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ivarswickedqueen · 3 years

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My king

Do not read this if you didn’t watch the last episode of Vikings. It contains major spoilers!!!!

Paring: Ivarx reader, Hvitserk x reader (platonic)

Worlds: 555

So I watched the last episode yesterday and I am not emotionally OK after that. I had to write something little. It’s sad, and I am not 100% sure, if that scene happened like this, because I am not able to rewatched it. At least not anytime soon. It’s shit, but I felt like I have to write this... Also I wasn’t able to write it more detailed, because I was already crying while writing this...

Warning: main character death

You could feel your arms growing weaker with every swish of your sword. The battle was taking too long, the English men were closing around you, and you saw a lot of your shield-maidens falling down on the ground dead. You could see in the corner of your eye that Hvitserk was in serious trouble and you slowly started making your way to him when you heard Ivar screaming. You looked at your husband in terror a saw that his eyes turned into a really intense shade of blue, you swore that you could hear one of his bones breaking and he nearly fell on the ground. You watched him getting back on his feet and slowly making his way towards Hvitserk who was now surrounded by the enemies; it seemed that everyone wanted to take down the son of great Ragnar Lothbrok. You didn’t know what Ivar’s intentions were, but you redoubled your efforts and made your way towards the brothers. The battle was so intense that you lost the view of your husband and brother in law. Suddenly you heard Ivar shouting, his voice was so strong that you could hear it over the sounds of the battle. “I am Ivar the Boneless! You know who I am! You know you can’t kill me! No matter how hard you try! Because I will live forever!” you were so proud of your husband, you could feel the mood changing in Alfred’s army, you could see his man hesitating, trembling in fear, seeing Ivar as a devil himself. You dared to look at him and your heart nearly stopped beating when you saw a young, trembling English soldier stabbing Ivar’s stomach several times. You let out a terrible scream and tried to run to Ivar, but once again the English soldiers were in your way, but you didn’t care this time, you were cutting your way through sea of bodies, getting closer to Ivar who was now lying in Hvitserk’s arms. “I am afraid”, you could hear him whimper when you finally made it to the Ragnarsson brothers. “I won’t tell anyone”, you could hear Hvitserk assuring him while holding him tightly in his arms. You fell on the ground quickly crawling to Ivar seeing that he is really close to leave this world and enter Valhalla. “Do not worry, my king, my love, my husband,” you cried out, looking for the last time into his beautiful blue eyes. “Y/N, my love”, he barely whispered, his trembling, blood stained lips, turning into a weak smile, when he saw your face. “Do not worry, because you won’t go alone!” you said gently and before Hvitserk could stop you, you grabbed one of Ivar’s ring daggers and stabbed yourself in the heart with it. Blood spilled out of your mouth and you gently pressed your lips to your husband’s lips, sharing your last kiss on this earth. You felt his lips press against yours and after few seconds he was gone. You felt like if you didn’t already pierced your heart that it would break anyway. “Farewell sweet Hvitserk, I am so sorry to leave you here all alone, but I can’t live in the world where Ivar the Boneless is no longer alive,” you smiled softly at him and your heart gave its last beat and you joined your husband on the ground.

#ivar the boneless #Hvitserk #ivar x reader #vikings imagine #ivar ragnarsson

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indigopurple · 4 years

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Basically a review of OP episode 503 ig

Currently rewatching post-war arc (in the dub so I don't have any screenshots for u guys sry) and theres a few things id like to point out.

