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thezanyarthropleura · 9 days

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Godzilla x Kong: The New Empire is... my favorite Godzilla movie?

Or: how the MonsterVerse changed my mind after 10 years.

I hate to be that person in a fandom who's constantly saying things like "the old stuff was great, but the new stuff sucks!" however, when it comes to the kaiju genre... for a time, I unfortunately got pretty close to that. I once rolled my eyes at the notion of the "Kaiju Renaissance," and how between Legendary and Toho it had "something for everyone" and thought that for me, that was only really true if you counted some of the IDW comics, the 12-minute Godzilla vs. Megalon short film, and the renewed availability/merchandising for the originals - which means I've recently seen about 20 classic films I never had before, including some of my new favorites, so in that sense, it sort of did feel like a Renaissance. It just wasn't feeling, at the time, like the newer movies had much to offer for me personally.

It isn't that I had a great many negative things to say about the MonsterVerse films, I just... didn't have a lot of positive things to say either. Due to a number of things I can now look back on as mostly minor nitpicks, there was a sense that they didn't even belong to the fandom I loved at all, and Toho's offerings as of late... had felt pretty much the same. Now, I'll have you know I do in fact love the heck out of Godzilla: Minus One, and in a way, that film feels like a great "part one" of my change in attitude toward the new kaiju boom, but in the end, I like it more because it's an excellent film overall than specifically because it's a kaiju film.

The Godzilla solo films, or films where kaiju are presented exclusively or almost exclusively as an antagonistic force, are *in theory* some of my least favorites of the bunch. I end up holding quite a few of them very highly on their own merits as movies, but what I'm mainly looking for in these films actually started with the original Mothra film in 1961 - the expansion of the genre from disaster film into urban/contemporary fantasy, and the treatment of giant monsters as spiritual, cultural, supernatural forces that can represent a whole slew of things other than a threat or crisis.

Now, if that just sounds like a fancy way of saying "giant monsters beating the crap out of each other" then you're not entirely wrong. I do love a good hero story, and it informs a lot of which films end up being my favorites. But there are other factors I find exceptionally strong in many of the classic films - personal resonance with the human element, the interaction of the human and monster elements, the overall uniqueness and earnestness of the story being told - that I just wasn't finding with the MonsterVerse.

...Until now

GXK SPOILERS AHEAD!

I went in not expecting too much from this movie. From all the hype surrounding it, I was prepared for a monster brawl I could sit back and have a good time watching, and that was about it. I thought the opening Hollow Earth scenes were cool (if a little gory), I laughed out loud in the theater at Doug's appearance, and since I was already spoiled on Scylla's death, I didn't take it too badly (she was my favorite of the MV original Titans, but since I wasn't that invested, it was easy enough to switch back into "oh, we were never supposed to care about them" mode).

Things changed as we got introduced (mainly re-introduced) to the human cast. It was specifically the car scene, with Ilene picking Jia up from school and the short conversation they have in sign, that resonated especially well and gave me the sudden hope that this film was, in fact, going to have a very strong emotional core. It sets both of them up for deeper, more personal character arcs than they had in their previous appearance in Godzilla vs. Kong, and that only continued as we got more scenes with them, and then added Bernie into the cast.

There's something I really love about the Ilene and Bernie scene - Bernie is, in a sense, a meme character, in that his laser-focused self-interest is continually played for laughs, but then we put him in a scene with an increasingly emotional and desperate Ilene. The contrast between the two of them cuts deep at the appeal to underlying humanity that we see play out with this cast, in small moments, across the rest of the movie. Jia was already the best character in the MonsterVerse, but she has an even stronger pull when we've been introduced to a deep emotional angst looming in the background of all her scenes. Ilene's worries about her strained relationship with her daughter are carried through and don't ever feel like they've been left behind for the sake of expediency. Bernie has always had a few serious notes to his character, but even though the jokes continue, his insecurity around being hounded by skeptics is eventually played seriously and he becomes much more than the memes by the end of this film. Trapper doesn't feel quite like he gets a complete arc of his own, but as the new addition, he has a great vibe and acts as a supportive presence for everyone else's arcs.

GxK is very much a "quirky people in a situation have decided to support each other" movie, reminding me very strongly of Ebirah, Horror of the Deep (1966), which previously held the title of my personal favorite Godzilla movie. And yet, given this specific cast of characters, both in literal dynamic parallels and how enjoyable they are to watch, I can't help but also draw favorable comparisons to the Heisei era Gamera films - which I hold in their own, higher tier that eclipses anything that's come out of the Godzilla franchise. I'd specifically mention Gamera: Guardian of the Universe (1995) as probably the closest comparison, both in character and overall tone. Both of those movies are already in my top ten, along with a few other comparable films like Ghidorah, the Three Headed Monster (1964), which also has similar vibes in the human cast but far more direct parallels on the monster side.

As for the tone - great. GxK has one kaiju sex joke and one Skull Island style death, in something that feels like a "last hurrah" for the MonserVerse's previous sense of humor, but after that, it takes on a certain Showa-style earnestness for even the fantastical story being told. When there is humor, it has more to do with the characters' personalities playing off one another, and IMO, it works very well (I still think it could do with less green/yellow blood splatter and monster gore in general, but most of that is also kept to the beginning of the movie). Overall, the film doesn't feel like it's making fun of itself or the genre it's in, or if it does, it's doing so more tastefully than some previous entries.

