Crowley has something no other demons have, especially not Hastur: an imagination. Right now, he is imagining that he is just fine, and that a ton of burning metal, rubber, and leather is a fully functioning car. He had started the journey in his Bentley, and he was damned if he wasn’t going to finish it in the Bentley as well.
You are my car
I’ve had you from new
You are not going to-
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I am sorry to say that I am a Christopher Nolan stan and also a Cillian Murphy stan. They have made 6 films together. My favourite Nolan film is Interstellar and when I tell you it PAINS me that Cillian isn't in that one........
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So Bentley look low-key cuter rn! And idk even know wut he looks like rn. But Gios cute 2. IDK!!!!!!!!!!!!!!!!
Anyways how should I ask Bentley out???!!!
um Y3S!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!11
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Hey I'm just curious where the info about nile crocodiles possibly going extinct due to the bombings came from because I can't find that information anywhere or even evidence that nile crocodiles live or lived anywhere near the area
Good question! I found a couple articles that talks about it. It seems the Nile croc USED to exist there and no longer does (because of Britain, not Israel). So they have just completely left that area, and have been gone since the 1930's. Still misinformation on my end, I'm sorry.
Another amendment: I put that in my post because I had just seen a Tumblr post about the last croc being mourned by Palestinians, and with everything going on, I thought it was related to the genocide. It wasn't. It was recent art about an event that happened a long time ago. Here's the Reddit version of that post as well.
I should have done more research beforehand. I was frustrated and just reciting information I'd reblogged onto my blog. The crocodile thing was actually what pushed me to make that post in the first place, so that is 100% on me. (And yes, even that post said "1930s", so I don't really have an excuse on that one besides I was tired and frustrated, but yeah. I still am, but y'know.)
Between Extinction and Dispossession: A Rhetorical Historiography of the Last Palestinian Crocodile (1870–1935) by Elisabeth Bentley
On Killing Crocodiles: Colonial Zoology in Late Ottoman Palestine by Elisabeth Bentley
I would like to note that both my sources are from the same person. Bentley appears to be an expert on the topic, and also the only one talking about it. Her essays keep being re-used on different websites over and over again, so it looks like I'm not the only one who can't find any other sources. But her work is well-written, and definitely worth a read.
I'm gonna be more diligent about this going forward.
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The idea of Crowley previously being a very powerful angel and still carrying around shards of that power is just so delicious to me. I'm a sucker for characters who aren't at all what they used to be. Underdogs who were obviously once a Big Deal, and you can't see it most of the time, until some improbable bit of classified knowledge or mention of higher connections leaks out. Especially if they really don't like to talk about it or dwell on who they were, if for one reason or another, they want to leave it all in the past.
I have had a feeling about Crowley since season 1. His position on Hell's hierarchy is relatively low, so it's not immediately apparent at first. But things stood out. How he bends reality to his will without seeming to even think about it, sometimes even without realizing. He decides it would be funnier if the paint guns were real guns, but also makes sure no one actually gets shot. This seems to take no effort or concentration on his part; it's done almost offhandedly. Or how he drives the Bentley through a wall of fire, keeping it from falling apart by sheer determination, while the much higher-ranking demon in the seat next to him is discorporated in seconds. Almost as impressive is how he negotiates London traffic, which from what I've heard is a borderline miraculous feat normally, let alone at 90 miles per hour.
And of course, the time stopping. Something even Aziraphale apparently isn't capable of. Something that, with a particularly fierce effort, literally stops Satan in his tracks. The sort of power wielded by a cosmic engineer who once needed it to do his job - 'I helped build that one,' he says, eyes a little distant as stares at a picture of a nebula - and he still carries it with him, skulking around on Earth, far from the cosmos he helped to create. Having let go of most of the rest, even the memories of it, burying them with the person he used to be. He's changed who he is but he can't change what he is, and if you cracked open that lowly serpent, you'd be blinded by the starlight within.
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You know what I just realized?
When Crowley said, "that's the point. No nightingales," I paused and went - huh. So both Aziraphale and Crowley KNEW about the actual nightingale bird that sang in Berkeley square? We as the audience are AWARE about it, of course, because God's narration told us so. We also know that, outside the mise en scène, Tori Amos' A Nightingale Sang in Berkeley Square plays as the end credits for season 1 roll.
But the s1 end credits song, I assumed, was non-diegetic. As in, like the soundtracks that permeate throughout most films, the song could only be heard by the AUDIENCE, and not by the characters. In addition, the characters THEMSELVES cannot hear what God says to the audience - and logically speaking both Crowley and Aziraphale could not have known about a singular, inconspicuous bird singing despite the noise of the traffic. Especially not when the Nightingale sings while they're currently dining at the Ritz.
So the 'No Nightingales' line WORKS for the audience - it's an incredible gut punch that leaves you weeping. But since we never heard or saw either Aziraphale and Crowley acknowledge the Nightingale, did that line have the same devastating impact to the both of them?
Oh, it absolutely did. Maybe even worse than we could ever imagine.
Because Crowley WASN'T just talking about that damn nightingale bird, was he? If you rewatch Season 1, Episode 6, you can see and hear VERY clearly that while Aziraphale and Crowley settle on their usual table at the Ritz, a pianist plays A Nightingale Sang in Berkeley Square inside the scene itself. Unlike the end credits, the piano version of the song is a DIEGETIC sound! That means both the Aziraphale and Crowley can hear it LOUD AS DAY.
And it's JUST - the heart-breaking contrast this has to Beelzebub and Gabriel's Everyday. When Crowley says 'No Nightingales," he implies that that was THEIR song. It's a specific reference enough to know that this became part of their history - of their rich plethora of inside jokes and shared memories. And judging by Aziraphale's shattered face, he KNEW the significance of the line. He KNEW that Crowley is throwing back THEIR song to his face. "If Gabriel and Beelzebub can do it, why can't we? Why can't we make the Nightingale a reality, the same way they made their Everyday come true?"
That A Nightingale Sang in Berkeley Square is Aziraphale and Crowley's Everyday becomes fact when Crowley turns the Bentley's radio on, only for it to play THIS song. THEIR song. Which SHOULD HAVE brought them together. It SHOULD HAVE. It worked for Gabriel and Beelzebub, didn't it?
Turns out, not every problem could be fixed by making that song yours.
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Lost in the Commonwealth
Chapter 19: Start a Flame
Bentley meets their first Mirelurk Queen at the Castle, and a spark is finally fanned into a flame.
Happy Valentines Day!
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