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#lmao pls don't kill me
feekins · 11 months
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kind of a short one today (...I say based only on the amount of pics I took and pages I downloaded for comparison...), so! on to my thoughts and things and whatever translation weirdness I find as I re-read ch 3 of Trigun Maximum vol 2 - the conclusion (maybe) of Vash's battle with roller derby nega-Samurai Jack I MEAN RAI-DEI THE BLADE!!!
(NOTE: I'm reading the Dark Horse [physical] and the Overhaul [online] translations side-by-side)
ok so right off the bat, I noticed that the Overhaul just straight-up doesn't have the first page of this chapter. there's no dead link or anything - it's just that the first page the Overhaul shows is the chapter title with Vash's gun crossing Rai-Dei's sword. here are the 2 pages that come right before that in the Dark Horse translation:
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fortunately, y'all reading just the Overhaul aren't missing a lot! no speech bubbles on this "missing" page (on the left). it looks like it's dedicated to setting the scene, I imagine for when this chapter was first printed in Shounen Gahousha - like a little memory refresher of where the last chapter left off, rather than just jumping right in, which I think would've been jarring since the page AFTER the title page is mostly tight close-up shots.
now, our first context-altering translation discrepancy comes after Rai-Dei tells Wolfwood not to interfere with his and Vash's fight. it's a one-word difference, but an important one imo. in Dark Horse, Rai-Dei says this next: "That kind of killing is no longer of interest to me..." whereas in the Overhaul, he says "That kind of easy killing is no longer of interest to me."
(oh and there's discrepancies in what Rai-Dei says to Wolfwood right after that, too, but I don't think they change the context too much. Dark Horse has "You may not feel the same, but...this is a prime opportunity that will not come again." the Overhaul has "You may not see it the same way...but this is a prime opportunity that I will not let pass.")
that one word - "easy killing" - makes this next bit all the more chilling to me:
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(Overhaul pictured above - the only difference between it and Dark Horse's translation is that Dark Horse says "taking down" instead of "hunting")
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(Dark Horse on top, Overhaul on bottom)
and that leads us to this. little wording differences. the most important ones to me are "chosen by" VS "chosen for" the Gung-Ho Guns and "traded in" VS "gave up" but I'd say that overall, the Overhaul's wording is much more straightforward - which makes that last panel hit harder for me this read-through.
Catholic guilt much, Monsieur Le Wuwu???
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Vash's mindset and his knack for reading people here... 🥺
(and maybe I'm being Captain Obvious, but notice how Vash's "one way" isn't to kill - that's not even an option in his mind!!!)
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(Dark Horse on left, Overhaul on right)
subtle wording differences here
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and I just wanna highlight this whole sequence bc it's the first "arm gun" reveal of Trigun Maximum! it's so awesome...oh, what I'd give to see someone who hasn't read Trigun vol 1-2 react to this for the first time!!
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again, subtle wording differences - but I wanted to show both bc, either way, this is such a BADASS panel 😈
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here, I was never 100% sure of what was happening due to the way Dark Horse's translation is bound - but in the Overhaul's spread, it's a lot more clear that Vash is catching Rai-Dei just as he's reaching for his blade.
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this last panel is exactly the same in either translation and jztgjxjgxckh 🤣🤣🤣
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m-kyunie · 1 year
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The hit band HUMANOID TYPHOON (known for their hit single "H.T") releases their first album $$60,000,000. Read our exclusive interview with each member inside!
- Bernardelli Music Society
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fandomfan315 · 2 months
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I love Martin sm. Girl is FULLY okay with demigod murder. ME TOO BITCH YEAHHH FUCK EM UP MARTIN
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fortanuvasyama · 8 months
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I was REALLY REALLY curious about some of the logistics of the whole adrenaline-fear-thing Bruce stuck in Jason, so I went down a rabbit hole of googling! From what I was seeing of other people's posts, it seems like general consensus is that there's a chip in Jason's head that's making the
disclaimer: I'm not a medical professional. I googled this and looked at articles and research papers but I definitely could have misunderstood things! talk to a doctor for better info!
As I listed in another post, adrenaline gets triggered in the body for multiple reasons, one of the most obvious being fear. Keep that in mind.
So, first off, when adrenaline hits your system, it does a ton of things: your sensitivity to pain decreases, your pupils get bigger, your vision gets better, your heart starts racing, your blood pressure increases, your hearing improves, your digestion slows down, the air passages in your lungs expand, your blood gets redistributed to your muscles, and your blood glucose levels increase.
(Your adrenal glands, of which the average person has two, are on the top of each kidney, btw. That's where they link up with the endocrine system.)
Short-term, these things can help you escape a situation your brain decides is dangerous. But if they go on for a long time, well... I think you can guess.
Generally, anxiety/fear -> panic attack -> hyperventilation, and if the hyperventilation goes on for too long it can increase the levels of oxygen in your blood to dangerous amounts. Most people would pass out before this got to the point that it could cause death, and because they're unconscious, the body has a chance to get breathing back to normal levels (though of course you'd most likely have negative side-effects after this).
Most importantly: Adrenaline is straight-up toxic in huge quantities. As in, it will kill you if there's a massive amount for a long time. I can't get a reliable source on how long this takes or exactly how much it takes to kill you, but there are cases of people dying during surgery when accidentally given massive amounts of epinephrine (adrenaline). And there are definitely reports of people straight up dying of fright (of note is that most of those people had varying conditions that weakened their hearts already). Basically, adrenaline ends up opening the heart to calcium, and if too much calcium builds up it impedes the heart's ability to work, thus damaging it, and eventually the whole system collapses. I couldn't find any real time estimates on how long the calcium build-up takes 🤷‍♀️
So you can imagine, if you decided to, say, make a little computer chip that forced your brain into feeling fear every time it sensed adrenaline hitting the system, then the obvious result you're going to get is... more adrenaline entering the system. Which then kicks off the next wave of fear! Is it worse than the first? Possibly! That fear kicks more adrenaline into overdrive, which means more fear which means more adrenaline, which means more fear which means more adrenaline which means more fear which means more adrenaline which means more fear which means more adrenaline which means more fear which means more adrenaline which means more fear which means more adrenaline which means more fear which means more adrenaline and so on and so forth!
And that is to say nothing of the fact that - if we work under the assumption that Bruce put a chip in Jason's brain to cause the fear response to adrenaline being released - it means HE PUT A CHIP IN JASON'S BRAIN. HE PERFORMED BRAIN SURGERY!!! THE MAN WHO DITCHED MEDICAL SCHOOL PERFORMED A BRAIN OPERATION!!! TO PUT SOMETHING INTO SOMEONE'S BRAIN!!!!
conclusion: realistically, jason would be dead by the end of the day. if we go by dc logic, he'll probably turn into a speedster (kidding! I'm kidding. though you could make a case of adrenaline = hysterical strength which means tons of adrenaline = superman strength. probably not going to happen.)
Thank you for listening to my tedtalk on why bruce wayne is a fucking moron (and dc writers don't give a shit about biology 🫣)
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TOLD YALL I WAS AT IT AGAIN AND HOLY HELL LOOK HOW IT PAID OFF
Again thanks to @majimasleftasscheek for the inspo behind this, giving me another reason to draw the woman ever
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yujeong · 4 months
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(My) Top 5 VegasPete scenes
Listen. Listen. I'm surely not being original here. I'm certain this post has been made before, especially closer to the show airing, but I wasn't here then, and the spoons for such a post came right now, so I'm doing it now. Now, a warning: my choices will make you question my sanity. They will make you wonder wtf is wrong with me for *not* including specific scenes. They will make you question my VP taste in general. I know, I do too all the time, but the thing is, I have *reasons* for every single one being here and I will thoroughly explain, and if you're still baffled, I get it, I am too, but the brainrot works in mysterious ways. So, let's go (very long post incoming):
No5: The pool scene - Episode 14
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LOOK, I COULDN'T NOT INCLUDE THIS SCENE OK? I'M NOT THAT STUPID (Pls don't kill me for not putting it higher, I know, it's a crime, I know-). Fun fact: I had seen a screenshot of the point in which Pete says he's hungry, before watching the VP arc, and I deadass thought it was fan subtitles, like a joke, a meme, SOMETHING other than what he ACTUALLY said. It was very funny when I found out the truth. God, this scene is heart-wrenching for all the right reasons. It had everything I could ever ask for and more I didn't even know I needed. I think my No1 reason for loving this scene so much is Pete's desperation to save Vegas and all the ways he showed it. To explain, we have: - him coming to find Vegas after resigning from the main family to be with him, - him being physically intimate for the very first time to such a degree (he fucking hugged Vegas from behind, I lost my marbles when I saw it), - him trying so fucking hard to say "I love you" without saying it, because he can't, it's not sth he can say, but holy fuck will he show in SOME way, - him saying he's Vegas' pet while dying a bit inside but it's necessary goddammit, Vegas won't get it otherwise, he won't understand that Pete *needs* him, - him killing the guy who shot Vegas without hesitation. I wholeheartedly believe he'd kill whoever that person was, even Korn himself, and I love it. ALSO, can we talk about the fact that the scene was dead silent, no music, nothing during their talk, then when hope is on the horizon a soft melody plays and then BOOM, Ink comes just as Vegas gets shot and you feel like YOU got shot along with him. I love the title of the piece, and I love how it gives me goosebumps every single time I hear it, and I love how *tragic* it is, because what we're witnessing is a tragedy, and would remain a tragedy if the hospital scene didn't exist. 10/10 writing, I can't believe this scene is real, I can't believe how lucky we are to have witnessed such a moment.