It's probably well known by now that Godzilla himself isn't in this movie all that much, mainly relegated to Kong's backup - which is fine by me, as that's actually more or less my exact favorite use of Godzilla. He doesn't need to be the main character, or a significant narrative focus, he doesn't even need to be an outright hero, he just needs to be convenient. Godzilla showing up in all his glory, to make a situation at least slightly better for someone I care about, so I can cheer him on. That's all I ask, and this film finally delivers that. The best I can figure, the previous MV films either made him too brutal/vengeful or made his enemies too sympathetic, or some combination of the two, such that he never felt like he had that big hero moment I was looking for until now. But Scar King is just enough of a love-to-hate villain that it easily tilts the moral compass in Godzilla's favor, and this film even does make a point of having a few moments where Godzilla chooses to set his rage aside and spare a former enemy (Scylla and Tiamat notwithstanding. RIP to them, I guess).

Now, as for Kong - I've never been a Kong fan. I don't have much interest in watching previous Kong movies outside of Toho's versions and sometimes the 2005 film. The classic take on the character, with the kidnapping elements and inevitable tragedy, just doesn't appeal to me, but even when I wasn't quite sold on the MonsterVerse, one of the things I did acknowledge was that it was actually starting to make me like Kong. This film cements that, and I have zero problems that it's more of Kong's movie over Godzilla's (and for as much of the movie as the trailers spoiled, I'm really glad they managed to hide almost everything to do with Suko. His story has so much more depth than "Kong adopts a cute baby ape," it's actually wonderful).

(I could also gush at length about Mothra, but most if it would probably be incomprehensible. Just know that despite her small role and short screentime, she's at some of her very best here).

So yes, a MonsterVerse film has, as far as I can tell, somehow topped my list of favorite Godzilla films, and is now up there competing with Heisei Gamera and the third Rebirth of Mothra movie for my top pick in the genre. But the next question is, did one good movie actually change my mind about the whole MonsterVerse?

...Kind of, yeah. With as much as GxK made me love Ilene, Jia, and Bernie, I now immensely enjoy Godzilla vs. Kong (2021) and I've found myself rewatching it many, many times just to see more of them, not to mention also appreciating it a lot more as Kong's film. Mothra and especially the focus on Monarch as an organization also brings me back to Godzilla: King of the Monsters (2019), whose characters I've since reevaluated and found that I also quite enjoy. Kong: Skull Island (2017) remains an enjoyable popcorn movie for me, also elevated slightly for being a Kong film and having Skull Island and Iwi lore, and Godzilla (2014)... is also part of the continuity, I guess. I do enjoy a lot of what it has to offer, but it's probably my least favorite.

To get serious for a moment, these days every new release, in any fandom I'm in, makes me feel like it might be the last one I get to enjoy, if not the last one period. And if that ends up being true about this movie, then at least I'd be able to say that as far as I'm concerned, the kaiju genre, if not human media in general, has gone out on a high note.

I'm not in a place where I can concern myself at all with sequels or spinoffs, anything we might get in the future. But for now, this is a good movie, and I'm going to be enjoying the heck out of it. I've seen it in theaters three times and counting. I bought the novelization audiobook and have listened to it twice so far. I'm writing a fanfic. I keep impulse-buying the playmates toys. I started learning sign language. I'm choosing to be not at all normal about this movie and if the world ended with it being my entire personality, maybe at least in some sense I'd die happy.

So from me, a classic kaiju film snob who could talk at length about how Japanese films from as early as the 1950s and 60s have more progressive values and better storytelling than modern Hollywood, Godzilla x Kong: The New Empire gets an absolutely GLOWING recommendation. Somehow.

...and in case I don't see you, so long and that's a lot of fish.

#godzilla x kong: the new empire #monsterverse #godzilla #king kong #kaiju #gamera #tokusatsu #jia andrews #ilene andrews #bernie hayes #trapper beasely

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i-mean-technically · 1 day

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help my brain won't stop thinking about an Ice Age/Monsterverse type crossover

but like. different ofc. its more like taking the premise of the first Ice Age movie (the best one imo) and making it Godzilla.

so! our cast!

Godzilla as a mix between Manny's role and Diego's attitude

Anguirus kind of as Sid the Sloth

Rodan kinda sorta as Deigo

also Kong shows up and is like "wow y'all know nothing about humans" and helps them keep the tiny human they found alive, who is ofc Jia and possibly Maddie???? maybe later on.

Ghidorah as the leader of the sabertooths, with Gigan as the skinny one who's my fav just so you know.

idk even what i'm doing but if anyone is interested in this hmu i guess lol and i'll explain more

#godzilla #gojira #monsterverse #kaiju #ice age #godzilla au #anguirus #rodan #kong #ghidorah #gigan #jia andrews #madison russell #just a couple dudes road tripping across a continent with child(ren) to return them #and having a Good Time #i wish i could draw y'all don't even know

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sepublic · 22 days

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Back from Godzilla x Kong! Gotta say, I love how you have this dynamic of... Mothra is Lawful Good, Kong is Neutral Good, and Godzilla is Chaotic Good. Because sure, Godzilla is officially the arbiter of nature's balance, he's the one keeping things in check; But boy does he not care about what he needs to do to get it done. I like how the Monsterverse has made Godzilla into quite the anti-hero as well; It's a nice mix of both heroic and villainous depictions. He has no real love for humanity, even if he begrudgingly acknowledges its right and need to exist.

