#crossposted from wordpress

[hadeantaiga]

So, when posting using WordPress, it does different things depending on the way you do it.

If you're using WordPress itself to post and then view that post on mastodon, it shows the post in full, which is great. It ends with post with a link to WordPress too.

However, if you use the "crosspost" function to post it to an actual mastodon account, it will concat the post and remove all formatting, including paragraphs. It'll post a set number of characters, then finish with "..." and a link to WordPress.

If you use crosspost to post to a Tumblr account, it will also concat, although the character limit seems different. It also won't remove formatting or paragraph breaks. It adds a link to WordPress at the bottom.

Now if only I could follow back from WordPress without paying $300 lol.

Someone said they'd like it if WordPress did a "import your blog" feature, and I have GOOD NEWS:

You can already partially do that! And it's easy! I did it to import all the feminist posts I made on GrayTheory. It doesn't import followers or who you follow, because those accounts don't exist on WordPress, but you can preserve your blog's original posts. I can't remember if it imports reblogs.

Oh! And you can reblog on WordPress too!

So like. If you wanna back up your Tumblr in a format that's at least similar to Tumblr and is partially accessible by the fediverse, use WordPress.

#mastodon #tumblr #wordpress

[titleleaf]

Experiments In Early Victorian Skincare: Unguentum Resinosum

(Note: since Tumblr seems to be making text posts deliberately inaccessible to anyone not logged into a Tumblr account, I'm still crossposting these posts to the Gallipot Project stand-alone blog over on Wordpress.)

This element of the project I stumbled upon while reading about Royal Navy medicine chests — even in all the excitement and anxiety of the recovery of Erebus and Terror, with plenty of discussion of the potential to glean information from what the crew left behind, it slipped my mind that among the relics recovered from the final Franklin expedition there might be actual medicaments (or at least their residues) left behind. My brain is a thick sludge right now due to a spicy range of events, but I wanted to give a little more detail about this chapter in my experiments.

Unguents Of Historical Significance

The original item that served as the springboard for this was a component of the Victory Point medicine chest recovered by Lt. William Hobson with the McClintock expedition of 1857. The medicine chest and its contents are now in the Royal Museums Greenwich collection. For more on the chest, I recommend this series of posts by S.L. over at 70 North Beset, which includes a wonderful guide to the chest’s cryptically-labeled contents and their uses.

The item we're discussing is by all appearances mislabeled, or rather stored in a repurposed container with a label indicating its previous contents. (If you've ever kept Band-Aids in an Altoids tin or safety pins in a medicine bottle, you're carrying on a proud tradition.) There's no image of the container by itself on the RMG's website, but I believe it's the round black container with the octagonal paper label on the bottom left here, just above the sticking-plaster box.

Image © National Maritime Museum, Greenwich, London

(so what the fuck is that supposed to be?)

Franklin expedition research frequent-flier Richard J. Cyriax’s “A Historic Medicine Chest”, published in the Canadian Medical Association Journal in 1947, describes the box and its contents as follows:

a circular metal box said on a label to contain ground ginger but actually containing what seems to be an ointment, now dried up almost into a ball. McClintock’s inventory mentions a box containing shrunk ointment, and no other article in the chest agrees with his description. The ointment is of a light yellow colour and possesses no definite odour; it may be “unguentum resinae”, which was very often used in surgical practice.

Okay, great, but wtf is unguentum resinae? I took this recipe from the 1830 Edinburgh New Dispensatory, compiled by Andrew Duncan, professor of materia medica at the University of Edinburgh.

Presto, salve plus resin.

So yeah, there are a lot of different salves in play in this era, some of them damn close in formulation. As much as I like making funky little unguents, making a full slate of these recipes might be overkill. This same text contains a whole mess of recipes for other liniments, ointments, cerates, and plasters, including a half-dozen variations on the theme of “some proportion of some kind of fat + some proportion of wax, white or yellow”. Duncan’s description continues on the next page:

THESE [presumably meaning the preceding recipes], which are varieties of the basilicon ointment, are commonly employed in dressings for digesting, cleansing, and incarnating wounds and ulcers.

(Basilicon ointments supposedly achieved this effect by, uh, causing pus production. Thanks, I hate it.)

Side note: If a salve is oil-based, how can it dry up, like the sample in the ginger container? This is how my dumb ass learned that oils can indeed evaporate over time. Presumably the inclement weather conditions at Victory Point didn’t help, but it’d be an interesting experiment for a long-haul-minded Franklin enthusiast to keep a tin of this stuff around over the course of years to see how it responds.

What is this salve for? Why carry it all the way to Victory Point? Why abandon it there? Honestly, I find these questions pretty confounding, starting with the first — the use of unguentum resinae appears to have been so wide and unremarkable that I’m not getting a lot of detailed information about how they were meant to be applied, and the information I am getting is very much framed like you (the presumed-medically-trained reader) should know this shit already. The recovered medicine chest also contains a stockpile of materials used for bandaging and dressing wounds: bandages, lint, sticking plasters, and cotton wool. So wound care definitely seems like a focus of this set, and I’d wager this salve’s use fits right into that mix.  One interesting thing that both Cyriax and the writer over at 70 North Beset remark upon is that the Victory Point medicine chest is unlikely to have been a government article issued to the ships’ officially recognized medical personnel; even to my eye, it lacks any obvious broad-arrow branding. Was this some random officer’s personal supply? Was it carried to supplement official medicine chests or perhaps salvaged from a late officer’s belongings? I’m looking forward to more news from the wrecks to see if they shed any more light on the material culture of medicine aboard Erebus and Terror.

