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#godzilla spoilers
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Sitting down to watch godzilla minus 1: aw fuck yeah, super awesome giant monster
Godzilla minus 1: Your past burdens aren't yours to bear alone. Leaning on the help of others is what allows you to move forward. You don't have to sacrifice yourself for the future, the future is something we all build together.
Me, quietly sobbing: what t he fuck
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Godzilla vs. Scylla in Godzilla x Kong: The New Empire (2024)
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ecoamerica · 25 days
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youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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leotanaka · 5 months
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i love that mlom 1x05 went: pre godzilla, cate randa was a hot lesbian mess. post godzilla, cate randa is still a hot lesbian mess but now she's got ptsd.
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straight-edge-hippy · 5 months
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Godzilla Minus One spoilers without context:
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mossizi · 5 months
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Minus one experience pt.1
(spoiler if you haven't seen it)
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I wanna illustrate my experience since it was a rollercoaster of stuff
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swan2swan · 5 months
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The best part about Godzilla: Minus One was that it barely needed to have Godzilla in it. The movie could have thrived if Godzilla had just been in his first scene, and never reappeared again. It would have been enough! I was in! I was hooked! The movie had me fully involved!
And then it just decided to throw Godzilla back in, which somehow made it even better.
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dendrophalaen · 5 months
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my thoughts on godzilla minus one
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tl;dr i had a religious experience (positive) and it may be my new favorite godzilla movie
i'm going to try to organize my thoughts lmao i have never done a film analysis or review
story
i went in knowing next to nothing, so i was very afraid this was going to be heavy on the imperialist propaganda and reminiscing on the "good old days" of the japanese military
however i was pleasantly surprised to see that it was quite anti-government :]
loved the delivery of the themes of "all lives being precious" and "living on for yourself as well as for the sake of others" – not hammy or blunt!
FORESHADOWING OF THE EJECTION SEAT? chef's KISS we love picking up what the movie is putting down and getting to see the payoff
speaking of foreshadowing:
dr. noda: [takes noriko's picture]
me: oh no she's going to die
i spent like the last quarter of the movie with a headache because i was clenching my teeth and holding in tears after noriko's death ("death") AND koichi planning to blow himself up and orphan akiko
and all the ex-navy guys rallying together to defeat godzilla
i am not immune to classic story beats
semi-related i thought noriko would be covered in radiation burns, but then i realized a depiction of that would probably be insensitive
also the guys measuring radiation in plastic costs? come on now i know we weren't fully educated in the risks of radiation but there must've been some sort of better ppe
characters
i enjoyed like every character which is rare for me in a godzilla film
koichi just can't catch a break. this man gained so much trauma in a short amount of time, like he doesn't have ptsd because the trauma is ONGOING. i think he's my favorite and it's very easy to root for him
his introduction is of him as a shaky baby-faced pilot and then you find out he was supposed to be a kamikaze pilot like goddamn
i liked noriko's assertiveness ("hey i'm staying in your house now :)") and her ability to see kindness in koichi and sumiko
her struggle of wanting to become independent is very relatable. you could see the bittersweetness in her eyes showing that she felt guilty yet grateful for koichi's support........
i was surprised how quickly sumiko agreed to taking care of akiko? but it makes sense since she was (is) a mother and could not bear to see another child suffer, and akiko gave her life a new purpose
i would've liked more focus on the female characters and i don't think it's fair to just blame it on the era :playdead:
i really liked the chemistry between dr. noda, captain akitsu, and mizushima
dr. noda in particular felt like a nice foil/parallel to serizawa from the 1954 movie; he's also a scientist but he's much more personable(?)/"human"
dr. serizawa was my favorite in 1954 but he was very anguished and set on making reparations by killing godzilla (and koichi could be a parallel to him in that regard)
noda focused on protecting the living, not avenging the dead
ough mizushima. being a Youth who feels useless sure hits home
i'd say tachibana is my least favorite just by comparison to everyone else, but he's honestly so valid for his whole deal
visuals and sound
very elegant color grading, costuming, and set design!