During a conversation Dadan once had with Garp, they were talking about Roger. Garp said that even if they were facing powerful enemies, he would never run away because he wouldnt dare leaving his comrads behind; it wasnt an option for him. Obviously we see this in Ace. But ALSO, isnt this what he did with Katakuri? It was a little different cuz of the setting mostly, but he separated himself from his crew to fight off katakuri, and lied to them about being okay so they didn't worry (he was already getting his ass kicked by then, so he just made that stupid smile and told them not to worry (or smth like that, I can remember the exact line) (that smile was so gross and fake cuz he fucking sucks at lying). Also he said roger destroyed a buncha soldiers cuz they mouthed off his men. That's what Ace tried to do but instead he died. :(

"The pain he went through just made him hold on tighter to the ones he loved" -Garp, about Roger. "Despite his flaws and his bad reputation, his crew still trusted him completely." -also Garp, about Roger. These both sound a lot like Luffy AND Ace.

When Dogra got home and told everyone about Sabo's ship being shit down and him dying (which we all know didnt happen, thank fuck), (by the way the absolutely lost looks on Ace's and Luffy's faces with the sudden silence hurt like a bitch), Luffy started crying and said "WE SHOULDNT'A LET HIM GO, IT'S ALL OUR FAULT". Which fucking says something about him (thinking of episodes 913-915 when he goes fucking berserk, but before that he learns that Kaido probably killed Tama and he says "I should've escorted them..!" (*ugly cries*)). Ace also reacted pretty similarly-- "Sabo...why didn't we go back into town and bring him back here?! We're so stupid!" And he gets mad and asks where he could find the bastard that killed him (obviously not getting a good answer since it was a fucking celestial dragon ugh). That is what Luffy does, in present time. He results to anger first, not sadness. Not sure when he learned to do that but I'm 99 percent sure it was from Ace. Also the blaming himself thing? High chance thats ALSO from Ace. Who else would teach him that self hating behaviour?!

Dadan pins Ace down to stop him from going after the Celestial Dragon to calm him down, telling him he cant do anything, he's not big or strong enough to do anything and he'll be killed as soon as he tries anything, especially since it was the whole country -the whole WORLD- that killed Sabo. He can't do anything. And then they tied him to a tree outside to let him cool off. Oh yeah then he also told luffy to stop crying like a little girl or else he'll- (and he didn't finish the sentence). ...Ok maybe thats why luffy started being more angry than sad.

This is where things get a little more :( . Ace reads the letter Sabo sent them before he died. As he reads, he walks to the end of the forest, to a cliff overlooking the ocean. And starts fucking bawling (btw the voice actor who had Ace's childhood part did not do a very good job, no where near as in character and real as Coleen Clickenberg did with all of Luffy's crying scenes. She was spot on.) ...do you see where im going with that? He isolated himself before letting himself feel sad. It was all rage and then calm beforehand. Y-you see where im going with that. Dont make me say it.

"How's Luffy doing, is he any better?" "Well...he hasnt been eating much, but he still eats twice as much as we do". Oh look, That's what happened after Ace died too. There's a behavioral pattern that hasnt gone away. Not sure why it wouldve tho.

Luffy is mopeing, lying on the ground in a similar setting ace was at when he cried. Hes thinking about some of the things Sabo said, like how theyre gonna sail the seas together, and he clenches his hands into tight, shaking fists. After Ace shows up and hits him, and talking abt some other stuff I don't feel like relaying, Luffy tightens his grip on the straw hat and tells ace, whimpering, he wants to get stronger (and stronger, and stronger, and stronger and stronger and....) And he wants to be the strongest in the world. "And then, I'll protect everyone. I won't lose anyone I care about". He gets stronger mainly to protect the people he loves. And then he asks ace to promise he won't die. To which he hits Luffy again and tells him he should be more worried about himself dying first. And then the famous line that hurts like a bitch- "I'm NEVER going to DIE!" And then this hopeful music comes on (fucking damnit funimation, u gotta do this? Really??) Also he says he wont die as long as he has a wussy little brother to protect. ...FUCK. Ok, the fist clenching is a thing he does all the fucking time, usually when he gets mad. This was different because he wasnt mad, he was sad. He clenched his fist because thinking about it hurt. Which, huh, sounds a lot like his whole episode after waking up from his 2 week coma on the polar tang. To try and stop the mental pain of those horrendous memories, he resulted to physically pain. He hurt himself. So, He clenches his fists in times like these to fight off the mental pain and the urge to cause himself physical pain. Guys, our boy is bad at emotions, help him. ....ok this paragraph is longer than I anticipated so ill dumb down the rest of it ig. Next part, him asking ace to promise he wont die. The music, the body language, the over change in mood- this comforts him. He stopped hiding his face and silently sobbing after ace said this. OH YEAH! didn't he tell jinbe not to die when they parted ways in Totto Land? And then, hes missing still in Wano and we see Luffy is worried....but convinced Jinbe will show up. Again, this comforts him. Hes nervous cuz someone KOFF KOFF ACE broke that promise once. But jinbe is his crew mate so he trusts him, thank god.