No4: Vegas hits Pete with the belt + tasers him when he escapes + finds him unconscious later - Episode 11
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I am aware that I'm cheating with the last scene but I love it a little too much and it's the continuation of the previous one so I'll add it in. Ok, firstly, I had to include the scene which inspired me to write my first ever meta post in here, guys, it was essential. Furthermore, one thing you should know about me is that I love - what I like to call - "pre-VP VP", meaning VP interactions up to ep 11 (which is my favorite episode, you'll figure out why as we move through the list). It had everything; it had Pete refusing to eat, throwing his philosophy at Vegas' face, it had Vegas lashing out at Pete in a way he didn't even enjoy (he started shouting as he was hitting him to convince himself he was enjoying this but he wasn't, I'm biting my FIST here), we had Pete using the belt to escape, only for Vegas, the fucking SLUT with the loose shirt showing off his TITS, to follow him outside, we had the tasing and the catching and the soft handling of Pete's body as he fell (he totally carried him back bridal style), we had Vegas believing Pete would laugh at him for what his father did (oh Vegas you moron, he would never laugh at you, if only you saw his face when Gun slapped you), we had Vegas freaking the fuck out at a non-responsive Pete, we had it all folks. I've watched these scenes more times than I can count, they're fucking glorious. And the music too, oh God the music. You'll see me scream about the music a lot here, because it's one of the deciding factors in my preferences, so I have to mention it, just as I did for No5. Unfortunately, Shazam hasn't helped me find the first two pieces used in the scene (when Pete is hit with the belt and when he uses it to escape) but I know of the other two, which are Lost Register and Walking the Distance, which are such perfect titles for Vegas, aren't they? I don't have any intelligent things to say about these scenes, I just love them so fucking much, even though Vegas hitting Pete with the belt makes me flinch, even though Pete gets the worst treatment here (minus the ball roasting I guess), I love them so much, because it's the limit that Vegas surpasses, and the realization he did so was incredibly enjoyable to watch.
No3: Vegas tortures Pete - Episodes 10-11
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Yes, I did cheat again but technically the two scenes happen back to back on the same day (it's not the same day, Vegas is wearing a different shirt, but we'll pretend it is okay?) and yes, I did put only Pete screenshots here, look at my name, what do you want from me? When I said I have a deep fascination with "pre-VP VP", this is what I mean people. These two scenes solidified my obsession with this specific dynamic of theirs. Pete was so fucking unhinged and it was the most beautiful thing I have laid my eyes upon. There are too many things to mention, I adore them so much. We have Pete not speaking a single line of dialogue during the scene in ep 10, we have ep 11 and Vegas changing his approach, touching Pete in a sexual way which unnerves Pete but he's still not lost complete control, we have Gun hitting Vegas in front of Pete, with Pete putting the pieces together, we have the fucking phone call to his grandma, which is the thing that makes Pete give up and it's wonderful, because after that we have Pete screaming - I love his screams, I've listened to them on repeat, I have issues - and trembling with pure rage as Vegas toys with him. I've watched these two scenes, both for fic purposes and for my own enjoyment, probably more than 30 times at this point and I loved every single one of them. Btw, can we pay attention to the fact that the sneaky bastards over at BOC put a slight variation of Stable Delusion during the moment in which Vegas puts his hand inside Pete's underwear? Because I noticed, and I hope you did too. A lot of VP fans said they truly noticed Pete here, which is fair tbh, even though I was a big fan of his from the start. He truly shines in these scenes and seeing this side of him is delicious every single time.
No2: Pete's breakdown - Episode 13
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Fuck my whole existence, what am I supposed to even say here? How am I even supposed to touch upon this scene without losing my mind? How do I explain what this scene did to my brain when I watched it, and kept watching it, and never stopped watching it because it's so fucking important to me? Pff, whatever, let me try. I'll mostly use the music playing throughout the scene to help me describe my feelings about it. The scene basically starts with both Vegas and Pete being lost and miserable, each one for different but interlaying reasons. The music accompanying the scene is called Unspoken, because neither can really say outright what's bothering them, because they're hanging by a thread and it's so, so good. It's heavy and painful and it creates this uneasy feeling in your stomach, accompanied by the visuals. It goes on, until it stops, right as Vegas says "Isn't my fucking life like this because of them?", because of course it does, Vegas is one second away from snapping at Pete, but Pete doesn't hesitate, he says to Vegas the harsh truth: "It's your choice." And then, Vegas drops the noodles - Pete's food, Pete's nourishment - on the floor, and the music playing is called Calculating Catastrophe, which I *only just discovered* and I want to pull my hair out. The dream is gone, no more afterglow, only misery, because Vegas can't handle the truth, because Pete can't handle the lie, because it's all crushing down and Pete can do nothing about it but accept it, accept Vegas' cruelty, accept the knife in his throat. He's waiting to die, he says it, he grabs Vegas' wrist and then, only when he says he doesn't even have his humanity left, does the music resume playing, the OST called This Creed, just as Pete tells Vegas - tells us, the audience - what his "set of beliefs which guide his actions" is, and both Vegas and us watching are dumbfounded, we're as scared for what Pete might do as Vegas is, and it's so painful and so beautiful to witness. The music stops again as Vegas says "No" to Pete being just a pet, and both him and us are breathing a hesitant shy of relief, only for Pete to snap again, to scream at Vegas while showing his handcuffed wrist, to ask "what the fuck is this then?" and the music playing compliments this moment brilliantly, because it's called Absent Cognition and it's a 10/10 fit. And the most brilliant thing here is how they're BOTH HAVING A COMPLETELY DIFFERENT CONVERSATION. They're talking past each other and Pete knows, he knows Vegas is stuck on his delusions because he can't do otherwise, he can't, it'll destroy him, but Pete himself also can't do this anymore, he can't stay, he has to go, "I'm sorry, Vegas, I'm sorry" (relevant post to this point specifically because I have lost my mind over it in the past). God, this scene is sosososososo good and so them, and I can't stop watching it, I can't get it out of my head. It's utterly stunning and I love it.
No1: The pill kiss/VP's talk - Episode 11
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Ok. I am not normal when it comes to this scene. I have based my entire fucking personality around it since 2022. It makes me emotional every time I rewatch it, it gives me goosebumps just remembering its existence. It's because this scene is the shift in their relationship. It's them finally looking at each other in the eye and truly seeing each other. It's a promise in the shape of a pill, it's a revelation, it's rebirth. Vegas being gentle with Pete for the first time shifted something in me, as it did in Pete himself. Vegas is fighting it a bit at first; he says "Take it" to Pete harshly, demanding Pete take the pill, but when Pete rejects him, his tone gets softer. It almost sounds like begging to me and it's so powerful. Oh Bible, the delivery of some lines feel like a slap across the face, thank you. Little House on the Hill starts playing as Vegas lowers his body and puts the pill into Pete's mouth through a kiss. Even the title of the song is softer, their own little world in a little house, as they're coming closer through a promise that ended up not being kept: I can be gentle with you too. Please take the nourishment I'm giving you. And then he gets up, and sits on the floor, and the show literally gives us VP being on equal ground for the first time, truly equal: both battered and broken and looking at each other. And they talk, and Vegas starts opening up already after Pete asks him what happened, and then A Sky Sparkling starts playing as Pete talks to Vegas about his childhood, about how his father beat him up for losing, and then for winning, and I'm a sobbing mess on the floor at this point. (A Sky Sparkling = Vegas' worldview changing, gaining light, a new perspective. Fuck the titles of these songs have ruined me.) You'd think I'd have the most words about my all-time favorite VP scene, but I'm afraid that's not the case. I'm speechless. It'd given me such a visceral reaction that I simply don't know how to explain myself anymore. All I know is that I'll never get tired of watching it, of thinking about it, of analyzing it in my head. It's everything to me. I love VegasPete so much. At the end of this super long post, that's all I can say.
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angelicxdisaster · 3 months
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Goodbye Letter
BSD SEASON 2 SPOILERS
this is the first chapter of the bsd fic! the working title is "I can still smell the fire (though I know It's long died out)". Yes, it's a Mitski lyric, I love her. This is Oda's letter to the OC before his fight with Gide.
CW: angst, mentions of death and killing, i don't think there's anything else tho
enjoy!
Kanako, 
If you are reading this, then I am probably dead. Pops and the kids are, too. Mimic got to them, and now they’ve gotten to me, as well. I know where the leader of Mimic is going; I’m going to find him and kill him. In other circumstances, if the mafia wanted him dead, you would get the job, but not even you would stand a chance against him. He and I share the same ability, and I fear he would still defeat you with even one of his senses gone. At first, I didn’t want to be the one who killed him, but I saw those kids die right before my eyes, and I couldn’t go on living without bringing them some sort of justice. 
I’m sorry to leave without telling you. Hopefully, this letter will find you after Gide is dead, so he won’t be after you, either. I must say to you, this is not how I pictured I would die, but at least I’ll go out in a somewhat interesting way. I always wanted to die a boring death, but going out like this doesn’t actually seem so bad; maybe this way will make my memory last longer. 
I have to ask you a few favors, though. I know you are going to read that and scoff at the idea that even in death, I’d be nagging you, but it’s the last time, I promise. Leave it behind. Live an ordinary life. I know it’s not fair of me to ask, but I don’t want to die with one more regret other than not being able to say goodbye to you in person; and dying without knowing you’re living a good life, well, I would consider my life a failure. 
