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#sakura produce icons

hydrassera · 8 months

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kang hyewon iconz ♡₊˚ 🦢・₊✧

✩ ᵕ̈ ིྀ ! kang hyewon icons •˙ 🦢 ⌗ ⊱ ⋆⭒˚｡⋆ please enjoy them freely! 🎀🤍 ⋆⭒˚｡⋆twitter: cupidnyoung 🪐🌙

⋆.ೃ࿔*:･ the photos used to make the icons were taken from 🐰! if any additional credit is needed, please let me know! 🎧🪽🫧

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flickqrz · 4 months

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✩°｡⋆⸜ 🎧｡･:*˚:✧｡

𓂃 ࣪˖ ִֶָ𐀔

lsrfm - sakura packs!!

i was just bored and wanted to do a comeback lol

hope you like it!!

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whalesandstars · 9 months

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Hello, World

Wanderer & Nahida, Platonic [Angst, Hurt/Comfort]

Summary: [Jan 3, 2553 Hello, world I am Kunikuzushi, a robot made by a researcher named Raiden Ei. I am made with the purpose of pursuing eternity by recording the history of the world.] A series of electronic journal entries telling the journey of a robot, of joy and grief, as he met different people and went from being an artificial being to becoming a human-like robot with emotions. ============================== “Rukkha, I’d like to ask, what does it mean to live?” “The answer to that is something you need to find yourself in order for it to be a ‘true answer’.” “...I don’t understand.” “You will someday.”

Jan 3, 2553

Hello, world

I am Kunikuzushi, a robot made by a researcher named Raiden Ei. I am made with the purpose of pursuing eternity by preserving the history of the world. Following the task I have been given, I will proceed in recording events in this electronic journal.

Log 1:

On December 31, 2033, a war broke out between the inhabitants of a planet called Teyvat and those from Celestia, a galaxy with the coordinates 45.9703, -118.2472.

As an AI made at the time after the war, I am not able to retrieve earlier records aside from what my creator has given me. But here is the data stored in my database:

“The old Teyvat was described as a bountiful planet with beautiful landscapes and was composed of mountains, valleys, rivers, oceans, deserts, and underground caves. Its citizens were capable of wielding seven elements namely: anemo, geo, electro, dendro, hydro, pyro, and cryo. This unique ability was utilized to maximize an individual’s potential through amplifiers called visions, which was an ancient technology produced by Celestia and regulated by the leader presiding over each element called archons.”

[Searching database for ‘Celestia’ and ‘Celestial War’]

[Match found]

[Compiling search results]

Celestia oversees the progress of nations and vision holders in Teyvat, as well as enforcing order throughout the land. Teyvat and Celestia co-existed until a dispute and the destruction of a nation called Khaenri’ah caused the Celestial War that killed millions from both sides. Celestia retreated and surrendered control over Teyvat. However, the planet sustained extensive damage and its iconic landscapes were turned into barren wastelands. Survivors grouped together and created camps from ruined cities, scavenged items for daily necessities such as food and clothes, and fought monsters that remained in the land.

Log 2:

A decade after the war, a few cities, considered as the last bastions of humanity, thrived in terms of technological advancements, and a prosperous Teyvat emerged after a decade. My creator, Raiden Ei, is from a nation named Inazuma. She is a descendant of an archon and well-known researcher who created me in the image of her sister who died saving her from a monster ambush. My creator aimed to preserve her memories of her and of the past, creating an ‘eternity’ by recording history.

On the third of January 2553, Raiden Ei completed her 99th prototype, a robot which she named Kunikuzushi.

September 16, 2554

Log 1:

Raiden Ei passed away peacefully in her sleep. I am incapable of stating the cause of her death for she told me not to record it, but she did let me save this message in my memory:

“Go out and see the world with your eyes, record your own story, and live our life how you want it to be.”

As per her request, I buried my creator’s remains beside the Great Sakura Tree, where her sister also laid. As I stared at the two graves next to each other, I experienced a minor malfunction. There was something wet on my face and my optical units went blurry as I walked away from the tree.

September 17, 2554

I have broken down my creator’s final words in three primary tasks and aligned them to my original purpose.

Task 1: Wander around the world

Task 2: Record events in an electronic journal

Task 3: Live

The third task remains obscure. As an artificial intelligence, I am not alive and incapable of living. Sub-task has been created for this, which is to ‘understand what living means’.

To fulfill all these, I left the Shakkei research facility and commenced my goal of traveling around the world starting by going to the areas beyond Inazuma City.

September 20, 2554

I have arrived in an island named Tatarasuna where the supplies of Crystal Marrows, a valuable source of energy for Inazuma, are mined. This is also where most weapons are forged through the knowledge of the last surviving blacksmiths who aim to preserve their legacy by teaching youths about the craft.

>>Accessing system command log

>> Subtasks created

Task 1: Observe the humans of Tatarasuna and gather intel on how they live

Progress: 0%

Task 2: Learn blacksmithing

Progress 0%

The humans welcomed me without noticing that I am a robot. My creator has taught me basic human functions I needed to know so I am able to blend well with the people in that island. According to my processor’s calculations, the probability of me progressing with my third primary task will increase if I stayed here, so I accepted the humans’ offer for accommodation.

October 20, 2554

Log 1:

[Generating monthly report…]

[Running task check…]

[2 active subtasks found]

> Task 1: 23% completed

> Task 2: 75% completed

One month has passed. I am still living with the humans of Tatarasuna. I have stored information about the citizens: their name, eye and hair color, facial features, height, occupation, and personality. Those who have shared their goals have also been recorded.

[Katsuragi: To forge a blade that will surpass the quality of his grandfather’s work

Nagamasa: To see a peaceful and prosperous Tatarasuna, to clear the reputation of his adoptive mother.

Niwa: to continue Isshin Art and be a good father.

A sick child with no name: to be healthier and explore the world.]

Log 2:

Today, I have forged my very first blade. I expressed my inability to create a perfect blade (due to insufficient data) but Niwa insisted that it does not have to be perfect. Listing it down as a secondary command, I did the task and mimicked the simple knife on a nearby shelf; a plain blade attached to a wooden handle. I showed it to Niwa, who smiled and ruffled my synthetic hair while commending my work. According to my database, he seems to be displaying a human emotion called happiness. He also explicitly said that he is proud of me.

