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griffinsandpeacocks · 4 years

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Loony Two’s Writing Challenge Prompt 1: The Captain’s Heart

Adam sighed as he walked off L’appel de L’océan, his pride and joy, well except Ben, but as far as earthly possession’s went his ship was his one true love. Ben was his son and Adam loved him more than anyone else on the earth. Since Belle had passed away Ben was really the only person he had outside the crew. He sighs as he goes about the dock his First Mate had taken Ben and he was making sure the ship was fully supplied and stocked before they left again, though first Adam would need to find them a job to do. So while Jean showed Ben the ins and outs of managing L’apple de L’Ocean, Adam was walking abroad the boards of the dock looking about for his typical contacts that gathered information on jobs.

“Oiy, Adam, over ‘ere!” A loud voice calls. Adam looks over to see it’s the dock master Uma, who’d taken over for her father some years ago, and had a rather aggressive temperament due to her mother who’d run off into the sea or so her father claimed. She was a fine Dockmaster, and she had her own ship and crew so Adam felt no urge to argue given she kept everything inline, at least here at the docks.

“Yes, Uma? Is there something I can help with?” Adam asks and she snickers, she nods and waves him closer as she turns to start walking away. Adam jogs up and starts walking by her, she’s roughly Ben’s age but he had known her for quite some time, her age wasn’t an issue, some might think her gender was, her First Mate was quick to deal with those fools though, luckily she kept him restrained for the most part. Harry was hot tempered and given what Adam knew of the Captain that was his father it was no small wonder he was.

“Depends on if you find his pay well enough worth it. He says he’s never been out to sea it makes him nervous supposedly like setting foot into a kingdom as an opposing Lord. His words too, I can take you to meet him if you’re interested in the job?” Uma says and Adam shrugs.

“Depends on the pay but I’ll transport him wherever he’d like to go so long as the pay justifies the distance.” Adam says and she nods and leads him to a seedier bar on the docks and they go to a dim corner where a candle burns a blue flame and a sullen looking man sits playing with a small blue stone he glances there way and pulls up a neutral face as he sits up hand closing around the stone.

“Dockmaster.” He greets looking wearily at Adam. Uma takes a seat and Adam follows suit the stranger wears dark colors and was on the paler side, his eyes catch Adam though, they seem to shift between blue and grey.

“Hades. This is Adam Florian. He’s Captain of L’apple de L’ocean. He’s looking for a new job for his ship and crew and he’s been known to help transport people as well as cargo. He might take your job, I’ll leave you two to talk it over. Play nice on my docks.” She walks away and Hades looks at Adam with a curious look. He rolls the stone through his fingers and takes a deep breath.

“So she found a french man... Great...” Hades sighs looking around nervously it would seem but Adam can see this man isn’t nervous though he should be in this bar. Though the man’s name and choice to remark on his nationality makes Adam twitch.

“Is that a problem?” He asks and Hades shakes his head, then shrugs.

“Depends, it could be good or bad. are you superstitious?” Hades asks and Adam scoffs shaking his head grinning.

“Most sailors tend to be. Depends... Are you asking if I refuse to go to certain ports and waters, or are you asking if I believe in the Underworld?” Adam asks and Hades glares and his eyes flicker a fiery blue.

“Don’t mock me, Florian, you were cursed to be a Beast, I’ve been to the Moors, that fay was a grudge bearing hypocrite but if you don’t temper that pride you’ll end up pissing off another fay, or someone worse.” Hades growls and Adam straightens in his seat paling.

“Alright... You’re well informed.” Adam says and Hades chuckles.

“I never forget a name. She was gloating how you’d be doomed to a beast forever as you were such an arrogant ass and now that your appearance matched your heart you’d be beastly forever and blah de dah... I was there for... A vacation from my duties. I’m going there to pick up my daughter. I need your help to go there so I can meet her, and get back safely.” Hades says Adam pursed his lips and leans in.

“You mean to tell me you’re The Hades and what, your daughter is in danger from who, your wife?” Adam asks incredulous and Hades laughs and smiles all white teeth and fire in his eyes.

“No! Well, yes I am The King of The Underworld, but Perse wouldn’t hurt anyone I care about, not intentionally. Hera on the other hand... I’m married thus she thinks I should look no where but at my wife. She’s a testy one got angry being married to my pig brother. Can’t blame her but I’m already not the favorite in Olympus, I don’t need more reason for them to lash out at me.” Hades says leaning back in his chair his hair spills out of his hood and Adam notes it’s bone white.

“Alright... Hades... I’ll humor you. I can take you to the Moors. What can we expect if we do catch attention?” Adam asks and Hades looks pale and he shrugs. He looks down and then to the side.

“That I’m afraid I don’t know. I can tell you I don’t want to go out on a ship but Poseidon agreed I could use the seas to hide Mal for a bit as that is his dominion, I just need to tell him the ship he needs to keep afloat. I’m not looking forward to this; I’ve never been out to sea. Only crossed the five Infernal rivers... I might be able to swim but I’ve never enjoyed being on large bodies of water. So my job for you captain is to get me to the Moors, then get me and Mal to Taenarum, well the cape near it... Mal and I can get to the gate I’ll take her through from there.” Hades says and Adam sees the man shift his gaze and clutch tighter to his stone.

“Hades... Odd to see you here.” A smooth voice says and Adam glanced over to see a large tan man slide into a seat at the table hair a smooth rich brunette and sees how Hades goes rigid.

“I came to visit Poseidon. So I’m securing a Captain and his ship to get out to sea. He insisted I come and see his newest daughter.” Hades says smooth and nonchalant. Zeus snickers and looks Hades over.

“A bold choice for him, why weren’t you at Olympus when he brought her?” He asks and Adam gets an odd itch to hit the man something in his general demeanor and bearing bothered him.

“I was away looking into several natural disasters that could lead to an influx to my kingdom. So Adam, I’ve got plenty of wealth to give you and your crew if you could be so kind as to get me out to him?” Hades asks and Adam nods sensing Hades wants out of the conversation.

“Aye we can cast off once my son and quarter master get back after making sure we’re seaworthy. Knowing Lumiere he’ll have the ship ready in the morning and no later unless heaven and hell move to stop him, even then he’s a tenacious man, he’ll get around it.” Adam says rising and Hades nods.

“Then I’ll meet you on the docks later.” He says and Adam nods and leaves hearing bits of the conversation as he goes he can tell Hades is uncomfortable and he almost wants to stay at the least to encourage the other to be some semblance of polite. He hears several remarks on how Hades must not be very welcome here and a few more... Cutting comments on Hades in general.

It’s a couple hours later and Adam is walking back from a tavern further inland after a nice hot meal and some revelry with s few crewmen. He’s sees a few women in rather revealing dresses and passes by not interested in what they’re selling. They flirt with him but none follow, until he passes a darker alley and a lone woman steps out smiling at him with painted rose red lips.

“Hello there handsome... Care for a bit of rest and relaxation?” She purrs and he paused, she’s blocking his path forward and he sighs.

“I’m sorry mademoiselle, but I’ve a heart for only one mistress and that’s the sea. Might I pass?” He asks and she pouts.

“A handsome man like you doesn’t want any company?” She teases moving in closer and Adam moves back to a wall and leans back and away from the woman.

“I’d rather not. I’m not interested I’m afraid, my wife though she passed still holds my heart and interest.” Adam says getting agitated he fights to hold his temper down. He holds his hands up and gently keeps her at arms length.

“Ah, but surely you’ve desires? You’d deny yourself that comfort?” She asks pouting and He grits his teeth.

“Ma’am, I am sorry to tell you but you’d not get a response from me, only my Belle could. If you’ll excuse me I’ve a crew to check on aboard my ship.” Adam says and she pouts and moves back hands sliding to her hips as he turns he doesn’t expect the sudden pain in his shoulder, he bellows in rage some of the lingering Beast comes out in the roar and he turns sharply nails darkening as they lengthen to claws.

“I suggest you halt there Missy, you see I need his help and I’m not above a bit of violence tonight.” Hades says and Adam looks to see the dark stone alight in fire in Hades’ hand Adam snarls as the woman runs off and Hades grabs his arms quenches the flames and pulls Adam along through twisting paths until they’re at the docks. Uma is walking but stops staring at them. Hades speaks first.

“He got stabbed, can you help him?” He asks Uma nods and starts using her rarely used magic to treat the stab first washing it then healing it. Adam relaxes slowly and smiles at her.

“Thank you Uma, and thank you for getting me out of that Hades.” He says Hades shrugs awkward with praise he looks away. Uma helps Adam stand from the barrel he’d been sat on as Hades manhandled him.

“So, you got uncomfortable need any other help or is it just to the Moors than the little cape of Greece?” Adam asks and Hades sighs.

