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#magnoli street
Number 2 magnoliable carbon didn't care coming in care of the virus she cares to remind me that there's woman Carmen and Christmas to his birthday and there's there's there's this one money would rent it when a flow even if she dies and it may actually be back or something cause she's sounded for some weird thing or something but hes got stuck in a thing of these people cause Carmen relief from Bruce Wilson when she periods as Carmen arapocalypse that's a big name that we're that she f***** the people at school present not to me he can't regret it with an article to me these people are crazy hes down the street I go see him I aint no Tony like you know but like you're emotional to my body they live in me like if we don't they will die if we do not complete the teeth thing and make the company get that way to you we're gonna die we've got a bell level Carmina was married out of lake energy and Texas just in their eyes she literally thinks they literally think like Carmen didn't she she's the man of the Christmas even though the virus even though she was dying and logic if people were a corn then next she wouldn't like she would have liked me no they would have killed her but she don't care and she thinks like you can't even put her talk and tell us where I'm at you can continue if you wouldn't even put it on the toilet room to that
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818 - Assez maniaque question ménage Jean-Louis avait toujours considéré le rangement de ses étagères comme une activité saine et salutaire.
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rainbowlady53 · 5 years
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byROSI W:germany         white magnolie,  street scene
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gendersanciau · 4 years
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gendies! 2/3
Decembrean: a cold, icy, and glassy gender that feels like a cold afternoon in December. It feels like a quiet crackle of a fireplace and the cold air blowing out of the chimney as the warm scent of fire and cinnamon billows out. It is connected to the month of December, snowfall, and winter in general. it is also mildly masculine, but mostly nonbinary. Related to Decembrisine. Old French: decembre - December
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Novembrean: a cold, comforting, and crunchy gender that feels like a tepid evening in November. It feels like a farming of the harvest and the chilly air blowing through the calm night sky and the smell of previous rainfall echoes as petrichor. It is connected to the month of November, the Harvest, and autumn in general. it is also mildly feminine, but mostly nonbinary. Related to Novembrisine. Old French: novembre - November
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Setembrean: a warm, comforting, and peaceful gender that feels like a warm morning in September. It feels like a clear, empty beach and the smell of a tropical breeze coming through as summer ends, as well as the smell of food on a boardwalk. It is connected to the month of September, the beach, and late summer and related concepts in general. it is also mildly AGIN, but mostly nonbinary. Related to Septembrisine. Old French: setembre - September
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Uitovrean: a cool, comforting, and calming gender that feels like a chilly night in October. It feels like a calming, festive night and the cool air blowing through the calm trees and the smell of candles scented all autumn-y. It is connected to the month of October, Halloween, candles, candy, and autumn in general. it is also mildly masculine, but mostly nonbinary. Related to Octobrisine. Old French: uitovre - October
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Abyssicolagender: a gender that is deep, infinite, connected to the ocean, and bathymetric. It feels like the cold bottom of the ocean and the vents shooting from the Earth, feeding the small amoebas stuck in the darkness. Latin: abyssicolus - deep-sea-dwelling
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Ananasian: a gender that feels small, tropical, and floral. It feels like a tropical orchard on a beach, full of pineapple and mango trees rolling about on the ground, with the sound of the waves crashing in the distance and the sea breeze blowing throughout the trees. It is connected to pineapples, the beach, summer, and tropical climates. Latin: ananas - pineapple
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Cacaoticagender: a sweet, square, and calming gender. It is connected to chocolate, the color brown, and rainforests. It feels like a rainy day underneath a canopy of leaves and it smells of a chocolatery and a candy store. Latin: cacaoticus - chocolate
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Minttusuklaan: a gender that feels refreshing, small, and square. It is connected to mint, chocolate, and sugary candies. It smells of both a chocolatery and of a mint garden at the same time. Finnish: minttusuklaa - mint chocolate
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Afagender: a gender that is dusty, nostalgic, and tiresome. It gives off the vibe of an empty home covered in dust and spiderwebs, left for years until someone discovers it. Latin: afa - dust
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Fragagender: a gender that is sweet, flowery, and slightly masculine. It is connected to strawberries, bubblegum, and summer. It feels sweet and fresh like the strawberry section of a garden or a farmers market, and makes the user feel more feminine than masculine at time. Latin: fragum - strawberry
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Cerasisgender: a gender that is small, wide, and related to cherries, summer, and rain. It smells of a cherry ice cone, and is calming. Latin: cerasus - cherry
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Cerasorumgender: a gender that feels small, feminine-aligned, and calming. It smells of summer, cherry orchards, and beach breezes. Latin: cerasus - cherry
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Cerasegender: a dark, masculine-aligned gender related to cherries, the night, wine, and winter. It feels cool, small, and refreshing, like cherries left in the snow. Latin: cerasus - cherry
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Cerasumgender: a small, round, and sweet gender related to cherries, summer, winter, and evening. Latin: cerasus - cherry
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Cerasogender: a gender that feels proud, small, warm, and connected to cherries, cherry pies, masculinity, and colorful evening sunsets. Latin: cerasus - cherry
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Cerasigender: a gender that is unknown, masculine, and connected to the depths of hell, cherry wine, and fire. Latin: cerasus - cherry.
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Cerasusgender: a gender that is small, connected to orchards, cherries, summer, and colorful rainbows, as well as the smell of the rain, cherry scented candles, and the feeling of snowfall. Latin: cerasus - cherry
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Nitidagender: a gender that is bright, colorful, vibrant, and tropical. It is connected to birds (particularly canaries and macaws), the ocean, tropical climates, and the smell of lime and piña colada. Latin: nitidus - shining, polished, gleaming.
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Fulgidagender: a gender that feels quaint, cuddly, and calming. It is slightly masc-aligned, related to rainbows, summer, and the sounds of the rain in a forest. Latin: fulgidus - flashing, glittering, shining.
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Dugagender: a gender that is bright, airy, colorful, wet, and warm. It is connected to rainbows, the sun after the rain, and various other things. This gender is the smell of petrichor after rainfall in autumn, and is quaint and peaceful like a clover on the ground. It is a rare identity that very rarely shows up, also like a rainbow. Old East Slavic: duga - rainbow.
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Pluvialegender: a gender that is dark, cloudy, dull, wet, and cold. It is connected to rain, the clouds during the rain, and various other things. This gender is the smell of nitrogen after a thunderstorm in summer, and is loud and expansive like a puddle on the ground. It is a common identity that very commonly shows up, also like a thunderstorm or rain. Italian: pluviale - rain. An opposite to Dugagender.
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Algificagender: a gender that is white, airy, grey, wet, and freezing. It is connected to snowfall, the sky after it snows, and various other things. This gender is the smell of cinnamon and apples inside a home in winter, and is quaint and peaceful like a snowflake floating down to the earth. It is a rare identity that very rarely shows up, also like snowfall in winter. Latin: algificus - producing cold.
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Caminettogender: a gender that is toasty, warm comfortable, and calming. It is connected to the smell of smoke on top of a mountain, a warm fireplace, autumn and winter, and the smell of pies. Italian: carminetto - fireplace
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Kaldurgender: a gender that is freezing, cold, and uncomfortably small. It is connected to the smell of winter air, shopping at an outdoor market, frosted grass fields, and the winter season. Icelandic: kaldur - cold.