And the other thing: don’t be afraid to use your cane. It doesn’t make you weak; I don’t even know if you can be weak. You and your brother are the strongest people I know, but you get lost in your loneliness while he finds solace in it. I might have been able to reach you, but only you can pull Dazai out before he drowns in his own mind. 
I’m sorry to leave you like this. I hope you can forgive me. But know that even though it may look like I have left easily, this is the fourth time I’ve tried to write this letter. The first time I didn’t even know what to write, and even finishing the fourth one, I still don’t know if I’ve said everything I want to. The other letters were too messy and covered in tears to be legible. This one may still have a few blots on it, but hopefully, you are still able to read it. 
I love you,
Oda
Of course, I forgive you. 
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da-proti-toku-grem · 4 months
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👀👀👀
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call me Nace the way i'd go down on Ja-[GUNSHOT]
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master-sass-blast · 1 year
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Step By Step -Old Dogs and New Toys, Part Two.
Part One
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Summary:
“That’s the problem!” Vi interjects, throwing up her hands. “Cait’s mom already thinks I’m this big, nasty burden on her daughter. If –if Cait has to get me the right clothes, and teach me how to dance, and eat, and talk, and drink, and everything, that’s only going to prove Mrs. Kiramann right. Plus, Cait’s up to her eyeballs in casework. I don’t want her to have to take extra time just to teach me the ropes. I just want to be able to show up, have everything down, and… and surprise her a little. And, well, you’re the only other person up here who doesn’t look at me like I just crawled out of a sewer grate–”
“I understand why you came to me,” Grayson assures her. “Can you make weekends work?”
“I’ll make it fit.”
or, alternatively, Grayson helps Vi prepare for the Snowdown Gala and lowkey-highkey adopts Vi.
Pairing(s): Grayson x Reader, implied Vi x Caitlyn.
Rating: G for fluff and worldbuilding.
Word count: 9.6k.
You’ve always said her precinct office is something of an archaeological exhibition. 
She agrees, but she thinks it’s because of the elaborate, gilded gold and blue trim everywhere –around the door frames, the windows, along the baseboards and crown molding, even along the built-in shelves that boast a scant few personal touches that she’s added over the years (a few potted plants that seem to live off spite alone, books, a couple pictures of you and her over the decades, and a couple trophies from shooting competitions). It’s regalia at its finest; a shrine to Piltover’s abundance and the institutions funded by it.
You maintain, however, that it’s because of the countless coffee mugs, case files, and old newspapers with half-finished crosswords scattered everywhere. “It’s like walking through history,” you joked the first time she’d shown you her office –though that had been a cubicle, way back in the day, when she was just a Sergeant. “Judging by the number of coffee cups and how dark the stains are, I’m going to guess the last time you slept was some time last year.”
She’d laughed then, and she laughs thinking about the memory now.
Grayson’s never been the tidiest person; she’s not terrible, but keeping up with menial cleaning when she’s knee deep in bureaucratic headaches and attempted coups by the Undercity just takes too much energy most days.
She has an assistant, now that she’s Sheriff. Lana keeps track of memos and calls, schedules her meetings, and clears coffee cups and old newspapers from her desk without complaint. Still, even with Lana’s help, her office still happens to be something of a disaster zone. Such are the hazards of often being hip deep in any variety of figurative shit.
So, when Lana opens one of the double doors that separate her office from the outside vestibule and announces that Grayson has a visitor, only for Vi to walk in, Grayson’s momentarily grateful that her office doesn’t look too disastrous. She doesn’t peg Vi as the type to mind clutter, but still. Standards, and all that.
The gratitude, however, fritters away to guilt when she catches Vi openly grimacing at all the filigree and expensive accoutrement. Can’t say I blame her. Grayson swallows, then offers Lana a smile and thanks before her assistant closes the door. “It’s good to see you, Vi. How can I help you?”
Vi jams her hands in her pockets and rocks back on the heels of her worn boots. “I need a favor.”
Grayson pauses, then pretends to glance over some paperwork Lana had laid out on her desk that morning. “Is it your sister?”
“No. It’s me.” At Grayson’s wary glances, Vi  holds up her hands in a reassuring gesture. “It’s not anything illegal. It’s that–” Vi snaps her fingers until the words come to her. “That snowfall party.”
Grayson blinks, then nods when she connects the dots. “The Snowdown Gala.” She sets the paperwork back on her desk, then checks her calendar. “That’s… at the start of next month.” Shit. That’s sooner than I thought. I need to make sure my tux still fits. “What about it?”
“I…” Vi swallows, throat flexing, then looks away. “I –I don’t know what to do for it.”
“...It can be a lot to take in,” Grayson agrees, trying to reassure her, when Vi doesn’t offer any additional information. She studies Vi for a moment, then leans forward and crosses her hands against her desk. “Not that I’m unwilling to help you, but I’m certain that Caitlyn would–”
“That’s the problem!” Vi interjects, throwing up her hands. “Cait’s mom already thinks I’m this big, nasty burden on her daughter. If –if Cait has to get me the right clothes, and teach me how to dance, and eat, and talk, and drink, and everything, that’s only going to prove Mrs. Kiramann right.”
Grayson grimaces, but says nothing. Unfortunately, she’s not wrong.
“Plus, Cait’s up to her eyeballs in casework,” Vi continues without waiting for Grayson’s prompting. “I don’t want her to have to take extra time just to teach me the ropes. I just want to be able to show up, have everything down, and… and surprise her a little.” She takes a moment to catch her breath, then continues explaining. “And, well, you’re the only other person up here who doesn’t look at me like I just crawled out of a sewer grate–”
“I understand why you came to me,” Grayson assures her. She leans back in her leather desk chair, considering. It could work, she reasons as she checks her mental calendar. There’s enough time for fittings and some dance lessons, provided it can wait for the weekend. “Can you make weekends work?”
“I’ll make it fit.”
Grayson nods and smiles. “Then my wife and I would be happy to help you.”
Vi’s eyebrows spike upwards. “You have a wife?”
“I do.” Grayson grins and gestures to the picture frames on the bookshelves, then grabs a pad of paper and writes down her address while Vi examines them. “We’ve been married for… oh, nearly thirty years now. And we’ve known each other closer to forty.”
“Damn.” Vi nods, approving, then offers Grayson a crooked grin. “You scored.”
She laughs. “That I did.” She tears off the piece of paper and holds it out to Vi. “We’ll start with dance lessons, that way you can practice during the coming weeks. That is my personal address, so I appreciate your discretion.”
Vi nods, expression solemn, and tucks the paper into the pocket of her red jacket. “What about suits and shit?”
“I’ll have to schedule an appointment for a fitting consultation,” Grayson says as she makes a note to do just that. “But I should have something booked by next week.”
“‘Consultation?’” Vi’s face scrunches up. “What, we can’t just… I don’t know, go and buy one?”
Grayson suppresses a smile. “It’s not that simple, no. Shall I see you around one, on Saturday?”
“Sure.” Vi nods, then turns and walks towards the doors. She stops halfway and turns around again. “Uh, Grayson?” When she raises her eyebrows in question, the younger woman ducks her head, then nods. “Thank you.”
Grayson smiles and nods in return. “It’s my pleasure.”
There’s a knock on the door at a quarter past one on Saturday.
Vi grimaces when Grayson opens the door. “Sorry for being late. Got turned around a couple times.”
“No apology necessary.” Grayson ushers Vi inside, then closes and locks the door behind her. “I’m sorry for not giving you better directions.”
Her apology goes completely over Vi’s head; the younger woman is too distracted by the inside of Grayson’s home. Vi pivots slowly, staring at the decor, plush furniture, and various paintings decorating the walls. “You live here?”
“For nearly forty years.” She only got this place to make a life with you, after all. Grayson motions for Vi to follow her, then starts walking deeper into the house once she’s got Vi’s attention. “We wanted something small.”
Vi lets out a quiet, shocked laugh behind her. “‘Small.’”
Grayson grimaces, having caught her faux pas too late. “Relatively speaking.”
You’re in the back of the house, narrowing down record choices. You look up when Grayson walks into the room, then smile warmly when Vi follows. “Oh, good. I was worried you got lost.” You set the small stack of vinyls down, walk towards the two of them, then hold out your hand and introduce yourself. “You must be Violet. I’ve heard so much about you.”
Vi returns the handshake with a wary smile. “Everyone just calls me ‘Vi.’ And I’m sure the Sheriff has a few opinions about me.”
“Nothing negative, I promise.” You glance at Grayson, then wink teasingly before looking back at Vi. “Maybe a little exhausted at times, but that’s probably the caffeine withdrawals talking.”
“There’s the pot calling the kettle black,” Grayson fires back with a smirk.
You laugh, then go back to your collection of records. “So, Vi, how much experience do you have with dancing?”
“Uh…”
You bite back a smile when Vi’s voice trails off, then put a few records back on the shelf. “We’re starting from scratch, then.”
Vi’s shoulders hunch up. “Sorry.”
“Oh, no, not at all!” You wave one hand, then pull a record out of its protective paper covering and place it on the gramophone. “It’s not a problem. We’ll just start with learning how to pick out rhythm in a song.”
Grayson peers over your shoulder. “Oh, ‘River’s Waltz.’ Good choice.”
“Well, I figured a waltz would be best,” you explain as you move the gramophone arm and set the needle in place. “They always play one at the gala, and it’s an easier dance to pick up.” You turn the gramophone on, then turn to Vi once the sound of melodious strings and horns starts flowing from the speaker. “Alright, so what you’re listening for is the beat of the song. That’s the measure you’ll use to pace yourself during the dance. All waltzes are in three-four time counts.” You start clapping your hands along to the beat to illustrate your point. “Each measure in music has four counts, but a three-four count only uses three beats, then leaves the fourth as a rest –so, one, two, three, rest. One, two, three, rest.”
