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neerama · 5 months

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ಕಾರ್ತೀಕ ದೀಪ.

ದೀಪಾವಳಿ ಎಂದರೇ ಸಡಗರ.ಅಕ್ಟೋಬರ್ ೨ ರಿಂದ ಶುರುವಾದ ನವರಾತ್ರಿ ರಜೆ ಮುಗಿಯುವುದೇ ದೀಪಾವಳಿಯ ನಂತರ.ಮೊದಲ ವಾರದಲ್ಲೇ ಮಾಸ್ಟರು ಕೊಟ್ಟ ಎಲ್ಲ ಬರವಣಿಗೆಗಳ ಮುಗಿಸಿ, ಪುಸ್ತಕಗಳ ಕಟ್ಟಿ ಮಾಳಿಗೆ ಮನೆಯೊಳಗಿನ ನಾಗಂದಿಗೆ ಮೇಲೆ ಸೇರಿಸಿದರೆ ಮತ್ತೆ ತೆಗೆಯುವುದು ಶಾಲೆ ಶುರುವಾಗುವ ಹಿಂದಿನ‌ದಿನವೆ.

ಮೊದಲ ವಾರದಲ್ಲಿ ಮಾವನ ಮನೆ ಇಂದ ಅಪ್ಪನ ಮನೆಗೆ ಹೋಗುವ ತವಕ.ಮಾವನು ಕಳಿಸಿದ ಮರಿಯಾಚಾರಿ ಜೊತೆ ಕಾಡಿನ ಹಾದಿಯಲ್ಲಿ ,ಅರವತ್ತು ಮರದ ಓಣಿಯಲ್ಲಿ ನಮ್ಮ ನಡಿಗೆಯ ಪಯಣ. ಅರವತ್ತು ಮರದ ಓಣಿಯಲ್ಲಿ ಹಿಡಿದ ಉಸಿರು ಬಿಡುವುದೇ ಅದ ದಾಟಿ ಈಚೆ ಬಂದ ನಂತರ. ಅಷ್ಟು ಬಯಂಕರ ಕಾಡಿನ‌ ಓಣಿ,ಜೊತೆಯಲ್ಲಿ ನೆನಪಾಗುವ ಹೆಗ್ಗದ್ದೆ ದೊಡ್ಡಮ್ಮ ಹೇಳಿದ ದೆವ್ವದ ಕಥೆಗಳು.ಓಣಿ ದಾಟಿದ ನಂತರ ಕಟ್ಟಿದ ಉಚ್ಚೆ ಹೊರಬಿಡಲು ೫ ನಿಮಿಷ.ಆದರೆ ಹಿಂದೆಯೇ ಮರಿಯಾಚಾರಿ ನಿಂತಿರ ಬೇಕಿತ್ತು. ನಡೆಯಲು ಆಗುವುದಿಲ್ಲ ಎಂದು ಹಠಮಾಡಿ ಮರಿಯಾಚಾರಿ ಹೆಗಲಮೇಲೆ ಏರಿ ಪಯಣ.ಮಾವನ‌ಮನೆಯಲ್ಲಿ‌ಕೆಲಸ ಮಾಡುವವರ ನಿಯತ್ತೇ ಹಾಗಿತ್ತು, ನಮ್ಮ ಕೂದಲು ಕೊಂಕದಂತೆ ಜೋಪಾನ ಮಾಡುತ್ತಿದ್ದರು.ಅಮ್ಮಯ್ಯಮ್ಮನ ಮಕ್ಕಳ ಜೋಪಾನ ಮಾಡಿದ ಪರಿಯೇ ಹಾಗೆ.ಇದಕ್ಕೆ ಸಿಂಗ ,ಸುಬ್ಬು ,ಆಚೆಮನೆ ಗುಂಡನೂ ಹೊರತಲ್ಲ ,ಎಲ್ಲಿರುವರೋ, ಹೇಗಿರುವರೋ ಗೊತ್ತಿಲ್ಲ, ನೆನಪಿನ‌ಬುತ್ತಿಯಲಿ ಸದಾ ನೆಲಸಿರುವರು. ಅಂತೂ ಅಪ್ಪನ ಮನೆಗೆ ಬಂದಾಯ್ತು. ಅಮ್ಮ ನಿಗೆ ಸಂಭ್ರಮ. ಮಕ್ಕಳು ಬಂದದ್ದು ಒಂದೆಡೆಯಾದರೆ ತವರಿನಿಂದ ಬಂದ ಸೀಗೆಕಾಯಿ ಪುಡಿ, ಹಲಸಿನ ಕುಜ್ಜಿ, ಕರಿಬಾಳೆ ಕೊನೆ, ಕಲಮಕ್ಕಿ ಮಾವಿನ ಮಿಡಿ ಉಪ್ಪಿನ ಕಾಯಿ, ಹಸುವಿನ ತುಪ್ಪ, ಎಮ್ಮೆಯ ತುಪ್ಪ, ಮನೆಯಲಿ‌ ಮಾಡಿದ ಅವಲಕ್ಕಿ,, ಕಂಚಿಕಾಯಿ, ನಿಂಬೆ ಹಣ್ಣು, ತೆಂಗಿನ ಹಿಡಿ ( ಪೊರಕೆ), ಒಂದೇ ಎರಡೆ.ಜೊತೆಯಲಿ ಅಮ್ಮನ( ಸುಶೀಲಮ್ಮ) ತಮ್ಮ ,ತಂಗಿಯ ಪ್ರೀತಿಯ ಸಂದೇಶಗಳ ಹೊತ್ತು ತಂದ ಮರಿಯಾಚಾರಿಯ ಜೊತೆ ಮಾತುಕತೆ ಯಾಡುತ್ತ ಸಮಯ ಮದ್ಯಾಹ್ನ ೧ ಗೊತ್ತೇ ಆಗಿಲ್ಲ.

ಸ್ನಾನವಾಗಿಲ್ಲ, ತೋಟದಿಂದ ಇವರು ( ಯಜಮಾನರು) ಬರೋ ಸಮಯ, ಮರಿಯಾಚಾರಿಗೆ ಕುಡಿಯಲು ಪಾನಕ ಕೊಟ್ಟು ,ಅಲ್ಲೇ ಮುಚೆಕಡೆಯಲ್ಲಿ ಮಲಗಲು‌ ಹೇಳಿ ಸ್ನಾನಕ್ಕೆ ಹೊರಡುತ್ತಾಳೆ.

