#djpuppy

[nyaskitten]

plot twist wyldfyre's boyfriend is euphrasia wearing a fake moustache

OMG SPOILER ALERT MUCH WHAT THE FREAK DAWG???

#raine's shitposting #asks #ninjago spoilers #ninjago #ninjago dragons rising #djpuppy #HIII OOMFIE

[marthammasters]

JAWDROP. i never considered cameroncuddy but i'm so interested please tell me more 🎤🎤

YAYAYAYAYAYAYYY just. Walk with me here. Cameron being one of the first to be given Rachel to hold by Cuddy at her naming ceremony. Cameron being Cuddy’s trusted choice to take over her job responsibilities. Their potential nefarious femme4dykeisms

I hate bringing a man into this but unfortunately the narrative is Wrapped around House so. Even if they never say it out loud they Understand each other’s position of awe and hurt they’ve felt at the hands of House esp as women. They both at the end of the day have an insane code that’s been made by their own head and their environment, Cameron’s a moral one and Cuddy’s a societal one. For both it’s in the goal of having what they deem the correctly Fulfilling life (A lifelong lover, children, established career, etc). Where Cameron will obliviously punish others when that code gets broken, Cuddy obliviously punishes herself. Bc even with this code instilled they still crave being purposely insane and Immoral then getting to be the one to revel in/fix that. Cameron sees it as craving the puzzles of the diagnostics department and Cuddy sees it as craving House’s/PPTH’s messes. Them being toxic work lesbians w each other would give them the simultaneous Wanted Stability-Needed Chaos if you Ask Me! They are doing deranged eye contact flirtations in Cuddy’s office <3and so on <3

#this is more char analysis than actual raving but I swear it makes sense to me😭😭 #djpuppy #house Md #house #lisa cuddy #Allison cameron #answer #cuddycameron #cameroncuddy #hatecrimes Md #hate crimes Md #cumeron #…????!??

[humbuns]

Hi, happy birthday!!! 🎂 hope your day goes great ^_^

ahhhh thank you!!! \^o^/ <3

#djpuppy #i'm planning to get boba w/ my ma later so i will have a tasty treat #and my fave food bc my ma is also bringing it so yay #letters

[enevera]

7 for kehtje, 36 for brighter half and 22 for 3ivies :-)

hi slava!!!!!! <3333333 :DDD

7. Is your character good with kids?

hmm kehtje wouldn't be bad with kids per se but she hasn't had much experience with them, so the panic response would be so real lmao. if she was allowed to get used to kids i think she'd be okay with them though

36. What are the things that make your character enter a full rage/cold mode?

cold anger comes very easily to brighter half, though she has learned to breathe through it and use it as fuel more than anything. any deviation to her carefully laid plans that makes it look like things could go south sparks at least some cold anger in her

22. What regrets do they have, if any?

three ivies is a very decisive person and doesn't have many regrets, but the ones she has are very raw and impact her a lot. she regrets a lot that she tied herself to a position and a course that she feels cannot be changed; she regrets being unable to choose herself, but not enough to actually change her path.

oc ask game!

#THAKN U SLAVAAAA #esp for asking abt 3ivies i havent talked abt her a lot yet but shes sooo fun #internal conflict the girlie of ever #askask #friend tag #djpuppy

[2bu]

hmm patron saint of the colour combo red + black :-)

it's chrew :] (<- is wearing red and black rn)

#heehee ty...!!! #djpuppy #ducky answers #ask memes

[lexd]

20, 26 and 38? ^_^

20: favourite things about the night?

i like the night bc its quieter, less bright (i hate it when its so bright out) peaceful, & some animals i like come out of hiding!! like frogs :}

26: fave colour and why?

i rly like amuted dark green.. idk why they just are nice to look at for me

38: fave song at the moment?

idk! ig ive been listening to idol of death by candye syrup a lot, its a good song!!!!

#lexicons #asks #djpuppy #ask games

[astral-from-afar]

hi astral sending hugs and i really hope u feel better soon!!!

