#chris baur

[winepresswrath]

one thing i'm going to take from fellow travellers is "they're pals! what's the harm?" i can see clearly now that specific line delivery is going to live in infamy in my heart and mind.

#they're lesbians harold but for a very specific set of people #the dark shadow of galpals (gender inclusive) #hannibal and will: they're pals! what's the harm? #technically no one has to be evil but there does have to be harm #genuinely impressive how much less repulsive hannibal is than either of the pals in question history really does create #the greatest monsters #also MEN from WISCONSIN don't turn on their friends #chris baur is so good

[dungeoneering102]

MECHANUS: Culture & Law

(art credit to Chris McDowall’s book - Electric Bastionland)

So I’m currently working on a small two-shot that will take place in Mechanus, the Plane of Absolute Law (from the current D&D cosmology). I’ve been working on designing a point crawl and developing the Capital City of Mechanus, which I named Bastion (a direct rip-off of Chris McDowall’s Electric Bastionland book).

While working on this, I started on my regular process of designing a city, and decided to share some of it with you guys. My first step in designing ANY large settlement. 

The process is simple: break it down into smaller pieces and define what they are. From there, fill each piece with ideas. So join me, as I brainstorm the template for a new city.

Cities as Districts

To better manage a city as DMs, it’s best if we divide them up into smaller segments. Districts or boroughs are good way of doing that. We can further divide those into Streets or Neighborhoods if we need to.

Most cities can be simplified into a few key districts required to run it:

Administrative District. This is where the city government is! This is the king’s court, the guards’ HQ, the city hall, maybe even the city dungeon. It’s the BEST defended and patrolled area. 

Industrial District. A city survives on what it makes. The goods a city produces travel out to generate income. Furthermore, industry provides jobs to the denizens of a city. Every city usually has one or two different industries - from coal mining to rice farming. You can even make up more unique industries that power a city, like film and theater.

Mercantile District. People tend to want stuff - food, furniture, etc. And not everyone is going to make their own stuff. So Merchants come into play. These are craftsmen and salesmen of various goods who provide to people that can’t (or won’t) provide themselves.

Sin District. Every town worth it’s salt has one of these - the slum filled with shining casinos and loud taverns, where people go to forget their worries. It’s vices might not be morally wrong, but they still are vices. 

Poor & Rich Districts. These depend on the city you make. If you want to make an economic utopia or don’t care to highlight different classes of citizens, you can just combine these into Residential District. Otherwise, these are the homes of the poor and the noble, the destitute and the wealthy. There should be obvious differences between these. It’s hard to get into the Rich District due to borders and gates, its hard to get out of Poor Districts due to its sheer size and overwhelming nature. 

Academic District. Most towns have districts dedicated to their schools, academic pursuits, scientific labs, wizard towers, what have you. Here gather the minds of the future!

Recreational Districts. These are parks, art quarters, gardens, and other places of relaxation and distraction that people can visit when they’re feeling bored. These locations may be gated behind status and luxury or they may be open to all who will come by. 

This ☝️ all is of course an oversimplification of what a city makes. But I’m just a DM and I gotta prep a session in 2 days, so I don’t have time for complex systems. Simple and easy. But if you got time and energy, I welcome anyone to come up with more complex systems of city design. If you’re interested, I can share some pointers. Consider:

Ptolus: City by the Spire, by Monte Cook. It’s considered one of the most comprehensive guides to a SINGL city.

Spire: the City Must Fall, by Rowan, Rook, & Decard. It’s a system and a setting, but man what a setting it is.

In the Cage: A Guide to Sigil, by Wolfgang Baur. It’s an old school, D&D 2e guide to Sigil, the city in the center of the universe in the Planescape setting. One of my favorites.

(art credit to Strata: A Spire RPG Sourcebook, by Rowan, Rook, & Decard)

On the other hand, if you want simpler city design ideas, look here:

Electric Bastionland, by Chris McDowell. Check the GM’s section for EXCELLENT advice on quick and easy design of cities, dungeons, and wilderness. 

Fever Dreaming Marlinko, by the Hydra Cooperative. It’s a great pseudo-slavic fantasy city with nice, crunchy details.

