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#flo bones
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Thinking about an AU where Kipps manages to get his hands on the bone glass at Winkman’s auction but Lockwood and Lucy send word to George and Flo who concoct a scheme in which Flo, notorious relic woman, pretends she has abducted the three members of Lockwood and Co from the Winkman’s party and that she will kill them if Kipps doesn't hand over the bone glass to her instead of giving it to Fittes.
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desos-records · 1 year
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The part I appreciate the most in the Lockwood and Co show is how it handles depression and suicidal thoughts in teenagers. As a theme, it’s not often (ever) done well. Lockwood and Co is the only story I can think of that depicts it in a nuanced, realistic, non-romanticized way
but first, before I get into it: [if you’re in crisis or need someone to talk to and don’t want to/can’t use your national hotline, highly recommend Samaritans, genuinely saved my life] okay, let’s go
Lockwood is the most obvious, with his general disregard for his own life and admitted suicidal ideation. Lucy struggles with her self-worth and the intensity of the emotions she’s subjected to. George worries that he doesn’t belong, that there’s something useless or wrong about him. The show depicts these thoughts and feelings in a way that isn’t overblown or dramatized, it’s all but casual. Which is how it happens. Depression or suicidal thoughts don’t crash into you all at once, they creep into your life without you noticing
But more importantly (and again, something I’ve never seen anywhere else), the show also offers counterpoints to those thoughts and feelings. It shows that there is a way out, even though you may feel trapped and hopeless. This is crucial for the show’s target demographic. Bad media depictions of depression or suicide get internalized, contribute to the stigma, and make it harder for people to ask for help. This show doesn’t do that. This show tells its audience that, yes, things are scary and painful and it fucking sucks, but it’s not hopeless. And it says it so well
In the second episode, when Lucy wants to quit, she admits something that I’m almost certain she’s never told anyone
“sometimes I just think I’d be better off dead”
And when I watched this the first time, I expected Lockwood to react the way I’ve seen people react in my own life; with silence or panic or downright dismissal. But he didn’t. He stays calm and he says something that is so so important to hear when you’re struggling under the weight of feelings like this
“I understand that”
Saying this tells someone several things: that you’re on their side, they aren’t strange or monstrous for feeling like this, and that you’re not going to attack or abandon them because of it. And you can see the impact it has on Lucy, the way her face clears. She went from struggling to breathe and near tears to calm and steady. It’s no mistake that in this moment we hear his and Lucy’s theme for the first time (those simple, beautiful guitar strings)
The next thing he says is also important
“and it’s not true”
Simple, to the point, directly addressing her feelings, and (the most common mistake) doesn’t make it about him. Telling someone that you love them or that they’d be upset to lose you might sound nice, and it can be later on in the conversation, but in a moment like this, it’s infinitely more helpful to confront the thought itself
A similar moment in the first book stuck with me too, when they’re underneath Combe Carey Hall and Lucy almost steps into the well. What she’s hearing in her head (and the general phenomenon of malaise that ghosts produce) is very similar to depressive or suicidal thoughts. Before she can fall, Lockwood pulls her back
“no, Lucy, that’s not the way it’s going to be”
Depressive and suicidal thoughts deal in absolutes, so sometimes it takes an absolute to counter it
In the last episode, George has that heart-breaking moment where he says all the awful things he thinks about himself, partly because of the influence of the boneglass and Bickerstaff, but it’s also been building up, there in the background. Increasingly, it’s Lockwood and Lucy working together and George working on his own, which picks at old wounds (engineer, engineer, engineer, weirdo). He bonds with Joplin because he feels like she understands him in a way the others don’t
“it’s nice to have someone to show off to”
But Lucy pushes back against all that because she sees herself in all the ugly things George is saying, because she’s felt that way too. She understands that. She’s so surprised and horrified to hear him saying those things, resigning himself to dying down there, she’s not going to let him go on believing them
“you’re not a third wheel or an oddball or whatever it is that you think you are”
“you’re the best of us”
“we are not losing you, Georgie”
Flo called him that earlier too, but Lucy wasn’t there for that and coming unprompted from her it sounds so much like something you might call your slightly annoying younger brother. She’s so absolute about it all, with no opening for doubt, and you can see something like surprise on George’s face (but also pain because now Lucy’s in danger too)