If Godzilla needs to get from Point A to B, it doesn't really matter to him too much if there's a fully-populated city he needs to stomp through, especially if he's on short time (Conversely, Mothra and Kong seem much more sensitive to that sort of thing, Mothra especially). It really does make Godzilla feel like a wild card that humanity just has to accept and deal with, and coexists with uneasily; You know, in theory, he has your back. But you're still rightfully terrified of Godzilla, and hell so are other titans. He's the scariest kaiju on the block for a reason, and I love how he's still a mean city-destroying menace while technically being a 'good' guy. Portraying Goji from Kong's perspective, where he's often an antagonist, was a good way to maintain that terror that was alleviated with King of the Monsters' depiction.

Also, I can't help but imagine how relieving it was for Jia to find more Iwi! Trapper makes a good point about how she ends up having a lot of weight on her shoulders with saving the world, but you know what? She ends up having so much other weight taken off knowing there are other Iwi alive and thriving. For years, Jia must've been saddled with the burden of keeping her entire culture alive, finding a way to somehow preserve it and keep it going; But now she can relax, she knows it'll live on with or without her, and that makes Jia's decision to stay with Andrews all the more natural because she's free from obligation.

You know, seeing Monarch successfully augment Kong with cybernetics... I'd love to see the Monsterverse tackle Gigan soon, because with how technology has become so much more advanced since the first film in 2014, it feels plausible that some would see the success of Kong with the gauntlet and think; Hey, let's bring back that project full-force! Maybe they find Gigan, originally flesh and blood, deeply injured and torn apart after fighting Godzilla. Initially he's on life-support with artificial organs, but at some point investors decide, let's just reprogram him into a cybernetic attack dog to defend humanity with!

Alas, Gigan breaks free of his programming; And he ends up going on a killing spree. Because while other antagonists like Ghidorah or Skar King are ambitious warlords, Gigan is a pettier sadist, a bully who likes to hurt and torture. He kills for sport, and that's literally all he's going to do once he gets his upgrades, doing it all for no other reason than fun.

Of course, another part of me would really like to see Gigan still associated with aliens, too; Monsterverse has clearly become modern Showa, we've basically got magic now! And I like that, the weirder and more fantastical, the better. There's an underground civilization that uses ancient technology bordering on magic, the Iwi of the Hollow Earth are like the Monsterverse's Seatopians. So it seems a natural evolution to introduce a more one-to-one counterpart to Seatopia in another film, another group of Hollow Earth humans who want to destroy those on the surface, and worship Megalon's power to tunnel through the earth itself. And if you have Megalon, you should have Gigan, and if you have Gigan, you may as well throw in aliens, not just in the sense that they're from space like Ghidorah, but I mean like. Actual UFOs and the like.

#godzilla x kong #godzilla #kong #king kong #monsterverse #jia andrews

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lescroniques · 26 days

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L'actriu Kaylee Hottle a "Godzilla x Kong": Un pas endavant en la diversitat i la inclusió

eltiempolatino.com En la molt esperada seqüela de la sèrie MonsterVerse, “Godzilla x Kong: El nou imperi”, Kaylee Hottle reprèn el paper de Jia Ilene Andrews, una jove amb discapacitat auditiva que té una connexió especial amb Kong. El seu paper posa en relleu la importància de la representació de la comunitat sorda en les pel·lícules convencionals i és un pas important cap a una major inclusió…

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#Godzilla x Kong #Jia Andrews #Kaylee Hottle #Youtube

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hrodvitnon · 3 months

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Jia: *riding on doug* *signing*

mom! Can i keep him?

Ilene: what? No!

Jia: dad said it was okay

Ilene: *glares at kon*

Kong: *avoids eye contact*

Ilene:

Kong:

Jia:

Doug: :D

Ilene: ...as long as he behaves himself, he can stay. But don't expect me to like it!

Not even a month later, Ilene is instructing Kong on how to build a giant doggy bed for Doug to sleep in.

#gorillageek27 #kong #jia #dr. ilene andrews #doug the foetodon #monarch shenanigans

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uhhhyaenbyjade · 1 month

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How I Would Change Godzilla x Kong: The New Empire (if i was smart enough to direct and write movies)

DISCLAIMER: I loved GxK, and I believe it is an entertaining movie! This is just my take on how I would've liked to see things happen, with it connecting to the previous installments more, as well as tweaking some minor details here and there.

SPOILERS BELOW THE CUT! DON'T READ IF YOU HAVEN'T SEEN THE MOVIE

So, the biggest change I am adding is that Madison Russell from Godzilla: King of the Monsters and Godzilla vs. Kong. I was honestly surprised when I heard that Millie Bobby Brown wasn't involved in the project at all, and I feel like Maddie's presence could have really helped flesh out some of the human aspects of the movie.

The only other thing I am really changing from the movie is adding cameos that link the movies together better, as well as making some minor attempts at making the science less... fantastical. I am not deleting any scenes from the movie, just altering them and adding a few more. Hopefully, this keeps a good balance between the human aspect versus the Titan aspect. So, the movie would probably turn out to be approximately 2 hours and 30 minutes in length, compared to the 1 hour 55 minute run time. I am only going to have bullet points for the parts I am altering/adding, so anything I leave out from the movie is otherwise unchanged or doesn't have enough of a difference to warrant a bullet point.

During the scene where we see updates of MONARCH over the past few years, we don't just see Dr. Ilene Andrews in interviews, but also cameos from Dr. Ilene Chen and Dr. Ling Chen, and possibly some other cameos like Sam Coleman or Mark Russell. Less emphasis on being thankful for Godzilla's help (because yeah he's helping, but also thousands of people are dying directly from him), but more emphasis is placed on MONARCH helping with relief efforts, and the usage of the Titan Warning System we saw in MONARCH: Legacy of Monsters. Also, instead of the other MONARCH person we see in charge (who I think is Hampton, Rachel House's character?) we see Deputy Director Verdugo.