Vi nods, head bobbing in time with your counts. “I can kinda feel it with how the music flows.”
“Good! Very good!” You motion for her to step into the space and have her stand next to you on the rug. “So, right now, we’re just going to get you familiar with feeling that beat. Can you feel the emphasis on the first beat of every measure?”
“A little.”
Grayson watches you for a moment with a soft smile. Such a natural.
But then, that’s why you’re the Professor and she’s the Sheriff.
She picks up a book and settles in her arm chair after a couple minutes. The last thing she wants to do is make Vi uncomfortable with her staring. (Though, if she happens to steal a glance every now and then and smile at your enthusiasm, or Vi’s earnest attempts, that’s between herself and her novel.)
By the time the day’s lesson concludes, Vi’s advanced from finding the rhythm of a song to practicing a simple waltz.
“You’re doing well,” you assure her when Vi seems discouraged. “You’re already good on your feet. Just keep practicing and you’ll have it down handily before the gala.”
“If you’re sure.”
“I am.” You pluck a record from your extensive collection, then hand it over to Vi. “This is the Snowflake Waltz. It was one of the most popular pieces written at the height of the jazz movement. It’s played every year at the Snowdown Gala as part of tradition. The steps we worked on today will work fine with the song.”
“Right.” Vi nods, looking somewhat shell shocked. She stares down at the record case, eyes wide, then swallows hard and nods again. “Right.”
“You’re going to be fine.” You place one hand on her shoulder and smile warmly. “Look, between the two of us, if Gray could learn how to dance, then you’ll be a master by the time of the gala.”
“Slander,” Grayson fires back with a grin. “I was more than adequate at the start.”
You glance at her, then back to Vi and shake your head before laughing. “You’ll be just fine. I promise.”
“If you say so.”
“You will,” Grayson agrees with a reassuring smile. She sets her book on the coffee table, then stands with a grunt. “Come on. I’ll walk you to the trolley.”
Vi blinks rapidly. “Oh –no, it’s fine. I can –thank you, but I–”
“It’s alright. Call it safety in numbers.”
Understanding settles over Vi’s features, followed by exhausted frustration. “Yeah. Thanks, uh, Sherriff.”
She chuckles as she heads towards the front door to grab her coat. “Grayson is fine, dear.”
The walk down to the trolley is brisk. Even with the sun still hanging in the cloudless sky, the late Autumn wind cuts through everything in its path.
Grayson winces when a particularly biting breeze tries to snake under the collar of her coat. “How is your sister?”
“She’s… coping,” Vi answers with a pained twist of her lips. Despite wearing significantly fewer layers, the younger woman seems practically unaffected by the chill; the gifts of youth, perhaps, or just standard Zaunite hardiness. “She’s gotten good marks at the Academy this term.”
“Good. Give her my congratulations.”
“Yeah –sure. Thanks.” Vi sidesteps a Piltovan man in a light gray suit that nearly bowls her over. She scowls and jams her hands in her pockets. “Asshole.”
Grayson glares over her shoulder at the man –not that he notices, since his back is to them both–then carefully places one hand on Vi’s shoulder. “And how are you?”
“I’m fine,” Vi answers quickly, automatically.
She doesn’t buy that, but a frigid stroll to the trolley is hardly the time or place to dig into one’s psychological well-being. Grayson files the topic away for later, then moves on. “I’ve scheduled an appointment for a tuxedo fitting this coming Saturday at nine in the morning.” She nearly gives Vi the address, then reconsiders. “Perhaps I could meet you at the trolley station around half past eight?” She watches as Vi tenses, chafing against the notion of having an escort (an Enforcer escort), then squeeze’s Vi’s shoulder. “For what it’s worth, I trust you. But you know how things are up here. I’d rather you not get in trouble over nothing.”
Vi scowls, nostrils flaring in irritation and disgust. “Yeah.” She glares at the ground for a few moments, then cracks her neck before asking. “Half past eight?”
“I think that would be best, yes.”
Vi works her jaw, then nods once. “Alright. Half past eight on Saturday it is.”
Progress Haberdashery is nestled into a towering, multi-story, sandstone behemoth in Piltover’s fashion district. Located on the first floor on the building’s front face, the window that boasts the shop’s name in elegant, swirling gold script seems like every other shop alongside it. If you aren’t looking for it, it’s easy to pass by.
Grayson knows the shop’s location by heart; she’s been a patron of the haberdashery for decades now, after all.
Agatha Wainwright is just as Grayson remembers her –short, stocky, with large, thick, round-rimmed glasses that give her an owlish appearance. Her short, steel-colored hair is neatly styled and smoothed down with pommade, and she has a measuring tape draped over the back of her neck and a pencil tucked behind one ear. She’s scribbling on a notepad, hunched over the desk behind the front counter when Grayson ushers Vi inside, but she lifts her head and turns around when the bell for the front door rings. “Grayson!” She perks up and smiles, then bustles out from behind the front counter.
Grayson grins easily, then accepts Agatha’s hearty handshake. “It’s been too long, old friend.” She glances over at Vi –who’s distracted, unsubtly gawping at the displayed suits, accessories, and photos–then gestures at the younger woman. “This is Vi. She’ll be needing a tux fitting today for the Snowdown Gala. Vi, this is Agatha Wainwright.”
Vi starts at the mention of her name, then recovers and shakes Agatha’s hand. “Hey. Uh, nice to meet you.”
The corner of Agatha’s mouth ticks up as she nods in return. “Glad to have you. Come on back with me.” She motions for Vi and Grayson to follow her, then turns on one heel and motors towards the back of the shop. “Remind me, Gray, the Snowdown Gala is considered black tie?”
“Technically black tie creative,” Grayson replies, lengthening her stride to keep up with Agatha’s quick clip.
“Oh, good.” She half turns, still walking, and gestures loosely at Vi. “I wasn’t liking black for her. That gives us options!”
“I, uh–” Vi pauses to clear her throat. “I thought the rule was ‘black looks good on everyone.’”
“Yes and no.” Agatha turns on the light for one of her fitting rooms, then ushers Vi and Grayson inside. “Yes, black is a neutral color, which means you can pair it with any other color and it won’t clash. Yes, a lot of people wear it because that means it won’t clash with your hair, or eyes, or accessories. It’s an easy color to style with. But when you get into the chromatic value system–”
Grayson smirks teasingly when Vi shoots her a slow, wide-eyed look. “You just had to get her started.”
“Fuck off,” Agatha fires back with a grin. She rolls her eyes when Grayson chuckles, then returns her attention to Vi. “In fashion, there’s a whole system of color theory that relates to a person’s skin tone. It focuses on what colors look most flattering with which skin tones and undertones. And it’s not just about hue, but also the boldness of the color. Some people can wear really bright, bold colors, and they look absolutely wonderful in them. Some people, on the other hand, either wash out or get all shadowy in the face when they wear bolder colors.” She gestures to her own face to demonstrate. “Especially around the mouth and eyes, which ages them. And black, even though it is a neutral color, is a bold color. So, for people with such skin tones, more muted shades of gray are often more flattering.” She clasps her hands together, waits until Vi nods (albeit uncertainly), then continues. “So, in your case, just at a glance–” she gestures up and down Vi “–my immediate instinct is that black would probably look harsh on you, and that a dark gray would likely suit you better. Although…” She leans back on her heels, puts her hands on her hips, then glances at Grayson. “You said she was from the Fissure?”
“I grew up in the Lanes, yeah,” Vi answers, somewhat curt.
Agatha purses her lips, then sighs. “Black might be better, then. It’s more traditional.”
Vi frowns, upper lip curling in confusion and frustration. “I thought you just said black wasn’t a good choice.”
“If we’re working strictly off what colors best flatter you, then no, probably not,” Agatha agrees. “But it’s the most traditional choice; even though it’s black tie creative, a lot of people are still going to be in black tuxedos. A lot of people are still going to expect others to wear black tuxedos.”
“It might help deflect unwanted criticism,” Grayson adds when Vi scowls. “Think of it as a precautionary measure.”
“Do you really believe that?” Vi arches one eyebrow, then shakes her head and laughs bitterly when both Grayson and Agatha hesitate. “Let’s be realistic. The color of my damn suit isn’t going to do shit. They’ll just find something else to gossip about.” She smirks, frustrated, then gestures at herself. “I mean, it’s not like they’re lacking for choices.”
Grayson remains silent. There’s not much else to say.
“The only person I care about in all of this is my girlfriend,” Vi continues, facing Agatha. “The only reason I’m doing any of this is for her. All I care about is looking good for her and making her feel like she’s the only woman in the room that matters. Fuck tradition, pick the colors that look best.”
Agatha smiles slowly and nods. “I can respect that.” She directs Vi to stand on a wooden podium surrounded by mirrors. “First, let’s get your measurements.”
It starts off simply enough.
Granted, measurements aren’t generally the hard part (relatively speaking). Vi holds still, cooperates, even chats amiably with Agatha.
“Got a lot of bulk in the shoulders,” Agatha comments while scribbling on a yellow notepad. “That’ll make taking in the waist… interesting.”
“Is that a bad thing?” Vi asks, glancing between Grayson and Agatha.
Agatha shrugs. “Does your girlfriend think it’s a bad thing?”
Grayson smothers a chuckle when Vi smirks. “It just means the tailoring will be a more involved process.”