"-But whoever did it, they must be opposed to freedom." The whole freedom thing? That runs through Luffy's blood and spirit.His brothers fought for it, his dad is the man who strives to give everyone freedom basically, and Luffy himself has seen enough of the OPPOSITE of freedom to be so, so much more than just against it. Hence why he of course was so eager to free the slaves in Sabaody, the kids in punk hazard, the toys in dressrosa, the country of Wano from Kaido's tyrany. The apple doesnt fall far from the tree huh.

I dont think Luffy would remember his promise with Shanks if it werent for his brothers putting feul to his dream. It was a stupid bet at first; he just wanted to beat Shanks, right then. But after meeting Sabo and Ace, he found the opposite of freedom and human rights. And then he wanted, REALLY wanted, to become the free-est man in the world; the pirate king.

Last one i promise ok? This one is less connected to whats going on in the episode at this point, but something I noticed (its so obvious everyone has seen this ok) was when luffy cries, his posture is always open. He doesn't curl in on himself like many people would do (I know I would, lol). He doesnt hug himself, protect himself. He's just, opened up to whoever is watching, literally. This has a little more to do with something I haven't talked about much in this post yet; his self-destruction issues. I said he tried to hurt himself when he felt mental pain, which is definitely similar. But he cries and doesnt try to protect or comfort himself, like he doesn't have that programmed into his mind. Reminder that he only wants to live because of his dream, and if he doesnt have his dream, he wants to die. (Whoa.). Ok, so no self preservation mechanism at all rlly. Hes basically ride or die. So, when things hurt so much that he cries, he has no hope left. He just kinda...dies inside. So this was mildly different after sabo died. Yes we saw him just standing there, sobbing. But the next day he's still crying, and instead he's laying on the ground. I saw that and the voice in the back of my head told me he wanted to be a part of that lifeless dirt beneath him. Then, Ace walked over. And his words made him feel the hope that I told you about earlier, and he sat up into a sitting position. And HUGGED HIS LEGS TO HIS CHEST. There's some self preservation! Some hope! Some will to exist, to live! Something we saw none of as he sat in front of his brothers corpse, shutting down. He sat there, open to his enemies, incapable of protecting himself. Practically anyone couldve killed him right then and there. I think he mightve liked that, at that moment. Like thank god he has that stupidly good luck cuz if he didn't I swear someone couldve thrown and axe or FUCKING ANYTHING AT THAT MOMENT and hed be dead becuase he never physically or mentally prepared himself. On purpose.

Our poor boy needs some fucking attention and therapists. (Insert my rant post about how jinbe is on the crew primarily for anger management and therapy, not just being a helmsman.) Ugh, smh ugly cries

Aaaaand thats about the end of the episode. Theres so many little tics and peesonality traits that you notive thru this episode, and I only noticed them cuz im rewatching this part of the show for like the third time. I don't react as much as the first time of course but some things are definitely sadder after knowing what's going on and what will happen later on.

