I meant Hama and Katara... But thank you for the Kanna & Katara Link. I'll go theough it.
ohhh yes i obviously have so many thoughts on hama and katara as well..... hama is the embodiment of who katara could have become had a) her circumstances been slightly different (and worse) and b) had she had less emotional strength & resilience & desire to cling to her own humanity at all costs. like, the fact that katara gets multiple figures who embody the terror of her submitting to her most vengeful instincts and perpetuating the cycle of violence instead of working to end it is honestly quite beautiful, as that tension culminates in "the southern raiders" and katara lets herself prioritize her own humanity over her pain and rage and (totally justified) desire for revenge.
i know a lot of people think that hama and jet are the most politically confused aspects of the show, since they do play into the thing lok does where it's like "all oppressed peoples who employ radical means of resistance are simply cackling mustache-twirling terrorists," and while i do think that the way hama is framed at the end of "the puppetmaster" is in poor taste and lacks nuance, it's also pretty clear to me that a) their trauma is portrayed as sympathetic b) their stories are depicted as tragedies and c) atla doesn't actually demonize violent methods of resistance. like if katara wasn't literally the main character i'd feel much more comfortable making that critique (because lok does do this and it's liberal bullshit and it sucks), but we see katara use violent means of resistance as early as episode 6 of the whole show. she's literally framed as a hero for doing ecoterrorism; even when she's actually in the wrong in that situation, her desire to do whatever it takes to help people and encourage them to fight back against their oppressors is celebrated unconditionally.
the lesson katara has to learn from them is that she must never let her anger and desire for revenge consume her over her love for humanity and her drive to help people. jet and hama are both deeply traumatized in a way that made them prioritize wanting to wield power over others in the same way that they were once made vulnerable and helpless, and katara recognizes that instinct in herself too, that instinct in every person who has been subjected to that degree of violence. hama targets fire nation civilians out of spite, because she was once a regular girl from the southern water tribe who was targeted for reasons beyond her control, made to fight and treated like a villain. the reason she goes after "regular people" instead of targeting actual combatants is specifically because she knows that if the roles were reversed, the fire nation wouldn't care about differentiating her people in those roles; she's giving them a taste of their own medicine.
she used to be a resistance fighter who fought back against the imperialists on her land with everything she had, and it didn't work. she suffered unimaginable horrors, and in the process discovered an ability that would allow her to make others suffered the way she did. no, she's not a good leftist or whatever, but her motivation is understandable. she's driven by pain, not reason, just as katara and zuko are in "the southern raiders," just as aang is in "the desert" when he loses appa, just as sokka is in "the boiling rock." when one is hurting that badly, the desire to ease one's pain supersedes logic, supersedes one's core values in general, the values of grief taking its place. hama has been grieving her entire life; whoever she was before the raids is gone, and now she is someone shaped wholly by pain. and had katara not met hama, been traumatized by her, and thus vowed never to be like her, who knows whether she would have had the ability to take a step back and recognize within herself that she is standing over that precipice, and instead walk away from the threshold of violence, and back towards herself.
Honestly, even without Art’s attempts at manipulation and sabotage, I don’t think Patrick and Tashi’s relationship would’ve survived anyway. Before they started dating, Patrick was criticizing her career plans and Tashi was never interested in entertaining his massive ego at her expense. Passion and chemistry are important to relationships, but if that’s the only foundation, it’s gonna crumble quickly.
The only difference between Patrick/Tashi vs Art/Tashi is that the relationship would’ve ending with a bang instead of a whimper.
One of Rhaenyra's biggest opps (in HOTD) really was her own father. Because how are you going to proclaim your daughter as heir, only to then marry her best friend and have four kids, three sons, in an environment that is against women already as is but even more so with one sitting on the Iron Throne? And then, not only, do you not prepare her for anything political but scold her publicly, which isn't good for her image, and just....hardly do anything to aid her until you're on your last leg? And yet there are still fans saying he was a "great dad" and that he "did all he could". HA, I THINK NOT!