I do not understand the implications of his words but replied with “thank you” as per protocol whenever I received a positive feedback. A malfunction occurred again. My lips smiled without direct command from my processor. I ran a diagnostic but no error has been detected.

November 30, 2554

The sick child kept following me. He greets me in the morning and walks with me as I picked lavender melons for him and the pregnant wife of Niwa. He also asked me to teach him how to read and write while we ate lunch on a field 75 steps away from the workshop.

He is full of energy despite having an illness. He will flash a toothy grin at me whenever he greets me in front of my small house. He looked confused when I used a research analysis as an example for our reading sessions and seemed to be happy after I changed my lesson materials into children’s stories. He also jumped up and down while smiling once I gave him a handmade doll, which I asked one of the villagers to teach me how to craft. Although he easily gets tired, he still insists on catching crystalflies with me before the sun sets.

December 30, 2554

The child moved into my house. He also started calling me brother and us as family. I said that we cannot be brothers for we are not related but he explained that you do not have to be biologically connected to be a family and that all that matters is that you love and care for each other. Such words are foreign concept to me so I asked him what love and care meant. He replied that it is when you feel comfortable with them and that you do not want to see them sad. You always want them to be happy.

>>System command to compare parameters with the received information

>>Checking…

[Parameters matched]

I told him he is family to me too.

The people of Tatarasuna as well.

March 12, 2555

The boy died. I have tried searching for a cure but his health deteriorated too fast during the winter season.

Earlier today, I was picking lavender melons and some herbs to try and create a nutritious soup but when I came back to our house, I found him on the floor. I shook him to wake him up but he did not. It was the same with his creator. He has no pulse. He was not breathing. I accessed the first aid module in me and tried reviving him but soon, people came through the door I forgot to close and told me to stop. He was gone, they said. They were right.

While they were taking him away, I checked my subtasks. One of them stood out.

Task: Watch the sakura trees bloom this coming spring with the boy

I looked at the budding flowers on the branches outside the window as the task dissolved away.

March 19, 2555

7 days have passed since the boy died. I now stand in front of his grave, under the shade of a sakura tree whose flowers are just days away from blooming, holding a small bouquet of flowers the same way I did after my mother creator died. I placed the flowers on the tombstone and walked away.

I went through my usual routine before the boy lived with me, which involves waking up from rest mode, picking fruits, helping with forging, and mining Crystal Marrows. From my memory logs, I can confirm that I am doing the right tasks and yet people kept asking me how I felt or if I needed a break. This confused me. First, I have no need to take breaks because my synthetic body gives me more stamina compared to living beings. Second, I am not capable of feeling because I am not human.

Yes…I am not supposed to feel anything.

But why is there a weird sensation in his chest and a sting in his optical units?

I logged the times this occurred and based on my records, this happens when I wake up in the morning, when I pass by the places I usually go to with the boy, when I visit his grave, and before I sleep at night. I ran diagnostics daily but no anomaly has been detected. Maybe my diagnostic tool is the one having an error…

…because how cannot detect the cause of this ache and the excess moisture on my eyes.

June 6, 2555

[Request for subtasks log]

[Generating…]

Task 1: Observe the humans of Tatarasuna and gather intel on how they live

Progress: 100%

Task 2: Learn blacksmithing

Progress: 100%

I have completed my subtasks in this island despite the persistence of the anomaly in me.

The people of Tatarasuna lived a simple life yet they looked happy. Concluding from the information I have gathered, it seems that “living” involves two important factors.

You need to have a family or someone you care about.

You do not need to have a lot of mora or material possessions but you need to find something that makes you happy.

All these are abstract and subjective things I have yet to fully understand.

>>Analyzing options to further investigate these concepts…

>> Analysis done.

Results:

Option 1: Continue observing the people of Tatarasuna

Option 2: Search other places for cross analysis of information

>>Selecting Option 2

>>Prioritization set to Option 2

This will align with my main task of wandering around the world and recording events. My mother once said that different cities and nations have different cultures and values. If I visit other places, I will be able to study other kinds of humans and their way of life.

June 7, 2555

I told Niwa and the others about my plan to leave Tatarasuna and travel around the world. They expressed concern over my wellbeing but eventually agreed. They spoke about missing me and asked to stay for a week before I depart for my next destination.

Strange. The thought of leaving them gave me a weird sensation.

June 13, 2555

One day before I am scheduled to leave Tatarasuna. It is sunny as usual and I am able to continue my daily routine. I was in the middle of completing a task of delivering newly made clothes to the outskirts of the village when an explosion happened on the other side of the mountain.

August 19, 2555

I was not able to leave Tatarasuna.

Another war broke out.

An organization, The Fatui, who turned out to be allied with Celestia commenced a plan to recapture Teyvat and take revenge for what happened in the Celestial War. Reorganizing my tasks and prioritization, I stayed in Tatarasuna to help Nagamasa come up with a plan to defend the island and its people. Combat functions were not specifically installed in me but I was able to learn through the soldiers who aided the island and from the retired ones, as well as the books I read before in my mother’s library. I helped in forging blades when the situation was calmer and made a weapon for myself; a sharper and more lethal version of the one I used for my sword dance with Niwa.

We were able to stave off the invaders and defeat the monsters who attacked us.

November 11, 2555

We were ambushed in the middle of the night. A large troop came and was led by a Fatui harbinger; a man with blue hair whose face was covered by a mask and wields a newer version of a vision, a delusion. The dead body of the front line’s defense general, Nagamasa. Niwa instructed me to save as many people as I could but before I could run to follow his command, the harbinger found us. We were overpowered.

I am the only one left standing after Niwa, who was severely injured, is thrown to the side by the harbinger. The damage I sustained during the battle exposed my broken components, revealing that I am not human.

Something ached in my chest again after realizing that my lie has been exposed.

I do not want Niwa to hate me.

Niwa is surprised but he told me that he still views me as family despite me being not human and not telling the truth to him.

I smiled.

The harbinger just laughed at us and mocked us for playing house with a mere object.

Was that what I simply am?

An object?

Yes, I am an object but I will fulfill the tasks I was given promise I made.

