girl whatever
(these interactions are meant to be platonic)
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Gordon/Barney/Alyx is really really funny to me conceptually bc it's like, two hot geniuses in their 20s who look at the 40-something smartass who hangs around and go 'yeah that guy. we both want him carnally'
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Something I love to think about is every iteration of Leo’s relationship with Splinter and how Splinter’s interests always define how a Leo presents himself.
I used to abide by the idea that a Leo will simply emulate his Splinter directly, and to an extent I still believe that to be the case, but moreso I think Leos have a tendency to mold themselves into what they believe is their Splinter’s ideal son - someone who embodies all the traits Splinter has explicitly shown to admire or value in a person.
Most of the time, they try to be a dutiful and honorable boy abiding by the full extent of ninjitsu teachings. Then you have Rise Splinter, who very much still has undeniable prowess in the art of fighting and being a ninja, but when it comes to how he shows his interests to his boys…one thing reigns supreme.
Acting. Shows. One liners. Flamboyance in the name of gaining an audience’s attention.
He showcases Lou Jitsu movies on repeat for the boys, passing down the morals and words from those movies to them with no small amount of pride. All while fully expecting them to respect these teachings.
So, of course, Rise Leo picks up on this. He’s a Leo, after all, as much a daddy’s boy as any other variation of him, only he clocked his father’s interests to be different than most others. He picks up on the art of showmanship, of keeping things to himself so as to be a more exciting twist later, of treating the world as a set to act in.
He’s an actor, not just because Splinter himself was one, but because Splinter likes acting and showed one particular actor (unknowingly to the boys, it was himself) as the pinnacle of all his teachings. As someone to value and admire. And even more than that - Splinter focuses on the character the actor is portraying rather than just the man himself.
And I think this is all even more interesting when taking the turtle tot short into consideration, because very, very briefly, just as with many times else throughout the series, we see how easily Rise Leo aligns with his other selves, seeming to pick up the sword easier than his brothers do their own weapons - after quoting Lou Jitsu of course. After emulating his idol - the person who his father seems to admire so much.
Point being, it’s so interesting to see how Leos tend to mold themselves in one particular way throughout every variation - that being, what their father is shown to value most in people.
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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imo karlach’s soul coin usage seems like it should have been a little more significant than it was.
she only ever really stops to consider the magnitude of burning through a person’s soul for power during an origin playthrough—otherwise she rationalizes to the player that they’re doomed anyway, and if using them gives her an edge in combat, why not use them for good instead of leaving them to be used by evil? the dialogue with lann tarv in act 2, where he tells the story of each soul he's handing over to her, tries to humanize each soul coin, and still she doesn’t really budge and disapproves pretty heavily if she's told no in regards to using them.
it just seems like something that could have caused some kind of conflict between her and wyll, given he sold his soul to a devil in dire circumstances and takes issue with the player for sleeping with mizora, because she 1) is mizora, and 2) similarly expends tormented souls during her romance scene, even if for a different purpose. but it just... never really comes up?
i love karlach. but that seems like it should have gone Somewhere, from a writing standpoint? karlach values wyll as a person but is willing to use currency forged from souls like his for the sake of a temporary power up. she knows the soul is consumed when she uses them. that whole exchange with lann tarv is there to emphasize that every soul coin she destroys was a person once. but it all kind of loses narrative purpose if this combination of factors doesn't mean anything? karlach doesn't change at all in her willingness to use soul coins, no matter what the player says or how much she cares for wyll.
idk. missed opportunity that wyll doesn't have any dialogue about this, of all things.
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It honestly really baffles me when people say adrien is a boring or simple character, I don’t understand where that comes from at all. Because I think the main reason he’s so compelling are his complexities, but in the same vein those complexities I think make him someone very easy to relate to. Like it’s fine if he’s not likable or relatable to everyone but saying he’s not complex is really just ???? To me. Just looking at how DIFFERENTLY he acts around different people and situations is so fascinating to me. Of course everyone takes different personas and highlights different aspects of their personality around different people but adrien is the king of doing it around the same people to the extent of which having his two personalities be the same is laughable to those who know him personally in his everyday life.
But it’s not out of no where, seeing his home life and the kind of person he’s made out to be by his situation it’s not hard at all to understand that he’s a person who is immensely self conscious. He’s constantly gauging others perception of him and whether or not he is “safe”. What’s more fascinating is the entirely different way this comes out in chat noir. Because adriens personality as chat noir is also deliberate to a certain extent but it’s deliberate in the way that that’s how he wants others to see him. He wants to see self assured and larger than life because in his everyday life he feels small and self conscious. The fact that this dichotomy is so easy to follow in his character but creates such a black and white image in his two personalities is so interesting!
