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#i especially like the main character and i/me/myself
neyafromfrance95 · 18 hours
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hey, i hope you don't mind but i kinda need to vent a little bit 😅
as a poc it's making really sad to see that "shipping vaultghoul is racist and erases maximus and barb" is such a prominent anti argument. i don't interact with these posts or these people (because i really don't want to waste my time) but it's like they don't hear themselves. maximus is a protagonist in his own right and has so much shit going on tat has nothing to do with lucy and while barb is a minor character, she's an activate member of a corporation that seeks to end the world for profit (and we get to see her own conflicts towards this) and not just cooper's wife. they're so much more than love interests but they need "special treatment" because their s/o are white 🙄
plus what is this narrow minded type of thinking where once you start to ship a couple all the other relationships become invalid? it's fiction ffs. no one is better than anyone and there's no such thing as a 'supreme ship'
i think the worst thing that came out of fallout shipping discourse is reducing maximus to a love interest of lucy when he is much, much more than that and as you said, a protagonist in his own right! like, can we stop only talking about him in the context of romance with lucy and hype him up as he deserves?! he is so complex and refreshing, he deserves more than being a talking point in a shipping discourse.
and while i mainly ship lucy x cooper, i'm fine with lucy x max and the majority of vaultghoul shippers are too. not to mention that max is like my ideal type of a dude, lol. i crushed on this man so hard while watching the show. so, those of us who ship vaultghoul do not dislike max or think he is boring (there is a difference between finding a character boring and finding his relationship with the other character a bit bland).
tbh, i hope max gets even more development and important storyline points in s2 so that maybe ppl will stop acting like he is just lucy's boyfriend.
and i think it's also weird to dismiss the possibility of max x dane when the representation this relationship could offer is very important. and as an enby myself it would be so validating for me to see the enby character paired up with the main dude (that again, i have a massive crush on).
also, i love barb and her relationship with cooper. she is a cool villain and her & cooper were a hot classy couple. tbh, it's just that ppl rarely get too shippy when it comes to the exes, especially when one is a very minor character. but i'm excited for whatever we get with her in the future.
in the end of the day, i hope the discourse (whether it is about cooper vs max for lucy, the age gap or the human x ghoul thing) won't get too heavy in this fandom bc it will ruin it and make our experiences here full of frustration instead of fun.
i'm personally all for multishipping lucy, the ghoul and maximus with everyone in this series.
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fernsnailz · 2 days
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Okay I didn't look at the read more to avoid spoilers since I kinda want to see for myself but is the writing for the knuckles series like current mcu levels of bad?
idk what's happening in current mcu since i haven't seen a marvel movie in like 5+ years, but the writing for the knuckles series is. hm. well it's not good
the dialogue varies a lot. there are some lines that are lame as hell on paper, but i think the cast does a good enough job of delivering them that they still managed to land for me. and some of the jokes i thought were pretty good in general! like actually written with a bit of thought to them! the dialogue really tanks in any "emotional" scenes because this show is very clearly focused on comedy above all else. if you're looking to actually feel anything for these characters, it's not gonna happen. they're gonna be too busy joking around to make their emotions seem real.
the actual story and plot are kinda all over the place too, there's not that many plotlines to keep track of but the number of characters (ESPECIALLY the number of antagonists) gummed things up quite a bit for me. there's a distinct lack of balance between the more action-oriented plotline and the fucking. bowling tournament. some episodes focus on just one and completely forget about the other half of the show, and it's very jarring to return back to the other plotline in the episode after.
lastly. the characters. most of the characters are very sauceless and i only ever really cared about knuckles and the funny girl scout who has like four minutes of screentime. wade is supposed to be a "loveable dumbass", but his specific type of character is one i've seen so often that i just didn't feel anything for him or his desires - which is rough, because he's essentially the main character of the show. and unfortunately, the show really under-utilizes knuckles and makes him pretty one-note a majority of the time. there's so many scenes where he's just. kinda there. like they didn't really know what to do with him.
in short. idk it's a bit all over the place and lacks much heart. there's a number of bits i enjoyed but the writing in general is not very good
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thegreatyin · 3 days
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Your posts about Fallen London are slowly tempting me into playing it- do you have any tips to start or is it best to play it completely blind?
i have a few tips and tricks! mind you im far from a veteran and i basically got my hand held by tumblr for most of the game so take everything with a grain of salt. you can and should do whatever you want always. i don't personally play it blind, but you may get more enjoyment out of it if you do, and that's awesome and im super happy for you. this is what i can say from experience:
take your time with it. this is like. the numero uno fallen london tip. it's not a game where you rush to the end in a week. it's a game where you do 10-minute-intervals of a marathon to the end in maybe a few months if you know what you're doing. spending money on action refills usually isn't worth it when you can just mosey on through neathly life one storylet at a time. a vast majority of the game's content is completely free to everyone, and while the monthly subscription options are pretty neat and let you play some exclusive story stuff (that can be pretty fire- cricket anyone basically defined the scoundrel's entire character) none of it is required and 99% of the time you aren't missing out on anything by just taking your time and exploring the neath at your own pace.
