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brainrotallthewaydown1312 · 5 months

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I have a personal l&co hc that I can't get out of my head, so now y'all get to enjoy the absolutely riveting content that is the Portland Row budgeting system. under the cut because this is a needlessly detailed post that like 5 people will be interested in

I think that when they are paid for a job, the first thing that happens to the money is that there is a big cut that goes to bills for the house and business. mortgage, utilities, groceries, ghost supplies, advertising, etc. I think it's probably 50-60% of most jobs pay. probably a smaller cut on big jobs that come with bigger checks.

I think Lockwood started out trying very hard to be a "proper business man" and split the remainder evenly and paid them every other Friday because that's what your supposed to do. but I think that would have devolved after only a few months living and working together. between covering each other for dinner or coffee and getting household stuff with their money and everyone feeling a little weird on payday because it was one of the only times there was a clear boss/employee dynamic because they all saw each other as genuine equals, it just didn't make sense to keep doing it that way.

and so I think George (after pestering Lockwood about fixing the budgeting) sat down and set it up so that it was basically automatic profit sharing. first the bills and expenses cut goes straight to an auto pay acct. and then the remaining cut goes to a general house acct, which pays out a small allowance to each of their personal accts each week. most of the stuff they get and do is covered from the joint acct because it makes sense that way. but they do each have their own money and savings.

after the new system is set up George checks on the balances and bank statements once a week but it mostly manages itself. he folds it into the other chores that he does and likes how simple it is to keep running.

Lockwood pretends to be grumpy about not being in charge but is not so secretly very happy to not have to worry about it. he is also very happy that this puts all of them on equal footing with the business because he he like being the leader and the face of things, but he doesn't like the power dynamic of being the boss.

Lucy is worried at first that they will argue about spending from the joint acct, but they very rarely ever run into issues with it, and when there is it is almost always resolved quickly because while they all bicker about smaller things and about everyone's bad habits, they actually get along and manage house very smoothly

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edit: i have in fact added more domestic head canons in this thread and I have been seeing a lot of people tagging asking for more. they are in the notes if you're interested

#i have so many detailed and boring domestic headcannons for these guys #and they all work regardless of how you read their relationships #there is something that is just so homey and domestic about Portland Row and their little family #i can't help myself coming up with all the boring adulting things for them #but just know that there is more where this came from #lockwood and co #lockwood and co headcannons #anthony lockwood #george karim #george cubbins #lucy carlyle #cot3 #iron trio

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hurtcomfortficstilltheend · 1 year

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Sometimes it´s just better (not to know).

Chapter one: The beginning of the end.

Lucy Carlyle x gn! Reader

Summary: When you get a gut feeling that something is targeting 35 Portland Row, and therefore your family; how far will you go to protect it?

Reader has Touch and the gift of premonition, and knows something is brewing. Lockwood is their traumatized cousin, Lucy their badass (and slightly confused) girlfriend, the relationship with George is a little rocky; but they would do anything to protect each other, as the family they are.

Warnings: angsty angstt, violence, a lot of nightmares and witchy stuff.

A/N: This will be a multichapter because I'm invested, reader is Anthony's cousin, and has the gift of precognition (and Touch).

Word count: 2.2k

Everything was quiet. Or your ears had stopped working. Maybe both.

There is no light, but you can perceive your surroundings. Ruins of something, a life maybe. It felt like the calm after the... or was it before the storm?

Something had happened. Something important, you guessed. Your body was spent, on the floor; your glazed eyes looking up at the sky. If not for the shallow movement of your chest, one would have thought you were dead.

You noticed that you were outside of your own body, watching from afar. Something had happened; something bad.

You saw when a figure put their knee, and with it their entire weight, onto the body’s chest. You weren’t inside it, but it still belonged to you. You knew how it could feel, but you were numb to the actual sensation.

A gasp was heard when the shadow brought out a dagger from somewhere in its clothing. The body lying on the floor hadn’t opened its mouth. There was a resignation written in its face as the eyes closed.

The blade made contact with the neck’s soft tissue. Grazing the skin, once, twice, three times, almost in a caressing motion. There was something unusual about the blood that oozed out. It seemed to float upwards in thin tendrils-

-the attitude of the aggressor changed. The air tested of ruthless violence when the figure held the weapon above its head.

The knife fell down in the middle of the victim's face. A gut-wrenching scream was heard. The body didn’t move. One would expect blood to appear, but it never did. Pitch black smoke came out of the wound, the eyes, the mouth…

…The murderer turned towards you. Not your body, but your omnipresent conscience, the part of you that wasn’t in the real plane of existence. Behind the black hood there was, once again, impenetrable black smoke.

Inky ghost fog comes out of the body -your body- covers the floor. You can’t see anything anymore.