“Just that... L’appel de L’ocean, right? She’s yours?” Hades asks and Adam grins wide, his kingdom and castle.

“Yes, she’s my soul, Belle’s got my heart unless she wills it to another.” Adam says and Hades paused remembering Adam’s comment to the harlot.

“She was your wife. I’m sorry for your loss.” Hades says and Adam shrugs looking at the gold band at his hand.

“She left this world a couple years ago. No need to feel sorry for me. Just kindly don’t mention it around Ben. He still misses her, I do too I won’t lie but seeing that look on his face isn’t something I like seeing.” Adam says and a man walks up long black hair and a wide grin on his face as he does a spin and flourished bow to Uma then looks at Hades.

“Hello, Dockmaster! Lovely to see you! Alright Hades, you said this was important and Hera can’t find out until you know she can look after herself so... What ship am I paying special attention to?” He asks and Adam realizes this must be Poseidon.

“L’appel de L’ocean. It’s Adam Florian’s ship.” Hades says gesturing to the Captain and the tall tan man glances to Adam and grins.

“You’re the one that has that white stallion Phillip! Aye you’ve my word the waters will be fine and fair for your voyage. Also I’ll apologize in advance for how terribly Hades is gonna handle this.” Poseidon says and Adam chuckles as Hades shooed the other away.

The next morning Hades is near the ship looking at it nervously and he boards looking unsteady on his feet and the crew all grins and teases good naturally as they bustle about getting the ship ready to cast off. Adam watches the sick look on Hades only get worse the further they get out until Hades is retching off the side of the ship.

Adam hands off the wheel to Ben and goes and grabs Hades by the arm and moves him with him as he does several tasks with some of the crew who give sympathetic smiles to Hades who just tries to focus on breathing and some of the things Adam shows him. Eventually Adam has Hades actually walking the ship though he wobbles a bit he isn’t stumbling like he’s drunk and isn’t as constantly sick.

Ben’s a great help side tracking the god and having him tell him stories of Greek myth and legend though eventually as well studied as Ben is it leads to questions that Hades wanted to avoid. He’d been spinning tales most of the day non-busy crew members would stop and listen making comments on the stories and Hades views on them. Ben grows curious and asks about the Titans and Hades goes green.

“Yes... They exist... Thankfully locked in Tartarus. I...” He turns lurching to the side of the ship and retching gasping as his head and eyes are swimming and the voices in his ears are screaming and the water below isn’t helping it’s dark and he starts shivering. Adam asks Lumiere to make some ginger tea and pulls Hades to his quarters and has him focus on knot work as typically it helped him to focus on something with his hands if he felt unwell. He talks with Hades trying to keep his mind preoccupied and Ben comes down with the tea looking sheepish.

“Don’t worry about it. Bad memories haunt you, it’s the way it is.” Hades says shrugging and Ben nods eyes growing distant and Hades winced and asks if Ben had heard of Icarus and launches into the tale when Ben shakes his head looking curious.

The next few days it’s Hades moving about trying to not get sick and the crew giving him things to do to keep him somewhat okay rather than full blown seasick. It’s only a few more days when Ben decides he’ll start an old song he used to hear constantly. It brings smiles to the crew who join in and soon everyone but Hades and Adam are singing. Eventually the crew and Ben go silent pointedly staring up at Adam who’s at the helm manning the wheel and staring forward. Hades is near him staring at the setting sun though now he’s looking over curious. Adam sighs before taking a deep breath.

“Tout seul, Tu t'en iras tout seul, Coeur ouvert, A l'univers, Poursuis ta quete, Sans regarder derriere, N'attends pas, Que le jour se leve..” Adam sings the crew and Ben smile as they burst into the next verse Adam smiling as he sings along and Hades watches smiling softly himself enjoying the way Adam looks so peaceful though how and why the man loves being out on open water Hades will never understand. The french words sound nice and Hades watches Adam admiring the man as he watches him sing. He can’t stay on his feet the sway of the ship makes him unsteady and he’d learned that just makes him sicker so he sits on a crate and crosses his arms over the banister watching the sun sink into the ocean and listening to the song until he falls asleep smiling.

Adam later carries the sleeping god to the quarters he’s bunked in and lays him down smiling as a hand snags his the half asleep man mummers something in greek goes bright red and lets him go his eyes going wide as he quickly rolls over and covers his head with his pillow.

“I’ll just assume it was a compliment.” Adam chuckles and goes to walk out as Hades grumbles into his pillow is hair flickering at the ends with blue flame. “Please don’t light my ship on fire.” He calls shutting the door on a muffled scream into the earlier mentioned pillow. He chuckles as he goes to his own quarters and Hades smiles softly into the pillow. Maybe, this, wasn’t so bad. Adam laid down and chuckles the misgivings about the job at the starts gone. He almost looks forward to the next couple of days. Both men fall asleep smiling.

#writing prompt #loonytwowritingchallenge #Celine Dion I believe in You #hades/beast #decendants hades #Live action Adam #fanfiction #decendants fanfiction #PTSD #Hades is a broken soul #Mal if you squint #Ben as the sweetheart he is #Phillip mentioned #Zeus is an ahole and Poseidon is only a lill better

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nemesisbinxartifactseries · 4 years

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Artifact Series L

L. Ron Hubbard's "E-Meter" Electropsychometer

La Volpe's Cowl

The Lady from Shanghai's Mirror Maze

Lady Godiva's Saddle

Lady Jane Grey's Necklace

Lady Liberty Lighter *

Lady Lovibond

Lady Macbeth's Candle

Lady Mary Wortley Montagu's Journal

Lady Mary Wortley Montagu's Tulip Bulbs

Lady Saigō's Kimono

Laelaps

Laika's Harness

Lake Peigneur Diamond Drill Bit

Lamassu Statue

Lambert Simnel's Leggings

Lamp from Chicago Pile-1

Lampshade of Psychic Power *

Lance Armstrong's Trek Bicycle

Lantern from the Courrières Mine *

Lanterns from the Tillamook Rock Light

Laozi's Calligraphy Brush

Lara Croft's Holsters

Larry Walters' Lawn Chair

Las Vegas Atomic Skillet

Las Vegas Strip Neon Signs

Lascaux Cave Paintings

The Last Straw *

Laszlo Toth’s Hammer

Latasha Harlins' Two Dollar Bill

Late Schoolbus

Lauging Baby's Highchair

Laughing Moai

Laundry Basket from 'The Merry Wives Of Windsor'

Laura Bassi's Sample of Water

Laura Ingalls Wilder’s Schoolhouse

Laurel and Hardy’s Hats

Laurence Shirley's Noose*

Lawrence Joseph Bader's Eyepatch

Lawrence of Rome’s Gridiron

Lawrence Welk's Accordion

Lazare Ponticelli’s Shoebox

Lazarus of Bethany's Grave Clothes

Leatherface's Chainsaw

Leather Strap from the First Iron Spike Chair

LeBron James' Headband

Lee Harvey Oswald's Handcuffs

Lee Harvey Oswald's Rifle

Lee and Marina Oswald's’ Wedding Rings

Lee Morgan's Trumpet

Lee Travis' Fedora

Leena's Bed and Breakfast Painting *

Leendert Hasenbosch’s Tent

Left 4 Dead Survivor Clothing

Left Arm of the Statue of Fergus Mor

Left Handed Whopper Wrapper

Leg Lamp

Legalese-Forcing Desklamp *

Leif Erikson's Helmet

Lemuel Gulliver's Ship Wheel

Lenape Tribe's Cloak and Artifacts of Nature *

Leon Herrmann's Sword and Playing Cards *

Leon Panetta's Projector *

Leonarda Cianciulli's Cake Shovel

Leonardo Da Vinci's "Mona Lisa"

