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Hello again Networkers. Today we are exciting to review here a very special act that we're truly happy to have featured in the channel: the German five-piece post-black unit NO SUN RISES. Harmisod, their last work released back in September, will make you shiver in place whether you are familiar with their sound or not (for which if you're not, we really recommend going back in their discography!). Harmisod opens with a ghostly echo surrounding the listener as intro for the first song, NebellebeN. Sharp guitars with fast riffs and gnarly voice catches you immediately in this palindrome titled song, where the mist and life seem to find each other in line. Acoustic parts hold the song together making for great slower, appeased bridges in-between parts where it return to the moving aggression in a haunting result. While in moments like this starting song the album showcases a sound that really draws from a characteristic one within black metal, it quickly departs from there combining it with the impressive acoustic strings and additional instrumentation in its tapestry such as cello and violin adding a folk touch, as shown in the next song, Unter Tage (Regress), where there's also notable the guest vocalist completing a sensational listening so far to this point, just half of the record, holding the mood out of metal for a while until the song burst in the flame of fiery emotions again. Tanz im fahlen Lichte would be the next song, which keep its 8 minutes with metal, at moments complex and shifting in quick and rich movements helping it create a palpable atmosphere with a shoegaze kick. The album turns complete with the fourth song, In trockener Erde (Bury Me), putting everything we've seen before together one step beyond, with its own intro, making for the perfect way to close the album with the sound of the fireplace in the night and the evocative artwork presented for it. Of course you're invited to stay there with us, so don't miss this on this excellent album!
I'm absolutely thrilled to announce that the delicately monolithic new solo album from the great Don McGreevey, Insounciance, is out today on Bandcamp. Amidst his many projects and and brilliant solo work, Don's work as bassist of Earth in the 00s has a special formative relevance for me, so it's an unbelievable honor to have had the chance to create cover art for this one.
Under the Sun's musical influences fall between My Bloody Valentine, Jesu, Portishead, Boards of Canada, Seefeel, Flying Saucer Attack, and The Telescopes.
#fall script on #monomenorns is amazing. Through #generationlossmkii, then split into #chaseblisshabit and @pladaskelektrisk #baklengs; finally through @walrusaudioeffects #m1 and @hologram_electronics #microcosm. Happy #easter break everyone! Enjoy with headphones. More music in bio.
During a phase when Blue Tapes was releasing a lot of really cool music from bands - think Poland's abstract post-punkers Trupa Trupa, Shane Parish's Library of Babel, or the minimalist prog crunch of Quasiviri - Constantina were a particular highlight.
Recommended for fans of Tortoise, Salvatore and that sacred interplay you only get from a perfectly psychically aligned rock group swinging and surging as one.
Bands! They're great. Stay tuned as we have more band-music coming soon!
In the meantime, why not grab a copy of blue twenty-six? Unusually for this BT era, we still have physical copies of this left . Buy it, it's flipping great.