Worlds Without Number, by Kevin Crawford. Has one of the BEST DM toolsets I’ve ever seen - including stuff for designing cities. 

#Dungeons and Dragons #dungeons & dragons #dnd #d&d #tabletop RPGs #ttrpg #rpg #city building #writing advice #city #districts #rpg design #DM advice #Dungeon Master advice #yep

[petnews2day]

Missy Hall and Chris Baur | Gerety Insurance

New Post has been published on https://petn.ws/oAFQ

Missy Hall and Chris Baur | Gerety Insurance

By: Daily Record Staff November 21, 2022 Missy Hall and Chris Baur have joined Bel Air-based Gerety Insurance as insurance advisers. Hall is a Harford County native and brings more than 30 years of experience in customer service. She is a proud wife, mother and dog mom. Spending time with family and visiting Disney World […]

See full article at https://petn.ws/oAFQ #PetInsuranceNews

#Pet Insurance News

[vm4vm0]

WHAT WE SEE (Trailer) from I AM HERE on Vimeo.

A film by many. A film about our internal feelings during physical isolation. A document of our time – and how it mirrors who we once were.

It all started with a post on Instagram asking our followers to participate in a collaborative project. The result? People from across the globe sharing their anxieties, hopes and dreams through a series of intimate online interviews. A deep dive into private thoughts amplified by feelings of physical isolation. Candid connections through disconnection. In addition, we received dozens of remotely directed videos of people breathing underneath plastic bags, which helped in the finalization of this piece.

Interestingly enough, a lot of the footage was shot exactly one year before nationwide lockdowns happened in 2020. Individual isolation in our modern world was a concept I felt society at large was already experiencing, but never could we have imagined the immense impact of a simultaneous global scale lock down.

All interviews were recorded online in April 2020 during the Covid-19 pandemic.

All other scenes were shot in Los Angeles / San Francisco in April 2019, and in Berlin and a variety of global living-rooms in April 2020 as well.

Director: Maik Schuster Production: I AM HERE Director of Photography (US): Chris Baur Director of Photography (Germany): Leander Ott Director Assistant: Ibra Wane Edit: Maik Schuster Color: Mike Bothe Sound: Marlon Beatt VFX: James Barry Title Design: Maik Schuster

Music: Julian Klincewicz - Song for the sun, song for the moon

Love to all contributors worldwide!

starring Jazmin Sanz, Lorena Maza, Sarah Basset, Simon Te, Matheus Canto, Jean Benoit Proulx, Franck Trozzo Kazagui

Sarah Pauley, Tom Feustel, Marcello Fuente, Ibra Wane, Maik Schuster

Aki Matsushita, Alpha Estifanos-Abajifar, Alex Kiker, Marco Espirito Santo, Jacq Wilkinson, Lena Streckert

Thanks to Timm Gillner and Masa Sun

2020. Argentina, Australia, Brazil, Canada, France, Germany, Japan, Nigeria, Phillipines, Portugal, USA, Senegal.

I AM HERE 
facebook.com/iamherefilmco/
 instagram.com/iamhere_filmco/
 iamhere.cc info (at) iamhere.cc

[tobias-lukas]

Can You Feel It - Adidas from Cedric Schanze on Vimeo.

Director: Cyprien Clément-Delmas DoP: Cedric Schanze

Summer Campaign Adidas x Zalando with carodaur and @minhtwo

More info here: cedricschanze.com/canyoufeelit

Client: Adidas Agency: ZMS Production: Rekorder CEO: Werner Klemm Exec. Producer: Marino Coates-Chitty Producer: Omid Mirnour PA: Nico Wietfeldt, Albina Maks, Sophia Küstenmacher Set Manager: Sascha Thamm Unit Production Manager: Kevin Nerlich 1AD: Alex Schimpke 1AC: Federico Settimelli 2AC: Andrea Perinelli FPV: Drohne Denis Grabe Sound Recordist: Simon Peter Steadicam Operator: Lasse Liebelt DIT: Chris Pfeiffer VTR: Julian Hopff Gaffer: Ben Erdenberger Beleuchter: Hannes Adam Beleuchter: Mathieu Mahlke Art Director: Stefan Hingst Art Director: Sabine Lerner