>>Creating urgent tasks

>>Tasks created manually

Task 1: Defend Tatarasuna

Task 2: Protect my family

I fought with the harbinger despite not being a combat-oriented unit. I calculated my every move and searched for a way to outwit the enemy but the odds of winning was only 0.03%. By the time dawn was approaching, a red warning was already flashing at the side of my vision.

WARNING: COMPONENTS COMPROMISED

DAMAGE SUSTAINED: 85%

I can barely move and static is beginning to fill my vision as my knees fall to the ground, the purple liquid equivalent to a human’s blood dripping down my exposed and severed wires and from my head down to my eyes, obscuring the warning on my visuals. I wiped the dampness away and looked up to see the harbinger lunge at me…

…only for Niwa to shield me from the blow.

Purple and red mixed together.

Genuine and synthetic eyes met.

“Why?” I asked.

“You’re human. You’re part of our family. Remember that.”

He pushed me down a low cliff, sending me falling to the dark sea.

The last thing I saw is the harbinger piercing Niwa’s chest and Tatarasuna burning to the ground before I plunged into the cold water of the Inazuman sea.

WARNING

SYSTEM ERROR

DAMAGE CRITICAL

TRYING TO REBOOT…

REBOOTING FAILED.

ENTERING FORCED SLEEP MODE–

?? ???, ???

SYSTEM REPAIR INITIATED

?? ???, ???

VITAL COMPONENTS REPAIRED

?? ???, ???

REPAIR COMPLETE

SYSTEM FILES RECOVERED

REBOOT COMMAND STARTED

SYSTEM CHECK…

> Processor: OK

> Motor Function: OK

> Memory Logs: OK

> ???: OK

READY FOR REBOOT

REBOOTING…

Hello, world

I am Kunikuzushi, a robot made by a researcher named Raiden Ei. I am made with the purpose of pursuing eternity by preserving the history of the world.

Task logs detected:

Ongoing tasks:

> Raiden Ei’s wish:

Task 1: Wander around the world

Task 2: Record each moment and events on an electric journal

Task 3: Live

Other tasks:

> [Deleted] Task: Watch the sakura trees bloom this coming spring with the boy

> [Failed] Defend Tatarasuna and protect my family

I opened my eyes expecting to see a village in flames but instead, what I can see is a small room filled with soft green light.

> Searching database for location matches…

No result found

I sat up from the soft mattress beneath me, making the white blanket fall down to my lap. I blinked before I let my optical units scan my fingers, hands, arms, and legs, searching for any trace of damage but found none except for the faint scars that formed on my artificial skin. Looking around the place, I recognized some common items humans usually use such as a table, closet, cup, and a few traditional paper books. Just when I was about to get up to inspect more of my surroundings, the door swung open.

A woman clothed in a long white dress appeared from the doorway, her green eyes, which matched the highlights on her hair that runs up to the back of her knees, are fixed on me. She smiled at me. She seems happy to see me. She said that she has been waiting a long time for me to wake up after she rescued me from the shore and repaired me.

“I’ve been waiting for you.”

September 14, 2558

I have been asleep for 3 years after I fell from the cliff. The war has ended and although the connection from Celestia has been permanently severed, 80% of Teyvat has been destroyed.

The woman’s name is Rukkhadevata but we agreed that I will call her Rukkha and she will address me as Kuni.

Profile information:

Name: Rukkhadevata

Nation: Sumeru

Age: 200

Bio: (more information needed)

[Transcript audio record]

“I’m an archon guarding Sumeru…or what’s left of it. Do you know what an archon is?”

“According to my database, archons are revered to by the Old Teyvat as gods. They are capable of wielding elements and have been crucial to the survival of humanity during the first war. However, all of them died during the Celestial War.”

“Yet here I am, claiming to be one.” A giggle, “I can’t blame you for looking so surprised.” “Suprised? As an artificial being, I am not capable of such emotions.”

“And yet you feel. I saw your memory logs. Sorry for viewing them without permission. I need to check them to see if there is anything left damaged.”

“No need for an apology. Those files are not strictly confidential. Going back to what you said earlier, I would like to inquire more about it.”

“Sure. Let me ask you a question first. If given the circumstance that a casualty is unavoidable, if you have to pick between a single sickly old person and a group of young adults, who would you pick to save and why?”

“Considering life expectancy and being capable of helping in the restoration of Teyvat, it will be more beneficial to save the young adults.”

“I see. How about between the sickly child who lived with you and a group of healthy knights?”

“I…”

“You hesitated. By logical calculations, it will be wise to save the knights but you care about the boy more than a bunch of strangers. Care is a mix of love for a person and the fear of losing them. Both are emotions, and to have emotions is to be human.”

“But I cannot be a human. I am not an organic being.”

“True. You have wires instead of veins and you bleed purple instead of red. By physical attributes, you can never be classified as a human. But being a human is not having flesh and bone alone. To be human is to have humanity and that means having empathy and compassion. Itis to smile when you see the people you care about happy and in grieving when they die. The ache you felt when the boy died, that is grief.”

“...I see.”

“Kuni?”

“Yes?”

“You may not have a heart that beats but you have a soul that’s capable of feeling.”

September 15, 2558

Rukkha told me how she came to be. She was a genuine archon who was born when her predecessor, the original deity of Sumeru, had left a piece of her soul before she sacrificed herself for her people and died. However, the reincarnation created a new and separate entity and her abilities were reduced to only being able to make flowers bloom. She was locked away as a source of research, which was why it was presumed that all archons had perished, and was only freed during the eruption of the second war, the one started by the Fatui, after her nation was left ruined.

Today, Rukkha led me in front of an enormous tree named Irminsul and brought me inside its core, which was another tree but with blue inorganic-looking branches. She told me that it records the history of Teyvat. All information about people, monsters, and even robots, as well as historic events were all compiled in its leaves. But right now, after the last war that left Teyvat in ruins once more, all the tree’s leaves where all recordings were stored, had been lost. I can supply a tiny portion of my own records but we will need more to fully restore it.

[Transcript audio]

“That’s why I’ve been waiting for you, Kuni. When I was imprisoned, they asked me to connect with Irminsul. I wasn’t strong enough to establish a strong and long connection at that time but I managed to read one leaf. I saw the one capable of working with me in restoring the lost records…and someone who will be my friend. You.”