Lenoard A. Funk Jr's Thompson Submachine Gun

Leonard Smith's TV *

Leonardo da Vinci's Gargoyle *

Leonardo da Vinci's Notebook

Leonhard Rauwolf’s Herbarium

Leonidas' Cestus

Leonid Telyatnikov's Firefighter Gloves

Leroy Brown's Coat

Leslie and John Morton's Morgue Sheet

Leslie Scott's Jenga Blocks

Lev Termen's First Theremin

Levi Strauss's Original Pair of Jeans

Levitating Gurney

Lewis Carroll's Looking Glass *

Lewis Nixon's Pistol

Lewis Powell’s Pickaxe

Li Bai’s Rosewood Wall Panels

Li Ching-Yuen's Bowl

Li Zicheng’s Shackles

Liberace's Candelabra

Liberty Bell Ruby

Licking Dog Collar

Life Replenishing Clock

Lighter

Lightning Rod from Banqiao Dam

Lillian Russell's Evening Gloves

Lily Tomlin's Rocking Chair

Lilo & Stitch Experiment Pod Container

Linda Lovelace's Bathing Suit

Linda Hazzard's Wardrobe

Linda's IrisPhone

Lindsay Broom's Fozzie Doll

Ling Lun’s Bamboo Flute

Lin Zexu's Trunk

Linda Hazzard's Wardrobe

Lion Country Safari Park Sign

The Lion man of the Hohlenstein Stadel

Lippershey-Janssen Telescope

Lisa del Giocondo's Teeth

Lisa Howard's Press Pass

Liss Seltzer Bottle

Little Mac's Boxing Gloves

Little Match Girl's Box of Matches

Liu Ji’s Fire Lance

Liu Pengli's Hanfu Hat

Liu Ziye's Tanto

Lizzie Borden's Dress

Lizzie Borden's Compact *

Lloyd Loar's Mandolin *

Lloyd Olsen's Axe & Mike the Headless Chicken's Head

Lobengula’s Assegai

Locker 837 from Columbine High School

Lockheed SR-71 "Blackbird"

Locust-Summoning Dog Whistle *

Locusta’s Vials

Lon Chaney Jr.'s Makeup Kit

Lone Ranger's Mask

Lonely Christmas Ornaments *

Long Island War Trumpet

Loki's Feather Cape

Lon Chaney's Makeup Box

Lonnie Johnson's Original Super Soaker

Loránd Eötvös' Torsion Balance

Lord Alfred Tennyson's Cracked Mirror

Lord Byron’s Cloak

Lord Zedd's Staff

Lorena Bobbitt's Knife

Lorenzo Ghiberti’s Bronze Panel

Lorne Acquin's Tire Iron

Lottery Ticket, Circa 1950s

Lottie Dod's Tennis Racket

Lotus Incense Burner

Louis I, Duke of Orléans' Torch

Louis XIV's Silverware Forks *

Louis Agassiz's Iron Auger

Louis-Napoleon Bonaparte III's Candelabras

Louis B. Mayer's Desk and Chairs

Louis Braille's First Braille Book

Louis Braille's Leather Awl

Louis Chevrolet's Crank Handle

Louis Chevrolet's Helmet

Louis Daguerre's Camera Obscura

Louis Essen's Alarm Clock

Louis Le Prince's Camera

Louis Le Prince’s Film Spools

Louis Pasteur's Beaker

Louis Pasteur's Flask

Louis Pasteur's Milk Bottle *

Louis Prang's Original Christmas Cards

Louis Slotin’s Screwdriver

Louis Vuitton's Suitcase

Louis XIV's Mirror

Louis XIV's Sundial

Louis XIV's Peg Solitaire

Louis the XIV's Scepter

Louis Wain's Cat Collar

Loukas Notaras’ Turban

Lourdes, France Madonna Statue

Lou Reed's Music Transformer Machine *

Lou Reed's Record Player

Love Bead Necklace

Love-In-Idleness Flower

Love Potion No. 9

L. Sprague de Camp's Theodolite

Lu Bu's Battle Armor

Lucius Apuleius' Pet Donkey Hoofs

Lucius Copeland’s Boiler

Lucius Quinctius Cincinnatus’ Plow

Lucius Tarquinius Superbus' Stick

Luis Garavito's Walking Stick

Luck Altering Dice

Lucky’s Magical Charms

Lucky Strike Cigarette Tin

Lucretia Garfield's Reading Glasses

Lucrezia Borgia's Comb *

Lucy's Diamonds

Luddite Hammer

Ludger Sylbaris’ Grate

Ludwig II of Bavaria's Cloak

Ludwig Mies van der Rohe's Drawing Board

Ludwig Prandtl’s Airfoil

Ludwig van Beethoven's Clock *

Lugh's Spear

Luigi Galleani's Wagon Wheel

Luigi Galvani's Bio-Electric Wires

Luigi Galvani's Scalpel

Luigi Lucheni's File

Luis María Mendía's Airplane

Luiz Vaz de Torres' Compass

Luke Howard's Barometer

Luke P. Blackburn's Linens

Lully's Staff

Lumiere Brother's Cinematograph *

Lunchlady Hairnet

Lycaon's Ladle

Lyn Robinson's Turtle Shell

Lynette Fromme’s Red Robe

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nodominion · 5 years

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Meme: Muse Aesthetics

Stolen from @echo-de-la-lumiere

BOLD any which apply to your muse! Add what you’d like.

Tagging @perladivenezia @theoneandonlylestat @everarddelanden @benu-ka

[COLORS]

red. brown. orange. yellow. green. blue. purple. pink. black. white. teal. silver. gold. rose gold. grey. lilac. metallic. matte. royal blue. strawberry red. charcoal grey. forest green. apple red. navy blue. crimson. cream. mint green. ocean blue.

[ELEMENTS]

fire. ice. water. air. earth. rain. snow. wind. moon. stars. sun. heat. cold. steam. frost. lightning. sunlight. moonlight. dawn. dusk. twilight. midnight. sunrise. sunset. dewdrops.

[BODY]

claws. long fingers. fangs. teeth. wings. tails. lips. bare feet. freckles. bruises. canine. scars. scratches. wounds. burns. spikes. feathers. webs. eyes. hands. sweat. tears. feline. chubby. curvy. short. tall. normal height. muscular. beards. piercings. tattoos. lithe.

[WEAPONS]

fists. sword. dagger. spear. arrow. hammer. shield. poison. guns. axes. throwing axes. whips. knives. throwing knives. pepper sprays. tasers. machine guns. slingshots. katanas. maces. staves. wands. powers. magical items. magic. rocks. mud balls. kitchenware. fangs.

[MATERIALS]

gold. silver. platinum. titanium. diamonds. pearls. rubies. sapphires. emeralds. amethyst. metal. iron. rust. steel. glass. crystal. wood. porcelain. paper. wool. fur. lace. leather. silk. velvet. denim. linen. cotton. charcoal. clay. stone. asphalt. brick. marble. dust. glitter. blood. dirt. mud. smoke. ash. carbonate. rubber. synthetics.

[NATURE]

grass. leaves. trees. bark. roses. daisies. tulips. pansies. lavender. petals. thorns. seeds. hay. sand. rocks. roots. flowers. ocean. river. lake. meadow. forest. desert. tundra. savanna. rainforest. caves. underwater. coral reef. beach. waves. space. clouds. mountains.

[ANIMALS]

lions. wolves. eagles. owls. falcons. hawks. swans. snakes. turtles. ducks. bugs. spiders. worms. birds. whales. dolphins. fish. sharks. horses. cats. dogs. foxes. bunnies. praying mantises. crows. ravens. mice. lizards. werewolves. unicorns. pegasi. dragons. rats. doves. tigers.

[FOODS/DRINKS]

sugar. salt. candy. bubblegum. wine. champagne. vodka. hard liquor. beer. ale. cider. coffee. tea. spices. herbs. apple. orange. lemon. cherry. strawberry. watermelon.vegetables. fruits. meat. fish. pies. desserts. chocolate. cream. caramel. berries. nuts. cinnamon. burgers. burritos. pizza. soup. cheese. meat pie. sandwiches. cheesecake. soda. blood. rum. whiskey.

[HOBBIES]

music. art. watercolors. gardening. smithing. sculpting. painting. sketching. fighting. writing. composing. cooking. sewing. training. dancing. acting. singing. martial arts. self-defense. electronics. technology. cameras. video cameras. video games. computer. phone. movies. theater. libraries. books. magazines. cds. records. vinyl. cassettes. piano. violin. guitar. electronic guitar. bass guitar. harmonica. harp. woodwinds. brass. bells. playing cards. poker chips. chess. dice. motorcycle riding. eating. climbing. running. parkour. spinning. walking. magic. languages.

[STYLE]

lingerie. armor. cape. dress. tunic. vest. shirt. boots. heels. leggings. trousers. jeans. skirt. jewelry. earrings. necklace. bracelet. ring(s). pendant. hat. crown. circlet. helmet. scarf. brocade. cloaks. corsets. doublet. chest plate. gorget. bracers. belt. sash. coat. jacket. hood. gloves. socks. masks. cowls. braces. watches. glasses. sun glasses. visor. eye contacts. makeup. cane. suit. leather pants. robe(s).

[MISC]

balloons. bubbles. cityscape. light. dark. candles. war. peace. money. power. percussion. clocks. photos. mirrors. pets. diary. fairy lights. madness. sanity. sadness. happiness. optimism. pessimism. loneliness. family. friends. assistants. co-workers. enemies. loyalty. smoking. drugs. kindness. love. hugs. dreaming. nightmares. daydreaming. silence. noise. politics. anger. pity. cars. mechanics. alchemy. religion. travel.