Thank you so much 🫶🫶🫶

#astral replied #this message means so much to me #djpuppy 🐾 #<- new tag for you

[bytedykes]

[ID: Sketch of Yoo Sangah from Omniscient Reader and Yin Hanjiang from Devil Venerable. Yoo Sangah is looking at Yin Hanjiang in concern, thinking, "Is he... okay?" Yin Hanjiang's face is shadowed and he has a thought bubble that shows the song "Misery" by Maroon 5 playing on repeat.

Second image is a reply by @djpuppy that says "yoo sangah.. if you feel like it. or yin hanjiang ^.^" /end ID]

drew them both i thought it would be fun :)<33

#yoo sangah #yin hanjiang #orv #dvawtk #nik art #misc #yayy ty for the suggestion slava <33

[aromanticmara]

art trade with @djpuppy’s oc cass!! 💕🤍💞

[id: a drawing of a girl with short, light pink, windblown hair that has a pink bow in the back. she wears a cropped pink sweatshirt with the sleeves rolled up and blue jeans with a dark maroon belt and heart patches. she has on dark maroon bracers and light pink gloves with long pink boots with dark pink accents and a gold heart in the middle. she holds a staff that combines all the colors in the drawing and has hearts all over. her other hand makes a heart shape with her fingers. she has wind blowing behind her and two hearts by her fingers on the light pink background. end id]

#HIIIII EVERYONEEEEEEE! #slava is the best most amazing person with epic ocs #slava tag #my art

[nyaskitten]

THE GOBLIN 👹👹👹👹👹👹👹👹

THE FEARSOME VICIOUS FEROCIOUS THE GOBLIN 👹👹👹👹 THE DEMONC GOBLIN👹👹👹👹👹👹👹👹 !!! THE FUGLY GOBLIN 👹👹👹👹👹

#asks #raine's shitposting #djpuppy #HIIII SLAVA :DDDD

[marthammasters]

hii oscar i must know. what are your fave ice cream flavours? ^w^

Hais Benny well if u must know…. I’m a #classics fellow I <3 cookies n cream 4eversss. Otherwise I go w vanilla/French vanilla/vanilla bean etc etc and occasionally cookie dough🔥HBU ^_^

#answer #djpuppy

[humbuns]

green for you, i think! ^_^

Green: Creature in the forest, you mind your business if others mind theirs

Definitely an image I aiming for (─‿‿─)

#letters #djpuppy #i post silly doodles and go back to my own world

[tragedykery]

I was tagged by @koheletgirl and @djpuppy to do this a few days ago, ty!! sorry I forgor </3

[ID: two “receipts” from receiptify. the first one shows my most played songs on spotify in the last month:

jêl caerdydd by calan

pa le mae nghariad i by calan

chwedl y ddwy ddraig by calan

kân by calan

rew-di-ranno by calan

autre temps by alcest

saranga dariya by mangli

lullaby by low

sinnerman by nina simone

far over misty mountains cold by clamavi de profundis

the second one shows the same but for artists:

calan

florence + the machine

hozier

mitski

rina sawayama

fiona apple

meet me @ the altar

jinjer

the amazing devil

black hill

/end ID]

tagging: @satans-poptarts @saintdaffodil

#as you can. Probably tell the last few weeks I’ve been obsessed with this one band (calan) #they’re so so good #I’ve also been listening to other non-english music quite a bit but bc my playlist for that is like 12.5 hours long I’m not surprised only #one of them (saranga dariya) showed up here #elli rambles #tag game #shira tag #slava tag #musicposting #pleasantly surprised only two songs and one artist are from my sleep playlist. last time I used receiptify (a few months ago?) #it was like. 9/10 lol

[fluidsf]