December 28, 2558

We left on a journey to restore Irminsul. Teyvat has been severely damaged, almost the same way described in my database during the aftermath of the first war, leaving us traveling through fallen cities and a handful of humans. With Rukkha’s ability combined with mine, we’re able to restore the projections of memories from different locations and we experienced them secondhand.

Jan 3, 2558

Rukkha made a small cake made with nuts as a birthday present for me. We ate it as she talked about the stars, seas, and mountains with excitement, which I think is the reason why the pastry tasted better.

After all, even the simplest of food can taste like luxury when with a friend.

June 10, 2558

The story of humans is a cycle of love and loss, of happiness and sorrow, of death and birth. As we explored all around Teyvat collecting memories, as Rukkha told me and showed me a wide range of emotions, I realized that life is bittersweet yet that made it beautiful. Even though flowers sprout in spring and fully bloom in summer then wilt in autumn and wither by winter, new ones are born in the next cycle of spring. Even though the sky lights up and sunrise becomes bright at noon, dims in the afternoon, and goes dark at night, it is still a masterpiece because it is able to paint different colors. Even though the lives of humans are fragile and are bound to end, just like how Rukkha viewed it, I find it beautiful.

[Transcription audio]

“Rukkha, I’d like to ask, what does it mean to live?”

“The answer to that is something you need to find yourself in order for it to be a ‘true answer’.”

“...I don’t understand.”

“You will someday.”

July 9, 2558

I should have noticed it sooner. When she mentioned that she saw a glimpse of me from the future, I should have realized it. Irminsul was only supposed to be recording the past and the present, not the future.

She has accessed the Forbidden Knowledge.

Apparently, the sages of Sumeru forced her to unlock pieces of information related to Forbidden Knowledge and now, she is suffering for things she never wanted. I feel agony. I feel rage towards those scholars who treated her like a tool and a stepping stone for their vain pursuit of knowledge.

It’s unfair. All she wants is to freely explore the world beyond her prison and to live like a normal human, yet she has been robbed of it. Now, she is dying because of Eleazar, which has no cure. She is kind, too kind. What has she done to deserve this kind of fate? It’s unfair.

I…I’m afraid. I don’t want her to die. I don’t want to lose her. I don’t want to grieve again for another family that I found.

Please…not again.

August 19, 2558

She smiles. Even as the black scales are eating away her body, even as the pain tormented her while I carried her on my back during our journey, she smiled.

October 27, 2558

She still smiles. As I cradled her in my arms in front of Irminsul, she was still smiling the same way she did when I first met her, when she tasted lavender melon, when she ran across a field chasing after a butterfly, and as she played on the water by the shore. Even though my chest feels like it’s being torn to shreds and tears fall from my eyes like a waterfall flowing towards the sea, she smiles. The corner of her lips are curled upward as she told me how human I’ve become and how happy she is to have met me; her companion in her journey to explore the world, a friend, a family.

She still smiles as she hands me one last gift before her eyes slid close.

“Thank you.” She whispered.

“Thank you.” I wrapped my arms around her.

May 17, 2568

Ten years have passed since Rukkha died. The ache was still there and I still see the ghosts of her smile and the journey we had as I continued my wandering across the world with her last gift tucked in my coat’s pocket.

Teyvat has rebuilt itself from the ashes of war even though it was still far from its former glory. People were starting to move on with their lives and I, too, had begun walking forward from grief and was currently traveling as a wandering historian who was sharing and recording the events in this planet while guarding Irminsul.

Life was not perfect, but it was better.

October 27, 2568

Rukkha’s last gift is a seed. Over time, it became a bud, growing little by little each day, until finally turned into a little twig. The tiny branch is now glowing and I am sitting beside it, waiting like it is an egg about to hatch.

What does it mean to live?

My mother wanted me to discover that.

I once asked Rukkha that question.

Now I understand what she meant by needing to find my own answer for it to become a true answer.

For a robot, to live is an impossible notion.

For a synthetic but human-like being, it is to love despite the inevitable loss. It is to admire the stars even though they will all disappear when morning comes. It is to welcome the warmth of having a family even though the fire will be extinguished by the cold snow of winter. It is to travel and see the world, to know the experiences and emotions that make humans laugh and cry, to treasure every moment, and to weave the story of others and yours into a colorful tapestry.

To live is to find your own answer,

And just like how the people of Tatarasuna and Rukkha guided him, he would do the same for this new life that was born.

“A name is life’s first gift and I’ll give it to you. From now on, your name will be Nahida.”

Jan 3, 2569

Hello, world

I am Kunikuzushi, a human-like robot with emotions, ready to record a new era with this little hand holding mine.

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narhinafan · 10 months

Note

Is SP really that super-biased against Hinata? I mean Sekibeing is still a major animation director for the Boruto anime and he made it clear in 2017 that NaruHina has been his favorite couple since he was in middle school and he always likes drawing NaruHina together.

Kishi is still a producer on the Boruto anime and he made it clear in 2015 that Hinata is his favorite female character while also stating that he doesn't like Sakura or SS.

In the Boruto anime, Hinata has made far more appearances than Sakura, in the intros and outros as well as the actual episodes.

Back in 2012, SP were the ones who wrote the rough draft scrip for The Last (in which Sekibeing was an animator), and when they showed it to Kishi he's the one who said "it was great. It was a movie I wanted to see" and he's the one who made it canon by helping make the story and being the script supervisor.

Finally, most recently, when SP adapted Shitsuden in the Boruto anime, they made Sakura look extremely weak and incompetent, because she easily got stabbed in the back with a kunai by some random guy, as @lunaneko14 pointed out in one of her posts circa 4 months ago.

Currently yeah, back during the end of Naruto they were fine, but in Boruto they missed a lot of opportuneness to have eps focusing and showing Hinata in a good light. However they left out her iconic scenes which are all related to Naruto in the anniversary video also backs this up.

