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#god I love orchestral music
otsanda · 8 months
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So @sayuri-of-the-valley and I were talking about the music in Good Omens 2 and particularly the similarities and differences in the music that happens 'Before the Beginning' (that's the song title) and at The Kiss (that's not the song title) and I have accidentally developed Theories and had Thoughts, so I’m gonna share them in case anyone else wants to weigh in.
First of all, the general musical structure is similar. They are both dramatic moments that start quietly, grow to a powerful crescendo at the Big Moment, and then resolve more quietly again, but with subtle changes that make them feel very different. Without actually going through and checking it, they sound to be at roughly the same tempo (around 140 BPM) and comparable time signatures.
Now, I'm treating these two dramatic moments and the surrounding music as two songs, although in the soundtrack the music surrounding The Kiss is actually divided into two songs itself: I Forgive You and Don't Bother, so that's. Fine. I'm normal about that. I'm sure dividing that in half doesn't Mean Anything at all. I'm NORMAL about it!!! Ah... anyways.
The instrumentation for both Before the Beginning and The Kiss is also very similar. Both songs start with orchestral winds and strings and add a powerful choral part (on the same pure round vowel sound, no less!) on the big crescendo. Both add orchestral chimes (bells) for that epic religious feel. Both the nebula creation and the kiss were a revelation. Something like a religious experience.
And then both songs resolve featuring wind and strings again, among other instruments. The "after" part of both songs also features more pitched percussion (harp, maybe a celesta, glockenspiel, possibly a dulcimer or some other fun, ethereal pitched percussion in Before the Beginning, but interestingly a piano in Don't Bother). Ouch. That hurts.
Now, to me: the piano is possibly representing the nightingale, Crowley and Aziraphale's love of Earth and humanity, whereas the glockenspiel and etc. may be more representative of heaven. Just a guess. I would have to do more careful listening for a more solid theory.
I don’t have perfect pitch so it’s hard to tell without getting out my instruments or transcribing the piece, but I’m willing to bet ‘I Forgive You’ is in the relative minor key to Before the Beginning’s mostly major key (I *think* ‘Before the Beginning’ might be mostly in the key of C major and ‘I Forgive You’ in A minor, but I could be wrong). Regardless, the former is major and the latter is more minor, but otherwise a lot of the chord structures, especially at the big moment, sound very similar.
More on instrumentation: ‘Before the Beginning’ uses more (ethereal?) flutes in the wind sections and The Kiss uses more reed-based, (earthy?) winds like clarinet, bassoon, oboe, etc. Different feel, but the same kind of structure. Both moments heavily feature a big string section for the nice full orchestral sound.
Before the Beginning has a lot going on musically before the crescendo and it intentionally feels kind of chaotic and unformed bc each instrument family is doing something a little different, building anticipation, etc. and then at the big crescendo, they all come together. Very powerful. Then after the crescendo, we get a subtle, playful reprise/variation of the Good Omens Main Theme. The strings and the winds are no longer entirely together at this point. They’re sort of playing off one another, leaving space. Having a conversation.
By comparison, in ‘I Forgive You’ the wind/strings start off playing together, in a sad version of unison before the crescendo (they both knew the conversation they were having wasn’t going to end well but they fundamentally *understand* one another now; they’ve been talking for millions of years). And AFTER the crescendo of The Kiss, the song ‘Don’t Bother’ DROPS the majority of the string section and gives the melody to a solo violin (alone!!!!). Even worse (better) the strings and the woodwinds and pitched percussion are no longer playing together. This time, they aren’t even having a conversation. They’re musically doing a separate lines. It feels extremely lonely (because it is). The violin is very exposed. The piano is very exposed. Even the chorus sounds exposed (smaller group of singers?). This ALSO includes a reprise/variation on the main GO theme, but instead of being playful it’s extremely sad (as though you didn't notice). The rest of the orchestra is still there, providing background, but it's not the same.
The Biggest Decision (the song after Don't Bother) has a lot more of those ethereally coded instruments again. Harp, pitched percussion. Full string section. Angelic chorus. Aziraphale is making the hardest/worst decision to return to heaven.
