Latin. Who is the author?
Illich: This is Hugh of St. Victor who writes to a friend of his.
Brown: OK, this is Hugh of St. Victor, a man who lived in the 12th century, and here is what he says. He says, "Charity." Now when he says charity does he mean love?
Illich: Yes.
Brown: OK, so I'm going to use that. When he says love never ends. "To my dear brother Ronolfe from Hugh, a sinner. Love never ends. When I first heard this I knew it was true. But now, dearest brother, I have the personal experience of fully knowing that love never ends. For I was a foreigner. I met you in a strange land. But that land was not really strange for I found friends there." And it goes on. You want me to go on some more?
Illich: It's so beautiful.
Brown: "But the land was not really strange for I found friends there. I don't know whether I first made friends or was made one, but I found love there and I loved it and I could not tire of it for it was sweet to me and I filled my heart with it and was sad that my heart could hold so little. I could not take in all that there was but I took in as much as I could. I filled up all the space I had but I could not fit in all I found so I accepted what I could and weighed down with this precious gift I didn't feel any burden because my full heart sustained me. And now having made a long journey I find my heart still warmed and none of the gift has been lost for love never ends."
Illich: Isn't that a marvelous little letter?
Brown: It's wonderful.
Illich: Today we would immediately say if a man writes to a man like that he must be a gay. Why not? But anyway if he writes to a woman they would say what a marvelous sexual relationship. But do I need these alienating concepts? I want to just go back to a great rabbinical and also as you see, monastic, Christian development beyond what the Greeks like Plato or Cicero already knew about friendship. That it is from your eye that I find myself. There's a little thing there. They called it pupilla, puppet, which I can see in your eye. The black thing in your eye.
Brown: That's the pupil.
Illich: Pupil, puppet, person, eye. It is not my mirror. Libby [?] spoke that way about it. It is you making me the gift of that which Ivan is for you. That's the one who says "I" here. I'm purposely not saying, this is my person, this is my individuality, this is my ego. No. I'm saying this is the one who answers you here, whom you have given to him. This is how Hugh explains it here. This is how the rabbinical traditional explains it. That I cannot come to be fully human unless I have received myself as a gift and accepted myself as a gift of somebody who has, well today we say distorted me the way you distorted me by loving me. Now, friendship in the Greek tradition, in the Roman tradition, in the old tradition, was always viewed as the highest point which virtue can reach. Virtue meaning here the habitual facility of doing the good thing which is fostered by what the Greeks called politaea, political life, community life. I know it was a political life in which I wouldn't have liked to participate, with the slaves around and with the women excluded, but I still have to go to Plato or to Cicero. They conceived of friendship as a flowering, a supreme flowering of the interaction which happens in a good political society. This is what makes long experience so painful with you that every time we are together you make me feel most uncomfortable about my not being like you. I know it's not my vocation. It's your vocation. Structuring community and society in a political way. But I do not believe that friendship today can flower out, can come out, of political life. I do believe that if there is something like a political life to be, to remain for us, in this world of technology, then it begins with friendship. Therefore my task is to cultivate disciplined, self-denying, careful, tasteful friendships. Mutual friendships always. I and you and I hope a third one, out of which perhaps community can grow. Because perhaps here we can find what the good is. To make it short, while once friendship in our western tradition was the supreme flower of politics I do think that if community life if it exists at all today it is in some way the consequence of friendship cultivated by each one who initiates it. This is of course a challenge to the idea of democracy which goes beyond anything which people usually talk about, saying each one of you is responsible for the friendships he can develop because society will be as good as the political result of these friendships will be.
Brown: So we start with a world where the good society creates the virtue and the virtue is the basis of friendship. Now it's reversed. Now it seems we have to create the friendship and in the context of the friendship virtue is practiced and that might lead to a community which might lead to a society which might be a whole other kind of politics.
Illich: Yes.
Mitchum: Let me venture a commentary on that because it seems to me...
Brown: Would you say we understood each other?
Illich: We understood each other.
Mitchum: In some sense that's what you're trying to do, Jerry, with We the People. As I visited your place in Oakland you've created a context in which what comes first is your friendship with other people and the friendship, the relations, between the people at that community. And out of that may grow some politics but what I experienced when I visited We the People in Oakland is primarily your hospitality and the hospitality of others there with you.
Illich: Here is the right word. Hospitality was a condition consequent on a good society in politics, politaea, and by now might be the starting point of politaea, of politics. But this is difficult because hospitality requires a threshold over which I can lead you and TV, internet, newspaper, the idea of communication, abolished the walls and therefore also the friendship, the possibility of leading somebody over the door. Hospitality requires a table around which you can sit and if people get tired they can sleep. You have to belong to a subculture to say, we have a few mattresses here. It's still considered highly improper to conceive of this as the ideal moments in a day or a year. Hospitality is deeply threatened by the idea of personality, of scholastic status. I do think that if I had to choose one word to which hope can be tied it is hospitality. A practice of hospitality recovering threshold, table, patience, listening, and from there generating seedbeds for virtue and friendship on the one hand. On the other hand radiating out for possible community, for rebirth of community.
...
Brown: Let me ask you about the institutionalization of hospitality. I remember a phrase once, "hospitalization has replaced hospitality" and this business of institutionalizing values. I know you've written about the story of the Good Samaritan who is my neighbor and now we come up to this world of the needs, the rights, and the institution to take care of all that. Based on what we were just saying can you say a little bit about what institutionalization does, and in my mind I identify this with the image of progress, and then this reality that we're discussing of friendship, of love, of basing anything we might want to call community on that very immediate unconstrained, uninstitutionalized way of being together.
