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#eliatrope goddess
vinillain · 4 months
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I’m so excited for all of them s4
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Bug eye creatures
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renjoy-arts · 1 month
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He just needs some motherly love to make him feel better
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geekgirles · 1 month
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Yumalia's Reunion
Back on my Yumalia brainrot, I can't get over all the layers and depths of their brief interaction in episode 11.
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The moment Yugo is done defying his mother and forced to watch her leave, for she had long made her choice, Amalia doesn't hesitate to reach out to him and hold his hand, which Yugo immediately squeezes right back. Even with the threat of imminent war for her people's safety, Amalia's first instinct is to go to Yugo and offer whatever comfort she can, and he just lets her because if there's someone who can ground him, it's Amalia.
That's exactly what she did at the end of season 3. Not only did she tell Oropo he would never be Yugo because Yugo would never willingly or knowingly sacrifice anyone for his cause (even during his fight with Ad during the OVAs he always thought his brother would eventually come back), but she unknowingly dissuaded the fears and insecurities that'd been plaguing him throughout the entire season, both regarding his past actions and his own relationship with her. Because even after all they'd been through and his insecurities hurting Amalia deeply, she still chose him, and she still reaffirmed her love for him in such a way it would allow for their interactions in season 4 to be that much more openly affectionate and less restrained.
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But not only that, back then she was also there to ground him when Oropo's passing and his absorbing of the Eliotropes overwhelmed him, helping him see all the good despite what they had lost.
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And she is doing that yet again when they finally reunite.
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But there is so much more going on here. So many emotions running deep between them.
Look at Yugo's expression, that mixture of surprise and awe etched onto his face. I feel like this is the moment where it truly clicks for him just how much he's changed and all the possibilities his new body entails, especially for their relationship. And Amalia is just happy, happy that he is alive and happy that he can finally see and feel like the great king and warrior she always knew was already there.
For the first time since he's met her, Yugo doesn't have to look up to meet his love's eyes, and you can clearly see how the mere thought takes him aback. But I believe there's so much more to it, so many things left unsaid.
He's looking at her like she's finally within reach, and not only because now they're closer in height. Yugo had to spent the last few years of his life watching how the love of his life grew into the most beautiful flower in Sadida's garden, into a queen, while he remained stuck in his child-like body, with only a title for show despite he too being royalty.
It's all in his eyes!
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He isn't just looking at Amalia. He is staring at her like a dying man stares at his salvation, like someone who's been wandering in the dessert for ages looks at an oasis. And it's not just because they might finally have a shot, but because she is there and she is real.
Despite Yugo's unrelenting optimism and will, upon being captured by the Nécromes, a part of him had probably been forced to accept he would never see Amalia again, either because he would remain the last of his days as their prisoner, or because she would too fall soon.
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Given his predicament, thanks to Oropo and Qilby's intervention, Yugo was most likely running on adrenaline when he noticed the portal in the Sadida forest and what it would mean for Amalia. His mind was set on protecting her, not on the fact that they would be reunited after such a horrible ordeal. And I don't think it really sunk in that he would see her again until she touched him, until she literally became tangible and attainable.
But she is real, and she is with him, they are together again. Only this time, they might actually get to be together.
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Look at such level of intimacy! Such tenderness mixed with the underlying unbriddled passion they feel for one another! Yugo might have been shown being okay with revealing his wings to his friends, but he always took the hood off himself; but not with Amalia. With her he trusts her enough to let her do the honours and all he can do is melt under her touch.
Seeing Amalia again after being held prisoner in the Nécroworld and forcibly aged has allowed Yugo to fall in love with her all over again and, more importantly, to finally allow himself to love her with his whole being in return. No more holding back, no more second thoughts, no more take-backs. No more denying themselves what they have been desperately yearning for.
He loves Amalia and she loves him. And he's going to hold onto her for as long as they both live.
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And I am so not normal about them.
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cocogum · 12 days
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I feel like every single primordial eliatrope has a curse they have to deal with whether they realize it or not.
It was obvious with Qilby’s case, but with the other primordials, not so much. Maybe it’s because Qilby’s curse outshines them all which is why we don’t really realize what the others might be dealing with.
Glip’s gift: Gifted with the will and dedication to teaching the history of the eliatropes to the next generation.
Glip’s curse: His copious source of knowledge for the Eliatrope children has to be studied and memorized and repeated over and over again so he can transfer it again and again, essentially teaching the same thing for eternity.
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Mina’s gift: Gifted with the wisdom to solve all the quarrels that could divide their people.
Mina’s curse: Has to constantly solve the problems of others no matter how small it may be in her eyes.
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Yugo’s gift: Gifted with the heroic passion to adventure, travel, and protect his people.
Yugo’s curse: Constantly lives in danger. He can never rest from it all because his warrior spirit cannot allow it.
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Nora’s gift: Gifted with innocence and being free-spirited. To preserve these feelings and spread them to the people.
Nora’s curse: Innocence easily gets ruined.
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Chibi’s gift: Gifted with the brilliant mind to invent.