Moral of the story (post)? I think luffy is almost equally as alike -if not, more similar to roger as ace is. Also, high key genuinely think Luffy met like NO ONE but Garp before he met Shanks and his crew. What the fuck was his first like 5 years of being alive like? (He wantd to be a pirate cuz Garp didnt want that. Rebellious baby asshole. And then shanks made things worse, in a good way for luffy. And then ace and sabo made that worse thing worse for a good reason. Luffy lives...for those influences. And that is fucking it. Why.

Oh thanks tumblr for moving my picture to the bottom of the post u fucking idiot

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tespuco · 5 years

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PotC Liveblog: Dead Man’s Chest

I’d been looking forward to rewatching DMC for some time. It was the movie that canonized my OTP and inspired so many amazing Sparrabeth fics. I fondly recalled seeing it in theaters with my family, my eyes and shipper heart growing bigger and wider with every subtext-laden appearance of Jack’s compass. I remembered feeling personally betrayed by Elizabeth’s death-kiss, like the writers had deliberately buoyed my hopes only to ruthlessly crush them. Unlike CotBP, I had only seen DMC once before, and I couldn’t wait to appreciate the complicated Jack/Elizabeth dynamic with more mature eyes.

Boy, was I disappointed. Not by the Sparrabeth, thank the gods, but by literally everything else.

Is it just me or was this movie composed of a bunch of standalone scenes and set pieces strung together? Did they bring in Tim Burton just to direct the visuals of the interrupted wedding scene? Why does the Turkish prison sequence look like the opening cutscene to a high fantasy RPG videogame with the brightness setting turned down to zero?

OK I laughed at Jack popping out of the coffin and using a femur as a paddle, but I’m confused about everything else

Oh look, the crew’s on the verge of mutiny again, and this time it is Jack’s fault

Listen, I have Ted Elliott’s compass meta tattooed on my heart, but in retrospect the “Why is all the rum gone?” scene was probably too subtle. The audience doesn’t even know at this point how the compass is supposed to work. Maybe if they had the balls to actually include the deleted Sparrabeth scenes in CotBP, Jack’s emotional turmoil wouldn’t have seemed so opaque!

Still, a character being Vexed about their affections/feelings and doing a poor job of managing that vexation is my idea of high romance

(and both Jack and Elizabeth are quite vexed with each other indeed)

I CANNOT believe I had to sit through an uninterrupted half hour of racist filler that does absolutely fuck-all to advance the plot while ticking at least four boxes on my postcolonial bingo card what the fucking fuck

Let’s tally the cinematic sins: unfunny physical comedy in a style that would’ve been more suited to animation; indigenous cannibals speaking in unrealistic, buffoonish gibberish; said cannibals worshiping our hero (and later a dog) as a deity; and worst of all--

All the brown men that Gibbs hired as extras additional crew for the Black Pearl in DMC were put into a separate cage from the recurring white characters from CotBP (btw Anamaria is absent without even a throwaway line of explanation) because apparently even barbaric islanders know and practice segregation

And so segregated, the crew enters the stupidest, most contrived rat race up a cliffside with each other that ends with the brown people’s cage falling into the ravine THEREBY GETTING RID OF ALL THE CHARACTERS OF COLOR IN ONE FELL SWOOP

Also egregious racism aside, I’m put off by the film’s rather cavalier attitude towards gratuitous loss of life? Idk I feel like in the midst of all the action and adventure CotBP knew how to handle death and violence with the appropriate modicum of gravity and horror

Meanwhile on the island Gibbs is just like “oiya we’re standing in cages built from the bones of our former shipmates ha ha”

As for Jack - Jack has yet to save a cat or anything else besides his own skin, so he’s rapidly losing the goodwill he accumulated in the first film

holy shit yet another Elizabeth Swann-related realization about my sexual awakening: her look as a cross-dressing stowaway - pretty, delicate features in a boyish, flat-chested, slender form - is literally my sexuality

She’s literally pulling the strings of all the men on that ship! What a puppet-master queen