I encountered a source remarking that “unguentum resinae” was simply a drawing salve by another name — this assertion gave me pause since I’m used to “drawing salve” itself being another name for black salve, a whole category of corrosive salve used in bogus cancer cures that you should absolutely, absolutely not use on any part of your body. But drawing salves are a whole category of their own in folk medicine (including folk veterinary medicine) and were very much in use during the 19th century, without necessarily entailing the corrosive effect of sanguinarine and its eschariotic sisters.

In turn, what kind of salve did I make? I made two batches, one plant-based salve with more similarities to ceratum resinae, and one pork lard salve more closely replicating the Edinburgh formulation for unguentum resinae/resinosum. The recipe for either salve is pretty damn straightforward, so I didn’t feel driven to document all the double-boilering and pouring here; the only tricky element was sourcing my pine resin. Lots of people go out and wildcraft their own tree resins, which is fully possible but not something I have access to; I bought my resin from a Canadian retailer selling food-grade pine resin for wax wrap-making.

For my first non-lard rendition of this salve (sort of an “inspired by” version) I took cues regarding the proportions of liquid oil:butter:beeswax:resin from modern salving. Folk medicine practitioners still use similar pine resin salves as a topical treatment for minor wounds, an anti-inflammatory joint rub, or a reliever of chest congestion — it’s also a pretty basic emollient for dry skin and these are the uses I focus on when I make salves for myself/my loved ones, rather than dressing more serious wounds. If you tweak your ratios, you can also use the same basic elements to make reusable beeswax wraps for food storage; this is actually the stated purpose behind the pine rein I sourced, since I’d feel some qualms about using resin earmarked for specifically holistic purposes in my silly living history project.

For my second batch, I used the same resin and beeswax but paired them with a pork-derived lard. I put this round off at first due to hesitation around how to best source a non-hydrogenated rendered lard. Since concerns about shelf-stability were the motivation behind my first oil-based batch, I didn’t want to go about rendering my own pork fat au naturel or buy the $25/lb impossibly-bougie Epic lard aimed at keto/paleo people who have Whole Foods $$, but I also didn’t want to go with your Armour lard in a shelf-stable brick — I ended up tracking down a local butcher shop that renders their own.

Honestly this version came together even more smoothly than the previous version — I crushed my resin into smaller pieces rather than waiting for big old rocks to melt down, and the lard gave a more slick, less “tugging” consistency to the resulting balm. It doesn’t smell meaty or pork-like at all; there’s a faint odor of wood resin, but that’s it, and if I didn’t care for that it would be pretty easy to doctor up with essential oils. I will say that at room temperature the consistency seems a little firm for use in a plaster, but I might need to glob it on more generously and allow body heat to soften things up. A little bit of a raw deal for those dealing with polar weather extremes, but maybe unavoidable.

How would you make a natural preparation using approximately 1840s ingredients that remained soft and spreadable at colder temperatures? Honestly, I don’t know if this is something people planned for, since abandoning ship wasn’t anyone’s first choice, but it would have been relatively easy. Increasing the proportion of fats/oils to beeswax is one way to adapt any fat/wax recipe for colder weather use, but another option I can think of could be using fats/oils that solidify at lower temperature points. Some useful data there you probably know off the cuff — if you put olive oil in a cold fridge, it’ll solidify into a chunk; if you keep your coconut oil out at room temperature, you can tell the weather’s warming up when it goes fully liquid in the jar — but for better suggestions than that I had to resort to Modern Science.

I’m based in the US and use Fahrenheit most often but this is a pretty clear case where Celsius is superior. The Franklin expedition crews were dealing with outside temps of -40° and lower, and while interior temperatures (as long as the ships’ heating systems held out) weren’t nearly as nippy, they might well have been in the “your Costco coconut oil remains firm and opaque” range. If they wanted emulsified oil-based salves with maximum spreadability at ambient temperature, something runnier from the low end of the freeze/melt temp scale might have been handy.

[For a table listing different values here, head over to the blog!]

Not all of these are suitable for salvemaking (linseed oil, my old enemy) but castor oil is feasible, for instance. I might make up some compare-and-contrast salves to explore this but uhhhh not any time soon, because I already have so many fucking salves. The plant oil-based salves are up for sale on my Bigcartel site now -- would you be interested in buying a beef tallow-based salve? Speak up in the comments and let me know!

Overall I’m very pleased with the result of my salve-making, and the smaller or nonexistent amount of butter ingredients like cocoa butter should hopefully prevent the slight granularity that some of my other creations have developed in cooling. I like the tallow-based salve a little better and its emollient consistency is lovely.