Fluid Sonic Fluctuation 112

Crown Shyness: Isonautics Remixed

as kindly provided to me as a review copy by Quantum Natives

released 24/February/2020

Catalogue number: QNRX024

This is Fluid Sonic Fluctuation review 112 in which today I have for you the next release on Quantum Natives after sigh by soapkin, which I previously reviewed (https://fluidsf.tumblr.com/post/617920131522347008/fluid-sonic-fluctuation-111-soapkin-sigh-as). This is a recent remix album by Crown Shyness titled Isonautics Remixed which features various tracks from Crown Shyness excellent 2019 album Isonautics in remixed versions by a curious cast of experimental, installation and visual artists. Rather than feeling like a remix “compilation” in terms of flow in the tracklist, Isonautics Remixed is rather a remix album, feeling as much as an immersive journey as the original Isonautics album. Before we go on a journey through this remix album, let’s have a look at the cast of artists that feature on Isonautics Remixed. First of all, Crown Shyness himself is a project by American artist Kevin Carey. Using the name Crown Shyness, Kevin has released his debut album Isonautics on Quantum Natives last year and several tracks of his have also appeared on mixes and compilations. Looking back on Isonautics and the review I wrote about it in 2019, I can say it’s an excellent and very immersive nocturnal sonic journey in this icy seascape of which various elements are still recognisable on Isonautics Remixed too, though with different approaches of sound manipulation applied to them. The first of the remixers featured on Isonautics Remixed is bod [包家巷] (Nicolas Zhu), an American audiovisual artist creating richly layered sound collage infused music, who released music on labels like Pastel Voids, Danse Noire, Knives and the surreal religion themed label AMEN. Recently he released an especially expansive collection of music titled Music for Self Esteem on Swedish collective and label YEAR0001. Afterwards on track 2 of Isonautics Remixed we have this artist called djpuppy whom I didn’t find much info on but did also feature on last year’s Quantum Native four way split release Dreamcasthe by Dragoon and has also featured on a split release called Nocturnal Idiot / 夜行馬鹿 on Japanese label Ukiuki Atama with woopheadclrms (whose Genot Centre tape vs o.t.O.g.I I reviewed last year). Quite radical, plunderphonics and Hardcore influenced music from what I found out. On tracks 3 and 7 we have reworks by Taiwanese installation artist Tzu Ni (Hung Tzu Ni) who creates works in which she uses light and sound to envelop the audience inside immersive imaginative environments and imagery. Most of her music is available self-released on Bandcamp as well as on Bandcamp pages by her collaborators and has also been released on compilations by Future Proof 面向異日 and Engram Recordings. The fourth featured remixer on this remix album is yma who previously released an EP length release titled sunset on Quantum Natives, has featured on a compilation on Dark Jinja and while her music can be found tagged with “Ambient” or “Ambient Pop” online has made quite a different style of remix than you’d think, on this remix album. Remixer number 5 is umbilical friend, who curiously according to Bandcamp are also a Californian band but regardless of the sometimes confusing paths artist names can take when looking them up online, umbilical friend delivers a great remix on here. WH is a remixer of whom I couldn’t find information online but perhaps we will see music by WH released on Quantum Natives, a bit of a mystery artist I’d say. On track 8 we have a remix by swivelized (sounds), a Taiwanese sound artist who mixes Noise, plunderphonics, Pop influences and more in works as swivelized sounds as well as various other names with self-releases on his own series of Bandcamp profiles including swiʌelaηd, cassette to cassette and normaled. swivelized sounds also released music on Quantum Natives, Future Proof : 面向異日 and has been featured in compilations and mixes released by Beastonleash, Astral Plane Recordings and Genot Centre. On track 9 we have a remix by American experimental Weightless and Deconstructed Club artist faithful (Michael Stumpf). faithful has released music on Prehistoric Silence and Anòmia, as well as various self-released singles and DJ mixes. His music has been featured on compilations on AMEN, Eternal and benska. The final remix is by Adum Brate, who’s been credited for another remix of music by Kevin Carey of Crown Shyness on Knightwerk Records as well as creating artwork for yma’s EP length single sunset. Isonautics Remixed comes in the form of a download including the 10 remixes in MP3 format as well as the cover artwork in good resolution and icon files. Now that we know who most of the remixers on Isonautics Remixed are and know the format of the release, let’s dive into this remix album.