I hate when people dismiss the Phoebe thing as Scully simply having been jealous. She was his best friend first, and she did what any good friend would have
yeah it's pretty reductive, honestly. scully has been very protective of mulder since the pilot; the first 3 episodes of the show are literally her committing to him, holding a man hostage at gunpoint to find him, and cutting ties with her friends who make fun of him.
this was largely her arc in squeeze, after only having known him for a couple of weeks, as she defends him to colton multiple times
and, in the end, concludes that she would rather be “on the side of the victim” with mulder than climb the ladder with her classmates, and tells colton to fuck off the next time he’s rude about her partner
in ghost in the machine, she's disapproving of jerry from the moment they meet, knowing literally nothing about him except that he used to work with mulder
and she instantly recognizes the profile that jerry presents as mulder's work, whispering to him to ask if that's his, to which he replies "forget it, no" and then later fibs and says that jerry apologized for stealing it (once you tell your best friend you can't go back lol)
all of these examples pre-date her behavior in fire, and are episodes where she's put in situations navigating mulder around other men
y'all remember the first time she met krycek and just flat out refused to shake his hand lmao
i touched on this a little bit in my post on fire, but scully really was just so enthralled by him from the very beginning. she grew up on a military base with her navy captain father and two brothers, and her only relationships have been with older men in power.
she instantly is so aligned with mulder and that there's something different in him than she's used to, but she's aware that the openness and softness that she's so drawn to in him makes him more vulnerable, and she's desperate to protect it
in beyond the sea, the very next episode after fire, she screams at boggs that if mulder dies she'll gas him into hell herself, and boggs tells her that he's tasted the afterlife.
that it's a cold and dark place, and mulder's looking in on it now. she replies, "it might be a cold dark place for you, but it's not for mulder"
she knows him, and she's so moved by him and what he wants to do in the world. these are the values that she left medicine to follow.
"jealousy" honestly doesn't even compare to the kind of ferocious protectiveness that she feels towards him from the very start, she really doesn't trust anyone around him for anything. they can't possibly get it like she does, if they treat him that way.
he may not care if people call him names or steal from him or try to make him walk through fire, but he really is just her best friend. and she can't stand it.
I’m thinking about Modern!AUs in fanfiction and why sometimes they’re some of my favorite fics and also sometimes the Worst™️. (<-that is a joke. There is no such thing as bad fanfiction, just fanfiction I don’t personally like.)
Because I LOVE Modern!AUs that ask interesting questions about how the setting of a story impacts the characters—how much of the setting can you remove while still being able to recognize the characters in question? All of it? None of it? What new problems would living in a world with planes and phones create for these characters? How are the social and political tensions of the original canon reflected in our own world?
The “problem” (again, not an actual problem, just a personal preference) is that most Modern!AUs COMPLETELY refuse to engage with any of that. They instead become a stale rehashing of the original canon except with lower stakes. Nothing about the modern setting adds interest, and everything interesting from the original setting falls away.
I think that a lot of people write Modern!AU fics to deescalate the conflict of the original canon and give the characters more relatable problems, which isn’t universally terrible, but it can so easily become boring. I don’t WANT to know what it would be like if one of these characters was a florist and the other was a tattoo artist; I want to know what would happen if you gave one of them a gun.
no one asked bUT imma go off (affectionate) anyways. ahem:
edse (practicum): portfolio is completed, did portfolio presentation this morning, blog is updated, have all the rubrics... DONE
347: major identity essay? done. final “essay”? done. just gotta go to class tomorrow so we can meet for the final exam time slot and we are going to. talk about books. no more assignments, yay!