“But I am a professional,” Agatha assures Vi as she crouches to measure Vi’s inseam. “And it won’t be the hardest job I’ve ever done. You have very nice lines, by the way. Have you considered modeling?”
Vi goes wide-eyed, then looks over at Grayson. “Uh…”
Grayson merely smiles and waves one hand.
And then there’s choosing between tuxedos.
“They look the same,” Vi says with a shrug when Agatha lays out five different, dark gray sets of tuxedos, slacks, and vests.
“It might be easier to see the difference when you have them on,” Agatha assures the younger woman.
Vi, in fact, does not see the difference.
“They still look the same,” she declares after trying on the fourth suit. “I mean, they look fine, but they’re all just gray, right? I don’t know, why not…” She twists, then points at a mannequin dressed in a pinstripe gray suit. “Why not something like that? The stripes look cool.”
“Oh.” Agatha looks at the mannequin, then back at Vi. “Well, we can look at something with a faint pinstripe, if you want, but that particular one is a suit, not a tuxedo.”
Vi blinks, expression blank. “...Aren’t they the same thing?”
Agatha blinks, then turns on one heel and picks up the fifth tux. “I’m going to pretend she didn’t say that.”
“Don’t torture the poor kid,” Grayson admonishes the seamstress when Vi shoots her a panicked look. “The easiest difference to spot is the cut of the lapels. You see here, how the buttons come up higher?” She gestures to the suit on the mannequin and waits until Vi nods. “Now, look at what you’re wearing.” She traces the line of the left lapel with one finger. “This section is larger and angled differently from a standard suit, see?”
“There’s also a difference in the fabric,” Agatha adds as she takes the fifth option out of its protective plastic covering. “The lapels and pocket trim are made from satin, and the buttons are covered in satin as well.”
“And that… matters?” Vi asks, face scrunching up in confusion. She glances between Grayson and Agatha when the two older women nod, then sighs heavily and sets her shoulders resolutely. “Alright.”
Vi opts to let Grayson and Agatha pick the most flattering tuxedo (in terms of color, since Vi’s take is that all the tuxedos are “gray”). “Sweet.” Vi starts to shrug the tuxedo jacket off. “Is that it?”
“Uh–” Agatha goes a little wide-eyed and gets the jacket back on Vi’s shoulders. “Not quite. We need to do some pinning for alterations.”
Vi frowns, confused, and glances between her own reflection and Agatha. “It looks fine, I promise.”
“It will look much better tailored to you,” Grayson interjects. “Trust me.”
Vi sighs again, then straightens up and lifts her chin. “Okay.”
And then, part way through deciding what alterations need to be made, Agatha has a realization. “Ooh, it’s black tie creative! We can play with color!” She looks up from Vi where she’s adjusting the length of the slacks. “What color dress is your girlfriend wearing?”
“Uh…” Vi looks towards the ceiling, then shrugs. “I think she said blue?”
“...Okay.” Agatha waves one hand. “Powder blue? Royal blue? Progress blue?”
“...There’s a difference?”
“We’ll have a color sample the next time we come in,” Grayson interjects when Agatha pinches the bridge of her nose.
Eventually, the two of them leave in one piece, but Vi looks almost haggard.
Grayson takes one look at the younger woman, then smiles sympathetically and clasps Vi’s shoulder with one hand. “Would you like to get something to eat? It’d be my treat.”
Vi balks. “I wouldn’t have the money to pay you back, most likely.”
The response activates her mind’s eye; it’s a dim, but still visible memory of one of the first times she asked you out for coffee. She hums and slows her pace as she reflects. “You know, my wife said something similar to me the first time I asked her out for coffee.”
Vi glances up at Grayson –then, the penny drops and she does a double-take. “Is she from Zaun?”
“Yes,” Grayson says with a nod. “Her family lived on the Entresol level.” She stops and squeezes Vi’s shoulder. “I should clarify: I would like to spend some time with you outside of the fitting. That’s why I offered up lunch. If you’d rather not, you won’t hurt my feelings by saying so.”
Vi nods slowly, looking away while she mulls it over. After a bit, she looks back at Grayson and raises one eyebrow. “Nowhere too fancy?”
Grayson chuckles and grins. “I think I know a place you’ll like just fine.”
She takes the Vi out to the fringes of Piltover, where the City of Progress starts to blend into the Promenade levels of Zaun. Things aren’t near as modernized out here. The buildings are smaller, more humble establishments made out of white-washed bricks and granite. The roofs are still blue, but the edges and various trimmings aren’t capped in gold. The roads are rougher, not quite so neatly tended to as in the city’s main districts.
She takes Vi through a marketplace, stopping as Vi gets distracted to tell the young woman about what the various stalls boast. She buys a bag of dried mango for them to share, then guides Vi down a side street to a shop where the front door is painted green.
Cheriqui’s has been around since her parents were children. She can still remember her grandmother and mother bringing her here for traditional tea services and Farsi practice on Saturday afternoons.
Grayson inhales deeply as she sets foot inside the deli. She’s greeted by a veritable perfume of spices –saffron, cumin, garlic, ginger, cloves. She’s carried back to memories of home –of her family working in the kitchen–and she smiles.
“Wow.” Vi gawks, staring at the deli case of breads and pastries, the bins of bulk spices along the wall next to the deli case, and the shelves of various foreign goods not typically found at “traditional” Piltovan markets. She rolls up on the balls of her feet, then lets out a low whistle at the sight of meat roasting on vertical spits and the grills in the kitchen behind the deli case. “Damn.”
Grayson ushers her towards the deli case. “How’s your tolerance for spicy food?”
Vi shrugs. “Everyone blasts their food with hot sauce in the Lanes. It’s the only way it tastes like anything.”
Grayson nods, then straightens up when a portly man with tan skin and a thick, silvering mustache approaches the deli case.
“Grayson.” The man raises one bushy eyebrow teasingly. “And here I’d thought you’d forgotten us.”
“I’d be hard pressed to forget you and your family, Abdul,” she replies, slipping into easy Farsi. She introduces Vi and Abdul to one another, then returns her focus to Abdul. “We’re here for lunch. This is Vi’s first time trying Persian cuisine.”
Abdul nods, expression lifting in understanding before settling into serious contemplation. “How’s her tolerance for heat?”
“She says it’s good.”
Abdul shoots a wayward glance at Vi, clearly skeptical, then holds up one finger before bustling back into the kitchen. He returns a few moments later and sets a tray with little cups of soup and a plate with small pieces of meat and bread atop the deli case. “Try first,” he explains to Vi in heavily accented English, “and decide how well you tolerate it, okay?”
“Right.” Vi stares at the tray, then looks over at Grayson. “What am I working with here?”
“It’s traditional Persian food,” Grayson explains, gesturing to the tray. “It’s a bit of a melting pot; many countries fall into the fold of Persian culture, so there are many regional cuisines. These–” she gestures to two of the soup cups “–are adasi, or lentil soups. The yellow one is milder, and the red one will be spicier. This one–” she gestures to the third cup “–is aush, or a thick noodle soup.” She switches her attention to Abdul. “What’s today’s recipe?”
“Chicken and barley noodles with seasonal vegetables.”
“It’s good.” Vi nods along, already halfway through the cup of yellow adasi. “What’s the meat on the plate?”
“Lamb,” Grayson answers after checking with Abdul. “But they have goat and chicken as well, if you prefer.”
“Oh, I’m not picky.” Vi lifts the sample dish of red adasi and smiles at Abdul. “This is good!”
Abdul beams, then nods his head in appreciation. “Thank you.”
There’s a commotion in the kitchen –the sound of quiet chatter, followed by dishware clacking. Then, footsteps approach. One of Abdul’s sons-in-law, Badir, appears with a small dish of shawarma style chicken. He places the dish atop the deli case, on the tray with the other samples. “She should try shawarma.”
“One moment!” A few seconds later, Badir’s wife –a short woman named Shohreh—jogs out of the kitchen with a small plate of pickled and fresh vegetables. “You forgot the toppings, silly,” she admonishes her husband. She rolls onto the balls of her feet to set the plate on the crowded tray, then smiles at Vi. “You take the bread,” she explains in English, holding up her hand as an example, “and then you add the meat, and then the vegetables. There’s pickled onion and cucumber, sauteed spinach, and tomatoes.”
Vi nods along as she follows the instructions, then folds the flatbread around the meat and vegetables and crams a decent bite into her mouth. She chews, and then her eyes roll back in her head. She lets out a pleased groan. “Oh man.” She holds the back of her hand over her mouth, then continues once she’s swallowed. “I could eat this every day.”
Grayson finds herself smiling along when Abdul, Shohreh, and Badir all grin.
There’s more noise from the kitchen –and then Abdul’s youngest, a son named Hashem, pokes his head around the corner. “Do you want to try a goat eye?”
“For shame!” Shohreh hisses and swats at her younger brother while scolding him in Farsi. “Don’t gross her out. Have some sense!”
“Wait, like, actual goat eyes?” Vi’s eyebrows spike towards her hairline. She looks at Grayson. “They have those?”
“The practice is to use the whole animal –or as much as possible, at least,” Grayson explains. “So, when you have the head, you can roast it whole, then break it down afterwards. Jowl meat, tongue, and the brains are all fair game. The eyes are edible, but they’re not necessarily… common ingredients, as it were.”
“Huh.” Vi mulls it over, then nods and turns back to the counter. “Yeah, sure.”
Abdul, Badir, Shohreh, and Hashem all freeze.
Abdul recovers first; he blinks rapidly, then frowns cautiously. “Are –are you sure?”
Vi shrugs. “Yeah, sure. Why not?”
