#mr. van daan

[cosmoglass]

“The unbosoming of an ugly duckling,” will be the title of all this nonsense. - Anne Frank, Friday 14th April 1944 Notes on 'The Diary of a Young Girl'

Saturday 19th February 1944 The giddy ups and downs of Anne Frank -

Tuesday 7th March 1944 Anne Frank’s advice for those in a state of melancholy -

She’s such a little philosopher, breaking down the flaws in her mum’s advice. Bet she annoyed the pants off the others in the Secret Annex simply by thinking critically and trying to discuss things. That’s why they harassed her with criticisms so much.

Thursday 23rd March 1944 Envious old guys tryna sabotage Anne & Peter, Peter blushing and Anne being shamelessly vain -

Monday 27th March 1944 Every resident of the Secret Annex is crowded around the radio listening to Winston Churchill making a speech. '... I am wearing a nightdress, which is much too small, too narrow and too short.' Anne doesn't say how she feels about this situation. She does say that 'Peter's eyes are popping out of his head' but she attributes this to the strain of listening to the radio.

Tuesday 28th March 1944 I like it much better if he explains something to me than when I have to teach him; I would really adore him to be my superior in almost everything.' DO GIRLS WANT YOU TO MANSPLAIN OR NOT?!

He longs to kiss you too, Anne. It's because he's afraid of rejection, embarrassment and shame.

Tuesday 4th April 1944 "Eva's Dream" is my best fairy-tale, and the queer thing about it is that I don't know where it comes from. Eva's Dream features a rose who is full of herself just like the flower in The Little Prince. The Little Prince had already been published but only six months before this diary entry and in America, not Europe, which means Anne couldn’t have read it.

Tuesday 11th April 1944 "Then they will find Anne's diary," added Daddy. "Burn it then," suggested the most terrified member of the party. This, and when the police rattled the cupboard door, were my worst moments. "Not my diary, if my diary goes, I go with it!" But luckily Daddy didn't answer. .......................... If we bear all this suffering and if there are still Jews left, when it is over, then Jews, instead of being doomed, will be held up as an example. Who knows, it might even be our religion from which the world and all peoples learn good, and for that reason and that reason only do we have to suffer now. We can never become just Netherlanders, or just English, or representatives of any country for that matter, we will always remain Jews, but we want to, too. ............................... For the remainder of this epic entry in her diary, Anne takes stock of herself and states some of her dreams for the future after the war is over. An indomitable spirit.

Friday 14th April 1944 "The unbosoming of an ugly duckling," will be the title of all this nonsense.

Sunday morning just before eleven o'clock, 16th April 1944 Poor darling Peter awkwardly fumbling his way towards kissing Anne on the ear. Anne in ecstasy.

Monday 17th April 1944 Dear Kitty, Do you think that Mummy and Daddy would approve of my sitting and kissing a boy on a divan - a boy of seventeen and a half and a girl of just under fifteen? I don't really think they would, but I must rely on myself over this. ............. To exchange our thoughts, that shows confidence, and faith in each other; we would both be sure to profit by it! Yours, Anne.

Wednesday 19th April 1944 It is so soothing and peaceful to feel his arms around me, to know that he is close by and yet to remain silent, it can’t be bad, for this tranquillity is good.

Friday 28th April 1944 First kiss on the lips.

Friday 5th May 1944 Anne shares what she intends to tell Daddy in defence of her right to go upstairs for a snog. Very forthright and long-winded. Poor Daddy. The next day, Pim (Daddy) reads it in a letter that Anne gives him and he's upset for the whole evening. Anne talks about it as if she's being grown up but I think she actually enjoys how much it upsets him, which is very childish. The day after that, Pim tells her how hurt he was by her words and Anne realises how obnoxious she's been and is ashamed of herself.

Wednesday 14th June 1944 Aged just 15, Anne works out the narcissistic defence mechanism that is projection and also understands how being far more self-critical than others has emotional and social consequences for her. She may be over-estimating how much of an inner life Peter has. He's not as brilliant as her and he may just simply not have those profound thoughts and feelings like she has -

Thursday 15th June 1944 It's not imagination on my part when I say that to look up at the sky, the clouds, the moon and the stars makes me calm and patient. It's a better medicine than either valerian or bromine; Mother Nature makes me humble and prepared to face every blow courageously.

Thursday 6th July 1944 I've so often thought how lovely it would be to have someone's complete confidence, but now, now that I'm that far, I realise how difficult it is to think what the other person is thinking and then to find the right answer.

Saturday 15th July 1944 I simply can't build up my hopes on a foundation consisting of confusion, misery, and death. I see the world gradually being turned into a wilderness, I hear the ever-approaching thunder, which will destroy us too, I can feel the sufferings of millions and yet, if I look up into the heavens, I think that it will all come right, that this cruelty too will end, and that peace and tranquillity will return again. In the meantime, I must uphold my ideals, for perhaps the time will come when I shall be able to carry them out.

Friday 21st July 1944 With her second last diary entry, Anne is over-excited from optimism about the trajectory of the war and very jokey. So tragic.

Tuesday 1st August 1944 I can't keep that up: if I'm watched to that extent, I start by getting snappy, then unhappy, and finally I twist my heart round again, so that the bad is on the outside and the good is on the inside, and keep on trying to find a way of becoming what I would so like to be, and what I could be, if... there weren't any other people living in the world.

EPILOGUE As for the two girls, they had been sent to Bergen-Belsen in Germany two months before their mother's death. There Anne showed the same qualities of courage and endurance which had already made her noteworthy at Auschwitz. In February, 1945, both the sisters caught Typhus. One day Margot, who was lying in the bunk immediately above Anne's, seeking to rise, lost her hold and fell on to the floor. In her weakened state the shock killed her. Her sister's death did to Anne what all her previous sufferings had failed to do: it broke her spirit. A few days later, in early March, she died.

................................................

“I want to go on living even after my death! And therefore I am grateful to God for this gift, this possibility of developing myself and of writing, of expressing all that is in me. I can shake off everything if I write; my sorrows disappear; my courage is reborn. But, and that is the great question, will I ever be able to write anything great, will I ever become a journalist or a writer?” - Anne Frank

Anne, you were wonderful, lovely and amazing, a great writer and a great person, and you always will be.

#anne frank #diary of anne frank #why does my thumb look so inflamed and ugly #melancholy #blushing #anne and peter #peter van daan #peter van pels #dussel #mr. van daan #winston churchill #nightdress #mansplaining #fear of rejection #ugly duckling #first kiss #narcissistc defence mechanisms #projection

[bruisingknees]

Knokke Off ep 1 ENG transcript

Episode 1: Welcome to Knokke, bitch!

Eleonore: Alex? Alex! Alex? Alex? Hey, Alex! Hey, dear. I’m here. Alex, come on! Did you take something?!

Alex: I didn’t take anything, no.

E: Then why did I have to come here straight away?

A: They know.

E: What do they know?

?: Alex?! Alex?!

KNOKKE OFF

[A couple of weeks earlier]

A: Stay.