Driver / Runner: Jörg Sürmann, Henryk Cielinsky, Mustafa Aktasoglu COVID/Hygiene Officer: Sebastian Eberhard Additional Covid Tester: Ivia Remé Raketa: Marcel Handke

Photographer: Carles Carabi Digital Operator: Pedro Arnold Light Assistant: Anton Andalus

Hair& Make Up: Kieu Anh Duong Hair& Make Up: Ass. Haneen Ajub Hair & Make Up: Caro Loni Baur Loc 2 Stylist Saskia Schmidt Stylist Assistant: Paulina Czwodskinska Stylist Assistant: Guadi Sandoval Stylist Assistant: Rosalind Seehus Coach: Dilim Styling Trucks: Car Connection Catering: Konfetti Kitchen

[nofatclips]

Wem du´s heute kannst besorgen by Faber from the album Sei ein Faber im Wind - Regie: OH MY (Feliks Horn & Sebastian Tomczak)

#music #swiss music #faber #julian pollina #tillmann ostendarp #goran koč #janos mijnssen #max kämmerling #music video #lucy flournoy #feliks horn #oh my #sebastian tomczak #chris baur #babs tarabczynski #karsten jäger #nadine weyland #tim dunkel #silvan koch #goran koc #max kammerling #video

[demi-shoggoth]

COVID-19 Reading Log, pt. 12

61. More Whispering Homunculus by Richard Pett et. al. This is the second volume of Kobold Press’ compilations of the roleplaying resource web column “Your Whispering Homunculus”, by Richard Pett. Pett’s work, for those not familiar, is typically both whimsical and grotesque, and very very British. Think Edward Gorey, or the episodes of Doctor Who that make small children hide behind the couch. There’s some good material collected here, but as much of it is merely fair. On top of it, about of a third of the book isn’t written by Pett, but instead by Miranda Horner and Wolfgang Baur. Their contributions feel to me like they are trying to hard to capture the weirdness that comes seemingly effortlessly to Pett. I’d recommend the first volume before this one, or just spend a few hours perusing the web version.

62. Earth Before the Dinosaurs by Sébastien Steyer, translated by Chris Spence. The title of this book is somewhat misleading, as this is an overview of tetrapod evolution specifically, and it includes the Triassic, when dinosaurs appeared. But “Tetrapods Up to, but not Including, the Dinosaurs” wouldn’t sell copies. The book is partially an account of evolutionary history and partially sections about individual research projects performed by the author. Theoretically there’s a chapter about fishes and tetrapodiformes, a chapter about “amphibians”, a chapter about reptiles and a chapter about non-mammalian synapsids. In practice, the organization falls apart, and organisms are talked about back and forth throughout. This book was originally written in French, but the translation is good enough that I wouldn’t have known unless it was brought to my attention. The book’s highlights are definitely the illustrations by Alain Béneteau.

63. Dinosaurs the Grand Tour, Second Edition by Kieron Pim. This is something of a newfangled update of those A-Z dinosaur encyclopedias that were super popular in the 80s and 90s. A lot of taxa are covered, but the book is not exhaustive. In fact, the species selection seems strongly biased against Ornithischia in general, despite the marketing text of “everything worth knowing about dinosaurs from Aardonyx to Zuniceratops”. The book makes a lot of references to specific research papers, but has various blind spots of inaccuracies and outdated restorations. Some of the art is clearly 20 years old or so, with bunny hands, naked dromeosaurs and other faux pas. The book is not explicitly for children, but I think it is better suited for them than for adults interested in dinosaurs.

64. Return to Lovecraft Country edited by Scott David Aniolowski. Fiction? What are you doing here? This is an anthology of Cthulhu Mythos stories and other weird fiction written about Place; namely the sinister New England that appears in Lovecraft’s writings. The editor is remarkably candid about the genesis of this book in the introduction: the publishing company got the rights to three stories of note, and then commissioned writers to write similarly-themed stories to push it up to salable length. So of those twelve commissioned stories, some are quite good, but some come off pretty clearly as filler. Of the three purchased stories, two of them are genuine classics. “Events at Poroth Farm” is by the esteemed-but-not-prolific T. E. D. Klein, and is one of the six stories that has cemented his reputation. “The Last Feast of Harlequin” by Thomas Ligotti has been anthologized in a lot of places, but is excellent to see nonetheless (in fact, it’s one of the few Ligotti stories I actually like).