Chibi’s curse: All inventions made for his people rest on his shoulders. One fatal mistake and everything crumbles. He has to be careful if the invention properly works.
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kilfeur · 1 month
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Toross arrives in sadida kingdom
The goddess Eliatrope
Mon ami a fait ce meme et m'a permit de le poster sur mon tumblr
My friend made this and agreed to let me post it on my tumblr.
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dalissy · 2 months
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The saddest thing about the Eliatrope Goddess to me is that it is pretty obvious all she ever wanted was to live a mortal, normal life. To become a mother and simply care for her children. But because she is a immortal being with tremendous power, she always has been denied such a simple thing, had to break divine laws and taboos to get children and make them thrive, and was forcefully taken away from them for millennia :(
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yourlocaldragonz · 3 months
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Eliatrope goddess drawing repost from my tt ^_^
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shionanies · 3 months
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Remake of this drawing This time made with a proper reference and sketch.
Happy Season 4, everyone!
Remember to tag your spoilers
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ol-files · 1 month
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applecarrotbread · 5 months
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Finally got some time to myself and was able to actually sit down and draw her properly
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intooned · 3 months
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Anime Goddess Eliatrope:
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Lore-Accurate Goddess Eliatrope:
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Artist: @octoboros
Sauce
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vinillain · 2 months
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Wip +The two ways people draw Qilby…..
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Doodle dump time cuz s4 has me in a CHOKE HOLD(last three are concepts for a fic I wanna write)
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medievalmidinette · 2 months
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It's an eliatrope thing <3
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geekgirles · 2 months
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Nora's Design and What It Might Have Been Hinting at
There's a very high chance this will all feel a little incoherent and like I'm maybe grasping at straws, but I really do think I have a point here, so deal with me, please.
Okay, so, Nora. Nora's design.
Ever since it was first revealed, the general consensus has been that it kinda sucked, especially compared to her design for Islands of Wakfu. Because let's face it, when we take into account the Council of Six's more varied and detailed designs...
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Compared to them (and especially her flashback self, look how cute, and eager, and fun-loving she used to be!), Nora is literally just a pink ninja:
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Let's face it, it was underwhelming.
However, and I know I'm not the first one who's come to the realisation that Nora's current design and colour palette is indeed intentional, rather than a poor choice, I believe I understand now what Ankama was trying to do.
Nora's design was meant to be foreshadowing of her actual role in the season. More specifically, her role in allowing the Necromes free access to the World of Twelve.
If you think about it, all the major Eliatrope players this season followed a very simple colour palette that tied them to the Eliatrope goddess and marked them as forces of good: while white was a very prominent colour, blue was the one they all had in common.
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All the actual protectors of the World of Twelve... Except Nora.
Her design is the one that clashes the most with the rest of her family. But unlike Qilby, whose more monstrous appearance served as a reminder of his past atrocities and kept both Yugo and the audience on their toes because surely he must be up to something, Nora's more down-to-earth design kept the focus away from her.
In fact, I'd even say her white hair was another deliberate choice to make us subconsciously believe she was on her family's side. After all, white is a very prominent colour in the Eliatropes' palette, especially in the Eliatrope goddess. What's more, deep down, she is on her family's side! These past few episodes showed us that it was Efrim who used Nora to advance his master's agenda, she had no agency or say in the matter whatsover.
And yet, her most promiment colour is pink. A clear opposite from her family's more prominent blue. And what does pink remind us of? That's right.
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Stasis.
Death, destruction, stability.
The Necromes.
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And just like the Necromes, even Nora's eyes are naturally pink. These parallels only become more pronounced once Nora becomes possessed by Efrim, when all of her, even her portals, have similar hues.
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Both her colour palette and role in the Necrome invasion are opposite from Yugo, especially once he too has been captured and had his Wakfu stolen.
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I refuse to believe this contrast between the two isn't intentional.
Because now, now that even Qilby has acknowleged him as his King, now that he commands the Eliatrope Dofus and the Eliasphere, now that the World of Twelve and his loved ones need him more than ever... Now everything about Yugo is blue.
Nora is the unwilling traitor, so the pink in her outift had to reflect that. Yugo is the hero stepping up to the challenge now that things are more dire than ever, and he wears his people's colours with pride.
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cocogum · 1 month
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IDK if you brought it up.
But one thing I noticed is that in season 4 when Yugo, Amalia, and the Eliatrope goddess where together, his mother kind of (softly) physically got between them.
I think... Ep 2 or 3 (idk): when Yugo is watching Amalia mourn her father and wants to jump down and support her, she pulls him away. Though it was a good move, Amalia needed to be alone/with her brother. Ep 11: when Amalia calls out to Yugo and he looks at her and seemingly wants to go to her--the goddess turns him towards her. ...these are the only examples but they're there.
To me, I think it was to show blood-family vs found-family. His relationship with the Eliatrope goddess isn't even as close to deep as it is with Amalia, Percedal, Ruel, Alibert, and Eva. Even Yugo said it himself, he feels at home with Alibert (and his friends).
By the end when the goddess wanted to leave the planet with all of her eliatropes (Yugo included), Yugo chose to stay and fight with his found family.