you need to raise all of your skills eventually! this is, uh. something im horribly guilty of not following myself. you can (and probably should) pick at least two stats to focus on for your character (most of the time these will be your main ambition stats, aka the closest thing FL has to a main story questline) but eventually you Will be expected to have them all at around the 100 range, minimum. for certain Super Late-game Story Content, watchful 200 is mandatory to start it, so if you have trouble choosing i'd recommend leveling that bad boy first. don't neglect your other stats though!!! don't be like me. don't be like my poor poor neglected shadowy and dangerous. it's too late for me. save yourself.
friends are fun and free and you are legally mandated to exploit them for fun and profit. okay you really aren't mandated to exploit your FL friends list but you totally should anyway just for goofy sillies. to be less jokey about it, while fallen london is primarily a single-player gaming experience, the playerbase is super friendly and super open to helping each other out (especially new players!). go on reddit, ask around on tumblr, get yourself a few buddies and use them as resources to gain items and stats and menace reduction i mean. valued companions that im sure you will treasure forever and definitely not backstab to publish that inflammatory newspaper article you've been cooking up.
on a very loosely similar note, the fallen london wiki is your best friend. yes, we're following stardew rules with this one. this is the kind of game best optimally played with a wiki article or three open in the neighboring tabs so you can follow along and know what is what. there's tons of guides on basically every part of FL, and it's no shame at all to reach out to either it or the wider community if you get stuck or feel lost at something.
if an in-game storylet has bold text, it will never lie to you! except for when it does. but that's very very very rare. you can always trust the bold text. it is always your friend. i prommy. which brings us neatly into our next bulletpoint,
seeking the name is ill-advised because it's the only storyline that can permanently brick your account at its conclusion. don't worry, the ease at which you can avoid this is practically comical, and the game will Always give you multiple chances to opt-out if you somehow accidentally start it anyway. most people make a dedicated alt character entirely for the purpose of sacrificing them to the well of doom. unless you're playing with your eyes closed for multiple months straight, you'll never run into SMEN without deliberately chasing it, and if you somehow get to that point honestly man just ignore this entire bulletpoint and see how far the rabbithole goes. go on. it's friendly :)
batfucking is always the right answer to any problem ever
echoes/the game's standard currency should always be thought of as a method of gaining items rather than a strict hoard of video game dollars. money-making can be super difficult in the earlygame, but it gets exponentially easier as you go further on. you shouldn't be afraid to sell anything you don't need, though personally i'd recommend keeping an "insurance stock" of the most basic items just in case. this includes rostygold, moon-pearls, honey droplets, etc. by-and-large, these are the easiest items to get in a pinch, and it usually isn't worth buying them from the bazaar when you can otherwise get them naturally through other methods around london. once you've got a good lodgings setup and feel decently familiar with the earlygame zones and their options, you should aim to have at minimum 1,000 of these bad boys on hand at any given time, then feel free to sell any excess you make for some quick cash in a pinch.
menaces aren't as bad as you may think, but be wary of specifically suspicion! the four main menace qualities you'll encounter in the earlygame are nightmares, wounds, scandal, and suspicion. when one of these menace stacks reach 8, you'll automatically be trapped in a unique location corresponding to whatever menace you raised too high and will have to spend time working your way out. some (nightmares and wounds) tend to fly-by rather quickly, while others (scandal and suspicion) tend to take a bit longer to get out of. none of these mean the end of your playthrough or your character, and some quests even require you to visit certain menace-exclusive locations! there are tons of items and ways to reduce menaces and keep yourself out of Situations such as these, but suspicion in particular is probably the only menace you should avoid maxing At All Costs. when your suspicion gets too high and you get sent to its special menace zone too often, you build up a criminal record that makes it harder to reduce suspicion in the future. fortunately, suspicion is the only menace with this gimmick, and before this record gets too high it's just as easy to keep row as the rest of the lot. TLDR, death from wounds is easy to escape from, but avoiding the strongarm of the law is substantially more annoying and inconvenient.
or you could be like tumblr user @with-bells-upon, who's apparently avoided death at all costs and apparently hasn't died once in the entire several months they've been playing. i don't even know how they've gotten this far without doing that. it's kind of impressive, kind of funny. especially since their ambition is one the few requiring you to die to proceed. this isn't a piece of advice i just wanted to affectionately call them out because what the heck
speaking of ambitions, pick the ambition that's right for you! ambitions are the biggest overarching questline in the game, and their requirements and rewards span the entire neath and occasionally even beyond. all four ambitions are meant to be started early and last well into the mid and late game. outside of a certain special situation regarding the light fingers ambition (the only ambition that explicitly lies to you in-game when describing its premise) you can't change your ambition without spending money, so choose carefully and choose well. they're all (mostly) equally rewarding and equally fulfilling adventures that will define your player character and your journey through the neath. there's tons of advice and spoiler-free summaries of each ambition online, so i won't cover it all here. just do your research (or don't, if you prefer) and follow your heart. maybe playing the world's most high-stake poker game ever speaks to you. maybe you want to commit a murder. maybe you want to commit a murder in the name of justice and/or revenge. maybe you just want a really really big really really shiny rock. all can be found in the neath, and all shall (eventually) be well.