Earphones: Take some time for a meditative run. In a place where you can run in peace, and where you can run back and forth at least a couple of meters. On a meditative run you will focus on the act of running itself, not on where you’re running to. It’s about being present for every step, for every breath. You’ll focus on every step of your foot, your left, and back to your right. You will notice your breathing. If there are other objects or impressions that come into your field of consciousness […]

Melissa [Dutch accent]: Oh, sure, grandpa. What are you doing?! Are you just going to…

Earphones: […] you don’t have to pay them any special mind.

M: I’m not going to wait for you, grandpa! You should’ve thought about this before!

Daan [Dutch accent]: What was that?

M: A way too expensive car.

Earphones: You can just continue running. And to end this exercise, come to a stop.

Louise’s sister: Dad, left or right?

[Louise’s mom speaking French]

Louise’s dad: But you already have a dress?

Sister: I want another one. And?

Louise: 18,5 in one hour and twenty minutes.

Sister: Great job.

Mom [in French]: You don’t understand! My daughter… [in Dutch:] Can you grab a quick shower, baby? [In French] My daughter, the bride, will be the only one dressed in white. Right, and the guests will all be dressed in different colors. Okay, there we go, that’s right. Okay. So…

Dad: Bye.

L: See you tonight.

Mom [in French]: No, no.

Mom: Your pills.

L: Yeah.

Mom: Don’t forget them, okay?

L: I won’t.

Camping lady [Dutch accent]: Thank you, m’am. That’ll be 720 € please.

M: One hundred, two hundred, three hundred, four, five, six… Daan, do you have 120 € for your mom?

D: No.

M: I just have to grab some from the car.

Camping lady: Okay. Come here a sec, boy. I’m only telling you this once. At the first sign of any problems, I’m throwing you out.

D: M’am, I don’t want to be on this fucking campground at all. So don’t worry about it.

M: And 120.

Camping lady: Okay, thank you. Well, Mrs. Van Lieshout, then I’ll just wish you a pleasant stay here at Cadzand-Bad.*

M: I’m sure we’ll enjoy it. Thank you.

D: Mrs. Van Lieshout?

M: Yeah. What a weird bitch, right?

 E: Of course we’ll be coming over later.

Christine [Dutch accent]: Great. Margaux is just labeling the Fontana. Patrick is still interested, right?

E: Yes. 99 % sure. He just wants to see it in real life.

C: Of course. See you later. Bye, bye, babe.

E: Good morning.

A: Good morning.

E: Olivia? Hello?!

Olivia: Weren’t you going to the hairdresser?

E: What was that?

O: Weren’t you going to the hairdresser?

E: Oh, yeah, but all of a sudden I didn’t feel like it anymore. I went to the bakery.

O: Did you bring cupcakes?

E: Yes. And mini pastries. Where’s daddy?

O: I don’t know.

E: Where’s dad? And nanny Isabelle?

A: Yeah, I obviously don’t know.

E: Patrick?! Pa- Yeah, come on. I know she’s in here!

Patrick: What?

E: Isabelle? Come here a sec, come. I know you’re in here. Isabelle? Isabelle? Isabelle?!

A: Mom, she’s here.

Isabelle: M’am?

E: I’ve had it up to here with you, Isabelle. I would really like for you to pack your stuff.

I: I’m sorry, but what did I…?

E: Didn’t you hear me, or what?

A: Please.

E: Alex. I never want to see you again.

I: But, m’am… Sir, please.

P: You heard my wife.

 M: So, what do you think?

D: It’s…

M: Super nice, right?

D: Yeah.

M: Look, a little grill. Look. The bathroom’s pretty big! It’s kind of a nice shower! Oh, this room is even bigger! This is super relaxed! Look at this, a mirror, a little desk. You can sit here with your photography thing and stuff. Hey, Daan. Are you out of money?

D: No, no. It’s just that someone still owes me 300 €.

 A: Mom. Listen…

E: I don’t want to hear it. I really don’t.

 D: Okay, mom, I’m leaving.

M: Good luck! Do you have everything? Your phone?

D: Yeah.

M: Yeah?

D: Yeah. Bye, mom.

M: Bye.

 D: Hey, can I ask you a question?

Waitress: Wait a minute.

A: I’m telling you, Matti, could be better!

Matti: I get it, but I’m just telling you there’s a lot involved with this. It’s not just opening some bar. You need a whole concept. You have to think about it!

A: You don’t necessarily need to come up with something new? You could just take the Casino Club and copy that. Just make it better, fancier, more expensive…

M: Fancier and more expensive than the Casino Club?!

A: And just make it fucking hot, man, you know? Designer sex, right?  

M: Designer sex…

A: What about the title: Crazy Lulu?

?: Crazy Loulou? Sorry, ‘Lex, no.

Margeaux: Loulou? Isn’t that that cheap perfume?

A: Not like the fucking perfume, you write it with two u’s, but you pronounce it…

?: Lulu?

A: Not lulu. You write it with the u’s but you pronounce it like oo. Lulu.

?: Exactly, Lulu.

M: Lulu.

?: Lulu.

M: Aren’t those cookies?

A: Matti, for real, if you don’t have anything to contribute to the conversation, just keep it shut.

M: No, but seriously. Those bears and letters. In this big bag? We have those at home.

L: Lulu? Isn’t that a play?

A: Ah. There we go. A play. About a lesbian high-end whore during the Jack the Ripper era.

L: That’s a little simplified.

A: Matti has to be able to follow as well, you know, baby?

M: And who are you, our great play lover?

Waitress: Follow me.

A: Don’t stare like that.

L: What?

A: Hey.

L: What?

 Waitress: Jacques? The student.

D: Hey, good morning.

Jacques: About time, don’t you think? Are you scared they’re going to steal it?

D: No, I just forgot my bike lock.

J: Follow me. Hospitality experience: none. Seventeen?

D: Sorry.

J: Name.

D: Daan.

J: Last name.

D: Paroty.

J: What?

D: Paroty.

J: Buroni. Buroni… Surinamese?**

D: Half. Racist?

J: Half. Here, you can fill out the rest at home, and then you can start earning some money. I’ll go grab your uniform.

D: Uniform?

 M: I just don’t think anyone’s waiting for a titty bar here in Knokke.

A: Please! It’s not a titty bar, dude!

M: But that’s what it comes down to!

A: No! You don’t know jack shit about doing business, do you?

M: More than you’d think.

A: Aren’t they teaching you this at that Business school? Aside from playing some American football and rugby.

M: Oh! Hockey, not rugby!

A: Sorry.

?: Nice, nice. Yummy.

J: Okay, on top of your head. And now you yell.

D: Boules de Berlin.

J: Louder, Daan. People won’t hear at that volume.

D: Boules de Berlin!

A: Do you still think he’s interesting now?

D: Boules de Berlin!

J: Louder!

L: He’s working for his money.

D: Fresh balls. Boules de Berlin.

J: Fresh balls!

D: Boules de Berlin!

J: Boules de Berlin!

M: Where did they find this clown? He’s new.

?: I wouldn’t mind a taste of his balls.

?: I get it.

J: And we’re off. There you go.

?: Good afternoon.

D: Hey.

Mar: Oh… that’s not for me… These Boules.

?: I’ve never tried them.

Mar: My clothes will be drenched in cream.

D: How many do you want?