ತವರಿನಿಂದ ತಂದ ಗದ್ದೆ ಸವತೆಯ ಅಂಡು ಸುಟ್ಟ ಹುಳಿ ಜೊತೆಗೆ ನಿಂಬೆ ಹಣ್ಣಿನ ಗೊಜ್ಜು ,ಮಜ್ಜಿಗೆಯನ್ನದ ಜೊತೆ ಕಲಮಕ್ಕಿಯ ಪರಿಮಳದ ಉಪ್ಪಿನಕಾಯಿಯ ಉಂಡ ಮರಿಯಾಚಾರಿ ಸಣ್ಣದೊಂದು ನಿದ್ದಗೆ ಜಾರುತ್ತಾನೆ.ಅದೇ ವೇಳೆಯಲ್ಲಿ ತವರಿಗೆ ಕಳಿಸಲೆಂದು ,ತಮ್ಮ ,ತಂಗಿಗೆಂದು ಅಡಿಗೆ ಮನೆಯಲ್ಲಿ ಕಾಯಿಪಾಕ ತಯಾರಾಗಿದೆ. ಕೆರೆಇಂದ ಕೆಸುವಿನ ದಡಿ ಬಂದಿದೆ. ಶೇಷಯ್ಯನ ಮನೆಯಿಂದ ಕೆಸುವಿನ ಗೆಡ್ಡೆ, ಗಂಪಣ್ಣನ ಮನೆಯಿಂದ ಚಂದ್ರಬಕ್ಕೆ ಹಲಸಿನಕಾಯಿ ತವರಿಗೆ ಹೋಗಲು ತಯಾರಾಗಿದೆ. ಹಲಸಿನ ಹಪ್ಪಳದ ಜೊತೆ ಕಾಫಿಯ ಚಪ್ಪರಿಸಿದ ಮರಿಯಾಚಾರಿ ಅಮ್ಮಯ್ಯಮ್ಮ ಕೊಟ್ಟ ೧೦೦ ರೂಪಾಯಿ ಜೇಬಿಗಿರಿಸಿ ಅಯ್ಯನ ಜೊತೆ ಮಾತನಾಡುತ್ತ ಹೊಗೆಸೊಪ್ಪಿನ ಕವಳ ಬಾಯಿಗಿರಿಸಿ ಹೊರಡಲನುವಾಗುತ್ತಾನೆ.ಜೊತೆಯಲಿ ಬಂದ ಶಿವಣ್ಣಯ್ಯ,ಜಗ್ಗಯ್ಯ ಎಲ್ಲೋ ಆಡಲು ಹೋಗಿದ್ದಾರೆ, ಅಮ್ಮಯ್ಯ ಕಣ್ಣೀರಿನೊಂದಿಗೆ ಮಾಯ್ಲನ ಬಿಡಾರದೊರೆಗೆ ಮರಿಯಾಚಾರಿಯ ಬೀಳ್ಕೊಟ್ಟು ಮನೆಗೆ ಬಂದು ಯಜಮಾನರು ಊಟ ಮಾಡಿದ ತಟ್ಟೆಯಲ್ಲಿ ಊಟ ಬಡಿಸಿಕೊಂಡು ಊಟಕ್ಕೆ ಕೂರುತ್ತಾಳೆ......

ದೀಪಾವಳಿ ಹಬ್ಬ ಮುಗಿದಿದೆ, ಅಂಗಳದಲಿ ಹಿಂದಿನ ದಿನ ಹೊಡೆದ ಪಟಾಕಿಗಳಲಿ ಹಚ್ಚದೇ ಉಳಿದಿರುವ ಪಟಾಕಿ ಹುಡುಕುತ್ತ ,ರಜೆ ಮುಗಿಯುತ್ತ ಬಂತಲ್ಲಾ ಎಂಬ ದುಃಖದೊಂದಿಗೆ ಹಿಂದಿನ ನಾಲ್ಕು‌ದಿನದ ಮೆಲುಕು‌ ಹಾಕುತ್ತಿದ್ದೆ.

