Hey ya!
This is just a notice about the blog @ifelltower-literally
previously, it was an ALWPS blog for the character Lizzie
but today the mun switched over to be all about Miraculous In Character Tweets AND no longer associated with the RP :(
either way we still love Lizziemun and have her around as Chloe, so she's still here with here, just as less characters now and that's okay ^_^
- Marcmun
21 notes
·
View notes
key kaiba parallels with other yugiohs, based only on manga canon
isis: in battle city, she tells him that she plans to kill herself if malik can't be saved, and he flashes back to his duel against yami + yuugi in duelist kingdom and realizes they are the same. this parallel compels him to change his mind about leaving battle city, go back up to the top of alcatraz duel tower, and help yami win the duel against yami malik. abusive fathers, beloved baby brothers.
honda: honda sees himself and johji in kaiba and mokuba, in the sense that he explicitly empathizes with kaiba's determination (desperation) to do whatever it takes to save mokuba bc he'd do anything to protect johji from harm. notably, this argument successfully convinces yami to save the kaiba brothers from pegasus
atem: in battle city, anzu comments that they want to duel each other to find the answers to what they lost - in the sense that they are both trying to understand themselves in relation to their pasts and their futures through dueling each other. something something, they both inherit wretched and corrupt empires
malik: again the abusive father, and singled out for a special family inheritance; both carrying tremendous guilt over the death of that father
jounouchi: two older brothers with shitty abusive fathers who are devoted to their younger siblings. honda points this out to jounouchi (that jou is fighting for his sister, just like kaiba) during duelist kingdom when jou says the kaiba bros what they got deserved from pegasus
yuugi: both of them held the millennium puzzle in their hands and said "i want to stop feeling so alone"
pegasus: "someone i love/care about is dead and i will do insane things to see them again;" key difference: where pegasus fails, kaiba does not
117 notes
·
View notes
Your points about Salem and Cinder possibly being a fucked up mother/daughter relationship also puts her constant parallels with Ironwood and Winter in V8 into a very different light as well.
Ironwood and Salem, in their own dark and twisted way as a result of their culture/their circumstances loving the one person they consider to be their daughter, but differing ultimately in regards to what they chose to do about it.
Ironwood deciding that his own selfish desires and ideology mattered more than even the one woman he cared for more than most, while Salem basically dropping and twisting her ideals into a pretzel to help the one person she considers the closest thing to a replacement daughter for her dead daughters with Ozma.
Winter, thinking the world of Ironwood only to ultimately have to oppose him due to his betrayal of her and everyone else, vs Cinder thinking Salem is just Madame 2.0 due to Salem constantly stamping all over her trauma buttons by poor decisions and abusive actions born of her own trauma even as Salem, in her own fucked up way, is willing to do anything for Cinder if she truly asks for it.
It also frankly explains rather well why Cinder is so important in Salem's plan in a way that I haven't been able to pin down without that as a consideration. Cinder thinks it's because she's got some fancy storybook destiny that she needs to prove that she "deserves", and the audience being led on a red herring to think that it's only going to lead to her being discarded once Salem has no more use for her. When in reality it's because (again in her own fucked up way) Salem wants her surrogate daughter to get what she wants in her life (mixed with fighting a rebellion against the gods) because Salem knows exactly how Cinder feels about having her trust broken beyond repair and demonized by others.
And all of this occurring in the story arc where an overarching theme is of multiple parents (Dr. Polendina and Penny, Tai and Summer and Ruby Rose/Yang, etc.) being deeply flawed people who are willing to do anything and everything for the sake of their daughters.
Cinder.exe will just end up suffering a mental bluescreen when Salem ends up showing this in the most undeniable way possible, because it's so opposite to everything she understands about the world.
:)
give 8.4-5 (<- fault + amity) a watch with this reading in mind sometime. bc cinder’s relationship with salem and penny’s with pietro are directly compared, in a really interesting way:
PENNY: Why are you doing this? Why serve someone like Salem?
CINDER: I don’t serve anyone—and neither would you, if you weren’t built that way!