And to round it out, once we get to "The End?" we are back to piano. Our duo is separated. Now in place of the solo violin we have solo cello and piano. Gutting. We get notes of the ethereal celesta (I think). The piano keeps us grounded, but cello is a big focus. We also get more of that haunting chorus and violin runs. And then we end with solo piano playing the same 5-note run three times. Alone. After every other instrument has dropped out. Very lonely.
Just for fun, (and to end on a slightly more positive note), I went back and listened to the ox rib music as well, which was surprisingly consistent with some of my theories from up above and also not on the soundtrack so although I'm sure it has a name, I certainly don't know it.
In the ox rib section, there are more instruments before the first big moment (when Aziraphale tries the food) that are going back and forth. Again it sounds to me like they’re having a conversation… tempting and being tempted. Winds and strings (strings are tremoloing like at the kiss for that sweet, sweet tension), but also brass instruments. We have some more ethereal sounding pitched percussion, especially *before* he tries the food but afterwards it... switches to piano! Like I said: Earth!!!
The choir is on a different vowel altogether for this part (more aggressive and ominous, a taller Ah instead of a round Oh/Aw like the first two musical moments). The choir is also much more rhythmic. Again, increasing tension. And, of course, after he tries the food the music supports the tension of the scene by gradually building, getting louder and bigger after the key moment has already passed. It's super interesting that Aziraphale trying the food is actually quite quiet, but the music grows quickly afterwards. Sort of the inverse of how the other two scenes play out musically! Fascinating!!
Anyways, let me know what you think I got wrong and what I missed and if I thought something was a celesta when it was actually a glockenspiel or something. I am thrilled and devastated by this incredible music.
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ghostvibesonly · 4 days
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JAY GOT HIS MOM TO VOICE ODYSSEUS’S MOM I’M SOBBING
god listening to the underworld hurts so much more after learning that “fun” fact (genuinely it’s so sweet oh my god but i’m using humor to cope)
“i took too long. I ventured too far while you were waiting”
“I’ll always love you”
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divine-buster · 2 years
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we dont cry enough about undyne the undying though we literally dont cry enough without words about the fact that she defied death to save everyone and has one of the hardest, most amazing bossfights, and oh my god battle against a true hero...i rarely think about her but holy shit
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tibialtybalt · 1 year
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🎶✨When you get this, put 5 songs you actually listen to, publish. Then, if you’re comfortable, send this ask/tag 10 of your followers✨🎶
Thank you @oraclebell17 for tagging me!! And sorry the original post was getting long so I'm starting a new post loll. In no particular order:
Frankenstein (The Mechanisms)
Gwen's Theme (Guild Wars 1 OST)
Blood in the Wine (AURORA)
Mariner's Revenge Song (The Decemberists)
Corrupted Monk (Sekiro OST)
And I'm tagging: @hoidingaroundthecosmere @floffybean @wild-moss-art @skyofdarkmatter42 @sir-buh @sun-dari @mankillercalledbunny @hartro-owns-my-heart-ro @nellyrue @bannerman-for-the-band
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felt-squirrels · 7 months
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I can’t find the meme template so you’ll have to imagine it.
We’re getting a new song in Orchestra and we’re playing it with the Choir!