Another thing I find completely fascinating about him are his high empathy and how that actually fucks him up more often than not. He’s acutely aware of how other people might be feeling and can easily sympathize. At the same time though he has a hard time understanding certain social cues and situations and seems very out of his element. I don’t think these things conflict at all. Adrien is someone who easily puts himself in other peoples shoes and can imagine and have sympathy for their situation, but that doesn’t mean he’s going to pick up on the social complexities of every interaction every time. Emotions aren’t the same as communication and when it comes to the later adrien works best with simple and straight forward interactions.
In the same vein because of his aforementioned situations he’s also a character who has a lot of repressed anger and frustration that has been building up for a very long time. In his everyday life, he feels powerless, small, and insignificant. He doesn’t have faith that anyone would listen to his thoughts and feelings and actually take them into account, because by all of his experiences no one really has. This creates a defense mechanism where he shuts himself out before he even gets to the point of sharing how he really feels. We see this really easily in his relationship with Nino. He loves Nino DEARLY, but there is something that we have seen in him constantly putting up walls emotionally. He won’t tell him when he doesn’t find something funny, he won’t tell him if he’s unhappy to do something even when it greatly affects his life because he is at his core afraid Nino will not validate those emotions.
As a result, all the frustration he’s built up from feeling powerless in his everyday life we see just. Randomly bursting out of him in inopportune moments as chat noir. It’s not that adrien is such a violent or angry person normally. But he’s so used to repressing and modulating his emotions regularly that when he feels somewhat safe to express any frustration ALL of the anger he feels constantly bubbling under the surface all of the time just suddenly rushes out, like a dam holding back hundreds of gallons of water. This happens repeatedly, and then as soon as he’s realized he’s let himself get out of control he immediately feels immense guilt and he stops the dam up even tighter. This is obviously not a healthy feedback loop but it’s fucking FASCINATING!!!!
A common thing that I feel like I see fans often misinterpret about his character in my own opinion is just how PRIVATE of a person adrien is. Adrien loves sharing his love and appreciation for those around him because he knows how it feels not to know, not to be sure of that affection. But in the same token, Adrien rarely if ever actually shares his real feelings with those he’s close to. He doesn’t like people prying into his life or his feelings and he is very private about most things. We don’t see him talking about what he likes, we don’t see him sharing with his friends his anger or frustration. And in the end Adrien is the one character who has kept his secrets most closely held to his vest. This is all despite being so grandiose and loud mouthed as chat noir. Even as chat noir, adrien rarely is entirely open about things going on in his life.
To me Adrien as a character isn’t interesting or compelling because he is shy or cute or sweet, but because there are a number of different facets to his personality that I can easily see reasons for and understand where his feelings come from. He IS sweet, but not without misplaced anger, not without repression, not without mistakes and messy emotions. Not without pain that we can both easily see the roots of but also have a wide spread variety of consequences from. We see how his formative experiences affect every aspect of his life even in ways he audience wouldn’t necessarily expect, but make complete sense. That’s so fun and interesting to me!!!! Let characters be messy but try their best anyways!!! Let characters hurt each other and try to put the pieces back together one shard at a time. People have complicated emotions that come out in ways we can’t always foresee or help, people make mistakes because of that. But despite everything adrien is a character who cares deeply for those around him and tries to do right by them despite all the rest of it, and despite sometimes not really knowing how.
It’s things like that that keep miraculous being an extremely engaging and compelling story to me. Most of the general things about adriens character are also things that I find interesting about marinettes as well! Of course the intricacies of her character are completely different, but the general hows and whys and complex motivations for her actions while maintaining the best of intentions are what make them both so interesting to me. So this is just a little love letter to adriens character because I wanted to talk about that and why I find him so engaging!
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Marisha's comment about how Relvin is one of those parents who ended up with a child they didn't know what to do with really gets to the heart of it, i think, and is such a good way to tie the fantasy element of Imogen's powers into things more tangible. because there are really a lot of parents like Relvin in real life, who have a child with the person they're happily married to and never expect to be left alone with the kid. or who expect a ""normal"" (read: cisgender and heterosexual, able-bodied, relatively neurotypical and obedient, etc.) child and end up with one who's ""difficult"", who demands more or different of them than what they believe they signed up for. and that's not entirely entitlement on a parent's part- many cultures' common frameworks of parenthood and child-rearing do not include space for these children. it makes sense that Relvin was unprepared. raising any child is difficult, and raising a child whose needs you were never taught how to accommodate, who the world is so cruel to, is even more challenging.
and yet. and yet, the person who bears the brunt of the harm in these situations will always be the child. they're the ones who have to live every moment of how the world treats them, without the support that their parent is supposed to provide them. and when asked to care for his child even when she turned out to be ""difficult"", Relvin couldn't. for entirely sympathetic reasons, of course. he tried, in his own way. i don't think he's a bad guy. but he's let his own broken heart bleed onto his daughter. he hasn't been able to give her much else.