A: What’s your name?

D: Daan.

A: You don’t really look like a Daan.

D: I get that a lot.

A: Your box is in a dangerous spot, buddy.

D: No, it’s okay, man. There you go.

Mar: Come on, that’s sad.

A: Sorry.

?: Come on.

A: I’m sorry, I didn’t mean to.

D: It’s okay. It’s okay. Here you go.

A: Do you want one as well…? Oh, I just wanted to ask… I mean. Sorry, I thought… Sorry. I told him, that wasn’t a good spot for the box. [Imitating a Dutch accent:] “No, man, it’s totally fine!”

?: And that on his fist day. What’s Jacques going to say about that?

?: Hey! Hey, what the fuck?!

?: Are you crazy?!

D: No, it’s fine.

?: We got that [on film].

?: What the fuck, dude?

?: Alex, are you okay?

?: Are you okay?

A: I’m okay, I’m okay.

M: Did you lose it [his tooth]?

?: Did you get that [on film]?

J: Hey, what’s going on here?

A: Daan dropped his box of balls, man.

J: On your face?! Come, you, follow me. Come on.

?: Are we going to continue working?

J: Everything is okay, people. Accidents happen.

A: Is he still there?

L: I’m going to the bathroom.

 Boy: Mommy! Mommy!

Man: Move back.

 D: Hey, Jacques. You’re not going to fire the kid, right?

J: Too late, Alex. Already did.

D: You’re not a racist, right, Jacques?

J: What do you think?

D: It doesn’t matter what I think. It matters what people are going to think, buddy.

J: That’s up to the people.

 D: Fucking Knokke, fuck.

Anouk: Good vacation?

D: Knokke. Arrogant, rich assholes.

A: You’ll see more of those here. Anouk.

D: Daan.

A: Daan. And what else? So I can give you a follow. Us tokkies*** have to band together.

D: Paroty. Is that a thing? Brown tokkies?

A: Yeah. They’re the worst, right?

D: True.

A: Are you okay?

D: Sorry, I was just looking at your… shirt. Casino Club. What’s that?

A: It’s a night club in Knokke. Full of rich, arrogant assholes.

D: Fun.

A: It pays well.

D: I can tell. Nice iPhone.

A: Want to buy it from me?

D: If I wanted an iPhone I’d steal one myself.

A: Daan. Do you develop your photos yourself?

D: No, no. I bring them to the store.

A: I’d love to see them. Especially the ones of me. From this afternoon, in the sun. I have to get going, Daan. You can keep that.

M: Hey.

D: Hey.

M: Oh! Wait. Before I forget… [Spanish] Un, dos, tres.

D: How did you get this?!

M: Stole an electric bike.

D: Sure.

M: I borrowed it from an old friend.

D: Since when do you have friends?

M: I was young once. I have friends too.

D: Really?

M: Daan, how was work? Daan?

D: Like this.

M: Will you be sleeping there?

D: Yeah.

M: On that one?

D: Okay?

M: Yes, okay. Yes. Uhm, how was work?

D: Yes, uhm, good. Nice boss.

M: Okay. Bye.

D: Good luck.

?: Oh, look here!

?: Hey. How are you?

Grandma: Hi baby.

E: Hi, mom.

 M: I’ve told you once and I’ll keep telling you. I just think Crazy Lulu is a ridiculous name. It’s just a ridiculous name.

A: Are you drinking two glasses?

M: I’m thirsty, aren’t I?

A: Just make sure you’re not throwing up on my shoes later, buddy. I still remember last time. I haven’t forgotten! There’s still chunks on my shoes!

Mar: I was wearing sandals and it also got –

Louise’s mom: Hey, I heard your nanny quit?

E: Yeah, can you believe that?!

Mom: Yeah, Olivia told me.

E: From one day to the next she just left, without saying a word. Really.

Mom: Yeah?

E: Anyway, I shouldn’t say anything cause she’s going to study to be a nurse, so.

Mom: But come on, so selfish!

L: Your dad’s here.

P: Hey, Daniel. I’ll be with you in a moment.

E: There he is.

P: Don’t forget.

Mom: Hey, hello, Patrick.

C: Patrick, so nice of you to come!

P: Hey. Show me!

C: Yes.

?: Will it take long before…

A: Hey. Your mom is selling my dad that Fontana?

Mar: Uhu.

M: Fontana?

L: Together with Max Baumann he was one of the most important minimalists.

A: The white canvas with the rips.

M: That’s it? Those three rips?

Mar: That’s why it’s a minimalist.

M: It’s definitely the smalles piece here.

P: It’s beautiful. Really.

E: Yeah, it’s is.

M: And how much are they asking for it?

Mar: Mom is asking 1.7 million.

M: 1.7 million? For three rips?

L: I’d spend it better.

M: You’d open a titty bar, wouldn’t you, Alex? Crazy Lulu. Or have you found a better name yet?

P: Can we get down to the business side of things? Before we’re too drunk.

C: Follow me.

Mar: I think they’ve sealed the deal.

M: 1.7 million. I’d know what to do with that kind of money. Right, Victor? I’d buy a nice yacht in Saint-Tropez.

A: I’m gonna take a leak.

[Anouk: now you can look your fill]

C: Well, the Fontana is officially yours!

C: The guests are waiting.

P: Let the guests wait.

C: Oh, yes!

E: Where is he? It’s her last number. I’m going to have a look.

 E: It’s Olivia’s last song. Where’s dad? Hm? What?

A: Mom.

E: What?

C: Well, congratulations!

E: It’s Olivia’s last song! She’s almost done.

P: This had to be signed, right?

E: Great.

Louise’s mom: Did it go through?

E: Yeah, it’s done.

P: Beautiful, little olive. Amazing, honey. Come on, take a bow.

E: Bravo!

C: So talented.

E: She’s amazing.

C: I’d enter her in the Queen Elisabeth competition.****

E: She’s better than her teacher. I mean, he tells us that himself. Chopin, Debussy… Much better.

C: I’m going to…

Louise’ mom: Great atmosphere, Christine! Truly! I won’t be stay for too long. Honey, tomorrow?

E: Yes, 10 at Natan’s.

Louise’ mom: For Emilie’s wedding.

P: You think I could pop by soon?

Louise’ dad: For a shot?

P: It’s been almost three months now.

Louise’ dad: Okay. Oh, you’re kidding. It’s like they can smell it. Emergency at the hospital.

P: The same old, same old?

Louise’ dad: Yeah. Okay.

P: You go ahead.

Louise’ dad: Honey, there’s an emergency case. What?

Louise’ mom: At the hospital?

Louise’ dad: Yeah. Honey, emergency.

Louise’ mom: Congratulations!

P: Thank you.

A: Did your dad leave?

L: Dad always has an emergency case if he’s not having fun somewhere. Anyway…

A: I’ve had it as well with this place, actually.

L: We did what we had to do.

D: Come on, dude, I’ve listened to enough piano.

Mar: Thank you.

D: Hey, good evening.

Security: Good evening. Do you have an invite?

D: Yes. Anouk invited me.

Security: Anouk? Doesn’t ring a bell.

D: No? Short lady, black hair, lots of tattoos?

A: Thomas!

Security: Good evening.