Another small change is that MONARCH isn't trying to "stay ahead of DC" here. I understand why they did that, but from my understanding of the previous iterations in the Monsterverse series, MONARCH was supposed to be considered trustworthy and the top Titan research group after King of the Monsters, especially after the fall of APEX. So, instead, MONARCH is just trying to find what answers they can give to the United Nations as soon as possible.

When Godzilla kills Scylla, we get an explanation of how Scylla was causing problems to the natural world, as well as directly challenging Godzilla for Alpha status, which was explored in Godzilla x Kong: The Hunted.

At the MONARCH school (which I really hope is a school for children of MONARCH employees, or at least a school funded by MONARCH, and not an indoctrination school), we see that Jia is a student at the school, and Maddie is there as well (I don't know what year this movie takes place in, but it takes place sometime after GvK in 2024. Timeline-wise, Maddie was 17 in 2024, and probably a junior/senior in high school, so depending on how long it's been since GvK, she could be a teaching assistant of some kind, or a senior in high school) and friends of each other. They both have visions as the Hollow Earth signal is received; Jia has flashbacks of her past on Skull Island and of her time in Hollow Earth, and Maddie has flashbacks of her encounter with Mothra, Godzilla, as well as when she faced Ghidorah and MechaGodzilla. Both of them also have the same quick flashing vision of the future events of the movie.

When Ilene comes to check on Jia after the incident of her drawing on the desk, Maddie is there, and there's a new scene where all three of them talk about what is going on. Maddie says that MONARCH is too rigid in their thinking, and mentions that there's someone who could help them.

In Miami, Maddie and Ilene meet up with Bernie, and Maddie is integral in helping Ilene convince Bernie to help.

During Trapper's introduction scene where he gives Kong his new tooth, we also have Nathan Lind and Mark Russell show up to witness the event. They are both there to say goodbye to the Hollow Earth transport team, and Maddie joins Trapper, Ilene, Jia, Bernie, and a MONARCH military member (instead of the asshole Mikael, it would be one of the G-Team members from Godzilla KOTM to add more emphasis on their death; either Jackson Barnes or Anthony Martinez would probably be the most recognizable ones)

Instead of Godzilla going to France's nuclear power plant and destroying the place to absorb the radiation, and therefore attacking the humans who attacked him (which kind of went against the whole "the Titans are the guardians of nature" thing and the previous characterizations of Godzilla in the Monsterverse), he goes to some abandoned nuclear site. I would say Chernobyl, but I doubt they'd put that in the movie due to Russia's Invasion right now. But just some abandoned nuclear plant somewhere would work.

Inside Hollow Earth, there are issues with the HEAV due to the signal disrupting the systems, but they are quickly able to figure out the best way to traverse the land; when Jia and Maddie sense the pulse, the HEAV lands until it is over, and then repeat. On their first landing, the G-Team member dies. After they find the Mothra temple, it is Maddie who approaches the glowing dragonfly and presses the button on the wall, allowing them to find the Iwi civilization.

In the scene where we first see Shimo, there is more emphasis and origin on the crystal that Skar King uses to control her; perhaps the crystal is a part of Shimo's ice crystals that we see on her back, and has strange properties due to the Hollow Earth's radiation? We also give Shimo more of a personality. When she first appears, Shimo would be curious about Kong, but flinch at sharp movements from anyone. And then when she is forced to attack, it'd be obvious that she doesn't want to, but Skar King forces her to with the crystal.

I want Shimo to have more characterization in the movie. I've seen people complain that she was just... kinda there. Like, her whole purpose was to keep Skar King from getting bullied too badly. So, by really showing that Shimo is being forced into this and that her natural state is curiosity and warmth (as opposed to her icy nature ;D ), it provides more depth to her character, making the viewers want to see her freed.

When Godzilla arrives at Tiamat's lair, they fight again, but instead of killing Tiamat, Godzilla is able to force Tiamat out like he did in Godzilla: Dominion. Again, too much unnecessary (although insanely badass) murder for a "guardian of nature". He goes into the hibernation to evolve himself.

In the Iwi civilization, we get a more scientific look at the Iwi culture. I don't understand the gravity thing the movie tried to go for, so instead I want to focus on the cultural aspect; they are similar in most aspects to what was seen in Kong: Skull Island, but there are clear differences in dress, the markings they wear, and their ceremonies. This would also be where we go into more detail about how essential Mothra is to this group of Iwi people, instead of her being shoehorned in when all we've seen previously was the Iwi and Kong's species. We see Jia figuring this out and clearly being happy at this. I would also go into them using crystals more, like how we saw with the guard's spears, instead of the gravity-based science. These crystals would be seen to have a mystic quality, explained by Mothra's radiation, perhaps.

When Kong arrives at the Iwi civilization with Suko, that's when Trapper leaves to go back to the Outpost to retrieve the gauntlet for Kong, THEN we go into seeing the lore behind Skar King and Shimo at the temple. This provides a better sense of time between Kong's arrival and his getting the gauntlet since it honestly felt way too fast.

Inside the crystal temple itself, we see the history of the war between Skar King and his ape versus Godzilla and Mothra. I'd love to have Shimo seen more as a threat, with them explicitly saying and having a longer conversation that Shimo was the one who started the last Ice Age, and that before she was captured by Skar King, she had frozen Ghidorah in Antarctica. There is perhaps slightly more exposition here, with the prophecy including not only the "Iwi from Skull Island", but "a girl touched by Mothra".