it’s fucking viva la vida by coldplay
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whats-a-reading · 1 year
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mmmmm ultrakill music
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moenmomentsthemoe-en · 7 months
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WHY CANT I LIKE NORMAL ORCHESTRAL PIECES WHAT THE FUCK IS THE LITTLE IMP BY ANDRE BESANCON AND WHY ARE THERE NO OTHER RECORDINGS OTHER THAN THE CONCERT I WENT TO RAHHH
#moen thoughts#OKAY SORRY DONT MIND ME ILL STOP IN A BIT IM JUST. REVISITINF ORCHESTRAL PIECES IVE HEARD AND PERFORMED AHH#literally The Little Imp (Der Kleine Schelm ?)#its so whimsical and chaotic and was played alongside another piece that was so fucking good and moving (not in the 'wow this really#represents a specific niche topic' BUT the other piece genuinely conveyed so much stress and yearning im going crazy#AND THEN I GOT HIT BY THE LITTLE IMP THAT WAS SO FUCKING WHIMSICAL AND MESSY AND I LOVE IT#IT HAS REPETITION PATTERNS AND MESSINESS AND A FUN LITTLE. WHISTLE? DOOT?? IDK THAT ONE PERCUSSION INSTRUMENT#is it even an instrument. it has one note. its kinda like a kazoo and i am NOT KIDDING#WHY DID THAT CONCERT PULL THAT PIECE OUT OF NOWHERE AND BE THE ONLY CONCERT WHERE I CAN FIND A RECORDING OF THAT PIECE#its so . super fucking good. the piece makes me so fucking confused and my god im never going to recover#IM NOT EVEN A DIEHARD CLASSICAL MUSIC NERD WHY AM I ZEROING IN ON A CLASSICAL PIECE THAT DOESNT HAVE MUCH DIGITAL FOOTPRINT im ruined#I LOVE THIS PIECE BUT WHY IS IT SO OBSCUREEEE GODD I REALLY WANT TO LISTEN TO THE COMPOSER'S ORIGINAL INTENTION FOR THE PIECE CAUSE#Performances of pieces are mostly tweaked by the conductor since every conductor has their own interpretation#well. not all but i know that the orchestra that performed the little imp had a conductor that would interpret the piece their own way i#think#GAHH I DONT KNOW#RIPPINF HAIR OUT#I MAKE DAILY ART OF SONAS AND A FNAF ROBOT WHY AM I CURSED TO ALWAYS FOCUS ON RHE MOST OBSCURE STUFF GAHHHHH#GRABBING YOU BY THE SHOULDERS. IF YOUVE ACTUALLY READ THIS. TY AND ALSO HUH. I HOPE ITS ENTERTAINING GAHHH/GEN#I FUCKING LOVEE this piece so much it was so fucking good it IS so fucking good but I ONLY HAVE ONE RECORDING OF IT AND ITS WITH CLAPPING IM#GOING TO DO A CRIME/J#ITS SO FUCKIGNFN WHIMSICALLL#maybe i am a nerd .
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curioscurio · 2 years
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I don't know if I really can pick a favorite Undertale song since I love them all but every single boss theme goes so hard... Death by Glamour is definitely up there though. Also this post was supposed to end here but I started infodumping in the tags and reached tag limit AHAHAHA
#i cant listen to Undertale the song because it makes me cry i get so emotional AHAHA#its a special game to me. same with deltarune but undertale came first#being able to experience the undertale to deltarune development in real time has been such a special experience#like when toby fox released chapter one on halloween and i just remember playing it with my friends in college#and then chapter 2 last year#i love finding new secrets in the game and in the code its so fun and i love the characters and everything#and yeah maybe some of the fandom is cringe but god tge normal people about it are so fun to be around and talk with#the fucking orchestral concert !!!!!#also seeing temmie change start streaming on twitch and her own gorgeous game#im just so excited for whatever toby fox does next. i will always be nostalgic for undertale but deltarune is so!!#like i love seeing the new stuff. i love that deltarune is a different game than undertale with new characters. like we get cameos of old#ones and a mysterious connection to the other game but its still its own thing and really is starting to find itself as something uniquely#separate from undertale and earthbound and tobys halloween hack and other pixel games#also unsaid but its funny as all shit#not to mention how the guy puts his whole tobussy into musical motifs#every note and harmony of every song feels intentional like one big song split into different parts#not to idolize the guy like hes still a guy and these games were undoubtedly supported by amazing creators and artists like temmie and patr#patrons#i do highly respect his anonymity though#gosh i try not to be all (foams at the mouth) parasocial relationship whatever with microcelebrities etc etc but i really am just a big fan#for all my shitposting about undertale haha#its the simple things in life. cassie is allowed to be buckwild about undertale and come up with the silliest game theories as a treat#also i just like papyrus . what a guy#sans too#like i obviously goob on him whenever i possibly can but my favorite character is without a doubt papyrus#also since im going insane in these tags can i just say that on youtube The Second Narrator composes some of the most amazing . amazing.#AMAZING orchestral covers of undertale and deltarune music. megalovania is so good but my current fav is his comp of smart race#its like a remix of smart race and berdlys theme and queens stuff but fuck fuck fuck its so good its so good it has ACCORDIAN#the composer adds in little flares of ? idk the music term for it maybe meleodies but theyre new strings of melody in the songs that fit#fit so well imo like they have a specific style that you can hear in every cover
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thatcryptidinthewoods · 8 months
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youtube
All of ya'll WILL listen to this song or so help me I WILL go feral, because it 100% slaps.