All: Good evening.

D: Maybe she’s inside. She’ll recognize me when she sees me.

Security: No, dude.

D: Hey. He’s with us.

Security: Have fun.

D: Thank you.

A: Welcome to Knokke, bitch.

A: Six glasses, Anouk.

?: Champagne!

L: There’s your flame.

A: I think she’s so fucking hot.

An: Hey, Daan.

D: Hey.

An: Are these those rich assholes? Okay.

A: What the fuck?! Don’t be so shy!

A: You’re thinking about him, aren’t you?

L: Who?

A: I saw you looking.

L: Who?

A: You know who.

L: You’re crazy.

A: You make me crazy.

D: Hey, mom. I’ll be out all night. I’ll be home tomorrow morning.

L: Daan!

A: Daan, come dude!

L: Alex, no.

?: Come on, join us.

Notes:

Daan and his mom Melissa are Dutch, as is Margaux’s mom Christine. (Margeaux herself didn’t have a particularly Dutch sounding accent to me.) 

* Cadzand-Bad is in The Netherlands, about 10km from Knokke (Belgium)

**  There’s a colonial history between The Netherlands and Suriname https://en.wikipedia.org/wiki/Suriname

*** Tokkie: The epithet tokkie is used in the Netherlands as a pejorative noun for lower-class people who often are seen as likely to engage in anti-social behaviour, similar to the English chav, the Scottish ned, the South African zef and the Australian bogan.

**** The Queen Elisabeth Competition is an international competition for career-starting musicians held in Brussels. The competition is named after Queen Elisabeth of Belgium (1876–1965). It is a competition for classical violinists (from 1937 to present), pianists (1938 to present), singers (1988 to present) and cellists (2017 to present).

#knokke off #no promises that I'll do the other episodes #it was a pretty cool first episode i like the thriller vibes #everyone seems to be a total mess in this lmfao

[whaleaddict13]

Mr. van Daan vibes

[riajmachawla]

Wednesday, April 5, 1944

“I'm overjoyed that at least I can write. And if I don't have the talent to write books or newspaper articles, I can always write for myself. But I want to achieve more than that. I can't imagine having to live like Mother, Mrs van Daan and all the women who go about their work and are then forgotten. I need to have something besides a husband and children to devote myself to!

I don't want to have lived in vain like most people. I want to be useful or bring enjoyment to all people, even those I've never met. I want to go on living even after my death! And that's why I'm so grateful to God for having given me this gift, which I can use to develop myself and to express all that's inside me!”

[supercaliwhat]

WallyGallery Archives Volume 2: Posts 04 25/4/3

Making archives of WallyGallery posts for this TEMPORARY new tumblr blog.

1

Extra Topic: "In spite of everything, I still believe that people are really good at heart." (04 25 2023)

Dear diary, after finishing the play the ‘Diary of Anne Frank’, I found a quote that completely sums up the diary. The quote “In spite of everything, I still believe that people are really good at heart” best shows the meaning of the play for multiple reasons. The play as a whole follows the struggles Anne and the annex had to face, such as the fear of getting caught by the Nazis, starving, and less resources. However, the kind acts in the play and Anne’s optimistic personality helped me both restore faith in humanity and believe in the aforementioned quote. Take the helpers for example. Miep, Mr. Kraler and many other ‘annex helpers’ compromised so much of their lives just to save eight other lives. They used their money, feared getting caught, and arguably had more downsides than living in the annex. The helpers had to hide this fact while working right under where their secret annex was, yet still helped the annex for around 2 years! Their sacrifice makes me support this quote because it shows that people can do the most extreme things to help others, despite there being no reward. Individuals in the annex also supported the quote. Mr. Van Daan is the best example of this. Mr. Van Daan used to be a very selfish man who stole food from the starving annex for himself, even when he received special treatment and complained about the lack of food. Early on, he showed no apologies or acknowledgement of these crimes. He also had a mean attitude (likely from his smoking habits), being a grumpy man who criticized everything for seemingly anything. However, his change is what made me support the quote. Shortly after Mr. Van Daan was caught stealing food by the Franks, he was just as angry as the victims of his crimes. However, soon after the D-Day announcement from Miep, he quickly realized his wrongdoings and apologized. He admitted his faults and attempted to change from it, and the others in the annex did just that. Shortly after the wild pandemonium, the annex found an agreement on things and realized their flaws and apologized while being hopeful and optimistic, which shows that everyone is good at heart. It is because even if they did bad things, they can learn from their mistakes and show that they have changed this. However, Anne’s tragic future contradicts her quote. While Anne was known for her optimism and had written the book seemingly to fit the quote, her death from the Holocaust from the Nazis was immoral and unjustified no matter what and never apologized. Their actions fully oppose Anne’s quote, especially since their actions were done to the person who supported the quote the most. Nonetheless, I still strongly that the quote "In spite of everything, I still believe that people are really good at heart” is an enchanting quote that summarizes the whole play, and, this world!

2

Post 4: Sports Day Extravaganza (04 24 2023)

My second sports day in eigth grade was particualy... fresh and unsatisfactory for some reasons. The most obvious reason would be the repetitiveness of sports day. In contrast to previous sports days (in lower campus) that were often new and overwhelming at times, this sports day felt more underwhelming and expected. The people were the same, the activities were the same, and nothing seemed to make this sports day special so far. I did far less sports than other sports days and watched others do it for most of the part. This whole INDOOR theme made sports day limited in a sense that movement was restricted and that outdoor feeling was gone, which meant less fun. Even worse, my team was last place from second grade till today for crying out loud! However, the new things I was desperate of happened soon boosted by otherwise depressed mood. The sandwiches, the food truck and movies were all excellent things this sports day had. Overall, sports day was still a fun event for me and everyone because of its nature of playing for hours and foodies, despite its repetitiveness and lack of new activities. However, I realized that someone took my hoodie for no reason. Although I had my name in it and although I clearly knew where it was, I guess someone had to steal it to remind how unorganized this sports day was. With these things in mind, I can safely say that sports day was tough this week.

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Post 3: Who is June's Favorite President? 04 16 2023

Who is June's favorite South Korean president? The answer is simple: NO ONE! However, my favorite US president would be Theodore Roosevelt for a few reasons. To begin with, he was a person who fought for the common people. A president from the early 1900s, Teddy helped laborers in multiple ways. He helped get workers paid for their injuries. He helped get weaken companies with high influence, and was known for his trustbusting to help make bussinesses more competitive and less abusive. He helped bring peace, putting the Russo-Japanese war to an end and getting a Nobel Peace Prize for his efforts. He was an environmentalist, creating many national parks and natural sites that are still popular to this day. His aid in constructing the still important Panama Canal and efforts to create the FDA to inspect food and other accomplishments proves that Teddy Roosevelt truly wanted to help the people, not bussinesses. Unlike corrupt politicians, he tried best to listen to people in a time of industrialization, and that actually helped decrease inflation! However, his successful attempt at splintering the Republican Party in half because of his political opponents show his flaws. Nonetheless, Teddy Roosevelt will always be my one of the, if not the most respectable president.

[hyewon-shin]

People are really good at heart

"In spite of everything, I still believe that people are really good at heart."