ಅಪ್ಪ ಶಿವಮೊಗ್ಗಕ್ಕೆ ಹೋಗಿದ್ದರು. ಪಟಾಕಿ ತರಬಹುದೆಂದುನಂಬಿಕೆ ಇತ್ತು. ನಾವು ಅಪ್ಪನ ಹತ್ತಿರ ಮಾತನಾಡುತ್ತಿದ್ದದ್ದೇ ಕಡಿಮೆ. ಅಪ್ಪನನ್ನು ಅಣ್ಣ ಎಂದು ಅಮ್ಮನನ್ನು ಅಕ್ಕ ಎಂದು ಕರೆಯುವುದು .ಅಣ್ಣ ಸಂಜೆ ಮನೆಗೆ ಬಂದು ಕೊಟ್ಟ ಪ್ಯಾಕೆಟ್ ಬಿಚ್ಚಿದ್ದು ಮುದ್ದಿನ ಮಗಳು. ಅಪ್ಪನ ಎಲ್ಲ ಕೆಲಸಕ್ಕೂ ಅವಳದೇ ರಾಯಬಾರ. ತಂದ ೫೦ ರೂ ಪಟಾಕಿಯಲ್ಲಿ ೪ ಪಾಲು. ಅದರಲ್ಲೇ ತುಳಸಿ ಹಬ್ಬಕ್ಕೆಂದು ಇನ್ನೊಂದು ಪಾಲು. ಸಿಕ್ಕದ್ದು ಸೀರುಂಡೆ ಎಂದು ಅದನ್ನೆ ೨ ದಿನ‌ ಚಪ್ಪರದಲಿ ಒಣಿಸುವ ಪರಿ. ನಿತ್ಯ ಹಲವು ಬಾರಿ ಎಣಸುವುದು, ಆ ಸಂತೋಷ ಈಗ ಕನಸಲ್ಲೂ ಊಹಿಸಲು ಸಾದ್ಯವಿಲ್ಲ.ಕಡೆಯದಿನ ಮಾವ ,ಚಿಕ್ಕಮ್ಮ‌ಕೊಟ್ಟ ದುಡ್ಡಿನಿಂದ ಗುಂಡಕಲ್ಲು ಮರಿಯಪ್ಪ ಗೌಡರ ಅಂಗಡಿ ಇಂದ ಸ್ವಲ್ಪ ಪಟಾಕಿ ಸೇರ್ಪಡೆ. ಬಲಿಪಾಡ್ಯಮಿ ದಿನ ಬೆಳಗಿನಿಂದಲೇ ಮನೆಯ ಎಲ್ಲಾ ದನ ಕರುಗಳ ಸ್ನಾನ. ಅವುಗಳಿಗೆ ಮೈ ಉಜ್ಜಿದಷ್ಟು ನನ್ನ ಮೈ ಉಜ್ಜಿ ಕೊಂಡಿದ್ದರೆ ನಾನು ಕೂಡ ರೇವತಿ ,ಶ್ರೀಮತಿ (ಮಾವನಮಕ್ಕಳು,- ಹೆಸರು ಬದಲಿಸಿದೆ) ಯಂತೆ ಬೆಳ್ಳಗೆ ಇರುತ್ತಿದ್ದೆ. ದನಕರುಗಳಿಗೆ ಬಣ್ಣಬಣ್ದ ಹೂವಿನ ಹಾರ, ಪೂಜೆಯ ಜೊತೆ ಜೊತೆಯಲ್ಲಿ ತಿನ್ನಲು ಅವಕ್ಕೆ ಹುಗ್ಗಿ, ನಮ್ಮ ಅಪ್ಪನ ಪೂಜೆ,ಮಂಗಳಾರತಿ,ಮಂತ್ರಪುಷ್ಪ,. ದನಗಳು ಸಗಣಿ ಹಾಕಿದರೂ ಅಪ್ಪ ಬಿಡುವ ಕಣ್ಣಿಗೆ ಹೆದರಿ ನಾವೇ ಸಗಣಿ ಹಾಕಿಕೊಂಡವೇನೋ ಎಂದು ಚಡ್ಡಿ ಮುಟ್ಟಿ ನೋಡಿ ಕೊಳ್ಳುತ್ತಿದ್ದೆವು. ಪೂಜೆಯೂ ಮುಗಿದಿದೆ, ಸಂಜೆ ಯಾವಾಗ ಬರುವುದೆಂಬ ತವಕದಲಿ ಏನು ಊಟಮಾಡಿದವೆಂದೂ ನೆನಪಿಲ್ಲ. ಹಿಂದಿನ ದಿನ ತೋಟದಿಂದ ತಂದ ನಾನ ತರದ ಸೊಪ್ಪಿನಿಂದ ಏನೋ ಪಲ್ಯ ಮಾಡಿದ್ದರು. ಕಹಿ ಕಹಿ ಯಾಗಿತ್ತು. ಗಣಕೆ ಸೊಪ್ಪು ಅದಕ್ಕೆ ಹಾಕುತ್ತೇವೆಂದು‌ ಅಮ್ಮ ಗಣಿಕೆ ಹಣ್ಣ ಒಂದು ಮುಷ್ಟಿ ಕೊಟ್ಟು ಹೇಳಿದ್ದ ನೆನಪು. ಅದರ ಜೊತೆಗೆ ಒಂದು ಸವತೆ ಬೀಳನ್ನು ತಂದು ಹಂಡೆಗೆ ಕಟ್ಟಿದ್ದಳು. ಅದರಲ್ಲಿದ್ದ ಸವತೆ ಕಾಯಿ‌ ತಿಂದು ವಾಂತಿ ಮಾಡಿದ್ದೆ.ಆಮೇಲೆ ತಿಳಿಯಿತು ಅದು ಹಿಂಡಲ ಕಾಯಿ ( ಡೂಪ್ಲಿಕೇಟ್ ಸವತೆ) ಅಂತ. ಆಗ ಮಾಡುತ್ತಿದ್ದ ಎಣ್ಣೆ ಸ್ನಾನ ಆಗ ನಮಗೆ ಕಿರಿಕಿರಿ ಅನಿಸುತ್ತಿತ್ತು. ಆದರೆ ಈಗ ನೆನಪಿಸಿಕೊಂಡರೆ ಅದುವೇ ಸ್ವರ್ಗ. ಮೈಗೆಲ್ಲಾ ಹರಳೆಣ್ಣೆ ಹಚ್ಚುತ್ತಿದ್ರು. ಒಂದೆರಡು ಗಂಟೆ ಹಾಗೆ ಇರಬೇಕು. ನಂತರ ಒಬ್ಬೊಬ್ಬರಂತೆ ಸ್ನಾನ.( ಮಾವನ ಮನೆಯಲ್ಲಾದರೋ ಕಡಾಯ ಸ್ನಾನ , ಅದನ್ನ ಮುಂದೆ ಸಮಯ ಬಂದಾಗ ನಿಮಗೆ ಹೇಳುವೆ) .ಮೊದಲು ಬಿಸಿನೀರು ಹೋಣಾಗಿದ ಅಂತ ಟೆಸ್ಟ ಮಾಡ್ತಾರೆ. ಆಮೇಲೆ ನೀರು ತುಂಬಿಸಿ ತುಂಬಿಸಿ ಬಿಡುವ ಪರಿ ಸಿರಿಮನೆ ಪಾಲ್ಸಿನ ರಭಸದಂತೆ ಇರುತ್ತದೆ. ಬೆಂಕಿ ಸರಿಯಲು ಅಪ್ಪ, ನೀರು ಹಾಕಲು ಅಕ್ಕ, ಈಗ ತಲೆಗೆ ಗುಳ ಹಾಕಲು‌ ಅಮ್ಮ. ಬೆಳ್ಳಟ್ಟೆ ಸೊಪ್ಪು ಅಥವಾ ತವರುಮನೆಯಿಂದ ಬಂದ ಗುಳದ ತೊಪ್ಪೆ ಇಂದ ತೆಗೆದ ಗುಳ ,ಈಗಿನ‌ಕಾಲದ ಶ್ಯಾಂಪು ,ಸೀಗೆ ಪುಡಿಯ ಜೊತೆ ಹರಳೆಣ್ಣೆ ಹೋಗು ವರೆಗೂ ಉಜ್ಜುತ್ತಾರೆ. ಈಗ ಯಾವ ದೇಶದಲ್ಲೂ ,ಅಮೇರಿಕದಲ್ಲೂ ಅಂತಹ ಮಾಲೀಶ್ ಸಿಗೊದಿಲ್ಲ. ನಂತರ ಸೀಗೆ ಪುಡಿಯಲ್ಲಿ ಬೆನ್ನು ಉಜ್ಜೋದು ,ಆಹಾ ತುರಿಕೆ ಯಾಗುತ್ತಿರುವ ಬೆನ್ನಿಗೆ ತರಿತರಿಯಾದ ಸೀಗೆ ಪುಡಿ. ಯೋಚಿಸಿದರೆ ಮತ್ತೊಮ್ಮೆ ಆ ಬಾಲ್ಯಕ್ಕೆ ಹೋಗಬೇಕೆನಿಸುತ್ತಿದೆ. ಎಲ್ಲ ಮುಗಿದ ಮೇಲೆ ಸೋಪಿನಲ್ಲೊಮ್ಮೆ ಉಜ್ಜಿ, ಒಂದು ಬಕೆಟ್ಟ ನೀರು ಹೋಣು ಮಾಡಿ ನಮಗೆ ಕೊಟ್ಟು, ನಮ್ಮ ಪ್ರೈವೆಟ್ ಜಾಗ ಉಜ್ಜಿಕೊಳ್ಳಲು ಹೇಳಿ ಹೋಗುತ್ತಾರೆ. ಆ ಹತ್ತು ನಿಮಿಷ ನಮ್ಮ ನೀರಾಟದ ಸಮಯ. ನಂತರ ಬರುವ ಅಮ್ಮ‌ ಇನ್ನಷ್ಟು ನೀರ್ಹಾಕಿ, ಕಾಶಿ ಭಾಗಿರಥಿ ಮಂತ್ರ ಪಠಿಸಿ,ನೀರು ಸುಳಿದು , ತಲೆ ಒರೆಸಿ ಹೋದ ಮೇಲಷ್ಟೆ ಅಭ್ಯಂಜನ ಮುಗಿದಂತೆ. ಇಷ್ಟು ಓದಿದ್ದು ಸಾಕು, ಈದಿನ ಅಮವಾಸ್ಯೆ,,ಗ್ರಹಣ, ಎಲ್ಲರೂ ಸ್ನಾನ ಮಾಡಲು ಹೊರಡಿ. ಮುಂದೆ ದೀಪದ ಕೋಲು ಕಟ್ಟೋದು ,ತೋಟ ಗದ್ದೆಗಳಲ್ಲಿ ಕೋಲು ಹಚ್ಚೋದು ಎಲ್ಲ ವಿಚಾರ ನಾಳೆ ಮಾತನಾಡೋಣ.

ಉರಿಯಿತಿರೆ ದಬ್ಬೆಯ ದೊಂದಿ ಊರೆಲ್ಲ ಸುತ್ತುತಿರೆ ದೀಪದ ಜೊತೆ ಮಂದಿ ಹಾರಾಟ ,ಕೂಗಾಟ ಪಟಾಕಿಗಳ ಸಿಡಿದಾಟ ಗದ್ದೆಯ ಬಯಲಲಿ ದೀಪಗಳ ಸುದರ ನೋಟ,

ಸಾಲೆಗದ್ದೆ ತೋಟಕೊಂದು, ಗೋಪಾಲ ಕೃಷ್ಣಗೊಂದು ಚೌಡೇಶ್ವರಿಯ ಮುಂದೊಂದು,ಶ್ರೀ ರಾಮನಿಗೆ ಮತ್ತೊಂದು, ಬ್ರಹ್ಮನಿಗೆ ಸಲಬೇಕೆಂದು,ಈಶ್ವರಗೆ ಕೋಪಬರಬಾರದೆಂದು, ೨೨ ರಲಿ ಇನ್ನೊಂದು ತುಳಸಿ ಕಟ್ಟೆಗೆಂದು......