#headcanon #the last time i did this was jan 2017 #figured i would update it

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superwolfiestar · 6 years

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A Royal love Ch. 1

So I just saw one of @gaypassaros posts. And I immediately fall in love of Royal Modern Au! Where Donald is a king of Duckburg and Panchito and Jose are his personal hot securities to protect their king and their secret relationship. So that where I immediately started writing this fanfic. So do enjoy this lovely Royal Modern Au! fanfic.

Donald drew a deep breath as he opened his eyes.

he was so nervous. He didn't want to disappoint his death Uncle Scrooge, who was the king. But most importantly, he didn't want to disappoint to his late sister princess Della Duck who she suddenly died in the plane crash. He and his older twin sister Della were very close and have strong twin relationship. They were taught by their private tutor who was hire by their uncle, the king, Scrooge McDuck, and Donald did study hard while Della wasn’t. Della was very friendly and full of fun and adventurous girl.

Della was Donald older twin sister and WAS going to be the future queen. But when Della was nineteen year old, their uncle have chosen a husband for Della and she was forced to marry him, his name was Lumiere de Roche from France. When Della was nineteen, the marriage produced three triplet sons, the princes Hubert, Dewford, and Llewellyn, who will soon be hatch and then respectively, third, fourth and fifth in the line of succession to the Duckburg throne. But her husband was kill in the tragedy car crash.

Donald also remember when Duckburg entered the War in September 2002, they were only twenty years old. The long-serving Duckburg Conservative politician, Douglas Hogg, the Viscount Hailsham, had recently retired from government, but still had the ear of those at the top of Duckburg society. He suggested to the Royal Family that the young Della and her twin brother Donald should be evacuated to Canada, but the princess and the prince’ uncle replied in no uncertain terms.

The Royal family would stay in their country.

They moved from place to place during the early stages of the war. Those first few dark winter months were spent at the sprawling and ancient Balmoral estate in the Scottish and Duckburg Highlands. Balmoral has always been a place of sanctuary for the royal family, and the young twin stayed there until Christmas. As the Duckburg troops were mobilised and rationing and blackouts began, the Royal family moved to Sandringham House in Norfolk, and then back south to WindDuck.

As fighting intensified in Europe the royal twin were moved back into WindDuck Castle, where they stayed for the rest of the duration of war. Still at the young age of fourteen, the Princess Della made her first public radio broadcast, on the long-running DBC radio programme Children’s Hour. She spoke with feeling directly to the many children and young people who had been separated from their families during the evacuations which had begun in September.

She appealed to their courage and to their determination, telling them to stay strong and to stay hopeful. She expressed a belief that, eventually, peace would come again.

WindDuck Castle was a fortress. It was gloomy, and the oppression of war lay heavily on the whole country. In an effort to cheer themselves and the other residents at the Castle, the Crown Princess Della and Prince Donald put on a pantomime. They raised money for the King’s wool fund, which bought wool to be made into military clothing, and the production of the pantomime was so enjoyable that they put on another show next year, and every year for the rest of the war.

But, Princess Della, set off alone on a mission about which little is known. She was especially became the first female member of the Royal Air Force, and her plane crashed into a hillside in Caithness in Scotland, with a briefcase full of 100 Krona banknotes handcuffed to one wrist.

Distraught by the loss, the citizens of the Duckburg Kingdom mourned the lost of their gentle and tender adventurous, brave and loving princess. King McDuck and Donald were also sad of the death of Della of Duck. But soon after a days of Princess Della of Duck death. The triplets were hatch and were surrounded and nurse by their uncle Donald love without their mother care.

There was a knock on the door. "Come in." Donald replied to the knock and enter the door was Duckworth, who use to be King McDuck trusted advisor. But now, he’s Donald trusted advisor. "My lord, It's time to start getting ready for your Coronation." Oh yes, the Coronation. The one day he wasn't very excited for.

The ceremony solemnly took place in the church. Donald have his hair being curl and he was wearing a blue velvet jacket fully reinforced and lined with built in sash and plackets and all embellished with trims and gold embroidery. And a black foot covers, and a Rose cape which was a white satin. The train lengths from 6-feet and 9-foot train. 5” wide faux ermine fur trim around the entire perimeter. 18” long faux ermine caplet with satin backing. 6” long gold tassels attached to a 9-foot long gold braided collar cord. 2 duck’s heads anchor medallions for securing 18mm wide, diamond cut closure chain trailed on behind him as he walked up the steps to stand before the archbishop.

His knees then began shaking, and beads of cold sweat started to form on his forehead. The room had a stressful air about it, and Donald couldn't help but remember of when his Uncle Scrooge told them his coronation story many years ago. He bit his lip, fighting the tension away.

“C'mon, Donald, you can do this. Keep it together”, he thought to himself, trying to rid his mind of the intrusive thoughts about his twin older sister.

The ceremony felt like it went on forever, and Donald had observed this the moment the low, sleepy voice of the archbishop reverberated within the walls of the room. He only was half-listening; the other half of his concentration was reserved for worrying about how big the pressure was going to be after all this. He was to be King, like his uncle had been, and he didn't know if he would be able to handle it. His Uncle Scrooge of McDuck, regal and capable as he was, had barely made it through a single day.

What more of Donald?

Donald, who had been underestimated throughout his childhood so much that it actually affected his confidence and belief in himself. Donald, who had been – more often than not – ignored and pushed aside 'for his safety'. Donald, the spare of Duckburg. And he was to be King in a few more minutes.

It was a lot to bear.

“Jeez, no wonder why Della freaked out when she have some duties she have to do when she become Queen,” he thought to himself.

Once the archbishop was done putting the crown on Donald head, the royal scepter and orb were handed to the almost King Donald. With shaky, sweaty hands, he took them and faced the people, – there were fewer guests, relatives, and close friends compared to the previous coronation of King McDuck – with anxiety washed all over his face.

"All hail, King Donald of the kingdom of Duckburg. God save the King..! God save the king..! God save the king..!”

The words keep echoing through his ears and mind. Donald sight as he look up at the stain glass as he began to talk in his head softy. “O lord… please… please grant me your protection. I have been called upon to reign. Oh lord… Great dear twin sister of mine. Protect me Della!” He felt tear raising up but he wouldn’t show it in front of everyone

“God save the King!!!!!”

To be continued......

#the three caballeros #three gay caballeros #Royal modern au #fanfic

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laurent-bigot · 6 years

Text

Ce n’est pas le moindre des paradoxes de l’Occupation à de nombreux jeunes acteurs de se révéler au public. La plupart rapidement au vedettariat au cours des années 50, mais si on excepte quelques chefs-d’œuvre fulgurants, Ils seront souvent mal employés.

Danielle Darrieux

Bernard Blier

Pierre Brasseur

Suzy Delair

Jean Marais

Danièle Delorme

Pierre Fresnay

François Perrier

Daniel Gélin

Dany Bobin

Micheline Presle

Martine Carol

Simone Signoret

PIERRE FRESNAY, en 1945, fut victime de la campagne déclenchée contre Le Corbeau, où il avait trouvé son meilleur rôle, avec celui du capitaine de Boieldieu de La Grande Illusion. Il était alors au sommet de sa gloire, un des tout premiers acteurs français, après une première carrière, qui comprenait entre autres le Marius (1931) de Korda et sa suite, La Dame aux camélias (1934) d’Abel Gance, Adrienne Lecouvreur (1938) de L’Herbier et L’Assassin habite au 21 (1942) de Clouzot. Après quelques mois d’interdiction succédant à quelques semaines de séjour à Fresnes, il effectuait sa rentrée dans Fille du diable (1945) de Decoin et retrouvait rapidement sa place au premier rang des vedettes françaises. De nouveaux triomphes personnels l’attendaient, dans des films parfois inégaux. Parmi ceux-ci, on doit rappeler sa mémorable composition de saint Vincent-de-Paul, dans le Monsieur Vincent (1947) de Maurice Cloche écrit par Jean Anouilh ou son savoureux Offenbach de La Valse de Paris (1949) de Marcel Achard. Son meilleur rôle de cette seconde période fut sans doute celui de Dieu a besoin des hommes (1950) de Delannoy. Après cela, le niveau des films dans lequel il parut commença à baisser. On peut encore retenir le curieux Défroqué (1953) de Léo Joannon et le vieux marquis des Aristocrates (1954) de Denys de la PatelIière. Fresnay, qui avait débuté à la Comédie-Française et continué de jouer au Boulevard, retourna au théâtre. II fit d’admirables créations, surtout Le Neveu de Rameau de Diderot et Mon Faust de Valéry, dont la télévision a gardé le souvenir. Il mourut en 1975, à Paris (où il était né en 1897).