I agree with this opinion. 

In Anne’s diary, people who had conflicts with others, apologized and felt bad about their immature actions. For example, Miep and Mr. Kraler is the best example who is really good at heart. They helped the people in the annex, sacrificing their life for them. They provided food and also told them what was happening outside. Even though they had no benefit in helping them, they did not stop supporting them. Furthermore, Mr. Van Daan had a lot of conflicts with other people in the annex such as Anne and Mrs. Frank. When Mr. Van Daan steals food at the annex, everyone was extremely mad about him. First, he rejected his action. However, at last, he recognized his fault that he was taking food from his child because of his selfishness. Therefore, he apologized to everyone about his selfish actions. Moreover, Anne is really good at heart too. One episode is Hanukkah. She made presents to everyone in the annex and celebrated them. Anne had numerous conflict with others, especially Van Danns and Mrs. Frank. However, she did not care about the conflict. She thought more about what they like, not about the conflicts. Also, Mrs. Frank is one example too. Even Anne was very mean to Mrs. Frank, she did not act the same as Anne. When Anne had a nightmare, Mrs. Frank tried to stay until she fell asleep even though she rejected it. When Mr. Van Daan stole the food, Mrs. Frank yelled and said strong words to him. Everyone was surprised at her because it was then first time Mrs. Frank yelling to someone. She could not understand Mr. Van Daan’s selfishness which was sacrificing children. We can know that Mrs. Frank cares a lot for children and tries to protect them. Therefore, most of the people in the annex are all really good at heart. 

Also, I can feel people are really good at heart by my friends. When I was in trouble working on my project, my friends assisted me a lot. They explained about the project again and also showed examples to me. 

I felt that actually people who caused the conflict will feel bad about the situation, not just the other person who had a conflict with them. In my opinion, the word apologize came out because all people have a warm heart beside their mind. 

[briansgermanlitblog]

Week #3 Blog

The Diary of a Young Girl - Anne Frank

Pages Read: 61-110

Word Count: 389

Summary: Anne’s father (Otto) believes that the war will end soon but the other members in the Annex believe otherwise. Unfortunately that doesn’t aid much of the depression and sorrow around the Annex. For example, Anne is forced to take depression pills and overtime changes her speech from an optimistic point of view to maturity and sadness. The families in the Annex are seen as complainers by Anne, especially Mr. Dussel with uptight rules about etiquette. Everybody including Anne continues to feel anxious because of the terrible events occurring outside like the random gunfire, Jews being separated from their families, and unnecessary deaths. Mr. van Daan believes the war will end in the near future.

Critical Analysis: The quote I chose is “There is nothing we can do but wait as calmly as we can till the misery comes to an end.” Breaking down the quote word for word I can infer that Anne is “trying” her utmost best to stay calm but as the following quotes show, she’s clearly not calm, same for everybody in the Annex. Just as Anne mentions her last adjective “misery” greatly describes how everybody is feeling during the war, especially Anne herself. However, critically thinking a step further Anne mentions the war will “end” because of how optimistic she is with her adolescent mentality. Sad to say, Anne Frank wasn’t able to live long enough to see the war end.

Personal Response: Witnessing the struggles of Anne Frank and the families living in the Annex makes me wonder if they're truly “living”. Seeing the families forced to ration every resource including something not as important as electricity makes me grateful today and how better the world is. If I was ever in Anne’s position I wouldn’t know what to do or what to think of the matter, in all honestly I can’t say if I would be able to live properly as a child or human adult. Anne’s strong will in the beginning was slowly being chipped at overtime and soon affected her in many more ways than one. Taking depression pills is something I could never even think of doing to myself because I have strong people around me to give me strength but you can clearly see how impactful the war was not just to Anne but to everybody involved.

[cheesymovie]

auditioning for anne frank tomorrow!

#i want anne or mrs van daan #ok fiona

[theatrembti]

Hermann Van Daan from The Diary of Anne Frank ESTP by Rebecca requested by anonymous

Extroverted Sensing (Se) "Did Mr. Kraler warn you that you won't get much to eat here? You can imagine...three ration books among the seven of us...and now you make eight." Mr. Van Daan's primary motivation for most of the play is tied to sensory activity - namely, eating and smoking. He seems more affected by hunger than the others, leading to conflicts such as cake cutting and stealing bread. As a routine smoker before his time in the annex, he is strongly affected when cigarettes run out, leading to greater irritability. He reacts to the outside world quickly and intensely, sometimes going from a normal state to rage in a matter of moments. In addition, he tries to be practical and focus on reality rather than flights of fancy - part of the reason he clashes with Anne.

Introverted Thinking (Ti) "Just a little discussion over the advisability of selling this coat. As I have often reminded Mrs. Van Daan, it's very selfish of her to keep it when people outside are in such desperate need of clothing..." Mr. Van Daan does his best to use logic, even if his temper often shines out clearer to those around him. He seems interested in cultivating intelligence and thought in his son, and when Peter struggles with his studies Mr. Van Daan is greatly displeased. He can be callous to other people's feelings, sticking to his own thoughts instead. He finds logical reasoning for his actions, such as how he explains why they must sell Mrs. Van Daan's beloved fur coat. Often he uses his thoughts to help justify his feelings, both for others and for himself.

Extroverted Feeling (Fe) "This isn't a quarrel! It's a discussion. And I never head children so rude before." It seems that Mr. Van Daan's emotions are explosive, as he anger often erupts for the rest of the people in the annex to see. He usually does not keep his feelings back - when he is irritated or delighted or anything else, everyone can tell. This display of emotion leads him into confrontations with everyone from his wife to his son to Anne. He aligns himself with the popular values of how people are supposed to behave, which explains some of his anger towards Anne and Peter. However, as demonstrated in Mrs. Van Daan's memory, he does have the ability to be rather charming and personable.

Introverted Intuition (Ni) "Let me give you a little advice, young lady. Men don't like that kind of thing in a girl." Aside from the idea of getting out of the annex and living a normal life, Mr. Van Daan doesn't seem interested in the future. Rather, he is interested on getting food or cigarettes or anything else in that moment, not thinking about the consequences. This is seen most clearly when he discovered stealing bread - instead of thinking of rationing out food and keep everyone as well-fed as possible, he goes out and satiates his own hunger. He is clearly capable of making plans, but these can be rather short-sighted. Generally, he is not thinking beyond his current situation, which leads to a great deal of conflict with the others in the annex.

#estp #hermann van daan #mr. van daan #the diary of anne frank #anonymous #request

[mandoreviews]

📚 The Diary of a Young Girl by Anne Frank

Wow.

I’ve been wanting to read Anne Frank’s diary for years, and I finally got around to it. And it was incredible. Anne Frank was so young when all this happened to her, but she writes as if she has lived for 40 years. All she’s doing is writing about her life and how she feels, but she’s such a good writer that the reader can actually understand the depth of her loneliness. This is an amazing read; and it’s a sad read, especially knowing the outcome.