if you buy 400 lucky weasels you get a special achievement. i don't need to say more.
make up a guy. this is another legal mandate if you're a fallen london player. you have to make up your own little sicko victorian london guy and roleplay them while you play. trust me. it's fun. it's free. they're going to haunt you forever. the scoundrel got a nickname like 4 months ago and ever since my mind has never known peace.
and probably most important of all, fallen london might not be the game for you, and that's okay. it includes a lot of reading. and grinding. and i do mean a lot of reading and grinding. particularly the latter, which tends to throw people off the most out of anything. it's a very niche game for a very niche audience and getting into it can be an acquired taste at the best of times. but when you do get into it, it's some Really good writing and Really in-depth worldbuilding and the most fun you'll ever have imagining sicko victorian guys running around building train stations and railway tracks directly to hell. take your time, have fun, and most important of all, always look to love.
anyway yeah that's my fallen london tips and tricks list isn't it really short and comprehendible
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The Decay of Complex Characters and Character Development in Helluva Boss (Stolas and Octavia’s Relationship: Part 2 of 2)
Part 1 here
I felt I had to make separate part just for “Seeing Stars” because my other post was getting way too long, and I wanted to really focus on the treatment of Stolas and Octavia’s by the writers.
Please know that this is JUST my opinion and not a personal attack on HB’s writers or creators. I’m talking and venting a bit about my personal frustrations with the series regarding what I perceive as being MAJOR plot holes and inconsistencies in the show’s writing.
As of right now—and I do want to acknowledge this could change, but as of right now—it largely seems like any character development Stolas may have gone through after “Loo Loo Land” has been completely tossed out the window.
I personally believe that the writers of Helluva Boss think that they are writing Stolas to be more complex, but he has yet to have to actually be held accountable for his actions, and for breaking his promises to Octavia.
And the way the writers present him has really come to bother me. So I wanted to talk more about it, and about how Stolas cannot become a well-written, complex, and engaging character until the writers let him actually be imperfect and complex.
To talk about this more in depth, I gotta go over the second episode that features Octavia, Season 2, Episode 2 of Helluva Boss—“Seeing Stars”
(TLDR at the end)
To start, “Seeing Stars” is narratively very similar to “Loo Loo Land”. By “very similar” I mean that it’s almost the exact same plot, but frustratingly more clunky. Here is an extremely short summary:
The main crux of the conflict in “Seeing Stars” is that Stolas forgot about a promise he made to Octavia to go see a meteor shower, and ends up neglecting her.
Specifically, he forgets because he is too busy yelling at Stella over the phone due to their contentious divorce. Octavia feels let down by her father again, and runs away to the human realm to see the meteor shower on her own.
Stolas and I.M.P. panic and go after her. Eventually Loona finds her and gives her a speech that essentially boils down to: “everyone’s got hardships and problems but Dads ESPECIALLY have problems. Your Dad is trying really hard right now. So that should count for something right?”
And that comforts Octavia in the moment. Octavia and Stolas reunite, he asks her why she ran away, and she tells him she was trying to see the meteor shower he promised to take her to. Stolas is horrified that he’d forgotten, starts to apologize, but Octavia cuts him off and tells him “it’s okay”, forgiving him.
I rewatched “Seeing Stars” before making this post to make sure I hadn’t misremembered any crucial plot points.
I thought I remembered that, at the very end of the episode, Stolas apologized to Octavia for breaking his promise and then she told him it was okay.
It turns out I had misremembered things, because the writers literally kept Stolas from saying sorry.
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This leads to the main criticism I have of Stolas as a character, especially from a writing standpoint. The narrative does not allow for Stolas to ever truly be in the wrong, or for anyone, including Stolas, to fully acknowledge that he is in the wrong.
And I know that it’s easy to go “BUT LOOK! Octavia says “I know, Dad”! She KNOWS that Stolas is sorry.
That’s fair, but for me personally, I think an EARNEST and verbal apology is needed here to show that Stolas has grown.
I’m very lucky in that I have a good relationship with my parents, but that doesn’t mean we never fought or they never said or did things that hurt me.
I distinctly remember a time when my Mom was apologizing to me for something she did, I said “it’s okay” and she immediately replied “No, it’s not okay. I shouldn’t have done that. I’m sorry, and I hope you can forgive me”.
That really changed my perspective on conflict. I think a lot of people, including myself until then, consider “it’s okay” to be a form of saying “I forgive you”. And I’m not trying to police like…basic language and substitute words. But I DO strongly believe in taking responsibility for when you hurt someone.