For all Lucy knows, the boneglass will kill her. I don’t think for a second she genuinely believes her talent will protect her; she told Joplin that to protect George. It’s unclear when exactly she came up with the plan to use the skull, but she was willing to risk it anyway. And she knows, she knows, George will blame himself for this (because she would too, if it were the other way around), but even then, she’s very clear
“this isn’t your fault”
Their whole scene down in the catacombs is two kids trying to keep each other alive, physically obviously, but on the inside as well. And, oh god, George almost crashing down next to Lucy after he’s knocked over the boneglass, trying to wake her up. His voice
“Lucy, Lucy, it’s me, it’s me, say something, speak to me”
I think it’s down in those catacombs that George and Lucy really understand each other for the first time. In their own ways, they’re both curious and suspicious about the Problem and what causes it, trying to learn more about it (and stressing Lockwood out in the process). They both left their families; they both struggle with feeling strange and different than everyone around them. That connection pulls them both back from the edge
Lockwood, for all his confidence, is practically in crisis or was fairly recently (I suspect living with George helped). It’s fairly common, actually, for someone suicidal to overcompensate with an exterior shell to hide it, which can manifest in different ways depending on the person (they may not even realize they’re doing it, I didn’t)
And I love how the show handles it. He’s not made into this dark, tragic figure. He’s so full of life it hurts. He jokes around with George and Flo, fights with Kipps, admires Fairfax. He has dreams (plans) for the future. He’s struggling with trauma, they all are, but he’s not Broken™ in the way similar leading characters are often made out to be, in the way we often fear we are
And, of course, there’s Lucy, a wreaking ball through the precarious balance of Lockwood’s life. It’s not so much that she gives him a reason to live (although she definitely helps), but she holds him accountable in a way no one else does. This is the difficult part of recovery that no one talks about. Having people care for you (George) and sympathize with you (Flo) is great and necessary, especially early on. But at some point, you have to take responsibility for yourself and the noise in your head (you have to open your door on the landing)
What that looks like is complicated and messy and different for every person, but seeing it played out in a story is remarkable. I’ve never seen anything like it. This is a difficult thing for anyone to learn (many adults never even try)
That shot of George, Lucy, Lockwood (and Kipps) rising up on the catafalque sums it all up for me. Each of them fell into darkness alone and rose out of it together. They inspired each other to fight and win their individual battles, even when they couldn’t be there to help
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wellgoslowly · 1 year
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hc that lockwood was out running an errand earlier on the morning of Lucy's interview and saw a pretty girl looking into a shop window and was taken aback by how pretty she was and ran home to tell george. george could honestly care less but lockwood is so happy because he noticed that she had a rapier case on her back and rants to george about how she must be an agent and that means that he has a shot of seeing her again/talking to her.
and then a couple of hours later lucy carlyle, the pretty girl that lockwood had seen while he was running his errands, walks into 35 Portland Row and asks about getting a job and lockwood has to fight the urge to give it to her before even giving her an interview. george immediately knows what's going on and that's one of the reasons that he doesn't want lockwood to hire her- bc he can see that lockwood is all but jumping for joy when he sees her again and he knows that lockwood is already falling for her. george teases him relentlessly while lucy unpacks later that night.
EDIT: if yall wanna see some funny stuff and additive headcannons pls check the reblogs !!! they're fucking hilarious and there's a lot of memes
EDIT: JONATHAN KNOWS OH MY GODDDD
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thepalerimitation · 18 days
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Jonathan Stroud is so magnificent at writing female characters that my jaw dropped when I looked at the book jacket.
Lucy being abrasive but also nervous when first meeting Lockwood. Holly describing Sir Rupert Gale getting too close to her and breathing down her neck. Flo being severely traumatized by ghosts, leading to her mania and homelessness.
I seriously cannot even get into how good so much of the commentary was in Lockwood and Co. Talking about CPTSD, Lockwood’s suicidal behavior, child labor, capitalizing off of tragedy, large corporations, like Stroud is that guy. But there is something so amazing about him writing such relatable and compelling female characters that makes him one of my favorite authors of all time.
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general-mahamatra · 1 year
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“Dear @\FictionComplete ,
The following is a letter drafted on behalf of a massive online LockNation server. Please read.