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yououghtaknow · 11 months
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another bpd banger from our pal bill.
#hey girl did you know that uh you WERE the perfect child. past tense.#making the mentally healthy (lie) decision to reread the skambr clip with this song i will post my thoughts here#CLIP OPENS WITH FUCKING NO CHILDREN REGENCY BALL SEQUENCE GOD I LOVE THIS SHOW#no offence but what if we were 18 years old and in a failmarriage via the musical theatre hierarchy of our small city#POST-NO CHILDREN TAX EVASION REVEAL!!!!#the girl and al..... OUGH#AL AND MONICA SCENE. FUCK. AFTER TORCH SONG TUESDAY?#AWKWARD MISGENDERING APOLOGY SMASH CUT TO MAMA MCR YESSSSSSSSSSSSSSS#no offence but the acoustic arrangement of mama and the orchestral arrangement of no children..... i DESERVE money for this show#al singing mama about both monica and louise genuinely i am quite a genius when it comes to jukebox musicals#AL AND THE GIRL'S DANCE BEING DESCRIBED AS HALF-MURDER HALF-HUG I AM SO SUCCESSION CORE#monica's house becoming a set for the i love you song......#louise and monica BOTH singing the mother's parts of the i love you song i am so obsessed with alistair psychologically#he hates louise he wants her to be his mother he wants to be her he wants to kill her the only way she can be his mother is if he marries e#MIRROR IMAGERY!!!!!!!!#monica saying depression runs in their family when al got his bipolar genetically from her OH the o'connell cycles#AND THEN ELLIE TAKING ON THE FATHER'S PART. INSANE INSANE INSANE INSANE.#the thing about al/ellie is they both want a partnerparent. they are bpd4bpd and it is AWFUL and WONDERFUL#the girl looking at al as he picks up the letter he wrote when he was 11......... ough#THE GIRL JOINING IN AS THEY SWITCH TO THE PRESENT TENSE. WHEN AM I RETURNING. INSANE#HE LOOKS TO THE MIRROR TO SEE HIS MOTHER BUT SHE ISN'T LOOKING BACK#I THINK I AM ANGRY MA AND I DO NOT KNOW WHAT TO DO VS I THINK DAD IS ANGRY MA. THERE IS AN ANGRY MAN IN YOUR HOUSE AND SOMETIMES YOU ARE HI#the Theme of letting go lyrically in s6........ need to do a full analysis on it#THE FOCUS ON ELLIE/AL ELLIE/LOUISE AL/THEGIRL THEGIRL/ELLIE MONICA/THEGIRL AND AL/MONICA FOR I THINK SHE TAKES OUT ON ME#WHAT SHE WANTS TO TAKE OUT ON YOU!!!!!!!!!!!!!!#CYCLES CYCLES CYCLES CYCLES CYCLES CYCLES I AM INSANE AND FREE#AND THE CHANGE TO 'HOW I WISH I WAS HOME' COMPARED WITH HOW HOME BEETLEJUICE IS USED IN E12#THE REVEAL OF THE LIVING ROOM BEING A SET AS THE BRIDGE ENDS GOD I AM A WRITER#al and ellie are the biggest proof that mommy issues make you fucking insane#also imagine the fucking four part harmony on this. the arrangements would go INSANE
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vicsep7250 · 1 year
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Self care is listening to a ten hour loop of Mistilteinn, Tree Crown Without a Ruler on repeat as you reread the final chapter of SAO fanfic Unyielding.
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noxtivagus · 1 year
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rambling. again. oops.
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astrxealis · 1 year
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haha heyy i just listened to 'from the heavens' orchestral version. with the lyrics. i almost cried ngl it is so fucking good please listen to it.
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owlpuddle · 2 years
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I was so ready to enjoy Brigadoon solely to spite Beetlejuice, but unfortunately it really is boring
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nintendont2502 · 1 year
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Guess who's relistening to the Strings Attatched performance again
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yellowcharm · 1 year
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