Isonautics Remixed as a full listening experience feels a lot like going on a journey on an at times wildly rocking ship, hearing the details of chains, machinery, metallic resonances in- and outside the ship and fragments of music and voices. Similar to Isonautics (the original album) this journey feels quite nocturnal as in the rich sonic imagery the remixers have conjured up by reworking the originals still matches the night sound but this time with a more surreal and eerie series of flashing pictures we come across while listening. The often seamless transition from one track to the other also makes the remixes feel like one whole long and varied composition. We enter through Stormborn (bod [包家巷]'s morning lullaby), which indeed could sound like a morning lullaby bod [包家巷] has created here on the ship but rather than being one of peaceful and happy visions rocking someone to sleep there’s actually quite a melancholic and sombre tone to the piece. The low pitched slow warm reverberated filtered strings back the heavily pitch manipulated slow sung vocals which appear to express the inner struggles and journey a crew member of the ship could’ve been on before he ended up on this cold ship. The subtly degraded strings combined with mellow synth tones add both elegance (the former) and a bit of sunlight (the latter) to the otherwise rather bleak environment the crew member is in. A storm is enveloping the ship, rain is falling, water is pouring in, leaking all over the floor as the crew member moves onto his work in Engineering. You can hear the machinery of the Engineering section of the ship in the second half of the remix which features a great mechanical Deconstructed Club with some lovely pitch stuttering, sample chopping and ringing high pitched percussion until the music returns back to the lullaby itself. A great start of our journey in Isonautics Remixed. Afterwards we move directly into Spiral (djpuppy remix) which is one of the shorter remixes and follows more of a single continuous path in terms of composition. Sounding like an ethereal dream image created out of the maintenance of the ship’s machinery the remix continues the scraping mechanics of the previous remix but with more timestretching processing (which could be seen as a high-tech aspect of the machinery on the ship) and metallic bass swirls. The ethereal element about the ambience can be heard in the uplifting combination of sampled and autopan / leslie speaker manipulated vocal samples mixed with angelic choir samples. Chops of male voice samples (which also return later on in Isonautics Remixed) are blended in the mixture. The humming bass drone of the piece appears to the hum of the ship’s engine, a great short remix which works as a sonic point of focus as well as a good transition piece to the next track. This next track is Leak, Granite (Tzu Ni 目) in which we move into a surreal sonic image which appears to show us the inside of the quiet ship laying still in a harbour as an Industrial environment of strange metallic noises, high pitched clicky stutters sounding like small parts of the ships machinery, sharp hisses of Noise and steam as well as the eerie bursts of both meditation like low pitch male voice samples and what sounds like recordings of Taiwanese AM radio coming in like leaked sound falling out of the ships internal communication system. The sub bass layer of the piece also appears to detail the ship engine’s idle state subtly rumbling the steel floors of the ships deck. An eerie soundscape which makes great use of timing the sonic elements as well as multiple different layers of continuity in the sound progression of the separate elements. Afterwards on Stormborn (yma remix) yma further elaborates on the theme of the ship’s engine as both an Industrial and meditatively droning element in the sonic imagery through a dream-like stream of a piece in which we can hear some elements also used in the first remix by Stormborn (especially in the mechanical details). Sounding like what could be the imagination of the engine itself if it were an actual, albeit possible alien “being” the piece blends mechanical ticking and stuttering sounds, Deconstructed style drum samples, ethereal manipulated vocal sample ambiences with quite abrasive Noise elements in the form of distortion manipulations and very exciting chops of morphed organic mechanics crawling around the stereo image like the engine is growing its own leaves in the water. Switching from heavily technical “speeches” of stuttered, chopped and in other ways processed machinery noises to more introspective “thoughtful” ambience meditations, the remix feels like technology processing the emotional qualities of sound through its own mechanism, eventual discovering its surrounding, the sea and eventually merging with it. A living ship’s engine, very intriguing. Leak (umbilical friend remix) which follows is a more minimalist interpretation of imagery to see on the ship. Moving out of the engine and back to the decks of the ship we can now hear the nocturnal life on the ship as expressed in more club themed (Minimal) Techno beats and cleaner versions of the elements from the original track which are chopped up and manipulated through delay. A resonant metallic percussive sound seems to guide the hypnotic rattling of metals backed by the jumpy and at times low pass filtered bouncy kick drum which appear to entrance us with their repetitive but ever progressing streaming patterns of mechanical movement. The piece is as much dancey as it is immersive with its excellent combination of polyrhythmic grooves and rich sonic details. Afterwards we move into deeper territory with the eerie Dark Ambient piece that is Home of Depths (WH Version). Feeling quite reminiscent of Aphex Twin’s Selected Ambient Works Volume II the remix features mysterious filtered and delay effected Dub Techno style resonant synth stabs that tumble around in a hypnotic pulse, every few beats being changed for a rising hollow filtered synth sweep. The texture of the tones is glowing but also saturated, ever