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Pluvieuxgender: a gender that is calming, rainy, and related to a shopping district during the rain, the sound of it on a tin roof, the smell of petrichor, and autumn. French: pluvieux - rainy
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Pacatogender: a gender that is placid, calming, quiet, and peaceful. It is connected to the rain, summer, and the sounds of a fountain in a mall. Italian: pacato - placid. It is slightly masculine, and is also connected to city life
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Tramontogender: a gender that is placid, peaceful, connected to the sunset over the ocean, summer, the smell of the sea breeze, seashells, and nightfall. It is feminine and neutral-aligned. Italian: tramonto - sunset
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Stravagantigender: a flamboyant, calming, and extravagant. It is connected to theatre, summer, and the feeling of silk and velvet costumes, as well as the feeling of rhinestones. Italian: stravagante - eccentric.
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Nubeculagender: a gender that is small, fluffy, cute, and related to the rain, summer, autumn, and the feeling of rain on clothing, and the speeding of vehicles through the rainy streets of a city. Latin: nubecula - a cloudlet (a tiny cloud)
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Magnoliegender: a soft, comforting, and petite gender that feels like a magnolia orchard in April. It feels like a planting of magnolia trees and the new, warm air blowing through the calm afternoon sky and the smell of small flowers echo through the air. It is connected to the months of spring, the magnolia tree, and magnolias in general. it is also mildly feminine, but mostly nonbinary. Italian: magnolie - magnolias
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Folatagender: A gender that is wispy, small, and calming. it is connected to the wind over a lavender field, spring, and the blooming of new flowers when April comes. It is also connected to the brief showers of rain and snow that comes with the aforementioned qualities. Italian: gust of wind, windflaw.
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Cithgender: A gender that is faint, thin, and cool. it is connected to the showers over a frosted forest, summer, autumn, and winter, and the wilting of trees when October comes. It is also connected to the brief showers of snow and sleet that comes with the aforementioned qualities. Irish: shower (brief fall of rain)
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Lietusgender: A gender that is dreary, withered, and cool. it is connected to the showers over a paved road, window shopping on a rainy autumn day, and winter, and the deluged roads of a town when winter dawns. It is also connected to the heavy showers of rain and snow that comes with the aforementioned qualities. Latvian/Lithuanian: rain
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Pastalachgender: A gender that is bright, vibrant, and colorful. it is connected to the rainbows and showers over a paved road, summer thunderstorms, pastel colors, art, and summer, and the moist fountains of a town when spring dawns. It is also connected to the bright colors of spring and summer and rainbows/rain that comes with the aforementioned qualities. Irish: pastalach - pastel
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Triugender: a gender that is tall, proud, ancient, and cozy. It is connected to trees in the wind, falling leaves, autumn, and spring. It is also connected to the sounds of rustling leaves in the forest and the birds chirping in the morning. Gothic: triu - tree
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Flammivomagender: a gender that is fiery, flaming, and blazingly hot. It is connected to magma, lava, volcano explosions, the formation of new, tropical islands, earthquakes, and summer. Latin: flammivomus - vomiting flames
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Nijigender: a gender that is bright, colorful, neon, and connected to rainbows. it is also connected to the sun, summer, and rain. Japanese: niji - rainbow
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Niugender: a gender that is tropical, funny, and round. it is connected to forests, coconuts, summer, and the ocean. Bugotu: niu - coconut
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Mesipuugender: a fragrant, feminine-aligned, honey related gender. It is connected to bees, water springs, spring, and honey. Estonian: mesipuu - beehive
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Uhagender: a gender that is tropical, rainy, and calming. It is connected to tropical storms, rainy days, the sound of thunder, and summer. Bugotu: uha - rain.
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Lietainsian: A gender that is dreary, withered, and cool. it is connected to the showers over a flowering field, window shopping in a mall on a rainy summer day, and frosted windows when autumn comes, and the deluged roads of a town when winter dawns. It is also connected to the heavy showers of rain and snow that comes with the aforementioned qualities. Latvian: rainy
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theactioneer · 4 years
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Street Knight (Albert Magnoli, 1993)
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sciatu · 5 years
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CALTAGIRONE - Scalinata di Santa Maria del Monte, Chiesa di San Francesco, Chiesa Santa Maria del Monte, Palazzo Magnolie, Particolare Palazzo Magnolie, Palazzo dell’ Aquila, Palazzo Perremutto Polizzi, Villa Patti, Particolare chiesa Caltagirone, Negozio ceramica
Arrivi a Caltagirone dopo aver attraversato il nulla e per strade sospese nel vuoto. Sono tante case disperse sulla cima di un monte dove le più alte sono i palazzi del potere: il carcere borbonico e la chiesa. Vi sono lunghe vie costeggiate di negozi dove brillano i colori della ceramica, disegni antichi e nuove invenzioni che ti incuriosiscono e stupiscono. Vi sono disegni semplicissimi con pochi colori e ceramiche elaborate e bellissime degne di una reggia, il tutto a pochi metri le une dalle altre quasi ad indicar che sebbene l’abilità per l’arte sia diversa è uguale nei loro autori l’amore per essa. Trovi per strada gli stessi colori: gli azzurri nel cielo, i gialli nelle case illuminate dal sole, i verdi nei campi e boschi che circondano la città i rossi nei sorrisi delle sue donne che di quest’arte, che cerca la bellezza, sono le ispiratrici. Il grigio non lo trovi nella ceramica ma solo nella terra con cui il monte è fatto, grigia con il cielo coperto o la pioggia diventa di un bianco abbagliate più delle ossa dei morti quando il sole splende e illumina Caltagirone e il suo coloratissimo cuore di ceramica
Arrive in Caltagirone after crossing the nothing and streets suspended in space. There are many houses scattered on top of a mountain where the highest are the palaces of power: the Bourbon prison and the church. There are long streets lined with shops where the colors of ceramics shine, ancient drawings and new inventions that intrigue and amaze you. There are very simple designs with few colors and elaborate and beautiful ceramics worthy of a palace, all just a few meters from each other as if to indicate that although the ability for art is different is equal in their authors love for it . You find the same colors on the street: the blues in the sky, the yellows in the houses lit by the sun, the greens in the fields and woods that surround the city the reds in the smiles of his women that of this art, looking for beauty, are the inspiring. The gray does not find it in the ceramic but only in the land with which the mountain is made, gray with the overcast sky or the rain becomes a white more dazzled than the bones of the dead when the sun shines and illuminates Caltagirone and its colorful ceramic heart
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hsundholm · 4 years
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Down Magnoli Street
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Down Magnoli Street by Henrik Sundholm Via Flickr: Caught this on my second day meandering through Florence, Italy. If you continue in the opposite direction you'll soon reach a house that used to be owned by Galileo Galilei.
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dr-archeville · 5 years
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Upcoming Retro Films at the Carolina Theatre of Durham (January-June 2019)
All movies are on Fridays (unless otherwise stated) starting at 7:00pm (or so), and cost $9.50 for both films.  Most shows also have drawings for door prizes -- submit your name & a film you’d like to see, and you could win a fridge magnet with a scene from the night’s movie (or something else!).