How skin-safe is this product? The biggest issue is that pine resin is a well-known trigger for dermatological issues like contact dermatitis. If you know you’re allergic to it, please don’t make this recipe or buy salves containing it! You have way better options for wound care than a stranded Victorian sailor.

How vegan is this product? Well, not at all vegan, in either variation, due to the beeswax. I have gotten my hands on some vegan waxes, so sound off if you’d be interested in a purely plant-based version of this recipe too, or another exploration of Early Victorian receipts adapted to modern methods.

Meanwhile… I get to figure out what I’m going to do with the rest of this lard.

#unnamed terror fandom beauty project #franklin expedition #lard-based medicaments #long post #PLEASE let the read-more cut work on this i'm serious #gallipot project

[thoughtportal]

Recently, WordPress announced official support for their ActivityPub plugin. Just install it, and it’ll turn your WordPress site into a Fediverse server.

And, listen, for anyone running a webcomic, this is a very cool idea!

If you have your own site, you probably have an array of social-media accounts where you post update notices, which is good for your reach but a pain to keep up. So, what if, instead of your readers on Twitter following your Twitter account, they could just follow your comic site from their Twitters? Or their Tumblrs, or their Instagrams, or whatever else. You don’t need to crosspost on all the sites — you don’t even need an account on all the sites — they act like RSS readers that can all pick each other up directly.

#article #fediverse #activity pub #wordpress #mastodon #how to #blog #webcomics #social media #rss

[the960writers]

The WIP project: Spring 2023

Hello writerly friends! I may have been a bit to quiet yesterday, so let me say it loud: It’s GO time! Look at your WIP, take some notes, check what you have and where you want to go. Maybe write some words? Or collect some images for inspiration? What ever you do, give your WIP some love and care. Tomorrow I’ll have a question for you to answer. Crossposted from tumblr.

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#the wip project 2023 #Writing

[julietoon-ts2]

New Simblr for TS2

I’ve decided to split my TS2 and TS4 simblrs as I’m creating more for Sims 2 again.

Nothing will be purged from julietoon.

Taking requests - sometimes there may be a delay if I’m busy with work and stuff.

Creations will still be crossposted to Wordpress which is still the main archive.

18+ will still be posted on the 18+ Wordpress

#juliej #Julie J #non-cc #sims 2 simblr

[anghraine]

I was just crossposting some stuff from my writing blog on Tumblr to the more focused one on Wordpress, which is how I learned that Blaze also works on Wordpress. Damn, somehow I never pictured that.

#genuinely terrifying prospect #anghraine babbles #deep blogging #tumblr

[katjagrace]

The first future and the best future

Crossposted from world spirit sock puppet. It seems to me worth trying to slow down AI development to steer successfully around the shoals of extinction and out to utopia. But I was thinking lately: even if I didn’t think there was any chance of extinction risk, it might still be worth prioritizing a lot of care over moving at maximal speed. Because there are many different possible AI futures,…

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[misangela]

Whittling Away the Socials

This is a crosspost from SubStack. I usually post from here to there, I wanted to try something different. The other day, I logged out of Twitter (“X”), probably for good. I was seeing the exact same posts with different users and slightly different titles – the work of bots, no doubt. It’s bad enough I can’t see anything from anyone I follow, but adding bot posts to a feed that’s already…

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#post from substack #using a blog and substack

[hadeantaiga]

I wish WordPress crossposts to here on Tumblr didn't truncate posts. I also wish I could post from Tumblr to WordPress. I also wish posting ON WordPress was a little easier?? I know they want there to be a lot of options, but a "quick post" option where it's just body text and tags would be awesome.

[titleleaf]

Experiments In Early Victorian Skincare: Shaving Soap, Part One

- And how does it feel, not being fetched for drops nor drawers? - Miserable, sir. That is my job you are shaving away. (AMC's The Terror, s01e07, "Horrible From Supper")

(Crossposted to Wordpress as usual)

We have some great period resources describing contemporary techniques for shaving and grooming, and they shed a little light on how landsmen, at least, were taking care of their facial hair. (If you're only interested in maritime personal care, this post gets a bit into the weeds on terrestrial soap manufacture, so be warned.) From The gentleman's companion to the toilet, or a treatise on shaving, credited to "a London hair-dresser" in 1844:

There are many soaps which are puffed off as "the best article manufactured for shaving" -- a "beautiful preparation for softening the beard," &c. &c.; but some of them are utterly worthless. All soaps are to be avoided which contain any considerable portion of alkalie; they make a light frothy lather that will not stand on the face, and they will much annoy you by those irritating pains, which are frequently felt after shaving with a bad razor. The soap which I have invariably found to be the best is Naples soap; it produces a beautifully mild creamy lather that will soften the beard, and will render shaving an agreeable operation, and is best calculated to allay those smarting sensations which an indifferent razor produces on a tender skin. There is a great deal of white honey used in the manufacture of Naples soap, and I need not say that there is nothing of a more mild and soothing nature.