PENNY: …That is not… [She glances down, making eye contact with Pietro.] I choose to fight, for people who care about me.
<- amity is a really fraught place for penny to be confronted with this, both because it’s where cinder orchestrated her being ripped to shreds a year ago and because in order to get the comms satellite launched, penny had to let her dad remote into her system and literally use her body like a puppet and it is painfully obvious that she did not feel comfortable with that.
so… for cinder to come here and draw an implicit equivalence between salem and pietro and insinuate that penny is not free, that truly does get under penny’s skin. which i think is something that often gets overlooked, because it’s layered under the more obvious fact that cinder really doesn’t understand who or what penny is at all; but like, penny hesitates. it takes her a moment to figure out how to articulate that’s not true because there is a kernel of truth to cinder’s point.
penny was built to be ironwood’s weapon. his perfect super-soldier. and now she that she’s defied him to do what she thinks is right, half the people she cares about have told her that she’s being evil and selfish and it’s her fault if everyone dies. and the other half told her she needs to go to amity and stay there and not help anybody, and she feels like a tool, she feels like she has a million things she’s supposed to do and none of them are what she wants to do. so she has all these mixed-up feelings about… what she was built for and what she chooses to be.
and like. in 8.4:
CINDER: I… I want to search for the winter maiden. I think that—
SALEM: Did you hear that, my pet? She thinks; she wants. As if she’s done something to warrant me caring about either of those things.
CINDER: We’re just sitting and waiting. Without the maiden, the vault means nothing. Let me claim it for you.
SALEM: I will tell you when and where you are needed.
CINDER: But your grace—
[The Hound lunges around to snarl at her.]
SALEM: I would like to think I have shown a great deal of patience over my many years walking Remnant, but I do hate repeating myself. You will remain here. Is that clear?
CINDER: [lying] …Yes. Yes, of course. Without you. I am nothing.
vs 8.5:
PENNY: I can fix this. […] Our message is only a few minutes long. I can try to hold Amity in place for—
PIETRO: Absolutely not! You’re in no condition to do something like this. Even just the temperature out there could…
PENNY: It is our only option.
MARIA: She’s right, Pietro. We have to remember the big picture—
PIETRO: I don’t care about the big picture! I care about my daughter! I lost you before; are you asking me to go through that again? No. No, I want the chance to watch you live your life.
PENNY: But, dad, I am trying to.
PIETRO: …Right.
<- literally. literally the exact same argument. not just in terms of what the conflict is but the structure of the dialogue is identical. the interrupted statement of intention; the practical reasoning shot down; “but, your grace” vs “but, dad”—the difference is that where salem is masking, pietro wears his heart on his sleeve, and that allows him and penny to come to an understanding that she is going to do this and he’s going to sit in his fear and support her. whereas salem gets the false capitulation and false security.
it’s pretty in-your-face (<- which i think supports the interpretation of salem’s motive being protectiveness twisting through her emotional walls) and it’s an interesting parallel to set up given that salem does, in the end, come to a similar resolution to step back and let cinder take risks. it telegraphs the possibility of constructive change, a choice to accept the fear instead of trying to force cinder into a position where the fear doesn’t exist.
it’s also just darkly funny in a way. cinder kills penny twice and is directly the culprit for pietro’s intense terror of losing penny, and salem feels that same terror for cinder. mirrors.
but yeah with ironwood and winter too, “i’ve chased a lot of shadows over the years, always expecting betrayal, but never once did i think it would ever come from you” vs “you chose to disobey my specific instructions, just to fail again. and… i’ve realized it’s all my fault.” and, “consider this my last order: step aside” vs “here i am holding you back, instead of lifting you up.”
salem if nothing else takes cinder’s betrayal as a reason to reevaluate her own actions and consider what she did that gave cinder cause to disobey her, where ironwood is by this point completely disconnected from the reality that loyalty is a two-way street.