You can also get a season pass for $80.00, which covers the RetroClassics, RetroFantasma, RetroNoir, and RetroTreasures double features, and the new Wednesday Cinema Overdrive shows (but does not include ActionFlix, Anime-Magic, FantasticRealm, or Mother’s Day Film Series, or the Wednesday MovieDiva Film Series).
January 18th-20th (Fri-Sun): Anime-Magic Film Series -- Bruce W. Smith’s Robin Harris’ Bébé's Kids (1992), Hiroyuki Morita’s The Cat Returns (2002), Isao Takahata’s Horus, Prince of the Sun (1968), Hayao Miyazaki’s Howl’s Moving Castle (2004), Masaaki Yuasa’s Mind Game (2004), Isao Takahata’s My Neighbors the Yamadas (1999), Haya Miyazaki’s My Neighbor Totoro (1988), Satoshi Kon’s Perfect Blue (1997), Isao Takahata’s Pom Poko (1994), Haya Miyazaki’s Porco Rosso (1992), Hayao Miyazaki’s Spirited Away (2002), and Katsuhiro Otomo’s Steamboy (2004). 
January 23rd (Wed Cinema Overdrive): Sergio Martino’s Torso (1973)
January 25th (RetroFantasma): Ridley Scott’s Blade Runner: The Final Cut (1982) and Geoff Murphy’s The Quiet Earth (1985)
January 30th (Wed MovieDiva): Alfred E. Green’s Baby Face (1933)
February 1st (RetroClassics): Pal Michaewl Glaser’s The Running Man (1987) and Marco Brambilla’s Demolition Man (1993)
February 3rd (Sun): Nevermore Fundraiser -- $12 to see The Wackhowski’s The Matrix (1999) and Mary Harron’s American Psycho (2000)
February 8th (RetroNoir): John Huston’s The Maltese Falcon (1941) and Billy Wilder’s Double Indemnity (1944)
February 13th (Wed MovieDiva ): Maerian C. Cooper’s King Kong (1933)
February 15th (RetroTreasures): Howard deutch’s John Hughes’ Pretty in Pink (1986) and Martha Coolidge’s Valley Girl (1983)
February 20th (Wed Cinema Overdrive): J. Lee Thompson’s 10 to Midnight (1983)
February 22nd-24th (Fri-Sun): FantasticRealm Film Series -- Terry Gilliam’s Fear and Loathing in Las Vegas (1998), David Fincher’s Fight Club (1999), Ken Kwapis’ Sesame Street Presents: Follow That Bird (1985), Robert Rodriguez’s From Dusk till Dawn (1996), Dean Parisot’s Galaxy Quest (1999), Ivan Reitman’s Ghostbusters (1984), Richard Donner’s The Goonies (1985), Steven Spielberg’s Indiana Jones and the Temple of Doom (1984), Ridley Scott’s Legend: Director’s Cut (1985), Frank Oz’s Little Shop of Horrors: Director’s Cut (1986), Wolgang Petersen’s The NeverEnding Story (1984), Tim Burton’s Pee-Wee’s Big Adventure (1985), Robert Altman’s Popeye (1980), Mel Brooks’ Spaceballs (1987), Bob Spiers’ Spice World (1997), and Ken Kwapis’ Vibes (1988).
February 27th (Wed MovieDiva): Josef von Sternberg’s Shanghai Express (1932)
March 1st (RetroFantasma): Tobe Hooper’s Lifeforce (1985) and Harry Bromley Davenport’s Xtro (1982)
March 9th-10th (Fri-Sun): Nevermore Film Festival (20th Anniversary!)
March 13th (Wed MovieDiva): Wesley Ruggles’ I’m No Angel (1933)
March 15th (RetroClassics): Alfred Hitchcock’s Rear Window (1954) and Alfred Hitchcock’s North by Northwest (1959)
March 20th (Wed Cinema Overdrive): Menahem Golan’s The Apple (1980)
March 22nd (RetroTreasures): Mike Judge’s Office Space (1999) and Trey Parker’s South Park: Bigger, Longer & Uncut (1999)
March 27th (Wed MovieDiva): William A. Wellman’s Night Nurse (1931)
March 29th (RetroFantasma): David Cronenberg’s The Dead Zone (1983) and Rob Reiner’s Misery (1990)
April 12th (RetroNoir): W.S. Van Dyke’s The Thin Man (1934) and W.S. Van Dyke’s Another Thin Man (1939)
April 17th (Wed Cinema Overdrive): Walter Hill’s The Driver (1978)
April 19th (RetroTreasures): Albert Magnoli’s Purple Rain (1984) and Susan Seidlman’s Desperately Seeking Susan (1985) 
April 24th (Wed MovieDiva): William A. Wellman’s Love Is a Racket (1932)
April 26th (RetroFantasma): W.D. Richter’s The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) and Mike Marvin’s The Wraith (1986) 
May 1st (Wed MovieDiva): Victor Fleming’s Red Dust (1932)
May 3rd (RetroClassics): Brian De Palma’s Body Double (1984) and Brian De Palma’s Sisters (1973)
May 10th-12th (Fri-Sun): Mother’s Day Film Series -- Jon Avnet’s Fried Green Tomatoes (1991), Wayne Wang’s The Joy Luck Club (1993), Gillian Armstrong’s Little Women (1994), Lesli Linka Glatter’s Now and Then (1995), Mike Nichols’ Postcards From the Edge (1990), Emile Ardolino’s Sister Act (1992), George Tillman Jr.’s Soul Food (1997), Herbert Ross’ Steel Magnolias (1989), James Brooks’ Terms of Endearment (1983), Ridley Scott’s Thelma & Louise (1991), Danny DeVito’s Throw Momma From The Train (1987), and Jeff Kanew’s Troop Beverly Hills (1989).
May 15th (Wed Cinema Overdrive): Sergio Corbucci’s The Great Silence (1968)
May 17th (RetroTreasures): Robert Zemeckis’ Who Framed Roger Rabbit (1988) and Joe Pytka’s Space Jam (1996)
May 22nd ( Wed MovieDiva): Michael Curtiz’s Female (1933)
May 26th (Sun): Fan Appreciation Day -- FREE showing (and FREE medium popcorn) of Peter Lord & Nick Park’s Chicken Run (2000) and Steven Spielberg’s Saving Private Ryan (1998)
May 31st (RetroFantasma): John Irving’s Ghost Story (1981) and Ken Russelll’s Gothic (1986)
June 5th (Wed MovieDiva): Edgar Selwyn’s Skyscraper Souls (1932)
June 7th (RetroNioir): Quentin Tarantino’s Reservoir Dogs (1992) and The Wachowski’s Bound (1996)
June 12th (Wed Cinema Overdrive): David Durston’s I Drink Your Blood (1971)
June 14th (RetroTreasures): John Landis’ Trading Places (1983) and John Landis’ The Blues Brothers (1980) 
June 19th (Wed MovieDiva): Marvyn LeRoy’s Gold Diggers of 1933 (1933)
June 21st (RetroFantasma): John Carpenter’s Prince of Darkness (1987) and John Carpenter’s In the Mouth of Madness (1995)
June 28th-30th (Fri-Sun): ActionFlix Film Series -- Luc Beeon’s The Fifth Element (1991), Stanley Kubrick’s Full Metal Jacket (1987), Guy Hamilton’s Goldfinger (1964), Iain Softley’s Hackers (1995), Mark DiSalle & David Worth’s Kickboxer (1989), John Huston’s The Man Who Would Be King (1975), Bruce Malmuth’s Nighthawks (1981), Quentin Tarantino’s Pulp Fiction (1994), Andrey Konchalovskiy’s Runaway Train (1985), and Steve Barron’s Teenage Mutant Ninja Turtles (1990).