In all honesty, I think this scene actually could have worked for Stolas’ character development if he had actually acknowledged that, “No, it’s not. It’s not okay that I broke my promise to you. I’m sorry, and I hope you can forgive me, but if you can’t right now, I understand.”
THAT, to me, shows character development. That would’ve shown that Stolas is, at the very least, trying to make an actual effort to change for the sake of Octavia.
Instead, though, SHE apologizes Stolas for running away to try and see the meteor shower that HE promised to take her to. And the writers refuse to even let Stolas say he’s sorry.
Let Stolas say he’s sorry, writers! Let Stolas be in the wrong!!! I promise it won’t make people hate his character!
I mean, jfc, just look at the fandom around Hazbin’s Valentino. That guy could not be more evil if he tried and a lot of fans can’t seem to get enough of him.
My other issue with the treatment of Octavia in this episode, SPECIFICALLY the speech that Loona gives Octavia near the end.
Because. Oof. There’s a lot to unpack. Firstly:
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Maybe it’s just me, but I find the way the writers have Loona frame this situation as being really really weird. To be clear, I don’t think it starts off too badly. Everyone DOES have issues, and that can affect the way they act and treat others and make mistakes.
That said, dads are not inherently more messed up or dealing with more difficulties than anyone else.
Dads have issues the same as any other person, but they don’t get special privileges or passes because they’re dads. They’re responsible for themselves like every other person with issues and difficulties, and they’re still responsible for themselves and their mistakes.
It’s especially frustrating because the writers are using Stolas’ “issues” as a crutch to excuse their bad behavior. This happens a lot with writers trying to excuse or justify their character’s actions. The “issues” can be anything from a difficult childhood, relationship troubles or divorce, a traumatic experience, etc. but these things should never be used as a way to excuse a character’s every mistake and flaw.
Effective writing will use a character’s history to explain the reasons a character acts or behaves a certain way, not excuse that behavior. This leads to characters that the audience can become more invested in, and can form different opinions or interpretations about.
A really great example of this is Bojack Horseman, whose terrible upbringing and abuse definitely garner audience sympathy, but the writers never use this to as a justification for the Bojack’s behaviors. Bojack continually makes really terrible choices that hurt the people he cares about the most, and while we as the audience still sympathize with him to an extent, we still get frustrated with Bojack, and be disappointed by him.
The audience finally gets some catharsis from this frustration when Bojack is called out by his best friend Todd for this, after he finally breaks any remaining trust in their friendship with the following quote:
“You can’t keep doing this! You can’t keep doing shitty things, and then feel bad about yourself like that makes it okay! You need to be better! [Bojack apologizes and then continues to make excuses] …BoJack, stop. You are all the things that are wrong with you. It's not the alcohol, or the drugs, or any of the shitty things that happened in your career, or when you were a kid—It's you. Alright? It's you. Fuck, man. What else is there to say?”
In my opinion, Helluva Boss’ writers seem to be determined to write the exact opposite of this sentiment.
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The writers frame Loona’s speech to Octavia as a heartwarming moment—a moment where Loona helps Octavia realize that Stolas cares about her and is trying his best, so Octavia should cut him some slack.
This is, quite frankly, a BAFFLING scene because Loona’s behavior for the ENTIRE EPISODE is her assaulting and yelling at her dad. Like, she has given Blitzø absolutely NO slack before this moment, and then doesn’t give him any in the scene DIRECTLY after this, where she assaults him again while he’s in the middle of apologizing to her.
Not only is it odd to have Loona tell Octavia all of this and then not act on it herself, but the whole scene really reads as the writers trying to sweep Octavia’s very valid and real feelings of hurt over her father’s neglect under the rug.
And look. Trying to be better can be important. Trying to change and be better IS worthy of being acknowledged. But at a certain point, as Todd points out to Bojack, you have to actually be better.
In part 1, I talked about how the end of “Looloo Land” had set things up for Stolas to start being more conscientious of Octavia’s feelings and needs. He took the first step of making amends with her, of listening to her and her concerns and fears.
“Seeing Stars” was an episode that could have shown him being better. But instead. Well.
In her speech to Octavia Loona says this:
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And to be fair, Loona didn’t know what hijinks Stolas and Blitzø were getting up to in the city. She probably did think Stolas was looking for her.
…Except…he kind of wasn’t…
During the search for Octavia, Blitzø gets mistaken for a famous Hollywood actor, and he and Stolas are essentially kidnapped to be in a sitcom. When this first happens, Stolas is anxious, clearly upset that there search has been further impeded:
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He’s scared that Octavia could be in danger, or hurt. Stolas seemingly wants to find her as soon as possible.