Kishimoto isn't that involved with all eps though more so some of the fillers. While he does help it is mostly the anime adaptions for the manga he focuses on while for filler story and novel adaptions he likely doesn't take part in them. Afterall Kishimoto wasn't involved in Retsuden being made in the first place so I doubt he had any involvement in the anime versions. Plus SP mostly been either making Sakura scenes slightly better, or just refusing to show Hinata or give her any decent scenes. They don't really need to consult Kishimoto about that cause they are very small things and the old gen rarely get shown in the old gen as is.

Them animating Retsuden is in itself bias and somthing SP decided on its own. plus they did change that scene as well. In the novel Sakura simply gets back stabbed, showing she is unable to react to random person going for her from behind. The anime though make it seem as if she couldn't do anything they have her get hugged then stabbed basically making a excuse for Sakura being weak and easily getting stabbed differently from the novel.

#anti sakura haruno #anti sakura haruno fandom

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ashitomarisu · 2 years

Text

Aqours as Precures (Let's talk attacks and abilities for a bit)

Currently, my project is at a slowing halt due to a broken pen, so in the meantime, I'm headcanoning more Precure x Love Live stuff. In an earlier post, I made a masterpost as to what cure names I would have for each member of Aqours. This post will cover attacks and abilities, since that portion was never fully explained.

Cure Mikan (Chika)

close-mid range

despite the name, her design is more on the steampunk/gambler/ringleader theme

in fact, one of her defense tactics is an illusionary card trick that can teleport and create fake entities

Attacks:

Mikan Wave: summons a massive circulating current with mikans that burst into electric bombs when an enemy comes in contact

Forbidden Patella: the infamous knee to the lower back; stuns enemies when already weakened or confused (inspired by an iconic televised program moment where Anchan literally kicks a guy's ass with her martial arts)

Mikan Royale: gigantic electrified mikan slices rotating in the style of a roulette wheel transform into a random severity attack depending on the cure's mood (i.e.: positive moods produce more healing results; negative moods produce more fatal results that can also affect the user; neutral mood can fool the enemy if the right or wrong trigger thoughts are given).

52-Shishiza Triple Grand River (MAX BET): summons an astral-stylized Leo with its mane covered with 52 cards that revolve and act as a gatling gun, shooting mikan projectiles at max speed (feint), then the cards fly off and become high-speed blades, serving double damage to the enemy before the user goes in with a final blow to finish the triple attack.

Mikan Shockwave: (w/Cure Pyxis) basically similar to Mikan Wave, except double the Vitamin C and electric punches...

----------------

Cure Forte (Riko)

mid-long range healer

Attacks:

Sakura Concerto: blizzard of sakura petals heal the ally or enemy of any negative energy; temporary

Symphony of the Cherry Blossom: hybrid healing/long-range attack involving the user singing a hymn; stuns enemies while healing them permanently

Symphony of the Cherry Blossom (Encore): a stronger version with the help of Cure Blossom; used for emergency situations

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Cure Delphinus (Kanan)

mid-long range attacker with one close-combat specialty

water-elemental (duh)

Attacks:

Echoes of Aquarii: (only used alongside Cure Aquila and must be in sync for maximum damage) battle environment turns into a spacial void; both users summon their respective spirit animals (dolphin and eagle) and emit a dangerous amount of high-decibel soundwaves which cause the tides to rupture into a celestial uproar; leaving the enemy stunned and prone to drowning

Delphini Cosmic Torrent: summons a current of phantom dolphins to attack the enemy head-on

Eternal Embrace: basically a healing hug attack that will neutralize negative vibes

Sorrowful Phoenix Microburst: (w/ Cure Polaris) only used as last resort if either of the two are close to detransformation; basically a sacrificial attack that fuses both Phoenix and Delphinus into a forbidden chimera that will summon upon a destructive microburst of meteors and comets

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Cure Lepus (Dia)

(as Zenitsu would put it) SHE'S GOT A WEAPON!!!

did I mention a mecha rabbit behemoth resembling Usada Lettuce

close-combat threat

Attacks:

Curse of the Blood Moon: (w/Cure Moonrise) Moonrise creates the illusion, using the blood moon to confuse and stun the enemy; while Lepus uses a feinting attack before reappearing to unleash a fury of nitojutsu-like swordsmanship

月の兎ダイヤモンドの踊り (The Moon Rabbit's Diamond Dance): [No, the name is not intentional to reference a certain icon, but I really love this idea, so let me roll with it]. The user breaks the moon into diamond shards as it rains profusely towards the enemy.

月の兎ダイヤモンドの踊り~Crimson Vault~: (w/Cure Moonrise) Similar to previous, except Moonrise smashes the moon instead, then diamond and ruby shards rain on the enemy.

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Cure Pyxis (You)

mid-range/close combat

water-elemental

Attacks:

Mariner's Warning: contrary to the name, the user summons raging sea currents without any particular sign for the enemy

Mikan Shockwave: (w/Cure Mikan) basically similar to Mikan Wave, except double the Vitamin C and electric punches...

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Cure Raven (Yoshiko Yohane)

dark magic/long-range only

do not call her Yoshiko

has an ally in Anko (beast form)

Attacks:

Feather Squall: summons a violent gust of feathers aiming towards the enemy; its quills can cause significant damage similar to being hit by a hailstorm

Twin Shetland Fang: summons the spirit of Anko to unleash a piercing frostbite-like bite attack on an enemy

Gemini Resonance: summoning both personas at once as angel/devil spirits to distract the enemy while the user creates a long-range surge of intensely concentrated UV-A and UV-B rays generates devastating levels of soundwaves so invisible and quiet to the normal human hearing to deliver a catastrophic outcome via spell circle that locks the enemy in place from escaping (kinda Marble Screwish but from the Earth and in a vertical direction); and then she tells you to "Go to Hell".