and there’s something too in salem choosing not to stop at “it’s my fault” but fully articulate that she understands why cinder did what she did; it’s of a piece with the way she responds to cinder in 8.14, a conscious reversal of “she thinks, she wants, as if she’s done something to warrant me caring”—she does care, and she has always cared, and it shows in how she speaks to cinder when she’s not trying to prove she doesn’t care.
like. salem chose to put her trust in cinder—an enormous degree of trust, over and over again—without having any illusions about what sort of person cinder is. she knows cinder is singularly focused on what cinder wants. she’s unfazed by the disobedience because she knows she prevented cinder from getting what she wanted. whereas ironwood trusted winter because he molded her so well into the perfect lieutenant that he never imagined she could break from him, because he never understood there was more to her than the surface he sculpted.
35 notes
·
View notes
It’s been a hot minute since I read the S&S chapters so forgive me if I’m getting some details wrong but I believe there’s a way to look at the S&S fight without labeling it as an unnecessary fight
It’s about how S&S was inspired by All Might, much like Izuku. However, S&S is a kind of justice that’s ignorant, that uses excessive force to win a fight, that believes what she is doing is in the best of interests but refuses to see it any other way
It’s like. It’s a fight with only one ending, between two/three stubborn enemies
One who believes what she is doing is the only right way but actively goes out of her way to kill the enemy no matter what, one who will stop at nothing to get whatever he wants and controls his victim’s mind and body (takes away his autonomy to the point where they aren’t “separate people” but instead “one person”), and one who is a victim in all of this but wholeheartedly believes he was always bad and so has his heart set on destruction despite the fact that, deep down, he wants to be saved
It’s sad because if S&S had taken All Might’s influence and HADN’T turned it into a whole Strength thing, if she was someone like Izuku who saw All Might’s influence and learned that incredible power should be used to save, not to kill, then she probably could have stopped TomurAFO, captured him and taken him to All Might or something
I believe the point of S&S, one of the points at least, is that if you solely view All Might’s existence as a power fantasy, then you’re getting nowhere and completely missing what it means to be a hero
Look at it this way - S&S’ role in the manga was just to rule out one route the story could have taken
Anybody looking at TomurAFO and thinking “If All Might were in his prime form, HE could have taken him out and the world would be saved!” is then faced with a character who was inspired a lot by All Might and gives off the impression that they can do anything (COUGH confident intimidating appearance COUGH a quirk that allows the user incredible power COUGH)
She then serves her purpose by cutting AFO’s quirks down by half, showing that not everybody inspired by All Might does the right thing and shows the audience that Tomura immediately thought about Izuku when “someone who will inherit the will of heroism” is mentioned
Yes, while someone like All Might may be able to go head to head with TomurAFO and do some real damage, the point ISN’T that TomurAFO needs to be defeated and killed
The point is that TomurAFO is a fusion of an abuser and his victim, and anybody who NEEDS help should be given that help no matter what
S&S, someone similar to All Might who COULD have killed TomurAFO and prevented destruction, someone who saw his death as the only way to end this, is taken out of the running
Enter: Izuku Midoriya
You know, the one Tenko thought of at the mention “inheriting the will of heroism”
Idk I just. I can’t see the S&S chapters as pointless. They serve their purpose by letting the reader know that force and death is not the way out of this, that it’s not the story this manga is trying to tell
99 notes
·
View notes
Hey so there's been some discussions amongst the main #alwps group, and we wanted to make something clear for everyone so here we go @alwps-archives
---
1. As long as you tag appropriately, we don't mind that you RP with other people NOT in the group.
Tagging appropriately means tagging your alwps posts and your non alwps posts so everyone knows which universe is being talked about.
We DO ask that your posts still remain PG-13, but this is not a Closed Group, it's a Moderated Group
2. If you want to take an old Cracked Universe blog, and make it into an Indie blog, you can
Just remove the #alwps tag from your bio
Make a little announcement so no one gets confused
And note that most Indie Blogs require a small set of rules at least be stated and pinned or on a page
3. There is no three except the usual rules of have fun and don't be a jerk
- Marcmun
7 notes
·
View notes