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0610 is so funny because mahiru is determined to be a housewife/maternal figure and kotoko is determined to parallel all the other prisoners' shitty fathers. both of them having the traits of "parental figures" that is a mold/box to be shoved into in and of itself which shows the traditional/black and white aspects of their own families. mahiru is determined to be full of love and give others that same love and kotoko pretends she doesn't love at all and bares her teeth whenever you show her love. mahiru has sun symbolism and kotoko has moon symbolism.
and then instead of ever acknowledging the absolutely insane character foil toxic yuri between those two at all, milgram refuses to let them interact ever again except for one interaction from four years ago at the very beginning and kotoko beating the shit out of mahiru. like. thanks milgram. if YOU wont do anything with your very interesting character foils that can also fall into classic "romance tropes" (which mahiru is obsessed with, cough) with their personalities/stories i guess ill do it myself.
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In general I have not been engaging with this show in a fandom way but I gotta say Molly Cobb is absolutely my blorbo. My skrunkly problematic fave. Rotating her in my mind etc. one of my favourite ‘asshole’ characters of all time. I’m so glad they didn’t have her die of space cancer or in a fiery test vehicle crash and instead she got to round out a good decade of flying very large vehicles very fast by stalking around NASA with her fuckin. Seeing eye wolfhound and spending time in her brass tub with her weird husband (who I also love.) good for her.
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people acting as if laios can Do No Wrong and infantilizing him because he is autistic are annoying as hell. especially because laios belongs to my favorite genre of character: "person who desperately wants friends and deep relationships because they're lonely, and while part of their problems stem from people not wanting to understand them and refusing to meet them where they are, they also genuinely come across in a way where you Completely Understand why others can get turned off from them"
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i wrote a really small thing related to this post!
I've been getting back into OIs so i came up with this arranged marriage scenario in a Victorian setting for Asmo and MC and have been chewing on it for the past several days lol
I think I'm gonna come up with more stuff for this later but I just wanted to post this for now φ(゜▽゜*)♪
The weather was nice out today so you decided to go for a walk around the estate garden and rest in a somewhat secluded spot. Unfortunately, someone had managed to find you. How did the two of you keep running into each other in place so vast?
"Sooo….." Asmodeus leans into your space to look at the pages of you book. "What are you reading?"
"…A book."
"…Well yea, but what is the book about?"
You hold back your sigh and answer instead. "It's just about something I took interest in recently…"
Asmo stares at you for a moment. "You know, I'm starting to realize something about you."
"You are?"
"Uh huh," he nods. "At first, I thought you were a cagey person, but you're just really socially awkward you know? You kind of remind me of one of my brothers."
You close your book without making note of the page you were on. "I'm going back inside. Goodbye."
"Wait, I didn't mean it in a bad way!"
You sigh. "Are you sure? Cause you've been pretty rude to me several times before. So I'm having a hard time believing that."
Asmodeus makes a face. "It was an observation?"
"Okay. Can you just…let me read please?" The request came out harsher than you intended but maybe you were feeling a little defensive.
So what if you were "awkward". You weren't expecting to talk to anyone when you came out here.
Asmodeus huffs and leans back on his hands. But he doesn't leave…. for some reason. Maybe he was bored?
You flip through your book trying to find what page you were on.
"Page seventy six."
You look over at Asmo who has already busied himself with inspecting his nails.
"Thanks."
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Saw some of the grossest parenting today in the bus
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unsure how to word this but there is something about having ocs with unsavory events happening in their past where it's like. talking about it, even when asked, seems almost gratuitous and inappropriate. and i'd much rather describe it through the oc themself and/or draw Them saying it. which is like. fitting for the subject matter? like of course its weird to talk about somebody else's business...!
and falls back into humanizing em/exploratory writing and development where u consider the impact of words said/words unsaid/HOW those words are said etc etc
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next up in my revamped kj designs: jet star!! 💫
she is so important to me… the space puppy tattoo is partially because of @eggbagelz’ headcanon which i saw and thought “oh definitely jet would LOVE laika” and the design is (with permission) one of my lovely friend @andpierres’ tattoo flash designs and tattoo tickets are available on his kofi if YOU would like to have a space puppy tattoo on your own skin! :)
as with the last two posts, untextured version under the cut for cleaner details and accurate colors!
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girls being nice to me gets me higher than ecstasy ever could
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Wanting more homoeroticism in the tension between the show’s leads as the narrative introduces greater intimacy and higher stakes between them, especially in a landscape that lacks queer representation who isn’t a villain or dies within one or two episodes, but also recognizing that core values/motivation for these characters lie in their relationships with one of two major female characters in an on screen sausage fest where the only other woman is a morally reprehensible femme fatale and erasing and/or vilifying female leads in favor of conventionally attractive males is a common practice observed in fandoms that’s rooted in misogyny and justified under the guise of rejecting heteronormativity, thinly veiled double standards, or claiming the woman is simply not interesting enough and not wanting to bolster that mindset
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