Writing in the tail end of the previous century, Benjamin Kingsbury says exactly the opposite in his Treatise On Razors:

[...] Naples soap, so much admired by some persons, on account of the strength of it’s lather, is extremely defective. Of all the shaving soaps in present use, there is not one whose component parts are so irritating and injurious as the soap which is called by this name. It is the most caustic, and, of course, the most destructive to the skin, of all soaps and, in truth, to the production of a needless quantity of lather from a small portion of it, the soundness of the skin of the person using it is completely, and necessarily, sacrificed. [...] the best soap for the purpose of shaving which I have yet made, and which I always use, is the Olive-Soap, composed, in great part, of olive oil, and uniting the advantage of a durable lather with the power of softening and healing, rather than irritating, the skin of the person using it.

(What a drama queen.) Great, cool, but wtf is Naples soap? Thomas Webster's 1844 Encyclopaedia of Domestic Economy describes it as a "strong soft soap, scented; it comes to us in pots. In this era it's still an imported good, so recipes for imitation Naples soaps appear in contemporary books aimed at individual household consumers rather than commercial soapmakers. (Accordingly, these recipes generally seem to involve re-milling or otherwise rebatching existing soaps to add fragrance or combine the qualities of component commercially-available soaps.) Particularly among these imitation recipes, authentic Naples soap seems to be associated with the fragrances of rhodium, ambergris, and musk.

(from the 1844 Illustrated London News, Vol 4, Issue 95. Curious about the disreputable inferior-quality soaps touched on here!)

An 1835 chemical analysis suggests at least one variety used mutton fat as a base fat and potash as its saponifying agent, which is in line with what our London hair-dresser says about lye soaps' insufficient lather. (The existence of this analysis really amuses me -- it seems like people in the US and UK were curious about what really went into this particular import.)

From William Brande's 1848 Manual of Chemistry:

The soaps of potassa are distinguished from  those  of  soda by remaining soft; common soft  soap is frequently  made  with fish  oil.  Naples soap is a perfumed potassa soap made with lard.

Interestingly, I'm not seeing anyone else mention the "white honey" that our London hair-dresser attributes to the ingredients list here, but honey is a pretty common additive in natural soapmaking, so I'm not about to write it off entirely.

Soft Naples soap isn't the only soap used for shaving in this era -- any number of toilet soaps seem to have been in use, and at least some of these used regular soda lye. Rather than jump right in with potash lye, I wanted to make one of these first.

Shaving Soaps: Take One

Modern home soapmakers have a huge range of tools available to them that even commercial soap manufacturers of the 1840s did not -- digital scales, laser thermometers, Crockpots, electric stoves -- so in this case rather than reconstructing period methods I'm going to try and translate those techniques to a modern toolset.

First, I made a batch of tallow shaving soaps with soda lye/sodium hydroxide -- apart from the use of tallow, this was a thoroughly modern recipe, incorporating a range of vegetable oils to fine-tune the consistency and conditioning powers of the resulting bar. I used equal parts coconut oil and beef tallow, supplemented with sunflower oil, castor oil, olive oil pomace, and unrefined cocoa butter; the only other notable ingredient was powdered clay, both for cleansing powers and increased slip. (You could use white kaolin clay or off-white bentonite clay for a lighter-colored bar; I worked with French green clay because that's what I have on hand most of the time, so my bars ended up a pretty attractive sage-green color. Some people claim that the inclusion of clay dulls their razor blades, but I don’t know that I’m using any given razor blade for long enough for that to matter, and I didn't find it to be a problem when using.)

[Here's where I'd put a photo of these bars in the mold... IF I HAD ONE... so you'll have to settle for this store link.]

What's this bar like to shave with? I'm going to be honest: it's really nice, to the point where I'm considering using it as basically a leave-on mask. I shave with a safety razor and  occasionally a wet-dry electric razor, but I don't use a brush to lather up, so I just used my hands with this bar on damp skin; there wasn't a really fluffy voluminous lather, but it made for a really sleek and easy-to-navigate shaving surface and a pretty damn close shave without much friction. The clay component adds a little satisfying tooth to the shaving experience while leaving my face feeling really clean and non-greasy after.

So clearly I like it ,and I've gotten nice feedback from others. But it's not a Naples soap. It's not made with potash lye. What might a more authentic Naples shaving soap look like? If there are other modern takes on a soap like this, I'm having a hell of a time finding them under the search engine optimized-shadow of the Florida-based Naples Soap Company.

What makes a Naples soap?

So to review we're looking for: soft soap, scented soap, animal fat base, and critically, that potash lye mentioned earlier. Potassium hydroxide is an entirely new beast to me -- in soapmaking, it can be used alone or in tandem with sodium hydroxide to create a softer soap, up to and including straight-up liquid soaps.  I felt like a horse's ass putting together that, yeah, "potash" really does just come from "pot ash", and "potassium" is just halfassed Latin for the same. If your mental image of old-timey soap making is Almanzo Wilder in the Little House books you're on the right track -- making soft soap was an annual thing for many homesteaders, and the potash was sourced from the previous year's collection of wood ashes.The resulting jelly-like soap got stored in a barrel and doled out as needed. Common salt or table salt could be added to the soaping process for hardness, but in a Colonial American or homesteading context I can't imagine that was always economically feasible.