So many amazing films!!!
Carolina Theatre of Durham 309 W. Morgan St., Durham, NC http://www.carolinatheatre.org/
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kevrocksicehouse · 3 years
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In 8 Mile, Curtis Hanson got a good performance out of hip-hop star, but neophyte actor, Eminem. A few other movies where musicians played versions of themselves (or versions of same).
A Hard Day’s Night. D: Richard Lester (1964). The Beatles as themselves in a typical weekend running from fans, bored in hotel rooms, breaking away to mess around in a field and generally living in the biggest pop culture moment in history.
Rock’n’Roll High School. D: Allan Arkush (1979). There was always a touch of Mad Magazine in the Ramones schtick and they leaned into it playing cartoonish versions of themselves who go to Vince Lombardi High School, goose the principal (“Do your parents know you’re Ramones?” she bellows) and inspire the students to blow up the school.
Purple Rain. D: Albert Magnoli (1984). In this entertaining musical melodrama based of Prince’s scuffling days in Minneapolis, he overcomes family trauma and his own sexism because, baby, he’s a star. And while rival Morris Day is eating his lunch in the movie, he rallies and blows everybody away (including us) in concert footage that showed why he was one of the best rockers of his time.
Boyz n the Hood. D: John Singleton (1991). Ice Cube played Doughboy, a young street kid, obviously based on his own songs. At the end, when he enacts an Ice Cube song as revenge for a fallen friend, his performance recognizes his actions futility. Later that year he came out with “Dead Homiez.”
Masked and Anonymous. D: Larry Charles (2003). Bob Dylan (who wrote the script) is Jack Fate who’s basically Bob Dylan in a dystopian future, let out of jail for a big show for the totalitarian governor in this hypnotic mishmash. Hey, it could happen.
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booksofwonderevents · 5 years
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Books of Wonder is happy to host the October Middle Grade Reads panel with authors BARBARA DEE for Maybe He Just Likes You, NICK COURAGE for Storm Blown, SUZANNE NELSON for A Tale Magnolious, and KRISTIN MAHONEY for The 47 People You'll Meet in Middle School.
Join us on Saturday, October 26th at our 18th West 18th Street store so a chance to meet these amazing authors. Come hear these amazing creators discuss their work, answer questions from the audience, and sign copies of all their books. Saturday, October 26th 1-3pm. Ages 8 & up.
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ev-from-the-moon · 5 years
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mezičasy / die Geiste von Berlin
Berlín se tváří jako léto, od léta k nerozeznání. v rámci léta jsem se včera vydala na kole k Tegeler See. je tam taková malá prázdná pláž, kterou jsem objevila loni na jaře. ve středu. 
byla prázdná, loni na jaře, ve středu. nikoliv v neděli v srpnu, kdy se snažím kličkovat po Nordufer mezi cyklisty a chodci a věnovat se navigaci aspoň natolik, abych pochopila její výslovnost. jú ef í ar. tak určitě. nejenže to neumí vyslovit, neumí to ani odnavigovat, takže se v popoledním slunci nacházím někde tady, u Westhafenu, v továrně (Battersea, almost). 
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místo toho, abych se někde napojila na tu hezkou cestu kolem kolonií, bloudím kopřivama, blbě odbočuju, skončím na úzký cestičce mezi plotem s ostnatým drátem na jedný straně, letiště, a plotem s ostnatým drátem na straně druhý, Militärgebiet, a to ještě není konec, ještě vjedu do písku a budu nadávat jako špaček (der Star, vysloveno štár, a kdo napsal nebo přečet vysoveno, ať zvedne ruku) a myslím, že Google navigace si tak může dát na fb, že se mnou je to complicated, bitch jedna. 
ale mezitím nějak skončím zase u plotu, přímo na trajektorii přistávací dráhy na Tegelu, vedle navigačních světel, a nad hlavou mi kurva letí letadlo, odhadnout se to nedá, 30? 50? metrů a je to boží a já na chvíli nelituju. ale vlastně nelituju vůbec, protože je furt léto a u stánku maj studený pivo a protože na cestě zpátky se pohádáme jen pětkrát.
a dneska byla bouřka a pak se stavil Hendrik a já, já tu sedím u otevřenýho okna (kecám, jen u okna, ale teď jsem ho otevřela doopravdy), je a není léto, je a není podzim, na fb všichni postujou houby, ale u mě je 27,0°C a kdybych si udělala timelapse bytu od letošního jara, tak se stěhuje Becca -- přesouvám věci -- stavím si pracovní stoleček u okna -- a sbírám věci a dekoruju. a kdybych si udělala timelapse toho, jak mi s tím je, tak je to stejnej chaos a teď tu sedím, okno na úrovni koruny mýho kaštanu, a za 6 dní to budou kurva 4 roky v tomhle bytě, a já to fakt nechápu. věci sbírám tak, že se to prostě děje, včera po srazu s Nadiou jsem na ulici našla přesně tu lampu, kterou jsem si představovala do toho rohu v ložnici, a hrdě jsem ji nesla domů a dokoupila jí dneska ty chybějící žárovky. are you a hoarder, ptá se mě Hendrik, a já se vyzpovídávám z toho, jak mě tíží kořeny, který tu zapouštim, jak je divný nebejt připravená vypadnout. ve sklepě mám furt nasbíraný prázdný krabice z loňska, kdy jsem neustále třídila a vyhazovala věci, a -- 
a v Praze naši prodali dům, kde jsem vyrostla, hodiny odtikávaj březen, rozloučení nás ještě čeká, ale message je jasná: poslední vánoce, nová éra, z tý obří, impozantní magnolie může taky zbejt jen kérka, co mám na levejch žebrech k poctě všech těch nekonečnejch dní, kdy jsme s B. byly děcka a seděly v koruně a vymejšlely příběhy, který se v počtu vyšším než jsem ochotná přiznat točily kolem toho, která si vezme kterýho Beatla. bylo nám tak 10. dávno předtím než se B. vydala do Anglie, dávno předtím, než jsme mnohokrát redefinovaly naše přátelství, abysme se potkaly, dospělý, v podobnejch situacích, sdílející, podporující. 
speaking of příběhy, vyprávěla jsem dneska Hendrikovi ten zdánlivě nevýznamnej souběh událostí jara 2012. jak jsem měla jet s B. na dovolenou do Irska (kam se teď, za 15 dní, chystám zas). jak jsem dělala v herní firmě, kde nikdo nevěděl jak dělat hry a tím míň já. jak jsem chodila s klukem, a protože se nechtěl potkat před mou dovolenou, naštvala jsem se a šla jsem na meetup českejch vývojářů. a potkala tam jinýho kluka, kterej mě doprovodil domů (a kterýmu jsem stihla vyčíst, že se mi rozbil sandál -- ten, co jsem si koupila cca 2001 na maturitní ples, ten ve kterým jsem jako jediným měla něco jako metr devadesát). a střih, letěla jsem do Dublinu, potkala se s B., se kterou jsme tehdy měly takovej ne úplně osobní vztah, protože jsme se moc nevídaly a ještě se nenaučily Skypovat, šly na pivo, a tam mi B. najednou řekla, že se její děda zastřelil, protože měl strach z bolesti, z rakoviny, a jak ho našla babička. a pak jsme jely do Letterfracku, což je příběh, kterej vám ráda budu vyprávět osobně, ale teď potřebujete vědět akorát, že obsahuje vlkodlaky a tajný rituály obsahující dvě Češky, ale -- happy end -- here we are, unikly jsme nevyhnutenýmu osudu. 
