i got to see my boy last night!!! i haven't seen him in about a month now. he goes through brumation (kinda like hibernation-lite) every year, usually from september - january. he'll spend 99% of his time in his cave sleeping, and come out for food once in a while.
so last night he actually came out when i showed him a worm! he ate a few, had a drink of water, then went back to his cave :') i miss my boy during the colder months
My art summary for the year of 2023!
I definitely felt my art level up this year after that March fanart. Found an ink brush to line with for that piece and it made my art look a lot cleaner and bolder so I started using it more. Admittedly, it takes a lot of creative energy for me since it's an extra step in my process but I think the end result feels worth it. 😅 Funny that it's always the personal pieces that inspire me the most to grow somehow (but not unsurprising of course.)
I think I am leaning overall happy with my progress this year. I am very pleased with my professional/commission works but I won't lie, I had a LOT going on financially where I could not step away to really draw for myself. I am glad my commission work has more appeal but it definitely came at a detriment to my personal relationship with my art. I have more commission works in my folders than I do personal pieces which is depressing to me lol but it is what it is!
With that in mind, I am so extremely grateful to everyone who has been so supportive of me this year. To everyone who left nice comments and reblogged my art, enjoyed my ocs, signal boosted my commission posts especially when times were tough for me, etc. It means the world to me. And I want to thank my commissioners especially who have been absolutely wonderful people to work with. I had some amazing prompts and characters, got to expand my portfolio and offer new types of commissions (reference sheets and couple commissions!), and even had opportunities to try new things I never drew before! I even made new pals/mutuals drawing from new commissioners which brings me joy 🥰!
I hope going into 2024 I can focus a bit more inward towards my personal art. I don't have any real art goals, I think. I just want time and energy back to draw all my little ocs, all the ideas and doodles in my head that I was too exhausted to do in 2023. Touch 2022 backlogs I hoped I could get to in 2023 but couldn't in 2024. I'll still be taking on commissions throughout the year but I hope I can find some balance in my art journey in 2024. & maybe a potential art rebranding of my handle?
somehow the two main character relationships in my stuff currently ended up with birthdays that are an exact amount of months away from each other (like they're on the same day number in different months) and both times it's completely coincidental because their birthdays were assigned either on the day something was posted / started or the date that something related to them was released
they're also soooo right about the breath control from william "holds that 'again' in (acoustic) loser geek whatever for fifteen damn seconds and long enough live that other jeremys just gotta be cutting it down a bit when they perform it" roland like my god the consistency in every moment of these lines. that lowest note being such a crisp & cool spritz & he's sometimes holding it too & it just never falters like my god....the mass effecties are having a great time w/this too, hope it gets around to someone official seeing it, which gets around to will. simply going tf off once again lord....
Just found out Nightshade Revenge is already out in the UK so now I have to have the internal debate of whether I should buy the UK edition so I can read it sooner it or wait for US edition to release in January
first of all ive had this url since before s3 of sg even started lmfao. second of all no bc they only did that plot line bc they hated that lesbians loved lena and were calling her a lesbian. that’s why they added jack in 2x18 and when that did nothing they did the romance w james too. the only reason lena was ever w a man is bc the sg writers were homophobic & i will never let go of lena being a lesbian ever. & kara is also a lesbian too it’s in the narrative btw ❤️
Hey! I hops life has been treating you well! And warning for a long and convoluted ask incoming (which is pretty par for the course for me). I’ve been going down a Yunho (U-Know Yunho to be precise lol) rabbit hole and I’m curious how you think he compares to other male SM solo artists especially Taemin (though I think it would be interesting to compare all SM solo artists like BOA or Taeyeon and Hyoyeon for the purpose of this ask im just thinking about the dudes). Cause I feel like him, Taemin, and Kai all fall on different ends of the same spectrum that’s distinct from some of the other SM solos like the other Exos (except I might add Baekhyun in there but I’m just not familiar enough with him) as they tend to tackle that darker sexier sound. I’ve been thinking about how when people say a male solo artists is making taemin lite music it’s usually actually closer to Yunho’s more recent stuff. Like taemin has kind of become short hand for dark male solo concept especially if it’s on the sexier or high concept side when that’s not always an accurate