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Cure Azalea (Hanamaru)

Healer/Short-range attacker

Don't take her appearance so lightly

Attacks:

Grayano Implant: releases several bullets containing the grayanotoxin; stunning enemies that will eventually kill them (used as last resort)

Mindful Resurrection: emits a calming, powerful bell tone that heals a weary mind of any of her comrades; eliminates negative vibes almost instantly

Papillion Swarm Burst: (only w/Cure Mint) combines Mint Shield (offense mode) with the call of a swarm of Blue Morpho species leaving a poisonous whirlwind to immobilize and/or suffocate the enemy

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Cure Polaris (Mari)

there will be NO shitfire (shitto fire)

don't beg for one

medium-range badass with a firebird

Attacks:

Suzaku's Min'yo Session: to the enemy, it spells disaster; to the allies, it's an advantage?? (but this is where the attack is a double sword; basically everyone except the user falls asleep)

Sorrowful Phoenix Microburst: (w/ Cure Delphinus) only used as last resort if either of the two are close to detransformation; basically a sacrificial attack that fuses both Phoenix and Delphinus into a forbidden chimera that will summon upon a destructive microburst of meteors and comets

Stella Maris Ultimus: (Latin for "The Last Star of the Sea"); using the Phoenix, Polaris summons a deadly meteor shower that has a 50-50 chance of either causing massive damage to the environment after the enemy is eliminated or killing her in the process, since this takes up a huge amount of energy to cast by one person alone

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Cure Moonrise (Ruby)

originally called Cure Lollipop prior to Furirin's solo artist debut, but I changed it for reasons because DAMN IT I HAVE SOME GOOD IDEAS FOR HER

illusionary/mid-range attacker

carries a HFW (Huge Fucking Weapon)

Attacks:

Paaru Lollipop Hammer: this thing is three times her size; Paaru's angry face is on the head of the hammer with the lollipop discs on the side, which can deliver earth-shattering damage

Axiom Shift (Reiwa Phase): Moonrise's main ability; when severely weakened, she is able to change the environment around her to mimic 80s Tokyo to distract enemies within a 5-mile radius for 24-72 hours, depending on the recovery length. However, she cannot be called upon, nor can she help while in this comatose state. Lepus also loses half her energy due to blood relation; which puts her at a disadvantage for this extended period of time. During this said timeframe, her body is guarded by a coelacanth-like beast until completion.

月の兎ダイヤモンドの踊り~Crimson Vault~: (w/Cure Lepus) Lepus's main attack, except Moonrise smashes the moon, then diamond and ruby shards rain on the enemy.

Cotton Candy Cloud Nine: Sugar overload. Massive sugar overload that leaves enemies in a food coma.

====================

Sheesh, that was a lot of brain power and motivation, but there are my ideas for the attack pools for each curesona. Any other suggestions that I might have missed? In terms of group attacks, I may return to that in a later time. Until then, feel free to leave comments or reblog.

#crossover #precure #love live #curesonas #aqours #love live sunshine #my thoughts/ideas #if you do end up creating your own version of these curesonas please credit me for the inspiration #meanwhile I'm stuck on Pyxis so...T w T

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throatasia9 · 2 years

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How Does An Digimon Keychains Look Like?

As more people are getting into anime, there is a rising market for keychains that show your love for the popular Japanese animation series. But what does an anime keychain look like? In this article, you can find out all about these clever, tiny totems and what makes them so popular! Digimon Keychains have been gaining popularity among many people over the past few decades. In this blog article, we'll examine how they are made and why they are sold as well as what they are typically made of. What is an anime keychain? Anime keychains are small, colorful figurines that typically depict popular anime characters or scenes from shows. They're a fun way to show your fandom and can be a great conversation starter. Here's a look at how an anime keychain might look: Digimon Keychains are small, colorful accessories that are worn around the neck. They are typically made of plastic or metal and often feature anime characters or scenes from popular anime shows. Anime keychains can be bought anywhere that sells novelty items, including convenience stores, toy stores, and comic book stores. Some people also make their anime keychains by painting and decorating metal or plastic frames. Where do keychains come from? Digimon Keychains are a popular accessory for cosplayers and fans of anime, manga, and video games. They can be purchased at conventions and online stores, or made by hand. Many anime fans create their keychains by cutting out images or characters from magazines or brochures, or by downloading free templates online. Where do anime keychains come from? Anime keychains typically originate from Japanese animation and comics. The most famous example is the “Dragon Ball” character Goku’s iconic Saiyan warrior outfit, which has been featured in numerous anime and movie adaptations. Other popular anime characters with their keychains include Naruto’s fox demon mask, Ichigo Kurosaki’s Substitute Shinigami badge from “Bleach,” and Sailor Moon’s Tiara and choker. While many anime fans create their keychains, some manufacturers produce premade designs specifically for the market. Anime-themed keychains are available in a variety of shapes and sizes, with prices ranging from around $1 to $30. Some popular brands include Funko Pops (an entertainment collectible company that produces pop culture products such as bobbleheads), Sanrio (a Depictions of Anime in Art History Anime is a worldwide phenomenon that has transcended language barriers and cultural barriers. Consequently, anime art can be found in various forms all around the world. This includes depictions of anime in art history. One such example is the anime keychain created by Japanese artist Yoshitaka Amano. The keychain was commissioned for the 2002 Japan Expo and features characters from popular Japanese animated series like "Dragon Ball" and "Card Captor Sakura." The characters are depicted realistically, with detailed costumes and facial expressions that replicate the character's personalities and emotions from the show. While this particular piece of art is not representative of all anime art, it does serve as an excellent example of how anime art can be interpreted and used to communicate a message or idea. Anime art has been around for over 50 years and has developed into an incredibly popular and versatile genre. Anime can be seen in a variety of forms, from traditional animation to live-action, to video games. With so many variations, it's no surprise that anime has inspired a wide range of art throughout its history. Here are four examples of how anime has influenced art history: 1. The Art of the Anime Keychain One of the most popular manifestations of anime influence in art is the anime keychain. These miniature sculptures often feature iconic scenes or characters from popular shows, like Attack on Titan or Naruto. They're a great way to show your love for anime without having to commit to a full-scale sculpture or painting. Plus, they make great souvenirs! 2. Japanese Prints and Murals Japanese prints and murals often use elements from popular anime shows as inspiration. This includes characters, settings, and even particular plot points. Some prints even include animated sequences created specifically for the print. This gives the impression that you're looking at a scene from the show itself. 3. Pop Art Translations of Anime Characters and Conclusion Digimon Keychains are a popular item for collectors, and there are many different styles to choose from. In this article, we will show you how to make an anime keychain that is both stylish and functional. We will provide you with all the information you need to create your high-quality anime keychain, including templates and step-by-step instructions. So whether you're interested in adding some personality to your keys or just want them to look cooler, our guide has everything you need! Anime keychains are a fun way to show your fandom and add a little bit of personality to your wardrobe. If you're looking for an anime keychain that represents your favorite series or character, be sure to check out our selection. We have a wide range of characters and series represented, so there's bound to be something on this list that interests you.