MONSIEUR VINCENT de Maurice Cloche (1947) avec Pierre Fresnay, Aimé Clariond, Jean Debucourt

MARIUS réalisé par Alexander Korda (1931), écrit par Marcel Pagnol d’après sa pièce éponyme, représentée pour la première fois en décembre 1927 sur la scène du Théâtre de Paris, Marius est le premier volet de la trilogie marseillaise de Pagnol. Avec Raimu, Pierre Fresnay, Orane Demazis

LE CORBEAU – Henri Georges Clouzot (1943) – Pierre Fresnay

DANIELLE DARRIEUX (née à Bordeaux en 1917) avait été une des grandes vedettes d’avant-guerre et de l’Occupation grâce à des films comme Mayerling (1936) de Litvak où elle incarnait une inoubliable Marie Vetsera, ou à ceux qu’elle interpréta sous la direction de son mari Henri Decoin, Retour à l’aube (1938), Battements de cœur (1939) et Premier Rendez-vous (1941). Elle avait excellé dans des rôles de jeunes filles modernes, enjouées et mutines, mais qui finissaient toujours par tomber dans les bras du beau jeune premier. Dotée d’une voix agréable, elle susurrait souvent de jolies mélodies, un peu sirupeuses comme le voulait le goût de l’époque et généralement promises à un grand succès, comme la célèbre “chamade” de Battements de cœur. Après trois ans d’interruption, Danielle Darrieux revint à l’écran en 1945, pour une seconde carrière encore plus brillante que la première. Épanouie, mûrie, ayant pris de l’autorité, c’est alors qu’elle interpréta quelques-uns de ses plus beaux rôles, comme la reine de Ruy Blas (1947) dans le film de Cocteau et Pierre Billon ou la fantasque Amélie de Feydeau, dans Occupe-toi d’Amélie (1949) d’Autant-Lara. Mais c’est surtout grâce à Ophuls qu’elle put se surpasser, dans La Ronde (1950), Le Plaisir (sketch de La Maison Tellier d’après Maupassant, 1951) et surtout l’exquise Madame de (1953) d’après Louise de Vilmorin, où elle était une épouse frivole qui finissait par mourir d’amour. Elle fut également remarquable dans La Vérité sur Bébé Donge (1951) où elle retrouvait Decoin, dont elle avait divorcé dix ans plus tôt et dans Le Bon Dieu sans confession (1953) d’Autant-Lara. Elle est décédée en octobre 2017.

OCCUPE-TOI d’AMELIE de Claude Autant-Lara (1949), adapté de la pièce éponyme de Georges Feydeau avec Danielle Darrieux, Jean Desailly, Julien Carette

MADAME DE… de Max Ophuls (1953), adapté du roman éponyme de Louise de Vilmorin paru en 1951 avec Danielle Darrieux, Charles Boyer, Vittorio De Sica, Jean Debucou

RETOUR A L’AUBE – Henri Decoin (1938) – Danielle Darrieux, Pierre Dux, Jacques Dumesnil, Pierre Mingand

PIERRE BRASSEUR (1905-1972) tourna beaucoup et aussi de temps en temps n’importe quoi avant de parvenir à imposer son talent exceptionnel. Réserve faite de la gifle mémorable du Quai des brumes (1938) de Carné, ce n’est qu’avec les années 40 qu’il commença à trouver l’occasion de s’employer. Ce fut surtout grâce à Jacques Prévert qui écrivit pour lui quelques rôles sur mesure, destinés à mettre en valeur un abattage extraordinaire. On en eut un premier aperçu avec le peintre alcoolique de Lumière d’été (1942), le meilleur film de Grémillon, où il éclipsait ses nombreux et remarquables partenaires. Mais c’est l’année suivante qu’il allait rencontrer le rôle de sa vie, avec le fameux Frédérik Lemaître des Enfants du paradis (1943-1945), le chef-d’œuvre de Carné-Prévert. Dans cette évocation d’un “monstre sacré” du romantisme, il fut éblouissant, truculent et gouailleur à la fois, émouvant et sobre quand il le fallait, bref acteur complet et génial. Après cela, il parut presque effacé dans Les Portes de la nuit (1946) de Carné-Prévert, bien qu’il y fût excellent, mais eut l’occasion d’un nouveau grand numéro dans Les Amants de Vérone (1948) de Cayatte-Prévert. Il fut aussi un savoureux Barbe- bleue (1951) pour Christian-Jaque et un héros de Sartre dans Les Mains sales (F, Rivers, 1951), Après un truculent Buridan dans La Tour de Nesle de Gance (1954), et un pittoresque Juju pour René Clair (Porte des Lilas, 1956), il incarna de nombreux rôles jusqu’à sa mort (Les Bonnes causes, Christian-Jaque, 1962), mais plus rien de très marquant. Il fut marié à Odette Joyeux, dont il eut un fils, le comédien Claude Brasseur.

LES BONNES CAUSES est un film franco-italien réalisé par Christian-Jaque et sorti en 1963 avec Pierre Brasseur, Marina Vlady, Bourvil

LUMIERE D’ETE de Grémillon (1943) avec Madeleine Robinson, Paul Bernard, Madeleine Renaud, Pierre Brasseur

LES PORTES DE LA NUIT – Marcel Carné (1946), Pierre Brasseur

SIMONE SIGNORET (née Simone Kaminker en 1921, à Wiesbaden et morte en 1985 à Autheuil-Authouillet (Eure)) fut une des premières jeunes actrices à s’imposer comme vedette au lendemain de la Libération. Figurante et secrétaire du journaliste Jean Luchaire sous l’Occupation elle décrocha quelques petits rôles, avant d’être lancée par les films d’Yves Allégret, son premier mari, Les Démons de l’aube (1945) et surtout Dédée d’Anvers (1947) qui fit d’elle une grande vedette, dans un rôle pourtant assez conventionnel de fille de maison close, emploi qu’elle tint plusieurs fois dans sa carrière. Elle fut également fille “mauvaise femme”, ambitieuse et sans scrupule dans Manèges (1949), film très noir, le dernier qu’elle fit pour Yves Allégret, dont elle divorça peu après. Après deux ou trois films anglo-saxons sans intérêt, et quelques productions françaises très médiocres, on la retrouva dans La Ronde (1950) d ‘Ophuls et surtout dans son plus grand rôle, Casque d’Or (1951), le chef-d’œuvre de Jacques Becker. Faisant un curieux couple avec Serge Reggiani, elle y était belle, simple et émouvante, dans son personnage de fille du peuple, amoureuse et heureuse de vivre. Malheureusement, ni Thérèse Raquin (1953) de Carné, ni Les Diaboliques (1954) de Clouzot, ni La Mort en ce Jardin (1956) de Buñuel n’eurent la même valeur. Avec un film anglais assez moyen de Jack Clayton, Les Chemins de la haute ville (Room at the Top, 1958), Simone Signoret obtint un Oscar. Puis elle vieillit et changea d’emploi, tirant un parti parfois un peu appuyé des changements physiques apportés par le passage des ans. Mariée à Yves Montand, elle le suivit dans ses prises de position politiques. On lui doit un livre de souvenirs : “La nostalgie n’est plus ce qu’elle était.”

THERESE RAQUIN de Marcel Carné (1953) avec Simone Signoret, Raf Vallone, Sylvie, Jacques Duby, Roland Lesaffre

CASQUE D’OR de Jacques Becker (1952), inspiré de l’histoire vraie d’Amélie Élie, surnommée « Casque d’or », avec Simone Signoret, Serge Reggiani, Claude Dauphin

DEDEE D’ANVERS d’Yves Allégret (1948) avec Bernard Blier, Simone Signoret, Marcello Pagliero, Marcel Dalio

JEAN MARAIS (né en 1913 et décédé en 1998), grande révélation du cinéma de l’Occupation avec L’Éternel Retour (1943), fut pendant plusieurs années le jeune premier idéal du cinéma français. Son nom demeure étroitement lié à celui de Jean Cocteau, et c’est au cinéaste-poète qu’il doit le meilleur de sa carrière. Prince charmant et monstre émouvant dans La Belle et la Bête (1945), “ver de terre amoureux d’une étoile” dans Ruy Blas (1947), anarchiste épris de sa victime dans L’Aigle à deux têtes (1947), enfant gâté des Parents terribles (1948), poète maudit d’Orphée (1949), cette série de rôles incomparables lui valut une popularité comme il y en eut peu dans le cinéma français. Sa voix étrange et sa blondeur irrésistible en firent l’enfant chéri de plusieurs générations de spectatrices. Tout cela achevait d’irriter une critique qui le bouda longtemps et fut longue à lui reconnaître un talent qui pourtant était réel. D’autres cinéastes que Cocteau surent l’utiliser, de Christian-Jaque (Voyage sans espoir, 1943) à Jean Renoir (Elena et les hommes, 1956) en passant par René Clément (Le Château de verre, 1950) et Yves Allégret (Nez-de-cuir, 1951). Jean Marais se reconvertit ensuite avec bonheur dans le film de cape et d’épée, sous la direction d’André Hunnebelle : Le Bossu (1959), Le Capitan (1960), Le Miracle des loups (1961). Son dernier grand rôle fut dans Peau d’âne (1970) de Jacques Demy.