Rating: 10/10

#anne frank #diary #kitty #book #review #book review #world war 2 #margot frank #otto frank #peter van daan #mr drussel #van daans #franks #hiding #jews #wwii #world war ii #ww2

[somesortofbandreference]

what I would not give to be sleeping right now

#im so tired i hate being awake on fridays #k im bored im going to ramble now #we r doing the diary of anne frank in my english class and we have to do the read aloud play thing #im reading as both mrs van daan and mr kraler bc there was just a little less than double the people we needed to do it twice #also #in my us history class i was like the only one who remembered that george washington wasnt in a political party wtffff #dumb bitch hours for my history class

[tcm]

Shelley Winters: An Extraordinary Actress By Susan King

When Shelley Winters died at 85 in 2006, much was made of the fact that the two-time Oscar-winner went from a va-va-va voom sex symbol to a matronly character actress. In fact, the Los Angeles Times obit stated she was a “blond bombshell of the 1940s who evolved into a character actress best remembered for her roles as victims, shrew and matrons.”

But truth be told, Winters was always a character actress. However, when she began in the acting in Hollywood in the 1940s, the studio system typecast actresses and actors on appearance. In fact, she once noted she often played the “the bad blonde bimbo usually going up against the sweet brunette.” In fact, before she got her big movie break as a tart waitress who is murdered by Ronald Colman in A DOUBLE LIFE (’47), she was playing the comedic character part of Ado Annie on Broadway in the Rodgers and Hammerstein musical Oklahoma!.  And speaking of A DOUBLE LIFE, Winters brought a depth to the character that other ingenues of the era wouldn’t have had the ability to play.

“She was a serious actress,” said Diane Baker, who made her film debut opposite Winters in George Stevens’ acclaimed THE DIARY OF ANNE FRANK (’59) for which Winters received her first supporting actress Oscar as Mrs. Van Daan. And it was her role as the zaftig middle-age Van Daan that was her watershed film – the movie in which she segued from glam roles and moved into the forefront of the character actresses. “I believe Shelley exemplified what it was to be a Method actress,” Baker added.

Winters initially had to work hard to convince Hollywood she was a serious actress. Oscar-nominated Sally Kirkland, who knew and worked with Winters from 1962-2006, recalled the lengths she went to convince director George Stevens that she was more than a sex symbol in order to play the dowdy pregnant Alice Tripp, who is murdered by her boyfriend (Montgomery Clift) in A PLACE IN THE SUN (’51).

“When George Stevens made an appointment to meet her at the Hollywood Athletic Club, she made her hair brown. She’s flattened her chest, got a dowdy coat. She sits there for an hour because he doesn’t recognize her. Winters went to these ‘extremes’ because she’s smart enough to know she can not be a blonde bombshell. He agrees to test her and then hires her. She gets her Oscar nomination for Best Actress. Of course, that relationship with Monty Clift was profound to her.”

She also excelled in the gothic thriller THE NIGHT OF THE HUNTER (’55), the only film directed by Oscar-winning actor Charles Laughton. “I don’t know whether this is a well-known fact, but she felt Charles Laughton really taught her acting,” said Kirkland.” In fact, before she made NIGHT OF THE HUNTER, Winters had taken a Shakespeare acting class with the British actor. “He took her under his wing,” noted Kirkland. “During my entire time with her from 1962 until she died, she would talk about Charles Laughton. From her point of view, he was her mentor.”

Winters also respected Lee Strasberg, with whom she studied at the Actors Studio in New York and later became a well-respected teacher there. “She loved Lee Strasberg,” said Kirkland. “I loved Lee Strasberg. I studied with him from ’64 on.” (Winters got Kirkland into the Actors Studios.) But Kirkland noted that Strasberg was “a very hard man to have a relationship with. He was very closed off in the sense of communications other than when he was critiquing. I think Charles Laughton had a really personal relationship with her. She had him on such a pedestal. She said he taught her more than anybody.”

After THE NIGHT OF THE HUNTER, Winters left Hollywood for the Actors Studio and soon was appearing on Broadway in A Hatful of Rain with Ben Gazzara and Anthony Franciosa, who would become her third husband. Winters played the pregnant wife of a Korean vet struggling with heroin addiction.

“I was a teenager and saw it on Broadway,” said Kirkland. “It just blew my mind. I said, ‘I have to do that. I have to do what Shelley’s doing.’ Unbelievable impact on me.” Winters also impacted Baker. “While we were on DIARY, if something happened, she didn’t stop the scene,” Baker explained. “One time, something happened to the chair when she was in a scene. The chair went down the stairs. She didn’t say cut or stop acting. She went down the stairs to bring the chair back up and kept going.” Baker recalled that Winters wasn’t “Hollywood” in any way. She had a table at the Silver Spoon on Santa Monica Blvd. Just a normal simple little lunch table where she sat and had people visiting. She used to have her little group of people who were friends who would chat and talk.”

Stevens treated Winters with sensitivity and understanding, Baker noted. “He went along with her creative needs. I think that’s why he brought her onto DIARY, because she was the combination of nerves, humor and at the same time tragedy. She would pull it off.’

“I think she was just a mensch,” added Baker. She was more than a mensch to Kirkland. “I studied with her. I was her assistant. I taught her all her lines in LOLITA (‘62), A PATCH OF BLUE (’65), THE POSEIDON ADVENTURE (‘72). I basically did everything she needed help with. She always wanted a young actress, kind of a protégé; I always wanted a stage mom. My mom was fashion editor for Life at the time and didn’t have time to be a typical mom.“

When Kirkland was working with Winters as the actress preparing for A PATCH OF BLUE, for which Winters won her second Oscar for playing the harridan bigoted mother of a young blind woman, she gave Kirkland a gold friendship ring. “It said, ‘To Sally from Shelley. I love you.’”

Winters had to gain nearly 40 pounds for her final Oscar-nominated role in THE POSEIDON ADVENTURE for her sweet performance as a former competitive swimmer. She never was able to lose the weight. Though the quality of her films was a mixed bag until her death, Winters still gave some great performances especially in Pau Mazursky’s NEXT STOP, GREENWICH VILLAGE (‘76), in which she plays the ultimate Jewish mother.

“Paul Mazursky was her friend,” said Kirkland. “Paul was an actor/director/writer at the Actors Studio. He would come over to the house when I was there, and he would talk about the project.” Kirkland said Winters would use music to get her into character and emotional scenes. “She loved opera,” Kirkland noted. “She would put on something like La Traviata and that would always make her cry. Paul, brilliant that he is, kept it in the movie, kept her Method acting exercise in the movie. So, when you see NEXT STOP GREENWICH VILLAGE and you hear opera, you’ll know that was one of the secrets of Shelley Winters’ acting was always to have opera playing.”

#Shelley Winters #Method actor #Oscar #Diane Baker #Diary of Anne Frank #A Place in the Sun #Montgomery Clift #TCM #Turner Classic Movies #Sally Kirkland #Susan King

[mihretsgermanlitblog]

Week 1 Blog

The Diary Of A Young Girl

By Anne Frank

Pages Read: 1-40

Word Count: 457

Summary

Anne Frank was a thirteen-year-old Jewish girl who lived in Holland with her family. At the beginning of the book, she introduces herself, her parents, as well as her sister Margot. Anne and her family are hiding in what they call an annex which is connected to her father’s office. It is clear that she can’t seem to get along with her sister Margot, her mom, and Mrs, Van Daan who is also in hiding with them. They currently live in a middle class home in Holland that restricts Jews from participating in regular everyday activities. She writes about the laws that they must follow including being required to attend segregated schools, shops, and just about anywhere. They were also unable to drive, and were required to wear the Star Of David so that they could be identified at all times.

