I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
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P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
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You know something I am really sad about is how the TARDIS interior changed for tenteen. It would have been a whole different story if the clothes had been normal but like this? Everthing the Doctor was just vanished and got replaced. The screwdriver coming out of nothing? The outfit? A new fancy TARDIS?
10 kept the TARDIS from 9 and 12 from 11. 13 had to fight to get her TARDIS back and built herself a new screwdriver in the meantime. 11 had to let her recalibrate until she was usable again and gave him a new screwdriver (? I think ? Don't quite remember where he got the sonic) All of them CHOSE their new outfit and had a whole thing where they searched for it.
And tenteen just gets all those things like this, appearing in his lap. Which is convenient, sure, but I feel like he really lost the identification process on the way. Maybe not as important for him as he knows the body and mind and companion already (in theory) but like, I am not surprised he is going through it like this. He just wanted to hang on to Yaz, wasn't allowed that, lost her, decided she was gonna be excited for change, didn't really get change either and then everything they could hold onto as part of their last identity, everything that was theirs to let go off, just got ripped out of his hands replaced with a weird mixture of 'look how new and nice and shiny' and 'isn't that lovely reminiscent of 4 bodies ago'. No wonder they are running on their gingiva*, I would be so lost and disoriented in his place.
And then obviously from a meta pov I dislike that 15 is apparently copying tenteen's TARDIS now. We got a scene of tenteen exploring the new TARDIS and being excited but for 15 he has already had 1.5 adventures with her. And while we couldn't put tenteen into the old clothes it was okay to put 15 in underwear? Wouldn't it have made much more sense to have the weird clothes' thing happen with the mitosis regeneration? (like, I wouldn't have liked that either but it is a little weird how tenteen got a full suit and 15 got the bare minimum)
And I hate how it feels like every part that made the Doctor 13 got erased as quickly as possible. Luckily, there were a few references at least - if no one got me I know the psychic paper got me <3 - and I GET why the fam didn't show up in the puppet show but like, couldn't you have left tenteen the TARDIS interior at least? I am sure Donna would have liked the crystal columns <3
It feels very rtd to have tenteen showered with gifts he can't even want and that are way too much while others are erased or overshadowed by him and get the leftovers.
On a similar note, I was also direly missing post-regeneration haze for both of them. Who knows (well people who have watched the Christmas special, I guess), maybe that's yet to come for 15? But like how are they supposed to function without running about without a clue and passing out every 5s for a day or two?
*German expression, means to be on one's last legs
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unique greetings?? hello??
the romance-specific greeting only seemed to trigger once I entered act 3, despite jantar having gone through the dance cutscene fairly early into act 2.
the regular high friendship one is a greeting I've gotten before in corydalis' save, as well as "always good to talk, my friend," but both lines of dialogue randomly disappeared at some point, and wyll only greeted corydalis with "well met." well, up until today, I guess.
I have to wonder if these will once again randomly disappear because they are clearly bugged and larian just won't fix them once and for all...
...please...stop doing this to the gate's most beautiful little prince...
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What gets me about certain people being so fucking pissy about Bob not writing much about Eilistraee (until the last fucking trilogy where EIlistraeans featured heavily) is that
a) Bob basically built drow culture up from almost nothing, and Eilistraee came after he started writing Drizzt
b) no you guys really don't understand. I own the first 4 modules drow appeared in. There's... not much there. And it hasn't aged well.
c) and the Big One: he has a specific vision for his specific characters when it comes to the narrative he wants to explore, from sexual abuse to religious trauma, both of which are fucking complicated and for most people just switching deities isn't enough to fix that.
I have religious trauma that I still struggle with to this day and probably will for the rest of my life to some extent, and it's fundamentally different in nature from what most people would probably expect, and the thing is even though I am happily polytheistic and very enthusiastically into it, I still struggle a lot with certain things because every time I get into my religious practice I have to actively force myself into (or out of) certain things because my whole relationship to religion and spirituality is complicated and messy.
It would be easy and frankly incredibly superficial for Bob to decide to just have them all convert to half-assed Neowiccan ~woo~ drow Jesus Eilistraee to *~*save their souls*~* and call it a day
BUT HE DIDN'T DO THAT
Partly because she wasn't his creation and other authors were writing her at the time so he really couldn't, and partly because it's a shitty message to send.
Sometimes people benefit from converting to a new religion or following a new deity. Sometimes people don't.
I benefited from gradually converting to my religion, but it's come with a whole different set of complications and hasn't been a smooth journey for me.
Just going from extensive religious trauma to switching deities does not fix your problems, and for a lot of people it realistically can make them much worse.
but also
you don't have to be saved by a deity in order to have value as a person
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TikTok feels like a prime outlet to recruit people into conspiracy theories and weird cult like mentalities. Like I just go there to find some funny memes or recipes and gardening ideas, but there is such overlap between gardeners and preppers that the algorithm starts feeding me the most unhinged vids of government conspiracies followed by new agey prophets foretelling, idk, the rapture? But all framed as, like, advice for small homesteaders. And it KEEPS GIVING THOSE KINDS OF VIDEOS TO ME. I remember catching myself almost believing some of these things last year because I just kept seeing them and the ideas wormed their way into my brain until I started thinking that way (and this is one of the many reasons I only occasionally go on tiktok). And what I'm seeing are probably the more tame ones! This feels bad? Especially with so many younger people on the platform
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