increasing in harshness. Whilst the first third of the piece is a bit different featuring more peaceful and brightly atmospheric sweeping synth pads, backed by calm rustling field recordings that sound more like rowing pans from a little boat, I can definitely feel the darkness in the latter sections of the piece with squelchy manipulated (digital) details at times still adding some quirkiness to the gloomy ambience but the general vibe being that of danger, darkness outside on and in the ocean around the ship. A great touch is the owl field recording which appears only once in the piece. The shifting sounds of water can’t help but feel threatening however, reminding us that water is all around us and we can’t escape truly now that a thick fog is covering the nocturnal environment outside the ship and the cut off ending tail of the piece appears to tell us these strange spirits we can’t see will definitely return later. Granite, Leak (Tzu Ni 日) follows in which Tzu Ni follows up from Leak, Granite (Tzu Ni 目) with a more glitched out and minimalist piece. Starting with a first half that features a lot of the aforementioned glitching, stutters, resonant filters on the separate synth elements and chopped filed recordings the piece starts of as a rather quirky sonification of the ship’s engine full of little high pitched tones, seagull like squeaking gears, weird vocal sample manipulations like ghosts, crackling and machinery flapping like steam-power bird wings. This bird wing rhythm continues onwards in the second half of the piece where it builds into a multi layered rhythmic stream of squelchy scratched and distorted mechanics in which the metallic Noise and metallic bass rumbles from Leak, Granite (Tzu Ni 目) return making for a great sonic continuity between both versions on Isonautics Remixed. Endearing in the simplicity of some of the sound manipulations and featuring some fun creative sculpting of the tonal elements from the original piece it’s one of the most playful but still equally immersive pieces on the remix album. Granite (swivelized chance remix) afterward follows up from Tzu Ni’s piece with most of the same recognisable elements but this time turned into a lovely short lo-fi Glitch piece. Most of the piece feels like listening to a separate part of machinery on the ship doing its work but with more a wooden like quality to it in terms of texture. swivelized has made the high pitched synth bits especially prominent in his version making for a bit more of a steampunk style to the piece as it ticks along in a sped-up pendulum like fashion. A nice detail of the piece is that while it’s quite lo-fi (using a bitrate of only 96 kbps) you can still hear some of the hiss from the samples in the piece especially as the machinery gets turned off at the end, as it were. A sweet little piece of sonic engineering. Afterwards in Silent Quarries (faithful remix) things get glitched up even more as our ship’s engine has suddenly received a big increased in speed. Through rapid twirling, stuttering and scratching cuts of the original stems from Silent Quarries we find ourselves in a richly detailed rush of speed in which technical mechanics fly around us, mixed with an icy seasoning of bits of water as well as bumpy fuzzy plunderphonics manipulations of music samples like the music playing on the radio owned by own of the crew members gets all tripped up by the sudden speed of the ship. Through all the twirling circular shaped speed chaos, faithful does manage to build a simple but curiously retro sounding melody made of crunchy pitched samples which builds towards a beat-lacking last section that moves from dishwasher like manipulations of ethereal choir vocals to crystallised chopped vocals mapping out a pretty Grime like melody backed by squelchy sound manipulations of breath. The inspired and skilful sample chopping in the piece makes for a very immersive and richly detailed sonic image in this piece with great care for space in the stereo image helping to make it sound like music to dive into. Final piece Home of Depths (Adum Brate remix) closes out things with a both calming and eerie mixture of music sample manipulations and spooky foreboding background ambience. The music samples themselves are from what sounds like a slow piece of Country music which is looped, chopped and pitched in a quite lo-fi and bit crushed manner making the piece sound a bit like a tape manipulation experiment featured on an 80’s cassette tape part of the underground tape scene. The piece feels like we’ve entered the hut of the captain of the ship and are now lazing on his couch whilst a radio is playing music that makes him feel like home, the modulation and overblown quality of the music sample manipulation seems to suggest he’s falling into a soft slumber as the music distorts in his mind and eventually fades away. The eerie distorted dark ambience in the background reveals unsettling and dark things happening in other parts of the ship however, referencing previous imagery we saw and thereby rounding off Isonautics Remixed quite well. I award this remix album a Polar Vision at the frequency of going on a wild journey on a ship that at times is shaken wildly by storm and diving into the minds of the crew members as we explore the mechanical workings of the ship, melancholic memories and dream like impressions of memories and the mysterious and ominously changing nature of the ocean around them. Combined with the dark coloured (and original album referencing) cover artwork which depicts the multi-layered surreal listening experience quite well through its mixture of organic and schematic mechanical imagery Isonautics Remixed is a strongly recommended remix album. This is a great listen for fans of surreal experimental music, Deconstructed Club, the more Sound Art based approach of Noise, contemporary digital Plunderphonics manipulations as well as cinematic underground music with a great and deep sense of mystery through aural suggestion and creative usage of concrete sounds. Definitely check Isonautics Remixed out.