65. Certainly More Than You Want to Know About the Fishes of the Pacific Coast by Milton S. Love. This is the reason it’s been a while since the last one of these. This book is 672 pages of full color content about marine fish. Although it isn’t exhaustive about covering every species, it tries to at least be comprehensive to family level and features full entries on the most common fish off of Pacific US waters. Full entries include diagnostic characters, life histories and fisheries information. There’s lots of biographical information about ichthyologists as well, sorted to where a fish is named after them. The book is filled with humorous asides and jokes about the animals in question, and Dr. Love’s personality is obvious upon reading the book. Plus, it’s remarkably cheap—only thirty bucks for a full color book nearly 700 pages long! Highly recommended for people even marginally interested in fish.

#reading log #fish #cthulhu mythos #tabletop rpgs #paleontology

[dungeons-and-dragons-bestiary]

Kobold, King

Wrapped in tattered finery and draped in silver and gold jewelry, the king kobold sits on a throne, surrounded by an assortment of grisly traps and weaponry. Its crown, a garish mass of precious metals, adds weight to its boastful decrees.

Small humanoid (kobold), lawful neutral

Armor Class 15 (18 with mage armor) Hit Points 112 (25d6 + 25) Speed 30 ft.

STR: 8 (-1) DEX: 20 (+5) CON: 12 (+1) INT: 14 (+2) WIS: 14 (+2) CHA: 15 (+2)

Saving Throws Dexterity +8, Intelligence +5 Skills Deception +5, Insight +8, Intimidation +8, Persuasion +8 Senses darkvision 60 ft., passive Perception 12 Languages Common, Draconic Challenge 6 (2,300 XP)

Special Traits

Cunning Action. On each of its turns, the king kobold can use a bonus action to take the Dash, Disengage, or Hide action.

Evasion. If the king kobold is subjected to an effect that allows it to make a Dexterity saving throw to take only half damage, the king instead takes no damage if it succeeds on the saving throw, and only half damage if it fails.

Pack Tactics. The king has advantage on attack rolls against a creature if at least one of the king’s allies is within 5 feet of the creature and the ally isn’t incapacitated.

Sneak Attack (1/Turn). The king kobold deals an extra 14 (4d6) damage when it hits a target with a weapon attack and has advantage on the attack roll, or when the target is within 5 feet of an ally of the king that isn’t incapacitated and the king doesn’t have disadvantage on the attack roll.

Sunlight Sensitivity. While in sunlight, the king has disadvantage on attack rolls and on Wisdom (Perception) checks that rely on sight.

Spellcasting. The king kobold is a 4th-level spellcaster. Its spellcasting ability is Intelligence (spell save DC 13, +5 to hit with spell attacks). It has the following wizard spells prepared: 

Cantrips (at will): fire bolt, mage hand, minor illusion, poison spray 

1st level (4 slots): alarm, grease, mage armor 

2nd level (3 slots): alter self, hold person, invisibility

Actions

Multiattack. The king kobold makes two shortsword attacks.

Shortsword. Melee Weapon Attack: +8 to hit, reach 5 ft., one target. Hit: 8 (1d6 + 5) piercing damage.

Hand Crossbow. Ranged Weapon Attack: +8 to hit, range 30/120 ft., one target. Hit: 8 (1d6 + 5) piercing damage.

Reactions

Uncanny Dodge. The king kobold halves the damage from one attack that hits it. To do so, it must see the attacker.

About

Keen Nose for Politics. With considerable guile won by hard experience, a king kobold excels at subterfuge, sustains lucrative trade, and hones a keen eye for potential treachery. The king who rules for more than a few seasons has mastered the art of keeping itself safe through a combination of warriors paid well enough to be loyal, a constant campaign to root out enemies, and an abundance of traps, tricks, and contingencies should things go sour. However, security from threats above and below ground and wealth earned through trade are what truly maintain a king on its throne.