Well. Once they get to the Hollywood sitcom shoot, the following scenes happen:
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STOLAS WHAT THE FUCK ARE YOU DOING???? YOU JUST SAID THAT YOU DIDNT HAVE TIME FOR THIS ??? BLITZØ DIDNT EVEN WANT TO PERFORM, AND YOU MADE HIM! WHY?!?! YOU DONT OWE THESE PEOPLE ANYTHING? THE TV PRODUCER EVEN LEFT THE ROOM BEFORE THE SHOW STARTED, NO ONE WAS KEEPING YOU THERE!!!
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WHY ARE YOU INVESTED IN THIS AND WORRIED ABOUT THE AUDIENCE NOT LAUGHING?!?! STOLAS YOU LITERALLY JUST SAID YOUR DAUGHTER COULD BE IN DANGER IN THE VAN, WHY ARE YOU SUDDENLY SO CONCERNED WITH MAKING BLITZØ ACT IN THIS SITCOM???? STOLAS YOU DONT KNOW WHERE YOUR FUCKING DAUGHTER IS?!?!?
I just…I’m sorry, I just think this episode is so so clunky and so poorly written. I think it may be one of the episodes with the least consistent character writing.
The scene continues, Stolas gets distracted by how attractive he finds Blitzø, and Blitzø acts in the sitcom for so long that even Stolas looks bored and out of it.
At this point in the story, he doesn’t know where his daughter is, if she’s hurt, or in danger, or even why she ran away in the first place. But instead of that taking the absolute top priority for him, he takes time to watch Blitzø make bad jokes in a wig for the whole afternoon.
Stolas isn’t even the one to get them out of the Hollywood studio, Blitzø is. Blitzø has a panic attack about the thought of Loona being taken from him during the sitcom shoot, and that’s what sparks them escaping.
The two escape the studio and meet up with Octavia and Loona, and the episode ends with Octavia apologizing for running away, and Stolas not having to apologize to her for his mistakes because Octavia already knows he’s sorry.
In Part 1, I talked about how at the end of “Loo Loo Land”, the writers set up the building blocks for Stolas’s character development in regards to his relationship with Octavia. S1 E2 of Helluva Boss ends with Stolas listening to his daughter, realizing his actions hurt her, and acting like he’s going to start putting her first.
“Seeing Stars” undoes all of that development. Which wasn’t even that much character development in the first place. Just the kicking off point for Stolas’ growth as a character.
Reviewing this episode made me realize that Stolas’ character development may have actually regressed. He doesn’t keep his promise to Octavia, he starts flirting with Blitzø when he should be looking for her, and wastes valuable time fucking around with Blitzø on a sitcom set.
And listen, I KNOW that Blitzø got Loona to look for Octavia right after he and Stolas got kidnapped by the tv producers. But after they get out of the Van, WHY does Stolas just continue to go along with it? He was so concerned and scared for Via before, wouldn’t he want to get back to looking for her as soon as possible?? And have as many people as possible working on finding her???
Blitzø doesn’t even want to go on the sitcom and for some reason Stolas makes him! The tv producer had left the room at that point too, and Stolas is a DEMON PRINCE, no one was keeping them there!
Stolas gives the reason for Blitzø needing to perform to be “so they can get back to looking for Via” but they can just do that without having to be in the sitcom?
I think the writers might have written dramatic irony into the story without meaning to? Loona tells Octavia that “[Stolas is] down there. Looking for you”, but we as the audience know that’s not true. Stolas wasn’t looking for his daughter. He was watching Blitzø star in a bad sitcom for 5 hours.
This becomes extra frustrating and gut-wrenching for me when I think about Octavia right before Loona’s speech about how “dads are special and have it extra extra bad and try extra extra hard and that’s super important, even if they fuck up and hurt you”
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This scene is absolutely heartbreaking to me. This is a 17 year old girl who has been repeatedly let down by one of the people she looked up to and relied upon the most, who rightfully feels abandoned and like she no longer has a home.
Specifically the line “Why does he hate [my mum] more than he loves me?” hits extra hard.
I don’t know what it’s like to have divorced parents, but I can imagine that anyone who has may have had this exact thought. Octavia needs support more now than ever, and keeps getting let down by the adults around her, and it just breaks my heart to see this young vulnerable girl not really have anyone who acknowledges that what Stolas did was hurtful. That it wasn’t okay, and that she’s allowed to be upset about it.
The reason she exists in the story isn’t to be her own person and to have character development of her own. She exists just to be Stolas’ daughter, and to forgive him for his wrongdoings and make him seem like a “good” person because even though he has issues, he still loves her! That makes him a good dad!
And I don’t know how Octavia is broadly accepted in the HB fandom, but I’ve heard that she may not be liked very well, and I don’t understand how anyone could see this scene and think she’s annoying or terrible.
Honestly, I would NOT be as frustrated and disappointed by the writing in this episode, if the writers and the fandom at large didn’t treat this episode like it had a heartwarming and satisfying resolution. If the writers treated Stolas as a complex person who is able to make mistakes, and who still really needs to own up to his actions and take responsibility for his broken promises, I would probably like him a lot more as a complex and nuanced character.