ಹೀಗೆ ದೀಪದ ಕೋಲು ಮುಗಿಸಿದ ಸಂಭ್ರಮ ಹಬ್ಬ ಮುಗಿಯಿತಲ್ಲ ಎಂಬ ಬೇಜಾರು ಇನ್ನೊಂದು ಕಡೆ ಮನೆಗೆ ಬಂದು ಪಟಾಕಿಗಳ ಲೆಕ್ಕ ಪೂರೈಸಿ ತುಳಸಿಪೂಜೆಗೆ ಸ್ವಲ್ಪ ತೆಗೆದಿರಿಸಿ, ಊಟದ ಕಾರ್ಯ ಪೂರೈಸಿ ಮಲಗುವಾಗ ರಾತ್ರಿ ಹನ್ನೊಂದು ಗಂಟೆ.

ಮರುದಿನ ಬೆಳಿಗ್ಗೆ ಹಚ್ಚದೇ ಊಳಿದ ಪಟಾಕಿಗಳ ಆರಿಸಿ ಇನ್ನೊಮ್ಮೆ ಹೊಡೆದು, ಕಸಗಳಿಗೆಲ್ಲ ಬೆಂಕಿ ಇಟ್ಟು ,ತಿಂಡಿ ಅಥವಾ ಗಂಜಿ ಊಟ ಮುಗಿಸಿ ಅಡಕೆ ಸುಲಿತಕ್ಕೆ ಕೂರುವ ಸಂಭ್ರಮ. ದೀಪಾವಳಿಯೆಂದು ಎರಡು ದಿನ ಅಡಕೆ ಸುಲಿತ ನಿಂತಿತ್ತು. ಅರ್ದ ಹಂಡೆ ಅಡಕೆ ಸುಲಿಯಲೇ ಬೇಕಿತ್ತು.

ಲಕ್ಷ್ಮಿ ಪಠಾಕಿಯ ಸದ್ದಿಗೆ ಜೋರಾಗಿ ಹೆದರಿ ಕಣ್ಣು ಬಿಟ್ಟೆ. ಅಯ್ಯೋ ಇದುವರೆಗೆ ಕಂಡಿದ್ದು ಕನಸೆಂದು ಅರಿವಾಗಲು ಕೆಲ ಸಮಯ ಬೇಕಾಯಿತು.

#love story #short story #story #storytelling #Kannada story

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onlinemittra · 8 months

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#akbar birbal Funny story in kannada #akbar birbal stories in kannada #akbar and birbal stories in kannada #akbar birbal written stories in kannada #birbal story in kannada #akbar birbal short story in kannada writing #birbal stories in kannada #akbar birbal stories in kannada with pictures #akbar birbal kannada story #birbal kathegalu #akbar birbal stories kannada #akbar birbal kathe in kannada

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cuteanimalzsss · 1 year

Video

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ಬಿದಿರು ಮೀನು ಅಡುಗೆ ಕನ್ನಡ ಕಥೆ - Bamboo Fish Cooking 3D Animated Kannada Mo...

#Moral Stories bamboo fish Fairy Tales Maa Maa TV Stories in Kannada Kannada Stories Short Stories Kannada Videos

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hrk4 · 4 months

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The year that was...

“Slippery slope. I carry a spare shirt, pretty soon I’m carrying spare pants. Then I’d need a suitcase. Next thing I know, I’ve got a house and a car and a savings plan and I’m filling out all kinds of forms.” —Jack Reacher (in Lee Child’s 2007 novel Bad Luck and Trouble)

For close to a year, I have been fortunate to be part of the Saturday morning conversazione that takes place in the office of Dr. S R Ramaswamy (SRR), who is more than a mentor to me. In one of the early meetings of 2023, SRR gave me his personal copies of two Jack Reacher novels (by James Dover Grant, who writes under the pseudonym Lee Child) and added with a smile, "I must warn you, these are addictive!"

A few days after that, I was going to be on a long train to Pune and had taken the novel with me. Even before we crossed the Karnataka border, I had finished reading the novel and cursed myself for not having brought the other one too (which was a result of my underestimation of my own reading speed). As soon as I came back to Bangalore, I raced through the other novel. When I returned the two novels to SRR, he gave me more. It had been years since I had read fiction and given that my day job involves reading, writing, design, and publication, I had forgotten the art of reading for pleasure. This gesture on SRR's part rekindled that spark. The flipside was that I started finding films and web series tiresome!

I mostly read Jack Reacher novels this year and what fascinated me the most (besides the intricate plots, value conflicts, and the edge-of-the-seat twists and turns) was the universal appeal of a character like Reacher who lives like a monk and fights like a tiger; even in the materialistic West the allure of a man who is detached and driven by a strong sense of dharma is irresistible. And that gives me hope.

Soon I will hit forty. Probably my best years are behind me but I like to believe that they are yet to come. To augment this belief, I lay out my plans for 2024 before getting into my recollections of 2023.

I have three short-term goals, which I wish to complete in the next six months: i. Organise my library ii. Simplify my wardrobe iii. Consolidate my finances and four lifestyle goals that I wish to continue through the year: 1. Exercise daily 2. Read more, and more varied books 3. Play the violin more 4. Avoid sugar and fried foods at all costs

Some of the books in the pipeline for this year are: A R Krishnasastri’s Kathāmṛta, a new edition of Bhāsa’s Svapna-vāsavadatta, D V Gundappa’s Jīvana-dharma-yoga translated by Raghavendra Hebbalalu and Sreelalitha Rupanagudi, Volumes VII and VIII of DVG’s Art Gallery of Memories, S R Ramaswamy’s Silhouettes of Excellence, Sripriya Srinivasan’s book on Pallava history for high school students, minor poems of Nīlakaṇṭha-dīkṣita, and Jayadeva’s Gīta-govindam, among others.

I'm also working on a few exciting projects with cousin Dr. Chandra Shekhar (a short stories anthology), my college classmate Sudarshan K A (on financial wisdom), and with my friends Ganesh Bhat Koppalatota and Neelakanth Kulkarni (curating the best of Kannada literature), and I hope that at least a few of these see completion by end of the year.

I was lucky to have a front row seat as the following books unfolded through the course of the year: Three volumes of DVG's Kannada writings in translation (Contemporaries of Vidyaranya, his writings on the two epics of India, and an anthology of his essays on poetics), Vols. V and VI of the Art Gallery of Memories by DVG, Śatāvadhānī Dr. R Ganesh's Kṣāttra: The Tradition of Valour in India, and Dr. L Subramaniam's Festival Beyond Borders, among others.

I was able to facilitate the publication of three books by family members: my mother's booklet of life-lessons titled Song of my Soul, my father's monograph on The Amazing Human Mind, and my great-uncle (Late) Sri S Rangarajan's mammoth 648-page memoirs titled It Happens as Ordained.

The highlight, however, was a little book that I co-wrote with Dr. Ganesh titled The Essential Sanatana Dharma.

In addition to working on a few books in 2023, I was also invited to give lectures on a variety of topics, some of which were at the insistence of Dr. Arathi V B who has often magnanimously offered me opportunities that are far beyond my ken. If my calculations are right, I must have given no less than eighteen lectures this year. Friends like Madhulika Srivatsa, Sagar Mehta, and Vani Anur invited me to their homes to give lectures to their family and friends, which were highly rewarding.

I had the singular fortune of addressing a large number of school children, teachers, young parents, devout Hindus, et al. on topics as varied as life skills to the essentials of Sanātana-dharma; from the importance of history and heritage to world musical genres (at an elders' enrichment centre); from Indian Knowledge Systems to the Art Gallery of Memories (series of lectures at the Gokhale Institute of Public Affairs); and on the Artha-śāstra, Mahābhārata, Bhagavad-gītā, and Śrīkṛṣṇa-karṇāmṛta.