In this scene, I want to explore Maddie's connection to Mothra. In the Godzilla: King of the Monsters Official Novelization, it is implied that there is some connection between Mothra and Maddie after the scene in the Temple of the Moth. It is hinted at when Maddie has a vision of Mothra while she is unconscious during the Boston battle. I would love to explore that more, and there'd be a deeper explanation in the Official Novelization, something with Mothra bonding with Maddie since there weren't any twin priestesses like there usually is, perhaps.

This is when Trapper returns and gives Kong the gauntlet, and when Jia sends the latter up to bring Godzilla down to help.

Maddie and Jia both go up the crystal temple to the top, where they find that Mothra has a cocoon up there; Maddie realizes that this is what Mothra must have been doing before she arrived in Boston to help Godzilla (I remember reading somewhere that the director said that Mothra was likely off laying an egg during her absence between showing MONARCH where to find Godzilla and her arrival in Boston. This would work really well in my opinion, and a lot better than her materializing out of magic crystal dust.

When Kong arrives on the surface to summon Godzilla, they still fight a bit. However, it becomes clear early on that Godzilla really isn't into the fight; he has obviously been sensing the signal the whole time, so he knows that something is happening with Skar King and Shimo. With previous movies (and especially MONARCH: Legacy of Monsters) trying to convey Godzilla's intelligence, it isn't a far stretch to suggest that Godzilla would figure out that Kong is trying to get his help. Still, the fight goes on for long enough that Mothra arrives to keep them from beating each other up too much. We see Jia and Maddie reach out to Kong and Godzilla respectively.

When Skar King arrives at the Iwi civilization, the Iwi tribe uses their knowledge of the region's radioactive properties (again, nothing gravity-based science-wise because that was all confusing and likely very bad science) to try and send energy through the crystals, messing with the portals from Hollow Earth.

There is no more anti-gravity fight scene. Although I enjoyed it a lot (seeing Godzilla swim through the air and the apes use the rocks to climb around were honestly so cool), it doesn't fit with the "improved" science I am attempting to do. Another ground fight, but they go around the tunnel so they're all still fighting on different planes.

Due to the close proximity to the surface, Ilene is able to warn MONARCH, and they work with the United Nations to evacuate Rio de Janeiro, since there is a tunnel appearing there. This brings us back to the beginning, where I wanted to do away with the "be grateful for Godzilla even though he destroys thousands of people's lives every time he's on the news" thing at the start.

When Skar King and Shimo arrive in Rio de Janeiro, since Kong, Godzilla, and Mothra are unable to stop them due to the immense amount of apes in Skar King's army, there is a lot of destruction. We see Skar King force Shimo into starting another Ice Age, though again, we see that she really doesn't want to do what he says. She starts freezing the city, and the MONARCH evacuation teams there panic as they get closer to their position, before Godzilla, Kong, Jia, Maddie, Trapper, and Bernie (the humans are in the HEAV, with a brief exposition that Mothra was staying back to stop all of Skar King's apes from destroying the Iwi civilization).

This fight is pretty much the same, but the civilians are barely present, and we only see them evacuating a few people away in the HEAV. The final battle still focuses mainly on the Titans, with a heavy amount of emphasis on the crystal from Skar King's whip. I'd keep the absolute bullying that Skar King got the same, but the explanation for this is that Skar King is much older now, and his opponents over-leveled themselves expecting him in his prime.

Mothra arrives from the tunnel, and this is what distracts Skar King long enough for Suko to use Kong's axe to break the crystal that controls Shimo. Once this happens, we see that Shimo can feel it, and she immediately stops attacking Godzilla and looks around in curiosity and amazement. She flinches when Skar King is trying to order her around while he is being bullied by Kong, but with a trill from Mothra and a growl from Godzilla, she joins in bullying her tormentor.

After the fight, there is more of a delay before the ending; we see Bernie on the news talking about his podcast, achieving his movie-long wish to be believed; we see Maddie saying goodbye to Mothra as she leaves and Maddie reunites with her dad and also Josh from GvK; Jia stays with Ilene, but she has a newfound connection to the Iwi sister tribe in the Hollow Earth; Mothra flies across the ocean while Godzilla swims below her to emphasize the symbiotic relationship, and they both take a nap in the coliseum (Godzilla is considerably more careful as he steps through the city this time); Kong returns to the Hollow Earth with Suko and Shimo, and he leads the apes out of their imprisoned area and to the main area of Hollow Earth, where his kingdom is.

For an end credits scene, it'd be Ilene and Jia in the Iwi civilization, where they get permission from the priest lady to see a special part of the temple, where it reveals prophecy-art of Kong, Mothra, and Godzilla fighting against their next enemy.

Obviously, without anything known about future projects, we don't have any end credits scene for this movie. If there is another movie (I thought I saw somewhere that Adam Wingard wanted to direct a trilogy of Monsterverse movies, which means another GxK installment could be in the future, perhaps?), I don't think they'd do what many people want and bring back a Toho villain. Based on the trend of what they've done in the series so far, the next installment would include an original villain with some connection to both of them. So I'll list out some options of what I'd like to see, of both Toho villains and original villains:

Toho: Hedorah, Biollante, Destoroyah, and my personal choice; Battra.

Original: Methuselah, Leviathan, another threat from space (not SpaceGodzilla, since that'd be difficult to work out in this series I think, but maybe something along the lines of Ghidorah's family, since I think they were briefly mentioned in the King of the Monsters Official Novelization), or another threat that goes against Hollow Earth and the surface. Maybe a giant worm-like creature or burrowing Titan could be a good idea, since it'd be able to go back and forth between the two worlds. It'd provide a nice background for how the portals are made.