But the way the writers frame Stolas as being in the right, or being the victim, or being fully justified in all his actions isn’t just bad writing. It’s boring. Stolas is a boring character because the writers do not allow him to be in the wrong, to be morally ambiguous or dark, or to be called out or held accountable for his mistakes.
The writers MAY somehow undo the damage they already did in “Seeing Stars”, but given the way that the writers, show creators, and fandom go out of their way to excuse any morally grey, questionable, or harmful decisions Stolas makes, I’m not going to hold my breath.
TLDR:
-Despite Octavia being hurt by Stolas again, the writers refuse to put him in any situation where he’s held accountable for his mistakes
-The writers use Stolas’ “issues” to excuse away his bad behavior. And specify that Octavia should cut Stolas some slack because he’s a dad and being a dad is extra hard I guess?
-the framing of the episode acts like Stolas did everything in his power to look for Octavia when he clearly didn’t (he was goofing off with Blitzø)
-Stolas is ultimately uninteresting and not engaging as a character because the writers go out of their way to excuse his behavior and mistakes even when he’s in the wrong.
-Stolas cannot be a complex character if he is always absolved of the consequences of his actions and is not allowed by the writers to be better (in my opinion)
Also sidebar—WHY DID HE NOT CALL OCTAVIA ON HER PHONE!?!
In the VERY first episode of HB Stolas is LITERALLY INTRODUCED TO US by calling Blitzø on his phone and watching Blitzø in the human world from hell, without the use of his Grimoire!! HE HAS THE POWER TO DO THAT!!!
I was like, maybe Octavia didn’t have her phone for a SECOND before remembering that LOONA FINDS OCTAVIA BY LOOKING AT THE PICTURES SHES POSTING TO SOCIAL MEDIA WITH HER PHONE.
Like Stolas do you not know ur own daughters phone number. AND YOURE GIVING BLITZØ A HARD TIME ABOUT NOT KNOWING MOXXIE’S?? Also when Blitzø is in danger you can pinpoint his exact location, travel to the human world without the grimoire terrify and reveal your existence to MULTIPLE humans with absolute disregard for being discovered, but when your OWN DAUGHTER is missing and you have NO idea why or if she’s in danger, suddenly you have time to run around LA for a day getting into shenanigans???? She’s your DAUGHTER. No wonder she doesn’t think you care about her because I sure as hell don’t after that episode. Lord.
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I am definitely normal about Will Wood
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groven4 · 6 months
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"I don't ship securitywaiter" I say as I continue to fall deeper and deeper down the "crackship" rabbit hole.
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harveylembecks · 10 months
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the thing about peep show is i LOVE the premise that every shot is filmed from the POV of a character currently present. and yet cinematographically it's very similar to amateur porn. or maybe it's just the early 2000s styles and undecorated apartment with the windows always closed.
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gilgil-machine · 3 months
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I wish some people never had access to internet at all...
TW assault, TW r*pe
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jjkyaoi · 2 months
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as somebody who grew up as the biggest kid in my class, who wore thick hoodies even in the middle of summer because it’s the only thing that really covered up my shape, no trope annoys me in writing more than the fat mc (specifically women) only being able to love herself/finding love in her body through her s/o. like. yes your partner can support you in that way but it’s always portrayed as such a Gold Medal amazing 5 star thing of the love interest to be like i love your body!! or i love you despite your weight!! and it’s like. both of those things have always always gotten under my skin because why is it such a Monumental thing for a person to love a fat person?? why is it such a big deal to find a fat person attractive?? why is it always written off as such a sacrifice ??? i don’t know how to describe it but it’s always used as a way to make the love interest look good and less about actually loving the characters.
and, the worse option is “i love you despite your body” why does it have to be Despite. you never seen thin main characters being loved Despite their bodies. but it’s different because god forbid somebody finds fat people attractive right . fuck y’all
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twitterdotcom · 6 months
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If Izzy dies, I'm not watching season 3. This isn't even out of spite either, I only watched s2 because of Izzy, and if he's not there, then what's the point
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tricksterlatte · 4 months
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I saw someone on the bird website point out that just because people disagree with a fellow fan doesn't give them the right to bully or harass said fan, especially in such cruel ways (they were body shaming a well known Overwatch person because she shared a selfie, and the hate originated from her opinions on the character).
It's been driving me crazy how people somehow forgot you can disagree with someone's opinions without being an asshole. Why do we condemn bigotry or cruelty when it's directed at our friends, but hurl it out ourselves when opportunity arises to bash someone we dislike? It just makes me so sad.
This isn't about a specific situation but it's a problem i've noticed over the years. I have been both a perpetrator and a victim of this (if I said otherwise, I'd be a liar. I've been on the internet since I was 10 and have been active in multiple fandoms), but I don't want to contribute whatsoever to that type of environment anymore. We have to talk the talk and walk the walk with this one, or we will continue to be miserable. If you dislike something or someone, either communicate if this person is supposed to matter to you or vice versa, or just block them, mute them, unfollow them. Whichever suits your comfort level for whatever the situation may be. If you hate something or someone but still proceed to follow them, check their profile, and grab screenshots or QRTs to make fun of them, whether with petty jabs or actual bigotry and cruelty, you are not only making other people into targets. You are sending yourself into a spiral that will only harm you in the long run.
