thoughts on ian’s face in the “sorry im late” scene in 5x8 (i think it’s 5x8)
my thoughts are that i am going to start crying and never stop. my additional thoughts are:
so he's in bed, right? he's been trying mickey all day, meanwhile mickey has been going through his own process at home. but ian is thinking that he might have finally pushed mickey away for good - or scared him away. so he's in bed, eyes shut - probably not sleeping, but just laying there. shutting out the rest of the day. he hears someone behind him and his eyes kinda open. it's when he hears mickey though that his breathing picks up and we go from this:
to this:
like it's so slight, but like. the little flutters and the way his eyes start to move 😭 there's life left there. i feel like...... in moments like this, it sometimes feels like you might just lay there until you're dust. it's all over. the life you knew, the life you wanted. and yet - here he is again. and i think ian is genuinely surprised. this is where is starts being surprising to ian that he could be someone to come back for.
anyways. he turns around as fast as his medicated body will let him. we don't see his face when he first sees mickey, but we see it when he says "sorry i'm late." and it reminds me of the scene in 4x11 where mickey says "what you and i have makes me free." like it makes me insane. in both of these moments, his face just drops into something so young and so vulnerable.
like???? he's a little boy! and here is someone standing in front of him - someone he he has ALWAYS WANTED to stand in front of him - promising to be there. that he knows ian needed him. that he's here now for whatever might happen. reality is so warped these days but here he is.
and you see it land??? you see ian exhale and settle in a way he probably hasn't in a while. things are not okay. they're not okay!!! and they won't be for a while. but in this little moment together in this room where he grew up, he can breathe out the grief. he can share it.
mickey moves to get in bed and ian just makes room, like he always has. but he never blinks. doesn't dare take his eyes off of mickey. it's like he's scared mickey might change his mind, or dissolve right in front of him. is he even really there?
and there's another layer of disbelief here. another layer of grief. mickey milkovich is crawling back into his bed to hold him, and it's like this. it happened like this. everything he's done and suffered and been made to face comes down all at once. he's tired, he's scared. he's sorry. mickey has finally seen the worst of him.
he looks away, and mickey chases after him. i think it's important to mickey here that he lets ian feel him. something about that tactile, grounding comfort. and mickey won't look away either, it's too precious. ian's safe, even if nothing is the same.
and it's here, in these quivering lips and drawn eyebrows...... this is the release. his body and his mind have been through a lot in the last few days. it's as close to cathartic as ian really gets for a while. it's not long before the walls go back up and he's angry. but right now, he brings his hand to hold mickey's wrist, and he lets himself be held.
now.... this face:
this face fucking haunts me. i cannot name this face. what is he seeing here? i imagine it's so hard to see past this moment, into a future he can't name. it's like he's simultaneously feeling mickey there and also completely isolated. i can't explain this face. can anyone else explain this face???
either way, he closes his eyes against it. and you can assume that rest is coming.
When you kept your best pal imprisoned for a whole year along with his friends while exterminating half of the earth's population in front of him and he is still looking at you like that.
Hey, do you remember that really homoerotic scene from Skyfall? No? That's okay, here's a Vettonso version of it :)
- explanation & w/o text:
Hi hello, finally my weird psychosexual relationship with Casino Royale has come to fruition. Yeah this is directly based off a scene from Skyfall, but I def envision the vibe as being more like Casino Royale hehe. I can't believe I made that inspo board for this AU almost 4 weeks ago, and then ended up drawing a four panel "comic" about it. Ahhhh proud of myself, a bit, a tad. I think this took 20+ hours across the span of a week? God. Anyways I digress! The AU!!
First of all, their Bond song would be "My Way of Life" by Frank Sinatra. It's so toxic, codependent and obsessive, I'm in love with it. And it really suits Fernando and his motivations and outlook in this AU. Basically, MI6(in the context of James Bond) in this AU is an analog for Ferrari. It picks theses guys up, tells them that they're Ferrari MI6's most special boy, chews them up, and then spits them out when they're finished extracting all their talent and skill and life force.
Much like with Ferrari, Seb in this AU replaces Fernando after Fernando loses favor and becomes undesirable. Now Seb is the new golden boy, and Fernando has turned to a life of crime! Fernando resents Seb for this of course, but also becomes obsessed with him and the idea of him , and how they are connected. It's weird to watch someone else basically go down your exact same path and unknowingly make all the same mistakes(buying into the mysticism of it all too much, being overly cocky, having naive beliefs and goals, etc.) He is caught between wanting to doom Seb even more but also wanting to "save" him, by corrupting him and convincing him to work together.