As someone once said (before someone else twisted it), "The blood of the covenant is thicker than the water of the womb."
Just something that came to mind after rewatching the entire season in English sub.
(If you can, you can add the clips/GIFs) because IDK how to do that.
I love how you interpreted those scenes because that’s exactly what it was implying.
Back when Yugo wanted to intervene in Amalia’s private moment (yes it was episode 3), I didn’t think much about how the Eliatrope goddess had pushed him away from her because Amalia did deserve the privacy so it was normal for his mother to be like “your bae is in pain right now and it’s kinda your fault a bit for pulling her away from her dad so come here”.
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But now that we’ve seen episode 11, yeah no it’s clear that she was only trying to cut off Yugo from the others.
Like the way she did it was so sudden too cuz she just ruined Yugo and Amalia’s reunion. The others had proper moments where see them reacting and conversing with Yugo when they realized he grew up (Ruel and the Percedal family).
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But with Amalia, you can’t help but feel like it was going to go somewhere before it suddenly got cut short because his mother butt in. You can even see how her hair hides the others from Yugo! The only reason why Joris didn’t get cut off like the others was because he was standing on the opposite side.
Like I get that she’s supposed to not mind his friends (since she had no problem addressing them as ‘his friends’ at some point) but the Eliatrope goddess really reminds me of a clingy mother who can’t stop hogging her kids. And because of this bad habit of hers, we can also see how her relationships with her kids reflect their distinct dynamics with her:
Yugo is that one kid who wants to be independent but can’t do anything because his mother thinks he can’t survive without her.
Qilby is that one kid who’s greatly dependent on his mother to shower him with love and affection. He sees her as the only source of light in this world who can give him what he needs. A perfect mama’s boy that every needy mom wished to have.
Nora is that one kid who, just like Yugo, recognizes her mother’s flaws but instead tries to help her by shouldering all the responsibilities on herself. Being the voice of reason in the family, the balance.
Efrim is the one who knows his mother’s imperfections and hates her for it because he’s aware that she comes first before her children.
Adamaï is that one forgotten kid. That’s it. He doesn’t get some love as much as Yugo. And doesn’t get mentioned by his mother as much as Nora and Qilby.
She’s literally the embodiment of love but because of her flaw, she’s depicted as the wrong kind of love, the one that’s too clingy, too overprotective, too suffocating.
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kilfeur · 2 months
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Je me suis rendue compte d'un truc concernant les chara design de Nora et Qilby, certains trouvaient que celui de Nora était trop fade. Et au début je pensais que les animateurs lui avaient donné une tenue sobre pour mieux faciliter l'animations de ses combats. Mais en fait je me rends compte que c'est une dépersonnalisation. Je m'explique, on dit souvent que les vêtements qu'on porte reflète notre personnalité. Or durant cette saison, malgré leurs personnalité prononcé, le peuple éliatrope agissent pour la cause de leur mère. Et quand ils le font, ils agissent comme si ils étaient qu'une seule et même personne.
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Surtout que si on regarde bien, Nora et Qilby ne portent qu'une seule couleur, Nora c'est le rose et Qilby c'est le blanc. Et dans un sens, Nora et Qilby portent ses couleurs, Qilby a la couleur blanche de la peau de sa mère et Nora a la couleur rose venant de ses joues qui ont une teinte légèrement rosé ainsi qu'au niveau du nez. Yugo est le seul à porter deux couleurs, le bleu et l'orange qui reflètent aussi les couleurs de la déesse, Yugo et elle partagent la couleur bleu et orange : bleu : pour son chapeau et elle, ses cheveux et orange : pour son haut et elle, son collier. Du coup leurs chara designs prennent tout leur sens, leurs tenues ainsi que leurs couleurs ne les reflètent pas mais ils reflètent celui de la déesse. Ce qui veut dire que les tenues que portent les éliatropes sont une dépersonnalisation, ils n'agissent comme une seule et même personne au nom de leur mère et ne se démarquent pas. Car le peuple éliatrope ne font qu'un.
I realized something about Nora and Qilby's chara designs: some people thought Nora's was too bland. And at first I thought the animators had given her a sober outfit to make her fights easier to animate. But in fact I realize that it's a depersonalization. Let me explain: we often say that the clothes we wear reflect our personality. But in this season, despite their pronounced personalities, the eliatrope people are acting for their mother's cause. And when they do, they act as if they were one and the same person.
Especially since, if you look closely, Nora and Qilby only wear one color, Nora's pink and Qilby's white. And in a way, both Nora and Qilby wear her colors, Qilby has the white color of her mother's skin and Nora has the pink color coming from her cheeks, which have a slightly pinkish tint, as well as her nose. Yugo is the only one to wear two colors, blue and orange, which also reflect the colors of the goddess. She and Yugo share the colors blue and orange: blue for his hat and her, for her hair, and orange for his top and her, for her necklace. Their outfits and colors don't reflect them, but they reflect the goddess. This means that the outfits worn by the eliatropes are a depersonalization; they act as one in the name of their mother and don't stand out. Because eliatrope people are all one.
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