Eyes Everywhere. The condition of its warrens and outlying tribes that pay tribute occupy much of a king kobold’s time and energy. Tunnel-runners come and go in a constant stream from warren to warren to keep the king abreast of happenings in all of its holdings. A truly successful king may command fealty from a network of tribes stretching for miles.

Long Live the King. Unlike many tribal kobold chieftains, a king kobold leaves the fighting to its underlings whenever possible, except when doing so might weaken its hold on its territory. Few creatures are as ruthless as a threatened king, and the king will not hesitate to sacrifice everything and everyone to escape and live to fight another day.

Section 15: Copyright Notice: Creature Codex. © 2018 Open Design LLC; Authors Wolfgang Baur, Dan Dillon, Richard Green, James Haeck, Chris Harris, Jeremy Hochhalter, James Introcaso, Chris Lockey, Shawn Merwin, and Jon Sawatsky.

#Kobold #CR6 #Dungeons and Dragons

[gerphau]

THESE SOUTENUE 2022

CHANTAL DUGAVE

L'école du faire : enjeux d'une pratique d'artiste architecte

Le laboratoire GERPHAU, EA 7486, a le plaisir de vous annoncer la soutenance de thèse de doctorat en architecture de Chantal DUGAVE, présentée sous la direction de Xavier BONNAUD (Professeur des écoles d'architecture, GERPHAU, ENSA Paris-la-Villette).

Inscrite à l’Université PARIS 8, ED 31 Pratiques et théories du sens, cette soutenance se déroulera le lundi 10 janvier 2022 à 14h, depuis la salle de conférences du Département Recherche de l’ENSA Paris La Villette 118/130 avenue Jean Jaurès 75019 Paris. La thèse s'intitule « L’école du faire : enjeux d’une pratique d’artiste architecte ».

Résumé

La thèse porte sur les conditions et les enjeux de la fabrication d’œuvres dans des espaces de/en souffrance. Elle s’appuie sur la pratique d’une artiste architecte, associée à l’expérience pédagogique acquise en tant qu’enseignante à l’École nationale supérieure d’Architecture de Lyon, dans la discipline « Art et Techniques de Représentation ». Cet enseignement s’exerce sur des terrains d’étude similaires. La notion d’« espaces de/en souffrance » qualifie des contextes de crise, de maladie ou de guerre, générateurs de fragilités, de faiblesses, de désordres. Les travaux professionnels et ceux qui sont traités dans le cadre pédagogique constituent le corpus de la thèse. La démarche étant empirique, la méthodologie suivie consiste à intégrer la pratique dans le dispositif de la thèse. Pour cela, chaque expérience ou projet a été analysé et est restitué sous la forme de carnets de bord, suivant une démarche associée à l’ethnographie. Ceux-ci sont situés en annexe. La thèse analyse le processus expérimental du « faire » et ce qu’il engendre. Le faire défait l’ordre préalable, propre à chaque espace de/en souffrance et le refait autrement, ouvrant de nouveaux champs de lecture : à quelles conditions, proposer un point de vue différent permet-il alors de réinterpréter un contexte ? Quel champ cognitif développe-t-il ? En dialogue avec d’autres expériences artistiques ou d’enseignement, la thèse questionne ainsi la relation entre pratique et théorisation, les cheminements par lesquels des expérimentations-artistiques ou pédagogiques deviennent des démarches de recherche. En quoi le faire peut-il construire du sens ? Dans quelle mesure rend-il possibles des actes de réparation ? Cette réflexion conduit à une hypothèse : le processus du faire peut ouvrir un espace de débat politique et pédagogique.

Jury

M. Ruedi Rodolphe BAUR, designer. Docteur en design, école doctorale département des Arts, Université de Strasbourg.

M. Xavier BONNAUD, architecte. Professeur HDR en architecture à l’ENSA-Paris-la-Villette, directeur du laboratoire GERPHAU, ENSA-Paris-la-Villette.

Mme Hélène HATZFELD, politologue. Docteure d’État en science politique, chercheure au Centre de recherche sur l’habitat-LAVUE.

M. Jean-Philippe PIERRON, philosophe. Professeur HDR en philosophie de la vie, de la médecine et de la santé. Universités de Bourgogne.