So, there it is! I hope you guys enjoyed it and like my ideas for how Godzilla x Kong: The New Empire could have been improved. I'd love to hear your thoughts!

#godzilla #gojira #kong #mothra #skar king #shimo #monarch #monsterverse #legendary monsterverse #gxk #gxk spoilers #gxk: the new empire #godzilla x kong: the new empire #godzilla x kong

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astoundingbeyondbelief · 5 months

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Kaiju Week in Review (November 26-December 2, 2023)

I wasn't over the moon when Toho announced that Takashi Yamazaki's Blockbuster Monster Movie was in fact the next Godzilla film. I had seen a few of his works—none bad, but none spectacular either. Well, I've set my sights on watching the rest in the new year, because Godzilla Minus One is an unqualified masterpiece. A tagline from the original Godzilla, King of the Monsters! comes to mind (as it often does when you're me): "Mightiest melodrama of them all!" A lot of the post-Showa films suffer from an abundance of characters who just spout exposition and look at monitors; here, almost everyone in the small cast gets at least one close encounter with Godzilla, and the monster's backstory is conveyed with extreme efficiency. This tale of a war veteran trying to rebuild his life in the ruins of Tokyo, stumbling into a family, finding fulfillment in blowing up leftover mines, and haunted by what he perceives as his cowardice in combat, would have been plenty compelling without Godzilla.

Since it does have Godzilla, it's high on my list of the best movies of the year, and I only need one viewing to call it one of the best installments in the almost-70-year-old series. Yamazaki patiently waited some 15 years after Always: Sunset on Third Street 2 for his shot at a Godzilla feature. You certainly get the sense, watching one of the most brutal, pissed-off incarnations of the monster ever to grace the screen, that he spent every day of it in preparation. Watch it often while it's still in theaters, and watch it big.

Godzilla Minus One will gross about $10 million in its U.S. opening "weekend", a third-place finish that beat expectations. For context, Godzilla 2000, the last Toho Godzilla film to receive a wide release here, made about $10 million during its entire theatrical run here. Ticket prices were cheaper then, of course, and Minus One was helped along further by almost half of attendees going to premium-format screenings. Conversely, it had to overcome Americans' subtitle phobia, and the first weekend of December is usually a slow one. I was pessimistic at the outset, but now I expect larger theaters to carry the film into the new year, especially with near-universal raves from critics and audiences.

Yes, a third section for Godzilla Minus One; it's well-deserved, I promise. MyKaiju is risking life and limb by hosting an English translation of the film's novelization, written by Takashi Yamazaki himself. It appears to be at least partially machine-translated, but the Japanese text is included for comparison. Haven't read it yet, as I want to see the film a second time first, but quite a breakthrough given how mysterious this sort of thing usually is.

Monarch: Legacy of Monsters could never hope to compare with the opening of a stellar new Godzilla film; unfortunately, I also thought this week's episode was the weakest so far. It's bookended by Frost-Vark action, but the rest just drags. All's forgiven if the teacher and the hacker smooch though.

Toho and Legendary used to let each other's live-action Godzilla movies breathe; now the U.S. opening weekend of one is coinciding with the opening marketing push of the other. IGN released a trio of pics from Godzilla x Kong: The New Empire, showing Kong with his axe; Dr. Andrews, Jia, and Trapper (Dan Stevens's character) in uniform; and Godzilla "evolving into a powerful new form." The same article included an interview with director Adam Wingard. Naturally, he didn't give away much... besides the return of Doug.

Earlier in the week, Legendary put out a trio of posters featuring Godzilla, Kong, and the film's antagonist, now christened Skar King. The taglines ("Unite" for our heroes, "Bow to Your King" for SK) sound like kaiju campaign slogans. Makes me wonder if, like Godzilla vs. Megalon before it, the movie will improbably capitalize on the presidential election next year. To steal a joke from Titanollante: Godzilla/Kong unity ticket? They'd have my vote.

Godzilla's new form, meanwhile, has already been spoiled by a T-shirt on Legendary's own site and some dire-looking Playmates figures. It makes sense that Wingard would want to have his own spin on the character after keeping the design from Godzilla: King of the Monsters for Godzilla vs. Kong. Hard to cast judgment without seeing the real design in full, but there's one particular detail I really like.

The film also has a booth at CCXP in Brazil, with a panel later today, so I think a trailer is incoming (the main reason I hammered out this whole post so quickly).

I missed this one last week: Tsuburaya announced an anime project called Ultraman: DARKNESS HEELS. The DARKNESS HEELS branding has been around for a while, spotlighting prominent evil Ultras—and, of course, Jugglus Juggler. No details on the anime yet, but if the Juggleman's there, so am I.

The big toy reveal this weekend was Super7's ULTIMATES! MaiGoji figure. Previous Godzilla figures from this line haven't lived up to the official photos, but hope springs eternal. It's $85 (much less than the MonsterArts); preorders started Friday. Other highlights: a Super7 ReAction figure of the original Godzilla's skeleton, which comes with a little Oxygen Destroyer, and a plush Mothra from Surreal Entertainment that can flip to imago form to a neck pillow-shaped larva.

#kaiju week in review #godzilla #godzilla minus one #monarch legacy of monsters #godzilla x kong the new empire #ultraman darkness heels #kaiju

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adm-starblitzsteel-4305 · 1 month

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"Hello, Jia..."

I WILL LAUGH AND CRY AND LAUGH AND CRY JOYFULLY.