The barrel approach is in line with what I'm seeing modern soapmakers describe with soft olive oil-based Castile soaps -- you can dilute your soap goo right out of the gate to the consistency of a Dr. Bronner's-type liquid soap (though Dr. Bronner's 18-in-1 soaps are made with coconut and palm kernel oil to supplement their olive oil content these days) but more water means more potential for spoilage, so keeping around a jar of goo and diluting it as needed is a more shelf-stable option.

Period soap recipes are made at scale -- measuring ingredients in pounds, not ounces,  and in particular testing the strength of lye solutions by measuring their density against that of a fresh hen's egg. (This method apparently goes back to the sixteenth century and can be used as a rough-and-ready test for a number of different solutions -- for more, check out this post by Homestead Laboratory or this historical overview of the egg test's use in brewing and mead-making from A Booke Of Secretes.

I'm not making my own lye, whether soda or potash, and in fact I prefer to fuck around with lye as little as possible. (Over the course of this project I had the revelation that this is 100% because of the chemical burn scene in the movie Fight Club.) But it behooves me to get familiar with potash lye soaping.

(from The Critic, Vol. XIII, No. 322, 1854)

Shaving Soaps: Preparing For Take Two

So what am I making for my second round here? Instead of a soap cut from a bar or popped out of a mold, I want to make the equivalent of a soap in a pot -- something soft-textured that can be lathered in its container but that's also portable. The descriptions of shaving soap as "soft" don't do me a lot of good -- *how* soft are we talking? Are we talking soft like jelly, like the OG Colonial-style soft soap made with exclusively potash, or just not rock-hard? It's possible to strike a balance between rock-hard and goo-soft by combining both types of lye (what the SoapMaker tool calls a "cream" soap) but I'll need to dig into industrial soap writing from our era to get a sense of whether that was a contemporary historical practice on the initial processing level rather than by rebatching together lye soap and potash soap later.

I’m going to hit up tools like SoapCalc and Soapee's lye calculator for guidance even as I experiment, since soap I'll be sharing with friends isn't a place I want to fuck around with caustic material. Potash lye by itself  apparently makes a great soft soap with a consistency I've seen compared to Vaseline (or more bluntly, lumpy goo) but in modern soapmaking terms it's a hot process (HP) soap. Instead of undergoing the saponification process over time as it rests in the mold, hot process soap saponifies while being steadily heated in a vessel like a slow cooker; it still needs to cure afterward, but there's no need for zap-testing and in theory it's usable right out of the gate. HP soaping is new to me as well, and it means I had to get my hands on an estate sale Crock-Pot.

Which fats do I want to use? 100% beef tallow will make a stable and extremely hard soap (even when made with potash) but not with a lot of conditioning or cleansing power; so would 100% palm oil, for that matter. (I did get my hands on some sustainably-sourced palm oil for soaping, but I'm planning on holding off on using it for now.) Olive oil-based soft soaps are gentle and conditioning but don't generate a lot of lather. All these distinct properties of various fats are pretty much how soaps made with oil blends came to be, and those multi-oil soaps are attested elsewhere in the Early Victorian era; one recipe for imitation/homemade Naples soap

I want to put together a scent blend that approximates or is inspired by the notes listed above: rhodium, ambergris, musk. Only problem: What the fuck is rhodium? Later in the Victorian era, George William Septimus Piesse describes it as follows in his Art Of Perfumery:

When rose-wood, the lignum of the Convolvulus scoparius is distilled, a sweet-smelling oil is procured, resembling in some slight degree the fragrance of the rose, and hence its name. At one time -- that is, prior to the cultivation of the rose-leaf geranium -- the distillates from rose-wood and from the root of the Genista canariensis (Canary rose-wood) were principally drawn for the adulteration of real otto of roses; but as the geranium oil answers so much better, the oil of rhodium has fallen into disuse, hence its comparative scarcity in the market at the present day, though our grandfathers knew it well. One cwt. of wood yields about three ounces of oil.

So yeah, for an adult man in 1879, rhodium as a rose-adjacent fragrancing element must have seemed pretty retro. Perfect for this guy's hypothetical grandfather, though. The equivalent listing for rose-leaf geranium describes it similarly as an adulterant or potential alternative for rose otto. The bad news is, rose otto is still wildly expensive, and rosewood itself is now under substantial environmental protection restrictions... as is ambergris. I've got two options in my back pocket here -- fragrancing soap with rose geranium, maybe paired with botanical musk or a synthetic ambergris, or finding myself a nice modern fragrance oil. I... would rather do the former than the latter, but eh, we'll cross that bridge when we get to it.

What qualities am I looking for in the soap itself? What makes a good shaving soap? People have different preferences when it comes to soap lather consistency, especially if you're used to an aerosolized shaving cream. We're looking to strike a balance; lather that’s mild and creamy but not slimy, conditioning and lubricating but not leaving a residue behind. Given my druthers I'd like to make a couple test batches, looking to fine-tune these various qualities, but just how that's going to work out for me will remain to be seen.