For more than two decades I have been attending the Lakshminarayana Global Music Festival (LGMF) organised by my guru Dr. L Subramaniam (along with his wife, Smt. Kavita Krishnamurti, who is the director of the festival); for some years, I was also active in the organising committee of the festival. Each edition of the LGMF has been a historic event and 2023 was no different. The upcoming tour is no less exciting with a remarkable orchestra from Kazakhstan visiting India.

Some of the other memorable events that I attended in 2023 include the third edition of Madanotsava organised by my good friends Nirupama and Rajendra, the eightieth birthday celebrations of Dr. Padma Subrahmanyam organised by Drishti Arts Centre, the fifth World Coffee Conference (thanks to my friend Ananth Bhatt), and a lovely eighty-fifth birthday celebration of my great-uncle Sri R Vasudevan that included a superb concert by the musician-surgeon of our family, Dr. Mukund Jagannathan.

Despite some challenges, the home situation was stable. My mother and my grandmother moved to an apartment next to my place and my father and brother regularly visit. I became one of the Trustees of our family trust and that means greater opportunity to help the community. I have also been involved in some consolidation of my finances so that I won't have to worry about money after 2024. I echo the sentiments of Jack Reacher in Gone Tomorrow (2009) — “I'm a rich man. To have everything you need is the definition of affluence.”

There are times when our family and friends perform an unexpected act of kindness that leaves us fumbling for words. My grandmother's younger sister, Smt. Shanti Rangarajan, aged 89, made a trip all the way from Chennai to Bangalore (with her daughter Deepta) to spend time with my mother on her 66th birthday, given that she was just recovering from her surgery and was home-bound.

When I was in Mumbai earlier this year, I happened to ping my BMS College classmate Anshuman Borah, who emigrated to UK some years ago. He immediately wrote back saying that he was in Pune to sell his flat. I had been in Pune that very morning; distraught at having missed catching up with him, I called him up to berate him for not telling me earlier. He immediately said, "I'll come to Mumbai tomorrow. Just send me your location and I'll be there to pick you up." Sure enough, the next morning he took a taxi from Pune all the way to Mumbai just to meet me. We had a nice lunch and spent five or six hours before he took a taxi back to Pune. (And there were times in college when we have shared a jhal mudi costing Rs. 10 because we had run out of cash!)

Anu and Chandra (technically my mother's generation but more like friends/cousins to me) generously offered me a carte blanche to pursue whatever projects I wish to, without fretting about the monetary implications. Their gesture has inspired me to work even more towards a larger cause, especially in the fields of culture, literature, music, and education, which are of common interest to us.

Prof. L V Shanthakumari has been a mentor-guru-adopted grandmother to me and many other friends. Earlier this year, she was visiting her younger son Sri Niranjana who lives across the town from her, in faraway Marathahalli. Our ancestral house in Halasuru is almost the mid-point between her house and her son's house, so I requested LVS madam to consider visiting us for lunch. She graciously agreed and visited us with Niranjana, who incidentally lived in the same neighbourhood many years earlier! My family and I were thrilled to host LVS madam and we spent a lovely afternoon together.

My cousin Arun was slated to visit India in August along with my aunt and uncle. I was planning to borrow my father's car so that I could take Arun around. Right at that time, my good friend Chandrashekhar told me, "I just bought a new car and there's the old one languishing in my place. Just take it and use it for as long as you want." Thanks to Chandru, I was able to drive around Arun and later had reliable transportation for myself, especially during some of the busy months of the year. After relying on public transport for more than a year, this came as a real boon.

My good friend Arjun Bharadwaj always teases me of excessively indulging in what he playfully dubs "Eating-Outing-Meeting." While I am an introvert by temperament, I often step out for these E-O-Ms for a dose of enrichment. Outside of my books and my music, I find nothing more enjoyable than a meaningful conversation with friends and savants.

It has been my great fortune to have come in contact with so many greats of our time—and in some cases, even dine with them and travel with them.

One of our Saturday morning meet-ups took place on Church Street with SRR taking us (Vighneshwar Bhat, Sandeep Balakrishna, Arjun Bharadwaj, and me) to Select Book Shop, which was started by a friend of his. Later he took us out to lunch and simply refused to let any of us pay.

Ambi (my uncle, Dr. Koti Sreekrishna) visited India earlier this year and even stayed with me for a few days. I had a great time with him, discussing everything from the ridiculous to the sublime—often through the course of a meal in a nearby restaurant. I also had the chance to drag two of my friends (Arjun and GS) to meet Ambi and his elder brother Kanna (my uncle, Sri K Srinivas) at their ancestral house. The conversations, mostly revolving around the the great epics of India, were memorable (with some of it secretly captured on video and clandestinely posted on Facebook by Ambi).

My cousin Arun visited India in August and stayed with me. It had been years since we had met and there was so much to talk about. It was really inspiring to see his focus and his ability to grasp new ideas. I introduced him to a bunch of my friends and we all had a memorable time. Cousin Anita could not visit and was sorely missed, but she had just had a baby (my second nephew, Jayanth).

Arjun and I visited Mysore to meet Dr. S L Bhyrappa, who graciously invited us to lunch with him. Following that, we proceeded to Pandavapura to meet Mr. Anke Gowda, who has the largest personal collection of books that I have seen (over 1 million books). We were thrilled to visit his library as he enthusiastically showed us around. He has been collecting books for some seven decades with his meagre salary, driven by intense passion and devotion to literature.

Through the course of the year, in addition to the regular meet-ups with my friends, gurus, and family, I had the opportunity to meet a host of interesting people: Sri Prafulla Ketkar (Chief Editor, Organiser), Sri Shivaswami (Bhagavad-gītā scholar), Dr. Manohar Shinde (Founder, Dharma Civilization Foundation), Dr. Shekhar Borgaonkar (my father's college classmate and old friend), Dr. Kanniks Kannikeswaran (musician-composer-educator), and the dedicated people who run Rashtrotthana Vidya Kendra at Hagaribommanahalli, among others.

It is a co-incidence that the year began with a trip to Ellora and just as 2023 came to an end, during the course of our Madhya Pradesh road-trip, the first destination was Ellora. It was wonderful to visit that puṇya-kṣetra twice in a calendar year.

In addition to visiting Solapur, Sambhajinagar, Pune, Mumbai, Karwar, and Chennai, I went to Valparai (Tamil Nadu) for our annual boys' trip, with more friends joining the fray:

I spent the last days of the year on the road: traversing 3,800+ kilometres (Bangalore-Ellora-Maheshwar-Indore-Ujjain-Vidisha/Sanchi-Udayapur-Khajuraho-Bedaghat-Bangalore) in nine days with five of my friends and a shoe-string budget.

Among the many highlights of the trip was visiting Ahalyabai Holkar Smarak at Maheshwar.

To see her humble dwelling and to contrast that with her unparalleled achievements was an inspiration. These are the real heroes of our land and it is a sin to forget them.

Sri C R Sathya, the grandson of Prof. A R Krishnasastri and a remarkable space scientist (and writer) in his own right died earlier this year. He had been a great support during the time I co-translated The Essential Mahabharata. Not many people know that the gentleman on the right side of this iconic photo by Henri Cartier-Bresson is C R Sathya:

A few other greats who breathed their last in 2023 include Sri Siddeshwar Swamiji; the great gamaki Sri Chandrashekar Kedilaya; Wayne Shorter, the legendary jazz saxophonist; Sri B K S Varma, the painter par excellence; and iconic filmmaker Sri K Viswanath. I had the great fortune of meeting and interacting with both B K S Varma and K Viswanath some years ago.