L’AIGLE A DEUX TETES de Jean Cocteau, adapté de sa pièce éponyme (1948) avec Edwige Feuillère, Jean Marais, Silvia Monfort, Jean Debucourt, Jacques Varennes

LE SECRET DE MAYERLING de Jean Delannoy (1949) avec Jean Marais, Dominique Blanchar, Jean Debucourt, Silvia Monfort, Jane Marken

LE SECRET DE MAYERLING est un film français consacré au drame de Mayerling, réalisé par Jean Delannoy et sorti en 1949 avec Jean Marais, Dominique Blanchar, Jean Debucourt, Silvia Monfort, Jane Marken

MARTINE CAROLE, née Maryse Mourer (1920-1967), fut pendant une dizaine d’années la star d’une période un peu creuse du cinéma français. Blonde, éclatante, un rien de vulgarité qu’excusait un côté bonne fille, elle parut dans de nombreux films, souvent médiocres, mais dont elle assurait le succès. Un succès qu’elle poursuivit pendant des années, entre ses débuts (1943) et sa consécration en 1950, par tous les moyens : un faux suicide, des idylles tapageuses, un grand sens de la publicité. En 1950, ce fut enfin Caroline chérie, assez platement réalisé par Richard Pottier, mais l’héroïne du best-seller de Cecil Saint-Laurent, au prénom prédestiné, semblait avoir été inventée pour elle. Son charme blond, appuyé par des dialogues impertinents d’Anouilh, fit merveille. Plus tard, mariée à Christian-Jaque, elle interpréta pour lui une série de films, bâtis à peu près sur le même principe : Lucrèce Borgia (1952), Madame du Barry (1954), Nana (1955). Ce furent ses plus grands succès commerciaux avec un niveau au-dessus, Les Belles de nuit (1952) de René Clair. Il est permis de juger plus intéressante son interprétation dans un film méconnu de Lattuada, La Pensionnaire (La Spiaggia, 1954). Enfin, elle restera toujours dans le souvenir des cinéphiles, grâce à un seul film, mais quel film ! Lola Montès (1955), le chef-d’œuvre sans égal de Max Ophuls, où, brune pour une fois, elle confirmait un vrai talent qui soutenait une photogénie éclatante. Ensuite, ce fut le déclin rapide, les épreuves, les trahisons de la mode, bref une fin de carrière désolante, dénouée par une mort tragique. On peut encore en extraire un dernier film : Austerlitz (1960) d’Abel Gance, où elle incarnait Joséphine de Beauharnais.

LE DESIR ET L’AMOUR d’Henri Decoin (1951) avec Martine Carol, Antonio Vilar, Françoise Arnoul

CAROLINE CHERIE de Richard Pottier (1951), avec Martine Carol, adapté d’un roman de Cécil Saint-Laurent avec Martine Carol, Jacques Dacqmine, Marie Déa

LOLA MONTES Max Ophüls (1955) avec Martine Carol, Peter Ustinov, Anton Walbrook

FRANÇOIS PÉRIER (né en 1919 et mort en 2002), grâce à un personnage charmant de jeune premier fantaisiste, connut une très grande popularité dans les années 40. Entrevu dans Hôtel du Nord (1938) puis révélé au théâtre, c’est sous l’Occupation qu’il devint vedette, avec Lettres d’amour (1942), petit chef-d’œuvre méconnu d’Autant-Lara, Le Camion blanc (1942) de Léo Joannon ou Bonsoir mesdames, bonsoir messieurs de Roland Tuai (1943). Il confirma les mêmes qualités d’esprit et d’intelligence dans Un Revenant (1946) de Christian-Jaque, Le Silence est d’or (1947) de René Clair ou dans Souvenirs perdus, de nouveau avec Christian-Jaque (sketch de Jeanson, 1950). Il étendit, avec un égal succès, son registre vers la gravité avec l’excellent film de Jean Faurez, La Vie en rose (1947) et avec Orphée (1949) de Cocteau, où il fut un étonnant Heurtebise. La suite de sa carrière fut plus décevante sauf Les Nuits de Cabiria (Le notti di Cabiria, 1956) de Fellini, et il se consacra surtout au théâtre où il continue de triompher.

ORPHEE est un film français réalisé par Jean Cocteau, sorti en 1950 avec Jean Marais, François Périer, Maria Casarès, Marie Déa

LE CAMION BLANC est un film français réalisé par Léo Joannon, sorti en 1943 avec Jules Berry, Blanchette Brunoy, François Périer

UN REVENANT – Christian-Jaque (1946) – Louis Jouvet, Jean Brochard, Gaby Morlay, Ludmila Tcherina, François Périer

SUZY DELAIR (née le 31 décembre 1916 à Paris) commença à la fois Comme figurante et Comme chanteuse de music-hall, débutant dans des établissements populaires parfois modestes. C’est dans un de ces lieux qu’il affectionnait que Clouzot la découvrit et prit sa carrière en main, en même temps qu’il allait partager sa vie une dizaine d’années environ. Il la fit débuter à la Continental en 1941, dans Le Dernier des six écrit par lui mais réalisé par Georges Lacombe, puis dans L’assassin habite au 21, qu’il réalisa lui-même en 1942. Dans l’un et l’autre, elle incarnait Mila-Malou, la petite amie volcanique de l’inspecteur Wens, joué par Pierre Fresnay. D’emblée, elle imposa ce personnage “d’une incroyable vulgarité”, qui prenait sous la direction de Clouzot un style assez “flamboyant” (Jacques Siclier). Toujours avec Clouzot, elle eut son plus grand rôle, dans Quai des Orfèvres (1947), celui de la chanteuse Jenny Lamour trépidante sur scène, et dans la vie adorant son “biquet” (B. Blier). Un rôle où elle avait mis beaucoup d’elle-même, de ses souvenirs de début et de sa vie avec Clouzot (on se souviendra de son numéro: “Avec son tralala” ). Elle fut aussi Lady Paname (1949) pour Henri Jeanson, dans sa seule mise en scène, un personnage assez voisin du précédent et la partenaire de Laurel et Hardy dans leur dernier film, Atoll K (1951). La même année elle faisait un duo irrésistible avec François Périer, dans le sketch de Jeanson réalisé par Christian-Jaque pour Souvenirs perdus. Dans le registre dramatique, son plus grand rôle fut celui de la fille cynique de Pattes blanches (1948), chef-d’œuvre encore trop ignoré de Grémillon. Par la suite, il faut encore mentionner Gervaise (René Clément, 1955) et Rocco et ses frères (Rocco e i suoi fratelli, Visconti, 1960). Simultanément, Suzy Delair poursuivait une brillante carrière au théâtre, lyrique particulièrement. Mais on doit regretter que le cinéma français n’ait pas su employer davantage ce tempérament dramatique exceptionnel, fait d’une authentique verve populaire.

QUAI DES ORFÈVRES – Henri-Georges Clouzot (1947) – Louis Jouvet, Suzy Delair, Bernard Blier, Simone Renant

PATTES BLANCHES de Jean Grémillon (1949), avec Suzy Delair, Fernand Ledoux, Paul Bernard, Arlette Thomas et Michel Bouquet

LADY PANAMA est un film français réalisé par Henri Jeanson, sorti en 1950 avec Louis Jouvet, Suzy Delair, Jane Marken

MICHELINE PRESLE est née Micheline Chassagne à Paris, en 1922. Elle connut ses premiers succès au début de la guerre et de l’Occupation avec Paradis perdu (1939) de Gance et La Comédie du bonheur (1940) de L’Herbier. Ce furent ensuite deux films du même, Histoire de rire (1941) et La Nuit fantastique (1942), suivis de deux créations importantes qui ne sortirent qu’après la Libération, Félicie Nanteuil (1942) de Marc Allégret et Falbalas (1944) de Jacques Becker. Jeune fille ou jeune femme, parfois hésitant entre les deux, tous ses personnages sont marqués de sa forte personnalité et d’un talent aussi heureux dans le registre comique que dans le dramatique. Ces qualités se confirmèrent dans le fameux Diable au corps (1946), d’Autant-Lara, ou dans L’Amour d’une femme (1953) de Grémillon. Les Américains la remarquèrent et elle fut engagée à Hollywood où elle ne fit pas grand-chose, sauf “le plus mauvais film de Fritz Lang” (Pierre Rissient). Par contre, elle fut excellente dans un fameux film anglais de Losey, L’Enquête de l’inspecteur Morgan (Chance Meeting, 1959). Longtemps fiancée à Louis Jourdan, elle fut aussi mariée avec Bill Marshall, ex-mari de Michèle Morgan.