I know how addicting social media can be. I know how the instant gratuitous relief can feel when you vent about something within an echo chamber. And I don't think the answer is just don't vent, don't misconstrue my words. I think the answer is does this make you happy? I don't think this type of habit makes anyone happy. I know sometimes people change, and I really hope people can and do.
I don't say this as an accusation or to be mean myself, I say this as someone who suffered on my own end, not only from taking the brunt of harassment but also from indulging it on occasion. I used to be horrible about this type of fixation on things I hated within fandom during my prime days in my earliest tumblr fandoms, and I nearly fell into this trap again over the past few years. My irl situation was entering a state of despair, and during those times, without anyone trustworthy that shared these spaces with me and that knew me well in return, fandom felt like the one place where I had a semblance of control. That doesn't excuse belittling people. It never does. A reason is not justification.
It's a special type of hell, for example from my personal experience, to receive dozens of suibait anons about fanfic you published, whether it was from things I left blatantly tagged and easily avoidable, over my writing not being as good as others' within these spaces, or because people admitted they were envious of something outside of my control. Or people making fun of my cosplay photos or treating me as an object to be sexualized, no matter who they were or how they identified. I had old Retrospring anons sent that exploited my vulnerability regarding events only certain groups knew about, trying me during my worst of times. When I vaguely discussed them on other websites, without sharing things being said to protect myself and to not spread drama, I was largely told I was overreacting and to just delete them. Which I did, but they kept coming. I deleted anonymous ways of contacting me and closed off most forms of contact with fandoms other than a few long running places I've known for years (thank you WWD crew you guys are the GOAT). But even so. If I didn't have the person who is now my wife there for me at the right time, I probably wouldn't be here right now. Not everyone experiencing this type of thing has anyone there for them at all.
I have a tendency to ramble, so I'll summarize here: the only type of toxicity that will ever bring people joy is toxic yaoi, toxic yuri, Toxic by Britney Spears, and the Toxic TM from Pokemon. I want to get better myself, and I'm posting this because I hope for the best for anyone who read this. If you disagree with me for this, that's okay too. If you don't think this applies to you, it might not! I don't know you. None of us know each other, which I think should be further incentive to be kind, instead of ample opportunity to be mean. If you have the choice, strive to be kind over the escapism that brings us joy. For some of us, this will be the only kindness we may ever know.
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headaching · 1 year
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ajdrawshq · 1 year
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@ your tags on my post, i am shaking you like a maraca and yelling "YESSSSS"
i wanna see how kh3 tackles that whole thing because it's so eerily similar to what happens in the manga. and in the manga, he is in so much pain and agony, AND HE'S STILL FIGHTING. ROXAS IS THERE WITH HIM, HIS ONLY COMPANION, and then kh3 just tripped and fell on the glass table.
also, i think about this constantly, i want them to do something with it so bad.
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YEA i cant wait to see the rest of kh3 manga chapters and how they handle everything, i especially loved the manga versions for days and kh2 and the way their stories were told - even tho kh3 has a Lot going on that might be hard to show well.. amano's been good at it so far tho so i have faith :]
but yeah that whole thing with Roxas is just . oughh. im not gonna lie even i forgot that Roxas was like. still there with Sora when he perishes until i thought abt it writing those tags but now that ive realized that. why the hell did they not take advantage of that!!!! like ok i get that it was more focused on the destiny trio in the ways i talked abt in the tags but yknow. what happened to "he makes up the difference"?? that wouldve been a great moment for it to shine!! ik they already make an example of it during the Xemnas n Saïx fight but still!!