The changes around us end up affecting us in some way, directly or indirectly, unless of course we are really cut off and have isolated ourselves from society. In this vein, it might be instructive to broadly look at some of the events from 2023.

India has marched forward under the visionary leadership of Sri Narendra Modi, who has never failed to impress with his tireless striving for a better future.

India is now the most populous country with a host of internal problems, largely fuelled by predatory ideologies, be it the clashes between the Kuki and the Meitei or the Nuh violence or even the denigration of Sanātana-dharma, which is the most inclusive religio-philosophical system in the world. Despite this and some of the self-inflicted wounds to the economy, the country witnessed the manner in which challenges were masterfully met, be it the organisation of the spectacular G20 or the rescue of 41 miners trapped in the Uttarakashi tunnel, be it seamlessly shifting to the new parliament building or sending Chandrayaan III to the moon.

After the demonic attack that took place on October 7th, 2023, the world is slowly realising the danger of the bloodthirsty death cult masquerading as a religion. More and more countries are rejecting the pseudo-liberal ideologies of the left and are instead moving far right, which is also dangerous in its own way. Coupled with this, we are unsure of the impact of Artificial Intelligence on the future of humans. And somewhere amidst all this chaos, unknown men are quietly doing their work. And that brings me a great deal of peace.

Thanks for reading this far, and with this I wish you and your family a wonderful new year! I hope it will be filled with joy, good health, prosperity, and moments to cherish. May your dreams come true!

— Appendix

I wish to share some of the fantastic accomplishments of a few people in my circle. It is, as always, an ad hoc list that I have prepared on the spur of the moment. I might have missed out some but those that I have listed are certainly notable:

Brahmin Genocide is an important topic researched by Sri Balaji Mahalingam (who writes under the pseudonym Asi) that brings to the fore an injustice that has pervaded our society in the last couple of centuries and must be immediately rectified if Hinduism is to survive. The first edition of the book was sold out in just a few months and he is now working on the second edition.

The seventh century CE Sanskrit play Bhagavad-ajjukam was documented by Nirupama and Rajendra with support from Sudha Murty, Śatāvadhānī Dr. R Ganesh, Praveen D Rao, Arjun Bharadwaj, et al.—see the Introduction and the complete play (with subtitles).

Bhāratīya Kṣāttra Paramparā (Hindi translation by Prof. Dharmaraj Singh Vaghela) Earlier this year, when the book Kṣāttra was released, I gave a copy of the book to my uncle Prof. Vaghela. The very next day, he called me and said that it is an important book which must reach the Hindi heartland and offered to translate it into Hindi. Dr. Ganesh immediately gave his consent. In a matter of months, he finished the translation, which is now appearing on www.prekshaa.in as a series and will soon be published in book form.

My good friend and former colleague Arjun Bharadwaj has come out with two remarkable books this year: the first, titled Nayana-Savana (co-written with Śatāvadhānī Dr. R Ganesh), which is a creative appreciation of some of the major productions of the legendary Dr. Padma Subrahmanyam and the second, titled Indian Perspective of Truth and Beauty in Homer’s Epics, which is worthy of a D.Litt. no less.

S R Ramaswamy's latest work titled Sāhitya Sānnihitya is an anthology of book reviews and writings on literature.

Saṃskṛti is a reprint of a charming little book on culture with essays by littérateurs including Devudu Narasimha Shastri, A N Murthy Rao, A N Krishna Rao, Masti Venkatesha Iyengar, and C K Venkataramayya.

Prekshaa Pratishtana has brought out a lovely introductory video that summarises its vision and objectives. They continue to publish many books every year and maintain an ad-free online journal (www.prekshaa.in) with authentic content on Indian heritage for one and all.

My cousin Arun Prasad continues to do remarkable work with Ambuda, the online digital library for Sanskrit.

The best of Śatāvadhānī Dr. R Ganesh's writings in Kannada have been compiled in two volumes with the title Rāga-bhāratī.

Dr. G Sudesh Kumar, a close family friend, recently authored a coffee-table book titled History of Sri Parakala Mutt.

#memoirs #newyear #musings

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hungama123 · 1 year

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pavitrtimes · 8 months

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Daisy Shah: A Journey Through Stardom and Success

A significant force in Bollywood, Daisy Shah's career is a testament to persistence, talent, and the courage to follow one’s dreams. Her journey from being an assistant dance choreographer to becoming an acclaimed actress is nothing short of inspiring. In this blog post, we will explore Daisy Shah's career, paying tribute to the varied roles she has played and the milestones she has achieved in the entertainment industry.

Elusive Beginnings Born and raised in Mumbai, Daisy Shah’s tryst with the film industry began behind the scenes, training under master choreographer Ganesh Acharya. Her dedication and talent as a dancer soon brought her to the attention of industry insiders, preparing the stage for her acting debut.

Lights, Camera, Action! Daisy made a high-profile entry into Bollywood with the 2013 film, "Jai Ho," featuring opposite superstar Salman Khan. Even though the movie garnered mixed reviews, Daisy’s performance was widely appreciated, earning her a promising start in the industry.

Diverse Performances Following her debut, Daisy continued to prove her versatility through a wide range of roles. In "Hate Story 3," she wowed audiences with her performance and incredible dance skills. She further challenged herself by venturing into regional cinema with a Kannada movie "Bachchan" and a Gujarati film "Gujarat 11," showcasing her skills across different film industries.

In the 2018 blockbuster, "Race 3," Daisy reunited with Salman Khan, adding another high-profile movie to her portfolio. Her performance in the film further solidified her position in Bollywood.

Beyond the Silver Screen More than just a performer, Daisy Shah is also recognized for her participation in competitions away from the film sets. She is a licensed professional shooter and showcased her talent at the annual National Shooting Championship in 2016.

Awards and Honor Daisy’s debut was acknowledged with the Lions Gold Award as Favourite Debutant Actor (Female) for "Jai Ho" in 2015. Although not a stranger to the nominations list, Daisy's considerable merits ensure that she continues to be an artist worthy of recognition.

Conclusion The story of Daisy Shah's career is one of unwavering determination, grit, and perseverance. Despite facing hurdles and critics, her constant passion and commitment towards her craft are truly exemplary. Daisy's journey serves as a roadmap for many young actors, illustrating that it is indeed possible to carve out a place in the industry with talent and hard work.

Daisy Shah's career is a testament to her talent, echoing her constant evolution as an actress. With every role, she brings something new to the table, always eager to experiment and deliver unforgettable performances. We await her future projects with excitement and anticipation, confident that Daisy will continue to grace our screens with her powerful performances.

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sourabha · 8 months

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Padayaatre: its solitude and its celebration

Before the celebration of Kannada poetry every month in the name of Padayaatre, there are a few moments of silence and solitude that move me when I’m picking the poems and passages (sometimes short-stories). This solitude is pregnant with the anticipation of mingling with the solitudes of my fellow poetry lovers who would also be spending these solitary moments in their respective nests. This is…

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swagfanland · 9 months

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Best Kannada Movies of 2022

Kannada movies are becoming very popular over the last 3-4 years and have been able to create havoc not only among Kannada audiences but at the box office level. Kannada movies have been released in 200 theaters across the screen, and even the biggest all-time blockbuster, KGF chapter 2, has been released on more than 1200 screens. The veterans are considering a matter of pride for the industry.