BOULE DE SUIF de Christian-Jaque (1945) avec Micheline Presle, Louis Salou et Berthe Bovy

LE DIABLE AU CORPS – Claude Autant-Lara (1947) avec Gérard Philipe, Micheline Presle, Denise Grey, Jean Debucourt

LA BELLE DE PARIS (Under My Skin) Jean Negulesco (1950) avec John Garfield et Micheline Presle

BERNARD BLIER (né en 1916 et décédé en 1989) a imposé sa rondeur joviale dans d’innombrables films. Élève de la classe de Louis Jouvet au Conservatoire, il débute au théâtre et décroche quelques petits rôles au cinéma à la veille de la guerre (Hôtel du Nord, Le Jour se lève). Il atteint le vedettariat pendant l’Occupation, dans plusieurs films où il impose une drôle de silhouette de jeune premier maigre (à cause des restrictions) et au front dégarni. On le découvre ainsi dans L’Assassinat du Père Noël (1941) et La Symphonie fantastique (1941) de Christian-Jaque, dans La Nuit fantastique (1941) de L’Herbier, dans Marie Martine (1942) d’Albert Valentin et dans Les Petites du quai aux Fleurs (1943) de Marc Allégret. Après la guerre, sa silhouette s’épaissira progressivement de film en film, ce qui ne l’empêche pas de garder la vedette jusqu’aux abords de la quarantaine, dans des œuvres aussi diverses que Orfèvres (Clouzot, 1947), L’Ecole buissonnière (Le Chanois, 1948), Sans laisser d’adresse (Le Chanois, 1950) ou Le Dossier noir (Cayatte, 1955). L’âge venu, Bernard Blier deviendra un remarquable acteur de composition, dans les registres les plus variés, passant du drame à la comédie avec le même succès, et ses rôles ne se comptent plus. Il excelle dans la méchanceté où son apparente bonhomie lui permet de saisissantes créations. Il a été plusieurs fois dirigé par son fils, le réalisateur Bertrand Blier Buffet froid 1980.

HÔTEL DU NORD – Marcel Carné (1938) – Louis Jouvet, Annabella, Arletty, Jean-Pierre Aumont, Bernard Blier

LE SEPTIEME JURE de Georges Lautner (1962) d’après le roman de Francis Didelot avec Bernard Blier, Danièle Delorme

QUAI DES ORFÈVRES – Henri-Georges Clouzot (1947) – Louis Jouvet, Suzy Delair, Bernard Blier, Simone Renant

DANIÈLE DELORME (Danièle Girard) a débuté à seize ans, dans de petits rôles que lui confiait Marc Allégret dans ses films. Elle se fit remarquer dès Les Petites du quai aux Fleurs, (1943), aux côtés d’un autre débutant Gérard Philipe. Après quelques silhouettes encore épisodiques dans divers films, elle fit ses débuts de grande vedette grâce à Colette, qui la choisit pour incarner Gigi (1949) dans la version de Jacqueline Audry. Encadrée de deux fameux monstres sacrés, Gaby Morlay et Yvonne de Bray, elle était parfaitement à l’aise, et ce fut la gloire immédiate. Son physique et sa voix de ravissante ingénue, un peu acide, firent merveille dans toute une série de films de valeur malheureusement inégale. A part Miquette et sa mère (1949), seule tentative comique de Clouzot, les meilleurs furent encore ceux de la série de J. Audry-Colette : Minne, l’ingénue libertine (1950) et Mitsou (1956), On peut aussi y ajouter Sans laisser d’adresse (Le Chanois, 1950), La Jeune Folle (Y. Allégret, 1952) et Voici le temps des assassins (Duvivier, 1955). D’abord mariée à Daniel Gélin, elle épousa ensuite le réalisateur-producteur comédien Yves Robert, dont elle partage les activités. Productrice avisée, on ne compte plus ses succès. De temps à autre on la retrouve dans un film, toujours étonnamment juvénile, notamment dans les œuvres de son mari (Un Eléphant ça trompe énormément, 1976).

MIQUETTE ET SA MERE d’Henri-Georges Clouzot (1950) – Bourvil et Danièle Delorme

VOICI LE TEMPS DES ASSASSINS de Julien Duvivier (1956) avec Jean Gabin, Danièle Delorme, Gérard Blain, Lucienne Bogaert, Germaine Kerjean

GIGI de Jacqueline Audry (1949), adaptation du roman éponyme de Colette, Gigi avec Danièle Delorme, Gaby Morlay, Jean Tissier, Franck Villard

DANIEL GÉLIN (né en 1921 et décédé en 2002) a mis près de dix ans avant de devenir un des jeunes premiers les plus aimés du public des années 50. Quasi-figurant à la veille de la guerre, il obtient quelques bouts de rôle, souvent minuscules, pendant l’Occupation. On l’entrevoit ainsi dans Premier Rendez-vous (1941) de Decoin ou dans Lucrèce (1942) de Léo Joannon. Après 1945, ses rôles s’étoffent dans des films secondaires comme Martin Roumagnac (1946) de Lacombe ou Le Mannequin assassiné (1947) de Pierre de Hérain. En 1949, Jacques Becker en fait une vedette, en lui confiant le rôle principal de Rendez-vous de juillet, son grand film sur la jeunesse d’après-guerre. Son succès personnel est très grand, et le pose en rival de Gérard Philipe alors en pleine gloire. Leur confrontation dans La Ronde (1950) d’Ophuls, semble même tourner à son avantage. Plusieurs bons films vont achever de consacrer Daniel Gélin qui, dans la vie, forme avec Danièle Delorme le nouveau couple-vedette du cinéma français. Ce sont d’abord deux délicieuses comédies de Jacques Becker, son metteur en scène fétiche : Édouard et Caroline (1950) et Rue de l’Estrapade (1952). Ce sont aussi le grand succès de Delannoy, Dieu a besoin des hommes (1950), le troisième sketch (Le Modèle) du Plaisir d’Ophuls (1951) et Napoléon de Guitry (1954), dans lequel il incarne Bonaparte jeune. Comme réalisateur, Daniel Gélin a dirigé Les Dents longues (1952), avec Danièle Delorme et lui-même en vedettes, film qui n’était pas sans qualités.

RENDEZ-VOUS DE JUILLET Jacques Becker (1949) avec Daniel Gélin, Nicole Courcel, Brigitte Auber, Maurice Ronet

RETOUR DE MANIVELLE de Denys de La Patellière (1957), adapté du roman éponyme de James Hadley Chase avec Michèle Morgan, Daniel Gélin, Bernard Blier, Peter van Eyck

LA RONDE de Max Ophüls (1950), le scénario du film est tiré de La Ronde, une pièce de théâtre de l’écrivain autrichien Arthur Schnitzler avec Jean-Louis Barrault, Danielle Darrieux, Daniel Gélin, Fernand Gravey, Odette Joyeux, Gérard Philipe, Simone Signoret, Simone Simon

DANY ROBIN (née en 1927) commença par décrocher un premier prix du Conservatoire de danse et se produisit à l’Opéra. Puis elle étudia la comédie et décrocha également un premier prix de Conservatoire. Marc Allégret la fit débuter dans un petit rôle de Lunegarde (1944), puis on la remarqua dans Les Portes de la nuit (1946) de Carné et dans une scène du Silence est d’or de Clair (1946). Le public apprécia rapidement son jeu aigu et son physique de blonde ingénue souriante. Elle forma longtemps un couple idéal avec Georges Marchal, beau jeune premier à la mode, et tourna de nombreux films, où malheureusement les chefs-d’œuvre sont rares. De son abondante filmographie, il faut retenir : Les Amoureux sont seuls au monde (Decoin, 1947), La Soif des hommes (S. de Poligny, 1949) en compagnie de Georges Marchal et de la pathétique Andrée Clément, Deux Sous de violettes (1951), un film réalisé par Jean Anouilh, trop oublié des historiens, La Fête à Henriette (Duvivier, 1952), Julietta (1953), jolie réussite de Marc Allégret d’après Louise de Vilmorin, Frou-Frou (Genina, 1954). Dans Napoléon (1954) de Guitry, elle était Désirée Clary, la fiancée abandonnée de Bonaparte. Plus tard elle fut la partenaire de Peter Sellers, dans un film anglais tiré d’une pièce d’Anouilh, Les Femmes du général (The Waltz of the Toreadors, 1962). Elle fut aussi une des rares Françaises à avoir l’honneur d’être dirigée par le grand Hitchcock dans L’Etau (Topaz, 1969).