GXK IS OUT NOW ON THEATERS!!! GONNA WATCH!!!

And I hope you like my art, Mothra and Jia meant so well for me 🤩

#godzilla #mothra #jia andrews #kaiju #godzilla x kong: the new empire #gxk #monsterverse #kaiju art #fanart

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gorillageek27 · 8 days

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Jia: *sign and mocking kong* ME KONG. Me king of apes.

Kong: i do not sound like that

Suko: *mocking kong* children! Stay home. I will hunt food.

Kong: stop

Ilene: *joining in* what are these sound you're making? Laughter? I never heard of them

Kong: these are terrible impressions

Godzilla: but not innacurrate

Kong: WHY ARE YOU HERE?!

#monsterverse #kong #king kong #ilene andrews #suko #jia andrews #godzilla #kong family au

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fandomnerd9602 · 25 days

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Sorry if I keep bugging you, but can I get another Godzilla x kong the new empire request plz🙏 This time with Ilene Andrews x son of Godzilla reader

Y/N looks out over the Hollow Earth as Ilene joins him…

Ilene: so Godzilla’s a softie at heart?

Y/N: he watches over a few of us over the years. Feeds, protects, like you with Jia

Ilene: it’s an honor looking after her

Y/N: and it’s my honor to look after the two of you

Y/N gently takes her hand, earning a smile from the scientist

#godzilla #godzilla vs kong #godzilla x kong: the new empire #monsterverse #rebecca hall #Ilene Andrew’s #kaiju #toho #toho kaiju #toho monsters

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i-mean-technically · 7 hours

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@tosho89 i got somethin' for ya

All the other kaiju are heading towards refuge for xyz reason while Goji is going the opposite direction to deal with the problem/be ornery? Anguirus overslept and was left behind by the herds when he comes across Godzilla and decides to just. Not leave him alone. Rodan is under the thrall of Ghidorah and is attacking an Iwi settlement with the other daiju. Jia’s mother jumps off a waterfall and plunges into the depths before any of the flying daiju can catch her.

(Meanwhile, Kong is traveling to look for his people, having been raised by the Iwi after his parents’ passing. When he returns he finds his old home destroyed and no survivors. He goes on a quest for vengeance against the kaiju who slaughtered his second family. He thinks it's Godzilla because those are the tracks he finds.)

Goji wants to leave the human child, humans are nothing but trouble and he can create enough of that on his own while Anguirus wants to return it to the nearby human settlement. When they arrive they find it freshly burned down. That’s when they encounter Rodan, who was tasked by Ghidorah to find the child and bring it to him, alive.

(Rodan: *skreeeeeeeeeek*

Godzilla: -glowing blue- *skreeeeeeeeoooooooooonk*

Rodan: -rethinking his life choices- um. That pink thing belongs to me

Anguirus: actually that pink thing belongs to us!

Rodan: i see! Can’t have children of your own so you decided to adopt)

Cue Epic Roadtrip Montage as they travel across the world to reunite the human baby with other humans, not realizing that Ghidorah is systematically destroying them so that humans can’t come to the aid of whichever kaiju is king. (wow much worldbuilding) ((the King is ofc Goji who doesn’t want to be king and is avoiding his responsibilities)).

Rodan is ofc leading them to Ghidorah and his merry band of psychopaths while Anguirus is having fun playing with Jia. (i want to say that Goji names her and i want to make it angsty hmmm) Along the way they run into another human child, this one older and mostly able to fend for herself. (Maddie ran away from her mother bc she’s helping Ghidorah and Maddie needs to find the King of the Monsters in order to save the world. Goji is very vehement that there is no King) Want to say shortly after this Kong shows up?????

Massive fight between him and Goji (both are the last of their kind, Goji being old enough to remember the Titan war while Kong was told about it by the Iwi), but eventually the others manage to break it up and the truth comes out that Goji Didn’t Do It. Kong learns that one survived (maybe change it a bit so that Kong was the one that hid her? He was there during the fight and was lured away/knocked out for a while and woke up to everyone slaughtered and his favorite missing).

Kong backs Rodan up about there being another human settlement through the mountains, Maddie claims to have been there (this girl will get someone to fight Ghidorah, and she’s now seen Goji go at it. If she has to trick them into it she will.)

btw the kaiju are still like. what they look like in the monsterverse but are closer to human sized. average human is around 6ft/2 meters tall so Goji is more like 13 ft/4 meters tall (i know that's not a perfect convertion i'm rounding ok)

and i'm seeing this as kinda a mix between like. feudal japan/europe for the humans timeframe wise, but kinda steam/solarpunk-y. maybe some minor magic?????? anyways there are titans and humans but it's not set in our world

#godzilla #gojira #godzilla au #ice age #kong #monsterverse #rodan #anguirus #jia andrews #madison russell #ghidorah #godzilla/iceage fusion ig #idk what to call this but i'm really liking it so far

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nereidsrealm · 15 days

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⋆｡𖦹 °.🐚⋆❀˖° THE REALM'S ACCEPTANCES

congratulations on your acceptance, dear nereids! for those who have already been accepted, please display your affiliation to us on your pinned post. do send us an ask for the link to the discord server. do tag your works with #nereids' realm for us to track it.

if you had signed up with multiple blogs in the form but only find one blog here, do note that all your blogs have been accepted!