LockNation, if you agree with this message, like, retweet, and expand to all your social media platforms.”
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Do what you can to help us spread the word. Across any social media you’re active in!! Retweet, reblog, repost, all of it. Help us save L&C
The link leads back to the original tweet.
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jhsjykwpdw · 2 months
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locklyle vs their friends
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bonus:
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don't worry holly will be in the next ones
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vryfmi · 7 months
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book!l&co character lineup
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finally finished extended version of my L&Co designs, based on their book descriptions! it took months, but im happy with the results
ID of designs + thumbnail-sketch under the cut
[image ID: two digital drawings of characters from Lockwood and Co books, done in semi-realistic style, black lineart and plain colour against grey background.
image 1: from left to right there are full body drawings of George Cubbins, Anthony Lockwood and Lucy Carlyle. George is standing facing left, slouching, he's looking at the viewer with indifferent expression. he's fat, light-skinned and has medium length fair hair. George's wearing round glasses, red t-shirt, baggy jeans, unzipped grey hoodie and sneakers. he has a grey sport bag in right hand and a black messenger bag across left shoulder. next to him there's Lockwood, he's standing half turned to right, he's facing the viewer with a gentle smile. Lockwood is paler than George, almost a head taller and slim with short, slightly wavy, black hair. he's wearing a grey three piece suit with white shirt underneath, as well as smart black shoes and a purple tie. on top of it is a black greatcoat. Lockwood stands with one hand in pocket and another resting on rapier's grip. the sword is in its scabbard attached to Lockwood's belt. furthest on the right is Lucy, she's standing half turned to right, head facing left with a curious look directed at the viewer. her skin is light and her hair is warm brown, slightly uneven and spiky with middle parting. she has a wide frame and is the same height as George. Lucy's wearing a baggy orange sweater, plaid grey skirt, black leggings and tall dark-brown work boots with iron patches. she's holding onto a strap of her rucksack that is on her right shoulder. there's also a belt on top of the sweater which holds her rapier.
image 2: from left to right there are full body drawings of Flo Bones, human version of the skull, Quill Kipps and Holly Munro. Flo is standing half turned to left, facing towards the viewer with a smirk. she's light-skinned with long dirty-blonde hair, and her face has smudges of mud all over. compared to previous pictures, she's almost as tall as Lockwood, but not quite. Flo is wearing long blue puffer jacket on top of her darker clothes that resemble one of fisherman's with mudded thigh-high rainboots. she stands with one hand in jacket pocket, one raising a brim of straw hat with a knife. said hat has a fishing hook stuck on its brim and two lavender stems attached to hat band. next to her is the skull in his human form. he stands half turned to right, slouching, hands in pockets, with head thrown back with a wide smirk across his face. skull is very thin and not really tall, he is tanned and freckled with spiky dark hair. skull is wearing ill-fitting clothes: a white old-timey shirt that is slightly too big and grey trousers that are too small and short. he stands barefoot. third from the left is Quill Kipps, he stand half turned to right, crossing his arms, head facing left with a look of annoyance. Kipps is short and slim, he has ruddy and freckled skin and short ginger hair. Kipps is wearing a grey leather jacket with Fittes logo on it as well as two medals, tight black jeans and chelsea boots. his rapier scabbard has a baldric type of belt. rapier itself has green gems on a hilt. finally, there's Holly Munro, she's standing half turned to left, head facing right with a gentle smile. she's pretty tall and slim with deep rich black skin tone and black shoulder length curls. Holly's wearing a white short lantern sleeve shirt with a blue dress with a cloth belt wrapped around and tied into a bow at the back, as well as low heel shoes. she has a light-blue scarf wrapped around her head. Holly also has white small earrings and beige nail paint. all of the characters have artist’s watermark at the lower right side of them./end ID]
bonus sketch
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alexiethymia · 1 year
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Listen, book!Lockwood who is so repressed that it just translates to beaming smiles has a special place in my heart, but at the same time I cannot stress how much I appreciate the live action series for showing us unbelievably exhausted Lockwood who’s so obviously scared that Lucy and George will eventually leave (willingly or otherwise) but still has the gall to push them away. My boy was barely pulling it together. And ofc he would be so tired that the bags under his eyes are so prominent because we’re outside of Lucy’s POV now. Lucy who’s always had rose-colored glasses when it comes to him.
