Nandi Bhebhe, mother of Shaka kaSenzangakhona, king of the Zulus.
@king-shango-the-great
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Rehearsal photos for Othello at the Watermill
Rehearsal photos for #Othello at the @WatermillTh
Check out these rehearsal shots by Marc Brenner of the Watermill Theatre’s upcoming Othello
Kalungi Ssebandeke (The Duchess of Malfi – Almeida, Blood Knot – The Orange Tree) will play ‘Othello’, Sophie Stone (Emillia – West End, The Curious Incident of the Dog in the Night-Time – National Theatre), will play ‘Iago’ and Molly Chesworth (Call the Midwife – BBC, Macbeth – Watermill) will play…
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Queen Nandi KaBhebhe: A Mother's Story | Shaka, King of the Zulus
Queen Nandi KaBhebhe, a truly remarkable and resilient woman, left an indelible mark on history as the mother of Shaka kaSenzangakhona, King of the Zulus. Her story is one of hardship, perseverance, and unwavering love for her children. Born as a daughter of Bhebhe, a respected Elangeni chief, Nandi’s life took a tumultuous turn when she became pregnant out of wedlock by Senzangakhona, the son of…
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Gwilym Gold - 'Triumph'
Lovely track + cool video, directed and choreographed by Holly Blakey. Performed by Nandi Bhebhe
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Review: Wuthering Heights at York Theatre Royal
Review: Wuthering Heights at York Theatre Royal
What did I expect to see at the new Emma Rice production? Humour? Theatricality? Exhilarating style? I got all of those with a large helping of darkness and death. But it was a sense of The Wuthering Heights Experience that I took away with me.
(more…)
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Nandi (mother of Shaka) - Wikipedia Nandi (c. 1760 – October 10, 1827) was a daughter of Bhebhe, a past chief of the Langeni tribe and the mother of the famous Shaka, King of the Zulus. Died: October 10, 1827 Parent(s): Bhebhe Children: Shaka kaSenzangakhona; Nomcuba kaSenzangakhona; Ngwadi kaNgen... Born: c. 1760; Melmoth, South Africa. My Dad change the “i” to “y” to make me unique.... ❤️✊🏾💪🏿🌸👸🏿.... #blacklivesmatter #independentwoman #spirituality #love #strength #individuality #blacklivesmatter #queen #empoweringwomen #empowerment #businesswoman #zulunation #nandi #nandy #explorepage #history #historyfacts (at Plymouth, Connecticut) https://www.instagram.com/p/CBqvryPFArO/?igshid=1s9kj7qqykha7
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Music Video: Red - Ebson
Music Video: Red – Ebson
London musician EBSON drops his visual to the emotive latest offering, ‘Red’, directed by internationally renowned visual artist Graeme Mortimer Evelyn, and starring dancers Nandi Bhebhe (Tate Modern, A Midsummer Nights Dream at The Globe) and Renako McDonald (Cirque du Soleil, Disney’s Tarzan).
Conceptualised by Graeme Mortimer Evelyn and EBSON, the dancers were given direction to move around…
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There’s still time to see Ingrid Pollard’s work in two different exhibitions:
56 Artillery Lane
Raven Row
56 Artillery Lane
London E1 7LS
For this group exhibition ‘home’ is imagined as a space for social, sexual and political agency, and the 'domestic’ as a stage on which kinship and self are formed and transformed through acts of love, cruelty and indifference. Other participants in 56 Artillery Lane include Chantal Akerman, Ben Burgis & Ksenia Pedan, Autumn Chacon, Channels, Fiona Clark, Phoebe Davies & Nandi Bhebhe, Richard Fung, Harry Giles, Jacques, Nazmia Jamal (Sisters Uncut), Alice Jones, Jacob V Joyce, Bhanu Kapil, Morag Keil & Georgie Nettell, Sarah Kent, Las Nietas de Nonó, Gail Lewis, Rudy Loewe, Hamish MacPherson, Mira Mattar, Irenosen Okojie, Lucy Orta, Meera Osborne, Maria Pinińska-Bereś, Stanley Spencer, Barbara T. Smith, Martine Syms, Ed Webb-Ingall, Ria Wilson, Anicka Yi and Rehana Zaman.
The exhibition runs until Sunday 11th June 2017
Raven Row website
Creating the Countryside, Thomas Gainsborough to Today
Compton Verney Gallery
Warwickshire
CV35 9HZ
Creating the Countryside provokes reflection on the artistic, social and political forces that have played an important role in forming successive generations’ perceptions of this ‘green and pleasant land’. Other artists in the exhibition include Claude Lorrain, George Stubbs, Stanley Spencer, Mat Collishaw, Anna Fox, Rebecca Chesney, Sigrid Holmwood and Grayson Perry.
The exhibition runs until Sunday 18th June 2017
Compton Verney website
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Andrew Ashong Never Dreamed
It’s been a while we’ve heard from Andrew Ashong. Remember his lovely Flowers track from 2012?
I stumbled upon this RA Session in which he reimagines his track "Never Dreamed". Let’s juts hope he’ll return with something good soon.
Band Members:
Andrew Ashong - Guitar and Vocals
Will Heights - Rhythm and FX
Desta Haile - Bass and Vocals
Nandi Bhebhe - Vibes and Vocals
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News: Casting announced for Othello at the Watermill
News: Casting announced for #Othello @WatermillTh
@sophieLstone as Iago? Hell yes
Full casting and creative team have been announced for The Watermill Ensemble’s bold new production of William Shakespeare’s Othello, adapted by Karla Marie Sweet, co-directed by Paul Hart and Anjali Mehra. The production will feature a fusion of modern and soulful music underscoring the action and performed in the theatre’s inimitable style by a company of actor musicians breathing new life into…
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Nandi (c. 1760 – October 10, 1827) was a daughter of Bhebhe, a past chief of the Langeni tribe and the mother of the famous Shaka, King of the Zulus. Shaka's father was Senzangakhona kaJama, King of the Zulu people. Senzangakhona impregnated Nandi during an act of ukuhlobonga, a form of coitus interruptus allowed to unmarried couples at a time known as "the fun of the roads" (amahlaya endlela), but the lovers became carried away. After giving birth to her illegitimate son, Nandi spent many hard years being shuffled back and forth between the Zulus and her own people, abaHlongo. During that time she also had to protect her son from famine, assassination attempts, and his own destructive temper. Despite the hard times they endured together, or perhaps because of them, Shaka loved his mother almost to the point of worship. Nandi died of dysentery on October 10, 1827.
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Gwilym Gold: Triumph
Created by Eddie Peake, danced by Nandi Bhebhe.
“I wanted to show her massive power, beauty, resilience, create something almost lucid and fertile in a way that I wish we saw women represented more often.”
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tune of the day: manner | big fun
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