it makes me really insane that gideon doesn’t believe harrow could ever love her. insane. like i get it i get that the only way she knows how to be loved is to be objectified and useful and turned into a weapon and harrow has never treated her well, the ninth has never treated her like a human and she’s an animal in a spiked cage but then to get harrow’s perspective and witnessing the last thread of what was holding her together snap because she lost gideon. gideon having been so assured of her worthlessness not believing that harrowhark ‘you are my only friend. i am undone without you. gideon. gideon. i cannot do this. i cannot conceive of a universe without you. if i should forget you let my right hand also be forgotten.’ gideon’s-name-was-the-last-thing-her-body-said-before-death-even-when-her-mind-couldnt-process-it nonagesimus feels even slightly attached to her. it makes me feel like tearing my hair out actually
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at this point the house should just go for a new record. how many did they have to do in 1856? 133 rounds? we can beat that. it would be hilarious
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part of the reason the locked tomb characters are so memorable and complex is because they are very, very weird in the way only writers who understand that every human being is a little freak in their own way. harrow is the standout example of this—she is unnerringly pious to the rites of her religion in a way that to others comes across as zealotry but once we get into her point of view is revealed to be both, yes, because she is a zealot and also because the rituals and safety of painting her face, praying, etc calm her down. she eats penitently because she actually hates strong tastes. she is both schizophrenic and quite literally haunted, facts that recontextualize her behavior in gtn in an important way.
gideon is a butch and this universe’s version of a jock, and the first thing we see her do is try to escape harrow and the ninth and join the army (something that’s forgotten a little too often when people talk about her being “out of character” in ntn) because she wants to have a purpose, but we also come to learn that despite being raised in the literal dreariest place in the solar system she’s funny, sometimes even on purpose. she doesn’t know what a salad is. she reads sleazy porn magazines. she’s a talented swordswoman but is head over heels for every pretty woman she meets, to her own detriment at times.
every character is like this! they feel so real and complex because they have contradictions and weaknesses and opinions and incorrect beliefs and correct ones that are hard to tell the difference between.
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btw it's incredibly juicy to me that dulcie says she thought "maybe camilla, at least, would figure out something was up" when in reality palamedes was the one suspicious enough to test 'dulcinea' with the tea while cam was absolutely blinded with hurt
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if i have to read one more published fantasy book that uses irl memes and online vernacular in its dialogue i’m taking away the toys until y’all can learn to respect yourselves. Not only does it break immersion in your world and detract from your characters having their own voices, it also makes you, the author, seem like a dim parrot incapable of neither original thought nor basic understanding of the passage of time
1) due to the timeline of publishing, any meme included will automatically be hopelessly dated by the time the story reaches readers and
2) it’s literally the same thing Ready Player One did. Hey look i’m pointing at a thing in pop culture. Did you get my reference? Did you get it? Let me list some more colors and shapes you recognize. Did you get it? And then Gideon Nav hit the dab or whatever. Hashtag Relatable!
It’s so painfully unfunny and uncompelling every time. We can do better. Apply some creativity to your own work
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spade represents the tip of a pike; an implement for killing
alex’s
white void of doom
sketch and background element/scribble that isn’t really visible but i’m sharing just in case anybody did notice it.
other details
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it's so awful that ianthe has blue eyes. she's like a dog in that she shouldn't
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the planet earth gave john the tremendous power to save her and by doing so put him in a position where he was uniquely equipped to destroy her utterly. and then he was like ok cool now what if everyone in the whole galaxy replicated this dynamic forever
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When it comes to John, I have zero interest in condemning him. First of all, it's boring. You mean destroying the world and lying to your friends about it is bad? Shocking. Groundbreaking character work.
Second of all, I'm just not all that comfortable with condemnation in general, not when it comes to whole-ass people. Actions, for sure. I am ready to wholeheartedly condemn pretty much every decision this man has ever made, but I'm only comfortable doing that with a side of compassion for the man himself. Tamsyn said once in an interview that some of the discussion she's seen about Harrow is unintentionally very cruel to people with mental illnesses, and I feel similarly seeing a lot of the discussion around John. If I'm going to try to figure out where he's coming from, why he did the things he did, and what he thought he was accomplishing by doing them, I'm not at all interested in coming at those questions with contempt or disgust.