a vrátily jsme se do Londýna a jely na posvatební večírek B. kolegy, pamatuju si svoje šaty a svoji lame angličtinu, rosé a small talk, abych se vrátila do Prahy a B mi psala, že se její kolega ženich s bratrem a otcem zabili v autě den poté. a ve mně zůstal ten pocit, že se všechno může otočit o sto osmdesát. a ten kluk, co jsem ho potkala, a co se o dva roky později bude stěhovat do Anglie, kde se teď v roce 2019 oženil a čeká dítě, s tím klukem budem chvíli chodit, ale hlavně mě dokope přihlásit se do Disney, takže, kruh se uzavírá, může za to, že jsem to nakonec udělala, zažila tam skvělý časy a po jejich konci sbalila saky paky a odešla -- sem. 
a tak tu jsem, náhodný pondělí, který se v porovnání se všema pondělíma předtím vyznačuje větším chaosem a větším pořádkem, a ano, je možný mít obojí naráz, a ptám se sama sebe, jak hluboký jsou ty kořeny. hlubší než kaštan za oknem? 
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Hendrikovi říkám, že mi není dobře s představou sebrat se a jít, poprvý v životě, ale jak se teď dívám na tuhle fotku, turning nothing into something, musim si přiznat, že i když kořením, furt mám ráda prázdný prostory. I met with a friend who is an artist and lives from hand to mouth, říká a zarazí se, nedává to smysl, ne, to je německej a českej idiom, nikoliv anglickej. a tak je to furt, místo nerozeznání v úvodu jsem chtěla napsat nezměnění a pak mi došlo, že to nedává smysl, a jak pravil Hendrik, you are half Slavic, half German anyway. kdo jsem, že. a tak vim, že nevim, ale vim, že vim. že jsem se tu našla. že jsem našla, co jsem potřebovala, a nacházim to furt. ať už se jedná o lampu, mísu na salát, zrcadlo anebo třeba blues bar, kterej smrdí jak stará česká hospoda. že jsem tu našla lidi, tak blízký jako nikdy předtím. že můžu jít v neděli na Mauerpark a koupit si Vaterland, Smetana a Entomologyst’s dream, natočeno Suprafonem v Dejvicích, za pár šupů. že jsem, pořád, v bytě, odkud mám výhled na východ i západ zároveň a každej novej měsíc mi vyleze před očima.
že tady a teď nedává smysl všechno, ale něco jo. na střeše naproti je pořád obrovskej signifikantní nápis MESS (bejvalo tam ACAB). na druhý straně, ve dvoře, furt jsou ty dvě okna, kde bydlí hezkej kluk a kotě (kterej nepřímo může za to, že jsem si zase rozbila nohu, ale o tom jindy), a nad střechama s líbajícíma se komínama se každodenně obloha barví do růžova. 
there are ghosts in the streets of Berlin. 
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touristguidebuzz · 7 years
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Attracting American Tourists to Cuba Remains a Tough Sell
Ground staff celebrate JetBlue's first flight to Cuba in August. For many airlines, including JetBlue, new Cuba routes have not been as successful as they had hoped. JetBlue Airways
Skift Take: Americans are not flocking to Cuba, and there's not enough infrastructure on the island to support large-scale tourism. Who could have seen this coming? Probably everyone who was paying attention.
— Brian Sumers
When JetBlue flight 387 took off from Fort Lauderdale, Florida, for Cuba last August 31 — the first commercial flight to the island since 1961 — its vapor trail seemed to write history. A new beachhead in the Antilles for U.S. airlines! A long forbidden destination opened at last for U.S. tourists! Suitcases of dollars for ordinary Cubans catering to the new arrivals!
But hold the mojitos.
One month before spring break, JetBlue became the third U.S. carrier to announce cuts in service to the island. No one is pulling out, but the travel industry’s new mandate is adjusting to the reality beyond the Cuba hype. Pricey cabs, so-so infrastructure, limited internet and scalper-level hotel room rates, which reached $650 last year according to the Economist Intelligent Unit, have put off travelers. As a recent Bloomberg story put it, “Now that Cuba is Open Americans Aren’t Going.”
There’s still plenty of charm in the streets of La Habana Vieja and on all those unblemished beaches that necklace the Caribbean island. But tapping it will depend on the ability of Havana’s floundering regime not just to adapt to the disruptive global economy, but also to write a new narrative that promotes the island’s future as much as its past.
This is not the first time Cuba has tried soft power to rescue the revolution. Fidel Castro warmed to tourism, in part as a lifeline after the Soviet Union collapsed and left the island’s accounts bereft. He talked up the country’s natural beauties and its crime-free streets. Still, he was determined to control not just the levers of the industry but also the behavior of its visitors, abhorring the “tourism of casinos and prostitution.” Instead, the island’s dysfunctional economy beckoned sex tourists, while prostitution and black market dollars offered desperate Cubans a bridge to escape. Talk of tourism was revived as Cuba’s latest underwriter, Venezuela, slid into disarray. Now the normalization of ties with the U.S. (assuming Donald Trump won’t rebuild that wall) has seemingly turbocharged that prospect.
So how will the new Cuba flog its wonders to the world, and can the reform-minded Raul Castro do what his brother could not — leverage the revolution and have it, too? A lot depends on the tourists. For years, Europeans and Canadians flocked to the island for a frugal equatorial getaway, with a dollop of communist realism. Many Latin Americans went in for ideological tourism, pulled by the historical aura of an island nation that played the tropical David to the gringo Goliath. Havana became the dream stop on the lefty Elizabeth Arden circuit and a safehouse for rebels on the lam. Brazil’s Jose Dirceu, the onetime guerrilla fugitive, got his face lifted in Cuba to fool his country’s dictators. (He had less luck under democracy, and is now serving time on multiple charges of political corruption.)
For the moment, pioneering U.S. travelers seem enchanted less by a new venue for spring break than by the allure of a once blacklisted nation with last century’s automobiles and last century’s politics. One of the key attractions of Cuba today is Fidel Castro’s tomb. Visitors in search of that sepia postcard have stoked demand for private guest rooms, giving AirBnb its fastest growing market in 2015. Notwithstanding the recent pullback by U.S. airlines and travel companies, international arrivals surged 14 percent last year, according to the United Nations World Tourism Organization. In a recent Brookings Institution report, Richard Feinberg and Richard Newfarmer project arrivals to rise threefold to 10 million by 2030, as tourism’s share of annual export revenues more than triples to $10 billion.
But tourists also know that Cuba is a brand in transition, and as the legacy of Fidel fades, inevitably so too will the island’s most reliable cachet. “Today, Americans are saying, ‘I’m going to see the place before it changes’. That’s fine, but I don’t know if that will translate into return visits,” Carlos Saladrigas, a Cuban-American executive in human resources who shuttles frequently from Miami to Havana, told me.