Tia Dalma’s interest in Will and the “touch of destiny” line is an interesting bit of foreshadowing that doesn’t get any payoff in this film. DMC and AWE have been criticized for being impossible to watch as standalone films, but I think there’s something to be said for a universe that strives for internal continuity and demands more than a casual investment in its proceedings (a related but distinct model from the MCU)

If you gave me half a reason to I would ship Jack Sparrow with anybody and everybody. Look at the flirtatious lines and looks he exchanges with Tia Dalma!! Give me that story! (Actually, artaxastra did, twice: once in her standalone Creole!Jack origin story, And All of Them True, and once again in Gods and Heroes, a Jack/Calypso interlude in her Outlaws and Inlaws ‘verse)

Tia Dalma’s acceptance (and release) of Jack’s payment for her services tells me two things about her that I really like: (1) she’s like a magpie that collects interesting miscellany (witty tricksters, cunning pirate lords, undead monkeys). and (2) she’s not interested in caging creatures (the foreshadowing!!)

FINALLY WE GET SOME JACK/ELIZABETH INTERACTION

God bless Keira’s face and acting choices!! The chemistry!! All the little smiles and smirks they share!!

How doth she look at thee? Let me count all the ways: her amused, tentatively credulous smile at Jack’s storytelling and posturing over a magical compass and chest, while Norrington scoffs disbelievingly in the background; her having to bite her lips and walk away before Jack notices her giddiness because she literally cannot handle their flirting; her little laugh as he gently rebuffs the idea that he’s a good man

Also “I have faith in you. Both of you,” were her parting words to Will and here she gets a chance to tell Jack in person yay

Their little dance of “persuasion” is hot and all (Jack literally looks like he has to bite back a groan and whimper), but I’m really here for the banter (“Friendly?” / “Decidedly not.”); they get each other, and, under the right conditions, can communicate so effortlessly

“Why doesn’t your compass work?” - alright so ofc I love the legendary “curiosity” exchange, but I’m so confused by the abrupt transition in their conversation here? Like why didn’t she follow through and tug on that line of inquiry?? The “Because you and I are alike” line that follows makes no logical sense in context (ETA: I guess it could suggest that Elizabeth already knows why the compass doesn't work for him, because he's torn between doing the right thing and the selfish thing... But at this point she doesn't suspect him of lying to her, so...idek)

“You’d never put me in a position that would compromise my honor” - my god what a TEASE my queer heart

Oh, Norrington, what’s happened to you?? What happened to serving others, not just himself?? :(( It kinda confuses me that he goes on about the “dark side of ambition” and the “promise of redemption” when he’s the one who voluntarily resigned from his post...

Norrington carrying both shovels while Jack just poses prettily though lol

JACK’S COMPASS FINALLY WORKS FOR HIM BECAUSE THE TWO THINGS HE WANTS MOST IN THE WORLD--THE CHEST AND ELIZABETH--ARE IN THE SAME PLACE AND HE KNOWS IT

idk I guess some people find the three-way swordfighting scene hilarious but I’m with Elizabeth on this one: men are stupid

ugh this script makes no sense

I’m so fucking confused by the narrative logic here: if Jones is dead, there’s no one to call off the Kraken?? But isn’t Jones the one calling the Kraken in the first place, to settle Jack’s debt? So if they killed Jones, wouldn’t the debt be null and void? NO JONES, NO KRAKEN, DUUUH.

OK but Jack is really unlikable in this film, last-minute “heroic” acts notwithstanding. Give me fix-it fics please

I mean it’s rather telling that by the time Jack returns to the Pearl there are only enough survivors to fill a single longboat. Oh yes he “saved them all” - the few that were left!!

This script has more holes in it than the Pearl does right now: everyone unquestioningly follows Will’s orders like he’s the captain (what happened to the dork who shouted, “Aye! Avast!”?? And there’s no evidence that since his engagement post-CotBP he’s practiced any sailing)

I mean it’s like no one but Elizabeth even noticed Jack was gone; the moment he comes back Gibbs chirps, “Captain, orders?” as if he never left. This coward just abandoned you all!!!