395: edtpa? DONE. reflection? DONE. self-evaluation for edtpa? DONE. now, all i have to do is edit edtpa and then submit it for like Official grading and not class grading
405: presentation? made and presented. revision portfolio and reflection? DONE (finished it like fifteen minutes ago lol)
444: giant research paper? DONE. reflection? done. presentation? DONE. just gotta go to the final exam period thursday to watch the rest of the presentations, but no more work for meeeeeeee
and then finally... 305... the only final i actually have left...
whenever i hear a song that i would like if it weren’t for the fact that it was too long, i think about this:
like you can afford to write tangentially if you/your music is already popular and you know that people are going to listen to you no matter what and in fact laud your longer pieces as being genius etc but can you really be releasing 5+ minute long songs without a built-in audience?
THINGS ARE STARTING TO COME BACK TO YOU, AND YOU'RE CURIOUS. YOU WANT TO KNOW WHAT'S GOING ON. › FROM ELIZABETH MARCH. @embodies
She still sensed it, the universe spinning around with no ending or beginning; the way her blood curdled a horrid gurgle, even if it no longer pumped to her brain. She haunted marble walls on silent feet. The place a fusion of malevolence and beauty, and Jane, despite her hollowed flesh and often unseeing eyes, couldn't help but find a strange sort of enticement within said walls, all perfectly draped and painted. She knew quite little of its happenings, bizarre spirits of muddled eras all sharing one patch of land; although the mind became a hazy thing due to submittance of the final years of her life, she was no fool. Isolated company was merely favoured, a lithe black cat scampering against corners, gaze finding deathly endurances but never remaining long enough to understand reasoning behind vile acts. Sitting, feeling, unthinking.
Where there was rot, there was Jane Ives. Stuck in the jaws of a hellish beast, taker of lives, but leaving the soul to crumble. Oftentimes she wondered what she was actually doing here; inner workings utterly vandalised by a madman's execution for warped world-peace. The toxicity resting in her bloodstream confused old memories, scorched her past-life: all she remembered of her mother entailed a whiff of perfume and a few phrases of a lullaby she used to sing. One day she'll uncover truths, the ugly and pure— but for now, the body only yearns for kindred consideration, perhaps something to call her own. Three decades would rear its date in a handful of months, and a spark had begun to litter in her mind's eye.
“Yes. I am curious.” The very first time Jane saw Elizabeth, she was positive she had moved to a better destination; swore she bore witness to an angel welcoming her to heaven's palace. (Oh Saint Peter let me in, you must know where I've been! Won't you tell me at last who I am?) Ever quickly, the hand she wished to hold, she realised, was sharp, a creature's claw; fascination did not dwindle but fear ushered the child away. It's clear the woman saw everything happening inside her hotel, including frizzled recollections resurfacing, taunting innocence of youth and marking it for horror. “I remember... things.” Honesty possessed no hesitation, as the words spilled it felt good to speak them aloud. To relieve herself. “There is a block. A... something foggy. It stops me remembering.” Frustration threatened its course, as one might perceive through her jaw tightening, lifeless pallor nearly gaining a flash of colour.
This is your story, written and rewritten, scratched out, burned and buried. “Did I... Was I always... this?” Is it foretold that I haunt the head of a girl graced for much more than her destiny provided? Chin cants, shoulders purposely squared like trying to light a guise of confidence. “Bee - cause I do not think I was always in this place.”
i think about nosy/dusk type verses and like… leland is so capable of taking the pain, of being strong for other people, of protecting those he loves and putting his feelings aside to do that. he can shut it all down and do what he has to do or suffer what he has to suffer. but getting played with psychologically, in solitude? or ever leveraging his loved ones against him? he is easy to break. and at his core he’s a bleeding heart, heart on his sleeve, heart an open book. it’s so easy to find his weakness and dig at him there. that’s just how he is, open and earnest in his emotions for better or for worse. he’s bad at hiding anything, he tears up easily. when something hurts him it pangs across his face so visibly. he’s strong!!! but he’s soft. i think abt this a lot