Selling the rest of the Americas on Cuba may be just as tricky. Latin Americans once held up Castro’s Cuba as the exemplar of public health care, literacy, poverty-busting and anti-imperialist brio. Now with the region’s “pink tide” of leftists governments in retreat, neighbors in the hemisphere are as likely to see the island regime for the clapped out autocracy it is, where stifled expression trumps socialist encomiums, and Cuba’s vaunted cadre of global physicians is better known as a flying cash machine for foreign reserves. “Cuba always served the Latin American left as a political cave. From the inside, you could ignore the failure of the socialist world,” said Demetrio Magnoli, an international relations scholar at the University of Sao Paulo. “With Cuba’s decline and Fidel’s death, however, all that has changed. Cuba no longer has any geopolitical importance, and if it sank into the Caribbean it wouldn’t make a difference to the global economy,” said Magnoli. “The question now is, can Cuba normalize and still prosper?”
Cuba has plenty of splendors, urban, natural or historical. (The National Museum of Fine Arts in Havana boasts some of the finest works of Spanish colonial and contemporary Cuban art, while the capital is jeweled with stunning architecture like the Hotel Nacional and the Saratoga.) Properly managed, they could be a magnet to world travelers eager for hidden wonders. Enthusiasts even tout Cuba’s potential for medical tourism.
The island’s authorities still appear to be banking mostly on beach-bound big spenders: Only about one in five Cuban hotel rooms and just 13 percent of four- and five-star accommodations are located in the capital, Feinberg and Newfarmer reported. That predilection may trace to Cuba’s lingering siege mindset, by which foreigners were deliberately cocooned in outlying resorts, where presumably they wouldn’t pollute the revolution. Only last decade were Cubans allowed to stay in beach hotels, Feinberg and Newfarmer note.
But if the country wishes to ramp up tourism, it needs to move beyond the identity it built and nurtured during the Cold War. For that the authorities will have to hasten reforms. Though private initiative is growing, funded increasingly by dollar remittances from Cuban expatriates, state controls still weigh on the economy. Keeping two official currencies — the CUP for Cubans, the far more coveted CUC for foreigners — distorts prices, encourages a black market, and crimps trade. Curbs on the internet hamper bookings, and restrictions on foreign capital hold up investment. As for island adventures, “There’s much better food and infrastructure in the Dominican Republic,” Saladrigas said. The risk now is that the country loses the glories of the socialist revolution without attaining those of the capitalist one.
That applies even to cigars. A quarter-century ago when a new glossy called Cigar Aficionado launched its list of the world’s greatest smokes, Cuba won all the big prizes. Now Nicaragua and Honduras make some of the finest smokes, and the top award last year went to the Dominican Republic. “The other countries invested in innovation and caught up,” executive editor David Savona told me. In order to keep the island’s economy from dissipating in the smoke, Cuba will have to do the same.
This column does not necessarily reflect the opinion of the editorial board or Bloomberg LP and its owners.
Mac Margolis writes about Latin America for Bloomberg View. He was a reporter for Newsweek and is the author of “The Last New World: The Conquest of the Amazon Frontier.”
To contact the author of this story: Mac Margolis at [email protected].
  ©2017 Bloomberg L.P.
This article was written by Mac Margolis from Bloomberg and was legally licensed through the NewsCred publisher network. Please direct all licensing questions to [email protected].
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katiezstorey93 · 7 years
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October 4, 2016: This Week on Blu-ray, DVD and Digital HD
Swiss Army Guy, The Purge: Election-Year, National Horror-Story: Resort, X Men: Apocalypse and much more come house Oct 4
Welcome on blu ray and Electronic HD week to take a look at all of the top titles arriving this. Browse the gallery audience below to get a consider the main new releases, catalogue films and tv selections striking racks and/or VOD starting Wednesday, Oct 4, 2016.
We’re throwing off the week having a set of videos from two Oct 4 games. Within the first participant under, you are able to have a look behindthescenes at The Purge: Election-Year. Within the participant just beneath that, we’ve likewise got a cut from Set in the USA, the brand new comedy featuring facebook superstars KSI and Caspar Lee.
Additional current silver screen releases arriving household Oct 4 contain Bryan Singer‘s business sequel X Men: Apocalypse, the post-apocalyptic thriller in to The Woodland (starring Ellen Site and Evan Rachel Wood), the indie humor Joshy (starring Thomas Middleditch) and the weird black-comedy Swiss Army Guy (starring Paul Dano and, within the section of a rotting corpse, Harry Potter business star Daniel Radcliffe). There’s also the animated attribute Kingslaive: Final Fantasy XV and also the shlocky business sequel Sharknado: The 4th Stimulates.
Games striking dvd-only Oct 4 include Joshua Marston’s enigmatic crisis Total Unfamiliar (starring Rachel Weisz and Michael Shannon), Andrew Tennant’s Wildoats (starring Jessica Lange and Shirley MacLaine) and also the character documentary Amazonia (read by Martin Sheen).
A few terror games quite are coming Oct 4-to get film enthusiasts prepared for Halloween. Search for the very first actually blu ray of the renowned Stephen King mini-series IT, the current great thriller Satanic, the freeway serial-killer story Fender Bender and Hong-jin Na’s recommended story of horror, The Wailing.
There’s also some good catalog games arriving home Oct 4. Sony remains their number of Frank Capra classics having a bluray version of 1936’s Mr. Deeds Would Go To City and, because of Warner Bros. Home Theatre, a three-disk King Video Selection, including blurays of Pink Water, Underneath The Cherry Moon and Graffiti Link.
About the small-screen entrance, Oct 4 provides us the most recent period of FX‘s struck horror anthology collection, National Horror-Story: Resort. There’s also the next and ultimate period of Cinemax‘s Banshee, the 3rd and ultimate period of Showtime‘s Penny Terrible and also the first-half of BACKGROUND‘s Vikings period four. There’s a set of comic-book modifications arriving house with the appearance of the very first period of AMC‘s Preacher and, via Warner Store, the entire Constantine, making its HD introduction.
Additional tv games coming Oct 4 range from the sixth period of Animation System‘s The Enterprise Siblings and two full sequence models. Dexter reissues the entire strike sequence in one single container as the total Perry Mason likewise comes on dvd-only.
Producing its Electronic HD introduction this week is Justin Lin’s Startrek Beyond. Subsequently, on Friday, Netlfix debuts Ava DuVernay‘s new documentary 13th.
You are able to take a look at cover-art for the Oct 4 releases within the gallery audience below alongside all of the each release’s unique functions (where applicable).