You can download Isonautics Remixed in MP3 form through the direct link from Quantum Natives here: http://www.mediafire.com/file/t0xle3bh3ogmkhx/Crown_Shyness_-Isonautics_Remixed%2528QNRX024%2529.zip/file

#fluid sonic fluctuation #112 #crown shyness #Isonautics Remixed #quantum natives #24 february #2020 #QNRX024 #bod [包家巷] #djpuppy #tzu ni #yma #umbilical friend #wh #swivelized #faithful #Adum Brate #deconstructed club #noise #sound art #industrial #minimal techno #dark ambient #glitch #plunderphonics #eerie #melancholic #cinematic #immersive #mechanical

[portion2qqch]

Le son se tord, fouette, s'approche puis disparaît. C'est une forme liquide sur un oscilloscope. J'ai juste le temps de visualiser sa chevelure composées de câbles endommagés fendre l'air, avant de me retrouver plongé dans une jungle futuriste, sans doute designé par les créateurs de Tomb Raider. Une voix féminine, désincarnée et perçante s'adresse à moi. Je n'ai pas le temps de saisir les indications qu'elle me donne : je suis déjà au niveau suivant. Accélération, palpitations & tremblements.

La trace de ma dentition est imprimée irréversiblement sur l'écran de ma première Gameboy. Avez-vous déjà été tellement furieux de ne pas parvenir à passer une étape dans un jeu que vous vous en êtes soudainement pris physiquement à votre console ?  

J'abandonne cette pensée, hypnotisé par la sur-stimulation que propose le morceau suivant. Projeté dans un temple, on m'invite à danser. J'ondule ma colonne vertébrale, remue mon derrière, une palme dans chaque main, vénérant une énorme peluche affublé d'un nom qui me rappelle vaguement l'hindouisme. "Planet" finit de me désorienter. Comment ces quatre pièces peuvent-elles s'articuler de façon aussi cohérente tout en assumant leurs brutaux changements d'atmosphère ? J'observe le puzzle que je viens de finir sans en comprendre le sens.

#Quantum Natives #Kenji #Dragoon #DJ Toonami Demon #Djpuppy

[tinymixtapes]

♫ Listen: DJ PUPPY - NTS 10-9-17 (NTS set)

DJPUPPY soundtracks wordless narratives, vague stories, heard in passing, across the street, down the aisle, through open car windows in hot traffic, off the screen, fragments of lives, performances of self. With generous amounts of original material, DJPUPPY builds plot lines, tangibly, evocatively, a mess of them, as we’re listening to worlds, here, not just one. Gestural actors contort their faces into that of snarking dogs and sneering auteurs. Collections of characters flutter beneath a hazy horizon. Some of my favorite parts of this mix find DJPUPPY singing into their chest, crashing, screaming, then silence drops like a breath. How beautiful, a warm piano impressing a footstep into thin dirt. An idea to be repeated. http://j.mp/2h6wUP4