I love the headcanon of the DCA having access to the internet and also being able to connect to your phone like a Bluetooth device. Imagine being in your shift and getting a notification on your phone saying " 'v2DCA_FAZCo2023' would like to share a file," you open it and it's just some shit like this
It happens daily and they stare at you to see your reaction to the funny thing they sent.
1K notes
·
View notes
something about childhood in succession.. the way it casts its shadow over the entire narrative, the rotten root of the roy siblings’s pain, all wrapped up in Logan’s power and abuse and love. The opening credits are filled with images of them as kids, beginning every. single. episode. by emphasizing the importance of their childhood: the siblings posing for a photo, playing sports, standing on a manicured lawn, riding an elephant, etc. and then the shots of logan, in which he is always shown from behind, or far away. It is a childhood the viewer never gets to see in any other context, since there are no flashbacks in the show, and therefore as integral as it seems, we know almost nothing about it. What exactly happened? What are the details? We feel its presence, we can tell how it informs their relationships, we can put together the pieces of incomplete and contradictory memories expressed through dialogue, and if we trace their struggles and dysfunction back far enough we know it leads there, to when they were kids. But there is so much empty space we can’t fill in. It’s almost like their childhood is presented in that horror technique where you never get to see the monster clearly straight on. It’s always in darkness, and chopped up into close-ups so that the viewer’s imagination is forced to invent something, however vague, and that is far scarier than it would be if we could actually see it — a monster that is terrifying BECAUSE it’s unknown. The roy siblings’s childhood is a major force behind so much that happens on screen, but what specifically occurred is out of the reach of our understanding. We are shown the monster’s shadow but not the monster, we are shown the frightened faces of the characters as they look at something behind the camera we never get to see, we are shown the running or the fighting or the blood but never the true, bigger-picture, clear details of the horror itself
2K notes
·
View notes
lawlu is so funny because they think of each other as idiots. It's obvious why Luffy is an idiot. While Luffy thinks that sometimes, Law is so stupid in the way he overcomplicate things. Especially about feelings. Yes. Especially feelings.
Listen, it will always be hilarious to me whenever Luffy calls Law "so intelligent, yet so stupid (affectionate)"
311 notes
·
View notes
this is like one of my favorite tropes ever . i get to this part in a dca fic and i go insane . 👍👍👍👍
351 notes
·
View notes
ive been bamboozled into shipping my tav, Ollie, and Raphael
they'd be the most disgusting girlboss x malewife combo out there im afraid
23 notes
·
View notes
in dawn of destruction i just love that little moment of pause snotlout had when hiccup came back from his small trip with astrid to find the edge being attacked. hiccup gives out orders, snotlout just stares at him and hiccup stammers to asks him ‘what is it, snotlout?’ to which snotlout replies, ‘nothing. it’s just well, it’s nice to have you back.’ and it’s with so much sincerity and even a hint of relief and it’s just so !!! snotlout looks up so much to hiccup and it grounds him (and the rest of the gang) for hiccup to BE there and to be the leader their team needs and has. it just shows how much faith and trust they have in each other and no matter how much he complains all the time, snotlout will always and undoubtedly have hiccup’s back and vice versa.
49 notes
·
View notes
hold on im still thinking about the giggle actually . rtd heard us (people who have never emotionally recovered from end of time) saying "good god watching 14 die on live television is going to kill me" and said "well! live :)"
22 notes
·
View notes