@frosts-intuition | frost

@kzuhae | jia

@lovelyluc | awea

@chichikoi | koi

@faesther | althea

@heiayen | heia

@amalythea | alyssa

@mideas | suah

@naraven | ven

@rinneverse | oak

@wriotheslays | malia

@the-guardian-kitsune | hana

@adiluv | adi

@starglitterz | quill

@scribetry | andrew

@lychniis | aine

@beloved-blaiddyd | brynn

if you weren't accepted, do note that there is a chance you may be accepted in the future – do check that you have all the required information and read our rules properly before applying! we'll check again next round. 𓇼 ⋆｡˚ 𓆝⋆｡˚ 𓇼 ⋆｡˚ 𓆝⋆｡˚ 𓇼

#.⋆°｡⋆ messages from the realm #.⋆°｡⋆ newest nereids

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kaitcreates · 2 months

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The Shadohunter Chronicles Character Showdown

First Round, Second Round

Rosemary Herondale vs Arthur Blackthorn, (Feb 23)

Celine Montclaire vs Diego Rocio-Rosales, (Feb 24)

Maureen Brown vs Anna Lightwood, (Feb 25)

Christopher Lightwood vs Ragnor Fell, (Feb 26)

Julian Blackthorn vs Livvy Blackthorn, (Feb 27)

Bridget Daly vs Jon Cartwright, (Feb 28)

Nate Grey vs Sona Carstairs, (Feb 29)

Gabriel Lightwood vs Madeleine Bellefleur, (Mar 1)

Paige Ashdown vs Rupert Blackthorn, (Mar 2)

Valentine Morgenstern vs Kraig, (Mar 3)

Andrew Blackthorn vs Irene, (Mar 4)

Axel Mortmain vs Thais Pedroso, (Mar 5)

Kit Herondale vs Ke Yi Tian, (Mar 6)

The Dark Sisters vs Filomina di Angelo, (Mar 7)

Lucie Herondale vs Simon Lovelace-Lewis, (Mar 8)

Shiyun Jung vs Cameron Ashdown, (Mar 9)

Elias Carstairs vs Tavvy Blackthorn, (Mar 10)

Luke Greymark vs Will Herondale, (Mar 11)

Ash Morgenstern vs Matthew Fairchild, (Mar 12)

Sophie Collins vs Jaime Rocio-Rosales, (Mar 13)

Catarina Loss vs Tessa Grey, (Mar 14)

Jessamine Lovelace vs Woolsey Scott, (Mar 15)

Diana Wrayburn vs Magnus Lightwood-Bane, (Mar 16)

James Herondale vs Jesse Blackthorn, (Mar 17)

Sebastian Morgesnstern vs Ty Blackthorn, (Mar 18)

Julie Beavul vs Tatiana Lightwood, (Mar 19)

Meliorn vs Helen Blackthorn, (Mar 20)

Alexander Lightwood vs Arawn, (Mar 21)

Jace Lightwood-Herondale vs Michael Wayland, (Mar 22)

Raphael Santiago vs Kieran Kingson, (Mar 23)

Marisol Garza vs Hypatia Vex, (Mar 24)

Dru Blackthorn vs Ari Bridgstock, (Mar 25)

Eugenia Lightwood vs Bat Velasquez, (Mar 26)

Eliza Rosewain vs Rafael Lightwood-Bane, (Mar 27)

Anush Joshi vs Seelie Queen, (Mar 28)

Church vs Cecily Herondale, (Mar 29)

Annabel Blackthorn vs Robert Lightwood, (Mar 30)

Beatriz Mendoza vs Malcolm Fade, (Mar 31)

Jocelyn Fairchild vs Max Lightwood-Bane, (Apr 1)

Imogen Whitlaw vs Jem Carstairs, (Apr 2)

Mother Hawthorn vs Chairman Meow, (Apr 3)

Manuel Casales-Villalobos vs Barbra Lightwood, (Apr 4)

Cordelia Carstairs vs Benedict Lightwood, (Apr 5)

Divya Joshi vs Lily Chen, (Apr 6)

Patrick Penhallow vs Alastair Carstairs, (Apr 7)

Isabelle Lightwood vs Mark Blackthorn, (Apr 8)

Amatis Greymark vs George Lovelace, (Apr 9)

Maryse Lightwood vs Elliott, (Apr 10)

Alexei de Quincey vs Elyas the Demon, (Apr 11)

Hodge Starkweather vs Henry Branwell, (Apr 12)

Camille Belcourt vs Auraline, (Apr 13)

Aline Penhallow vs Roland Loss, (Apr 14)

Johny Rook vs Stephen Herondale, (Apr 15)

Rayan Maduabuchi vs Alec Lightwood-Bane, (Apr 16)

Esme Hardcastle vs Jordan Kyle, (Apr 17)

Grace Blackthorn vs Evelyn Highsmith, (Apr 18)

Jia Penhallow vs Charles Fairchild, (Apr 19)

Horace Dearborn vs Max Lightwood, (Apr 20)

Emma Carstairs vs Mina Carstairs, (Apr 21)

Charlotte Fairchild vs Aloysius Starkweather, (Apr 22)

Janus Herondale vs Zachary Carstairs, (Apr 23)

Gwyn ap Nudd vs Clary Fairchild, (Apr 24)

Maia Roberts vs Gideon Lightwood, (Apr 25)

Thomas Lightwood vs Cristina Mendoza-Rosales, (Apr 26)

#shadowhunters #the shadowhunter chronicles #tsc #the dark artifices #tda #the mortal instruments #tmi #the last hours #tlh #the wicked powers #twp #tid #the infernal devices #Shadowhunter Character Showdown 2024 #Its back with more charcters then ever #*cries in a corner despiet knowing I brought this on myself*#I'll update with links as it goes along liek always

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