Hashem laughs and sticks his tongue out at his sister, only to get shooed and berated back into the kitchen. He returns a couple moments later, though, with a roasted, cloudy, glistening eye and still attached, cooked through ocular muscles on a small plate.
“It should have a meaty flavor,” Grayson says as Vi gives the eye a once over.
“Yeah, it's the same with fish,” Vi reasons. “Tastes like what it came from.” And, with that, she plucks the eye up with her fingers and pops it into her mouth. She chews, nods, and grunts with approval. “‘S pretty good!”
Grayson chuckles, then shares a shrug with a slightly stunned Abdul.
They wind up in the corner of the deli, sitting at a table clad in a fine, white linen tablecloth.
They start with some yellow lentil aush, taftun bread, finely sliced lamb seasoned with spices, and a side plate of fresh and pickled vegetables. Then, Badir comes out with shawarma style chicken and a small dish of borani for Vi to try. Another family member follows a few moments later with a dish of savory saffron rice. A few minutes later, Shohreh comes out with two cups of fragrant mint tea.
“You’re going to have to roll me out of here,” Vi jokes. She follows Grayson’s lead, loading up a piece of taftun with some shawarma chicken, greens, and borani as a sauce, then folds the bread around her fillings of choice and bites down. She groans, nods, then chews and swallows before saying, “Janna, this is fucking good. I gotta tell Cait about this place.”
Grayson swallows, then chuckles. “I’m glad you like it.”
“I’d eat this for the rest of my life, if I could,” Vi says, unabashedly earnest. She takes a sip of her tea, then asks, “You’ve brought your wife here, yeah?”
“Many times,” Grayson answers with a nod. “She met my mother and grandmother here, and we’ve been here on several dates.”
“Oh, shit.” Vi glances at the reversed lettering on the front window, then frowns, confused. “Is this your family’s place?”
“No, no.” Grayson waves one hand dismissively. “No, the Cheriquis are just old family friends. My mother and her mother used to bring me here for tea and lessons in Farsi every week –to keep me connected with our culture.”
“Oh, okay.” Vi nods, mulling the information over. Then, she laughs and smirks. “Did your lady ever take you to Jericho’s?”
Grayson laughs and nods. “That she did.” She leans back in her seat and shakes her head. “It was… quite illuminating.”
“I bet,” Vi laughs. “Did you get sick after?”
“Like a dog,” Grayson answers with a grin. 
Vi cackles and shakes her head. “I bet. You gotta grow up with that shit, or it just goes right through you.”
“You aren’t kidding.” Grayson smirks ruefully, then shakes her head when Vi laughs again. “She took good care of me while I was sick. And it was a good experience, in sum. It was… eye-opening.”
“Yeah.” Vi leans back in her seat. She watches Grayson for a long moment, drumming her fingers against her thigh, then asks, “Was that your first time in the Lanes?”
“It was,” Grayson answers with a nod. This was bound to come up eventually. “It was my first time in Zaun, actually. I’d only been on patrol in the Piltovan shopping district before then.”
Vi’s jaw tightens. “Why’d you become an Enforcer?”
The venom dripping from the word “Enforcer” is palpable, but Grayson keeps her expression neutral. “To be honest, it was a way out.” She shifts her gaze to look out the window, towards the shoppers passing the deli by. “My family…” She grimaces, then lets out a tired laugh. “They were planning on having me marry well. Do all the things that daughters traditionally do.” She looks down at the table, gaze scanning the fine texture of the tablecloth. “My father hadn’t come around by the time I was eighteen, so I enrolled in the law enforcement academy.”
“...Did your father disown you?”
“No. However, things weren’t exactly happy for a long time.”
Vi nods, expression solemn. “Did you get what you wanted, in the end?”
“I did.” Grayson nods and smiles. “I met my wife, married her, had a life with her, a career… I don’t think I could ask for more.”
“So, your dad came around?”
She shrugs and chuckles faintly. “More like my mother put her foot down.” She grimaces, then sighs. “I don’t think their marriage ever really recovered.”
“Shit.” Vi shifts in her seat. “Sorry.”
“It’s old history,” Grayson assures her with a wave of her hand. She sits forward in her seat and starts filling her plate with rice and lamb. “And, once I was old enough to know better, I stopped worrying about what my father thought.” She meets Vi’s gaze and smiles ruefully. “Some people just aren’t worth the stress.”
Vi shrugs, then loads another piece of taftun with chicken and lamb. “What’d your mom think of your wife?”
“Oh, she adored her,” Grayson replies without hesitation. “I think my mother liked her more than she liked me.”
Vi laughs, but it trails off into a strained sigh. She spoons more borani onto her plate, then mutters, “I don’t think I’ll ever have that problem with Cait’s mom.”
Grayson goes still. She considers for a moment, then reaches across the table and places one hand over Vi’s. “For what it’s worth…” She waits until Vi looks at her, then smiles reassuringly. “Her father likes you.”
Vi’s face scrunches up. “How would you know?”
“Word gets around. Official functions, that sort of thing. And everyone on the council is a massive gossip.” She retracts her hand, but when Vi’s despondent, disbelieving expression doesn’t lift, she adds, “Besides, it’s clear that Caitlyn adores you.”
Vi’s face goes as pink as her hair. She ducks her head briefly, then grins, crooked and bright. “Yeah. Cupcake’s really something.”
‘Cupcake?’ She quickly bites back a grin, but still makes a mental note to tell you about it later. That is precious–
“How is everything?”
Grayson looks up, then bites back an amused smirk when she sees Abdul approaching the table with yet another plate in hand.
“It’s amazing,” Vi gushes. “At this rate, I might just move in.” She takes note of the plate, then leans forward and cranes her neck. “What’s that?”
“Goat kebabs.” Abdul lowers the plate so Vi can see. “Would you like to–”
Vi nods and starts moving plates and bowls to make room on the table. “Bring it on!”
Grayson helps make space, then waves to Abdul as he heads back to the counter. “Alright, so there’s an easy way to get the meat and vegetables off the skewer. Hold the kebab on one end–” She picks one up to demonstrate. “And then you take your fork and push from the base so everything falls on your plate.”
“Right.” Vi mimics her, then stabs a piece of meat and grilled squash with her fork before shoving the food into her mouth. She lets out a satisfied sigh and slumps back in her seat.
Grayson grins. “Good?” She chuckles when Vi lets out an enthusiastic groan, then adds some pickled vegetables and onions to her plate.
“I hope your wife knows you’re here, Grayson.”
Grayson turns in her seat, then smiles when she sees a squat, white haired woman clad in a flowing skirt and royal blue blouse with gold embroidery shuffling over to their table. “Aunt Roshie.” She stands, steps around the end of the table, and greets the elderly woman with a kiss on each cheek. “It’s so good to see you. How are you?”
Despite being nearly ninety, Roshanak Cheriqui’s dark eyes are still clear and bright. “It’s good to see you, too, kid. And I’d be a hell of a lot better if people stopped asking me how I am. It’s the only thing anyone asks you when you’re my age! It’s boring!”
Grayson chuckles, then turns and gestures to Vi. “This is Vi. I was helping her with a tux fitting for the Snowdown Gala today, and I thought it’d be nice to bring her here for lunch. Vi,” she says, switching to English, “this is Roshanak Cheriqui. She opened this place with her husband.”
Vi glances between them, then blinks a few times before standing. “It’s nice to meet you, Mrs. Cheriqui,” she says, holding out one hand.
Roshanak shakes Vi’s hand, but scoffs all the same. “Everyone knows me as Aunt Roshie,” she insists in heavily accented English. She clasps Vi’s hand and pats the back of it warmly. “You are enjoying lunch, yes?”
“Oh –it’s amazing,” Vi confirms with an enthusiastic nod of her head. “Everything tastes incredible.”
Roshanak beams, eyes crinkling around the corners. “Good!” Then, she glances at Grayson before leaning towards Vi and smiling conspiratorially. “You know, I have known Grayson since she was this big.” She gestures to her knee. “She used to come here every Saturday with Mahshid and Nasrin for our traditional tea service.”
“Yeah.” Vi nods. “She told me about that.”
“Did she tell you that she hated the dresses her mother made her wear?”
Grayson sighs and places one hand on the back of her chair to steady herself. “Aunt Roshie, I don’t think we need to–”
“One time,” Roshanak continues, undeterred, “when she was three, Grayson decided that she had enough–”
“I don’t think Vi needs to–”
“–and she got halfway out of her dress at the table before her mother stopped her.”
Vi presses her lips together and nods, though she can’t quite stop the slight snort that escapes her.
“You didn’t stop there, either.” Roshanak grins, entirely amused, up at Grayson. “Once you were older, you kept trying to sneak your tights off and get rid of them in the bathroom trash.”
Grayson sighs, resigned, and grumbles under her breath in Farsi, “They were itchy and terrible.”
“So you kept saying.” Roshanak winks at Vi, then faces Grayson. “What is it about my deli that turned you into a stripper?”
Grayson stares down at the elderly woman (who looks like the cat that caught the canary). She can feel her eyes bugging out; if you were here, she knows you’d be falling over in gleeful laughter.
Vi, to her credit, is far better versed in stoicism. She coughs quickly and presses the back of her hand over her mouth. Her shoulders and chest jump in jerky movements, but otherwise she stays composed.
Apparently satisfied with the carnage she’s wrought, Roshanak turns back to Vi. “You come back anytime you want, okay?” Once Vi nods and promises that she’ll return, Roshanak turns to Grayson and pats her arm. “As for you, bring your wife here, soon. It’s been too long since I’ve seen her.”