Basically: He's both a Bond girl and Bond villain.
Fernando is in such a weird place in this AU. I think he's just very dramatic. Seb is just casually living his best 007(005?) life, and Nando is watching him with binoculars, whispering to himself: "DOESN'T HE UNDERSTAND THAT WE ARE NARRATIVE FOILS!?" Yeah he hates Seb, but like the song lyrics say, their lives and dreams are inherently tied up together. He would feel lost without Seb, because Seb basically, unknowingly, destroyed and then took over his life. Maybe he'll feel satisifed if he manipulates Seb into going down the exact same path a bit better.
About the drawings themselves. Still can't believe this scene is a real thing that actually happened, insane to me. But in this AU, after the events of these drawings, Fernando definitely kicked all his henchman out of the room, and fucked Seb in the chair. And then against the wall. And then on the floor. Hey man, Seb is already looking mighty delicious with his unbuttoned attire and being tied up.
I think the general plot would be that Fernando keeps trying to seduce him to the dark side, and Seb keeps making him think it worked, only to escape at the end of the encounter. Leading Fernando to just come up with increasingly more violent and kinky traps. Seb goes along with it(read: enjoys it), leaving Fernando satisifed, only to somehow escape and wink and make kissy faces at Fernando in the process. (Fernando smoking cigarette in bed: "How do I make him stay. Sigh.")
I like to think though that Fernando does win in the end, by realizing, ah wait shit I do need to actually explain my motivations to Seb. And Seb is so worn down by his job, not Fernando, and how he's being treated, that he listens, really actually listens, and realizes Fernando does really have valid reasons. And then they become evil crime husbands yayyyy. Wow you thought this was a espionage AU? Well it is, but just not the outcome you'd expect.
I was listening to an interview with Jan Bukowski's son and my Total Immersion Instinct was like "this is Stefania's dialect" because there's just something about the diction and the cadence that comes through in 1) her writing, 2) contemporaries' descriptions of her speech and now I'm listening to a recording of two very elderly people who speak a "fossilized" form of Kraków dialect and YEAH, GOT IT IN ONE GUESS, THIS IS THE CLOSEST I WILL COME TO HEARING STEFANIA UNLESS SOMEONE MIRACULOUSLY RECOVERS HER RADIO PROGRAMS THAT WERE BURNED IN THE WAR
Oh shit we are finally getting episode of savanaclaw manga coming out in december
Obvs I'm looking forward to see Jack content in the manga but mmm I'm also a little worried? I'm not really a fan of how the new artist (Oda Suzuka, Pretty Boys Detective Club artist) drew Leona cause he looks too... Soft-looking? (his skin also looks very pale 💀) and that expression overall just seems ooc to me
From seeing their works, all of the characters they draw are bishonen (slim, pretty face, soft features) so I'm lowkey worried about how they will portray Leona and Jack, I'm just hoping they won't twink-ify Jack and make him less muscly and give Leona a shoujo-protagonist face
Anyway I hope that I'm wrong and that they will do a good job portraying savanaclaw 🙏
ANYWAY, something something contrast between Lakan's face blindness slightly abating because Oh Look, Finally One Super-Special Person Who Isn't Stupid Like Everyone Else and Jinshi's fondness for Maomao coming from Oh Look, Even If She Hates Me, At Least Someone Is Evaluating Me As A Person.
I really need to finish that one huge lady warrior/monk romance adventure I was reading, I think I got about half way. It was pleasant enough but you know the dialogue feels weird in the sense that like you can tell the author did some lovely research on monastic life and theres lots of environmental stuff that references the medieval period and what not but then the dialogue has that "We gotta stop making characters talk like theyve been to therapy" thing going on so it'll take me out of it sometimes LMAO
I've been locked inside your heart-shaped box for weeks
I've been drawn into your magnet tar pit trap
I wish I could eat your cancer when you turn black
Yesterday I discovered I have accidentally made “Scary!” a marker when Roise was freaking out because she’d never seen a person wearing a dress before and I said “Oooo Scary!” And she immediately whirled around to me ears perked looking for cookie