#chromogenic print printed in 1977

[abwwia]

Ana Mendieta, Anima (Alma/Soul), 1976, printed 1977, chromogenic print, sheet, image and mount: 13 1⁄2 x 20 in. (34.3 x 50.8 cm.), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool and the Smithsonian Institution Collections Acquisition Program, 1995.54.1.3, © 1976, Estate of Ana Mendieta

#Ana Mendieta #art #art by women

[disease]

“WOMAN WITH BLACK LINE” JO ANN CALLIS // 1977 [chromogenic print | 44 × 35.5 cm.]

#jo ann callis #contemporary art #torso #70s #photography #american #u

[oliviamartinphotography]

Phillip-Lorca diCorcia New York, 1977

Phillip-Lorca diCorcia's work as it has a very dreamy, movie-like feel to it. This photo is a good example as everything appears to be frozen unnaturally in time. The mysterious, artificial light source coming from the left side of the frame adds to the unnatural feel of the image as it doesn't make sense according to the shadows. The three figures in the foreground are shrouded in darkness that shouldn't make sense as it's the middle of the day. These aspects paired with the 70's urban scene make for an unsettling and interesting photo.

[gliklofhameln]

Andre Zweig, Helsinki

Dina Kantor, American, b. 1977

2006

Chromogenic colour print

#jumblr #judaism #jewish art #dina kantor #finland #myposts

[delilaholson]

Vivian Maier, Self-Portrait, Chicago, August 1977 , 2013, chromogenic print, printed, 2013, 40 x 50 cm

#Vivian Maier #Delilah Olson #Martin Mayorga

[brooklynmuseum]

Lorraine O’Grady considers Rivers, First Draft to be the first book-end to her artistic career. Though the collage on paper Cutting Out the New York Times (1977) is the first piece created by O’Grady, the artist deems the performance Rivers, First Draft, a collage in space––a piece from which all subsequent works are derived.

On August 18, 1982, O’Grady created this one-time performance for Gilbert Coker’s Art Across the Park. Woven into the performance with actors is O'Grady's autobiographical journey of becoming a young girl, a teenager, a woman, and an artist. As multiple performances occurred simultaneously, the performance symbolized the clashing and combining of O’Grady’s New England and Caribbean heritage. Rivers, First Draft exemplifies O’Grady’s coming-of-age years, her rejection of ideals upheld by her parents, and her contentious emergence into the art world. While a small invited audience experienced the performance, the 48 surviving photographs enable a continual audience who experience Rivers, First Draft.⁠⁠

Lorraine O'Grady (American, born 1934). Rivers, First Draft, 1982. Digital chromogenic print from Kodachrome, 35 mm slides, 48 parts. Courtesy of Lorraine O’Grady Studio © Lorraine O’Grady/Artists Rights Society (ARS), New York.

#LorraineOGradyBKM #Lorraine O'Grady #Rivers First Draft #central park #performance art #performance #autobiographical #art world #caribbean heritage #photography #photographic #documentation

[arinewman7]

Provincetown, Cape Cod (Dairyland)

Photography by Joel Meyerowitz

chromogenic print, printed in 1977

Sothebys

#Joel Meyerowitz #art #artist #photography #Provincetown Cape Cod (Dairyland) #chromogenic print printed in 1977 #Sothebys #Photography by Joel Meyerowitz

[kafkasapartment]

U.S. 27, Moore Haven, Florida, November 15, 1977. STEPHEN SHORE (B. 1947). Chromogenic contact print

#america #Florida #Summer #photography #photographie #foto #fotografia #fotografie #rural #landscape

[urienclasedepintura]

ANA MENDIETA

1948-1985

Untitled (from the Silueta Series), 1976

9 color chromogenic prints

50.8 × 40.6 cm

Imagen de Yagul, from the series Silueta Works in Mexico 1973-1977, 1973

Chromogenic print

50.8 × 34 cm

Silueta Works in Iowa, 1976-1978

Chromogenic print, on AGFA paper, the full sheet.

40.6 × 50.8 cm

Untitled (Glass on Body Imprints), 1972

C-print, in 6 parts

Tallus Mater (Madre Tallo/Stem Mother), 1982

Ficus tree roots

153.7 × 61.6 × 10.2 cm

#Ana Mendieta #Mendieta #m #fotografia #video art #land art #performance #university of Iowa #moma #escultura #pintura #cuba #naturaleza

[studio-mpc]

DELPHINE DIALLO (French-Senegalese, b. 1977)

Highness-serie 3, 2015

Chromogenic Print

20 × 30 in

50.8 × 76.2 cm

Source: Arnika Dawkins Gallery

#Delphine Diallo #French Artist #Senegalese Artist #French-Senegalese Photographer #Art Photography #Contemporary Art #Arnika Dawkins Gallery #Black and White

[disease]

JO ANN CALLIS / “MAN AT TABLE” / 1977 [chromogenic print | 9 1/4 × 11 7/16″]

#u #jo ann callis #70s #contemporary art #american #photography

[moma-prints]

Chèque Ch. De Boeck, Robert De Boeck, 1977, MoMA: Drawings and Prints

Partial gift of the Daled Collection and partial purchase through the generosity of Maja Oeri and Hans Bodenmann, Sue and Edgar Wachenheim III, Agnes Gund, Marlene Hess and James D. Zirin, Marie-Josée and Henry R. Kravis, and Jerry I. Speyer and Katherine G. Farley Size: 17 7/8 × 12 7/8" (45.4 × 32.7 cm) Medium: Ballpoint pen on printed check, gelatin silver print, and chromogenic color print on board

http://www.moma.org/collection/works/147019

#museumofmodernart #museumarchive #robertdeboeck

[yama-bato]

Vivian Maier  

Chicago, July 1977

Chromogenic print, posthumous

#Vivian Maier