Grayson briefly clasps the elderly woman’s shoulder as Roshanak starts to shuffle off. “Yes, Aunt Roshie.”
“And keep your clothes on!”
Grayson closes her eyes, inhales deeply, then lets out a ragged sigh. Decades of service to the city and devotion to my wife, but that’s going to be my legacy, isn’t it? She opens her eyes, then points at a red-faced, silently snickering Vi. “Not one word.”
Vi holds up her hands in a placating gesture, then sits when Grayson does. She giggles a little, takes a long drink of mint tea, then asks, “So… Butch from the start?”
“Decidedly.” Grayson shakes her head, then drinks some tea to soothe herself. “You couldn’t move in those damn dresses. I would’ve given my left eye for a pair of trousers.” She takes another sip of tea, then adds, “I cut my own hair when I was ten.”
“No shit.” Vi cocks her head to one side, like she’s trying to envision it. “Was it long?”
“It was down to my fucking ass. It took ages to brush and braid! It was completely impractical!”
“So, you just–” Vi mimes a pair of scissors with her fingers “–had at it?”
She nods. “I took my mother’s sewing scissors, snuck into the upstairs bathroom, and started cutting everything until it was above my ears.”
“Oh, I bet that looked great,” Vi teases with a grin.
“It looked terrible,” Grayson admits with a laugh. “I think I made my mother cry. She loved styling my hair when I was a young girl.”
Vi nods, then smirks. “I tried my first side shave when I was thirteen.”
“Oh, really? How’d that go?”
Vi laughs and shakes her head. “Well, I didn’t know to cut the part I wanted shaved first–”
“Uh-oh,” Grayson interjects with a grin.
“Yeah. And, to make things worse, the clippers I were using were real fucking old, so they kept dying, like, every five minutes!”
Grayson chuckles. “Oh, great.”
Vi snorts, then shakes her head. “Vander caught me halfway through. The entire left side of my head looked like it’d gotten caught in a blender, the sink was full of hair–” She cuts herself off with a laugh. “Vander helped me finish the job, in the end. It didn’t look half bad.”
Grayson nods and chuckles. Then, she lifts her cup and holds it towards Vi. “To unconventional style choices.”
Vi grins, then lifts her cup and lightly taps it against Grayson’s.
They finish lunch with saffron ice cream and bamie –deep fried dough soaked in sugar syrup. Once they’re done eating, Grayson leaves a semi-comatose Vi at the table and heads to the deli case to pay the tab.
“No, no.” Abdul holds up one hand and shakes his head. “I’m not going to charge you for what we brought out to you of our own accord. It’s dishonest business.”
“I appreciate the sentiment,” she argues back in Farsi, “but we nearly ate the whole menu. It’s not reasonable–”
“As the person in charge of the business, I think I get to decide what’s reasonable.”
Grayson levels him with a flat look. “We both know that your wife decides what’s reasonable. If she didn’t, you’d still have those ridiculous sideburns.”
“They were perfectly stylish! Besides, Esther isn’t here, so that leaves me.”
“Actually, I’m pretty sure that leaves your daughter.”
“Well, she isn’t part of this conversation.”
Grayson raises one eyebrow, then leans to the side so she can see into the kitchen. “Shohreh!” she shouts. “Come talk some sense into your father!”
“What?” Shohreh’s voice echoes out of the kitchen. “What’s going on?”
“Nothing!” Abdul shouts back. “Ignore this poor, senile old woman.” He grins when Grayson glares playfully at him. “She has dementia! She’s imagining things!”
“I’m not imagining those ugly-ass loafers you promised Esther you’d get rid of.”
Abdul purses his lips together, then shuffles closer to the deli case to better block any view of his feet. “I don’t know what you’re talking about.”
She smirks. “If you don’t want your wife to know what I’m talking about, let me pay the tab.”
Abdul places one hand over his heart and feigns a gasp. “Blackmail? From the Sheriff?”
“If we’re talking misconduct, what you’re doing could technically be construed as a bribe–”
“Oh, enough, both of you.” Roshanak shuffles to the front and fixes both of them with a stern, matronly glare. “I could hear you two from the pantry. Aren’t you two too old to be bickering like children?”
“Sorry, mama.”
“Sorry, Aunt Roshie.”
Roshanak purses her thin lips as she looks between the two of them –apparently none too satisfied with their unrepentant expressions–then scoffs and waves one hand. “Brats, the both of you. And as the co-founder of this establishment–” she turns her focus to Grayson alone “–I say our hospitality is ours to give.”
Grayson relents with a sigh (and makes a mental note to put what’s left of the tab in the tips jar Hashem has out for his Academy fund). “Alright. If that’s what you want.”
Roshanak nods, then sets a pale yellow, square box on the counter with the family name in dark green on the side. “And these are for your wife.”
Grayson peeks through the cellophane window on top of the box –more bamie and baklava–and smiles. “Thank you. She’ll enjoy these.” She considers, then says, “But I am paying for these.”
Roshanak shakes her head. “No–”
“She would want me to,” Grayson insists –because you would. She smiles when Roshanak relents with a sigh and a wave of her hand, then turns back to Abdul. “Now, what does this leave us at?”
She walks Vi back to the trolley, then takes a longer route home. It does a world of good –if only because she’s less likely to pass out on the couch from the sheer volume of food she ate for lunch.
You’re in the back of the house, where the two of you keep the bulk of your books and the record player. You’re curled up in your arm chair –a plush, quilted emerald green seat–with a book in your lap and a cup of tea on the end table between your chair and hers. You smile and look up when she walks in –then your jaw drops when you see the box tucked under her arm. “You went to Cheriquis?”
“I took Vi there for lunch,” Grayson defends herself. “She was a bit overwhelmed after the initial tux fitting –speaking of, don’t let me forget to sleuth out the color of Caitlyn’s dress; Agatha needs a swatch to work with.” She walks over to your chair, bends to give you a kiss, then holds out the box to you. “Aunt Roshie sent these home for you.”
“Oh, bless her.” You slide your thumbnail through the sticker holding the box shut, then lift the lid. You select a perfectly round bamie, bite through half of it, then close your eyes and let out a blissful groan. “I haven’t been to Cheriqui’s in forever and a day. And, if we’re on the topic of reminders, don’t let me forget to book a reservation there for my senior’s final’s study group.”
“I’ll do my best.” She sits in her chair with a muted groan. “How has your day been?”
You wave one hand dismissively. “Literally nothing has happened. I’ve been utterly unproductive.” You grin when she chuckles, then finish off your bamie before holding the box out to her.
Grayson holds up one hand to turn you down. “Gods, no. We practically ate the whole damn menu.”
“Oh.” You blink, then smile. “Oh. Was it Vi’s first time trying Persian food?” When she nods, you laugh lightly. “That was a dangerous admission to make. I nearly passed out the first time you took me to Cheriqui’s.”
“Vi was in a similar state to you when we left,” Grayson says. “But she enjoyed herself –and the family enjoyed her, too.”
“I can’t fathom how she wouldn’t. I’m glad they liked her, though!”
“I’ll say.” She smirks. “I think they were all impressed when she ate a goat’s eye.”
Your eyes widen, and your brows spike towards your hairline. “Yeah, that’d do it.” You laugh. “How’d she handle it?”
“Apparently, she’s familiar with fish head stew, so it didn’t faze her.”
You nod. “The food in the Lanes is definitely rustic.”
“You don’t say!” She grins when you laugh, then shakes her head. “She met Aunt Roshie, too –she wants you to stop by soon, by the way.”
“Oh, twist my arm. What did Roshie think of Vi?”
“I think she liked Vi –but I think she liked telling Vi stories about me trying to get out of my dresses and tights as a kid.” She pauses when you snicker, then sighs and adds in a resigned tone, “And she definitely liked asking me ‘what about her deli turns me into a stripper’ in front of Vi.”
You burst into delighted cackles and clap your hands together. You rock back in your chair –hard enough that your chair scoots back slightly. “She did not!”
“Oh, she did.” Grayson grimaces. “In English.”
“Oh, Janna!” You clutch at your sides as tears of mirth stream down your face. “Bless that woman. I absolutely adore Roshie.” You wipe your cheeks, then your eyes, all while giggling. “Oh, I wish I could’ve been there for that!”
She can’t help but smile, exasperation aside. “I don’t doubt it.”
Once you regain some coherency, you shift so you’re sitting properly in your chair once more and look at her. “How’d the fitting go?”
“It went alright. I think Vi was overwhelmed, though.”
“By Agatha, or by the process?”
“By the process.” Grayson drums her fingers against the arm of her chair. “I mean –I know how things were for you, at the start. You certainly know how they were for you.”
“I do,” you agree while nodding slowly. Your expression is grim, lips pressed into a tight line. “I also know that they don’t always get better on a bigger scale.”
“I know.” She sighs, weary, and folds her hands in her lap. And Vi doesn’t seem like the type to take the route of “blending in.”
The first few years of your relationship had been a brutal, rude awakening. Not just in seeing the destitution of Zaun for the first time –and being lightly hazed with what Jericho thought was passable as food–but realizing just how much Piltovans hated anyone from the Undercity.
You’d had to scrape and fight your way through university; she hadn’t witnessed it personally, but you’d told her horror stories about professors docking points because you didn’t have a surname to list on your assignments. Or marking you down during presentations because your accent was different. Or refusing to let you attend office hours without security present because they were “concerned” for their “wellbeing.”