LA FETE A HENRIETTE de Julien Duvivier (1952) avec Dany Robin, Michel Auclair, Michel Roux, Henri Crémieux, Louis Seigner

LES AMOUREUX SONT SEULS AU MONCE d’ Henri Decoin (1948) avec Louis Jouvet, Dany Robin, Renée Devillers

JULIETTA de Marc Allégret (1953) avec Jean Marais, Dany Robin, Jeanne Moreau, Denise Grey

A voir également

VISAGES FAMILIERS DU CINÉMA FRANÇAIS (partie 1)

Ce n'est pas le moindre des paradoxes de l'Occupation à de nombreux jeunes acteurs de se révéler au public. La plupart rapidement au vedettariat au cours des années 50, mais si on excepte quelques chefs-d’œuvre fulgurants, Ils seront souvent mal employés. Ce n'est pas le moindre des paradoxes de l'Occupation à de nombreux jeunes acteurs de se révéler au public.

#bernard blier #daniel gelin #daniele delorme #danielle darieux #dany robin #francois perier #jean marais #martine carol #micheline presle #pierre brasseur #pierre fresnay #simone signoret #suzy delair

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symphonyofmalice · 7 years

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MUSE AESTHETICS: HORROR EDITION.

BOLD WHATEVER APPLIES & tag people. add stuff & even change the format to your liking! naturally, repost; don’t reblog!

TAGGED BY @thevampirelestat TAGGING: @sunandmoonoffspring, @eternalandrei @auburnandamberangel @farewelltolight @hurtbywhisperedmuses @esoteric-allusion @caravaggios-demon @desanctii @angelustheancient @echo-de-la-lumiere and anyone I’m forgetting

CLASSIC.

black and white. powder puffs. red lipstick. winged eyeliner. white kitten heels. black lace lingerie. icy blue eyes. rain.abandoned cars. skeletons. acid. poison. voyeurism. switchblades. strangling. overcoats. looking over your shoulder. trans-atlantic accents. private detectives. dinner parties. haunted mansions. cobwebs. perfect blonde curls. kitchen knives. shock. cellars. dust. ghosts. dark alleys. empty streets. horn-rimmed glasses. radiation. zombies. serial murder. suspicion. paranoia. the city. witches. the devil. cannibalism. conspiracies. amulets. abject terror. the American South. the American Northeast. England. analog cameras.

CRYPTID & URBAN LEGEND.

aliens. blinding light. dark woods. driving at night. claw marks. bite marks. men in black.memory loss.dismembered bodies. sewers. flashlights. cell phones. video cameras. cars with tinted windows. unlabeled cassette tapes. bugs. big cities. urban crimes. clowns. something rustling outside your window. glowing light.unsolved mysteries. suburbia.mirrors. the american pacific northwest. the american midwest. hiking. backpacking.

GOTHIC.

gaslights. corsets. ballrooms. candlelight. mist. starless nights. full moons. cobbled streets. horse-drawn carriages. mysterious strangers. bogs. moors. forests. mountains. castles. velvet. silver. brass. gold. jewels. domino masks. the opera. dangerous romances. tragic romances. violins. roses. lilies. empty graves. crosses. cemeteries. snow. ice. the gallows. crows. milk-white skin. ambiguous illness. fangs. pointed nails.something howling in the night. capes. gloves. top hats. straight razors. lightning. pipe organs. underground caverns. bats. mice. rats. ravens.cats. pearls. attics. talismans. axes. wood. isolation in a room full of people. vampires. werewolves. ghosts. coffins. western europe. eastern europe. bones. churches. catacombs. mausoleums. books.

PARANORMAL.

malevolent spirits. seances. spells. missing bodies. hidden graves. white noise. static. flickering lights. rings of salt.demons. poltergeists. dark histories. old buildings. cold air.wells. urban exploration. a dog barking at unseen things. iconoclasm. black ooze. old photographs. dark bodies of water. crucifixes. priests. possession. exorcisms. dolls.

SLASHER.

bloodbaths. massacres. wanton nudity. newspapers. leather jackets. letterman jackets. converse sneakers. obscured faces. social unrest. bonfires. lakes. babysitters. high school. lockers. dead leaves in the fall. jack-o’-lanterns. passing shadows. outdated television sets. nightmares. psychiatrists. hospitals. unstoppable forces. gunfire. police. landline telephones. improvised weapons. halloween. secrets. revelations. cut wires. character masks. scrunchies. wild curls. jeering children. parties. fire. swearing. revulsion. california.the american midwest. ambulances.

THRILLER.

daylight. fluorescent lighting. morgues. unwavering eye contact. tension. lit rooms empty rooms. killer in plain sight. a dog digging in the newly-planted flower bed. steely gazes. paperwork. anagrams. codes. convicted killers. missing persons. law enforcement. federal agents. small towns. suspicion. paranoia. subdued terror. dimly-lit parking lots. a noise in the distance

#headcanon

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auburnandamberangel · 5 years

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Meme: Muse Aesthetics

BOLD any which apply to your muse! Add what you’d like.

Blue applies to Amadeo (mortal years)

Tagged by: @echo-de-la-lumiere

Tagging: @whitehowler @viiolinwept @symphonyofmalice @maestroderomanus @lostsoulofvenice anyone else who wants to do it

[COLORS]

[ELEMENTS]

ice. water. air. earth. rain. snow. wind. moon. stars. sun. heat. cold. steam. frost. lightning. sunlight. moonlight. dawn. dusk. twilight. midnight. sunrise. sunset. dewdrops.

[BODY]

[WEAPONS]

fists.sword. dagger. spear. arrow. hammer. shield. poison. guns. axes. throwing axes. whips. knives. throwing knives. pepper sprays. tasers. machine guns. slingshots. katanas. maces. staves. wands. powers. magical items. magic. rocks. mud balls. kitchenware. fangs.

[MATERIALS]

[NATURE]

[ANIMALS]

mountains.lions. wolves. eagles. owls. falcons. hawks. swans. snakes. turtles. ducks. bugs. spiders. worms. birds. whales. dolphins. fish. sharks. horses. cats. dogs. foxes. bunnies. praying mantises. crows. ravens. mice. lizards. werewolves. unicorns. pegasi. dragons. rats. doves. tigers. werewolves. hybrids

[FOODS/DRINKS]

sugar. salt. candy. bubblegum. wine. champagne. vodka. hard liquor. beer. ale. cider. coffee. tea. spices. herbs. apple. orange.lemon.cherry.strawberry.watermelon.vegetables. fruits. meat. fish. pies. desserts. chocolate. cream. caramel. berries. nuts. cinnamon. burgers. burritos. pizza. soup. cheese. meat pie. sandwiches. cheesecake. soda. blood. rum. whiskey.

[HOBBIES]

[STYLE]

lingerie. armor. cape. dress. tunic. vest. shirt. boots. heels. leggings/hose. trousers. jeans. skirt. jewelry. earrings. necklace. bracelet. ring(s). pendant. hat. crown. circlet. helmet. scarf. brocade. cloaks. corsets. doublet. chest plate. gorget. bracers. belt. sash. coat. jacket. hood. gloves. socks. masks. cowls. braces. watches. glasses. sun glasses. visor. eye contacts. makeup. cane. suit. leather pants. robe(s).balloons. bubbles.

[MISC]

cityscape. light. dark. candles. war. peace. money. power. percussion. clocks. photos. mirrors. pets. diary. fairy lights. madness. sanity. sadness. happiness. optimism. pessimism. loneliness. family. friends. assistants. co-workers. enemies. loyalty. smoking. drugs. kindness. love. hugs. dreaming. nightmares.daydreaming. silence. noise. politics. anger. pity. cars. mechanics. alchemy. religion. travel.

#meme: muse aesthetics #echo-de-la-lumiere #added mortal specific bit

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tresorsdujour · 6 years

Photo

Cape de Lumiere by Boucheron at the Vendorama exhibit Paris. Gold motif with pear shaped citrine. #capedelumiere #vendomorama #boucheron #myparis #tresorsdujour (at Monnaie de Paris)

#myparis #capedelumiere #vendomorama #boucheron #tresorsdujour

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reneebello86-blog · 7 years

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TRAVEL As Well As TOURISM POST PARTICULAR 1247420 ARTICLEID 1247420 Articles.

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