The year 2022 is considered a boon for Kannada movies as, till now, they have produced six blockbuster films that gives them recognition from all over India. If you too are exploring the best Kannada movies list, this article is for you.

777 Charlie

777 Charlie Is a comedy adventure film about the life of Dharma and his dog named Charlie. It is one of the Kannada movies of 2022, which has crossed 100 crores worldwide. The movie was produced by Rakshit Shetty and GS Gupta.

Old monk

It is a romantic comedy film, written and directed by MG Srinivas. The story revolves around Narada, who is cursed and banished to earth by lord Krishna after he creates a battle between Krishna and Rukmani. The only way he can redeem himself is by getting married to someone he loves on earth.

KGF Chapter 2

This all-time blockbuster movie is a 2022 Indian Kannada language, period action film and serves as a sequel to the 2018 KGF Chapter 1; it follows the assassin Rocky who, after establishing himself as a kingdom of polar Goldfields, must retain its supremacy while also coming to terms with his past.

James

James is an action drama film written and directed by Chethan Kumar. The film is considered a tribute to its late Puneeth Rajkumar who was in a lead role and became a blockbuster at the box office also broke the record for the biggest opening day collection for any Kannada film. The film revolves around James, also called Santhosh Kumar, who works as a manager in the security company, where he finds himself up against the big bad guys.

Guru Shishyaru

It is a sports drama film directed by Jagdish K Hampi. The story revolves around Manohara, who joins a school only for the sake of acquiring an experience certificate. But he is thrown into deeper conflicts when his connections get stronger with students and the villagers.

Gaalipata 2

It is a romantic comedy film written and directed by yogaraj. The film is a sequel to Gaalipata (2008). The story revolves around the four college friends returning to Neer Kote, Malnad, to visit their ailing Kannada teacher, Kishore Meshtru, where Kishore seeks their help to search for his lost son Revanth aka Appu.

Bairagee

It is an action thriller film written and directed by Vijay Milton. The story revolves around Huli Shivappa, who is short-tempered but after his grandfather’s demise when he has to move to a new town where something has triggered his temper.

Love mocktail 2

It is a romantic drama film written and directed by darling Krishna. The film serves as a sequel to love mocktail (2020). The story revolves around the life of Adi who is coping with the death of his wife Nidhi and tries to move on.

Vikrant Rona

It is an action, adventure thriller film, Written and directed by Anup Bhandari. The film received mixed and negative reviews from critics but became the third highest-grossing Kannada film at the time of its release. The story revolves around inspector Vikrant Rona who arrives at a remote village in the middle of the tropical rainforest, where he starts witnessing unexplainable events attributed to the supernatural.

Conclusion

In conclusion, the year 2022 brought forth a remarkable collection of Kannada movies that left an indelible mark on the cinematic landscape. These films transcended boundaries and showcased the immense talent and creativity of the Kannada film industry. From gripping narratives to exceptional performances, the best Kannada movies of 2022 delivered a diverse range of stories that resonated with audiences both within the region and beyond.

The filmmakers' dedication to pushing artistic boundaries and exploring new themes was evident in every frame. As we reflect on the cinematic achievements of 2022, it's clear that Kannada cinema continues to evolve and captivate, promising an exciting future filled with even more cinematic gems.

#best #entertainment #new #kannda movies #movies

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braveheart18 · 9 months

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onlinemittra · 1 year

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#ಇರುವೆ ಮತ್ತು ಆನೆ ಕಥೆ: The Ant and The Elephant Story in Kannada | Kannada Short Stories #elephant and ant story in kannada

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translationwala · 9 months

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English to Kannada Translation - Unlocking the Beauty of Kannada Language and Culture

In our ever-shrinking world, where communication knows no boundaries, the importance of language translation cannot be overstated. One such powerful language pair is English to Kannada Translation. Kannada, the official language of Karnataka, India, has a rich literary heritage and cultural significance that deserves recognition on a global scale. In this blog, we will delve into the essence of Kannada translation, its impact on preserving language and culture, and the growing demand for professional translation services.

Preserving Language and Cultural Heritage

The Kannada language boasts a long and illustrious history, with ancient texts dating back centuries. However, with the growing influence of English as a global lingua franca, there is a risk of younger generations gradually moving away from their native language. Translation acts as a lifeline for preserving the richness of Kannada culture, literature, and traditions. It ensures that the wealth of knowledge, stories, and wisdom present in Kannada literature is accessible to a wider audience who may not understand the language in its original script.

Promoting Cross-Cultural Understanding

Language serves as a bridge between cultures, enabling connections and fostering mutual understanding. English to Kannada translation plays a pivotal role in facilitating cross-cultural interactions between Kannada speakers and the rest of the world. By breaking language barriers, it opens doors to cultural exchange, allowing Kannada literature, folklore, and artistic expressions to be appreciated and understood by people from diverse linguistic backgrounds. Likewise, it enables Kannada speakers to explore a vast range of ideas and perspectives expressed in English.

Nurturing Regional Identity

Every language is an embodiment of a community's identity and values. Kannada, with its rich tapestry of expressions, reflects the ethos of the people of Karnataka. Translation nurtures and reinforces this regional identity by empowering people to communicate, read, and write in their mother tongue. This preservation of regional identity is vital for maintaining a diverse and culturally rich global society.

Enabling Access to Education

Education is the cornerstone of progress, and it is essential to ensure that learning is accessible to all. Kannada translation contributes significantly to educational inclusivity by making educational resources available in Kannada. It allows students to grasp complex subjects in their native language, promoting better understanding and academic performance. Furthermore, it encourages students to take pride in their linguistic heritage while engaging with a broader pool of knowledge.

Catering to Business and Industry Needs

As the world embraces globalization, businesses are expanding their operations across borders. For businesses operating in Karnataka or catering to the Kannada-speaking population, accurate kannada translation is imperative for effective communication. Whether it's marketing, advertising, or legal documents, professional translation services bridge the language gap and instill confidence among customers and partners.

The Rise of Professional Translation Services

While automated translation tools are becoming increasingly popular, they often fall short when it comes to preserving the nuances and cultural context of the Kannada language. Professional translation services, on the other hand, bring in-depth knowledge of both the source and target languages, ensuring accurate and culturally sensitive translations. Expert translators can adapt the translation to suit the target audience, making the content more engaging and relatable.

Conclusion

English to Kannada Translation is a powerful tool that fosters cultural preservation, strengthens regional identity, and promotes global understanding. It celebrates the beauty and depth of the Kannada language, connecting its speakers with the rest of the world and bridging gaps that may hinder cross-cultural interactions. As we continue to value linguistic diversity and cultural heritage, investing in professional translation services will prove to be invaluable. Through translation, we can uphold the significance of Kannada language and culture, fostering a world where language is not just a means of communication but a vessel for embracing the diversity that enriches humanity.

Source: https://wordpress.com/post/translationwala.wordpress.com/93

#English to Kannada Translation #Kannada Translation

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atulice-blog · 10 months

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manaandhravlogs · 10 months

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#Trending #viral #trending videos #viral videos

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keepalivebollywood · 1 year

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Shreya Ghoshal`s Rise to Fame: The Story Behind Bollywood`s Most Beloved Singer

Fromenchanting melodies to heart-touching lyrics, Shreya Ghoshal has rightfully earned the title of Bollywood’s most beloved singer. Her soulful voice and captivating performances have won millions of hearts all over the world. But, do you know what it took for her to reach this pinnacle of success? In this blog post, we will take a deep dive into Shreya Ghoshal’s journey from a small-town girl to becoming one of the most iconic voices in Indian cinema. Join us as we explore the story behind her rise to fame and discover how she became an inspiration for generations of aspiring singers!