She’d heard stories about you getting harassed at work by colleagues and bosses, only for human resources to do nothing. She’d witnessed the harassment once –one of your male coworkers had slapped you on the ass–and she’d had to go up the chain of directors and presidents as a Captain in the ranks of the Enforcers before any recourse was afforded.
She’d had extended family members sit her down for countless interventions when she’d proposed to you. They’d cited rampant crime and drug abuse in the Undercity, how you’d bring unbearable baggage with you, how your reputation and “status” would harm her career and ability to climb the ladder. Hell, she’d had ex-girlfriends come crawling out of the woodwork and try to interfere with your relationship, only to later find out that several meddling aunts had orchestrated the whole nightmare. She’d married you anyway –and sent them all notices in the mail that they were not invited to the wedding or reception.
People used to nearly walk over you in the streets. Men would catcall you, or call you a “bitch in lady’s clothing.” Women would whisper to their companions and laugh at you, regardless of whether you were in earshot or not. People would come up and talk to her without once addressing you, or even looking in your direction.
There was one glorious incident, shortly after she’d been promoted to Lieutenant, when she’d gotten a call from her patrolmen about a drunk and disorderly complaint. She’d shown up at a local shop, only to find you in cuffs –and utterly sober, no less.
She doesn’t remember much of what she said while dressing down her patrolmen. She’s heard, however, that she made one man throw up afterwards, just from sheer terror.
It’s not as bad as it used to be. The people who remember you as an Undercity hopeful aren’t really around anymore. You’ve got the right clothes, a respectable career, and several awards and accreditations in journalism under your belt. People know you as a professor now. As her wife.
Somehow, I don’t think Vi wants to be known just as Caitlyn Kiramman’s wife, she thinks to herself.
“Gray.” You squeeze her hand. “Where’d you go?”
She inhales sharply as you drag her out of her reverie. “Nowhere, really.” She clears her throat. “I was thinking about how things were for you when we first got together. How… how hard it was.”
You smile reassuringly. “It wasn’t all bad. I had you.”
Grayson smiles back, then takes your hand in hers. “I’m flattered, but we both know it was terrible.” When you wince, but don’t say anything else, she continues. “I suppose I’m worried that Vi will have a harder time of it. You…” Her voice trails off, and then she grimaces. Shit. How do I say this without being insulting?
“I blended in better?” you surmise with an arched eyebrow and a smirk.
“I don’t see Vi adopting popular hairstyles or covering her tattoos,” Grayson allows in an attempt to be tactful. “Or attending university.”
“She shouldn’t have to,” you point out.
“I know,” she agrees. “I just…” She sighs, then squeezes your hand. “It’s been a long time since I’ve felt powerless like this. I haven’t missed it.”
You coo softly and cock your head to one side. “You’ve become very fond of her.”
“She’s a good kid,” Grayson admits, emphatic. “She has a good heart. And I’d hoped this city had grown out of its prejudices over the past couple of decades, but…”
“But it hasn’t,” you finish, soft and sympathetic, when her voice trails off.
“But it hasn’t,” she echoes wearily. She rubs the bridge of her nose with her other hand. “I’m so tired of the fucking bureaucratic bullshit.”
“Easy, love.” You rub small circles against the back of her hand with your thumb. “Focus on what you can do, not what you can’t.”
I’m the Sheriff of Piltover. I should be able to do whatever I damn well like. She huffs, but sets aside the mental grousing for more productive lines of thinking. “I might get a new tux for the gala.”
You blink a few times, then frown. “...Okay?”
“Vi went with a charcoal colored tuxedo,” she explains. “In all due fairness, Agatha recommended it.”
“Ah.” Your confused expression settles into a small, melancholy smile. “A non-traditional color choice.”
“I think I’ll pick up something non-traditional, too. Just so Vi isn’t the single odd duck out.”
Your eyes crinkle around the corners as your smile grows. “That’s sweet of you. What color do you think you’ll get?”
She shrugs. “Maybe silver. It’d be a winter color, at least.”
“Ooh.” Your eyes light up. “You’d look good in silver. Very distinguished.”
She grins at you. “I’m glad you have your approval.”
You grin, then wink. “I bet you’ll look good out of it, too.”
Grayson laughs, heartfelt. Then, she leans over and kisses you.
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museofvoid · 4 months
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i want to cosplay him so bad y'all have no idea
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thatdrunkarchon · 6 months
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no longer counting without you || hanako x reader headcannons(?)/oneshot || Part two bc I can't with that cliffhanger I literally made
God I literally hate myself- after those hc's I really wanted to do a oneshot follow up because I'd end up feeling really bad afterwards Also I just watched the last video of Stampy's lovely world and I'm crying Like seriously I'm not even kidding ANYWAYSSS Below will include; Angst, Fluff, slightly funny moments, horrible writing lmao
Maybe Hanako made a mistake.
Maybe he should've continued hesitating. If not for just a little bit longer.
Sitting on the windowsill in his bathroom, Yashiro mopping around the floor, staring out the window.
It felt.. increasingly nostalgic. Both the good and bad type.
"Hanako-Kun?" 'Amane?'
He blinked, freezing up. It was just Yashiro. It was just Nene. He turned to her, giving her a confused look.
"...Can I leave for the day?"
He snorted, finding it ironic that he was so tense, like she was about to turn into you or something.
Would she?
"Why do you wanna go home so early on in cleaning? What, another boy asking for a rendezvous in an empty classroom, organizing papers?~" He teased, Yashiro huffed.
"I didn't even go! You threatened me, Hanako-Kun!" She flicked her hair over her shoulder sassily, turning away with the mop in her hand, holding it to her chest and looking up like she was fantasizing.. something.
"I'm going to be meeting up with a new spirit! It's a little white kitty, and they said they were my protector! Uwaa~, I wonder if they can transform into a hot guy and we can fall in love, ehehe~" Yashiro giggled dreamily.
Hanako was.. not amused, to say the least. He jumped down from his place at the windowsill, turning her to face him. "You're going to have to tell me where this 'white kitty' is."
She happily complied. "They said they'd be waiting for me at the entrance of the scho- Hanako-Kun?" And just like that, he was gone.
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Blush colored petals falling between an apparition and a cat, gracefully threading through the air like dancers desperate to be seen.
"The cherry blossoms are beautiful, are they not?" The cat would ask calmly, in that all too familiar voice. But he can't be too sure yet. He needs to know whether this milk white feline has overstayed their welcome. They could cause trouble. However harsh he was planning to treat the spirit in front of him, however, died down a bit with just the sound of a voice. He was weak, and he knew exactly why.
'God damnit.'
"You know, I don't think letting yourself in is a good idea, Yōkai. What if you were a Yakubyō gami, hm?" "I am not a Yakubyō gami, nor do I intend to act like one." It politely shut him down. Okay.. Alright. Maybe assuming a Yōkai was a Yakubyō gami was a bit offensive. Next apparition name, then.
"So you're just an apparition then." It nodded. "My job is to protect those who summon me. I do not mean to cause harm in any way by associating with that girl of yours." He couldn't help but perk up at that. There was a tone beneath their words. He just couldn't tell what it was. "Girl of mine? She's simply my assistant." This might be more interesting than he'd ever hoped for. "And what about you? Do you not have some sort of a human form, or are you too embarrassed to change into it? You seem quite stoic, though.." Does it look like they're laughing? He certainly is. "I.. do. Would you feel more comfortable if I was in it?" He didn't care, really. He talked to Yako on the daily, but.. He was kind of curious.
"I guess so."
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He was surprised, to say the least.
Of course it was you. It had to be you.
What did you even do to end up like him?
Why didn't you come by sooner?
He was lost for words, how could he not be? You were standing right in front of him.
His hand twitched.
His leg moved forward.
But he didn't move. He couldn't.
This isn't the first time this has happened. Both as dreams and hallucinations. How can he be so sure? How can you blame him?
He regrets a lot of things. But he has to admit, one of the things he regrets most is leaving you behind.
You're still here though. Your not disappearing, he's not waking up, Yashiro talked about you for heavens sake.
A sob escaped him, taking off in a sprint and tackling you to the ground. God, it's been so long since he's even shed a tear.
Maybe he wasn't alone anymore. No, he wasn't.
He was no longer counting without you.
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darklight-owl · 1 year
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PL nation what if I started using this as a reaction image
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hauntingblue · 4 months
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Me as bartolomeo mashing the guy who badmouthed luffy to the wall
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klarion-the-witch-boy · 5 months
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Me, randomly in the back of my head: forget the Danny/Batfam ships, Danny gets to date ME
Me:
Me: or Klarion. Wait.
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thehallstara · 1 year
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a burnout, a mathematician, and a psychopomp walk into a bar. in the end, only one walks out.
there was a joke here, but you're not laughing.
(henry marshallow, and an attempt to find a way)
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listen. listen. sometimes the closer you get to blaseball the more you go off the rails. this is one of those times. (12x100, cws for death/incineration, blood, swearing, and necromancy.)
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bigbrainbiology · 2 years
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So... Urd, Rigr, Lest, and Ky are now 100% my fave characters 😅😂 And I guess technically Ferid and Crowley get a pass too bc they weren't actually in the chp despite me thinking that they should still be w/ Guren and Shinoa squad iirc...
A moment of silence pls for Narumi, Shinya, Goshi, Mito, Sayuri, Shigure, Kureto, Aoi, Chess, and Horn, who still have not returned from their trip to the store to buy some milk 😔
I'm up late, was reminded of the new chp, and now have ons brainrot so my thoughts on 120 in the tags ^v^
120 SPOILERS IN THE TAGS Y'ALL HAVE BEEN WARNED!
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