#Digimon Keychains

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fairymint · 2 years

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My Voice (in reference to Felix’s voice!) | Felix’s Bio (pokemon)| Felix the Villager (Animal Crossing/Smash)

Public vs Private Knowledge for Felix Fae

RP Help Blog | Personal blog Mun |

Personals/etc.: Please don’t reblog my posts without commentary! Writing content produced here is Art. RP blogs please use your usual headcanon tag. RP blogs please tag my URL in replies.

Full mobile/shortcut rules here:

Please have a basic sense of respect OOC. This includes;

Please respect my time, portrayal, and identity! This includes self-insert stuff, more on that later.

Respect for conflicts; don’t vagueblog, don’t shit-talk people you’ve blocked/have blocked you, don’t actively try to break up friendships; keep it to warnings and information.

Respect for the vibe; I will not be talking about real-world issues and news, unless it’s directly affecting my life. I’m here to write and be liked, actively! I primarily follow for the purpose of interacting back and forth. While I don’t take things such as boredom and depression personally, there is an undefined limit where I will get burned out and unfollow. I give hopeful mutuals plenty of time to follow back before unfollowing to keep my dash trim. If I still follow you after months, it means that I enjoy reading your stuff and like/respect you. There is no pressure for interaction/friendship, but it is always on the table if I haven’t blocked you! Mun first before muse and interactions! I will always care more about you, and your comfort than anything else. I don’t ‘hate follow’, farm for plots/ships, etc.

Shipping friendly! As a mun I am open to any concept on paper, so long as you’re nice ooc about it! For example, You can definitely ask immediately if our muses can date! But you aren’t allowed to try to godmod the relationship itself. Shipping Status ≠ IC Feelings! I will not rush my muse’s level of attraction to ‘hurry’ for you, nor will I nerf/eliminate my muse’s attraction levels towards yours. This isn’t forceshipping, and I feel like you should know better that things like one-sided crushes and unreciprocated feelings happen. Talk to me about what you want for sure, but I am aware of the possibilities, both in general and through your own posts/rules.

This multimuse blog hosts content for all ages, things like NSFW and triggers are tagged+filtered+readmore’d liberally, on an ask to tag basis. I will not be using sideblogs/alt accounts until further notice due to a lack of success with them- I don’t want to resent the differences in activity/followers, and the ‘jump’ feels less organic. The aim is to write what I want, who I want, and when I want, without stress and demand dampening my mood! I’m not personally comfortable with writing active depictions of rape, pedophilia/ephebephila, sexual myths, and zoophilia.

Disclaimer for writing a self insert; please be nice. My blog started out in good faith via popular demand, and I’m just having fun. Forceshipping isn’t allowed, multiverse and duplicates are encouraged, slutshaming nor aphobia aren’t allowed, and IC ≠ OOC!

My name is Felix, and I’m 32! I have ADHD, chronic arthritis, and questioning if I have NPD I am happily married, and have a clingy lil kitty I like to stream on twitch sometimes! My social media handle is fizzymintkitty, for that, youtube, my personal blog, discord, and more! I’m ethnically brown, and a transgender man

Credits: Pokemon icons are likely from nationalicondex or trainersearchsystem! Those have the distinctive red pokéball border. Kyouko Hori icons are from dresspheres Miraidon/Koraidon icons are by wishfxljikan! Akari’s faceclaim comes from bladeworksicons, Sakura Adachi. Other icons that aren’t my own can be found in the ‘icons.’ tag, I don’t crop new fanart by the by- all fanart used is from sets that’re already on tumblr- I use official art or resort to faceclaims.

#pinned.

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kavyaorganicfarm · 16 days

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Cherry Blossom Bonsai: Capturing the Essence of Spring

Title: Capturing the Essence of Spring with Cherry Blossom Bonsai

As winter fades away and nature awakens, there's perhaps no better symbol of the arrival of spring than the delicate and ethereal cherry blossom. These fleeting flowers, known as "sakura" in Japanese, hold a special place in the hearts of many, evoking feelings of renewal, beauty, and the transient nature of life itself. One way to capture and preserve the essence of spring throughout the year is through the art of cherry blossom bonsai.

Bonsai, the ancient Japanese art of cultivating miniature trees, is a practice that dates back centuries. It involves careful cultivation and pruning to create a scaled-down version of a tree that embodies the essence of its full-sized counterpart. Cherry blossom bonsai, in particular, holds a unique allure due to the ephemeral beauty of the cherry blossom itself.

Creating a cherry blossom bonsai begins with selecting a suitable tree species. While there are several varieties of cherry trees, such as Prunus serrulata and Prunus subhirtella, that are commonly used for bonsai, each offering its own unique characteristics, it's essential to choose a tree that will thrive in your climate and growing conditions. Once a suitable tree is selected, the process of shaping and nurturing it into a bonsai masterpiece can begin.

The first step in shaping a cherry blossom bonsai is to establish its basic structure through pruning and wiring. Pruning helps to control the tree's growth and shape, while wiring allows for greater control over the tree's branches, enabling the artist to create the desired form and silhouette. Careful attention is paid to every detail, from the angle of each branch to the spacing of the blossoms, to ensure that the bonsai captures the natural grace and elegance of a cherry tree in bloom.

Once the basic structure of the bonsai is established, the focus shifts to cultivating the iconic cherry blossoms themselves. Unlike traditional bonsai trees, which are prized for their foliage and overall form, cherry blossom bonsai are valued primarily for their flowers. Achieving the perfect bloom requires careful timing, as cherry blossoms only last for a brief period each spring.

To encourage flowering, cherry blossom bonsai are often subjected to a process known as "forcing," which involves manipulating the tree's environment to simulate the conditions of spring. This may include adjusting the temperature, humidity, and light levels to trigger the tree's natural blooming cycle. With proper care and attention to detail, a well-crafted cherry blossom bonsai can produce a profusion of delicate pink or white blossoms that evoke the beauty and splendor of a springtime garden.