comparison. I’ve seen this especially with Wonho which is really interesting to me cause in my mind he falls way more on the Yunho end of the spectrum than Taemin (by like a long shot). And this could also be cause the kpop circles I run in are way less familiar with Yunho to make that comparison in the first place, I was just wondering if others like you that knew Yunho would agree with me. I also found it interesting that Taemin went solo before Yunho even though TVXQ are the older group so I wonder he affected Yunho’s music at all. Cause Yunho kind of seems like a more, I don’t want to say masculine, definitely more of a player, conventionally sexy foil to taemin’s more unhinged (satanic?? Fantasy? Horror-adjacent? I can’t really describe it accurately but I mean TVXQ has down their share of that too) sensual side and I can’t tell if it’s cause of the age difference between them, their group concepts (I mean TVXQ are the grown men of the kpop industry in my mind and I have no doubt they play a role in inspiring any “manly” or mature concept and Yunho’s concepts seems to follow pretty closely to TVXQ’s image in a way that Taemin doesn’t at all with Shinee), or their own artist personas and careers- taemin has always been viewed as the “feminine” one and you’ve talked a lot about how he’s both rejected and embraced that image overtime in his career. And to further complicate this I don’t really know where to put Kai between them cause he has the more overt sex appeal in Mmmh, and in his image over all, that Yunho has but also is more sensual and softer (subtle?) dance style that seems closer to taemin (or at least taemin’s image I’ll be the first to admit that my understanding of him as an artists doesnt always align with his actual output and the expectations I project on him) so I guess he goes in the middle. But peaches does really stand out as a sort of softer lighter storybook concept (which I love cause I feel like we don’t see traditional concepts that are more feel good) so that kind of throws a wrench into my theory and I guess thats what I get for treating artists’ output as a monolith and for comparing them😅. This ask is getting very very long and I’m late for class so I won’t continue but I did have some idea about where Xiumin’s recent comeback fits into this roster of artists but I’ll save that for another day lol. As always thanks for your input and I hope this makes at least some sense to you!
i stopped photo editing to answer this lmao bc i think this a very interesting question/thought experiment etc etc
firstly, most people will make the taemin comparison for male soloist because he is significantly more well known as a soloist, and part of that is that he's famous for being a soloist; an extension of which is the disparity between his solo work and his group work. now there are two points i want to fork off into from here:
-> the first is that it's a flawed comparison to place yunho, taemin, and kai on a spectrum because they're not derivatives of each other in the way that a spectrum would imply; what they all are is derivatives of rain. every dance-based male soloist is, via some lineage, a descendant of rain, whether it's through the skills line (taemin) or the 'masculinity' line (yunho) or a mix (kai). baekhyun doesn't factor in here because he's almost purely rnb based and therefore a kangta derivative.
-> the second is that it is valid for people to be making that comparison to taemin because most younger idols are going to be using him as reference, and because a lot of these younger idols are following his method of creating a separate solo persona from their group. yunho does not have that distinction. he is quite literally the face of tvxq, and therefore inextricably bound to the group's identity because there are literally only two of them. if they were, for example, still a five member group, he might have had more a chance to diversify himself a bit, but that's a bygone point because we don't live in that world. the reason tvxq made it through the split and maintained being an extremely successful group is very likely because of yunho's singlehanded determination. obviously changmin does care about the group, but as we've seen with his solo work, he's much more of a musical chameleon; he's more focused on dabbling in widely different genres that interest him. yunho's solo music however, is pretty consistent in sound and also not all that surprising of a leap from who he is in tvxq. so by that observation, i would say there isn't actually a difference between uknow yunho and uknow the soloist. his artistic identity is tvxq, in a way that he can't separate, unlike how taemin can separate from shinee. and following that point through, no younger soloist can really be compared to him because his history and group image are so integral to what he does. that's why there's like a negative number of young idols that every attempt to cover a yunho song, bc the vibes of something like follow or thank u would OBLITERATE anyone under the age of 30.
if you were to look at just aesthetics and music styles, sure on the surface there are some younger idols that unintentionally skew more towards some of the stuff that yunho has done, but in the end that's because they're all under the rain umbrella.