X-Men: Apocalypse
– Removed/Extended Moments with Elective Introductions by Bryan Singer – Fun Reel – Cover Occasion Movie – hour-long documentary, X Men: Apocalypse Discovered – Audio Criticism by Bryan Singer and Simon Kinberg – Principle Artwork and Photo-Gallery
The Purge: Election-Year
– Deleted Scenes – Within The Purge – Featurette – Personality Focus: Leo – Featurette
Set in the USA
– Set in the USA Behind-the-Scenes
Total Unfamiliar
– Director’s Discourse with Joshua Marston
In to the Woodland
– “The Making-Of in to The Woodland” Featurette – Audio Discourse with Author/Representative Patricia Rozema
Joshy
– Audio commentary with representative/author Jeff Baena, maker/actor Adam Pally and actor Thomas Middleditch
Swiss Army Guy
– Q&A with Filmmakers – “Swiss Army Guy: Behindthescenes” Featurette – “Making-Of Manny” Featurette – Deleted Scenes – Audio Discourse
The Wailing
– the Start Of The Wailing Featurette – Making-Of Featurette – Truck
Wildoats
Kingslaive: Final Fantasy XV
Sharknado: The 4th Stimulates
Amazonia
– “The Making-Of Amazonia” Featurette – TV’s “Minuscule” Reward Attacks
Mr. Deeds Would Go To City
– Audio Commentary by Frank Capra Jr. – “Frank Capra Jr. Recalls… Mr. Deeds Would Go To City” Featurette – Classic Marketing Gallery – Original Theatrical Intro – Valuable Digibook Presentation by having an All New Composition by Movie Historian Jeremy Arnold
King Movie Series
– New 2016 1080p HD masters – Purple Water Audio Criticism by Representative Albert Magnoli, Maker Robert Cavallo and Cinematographer Donald E. Thorin – First Method: The Street to Place Royalty: Go to The Club Where King Began – Purple Water Backstagepass: Behindthescenes – Riffs, Ruffles along with a Revolution: The Effect and Impact of Pink Water – MTV Signature Celebration Unique Broadcast – 8 Music Videos: Let Us Move Insane, Take-Me With U, While Doves Cry, I’d Die 4 U/Infant I am A-Star, Pink Water, Rainforest Love, The Chicken and Intercourse Shooting – Unique Truck
Fender-Bender
– High Definition Theatrical Lower (2.35:1) – “Retro VHS” Edition Of The Movie by which you are able to view the movie in a recreated style that goes back again to the 1980is and also the zenith of VCRs. – “Slashback” Truck Reel – an accumulation of classic Shout Manufacturer-branded slasher previews – Representative’s Discourse – Maker’s Discourse – Behind-The-Scenes Featurette – Unique Truck and Television Place
Satanic
– The Building of Satanic – The  Cast – Special-Effects – Behindthescenes Video – Theatrical Trailer
IT
– Audio Commentary by Representative Tommy Lee Wallace and Stars Dennis Christopher, Harry Reid, John Ritter and Rich Jones
National Horror-Story: Resort
– An Invitation to Demon’s Evening – The Cortez: A Period of Beauty Passed By
Banshee: The Ultimate Period
– Audio commentaries – Unique deleted scenes – Show recaps – “Banshee Roots” – “Zoomed In Eps 1 – 8″ – Throw retrospectives on “Greatest Fight Moments” and “Workis Greatest Clothes”
Constantine
– Constantine: Truck – Constantine: About The Collection – 2014 Comiccon Cell Q & A with Throw and Designers – DC Comics Evening at Comiccon 2014 Showing Gotham, The Display, Constantine and Arrow
Dexter: The Entire Sequence
Penny Dreadful: The 3Rd and Ultimate Period
– Hecate’s Witch Prosthetics – The Making-Of Dr. Jekyllis Laboratory – Figure Users: Ethan Chan from network 8 http://www.blueraysearch.com/october-4-2016-this-week-on-blu-ray-dvd-and-digital-hd/
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theactioneer · 4 years
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Street Knight (Albert Magnoli, 1993)
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solo-bolo-trollo · 7 years
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A COMPLETE LIST OF ALL THE FILMS I WATCHED IN 2016
1.       About Schmidt (2002, dir. Alexander Payne)
2.       The Accused (1988, dir. Jonathan Kaplan)
3.       All The Way (2016, dir. Jay Roach)
4.       The Alphabet (1968, dir. David Lynch)
5.       Anomalisa (2015, dir. Charlie Kaufman & Duke Johnson)
6.       Armageddon (1998, dir. Michael Bay)
7.       Backdraft (1991, dir. Ron Howard)
8.       Bamboozled (2000, dir. Spike Lee)
9.       Battlefield Earth (2000, dir. Roger Christian)
10.   Beverly Hills Cop (1984, dir. Martin Brest)
11.   Bicycle Thieves (1948, dir. Vittorio de Sica)
12.   The Big Short (2015, dir. Adam McKay)
13.   The Blair Witch Project (1999, dir. Daniel Myrick and Eduardo Sánchez)
14.   Bo Burnham: Make Happy (2016, dir. Bo Burnham & Christopher Storer)
15.   Borat: Cultural Learnings of America For Make Benefit Glorious Nation of Kazakhstan (2006, dir. Larry Charles)
16.   Bridge of Spies (2015, dir. Steven Spielberg)
17.   Brooklyn (2015, dir. John Crowley)
18.   Butch Cassidy and the Sundance Kid (1969, dir. George Roy Hill)
19.   Cabaret (1972, dir. Bob Fosse)
20.   Carol (2015, dir. Todd Haynes)
21.   Cave of Forgotten Dreams (2010, dir. Werner Herzog)
22.   Chasing Amy (1997, dir. Kevin Smith)
23.   Cinema Paradiso (1988, dir. Giuseppe Tornatore)
24.   Clerks (1994, dir. Kevin Smith)
25.   Clue (1985, dir. Jonathan Lynn)
26.   Coffee and Cigarettes (2003, dir. Jim Jarmusch)
27.   Confirmation (2016, dir. Rick Famuyiwa)
28.   Cries and Whispers (1972, dir. Ingmar Bergman)
29.   Crimson Peak (2015, dir. Guillermo del Toro)
30.   Crumb (1994, dir. Terry Zwigoff)
31.   The Danish Girl (2015, dir. Tom Hooper)
32.   Days of Heaven (1978, dir. Terrence Malick)
33.   Dazed and Confused (1993, dir. Richard Linklater)
34.   The Decline of Western Civilization (1981, dir. Penelope Spheeris)
35.   The Departed (2006, dir. Martin Scorsese)
36.   Die Hard 2 (1990, dir. Renny Harlin)
37.   Die Hard: With a Vengeance (1995, dir. John McTiernan)
38.   The Discreet Charm of the Bourgeoisie (1972, dir. Luis Buñuel)
39.   Don’t Think Twice (2016, dir. Mike Birbiglia)
40.   Dr. No (1962, dir. Terence Young)
41.   Dressed to Kill (1980, dir. Brian De Palma)
42.   DumbLand (2002, dir. David Lynch)
43.   The Earrings of Madame de… (1953, dir. Max Ophuls)
44.   Evil Dead II (1987, dir. Sam Raimi)
45.   eXistenZ (1999, dir. David Cronenberg)
46.   Falling Down (1993, dir. Joel Schumacher)
47.   Fantastic Voyage (1966, dir. Richard Fleischer)
48.   Fatal Attraction (1987, dir. Adrian Lyne)
49.   The Fisher King (1991, dir. Terry Gilliam)
50.   Fishing with John (1992, dir. John Lurie)
51.   Following (1998, dir. Christopher Nolan)
52.   Four Rooms (1995, dir. Allison Anders, Alexandre Rockwell, Robert Rodriguez & Quentin Tarantino)
53.   Freddy Got Fingered (2001, dir. Tom Green)
54.   Freedom Riders (2011, dir. Stanley Nelson)
55.   From Russia, with Love (1963, dir. Terence Young)