“It’s only a ship, mate.” - This is actually just the saddest line, and I’m glad Elizabeth was there to witness it because if there’s one thing she took away from their fireside conversation in CotBP it’s that the Black Pearl is more than a ship to Jack; what it really is is freedom, and here Jack’s set to lose both

And that’s what Elizabeth--not the Kraken--definitively takes from Jack: his freedom. Not just his ability to run away from his fate, but also the chance to take a stand and face it. (I like to think that, more than the murderous act itself, is what he finds so hard to forgive post-DMC. The darker Jack in salr323′s oneshot, Perfidy, written post-AWE, articulates this eloquently: “You know nothing of my debt, love, nor of my payment. But had you allowed me a nobler death, my account might have been lighter.”) His last act of defiance entails reclaiming what choice he has left: slipping slickly out of his shackles, hat on, “hello beastie,” into the monster’s maw.

Ugh they could have given Jack’s whole arc with Davy Jones such PATHOS instead of waiting until the very end--he struck a deal with the devil in all his youth and despair and hubris; now the bell is tolling and he realizes 13 years is nothing, no time at all, and he’s not ready to die; not today, not ever--yes it’s selfish and dishonorable (Will’s willing to square the debt of a father he hardly ever knew; he wouldn’t have blinked at paying his own) but how human is that? to fight and run even as the flames lick your heels?

omg Jack is the jackrabbit

The irony of that eulogy still gives me feelings tho: “Guess that honest streak finally won out.” Elizabeth wrested away Jack’s control over his own story, so now she has to write it for him. When she toasts, “He was a good man,” it’s in both unearned homage and recompense.

“And the world is a little less bright.” - OK but that’s too much. Moving words from Gibbs, but here it’s like he’s speaking directly to/for the audience, and not in a good way. It’s too obviously meta, and especially out of place in a film where Jack did not shine very bright at all

In-universe, it’s not very believable that two pirates like Pintel and Ragetti--who mutinied against Jack before, without a hint of remorse!--would now risk their lives to save him

Honestly if Disney wanted to include familiar faces/fan favorites in the supporting cast for AWE, they could’ve easily written a more realistic line like, “what the hell do we have to lose?” or some more selfish motive, none of these panegyrics

btw who are the native people standing in the swampwater? holding candles with mournful tears in their eyes?? no seriously who are they??? (I dearly hope such a striking tableau was meant to hint at Jack’s history with Tia Dalma and the residents of this bayou, but the more cynical part of me thinks: “Now hiring: extras of color, to play the part of human candlesticks lit in exaltation of an ambiguously white man” The writers get no benefit of the doubt from me after forcing me to sit through that cannibal island act)

It sounds sadistic of me but seeing how anguished Elizabeth is after claiming she’s not sorry gives me life

She keeps crying, and can’t even bring herself to drink Tia Dalma’s concoction against cold and sorrow! She just fakes a sip, which is such a great little character beat, because it shows she doesn’t think she deserves the remedy! She’ll just have to live with it...

That is, until Will decides he can’t stand the sight of her grief, and opens up Pandora’s box for her despite just catching her passionately kissing another man: “If there was anything to be done to bring him back, Elizabeth...” He really is too good for this world

And Elizabeth MUST know there’s a price, that she’d be staking not just her own life and happiness but her betrothed’s, and yet selfishly, always selfish, she says, “Yes”

BARBOSSA!!! Still the most epic character reveal ever. I still remember the theater bursting into gasps and applause, good times

#i've had this in my drafts folder for too long along with a whole bunch of dmc reblogs #it's time to air them out they're starting to stink #tl;dr i could've watched the youtube videos compiling the 12 minutes of jack/elizabeth interaction instead of the entirety of dmc #and i don't think i would've missed out on much #t-recs #the long and short of the meta #pirates of the caribbean

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