Mme Sylvie SALLES, architecte. Professeure HDR en projet de paysage à l'École Nationale Supérieure de Paysage.

Mme Chris YOUNÈS, philosophe. Professeure HDR émérite à l’ENSA-Paris la Villette et à l’École Spéciale d’Architecture, fondatrice du réseau PhilAU.

Suivre en visioconférence

Participer à la réunion Zoom

ID de réunion : 820 4028 2454

Code secret : 582676

#event #formation

[undertheinfluencerd]

Chris Bauer & Mary McCormack Interview: Heels | Screen Rant

Heels, arriving on STARZ August 15, is a series that explores the ins and outs of professional wrestling through the eyes of two brothers played by Stephen Amell and Alexander Ludwig. But it’s also a generational tale that showcases how the industry has changed over the years, and two characters – Willie and Bill – represent the old guard in particular.

Related: James Harrison & Allen Maldonado Interview: Heels

Mary McCormack and Chris Bauer, who play the characters in question, spoke to Screen Rant about the history shared between them and how they feel about the next generation of wrestlers and valets.

Screen Rant: Mary, can you talk to me about Willie and how she’s involved with the DWL? 

Mary McCormack: I mean, I think she’s involved in any way she can be involved. I think she’s obsessed with wrestling. It’s in her blood, and it is her blood. I think she was a valet when she was young; she probably would have been a wrestler if she’d been born later. And now she’s taken on this role, because it’s the thing that keeps her there the most hours of the day.

Chris, Bill feels like a wrestling legend from the past. Is there any particular wrestler that you may have based Wild Bill on? I’m thinking Michael P.S. Hayes from the Freebirds.

Chris Bauer: Well, I’m thinking Michael P.S. Hayes now too, because I’ve been hearing this. But, dude, that’s a blind spot for me. 

For me, it was the charisma and spontaneity of [Ric] Flair; the predatory ring tempo and lifestyle of Jake the Snake; some of the eccentricity and the pop culture savvy of Macho Man Savage; and then maybe the brutality of Bruiser Brody. It’s TV, so you take the best and sprinkle it together, and it becomes its own thing. 

But as soon as I’m done with this, man, I’m on YouTube with Michael P.S. Hayes.

Willie and Bill have been in the industry for a long time; they’re veterans of the game. Can you talk to me about their relationship in the wrestling world and outside of the wrestling world at this point?

Mary McCormack: At this point, it’s different than it was. She was his valet, and I think that they had a lot of fun together, I think that they had a similar habit; they were addicted to the same thing. So, that was probably a fun ride and ended the way most co-addictions do. 

And now their relationship is different. I think they still have that chemistry, and it comes back really fast. But I think she has anchored herself to some sanity: she’s married, and she has a child, and she has this job – and everything’s in its box. Then along comes Bill and reminds her of that other way they used to live, and now everything’s a little off for her and a little bit upside down. And it seems to just be getting worse.

Chris, is your wife in charge of the way you dress as Wild Bill?

Chris Baur: That’s her. She’s in charge of how everybody dresses. 

Mary McCormack: She is. The great Laura Bauer. 

I love that look she created for Wild Bill. What was some of the inspiration there? I see a little Motorhead in there a little bit.

Chris Bauer: Totally. RIP Lemmy. 

It’s funny because he’s a scout now. He’s on the other side of the rope, so there’s a little bit of Southern territory promoter iconography to that. And it’s also an extrapolation of the Wild Bill Western cowboy vibes. 

But she is super intuitive, and we just went through like, “What about that hat? What about that suit?” She builds characters from the character out, not from the actor out, which I think Mary would agree with. I just got lucky that I had an anything goes character – and anything went.

One of the other relationships that really fascinates me in the show is Willie’s relationship with Crystal (Kelli Berglund). Can you talk about how the two parallel each other in different areas?

Mary McCormack: I think she sees herself in Crystal – a lot of herself in Crystal. Her ambition and her love of wrestling, so there’s a lot of similarity. And Crystal’s gonna get a ride that she didn’t get, so there might be some [unconscious] resentment. There might be some other stuff going on, I think, between the two of them. 