The screaming continued, you noticed. Different voices, belonging to different people; it never stopped, and perhaps, never will.

“Love, wake up.” A helping hand through the black smoke. “Hey, hey. You’re here, you are safe.” A soft but sturdy grip in your arm, a subtle shake.

You open your eyes at last. There is no dead body, no attacker. Only the ceiling of your room in Portland Row’s attic and a familiar face. Trying to wake you up. You were asleep.

Slowly, you start catching up with reality. You are home. “Lucy?” Your voice comes out hoarse. Your throat is dry, you notice.

“It was just a dream darling, you were screaming.”

Oh. A dream. It was all a nightmare.

You incorporate, sit up and rest your back on the headboard. When you rub your face, you notice teartracks.

You stay like that for a while. Unfocused eyes staring blankly forward, you can feel your girlfriend’s concerned gaze on your side.

“Do you want to talk about it?”

You shake your head. You don’t have the energy to talk, or at all. This happens quite often, with the lives that you carry and the horrors you see on a daily basis, it isn't weird to get horrifying nightmares from time to time.

Still, this one felt different. Apart from your Touch; you inherited from your mother -and your ancestors way back, centuries before The Problem- the gift of precognition. Just like this dream, all the messages you get are sketchy and heavily symbolic. You would ask the Tarot cards in the morning.

If you could be honest with yourself, most of the time it doesn’t feel like a gift at all, knowing certain things takes a toll on you. It’s something heavy to carry.

Lucy reaches out to stroke your shoulder. You flinch and choke on air, jumping away from her. You didn’t mean to. Her hand retreats as if she’d touched a burning kettle, and the confused hurt in her face is evident.

“Sorry.” You take her hand in between yours and place it on your chest for a bit. “Can we just sleep?” Your voice cracks. You know she can tell, she always does.

“Okay.” She whispers. She seems to understand.

When you wake up again, at quarter to nine in the morning, you decide to make breakfast for the team.

The house is quiet, your footsteps make the old wooden floor squeak.

Having brushed your teeth and checked Lucy’s still asleep, you go downstairs as is, barefoot and on your pajamas. You check the fridge and decide on pancakes for you and a mix of savory stuff and biscuits for the rest. You don’t get how anyone could possibly eat lunch for breakfast, but who cares.

A ticking noise catches your attention. You stop stirring the eggs in the bowl, turn around. The house doesn’t have a clock, does it? You get a wave of deja vu. The dream you had last night comes rushing back to your mind. You should really dig a little into it…

The kitchen door opens loudly. You let out a shriek, the whisk that previously had been in your hand is now striking the wall, right next to-

-oh. Anthony.

“Good morning to you too, cuz.” He looks like he’s still asleep, his survival mode seems to not have been activated by the flying, egg covered, utensil.

You have a tendency to throw projectiles when threatened. Most agents do. Salt-bomb throwing training does that to people. “Sorry Ant. Shitty sleep.” He nods, as if saying it be like that sometimes and lets it go. “Eggs?” He nods once again.

You walk to the threshold with a rag, clean up the wall and retrieve the whisk, in one fell swoop. With your other hand you squeeze his shoulder as you pass by.

The others arrive not long later, and soon enough you’re all gathered around the table. You start scribbling on the thinking cloth with a random pen, alternating between munching on dry cereal and eating a pancake with milk caramel as a taco. “There isn’t a ticking clock in the house, right?”

Three pairs of half asleep eyes look at you, puzzled. “Nevermind.” Your loud cereal-eating ritual resumes. You gulp in one go what is left of your tea cup. “Remember that case we have scheduled for tonight?”

“The Geralds’ House?” George chips in, more alert, while stealing a pancake from your plate.

“Yeah, that one. I don’t think we should go.”

A moment of shock. A clatter of a fork hitting a plate.

“Why would we-?”

“We can’t cancel-!”

Lucy and George speak at the same time. The former rather confused, the latter downright defensive. Lockwood just stares at you. He lets out a breath, knows a quarrel is coming.

“I know we were all so excited about this one, but we can’t go. Not today at least, we have to postpone.” The back of your head starts to hurt, just like every time you are forced to change the company’s plans because of a gut feeling.

Anthony knows you very well, and knows not to doubt your judgment. He knows from experience your intuition never fails.

“You can’t just decide that for all of us!” George seems about ready to launch the table or something. If you didn’t know him as well as you do, you’d start running.

“If this is about last night’s nightmare-”

Your eyes lock on Lucy. Your cousin’s eyes lock on you. George is just fuming, and your girlfriend doesn’t know what she just unleashed.

“You had a nightmare?” Lockwood asks, you’re a deer caught in headlights. “Like a nightmare nightmare?” He sits straight up, suddenly very awake. You stare at your hands and start to fidget with your rings, leting out a quiet ‘yeah.’

