me and my buddies (cult of children who desperately need therapy that i, a sham therapist, cant give them)
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What if we both had unhealthy, toxic fixations with our shitty brothers because they were the only source of comfort we had growing up in a cold, uncaring home, but now they only want to use us as means to an end? What if we both yearned for the comfort and simplicity of our childhoods, but were looking through rose tinted glasses at a perfect past that never existed, and now only serves to burden us? What if we were both trying desperately to grab onto any semblance of power, by any means necessary, in a system rigged against us from the start? What if it wasn't enough. What if the only way to escape was to walk away from everything we've ever known? What if we chose something better? What if we chose freedom?
.
and we were both girls 😳😳🙈
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All our stories are the same.
No matter how different we appear,
within each person lies
a bride,
a prince,
and a blade
sharp enough to pierce the soul.
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once in a while...we deserve a wholesome utena picture
prints are here just in time for christmas <3
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Kozue is fr the most underrated rgu chracter imo. She's only in like, 4 episodes, but she steals the show every second she's onscreen.
She's 13. She's bisexual. She has gifted kid burnout. She rescues baby birds and tries to kill creepy teachers. She kissed a girl in a moving car. She previously tried to kill that same girl. She has parallels with like every other character in the show. No one else is doing it like her. Legendary. Iconic even. I like to think that, post-canon, she pulled the good old staircase trick one last time on Akio before leaving. Its what she deserves.
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I decided to rewatch Episode 26 (Miki’s Nest Box (The Sunlit Garden - Arranged)) which was a bit of a horrible decision to watch at this hour but also made me realize something. This is the definition of dude trust me analysis.
There is one scene in the entire show that features both Kozue and Nanami. Within that scene, there are only a few angles that show both of them
This wide shot places the camera at an angle and position in which Kozue and Nanami are both visible, but pillars are placed between them. While there is no physical blockade between them, the view visually separates them, creating an artificial barrier. While they are capable of coming together, the narrative as presented to us prevents it. Not to mention that their conversation after this point is focused on Akio, or “Daddy Long Legs” *retching noises* as Kozue refers to him.
In the second, while Nanami is approaching Kozue, Kozue is walking away and out of frame to Akio. There is no barrier separating them - real, imagined, only perceived at a certain angle - but it’s too late. They are on different paths now thanks to Akio’s influence. After a shot of Kozue and Akio in silhouette walking into the night, the scene ends. Their moment is taken from them.
In conclusion Akio is clearly actively trying to separate Kozue and Nanami and I have never overanalyzed anything in my life
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