I also think she really likes her and admires her, and that’s good writing. Instead of playing one of those things, all those things get to play at the same time. And I love that. I also think Crystal is so eager and ambitious – probably similar to the way Willie was – that she’s skipping some steps. And I think Willie is in charge of making sure no one does that.

When Wild Bill comes back to his old territory, how does he feel about seeing everybody and everything there?

Chris Bauer: I think it’s really supercharged, and I think as the show goes on, you find out why it was the beginning of everything. It’s what he associates with the biggest love of his life, who was Willie. And he got out the old school way, which was he jumped a little higher and landed a little harder.

He comes back, I think, to begin returning the favor. He puts a hand out to Ace and says, “Follow me, VIP. Let’s cut to the front of the line.” We see what happens there. And I think when he splits, he’s ready to go. Like, “Okay, I gave that a shot. That’s a graveyard full of ghosts, and I don’t want to go back.” 

But life has other plans. Like all good stories, life has other plans. And Bill trying to catch up to life’s plans is his only weakness.

Next: 10 Underrated Series On Starz (That Are Secretly Great), Ranked According To IMDb

Heels airs Sundays at 9 PM on Starz.

#screenrant #marvel related #undertheinfluencerd #shorts #entertainment #movies dates

The post Chris Bauer & Mary McCormack Interview: Heels | Screen Rant appeared first on undertheinfluencerd.net.

#Undertheinfluence #weed

[bigeyeug]

John Blaq and Chris Evans blend in ‘Sitidde’ collabo, watch video here

John Blaq and Chris Evans blend in ‘Sitidde’ collabo, watch video here

By BigEyeUg Team; One of the 2021 jams taking over airwaves countrywide at the moment is ‘Sitidde’ by Chris Evans Kaweesi and John Blaq. The two artists exceptionally teamed-up in an Afro-beat groove despite the diversity in their personal genres. ‘Sitidde’ is a love story written by renowned songwriter ‘Black Skin’ and the audio is done by Producer Diggy Baur (Sabula Records). It holds…

View On WordPress

#Chris Evans Kaweesi #featured #john blaq #John Blaq Chris Evans Kaweesi #Sitidde

[roysexton]

Important chapter tonight in the #SavedByTheBarn story. Life is not always sunshine and lollipops when caring for animals, whether said creatures are perfectly healthy or are navigating special needs or have endured difficult pasts. However, the reward is worth the challenges, seeing these bright souls live their best lives, loved, supported, and free. Wonderful to see Farm Sanctuary living legend Gene Baur make an appearance. So grateful to know Barn Sanctuary’s Daniel McKernan, Kellita Holt, Christine Wagner, Chris McKernan and that their team is being celebrated on Animal Planet for the world to appreciate and enjoy. https://www.animalplanet.com/tv-shows/saved-by-the-barn/full-episodes/weve-got-pig-problems - @barnsanctuary @farmsanctuary @genebaur @danmckerna @anikaholt @chrismckerna @mattmckernan_realtor @matthew_t_dominguez @beckywrock #animalrights #vegan #animalrescue #bekind #compassion (at Barn Sanctuary) https://www.instagram.com/p/CARhQRjjjam/?igshid=1pt3xpfxyqh70

#savedbythebarn #animalrights #vegan #animalrescue #bekind #compassion

[vm4vm0]

WHAT WE SEE from I AM HERE on Vimeo.

A film by many. A film about our internal feelings during physical isolation. A document of our time – and how it mirrors who we once were.

It all started with a post on Instagram asking our followers to participate in a collaborative project. The result? People from across the globe sharing their anxieties, hopes and dreams through a series of intimate online interviews. A deep dive into private thoughts amplified by feelings of physical isolation. Candid connections through disconnection. In addition, we received dozens of remotely directed videos of people breathing underneath plastic bags, which helped in the finalization of this piece.

Interestingly enough, a lot of the footage was shot exactly one year before nationwide lockdowns happened in 2020. Individual isolation in our modern world was a concept I felt society at large was already experiencing, but never could we have imagined the immense impact of a simultaneous global scale lock down.

All interviews were recorded online in April 2020 during the Covid-19 pandemic.