“It’s settled, then. We do as they say. George, call John Gerald and inform him we have to delay the service by-” He looks at you expectantly.

“Two days, until I figure it out." Comes out of your lips.

“-two days. Lucy, you can go and check if your pet skull wants a cookie or something.” He seems energized -eager, even- but you can see right through him. He must be reliving the last time you had one of these nightmares, and the one before that; you knew you were. It never went well. For one reason or another, the times you had not been heard or taken seriously when stating things like this, it had always ended badly.

When everyone stands up, deeming the meal finished, Anthony takes you by the elbow and almost drags you to the library, you don’t even have time to explain yourself to your girlfriend. He closes the door behind him.

You settle into your designed armchair, and so does he. You stay quiet for a while, looking at each other's eyes, letting the news sink in. “I’ll bring the Tarot.”

You both know what happened last time you read the cards about a nightmare. You do general readings quite often, but at times like this, it feels like stepping into the coffin. This type of reading always seems to be much more explicit and terminal than any other. Sometimes you just wish you were ignorant.

A sudden vulnerability crosses Anthony’s face when he answers. “Yeah, we should… do that. Do you need me to light some incense?” You nod. It isn’t a necessity for divination, but you find that the smell helps to calm the energy somehow.

The library’s door is locked from the inside. With your deck on one hand, and the coffee table already set in front of you, you take a deep breath. You are sitting cross legged on the carpet, Anthony is right in front of you. Connecting with the cards is similar to using your Talent, but you get a sense of loneliness much greater. Even though visitors are not good company, they are there , and you find comfort in the knowledge that they were once human; with your readings it’s just you, and fate.

You start shuffling. Alternate between riffle and overhand shuffle, a few minutes pass until you feel that they are in the correct order. You leave the deck on the table, cut it three times, place the cards face down in a V shape. You turn them around.

The Tower.

The Chariot, upside down.

And Death .

Lockwood gasps. You try to keep your cool. This could mean anything, you know it. The meaning is not on the cards themselves -even less on their names- but their interaction and placement. You conjure your intuition. Against your will, your eyes blurry with tears, your head starts to pound.

A sudden change, a chaotic outcome; no way out, no direction or possibility of escape; a deep and irreparable loss.

No, it’s not going to go like that, I won’t let it.

A change in point of view, a new direction with an inimaginable outcome, a new beginning.

Too sugarcoated. Try again.

Something terrible, there’s no way to change it or make it better-

No.

“Anthony. Please shuffle.” You hand him the deck. He takes it, stares at you as he would a ghost. His hands start the movement as if in auto-pilot. “Take any card and put it wherever you see fit, don’t try to rationalize it.”

His hands seem clumsy, but he finally takes one and places it over The Chariot, he turns it: Six of Swords, upside down. It serves as clarification for the Major Arcana under it, the message sounds the same, no place to go, no way to run…

In the same motion, a card from the bottom falls into his lap. He goes to place it back to where it came from, but you gesture to the table. He leaves it right in the middle, above the new card. He doesn’t turn it.

You get a feeling of finality. That is the last piece of the reading. No more trying to change things or ask for clarification. Your hand is trembling, a shiver runs down your spine. A second before seeing it, you know you are not going to like it.

A lifeless body stares at you from the illustration, on the floor, impaled by Ten Swords.

That's you.

No, no, it can’t be so literal, it never is-

A sudden, awful turn of events; no way to run, it’s coming towards you, even if you try to stop it; an impending doom, deep and permanent loss; you are already dead .

You don’t let it sink in, don’t let it fester in your mind. In one swift motion, you place every card back in the deck, and the deck back into its linen drawstring bag.

You look up. Lockwood’s eyes are brimmed with tears. “What does it mean?”

“We can’t stop it.” You croak out, you are already crying.

“What was your nightmare about? Maybe we can figure it out together, or find a way…” He trails off when you shake your head repeatedly.

“It’s not even about the Geralds case- Hell, if George still wants to, we can get it done tonight!! This is much bigger and it can’t be stopped.” High pitched, strangled words come out. You let out a sob.

He starts crying too, scrambles to get around the coffee table and hug you. You are both trying to hold onto one another, crying for everything that has ever happened to you, your family, and whatever seems to be coming your way. You can’t help but feel a bitter guilt, sharing this with him, he shouldn’t have to carry the burden of knowing if he is able to just not .

“Why does this keep happening to us?” A broken whisper, followed by an honest:

“I don’t know.” Spoken just as softly.

Reblogs and comments are greatly appreciated! Tell me if you want to be added to the Lockwood and Co or Sometimes it's just better (not to know) taglist, feedback is welcome :D

I do Tarot readings and this might or might not be slightly based on personal experience.

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