Speaking of Lucy, I really do love how she calls him out. She’s so aggressive with her love. It’s like she’s demanding that George and her will love and care for him and there’s absolutely nothing Lockwood can do about it so he just better shut up and take it. Peak found family right there.
How that scene where Lockwood comes to apologize to Lucy in the kitchen had so much ‘husband in the doghouse’ vibes, and how ultimately what Lucy is really mad about is just her wanting Lockwood to value his life more. And for Lockwood to outright admit that yeah he was a bit suicidal but it’s a bit like he found a new reason for living because of Lucy and George, again I say PEAK FOUND FAMILY, this is my jam. The ease of which Lucy being Lucy calms him down. (Ugh, again the domesticity of choosing egg cups). He can’t stand when she’s mad at him and he learns about apologizing properly this time around, but when she wordlessly forgives him, you can see on his face how he could fall so quickly and deeply in love with her. That’s one thing I love so much about the live action series. While the book showed us more of Lucy’s feelings for Lockwood, I actually think the series highlights Lockwood’s feelings more in that if I hadn’t read the books beforehand, I could have easily seen it as Lockwood falling first. His abandonment issues are so prominent in the series and while they play it with humor with Fittes and Kipps, you can just see that desperation behind the lighthearted tone, and for Lucy to say that she chooses Lockwood and George anyway….!
This is basically an excuse to ramble about the little things they add in the series that I love so much, which works because we’re not restricted to Lucy’s POV, in no particular order:
How Flo can immediately see how Lockwood feels about Lucy because of the effect she has on him. Prior to that statement, she’d only met Lucy once before, but that brief meeting told her everything she needed to know. She probably knew Lockwood in the aftermath of his family’s death, so for her to see Lockwood just buttering someone’s else toast for them and being all domestic and smiley, treating another person like a family member especially considering how guarded he is, she must have thought (and rightly so) that meeting Lucy made him have an appetite for life again.
We actually get to see Fittes’ and Lockwood’s side of the fight! And it was awesome. “I’m Anthony bloody Lockwood.” I can no longer remember if that line was in the book or not but idc I love it.
George and Lucy’s scene was in the book, but the acting in the series just really sold it for me. How Lucy’s heart just broke hearing George talk about himself, especially everything he said then were feelings I’m sure she’s also had about herself. I seriously loved that last episode. George and Lucy were adorable. Again I say, found family ftw.
The rise of the Flo x George ship! “You, me, and herons!” Again I say, adorable.
There are some elements that work better in book format, but in many ways the tv series really did elevate this beloved book series. It was a wonderful, wonderful adaptation. As a reader, I couldn’t be more satisfied. As a shipper, I couldn’t be more ecstatic.
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Flo: So are you and Lockwood a couple?
Lucy: No, what makes you think that.
Flo: Among many, many other reasons, the handholding.
Lucy: Oh that. Well, we tried kiddie reins but he is too good at buckles so I either hold his hand or he goes to fistfight a relic man.
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ironyscleverer · 9 months
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Lockwood reread commentary pt. 2:
Now that I’m closer to Kipps’ age than Lucy’s, I find the idea of him at 20-22ish having to babysit manage a team of roughly 15-17 year olds kind of hilarious. He’s really just a young adult trying to figure out his life and then there’s this team of grimy children pulling insane stunts and roasting him at every turn. But at the same time he’s the closest thing to an adult they’ll trust and they’re also his only friends so he has to stick around and try to keep them alive.
Lockwood & co: *does something outrageously illegal*
Quill Kipps, old enough to have a consciousness: this is fine
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eggy-the-boy · 1 year
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I feel like this was very much them when they first met 
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pearlcaddy · 1 year
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LOCKWOOD & CO. 1.05
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arielleshaina · 10 months
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The prompt over on Twitter for today is #SketchesWithLucy, so of course I had to do some more pen sketches. Did I stay up till 5am in order to finish? Maaaybe...
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talleryn · 30 days
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Flo: that shirt looks good on you, Lucy
Lucy: thanks!
Flo: but it would look better on Lockwood’s floor
Lucy:
Lucy: are you flirting with me for him?
Flo: someone has to help
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