Introduction to Shreya Ghoshal

Shreya Ghoshal (born March 12, 1984) is an Indian playback singer. She has received numerous awards and nominations, including four National Film Awards, four Kerala State Film Awards, two Tamil Nadu State Film Awards, two BFJA Awards, seven Filmfare Awards and ten Filmfare Awards South. She has recorded songs for film music and albums in various Indian languages and has established herself as a leading playback singer of Indian cinema

Ghoshal’s career began when she won the Sa Re Ga Ma Pa contest as a teenager. Her Bollywood playback singing career took off with the film Devdas, for which she received her first National Film Award and Filmfare Award for Best Female Playback Singer . Since then, she has been working steadily in the Hindi film industry, although she has also sung in other regional films such as Bengali, Tamil, Telugu, Marathi, Kannada and Punjabi. In addition to film music, Ghoshal has also lent her voice to many non-film albums and singles.

Her Early Life and Musical Journey

Shreya Ghoshal was born on March 12, 1984 in a Bengali Hindu family in West Bengal, India. She grew up in Rawatbhata, a small town near Kota, Rajasthan. Her father, Bishwajit Ghoshal, is an electrical engineer while her mother, Sarmistha Ghoshal, is a literature postgraduate. Shreya has a younger brother, Soumyadeep. She began learning music at the age of four. At the age of six, She trained with Late Kalyanji Bhai for 18 months and continued her classical music training with Late Mukta Bhide in Mumbai. Shreya gave her first public performance at the age of six at a club’s annual function. When she was nine years old, she took part in a music competition on All India Radio and won the first prize. This was followed by another first prize win at another music competition held by Bangla Academy when she was eleven. In 2000, at the age of sixteen, she participated and won the television music reality show Sa Re Ga Ma (now Sa Re Ga Ma Pa) on the channel Zee TV. Since then, there has been no looking back for Shreya Ghoshal. She has gone on to give hits after hits in both Hindi and South Indian films. Some of her most popular songs include “Jaadu Hai Nasha Hai”, “Dola Re Dola”, “Piyu Bole” and “Teri Meri”.

Breakthrough Performance Shreya Ghoshal’s career in the Hindi film industry, also known as Bollywood, has been nothing short of spectacular. In a relatively short period of time, she has established herself as one of the most successful and beloved singers in the country.

Ghoshal went on to release her first album in 2002. Since then, she has recorded numerous hit songs for Bollywood films. Some of her most popular songs include “Tum Hi Ho” from Aashiqui 2 (2013), “Teri Meri” from Bodyguard (2011), and “Wada Raha Pyar Se Pyar Ka” from Khakee (2002). Ghoshal has won several awards throughout her career, including four Filmfare Awards and three National Film Awards. In addition to her singing career, Ghoshal is also an accomplished actress.

Major Accolades and Awards

Shreya Ghoshal is one of the most beloved singers in Bollywood, and her rise to fame is an inspiring story. Ghoshal began singing at a young age and was encouraged by her family to pursue her passion. She went on to study music at the prestigious Berklee College of Music in the United States, and after graduation, she returned to India to begin her career in Bollywood. Ghoshal has since gone on to achieve massive success in the Hindi film industry, winning numerous awards and accolades along the way. She is widely considered to be one of the best playback singers in Bollywood today, and her beautiful voice has brought joy to millions of people around the world. Ghoshal has won several prestigious awards throughout her career, including four Filmfare Awards, four National Film Awards, eight Filmfare Awards South, and three Tamil Nadu State Film Awards. Ghoshal’s achievements are all the more impressive when considering that she is still relatively young and has many more years left in her illustrious career. There is no doubt that she will continue to dazzle audiences with her stunning vocal performances for many years to come.

Impact of Shreya’s Music on Bollywood

Since the early 2000s, Shreya Ghoshal has been one of the most prominent playback singers in Bollywood. Her voice has been described as “sweet”, “soft” and “melodious”. In addition to playback singing, Ghoshal has appeared as a judge on several television reality shows. She has also launched her own music production company.Ghoshal’s impact on Bollywood music is significant. Her versatile voice and ability to sing in different languages have helped her to cross boundaries and gain a wide fan base. Her songs have been featured in several successful Bollywood films, including 1. Bairi Piya, Dola Re Dola from Devdas(2000)- Both songs showcase Shreya Ghoshal’s versatility as a singer and her ability to convey different emotions through her singing. She got first Filmfare Award for Best Female Playback Singer for “Dola Re” National Film Award for Best Female Playback Singer for “Bairi Piya” 2. “Jaadu Hai Nasha Hai” and “Chalo Tumko Lekar Chale” from the film Jism (2003) The song’s simplicity and melody have made it a popular choice for couples during weddings and other romantic occasions. Both songs showcase the vocal prowess of Shreya Ghoshal, who has been one of the most prominent and celebrated playback singers in the Indian film industry. 3. Manwa Lage from Happy New Year(2014) The song features actors Shah Rukh Khan and Deepika Padukone, with vocals by the talented playback singer Shreya Ghoshal. Her soulful and emotive vocals add depth and emotion to the song,making it a memorable track. 4. Wada Raha Pyar Se Pyar Ka from Khakee(2004) The melody of the song is sweet and soothing, with a gentle rhythm that complements the romantic theme of the film. Shreya Ghoshal’s melodious and emotive vocals blend perfectly with Arnab Chakraborty’s deep and soulful voice, making it a memorable duet. 5. Ghoomar Ghoomar from Padmavat(2018) In “Ghoomar Ghoomar,” Shreya’s melodious voice beautifully captures the essence of the traditional Rajasthani folk dance form, adding to the authenticity and grandeur of the film. Her rendition of the song is marked by her impeccable diction, effortless voice modulation, and impeccable pitch control.

How She Changed the Indian Music Scene Forever When Shreya Ghoshal first arrived on the Indian music scene, she was a fresh-faced teenager with a powerful voice. She quickly made a name for herself as a singer who could connect with her audience and deliver emotionally charged performances. Ghoshal’s ability to connect with her fans and create an intimate bond through her music is what has helped her become one of the most beloved singers in India. Ghoshal’s impact on the Indian music scene cannot be overstated. She has helped to break down barriers for female singers in India and has inspired other young women to pursue their dreams. Ghoshal is truly a trailblazer in the world of Indian music, and there is no doubt that she has changed the scene forever.

Top Ten Iconic Bollywood Songs Of Shreya Ghoshal 1. Teri Meri – Bodyguard – 2011 2. Piyu Bole – Parineeta – 2005 3. Saan Se Tera – Jab Tak He Jaan – 2012 4. Chikni Chameli – Agneepath -2012 5. Sun Raha hai – Aashiqui 2- 2013 6. Pal Pal Har Pal – Lage Raho Munnabhai- 2006 7. Dola Re Dola – Devdas- 2002 8. Agar Tum Mil Jao – Zeher- 2005 9. Ghar More Pardesiya – Kalank- 2019 10. Deewani Mastani – Bajirao Mastani- 2015

Conclusion Shreya Ghoshal’s story is a testament to the power of resilience and hard work. Despite facing numerous challenges on her path to fame, she was determined not to give up and eventually emerged as one of India’s most beloved singers. Her inspiring journey serves as an example for aspiring musicians everywhere that with enough dedication and passion, anything is possible. The next time you hear one of Shreya Ghoshal’s songs, take a moment to appreciate the powerhouse singer behind it who made it all possible!

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