part of me wishes Roxas couldve have more outward influence on Sora the way Ven did. granted, he arguably had an affect on Sora back in kh2, and while i dont remember if it was canon or even intended, that could be applied to both his appearance (his lighter hair, mostly) and his behavior (his hostility towards the organization members; ive seen this argued both as smth Roxas had influence over and purely based on Soras experiences thus far, and i believe in both personally) but Ven in kh3 was literally able to speak and somewhat act through him. im pretty sure this was meant to show that Ven was fully ready to awaken or smth like that, and that wasnt sonething that was needed for Roxas; hes alright, just needed a body/vessel for himself. but i still think itd be a cool way to express the earlier sentiment. and it wouldnt necessarily have to be Roxas "taking over" either, the manga shows very well how Roxas gives Sora strength from within and that he definitely does make a difference
to be fair tho...... whether that wouldve helped Sora in the moment that he gives in to his despair, im not sure. in kh2, both manga and game, hes in a very different mindset than kh3. in that part of the manga especially, despite thinking everyone (except Roxas) is gone for good, he still has the belief that they can live on within him. and that, plus the literal strength hes getting from Roxas, is keeping him going despite it all. in kh3 his self confidence is beyond fucked, and he truly believes in that moment that hes lost Everything, not just his friends. thats hard to come back from
i wonder if he were to remember that Roxas were still there, if that wouldve helped. whether for comfort in the way that hes not really alone then, or for motive to keep living bc if he dies then Roxas is gone too, or whatever reason, i think it couldve changed something, even if its just a little bit. hell, itd have been great if something like that happened afterwards in the final world. id like to think Roxas had a hand in Sora surviving ..... not sure how but its a nice thought. either way i do wish Sora n Roxas' connection and that moment they have in san fransokyo had more....... More. in kh3. it was a great opportunity that they didnt use/forgot about n im now sad abt it forever
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bylertruther · 1 year
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"no one is going to get vecna'd" ......... you do realize that henry has played mind games on the characters literally every single fucking season, right? you do realize that he, the master of puppets & mind flayer & explorer, literally fucking specializes in that shit, right? at this point what show are some of you watching sorry but like. c'mon now
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kraviolis · 10 months
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i hate knowing that i would be so fucking good at and have so much fun with GTA RP while also being physically incapable of even trying it out.
#krav talks#god is keeping me from doing GTA RP bcus they know it would completely take over my life and all i would do every single day is GTA RP#just watching it scratches an itch in my brain i can only imagine what actively participating would feel like#i just hope that when im finally physically capable of it its not like. completely dead and gone.#and also i mean. i could just. make a mute character. thats the main problem#but also that would limit my RP abilities so much#even tho i can type super fast typing does make me overthink myself#vs just talking in improv forces me to come up with something quickly and flows better#the one thing that ive always hated about RPG-types like fallout or sims or the like is that after the first playthru it gets sooo boring#bcus everything becomes so predictable#and mmos ive never liked bcus its so strange and uncomfortable to just see all these ppl around but have no immersive way to interact#but GTA RP and especially nopixel is like. EXACTLY what ive been looking for my whole life#i was obsessed with darkrp gmod servers as a youngin and loved the mix of practical mechanics with roleplaying#ive never been able to do tabletop rpgs bcus of my struggle with audio processing#and ttrpgs are literally 90% listening to someone explain whats happening#vs. roleplaying in multiplayer video games which just let me SEE whats goin on so i'd just have to ask ppl to repeat what they said#rather than asking a game master to repeat what they just said but theyve spent the past 5 minutes explaining the situation in detail
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cosmic-cd · 8 months
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late night pokemon trainer sona thoughts
#cosmo rambles#i wanna work on hazel's time in paldea and like#hazel is never the main protagonist of any of my pokemon adventures like#she was the protag in pokemon B2W2. she was the second hero of unova. she has kyurem. she beat up ghetsis. thats done and dusted#the thing is now every time she ends up in a new region she gets caught up in whatevers going on there because bad timing every time#so the protagonist there is always either the canon protag OR somebody else...#in the case of paldea? what i want to do? hop. hop as the protagonist. hear me out#hes going to paldea to study because hes going to work towards becoming a pokemon prof with sonia#conveniently sonia is going to brush up on her studies and do some teaching and leon and hazel tag along to do the same#sonia is teaching while leon and hazel are doing lectures and assisting the professors there#but! hop gets to be the actual protag here. he leaves zamazenta at home so it can continue to protect the region along with gloria n zacian#but i think hop is a great character and id like to put him in that role where hes making friends and doing hero stuff!!!#hop can find his treasure!!!! i think he deserves that especially as he's still figuring himself out#meanwhile leon and hazel are very concerned about these kids and are absolutely at this point chaperoning for them#they bump into clavell who's doing the same thing and very exaggeratedly pretend they dont know him#i think this would take place in the Scarlet universe and hop would get koraidon. but i still want an excuse to give hazel a miraidon.#and then uh. yknow. everyone experiences the horrors#but also leon and hazel sharing a dorm room together while theyre at the school. smiles to myself.#hazel is also here because she wants to challenge the paldea league for her badge collection#leon wants of course to explore and challenge strong trainers and would probably take nemona under his wing#hazel looking at arven and weeping a little bit. though i also see her trying to keep an eye on penny as well out of concern#im also not letting go of my kalos related headcanons for SV even if we still ... havent seen confirmation#i strongly believe in there being a connection... game freak please.. .. ...#im so sorry again to whoever is reading through my tags. i am full of thoughts so these get very long LOL;;;;; thank u for reading though#OH RIGHT additionally sonia being there to study the terastal phenomenon as she's looking into the correlation between it and dynamaxing#when i hit on kalos sonia and hop are also going to continue the studies into the connection between all of these phenomena#which i want to really focus on when i hit on them all going to pasio because i love the story there of everything being connected#so sonia being involved a bit in the area zero stuff would be fun....
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