i don't know film girl help
GOOD SOUNDTRACK the music set the scenes so well
i joked about getting my eardrums blasted by godzilla but he really was that loud. as he should be
godzilla (design, abilities, etc)
SWEET JESUS THIS IS THE SCARIEST GODZILLA BY FAR
godzilla: [shows up in the first 10 minutes with blair witch shaky cam]
me: the filmmakers are not messing around they mean BUSINESS
the rampage on odo island was rightfully terrifying
i love his texture and face. the scrunkliness of heisei with the horrifying pain of shin
i think his head is a bit small for his body, like if it was 5% bigger it would be perfect
loved the visuals of his scales flaking off after getting bombed
the nuclear fallout when he used his atomic breath in tokyo was awe-inducing
great use of godzilla as a war allegory
i saw the movie in d-box so the shotgun-blast of heat ray was intense
also coolest godzilla death. sick decapitation
the plan to imprison him in bubbles and give him the bends felt a bit silly in the moment but highlighted how desperate everyone was for ANYTHING to work
really liked how godzilla was more like an animal or unstoppable force of nature without a clear motive
i mean the only emotion you could ascribe is probably RAGE
sidenote i did think it was a lil funny whenever an object was flung through the air from offscreen. there goes godzilla having another tantrum
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intolerable-sushi · 4 months
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Do yall ever think about the fact that in godzilla minus he threw the boat making godzilla sounds. Like he could have destroyed it like he did with all the other boats. BUT, upon realizing that the sound is not another godzilla to possible fight, or even be a possible mate it's just one of those little things floating in the water. He must have been absolutely PISSED if he just decided to fucking throw the God damn thing. Like, "I can't believe I fell for these stupid little shits tricks FUCK!!"
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ingoodjesst · 5 months
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i watched "godzilla minus one", and it was pretty solid for my first time watching a godzilla movie!! beyond enjoying the action that effectively conveyed the sheer scale and impact of godzilla's movement and destruction, i found the themes engaging too. we see (non-blood) families form and repair their homes and heal, we see ex-navy try to disarm the destructive weapons they set, and we see koichi shikishima the ex-kamikaze pilot grapple with his ptsd and survivor's guilt.
the fact godzilla was predominantly an allegory for the trauma of war was an interesting take, though of course the trauma of nuclear warfare persists as a motif. but the theme that most stood out to me was the challenge to this cultural idea that dying for a cause is somehow noble rather than just dying.
when shikishima returns to (the rubble of) his home, he is immediately admonished by sumiko for deserting his duty to die and returning dishonorably. he then struggles with his cowardice over and over again, afraid of making emotional connections when he resists letting noriko into his life, rejects akiko calling him "dad", and - during a traumatic episode - even briefly denies the fact that he's alive at all. but when faced with the consequences of suppressing his trauma until it - godzilla - arrives larger and more destructive than before, he finally begins to open up. i particularly liked the sequence of shots during the scene where shikishima confesses the burdens he's been carrying to her. it transitions from individual shot/reverse-shots of the two, to sharing a frame, to finally being in focus together as they manage to connect for the first time.
in the process of fighting godzilla, shikishima realizes the "honorable" answer is not to die for vengeance, but to face your remorse head on while choosing to live. because in a way, choosing to die would still be running away from the struggle of accepting your past and fighting for a brighter future. rather than dying and evading the consequences thereafter (as the japanese government demanded), it is braver to embrace the inherent value of human life, including your own, and whatever comes with it.
even the fact that [spoilers] godzilla is defeated but not annihilated reflects the reality that trauma usually sticks around, able to flare up again; it's just that you learn how to carry it with you, especially with the support of the community and family around you.
i just really love that the story subverts the setup that shikishima should finish his internal war by sacrificing himself as he "should've" in the actual war. instead, through ingenuity and camaraderie, the real triumph is learning to honor the fallen not by mindlessly throwing away his life for those who perished, but by deliberately, collectively paving a future for those who survive.