So, yeah, soap. Shaving soap. What about the actual process of shaving with it? What's the razor situation? What about the daily ablutions of officers and average seamen? What about muttonchop maintenance? What about the wild world of Early Victorian shaving literature? More on that soon as I document my cold boy hot process soaping. Tune in next time for: goo.

#unnamed terror fandom beauty project #long post #soapmaking

[hawkwinglb]

Jo Graham's A Blackened Mirror

A brief review of Jo Graham's A Blackened Mirror:

Crossposted from Patreon and Substack. Jo Graham, A Blackened Mirror. Cambridge MA: Candlemark & Gleam. 2023. Cover art for A Blackened Mirror Blackwell’s affiliate link. I’ve really enjoyed Graham’s space opera, Sounding Dark and Warlady. A Blackened Mirror is historical fantasy with a romantic turn, set in Rome in 1489 and told from the point of view of the adolescent Giulia Farnese: later…

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#book reviews #books #Candlemark & Gleam #fantasy #historical fantasy #Jo Graham

[verse-and-vibes]

Intro

Hey folks,

I don't know how this site works yet, so I figured I'd make an introduction to my current audience of 0 followers. (Though I'm sure that won't be the case for long, considering how quick the porn bots are to find new accounts. But I digress!)

My name is Liam Kadel, and I am a hobbyist poet/musician/etc. You can check out my WordPress page (CW: the majority of my poems on there are about mental illness) here, since that's where I'll be taking a lot of my content from at first.

I kept an anonymous blog by this same name a couple of months ago on Tumblr, but I was discouraged when I couldn't simply crosspost my stuff from WordPress without breaking that anonymity, so I had it deactivated. This morning I remembered that being anonymous isn't great for copyrighting my work (though still technically possible), so here I am for all my future employers to see. /genuine

Wonderful. /sarcasm

Anyway, please enjoy. /gen

[thatsnotloki]

Now what?

Crossposted from Wordpress.

So, you’ve come to the conclusion that the spirit you thought was helpful, isn’t. Good! This is an excellent starting point. Now what to do you do about it?

This is a hard and often frightening place to be, standing on the edge of your past and realizing that you have spent so much time– maybe even decades– focused on feeding your energy into a spirit that is not only different than you thought it was but actively malicious. But all is not lost. There are things you can do to cut yourself off from that which is hurting you and begin to heal.

It’s okay to freak out.

If ever there were a time to be “going through it”, this is it. Spiritual crises, dark nights of the soul, they happen to all of us for a variety of reasons. You will get through this. Let yourself feel what you need to feel, just don’t put yourself or anyone else in harm’s way while you’re processing these big feelings. You will come out the other side.

Write or make art or do music about what you’re experiencing. Get it out, don’t bottle it up.

Don’t use names.

If you happen to have used a name– any name at all, including titles you made up– for the spirit that did you harm, practice unnaming it. Avoid speaking or thinking a name in reference to it. Make it so unimportant in your mind as to be unworthy of any specific reference.

This will take practice and time. It might be extremely hard to do. That’s okay. Keep working at reframing your world to exclude that thing on all fronts.

Cleaning is your friend.

You’ve decided that it’s time to clean house spiritually and you can help yourself do that by cleaning house physically. Go gently but consistently about the work of cleaning.

Fresh air, clean water, sunshine, fresh food, and body movement are all going to be essential in the days and weeks to come. They’ll help you stay grounded and centered.

Rituals for spiritual cleansing will be sprinkled throughout this blog.

Don’t leave the front door open.

If you want to keep your house safe, you’ll close the front door and maybe lock it. The same goes for spiritual concerns.

Do you remember, long ago, reading about grounding, cleansing, centering and shielding in meditation? If it is psychologically safe for you to meditate in a guided fashion, then this is the time to start doing those basic, guided exercises every single day.

Instructions for additional basic wards and safety precautions will be included throughout this blog.

Consult a professional.

A vetted and reliable diviner who does not know you or your situation should be consulted to confirm what type of spirit you are being harmed by, how to remediate it, and if your remediation is effective. Pay them appropriately. Don’t just take the words of some rando online. Also, I do not do this kind of divination so don’t ask.

Pastoral counseling for polytheists exists. Furthermore, chaplains of all stripes should be trained to keep their traps shut on matters of theology– their job is to listen rather than to convert. Therefore, if you cannot find a polytheist chaplain who is able to give you counsel, you may be able to find a nondenominational chaplain who might do the same. Seek these people in your area. Talk to them about your feelings. You are not alone.

Should you feel your efforts toward removing the negative spirit from your life are insufficient, then consult a professional spirit worker who does not know you or follow your same religious tradition. Ask them for help. Pay them appropriately.

Sometimes, harmful spirits can lead us to some really dark places or cause illness. Set up an appointment with your doctor or a therapist if you need one. Don’t delay medical treatment when working to aid the physical (and, yes, your brain is physical) is so often vital for healing the spiritual.

Pray.

There is no wrong time to seek the gods. Arguably, the best time to seek Them is when you are being harassed by something that wishes you harm.