Critical Analysis

In this first section, Anne reveals a lot about herself- the way she thinks, how she sees the world, and her emotional state. She says “I have relations, aunts and uncles, who are darlings too, a good home, no- I don't seem to lack anything. But it's the same with all my friends, just fun and joking, nothing more. I can never bring myself to talk of anything out of the common ground.” (2) Anne tells us about how she has a great social life and is liked by her peers, but lacks emotional support. I think a theme that is starting to emerge is finding her inner self. June 12 was Anne’s birthday, a day in which she received a diary that she had been asking for. Since then, she has recounted her days in that diary, and feels as though this diary is what’s going to allow her to share her thoughts and feelings, and not have a judgmental view. 

Personal Response

So far, I'm enjoying this book. Anne’s ability to remain optimistic despite everything that is going on around her continues to amaze me because her situation is less than ideal, to say the least. The transparency and descriptions in the diary really helps the reader create a vivid image of what she is experiencing. From the start, the diary kept me engaged throughout because she was describing her day to day life which was out of the ordinary. What I liked most about this first section is Anne’s calm attitude towards her situation and her personality. She is okay with not having company all the time; in fact she enjoys it. While I have a feeling the next part of her diary will contain unpleasant experiences of her family being separated, I am eager to find out how she reacts to her new environment. What will happen to her? Will she adjust automatically? 

[mattbomerlatinoamerica]

#Repost @mattbomer with @get_repost

・・・

Is that me in the front in a fat suit, fake mustache, and shoe polish in my hair playing Mr. van Daan in our high school production of The Diary of Anne Frank? Why yes it is. It’s called commitment, people! Also pictured is me as the Saggy Baggy Elephant in 6th grade. Though it is truly humbling to share these images, I wouldn’t be who I am today without the Arts. Senator Dianne Feinstein & @kamaladdharris : Be An #ArtsHero & pass the #DAWNAct. Arts & Culture contributes $877B to the US economy & we’re too big to fail. #SaveTheArts so our nation’s youth can have a future in the Arts! #dawnact

#repost #mattbomerlatino #yoamoamattbomer #mattbomer

[brendamarz]

#Repost @mattbomer with @get_repost ・・・ Is that me in the front in a fat suit, fake mustache, and shoe polish in my hair playing Mr. van Daan in our high school production of The Diary of Anne Frank? Why yes it is. It’s called commitment, people! Also pictured is me as the Saggy Baggy Elephant in 6th grade. Though it is truly humbling to share these images, I wouldn’t be who I am today without the Arts. Senator Dianne Feinstein & @kamaladdharris : Be An #ArtsHero & pass the #DAWNAct. Arts & Culture contributes $877B to the US economy & we’re too big to fail. #SaveTheArts so our nation’s youth can have a future in the Arts! #dawnact https://www.instagram.com/p/CGYGDNgBJmk/?igshid=etbdq0s0vx6w

#repost #artshero #dawnact #savethearts

[filmekhuonline-blog]

Éden (Eden) film teljes verziója [2020] ingyenes online HD1080p

néz [Éden] online nézés ingyen (2020) stream teljes film. Nézd a Éden 2020 teljes filmet ingyen, online felirattal, angol felirattal letöltésre készen Majd összeütköztünk 2020 720p, 1080p, brrip, dvdrip, kiváló minőségű.

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MAGYARORSZÁG

Premier (HU): 2020.09.15.

Dráma

RENDEZŐ: Kocsis Ágnes

FORGATÓKÖNYVÍRÓ: Ivo Briedis, Kocsis Ágnes, Németh Gábor

SZEREPLŐK: Zalán Makranczi, Kardos Róbert, Réthly Attila, Friedenthal Zoltán, Lana Baric, Daan Stuyven

filmről Éden (2020) Egy film arról, hogy az emberiségnek már nincs hová menekülnie saját maga elől. Éva allergiás a kémiai anyagokra, a légszennyezésre, a rádióhullámokra és az elektromos mezőre. Teljes elszigeteltségben kell élnie, környezetével nem érintkezhet. Akár a legapróbb figyelmetlenség is a halálát okozhatja. Kizárólag öccsével és a rajta állandóan kísérletező orvosokkal van kapcsolata. Egy napon pszichiáter érkezik, hogy kiderítse, Éva betegsége valódi vagy csak a képzeletének szüleménye. Vajon elég-e a szeretet, hogy Évát megmentse?

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Ingyenes filmeket és tévéműsorokat nézhet online. Jó helyen jár, ha szereti a filmnézést. A filmek és tévésorozatok szórakoztató terület, ahol az emberek szívesen töltik szabadidejüket. A moziba vagy moziba tett látogatás időnként idő és pénz pazarlásának tűnik. Ilyen esetekben a filmek online streamingje opcióként marad, mivel nemcsak időt és pénzt takarít meg, hanem kényelmesebbé is teszi a dolgokat. Képzelje el az életet, amikor kéznél és ingyen néz filmeket. Nézzen meg egy filmet, drámát vagy sorozatot. Mindezt az Ön kényelmére. Ezzel együtt a webhelyen teljes információ található a tévéműsorokról. Ez az információ az IMDB besorolásán, a rendezőn, a megjelenés dátumán, az időtartamon, az epizód összefoglalóján és a leadáson alapul. Röviden, az egyik legjobb weboldalnak tekintik a tévéműsorok és a különböző eredetű filmek nézését. A film műalkotás, élő képek sorozatának formájában, amelyeket elforgatva a szórakoztatás egyik formájaként bemutatott mozgóképek illúzióját kelti. A képsor illúziója folyamatos mozgást eredményez video formájában. A filmet gyakran filmnek vagy mozgóképnek nevezik. A film egy modern és népszerű művészeti forma, amelyet üzleti és szórakoztatási célokra hoztak létre. A filmkészítés mára az egész világon népszerű iparággá vált, ahol a játékfilmeket mindig a mozik várják. A filmek két fő módon készülnek. Az első a filmkamerákon keresztüli felvételi és felvételi technikák. Ez a módszer képek vagy tárgyak fényképezésével történik. A második hagyományos animációs technikákat alkalmaz. Ez a módszer számítógépes grafikus animációval vagy CGI technikával történik. Mindkettő kombinálható más technikákkal és vizuális effektekkel is. A forgatás általában viszonylag hosszú ideig tart. Ehhez egy-egy munkaasztalra is szükség van, kezdve a rendezőtől, a producertől, a szerkesztőtől, a szekrénytől, a vizuális effektektől és másoktól.