Illich: All right. I'll come to progress before I come to the last point at which we are now where progress is smiled about a little bit.
...
Illich: Let me being somewhere else. Hospitality, that is the readiness to accept somebody who is not from our hut, this side our threshold, this bed in here, seems to be among the characteristics which anthropologists can identify, one of the most universal if the not the most universal. But hospitality, I'm going again to the Greeks I know, Xenia [?], Xenos, is the word for hospitality also.
Brown: Xenos, the word for stranger, hospitality.
Illich: Xenos was Zeus insofar as he is the god of hospitality.
Brown: And also the same root of xenophobia, fear of the stranger. So you can have love of the stranger or fear of the stranger.
Illich: Yes. Xenophobia means hospitality. But hospitality wherever it appeared distinguishes between those who are not necessarily yonons [?], or pamphilions [?], Greek areas, but Hellenes and those who are blabberous [?], barbarians. Hospitality primarily refers to Hellenes. It's a behavior which knows there is an outside and an inside. It is not for humans in general. Then comes that most upsetting guy, Jesus of Nazareth, and by speaking about something extraordinarily great and showing it in example destroys something basic. When they ask him, who is my neighbor? He tells about a Jew beaten up in a holdup and a Palestinian being called a Samaritan, it came from Samaria [?], it's a Palestinian. First two Jews walk by and don't notice him. Then the Palestinian walks by, sees that Jew, takes him into his own arms, does therefore what hospitality does not obligate to, and treats him as a brother. This breaking of the limitation of hospitality to the ingroup, to the broadest possible ingroup, and saying, you determine who your guest is, might be taken as the key message of Christianity. Then, in 300 and something, finally the Church got recognition. The bishops were made into something like magistrates. The first things those guys do, these new bishops, is creating houses of hospitality, institutionalizing what can be only what was given to us as a vocation by Jesus, as a personal vocation, institutionalizing it, creating xenodocaea [?], roofs, refuges, for foreigners. Immediately, very interesting, quite a few of the great Christian thinkers of that time, the year 300, 1600 years ago, John Krezostamos [?] is one, shout, if you do that, if you institutionalize charity, if you make charity or hospitality into an act of a non person, a community, Christians will cease to remain famous for what we are now famous for, for having always an extra mattress, a crust of old bread and a candle, for him who might knock at their door. But, for political reasons, the Church became, from the year 400, 500 on, the main device for a thousand years roughly of proving that the State can be Christian by paying the Church to take care institutionally of small fractions of those who had needs, relieving the ordinary Christian household of the most uncomfortable duty of having a door, having a threshold, but being open for him who might knock and whom I might choose. This is what I speak about as institutionalization of charity. Historical root of the idea of services, of the service economy. Now, I cannot imagine such a system being reformable even though it might be your task and the task of courageous people whom I greatly admire for the impossible task they take on to work at its reform, at making the evils the service system carries with it as small as possible. What I would have chosen and as Mitchum and other friends have chosen together as our task is to awaken in us the sense of what this Palestinian, I say always instead of saying Samaritan, example meant. I can choose. I have to choose. I have to make my mind up whom I will take into my arms, to whom I will lose myself, whom I will treat as that vis-a-vis that face into which I look which I lovingly touch with my fingering gaze, from whom I accept being who I am as a gift.
Brown: It's very hard to add to that. Let me just step back a bit and just put this question back. This whole world of services, the schools, the hospitals, the welfare, the servicing of needs. And service is not just that. There's entertainment. There's all sorts of things that define the modern economy and that's what you're saying is smothering the individual and only alive possibility of being a human being in response, in the I-thou, in the I am here now, loving, being with. That reality is destroyed by what proports to be the good of serving people through the institutions of modern society.
Illich: But there is this, for me, most uncomfortable, painful--at moments I feel this hateful obligation to be also in the midst of schools, hospitals, the transportation systems, radio!
Brown: This isn't exactly a service.
Illich: I leave it up to you. I am not for one moment suggesting, none of us is suggesting, that you can... We formerly spoke about Manichaeans in a Puritan way, withdrawing to the comfort of friendship. But it is only there that you can become in the I-thou relationship, which has mutual respect and bowing, that person who knows, who has a sense for the good. Not for values. Values are totally different. For the good, what is proportionate. And therefore know where you stand when you move into criticism of service systems, of economy, of economic relations of class structure.
Brown: So friendship is the soil out of which one has to walk in the larger world.
Illich: I wish it were the soil. I wish there were still soil to it. And it is not friendship unless there is something a little bit dirty to it. Dirty you don't say in English. You know, dirt in the good sense. Earthy.
Brown: Fleshy.
Illich: Because the eyes are fleshy. That image in there, in your pupilla, of me is fleshy.
Brown: So when you said Manichaean, and maybe people listening won't know what Manichaean is, but this idea that this idea that there's an evil spirit and a good spirit and your looking at the world of services is certainly the product of some evil spirit. You're rejecting that and saying, yes, friendship is the pure spring of creativity or being fully human and yet we're in the world.
Illich: I use the word dirty because dirt is a good word.
Brown: It's the source of what's real and from that source we still have to be in the world and do something to the world..
Illich: It's a reembodiment of our judgments and of our experience. By reembodiment I mean the country [?] of what, radio too, does. People had to listen to us without seeing our faces.
Brown: And while that's limited it's a wonderful thing that we're able to do it. And Ivan thank you very much for doing it. Folks, now that you've heard us talk I hope you'll be talking with your own friends.
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