If you cannot or do not want to look to the gods, then ground your prayers in the world. Look for local land spirits and cultivate a relationship with them. Look to your ancestors (of blood or choice, both are vital) and seek their support.

When you are praying to any of these spirits, be extremely specific in Who you are referring to. Learn the scientific or chemical names of plants or minerals. Learn your ancestors’ middle names. Learn the bynames and titles of gods. Know Who you are trying to reach.

Remember that praying doesn’t have to look like kneeling before an altar. It can be dancing, hiking, painting, sewing, cooking, working– you have endless options.

Do something completely different.

What is the routine you had around the harmful spirit? Do the opposite.

If you made daily offerings to it at a formal altar, then dismantle that altar and cleanse your space. Rearrange the room if you must. Throw away those altar components. Move your worshipful actions to a new location, use new prayers, make new tools.

If you only ever made informal offerings when prompted at random places, then set up a specific, warded sacred space for in which to do your devotions in the same way every time, maybe even on a schedule.

These are just 2 broad examples. You can certainly think of a hundred ways to shake up your habits and try something entirely new to help cut ties with the harmful spirit.

#hauntings #polytheism #spiritual cleansing #warding #spiritual malaise

[seamstressing]

Thanks to the stupid tumblr update even clean links without the tracking stuff come up with a “please sign in” alert once you’ve looked at it for a bit. Ugh!!

I use this blog to link tutorials to friends across social medias. That’s why it’s separate from my personal blog. I’m not very technologically advanced so it’s a pain to make a new site. Wordpress made me want to cry it was not intuitive for me. I’ve been trying to force Carrd to let me make blog posts but it won’t because it’s not a blog platform. SO. I’m going to beg someone from school to help me with Wordpress. I’ll still crosspost here but I want to have somewhere nice and compact to put my tasty tasty Posts

[thy-kneecaps]

This is a Test

This should crosspost to Tumblr from WordPress. If not, I’m an idiot.

View On WordPress

[allthingskenobi]

Obi-Wan in Exile – Owen Lars

(Originally published on AllThingsKenobi.com January 10, 2021)

Welcome to the second in a series of looks into Obi-Wan Kenobi’s time in exile on Tatooine between Star Wars Episode III: Revenge of the Sith and Star Wars Episode IV: A New Hope. We’ve tried to mine as much Legends and canon material as possible to help guide you through some of the period’s most common and repetitive themes so that when the new Obi-Wan Kenobi series airs, you’ll be ready.

Not everything he ever did in the entire 19 years will be explored here, but as we said, we’ve tried our best to pick out the most prominent and impactful moments to give everyone a better understanding of exactly what one hermit had to endure out there all alone in the sandy deserts of Tatooine.

There’s no way around it: Owen Lars hated Obi-Wan Kenobi. But why? A young Luke Skywalker could have benefited greatly from the two men working together, but it was not to be so. Here we will look at just a few of the many times the Jedi was rejected by the hardened moisture farmer in an attempt to understand just how fraught with tension their relationship really was.

“That wizard’s just a crazy old man.”

STAR WARS EPISODE IV: A NEW HOPE C

Owen Lars was the very first person to ever paint a picture for us of the now-illustrious Obi-Wan Kenobi, and this is what he had to say about him. Though we, alongside Luke, quickly recognize Owen’s words for the untruths they are, we were left to wonder exactly where the animosity, and possible bad blood, between the two men began. Especially since well up until Attack of the Clones was released, Owen was Obi-Wan’s biological brother (as confirmed in original drafts of Return of the Jedi), which made the exchange all the more tragic.

“But what if this Obi-Wan comes looking for him?”

“He won’t, I don’t think he exists any more. He died about the same time as your father.”

STAR WARS EPISODE IV: A NEW HOPE C

Owen continues to try and deter Luke by point-blank telling him that Obi-Wan is dead. It’s another clear falsehood that, at the time, carried little to no weight until twenty-eight years later when we witnessed the “deaths” of both Anakin and Obi-Wan on the slopes of Mustafar in Revenge of the Sith. But that’s a story for another time…

“He makes his terms abundantly clear: “We’ll take him in, but you’ll play no part in his upbringing. If you have to stay on Tatooine, you keep your distance, do you hear? You neither see the boy nor speak to him. He must know nothing about his father.”

“TIME OF DEATH” – FROM A CERTAIN POINT OF VIEW C

“Obi-Wan was glad and relieved that Beru and Owen agreed to raise Luke, but his mission did not end there, as it was also his duty to watch over the boy. He had thought that his ongoing presence would be some comfort to Owen and Beru. He soon learned that he was mistaken.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

Star Wars Episode III: Revenge of the Sith

From the moment Obi-Wan arrived on Tatooine with a newborn Luke Skywalker, Owen made it abundantly clear that the Jedi would have nothing to do with the child. It was an unfair set of terms that Obi-Wan, while doing his best to adhere to, would breach with regular frequency, often pushing his already contentious relationship with the farmer to its breaking point.