Beyond their aesthetic appeal, cherry blossom bonsai also hold deep cultural significance. In Japan, cherry blossoms are revered as a symbol of renewal, hope, and the fleeting nature of life. Each spring, people gather in parks and gardens to celebrate the arrival of the cherry blossoms with hanami, or flower-viewing parties, where they admire the beauty of the blossoms and reflect on the transient nature of existence.

For bonsai enthusiasts, cultivating a cherry blossom bonsai offers a unique opportunity to connect with nature and experience the beauty of spring in a miniature form. Whether displayed indoors as a living work of art or placed outdoors to be admired in a garden setting, cherry blossom bonsai serve as a reminder of the beauty and impermanence of life.

In conclusion, cherry blossom bonsai offer a captivating way to capture the essence of spring and bring a touch of natural beauty into any space. Through careful cultivation and nurturing, these miniature masterpieces embody the spirit of renewal and the fleeting beauty of the cherry blossom, allowing us to celebrate the joys of springtime year-round.

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jonesashley234 · 6 months

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Good Smile Company is renowned in the world of collectible figures for its diverse and extensive range of products, covering a wide array of popular franchises from various entertainment mediums. Here, we'll explore some of the most popular and iconic franchises that have been immortalized in Good Smile Company's figma figures:

1. Nendoroid and Figma Figures Based on "Naruto": The "Naruto" franchise, created by Masashi Kishimoto, has a massive global fanbase. Good Smile Company has captured the spirit of this beloved series with a variety of Nendoroid and Figma figures featuring characters like Naruto Uzumaki, Sasuke Uchiha, and Sakura Haruno.

2. My Hero Academia (Boku no Hero Academia): The superhero-themed anime and manga series "My Hero Academia" by Kohei Horikoshi has gained immense popularity. Good Smile Company has produced a range of figures based on these characters, including Nendoroids and Figmas. Notable characters like Izuku Midoriya (Deku), Katsuki Bakugo, and Ochaco Uraraka have been given the Nendoroid treatment, allowing fans to showcase their quirks in adorable chibi form.

3. The Legend of Zelda Series: Nintendo's iconic action-adventure franchise, "The Legend of Zelda," has received the Good Smile Company treatment. Fans can find highly detailed Nendoroid figures of the legendary hero Link, Princess Zelda, and even the mischievous Nendoroid Majora's Mask figure. These figures capture the essence of the beloved video game series, complete with accessories like the Master Sword and Hylian Shield.

4. Demon Slayer (Kimetsu no Yaiba): "Demon Slayer" has taken the anime world by storm, and Good Smile Company has been quick to create figures based on the series. The Nendoroid figures of Tanjiro Kamado, Nezuko Kamado, and other Demon Slayer Corps members are among the most sought-after collectibles for fans of the show. These figures often come with interchangeable parts to depict various poses and scenes from the series.

5. Super Mario Series: As part of Good Smile Company's collaboration with Nintendo, the "Super Mario" franchise has been transformed into Nendoroid figures. Iconic characters like Mario, Luigi, and Princess Peach are available, allowing fans to bring the whimsical world of the Mushroom Kingdom to their collections. These figures come with various accessories, such as power-up items like Super Mushrooms and Super Stars.

6. Attack on Titan (Shingeki no Kyojin): The post-apocalyptic world of "Attack on Titan," created by Hajime Isayama, has inspired a range of collectible figures from Good Smile Company. The towering Titan figures, Nendoroids of Eren Yeager and Mikasa Ackerman, and Figma figures depicting the Survey Corps members capture the intense and action-packed atmosphere of the series.

8. Persona Series: The popular "Persona" video game series has a dedicated fan following, and Good Smile Company has catered to these fans with Nendoroid figures based on characters from "Persona 5" and other installments. Figures like the Nendoroid Joker and Futaba Sakura capture the distinctive art style and character designs of the games.

In conclusion, Good Smile Company has masterfully transformed an extensive roster of popular franchises into collectible figures that capture the essence and appeal of each series. From anime and video games to iconic manga and movie franchises, Good Smile Company's diverse catalog offers something for fans of all kinds of entertainment media.

#good smile company #action figma figure #figma #figures

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paint-by-numbers-kits · 11 months

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Anime Magic on Canvas: Paint by Numbers with Studio Ghibli, Demon Slayer, and Naruto

Are you a fan of Studio Ghibli, Demon Slayer, or Naruto? Imagine immersing yourself in the world of these beloved anime series while indulging in the relaxing art of paint by numbers. Paint by numbers have gained immense popularity as a creative and therapeutic activity for people of all ages and skill levels. Now, enthusiasts can combine their passion for anime with the joy of creating beautiful artwork.

Studio Ghibli has captivated audiences worldwide with its whimsical and imaginative stories. With Studio Ghibli paint by numbers kits, you can bring iconic characters like Totoro, Princess Mononoke, or Kiki to life on the canvas. Dive into the enchanting landscapes and intricate details as you paint each numbered section, following the provided color guide. Let your imagination soar as you recreate the magical moments from your favorite Ghibli films.

Step into the dark and mesmerizing world of Demon Slayer paint by numbers kits that capture the essence of this captivating anime series. From intense battles to intricate character designs, these kits allow you to easily recreate your favorite scenes and characters. Simply follow the numbered sections on the canvas and watch as your artwork takes shape, infused with the vibrant colors and emotions of Demon Slayer.

Join Naruto Uzumaki and his friends on their epic journey as ninjas in the Naruto series. Naruto paint by numbers kits allows you to recreate the energy and spirit of this beloved anime. Paint iconic scenes featuring Naruto, Sasuke, Sakura, and other memorable characters as you fill in the numbered areas with vibrant colors. Experience the thrill of capturing the essence of their personalities and the dynamic action of their ninja skills.

To conclude, if you are an anime lover, enjoy the world of anime and use paint-by-numbers to show your affection for Studio Ghibli, Demon Slayer, and Naruto. Release your creative potential, become lost in these mesmerizing anime worlds, and produce magnificent works of art that reflect your enthusiasm. So take a paint-by-numbers kit, let your imagination run wild, and set out on a vibrant voyage through the anime realms.

#paint by numbers #art #naruto paint by numbers #demon slayer paint by numbers

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siteshares · 1 year

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