all that said, i do find it possibly convenient that the story sidesteps the issue of what japan was actually fighting for in ww2 and the atrocities committed by the japanese empire. the movie does take care to distinguish between the japanese government and the private citizens who take up the fight against godzilla. it helps for sure, since it allows our cast to criticize the government's decisions. however, i can't help but wonder if that still makes the historical narrative seem a bit too clean, especially when the veterans claim this time they can make a difference, when uh... idk if helping japan actually win the war would've been the BEST...?? generously, that might not have been their exact intended meaning, but it does feel oddly framed lol. also how lucky is it that seemingly none of the veterans who volunteer are complicit in any of the countless war crimes committed by the japanese army lol
also the women in this film mostly exist in maternal or literal child roles to support the men's growth lol and it's a shame their stories don't get equal examination, but at least the emotional vulnerability still feels real and i called her surviving and we take those bc i woulda been EVEN MADDER OTHERWISE ok !!!!!
besides those issues, i would hardly say the film is difficult to predict - it's fairly straightforward and even the setup for its subversions is not too hard to catch. but i don't think that made it necessarily less compelling or the themes less resonant. it's hard not to appreciate how the movie wants you to see the value in life and believe in the future. because no matter what pain you may carry, you don't have to confront it alone.
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tinkerbelldetective · 20 days
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GODZILLA X KONG SPOILERS OUT OF CONTEXT
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ecoamerica · 25 days
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youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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bar-of-dish-soap · 4 months
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im not sure if this is like super obvious or anything but. methinks the. organization? company? whatchamacalit? that kentaro, bill and hiroshi formed feels very similar to one certain anti-monarch organization that releases the Big Baddies in king of the monsters. god its so annoying that they don’t have a name (that I know of!) but i guess ill just call them the Guys for now, and this new organization Bill and the Randas (new band name just dropped)
keep in mind its been a minute since I’ve watched KOTM sooooo
1. my first evidence that the Guys = bill and the randas: vibes. like yeah idk i just think theyd do that, i think they’d do some sort of connection like that
2. close ties to monarch!!!! bill and Hiroshi are both ex-monarch, and they all got fucked over by them
3. funding from apex. in the KOTM post credits scene, the Guys get the decapitated head of king gidorah, which I believe apex uses to help development of mechagodzilla??? i think??? i havent watched GvK bear with me here
4. this show ends 2 years before KOTM (bc of the 2 year time jump) which I feel like is enough time for “bill and the randa boys“ to get fucked up into the Guys with that weird old bitch in charge
5. the randa girls (may included. they’re married i don’t make the rules) being tied up in shit woth the Guys would explain why they’re not working with monarch by KOTM (yes yes, KOTM was made before these characters existed but. shh.)
some other interesting things I noticed:
that man is not fuckign dead. that fall probably didn’t kill him. every day in hollow earth is a roughly a year on the surface (keiko estimated she was there for 57 days, she was gone for 56 years, pretty simple math) so he could definitely show up in Godzilla x Kong, which I think takes place in 2024? so like he would just be there for a few days. then also monarch finds a better way to travel to hollow earth in that time, so they could find a way to bring him back
absolutely no fucking clue what to make of a big monkey being there. was that kong? it must be right? cuz hes the last of his kind and whatnot i think. anyway yeah they’re in skull island so cool
i am so normal about this show
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Well, someone had to gif The Bus Scene—one of the most heartstopping moments I can recall from a Godzilla story.
We've been here plenty of times before—revisiting a kaiju or superhero's victory to reveal the hidden cost. A few of the many reasons it hits so hard here: we actually see it happen, Anna Sawai sells the hell out of it (gifs can't capture those screams), and Cate doesn't seem to hold a grudge against Godzilla, like so many of her predecessors. It's not that kind of story; he's just so completely beyond her, beyond most of humanity. Looked right at her and still didn't see her.
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leotanaka · 4 months
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wait a second, was billy's "you probably won't be too broken up about my death and you'll never forgive me for what i took from you" comment in the first episode directed at hiroshi because hiroshi blamed him for shaw's supposed death?
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orangebaccarat · 5 months
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'Godzilla Minus One' is a really good movie but also a textbook example of sexism undercutting what could've been great movie. Noriko and Sumiko are interesting the first act, but become flat caregivers in the second act, and so what could've been the most fascinating relationships for Koichi go unexplored.
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chaotic-deity · 4 months
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GUESS WHO JUST GOT TO WATCH EPISODE 9??? GOING FOR EPISODE 10 RIGHT NOW
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