A film / film meghatározása és meghatározása Míg a filmben szerepet játszó játékosokat színészeknek (férfiak) vagy színésznőknek (nők) nevezik. Van még az extrák kifejezés, amelyet a filmben kevés szereppel rendelkező mellékszereplőként használnak. Ez eltér a főbb színészektől, akiknek nagyobb és több szerepük van. Színésznek és színésznőnek lenni kell, hogy legyen jó színészi tehetsége, ami összhangban van a film témájával, amelyben főszerepet játszik. Bizonyos jelenetekben a színész szerepét kaszkadőr vagy kaszkadőr pótolhatja. A kaszkadőr létezése fontos a nehéz és extrém jelenetekkel rendelkező színészek helyettesítésére, amelyek általában akciófilmekben találhatók meg. A filmek bizonyos üzenetek továbbítására is használhatók a filmkészítőtől. Egyes iparágak a filmet is használják szimbólumaik és kultúrájuk közvetítésére és képviseletére. A filmkészítés egyfajta kifejezési forma, gondolatok, ötletek, koncepciók, érzések és hangulatok is, amelyeket az ember filmben jelenít meg. Maga a film többnyire fikció, bár némelyek tényszerű történeteken alapulnak, vagy igaz történeteken alapulnak. Vannak eredeti és valós képeket tartalmazó dokumentumfilmek, vagy életrajzi filmek is, amelyek egy karakter történetét mesélik el. Számos más népszerű műfaji film létezik, kezdve az akciófilmektől, horrorfilmektől, vígjátékoktól, romantikus filmektől, fantasy filmektől, thrillerektől, drámáktól, tudományos-fantasztikus filmektől, krimiktől, dokumentumfilmektől és másoktól. Ez egy kis információ a film vagy a film meghatározásáról. Az információkat különféle forrásokból és hivatkozásokból idézték. Remélem hasznos lehet.

❍❍❍ TV-FILM ❍❍❍ Az első televíziós műsorok kísérleti jellegűek voltak, szórványos adások, amelyek csak az 1930-as évektől kezdődő sugárzási toronytól nagyon rövid távolságon belül voltak láthatóak. Olyan televíziós események, mint az 1936-os németországi nyári olimpia, VI. György király 19340-es koronázása az Egyesült Királyságban, valamint David Sarnoff híres bemutatkozása az 1939-es amerikai New York-i világkiállításon, a közeg növekedését ösztönözte, de a második világháború álljon meg a fejlődésben a háború után. Az 19440-es Világ MOVIE sok amerikait arra ösztönözte, hogy megvásárolja az első tévékészülékét, majd 1948-ban a népszerű Texaco Star Theatre rádióműsor megtette a lépést, és az első heti televíziós varieté lett, ezzel Milton Berle műsorvezetőt kiérdemelve a „„ Mr Television ”” névvel, annak bizonyítása, hogy a média stabil, modern szórakoztatási forma volt, amely vonzotta a hirdetőket. Az első országos élő televíziós közvetítésre az Egyesült Államokban 1951. szeptember 4-én került sor, amikor Harry Truman elnök beszédét a japán békeszerződés konferenciáján San Franciscóban továbbították az AT & T transzkontinentális kábel- és mikrohullámú rádiós továbbító rendszerén keresztül a helyi piacon lévő állomásoknak. Az első nemzeti színes adás (az 1954-es Roses Tournament Parade) az Egyesült Államokban 1954. január 1-jén történt. Az elkövetkező tíz évben a legtöbb hálózati adás és szinte az összes helyi műsor továbbra is fekete-fehér volt. Színes átállást jelentettek be 1965 őszére, amely során az összes hálózati főidős program több mint felét színesben sugározzák. Az első színes fő évad csak egy évvel később következett. 19402-ben a nappali hálózatok között az utolsó holdout színre konvertálva eredményezte az első teljesen színes hálózati szezont.

❍❍❍ Formátumok és műfajok ❍❍❍ Lásd még: Műfajok listája § Film- és televízióformátumok és műfajok A televíziós műsorok a bemutatható formátumok és műfajok sokfélesége miatt változatosabbak, mint a média legtöbb más formája. Egy műsor lehet kitalált (mint a vígjátékokban és drámákban), vagy nem kitalált (mint a dokumentum-, a hír- és a valóságtelevízióban). Lehet aktuális (mint például egy helyi híradás és néhány televízió számára készült film) vagy történelmi (mint sok dokumentumfilm és fikciós film). Elsődlegesen oktató vagy oktató jellegűek lehetnek, vagy szórakoztatóak, mint a helyzetvígjátékokban és játékbemutatókban. [Idézet szükséges] A drámaprogramban általában olyan színészek szerepelnek, akik történelmi vagy kortárs környezetben játszanak karaktereket. A program követi életüket és kalandjaikat. Az 1980-as évek előtt a műsorok (a szappanopera típusú sorozatok kivételével) általában statikusak maradtak történeti ívek nélkül, és a főszereplők és az előfeltevések alig változtak. [Idézet szükséges] Ha az epizód során történt valami változás a karakterek életében, akkor általában a végére visszavonva. Emiatt az epizódokat bármilyen sorrendben sugározhatták. [Idézet szükséges] Az 1980-as évek óta számos MOVIE a cselekmény, a szereplők vagy mindkettő progresszív változását vonja maga után. Például a Hill Street Blues és a St. Elsewhere volt az első olyan amerikai főműsoridős MOVIE dráma televízió, amelynek ilyen drámai szerkezete volt [4] [jobb forrás szükséges], míg a későbbi MOVIE Babylon 5 tovább példázza ezt a struktúrát, mivel előre meghatározott története futott végig az öt évadot megelőzően. [citvatio ”” & n szükséges] 2012-ben arról számoltak be, hogy a televízió a nagyobb médiavállalatok bevételeinek nagyobb elemévé nőtte ki magát, mint a film. [5] Néhányan megjegyezték egyes televíziós programok minőségének növekedését is. Steven Soderbergh, az Oscar-díjas filmrendező 2012-ben a karakter és az elbeszélés kétértelműségét és összetettségét kommentálva kijelentette: „” Úgy gondolom, hogy ezek a tulajdonságok most láthatók a televízióban, és hogy azok az emberek, akik ilyen történeteket szeretnének látni, tulajdonságok nézik a televíziót.

❍❍❍ Köszönöm mindenkinek és boldog nézést ❍❍❍ Keresse meg az összes olyan filmet, amelyet online közvetíthet, beleértve azokat is, amelyeket a héten vetítettek. Ha kíváncsi arra, mit nézhet meg ezen a weboldalon, akkor tudnia kell, hogy azok olyan műfajokra terjednek ki, amelyek magukban foglalják a krimi, a Science, a Fi-Fi, az akció, a romantika, a thriller, a vígjáték, a dráma és az anime filmeket. Nagyon szépen köszönjük. Mindenkinek elmondjuk, aki örömmel fogad minket hírként vagy információként az idei filmbeosztásról és arról, hogyan nézi meg kedvenc filmjeit. Remélhetőleg mi leszünk a legjobb partner az Ön számára a kedvenc filmjeihez kapcsolódó ajánlások megtalálásában. Ez mind tőlünk, üdvözlet! Köszönjük, hogy megnézted a mai videót. Remélem, hogy élvezni fogják a megosztott videókat. Adj egy remeket, kedveld, vagy oszd meg, ha élvezed, amit megosztottunk, hogy jobban izguljunk. Szórj vidám mosolyt, hogy a világ többféle színben térjen vissza.

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