56.   Ghostbusters (2016, dir. Paul Feig)
57.   Goldfinger (1964, dir. Guy Hamilton)
58.   The Good Dinosaur (2015, dir. Peter Sohn)
59.   Goodfellas (1990, dir. Martin Scorsese)
60.   The Graduate (1967, dir. Mike Nichols)
61.   The Grandmother (1970, dir. David Lynch)
62.   Grizzly Man (2005, dir. Werner Herzog)
63.   Gummo (1997, dir. Harmony Korine)
64.   Hail, Caesar! (2016, dir. Joel and Ethan Coen)
65.   Halloween (1978, dir. John Carpenter)
66.   The Hand That Rocks the Cradle (1992, dir. Curtis Hanson)
67.   Hard Candy (2005, dir. David Slade)
68.   A Hard Day’s Night (1964, dir. Richard Lester)
69.   Hard Eight (1996, dir. Paul Thomas Anderson)
70.   Harry Potter and the Deathly Hallows: Part 2 (2011, dir. David Yates)
71.   The Hateful Eight (2015, dir. Quentin Tarantino)
72.   Heathers (1989, dir. Michael Lehmann)
73.   Hell or High Water (2016, dir. David Mackenzie)
74.   Hellraiser (1987, dir. Clive Barker)
75.   High Tension (2003, dir. Alexandre Aja)
76.   Hoop Dreams (1994, dir. Steve James)
77.   House (1977, dir. Nobuhiko Obayashi)
78.   Howards End (1992, dir. James Ivory)
79.   Jesus Christ Superstar (1973, dir. Norman Jewison)
80.   John Wick (2014, dir. David Leitch and Chad Stahelski)
81.   The Killer (1989, dir. John Woo)
82.   Kingsman: The Secret Service (2014, dir. Matthew Vaughn)
83.   Kubo and the Two Strings (2016, dir. Travis Knight)
84.   Labyrinth (1986, dir. Jim Henson)
85.   The Ladykillers (2004, dir. Joel and Ethan Coen)
86.   The Last Days of Disco (1998, dir. Whit Stillman)
87.   The Last Waltz (1978, dir. Martin Scorsese)
88.   The Lobster (2015, dir. Yorgos Lanthimos)
89.   Love Actually (2003, dir. Richard Curtis)
90.   Love and Friendship (2016, dir. Whit Stillman)
91.   M*A*S*H* (1970, dir. Robert Altman)
92.   Macbeth (1971, dir. Roman Polanski)
93.   Mad Max (1979, dir. George Miller)
94.   Mad Max: Fury Road (2015, dir. George Miller)
95.   Malcolm X (1992, dir. Spike Lee)
96.   Mallrats (1995, dir. Kevin Smith)
97.   The Man with the Golden Gun (1974, dir. Guy Hamilton)
98.   The Martian (2015, dir. Ridley Scott)
99.   Michael Jackson’s Journey from Motown to Off the Wall (2016, dir. Spike Lee)
100.                        Midnight Special (2016, dir. Jeff Nichols)
101.                        Miller’s Crossing (1990, dir. Joel and Ethan Coen)
102.                        Mommie Dearest (1981, dir. Frank Perry)
103.                        Moonraker (1979, dir. Lewis Gilbert)
104.                        Naked Lunch (1991, dir. David Cronenberg)
105.                        Naqoyqatsi (2002, dir. Godfrey Reggio)
106.                        National Lampoon: Drunk Stoned Brilliant Dead (2015, dir. Douglas Tirola)
107.                        The Negotiator (1998, dir. F. Gary Gray)
108.                        Network (1976, dir. Sidney Lumet)
109.                        The NeverEnding Story (1984, dir. Wolfgang Petersen)
110.                        A Nightmare on Elm Street (1984, dir. Wes Craven)
111.                        Nosferatu the Vampyre (1979, dir. Werner Herzog)
112.                        One Flew Over the Cuckoo’s Nest (1975, dir. Milos Forman)
113.                        Patton Oswalt: Talking for Clapping (2016)
114.                        Pee-Wee’s Big Holiday (2016, dir. John Lee)
115.                        Persona (1966, dir. Ingmar Bergman)
116.                        Primal Fear (1996, dir. Gregory Hoblit)
117.                        Purple Rain (1984, dir. Albert Magnoli)
118.                        The Remains of the Day (1993, dir. James Ivory)
119.                        The Revenant (2015, dir. Alejandro González Iñárritu)
120.                        Riki-Oh: The Story of Ricky (1991, dir. Lam Nai-choi)
121.                        The Rocky Horror Picture Show (1975, dir. Jim Sharman)
122.                        Room (2015, dir. Lenny Abrahamson)
123.                        Scarface (1983, dir. Brian De Palma)
124.                        Scream (1996, dir. Wes Craven)
125.                        Se7en (1995, dir. David Fincher)
126.                        Secret Honor (1984, dir. Robert Altman)
127.                        Sense and Sensibility (1995, dir. Ang Lee)
128.                        A Serious Man (2009, dir. Joel and Ethan Coen)
129.                        Showgirls (1995, dir. Paul Verhoeven)
130.                        Sicario (2015, dir. Denis Villeneuve)
131.                        Sing Street (2016, dir. John Carney)
132.                        Singles (1992, dir. Cameron Crowe)
133.                        Six Men Getting Sick (1966, dir. David Lynch)
134.                        Sleepwalk with Me (2012, dir. Mike Birbiglia)
135.                        Spotlight (2015, dir. Tom McCarthy)
136.                        Spy (2015, dir. Paul Feig)
137.                        Star Wars: Episode V – The Empire Strikes Back (1980, dir. Irvin Kershner)
138.                        Star Wars: Episode VI—Return of the Jedi (1983, dir. Richard Marquand)
139.                        Star Wars: Episode VII—The Force Awakens (2015, dir. J.J. Abrams)
140.                        Steve Jobs (2015, dir. Danny Boyle)
141.                        Straight Outta Compton (2015, dir. F. Gary Gray)
142.                        The Terminator (1984, dir. James Cameron)
143.                        The Thief and the Cobbler (1993, dir. Richard Williams)
144.                        The Thin Blue Line (1988, dir. Errol Morris)
145.                        The Thing (1982, dir. John Carpenter)
146.                        Thunderball (1965, dir. Terence Young)
147.                        Time Bandits (1981, dir. Terry Gilliam)
148.                        True Stories (1986, dir. David Byrne)
149.                        True Story (2015, dir. Rupert Goold)
150.                        Trumbo (2015, dir. Jay Roach)
151.                        Twin Peaks: Fire Walk with Me (1992, dir. David Lynch)
152.                        The Usual Suspects (1995, dir. Bryan Singer)
153.                        Vernon, Florida (1981, dir. Errol Morris)
154.                        A View to a Kill (1985, dir. John Glen)
155.                        Waking Life (2001, dir. Richard Linklater)
156.                        Wings of Desire (1987, dir. Wim Wenders)
157.                        The Witch (2016, dir. Robert Eggers)
158.                        World of Tomorrow (2015, dir. Don Hertzfeldt)
159.                        Zodiac (2007, dir. David Fincher)
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theactioneer · 4 years
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Street Knight (Albert Magnoli, 1993)
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