Over the years, not only would Obi-Wan often be forced into interceding on the family’s behalf as protection (much to Owen’s chagrin), but he would also willingly cross the line to try and form a relationship with Luke from afar. Whether it was a simple gift of parts for Luke’s skyhopper (1) or a handmade wooden toy (2), the attempts would be vehemently denied and Obi-Wan would find himself right back where he started.

Star Wars 15 C

Was Owen right to be concerned that trouble would follow Obi-Wan back to Luke and their homestead? Of course. Obi-Wan understands and even acknowledges that his watchful gaze could attract attention (3), so he backs off, moving farther out into the Jundland Wastes until the time comes when he is needed. (3)(4) But Owen took his concerns above and beyond, twisting reason into a deep-seated personal hatred of the other man.

“The hut was approximately 136 kilometers from the Lars homestead—farther than Obi-Wan would have preferred, but probably still too close to satisfy Owen Lars.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

“I managed to steer clear of Owen Lars this time. The man doesn’t like me at all.”

KENOBI L

“I’d always believed – always hoped – that Owen’s anger would cool toward me, that one day I would be allowed to train young Luke in the ways of the Force.”

“TIME OF DEATH” – FROM A CERTAIN POINT OF VIEW C

“Old Wounds” – Star Wars Visionaries L

Why? Why did Owen Lars hate Obi-Wan Kenobi so much? First and foremost, he placed the blame of Anakin’s downfall solely on Obi-Wan, going so far as to accuse Obi-Wan of “murder.” (1) It’s interesting to say the least that Owen would have such strong opinions about a man he’d only met once (5), but it seems to become more clear when you take into consideration that Owen adored his step-mother, Shmi. But while Shmi no doubt loved her adoptive family, she often spent her time looking to the horizon waiting for the day when Anakin would return. (6) So for Obi-Wan to have lost Shmi’s beloved son might have been too much for Owen to bear.

We’ll discuss this more in depth later, but Owen even removed Shmi’s headstone, along with the stones of other family members, so that Obi-Wan could no longer visit the site. (7) Consequently, it also ensured that Luke would never know about his grandmother. At least not while he lived at the homestead.

“If killing me would have brought [Anakin’s] mother back to life, I know he would have killed me then and there. I could see it in his eyes.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

At some point, Owen also seemed to have distrusted the Jedi as a whole. It was a prejudice formed the day he watched an angry and unrepentant Anakin Skywalker return from slaughtering a village of Sand People. (2) That being his only interaction with a Jedi before Obi-Wan came along, Owen didn’t want Luke to have anything to do with what he saw in Anakin that day.

“Everyone was stunned when Owen abruptly told Ben to leave and not to come back. The experience had left Luke baffled. Even now, some ten years after the incident, he still did not know why Owen had been so angry with Ben. From what little he knew, he assumed that Ben’s purpose on Tatooine had been to discreetly watch over him while Owen and Beru raised him as if he were an ordinary child, not the son of a Jedi-turned-Sith Lord. But if both Ben and Owen had been responsible for protecting Luke, why hadn’t they gotten along? Luke could only imagine why Owen had so aggressively objected to Ben’s presence. Luke remembered listening to conversations between his uncle and aunt, practically spying on them, hoping to hear any small detail about his father or Ben Kenobi. Owen and Beru never revealed much but merely reinforced that they preferred not to discuss either man.”

LIFE AND LEGEND OF OBI-WAN KENOBI L

Luke cheers, running full pelt toward me, arms as wide as his smile. There is a crunch behind me and I turn, Owen’s fist burying itself in my nose. I slam down hard on the ground, the lightsaber skittering from my hand. All my training, all my experience, and a humble moisture farmer has achieved what neither battle droid nor Sith has achieved, knocking me flat on my back.

“Uncle Owen!” Luke cries in confusion as his uncle manhandles the boy toward his aunt before turning to glower at me.

“Go,” he all but spits, an accusatory finger punctuating the furious decree. “Get away from here. Haven’t you people done enough to this family?”

“TIME OF DEATH” – FROM A CERTAIN POINT OF VIEW C

Lastly, and most unfortunately, Owen never minded expressing his distaste for Obi-Wan in front of Luke, going so far as to strike Obi-Wan and send him away while the boy watched. Would Owen’s treatment of the strange desert hermit help one day drive a wedge between the boy and his uncle? Maybe. Maybe not. All we do know is that Luke, like his father before him, was already inextricably linked to Obi-Wan Kenobi. And there was nothing Owen Lars could do about it.

Citations:

Star Wars 15 by Jason Aaron C

“Time of Death” – From a Certain Point of View by Cavan Scott C

Kenobi by John Jackson Miller L

Life and Legend of Obi-Wan Kenobi by Ryder Windham L

Star Wars Episode II: Attack of the Clones C

Star Wars Episode II: Attack of the Clones Novelization by R. A. Salvatore L

A New Hope: The Life of Luke Skywalker by Ryder Windham L

#Obi-Wan in Exile #Obi-Wan Kenobi #Kenobi Series #Owen Lars #long post #text post #crossposted from wordpress #allthingskenobi #no doubt we will get to see this play out on screen in the show #:((((