All other scenes were shot in Los Angeles / San Francisco in April 2019, and in Berlin and a variety of global living-rooms in April 2020 as well.

featured on NOWNESS nowness.com/picks/what-we-see-maik-schuster

Interview with Maik Schuster on Medium medium.com/@abesipr/anxiety-during-isolation-its-not-just-you-d229fc1209d1

Director: Maik Schuster Production: I AM HERE Director of Photography (US): Chris Baur Director of Photography (Germany): Leander Ott Director Assistant: Ibra Wane Edit: Maik Schuster Color: Mike Bothe Sound: Marlon Beatt VFX: James Barry Title Design: Maik Schuster

Music: Julian Klincewicz - Song for the sun, song for the moon

Love to all contributors worldwide!

starring Jazmin Sanz, Ben Fitz, Lorena Maza, Sarah Basset, Simon Te, Matheus Canto, Jean-Benoit Proulx, Franck Trozzo Kazagui

Sarah Pauley, Tom Feustel, Marcello Fuente, Ibra Wane, Maik Schuster

Aki Matsushita, Alpha Estifanos-Abajifar, Alex Kiker, Katharina Hingst, Marco Espirito Santo, Jacq Wilkinson, Lena Streckert, Sotiris Chaimantos

Thanks to Timm Gillner and Masa Sun

2020. Argentina, Australia, Brazil, Canada, France, Germany, Japan, Nigeria, Phillipines, Portugal, USA, Senegal.

I AM HERE 
facebook.com/iamherefilmco/
 instagram.com/iamhere_filmco/
 iamhere.cc info (at) iamhere.cc

[jazamcomics]

Diese 44 Künstler sind in JAZAM! Vol. 12 - Spiel:

Chris Alicke, Johanna „Schlogger“ Baumann, Adrian vom Baur, Lew Bridcoe, Erkan, David Füleki, Sascha Gallion, Piers Goffart, Ann-Kathrin Gross, Lenny Großkopf, Maximilian Hillerzeder, Uwe Höck, Marcel Hugenschütt, Kaydee, Katja Klengel, David Koslowski, Matthias Lehmann, Joachim Lipski, Mike Loos, Johannes Lott, Lou, Karl Lux, Simone Mändl, Katharina Netolitzky, Nudlmonster, Charlie O'Konar, Julia Panzer, Armin Parr, Petra Popescu, Martin Rathscheck, Q. Scharfenberg, Mycha Schekalla, Gregor Schenker, Moritz Schmid, Schradi, Mme. Secretairin, Nico Simon, Florian Steinl, Franz Suess, Sunny-Ray, Lea Wegner, Yinfinity, Zwen

Cover: Ingo Römling

Das Buch befindet sich seit gestern im Druck und erscheint spätestens zum Comicfestival München im Mai 2017.

#jazam #jazam12

[nerdtrekdotcom]

Midgard Heroes Handbook (5e)

This massive hardcover clocks in at 211 pages, 207 if you don’t count editorial, ToC, etc. – 216 pages minus the usual aforementioned components, if you count by pdf pages and include the covers.

  This review is based on the hardcover print version of the book, which I received in exchange for a fair and unbiased review. The book was moved up in my reviewing queue…

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#3PP #Chris Harris #D&D #D&D 5e #Dan Dillon #Deep Magic-series #DND #Dungeons & Dragons #Dungeons and Dragons #Handbook #Heroes #James Haeck #Jon Sawatsky #Kobold Press #Michael Ohl #midgard #Rich Howard #Richard Green #Scott Carter #wolfgang baur

[arohen]

The Kobold Guide to Worldbuilding

The essential elements for building a world? I hesitated in using a $12 credit to buy this one. It’s short. Really short. Audible says, 4 hours and 42 minutes, and I tend to not spend my audible credits on anything less than 10-hours long. But I fell for their marketing and took the creative leap towards creating dazzling worlds of my own. I shouldn’t have used my audible credit for this book.…

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#audible #Chris Pramas #David "Zeb" Cook #Janna Silverstein #Jeff Grubb #Jonathan Roberts #Keith Baker #Ken Scholes #kobold press #Michael A. Stackpole #Monte Cook #Ray Greenley #Scott Hungerford #Steve A. Stackpole #the kobold guide to worldbuilding #Wolfgang Baur