To me, the main question when it comes to John is: What do you do when you feel that you're unforgivable? That you've fucked up so completely no one will ever love you again, unless you lie and trick them into it? How do you deal with shame? And while part of the answer is definitely "Holy shit, not like that," what I'm most interested in is: what should he have done instead? At what points in his narrative could he have changed his course? And at what point, if ever, did he become right about it being impossible for him to dial it back and turn around?
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oh my god it's about love. It's all about love and the infinite different forms that love takes. nona is asked do you love and she says yes-no-yes i don't know what it means, i say it and i don't know what it means, did i ever know what it means? but she loves so much and so hard, she falls in love with everyone she meets but she doesn't know what love means!!! gideon does not care if harrowhark is in hell but she needs to know, she needs to KNOW, she has died for her and she is willing to die again to save harrowhark's body (take it from anywhere, take it all). Camilla, we did it, didn't we? we have had something nearly perfect. the perfect friendship, the perfect love. Palamedes yes, my whole life, yes. yes, forever, yes. life is too short and love is too long!!!!!! we are the love that is perfected by death!!! pyrrha "i'll keep loving you, my problem is I don't know how to stop" dve!!!!
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i just. i just…FUCK. i just really want harrowhark to go sicko mode when she realizes john has the power to resurrect whoever he wants he just chooses not to and even after learning about his own blood daughter he still doesn’t resurrect her he just makes her a construct. i would be alecto-levels of grief-stricken-enraged if my childhood nemesis/guard dog/whipping girl/codependent lesbian situationship that i lobotomized over/suicide-pact soulmate/only friend was suddenly here but not here haunting her own dead body and the only reason she’s present is because she was made into a fascist killing machine for a man with a power kink, and she’s not even happy about it but she’s going through the motions because all she knows of love is to be useful. (forever your sword.) and if i was harrow and i died and then came back to myself after switching bodies with the human cage holding the earth’s soul and realized all of this, i think i too would be accompanying the earth’s soul on her shoulder to go kill a man with eclipse-eyes and criminal levels of nonchalance. y’know. the one who guarded g1deon but not me, lord. the one who was so sure i had never seen that which lies insensate and with stilled mind, lord, who did not realize i was a lock and there was a key in the shape of a girl, lord. the one who looked me dead in the eye and told me i could never have my cavalier back, lord. the cavalier who came back haunted and empty and incomplete by your hand, lord.
i’m so team ‘harrowhark saves gideon for real this time not because she wants her cav but because she wants her other half’ i might lose my mind about it
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guess who has a new hyperfixation album
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Thinking about the permeability of the soul and what if Paul was inevitable? And they just made it happen faster?
Chewing glass etc
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One day I'm gonna go through HTN and point out all the moments that show that the Body is not just a hallucination and is actually an aspect of Alecto's soul. Because there are so many moments that hint at the Body knowing information that Harrow wouldn't know but Alecto would, and at one point the Body even looks at John with something resembling recognition.
One thing I cannot explain is why the Body has golden eyes now, but didn't before. I speculate that this has something to do with her proximity to John since John has a part of her soul and vice versa.
The only reason I don't think it has anything to do with Gideon at all is because Harrow (from what I can remember) does not hemorrhage, pass out, or bleed from her ears at the sight of the Body with golden eyes, but she does those things with everything else that even alludes to Gideon (like how she reacted to seeing Naberius's trident knife since she watches Gideon fight him in GTN).
I think the biggest thing that supports the Body actually being an aspect of Alecto is that the Body leaves Harrow just before Varun arrives at the Mithraeum, and I assume that she's doing this protect Harrow in some way. But regardless of the exact reason for why the Body leaves, there is quite literally no other logical explanation for why the Body would do this if the Body is not actually an aspect of Alecto.
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i've been obsesing over a tlt twilight au solely because of the silly edit with harrow seeing alecto alla bella seeing edward and.
it's so silly and dumb but gideon being the vampire and ianthe being the werewolf and they both obsessively pin over the weird loner wet rat harrow that just moved into town. i wanna say camilla, palamedes, dulcinea (the real one), protesilaus, jeannemary and isaac are part of the same family, all vampires, with abigail and magnus being the parental figures (basically the cullens). the third and second houses i'm thinking are all the werewolves, maybe the eight too. i just love the idea of ianthe and coronabeth being raised to maybe one day both take over the pack until they find out coronabeth is in fact not a werewolf.
john and all the remaining of the first would be the volturi ofc but all the cavaliers would actually be alive? i haven't thought that far.
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