Tumgik
#sofie gråbøl
tygerland · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Promo art for The House That Jack Built (2018).
178 notes · View notes
Text
Tumblr media
Sofie Gråbøl
3 notes · View notes
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Happy Birthday Matt Dillon!
14 notes · View notes
scandinaviancinema · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
NATTEN HAR ØJNE (2022) dir. Gabriel Bier Gislason
48 notes · View notes
sam-jack-loveforever · 11 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Sofie Gråbøl as Inger in Rose
3 notes · View notes
maaarine · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Arte: Nordic Noir: Dans le secret des séries scandinaves
6 notes · View notes
moviemosaics · 1 year
Photo
Tumblr media
Attachment
directed by Gabriel Bier Gislason, 2022
2 notes · View notes
avatarsbyanarya · 2 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Sofie Gråbøl - photoshoot
6 notes · View notes
movienized-com · 21 days
Text
Huset
Huset (Serie 2023) #SofieGråbøl #DavidDencik #YoussefWayneHvidtfeldt #CharlotteFich #DanBoieKratfeldt #MickeyNørregaard Mehr auf:
Serie Jahr: 2023- Genre: Krimi / Drama Hauptrollen: Sofie Gråbøl, David Dencik, Youssef Wayne Hvidtfeldt, Charlotte Fich, Dan Boie Kratfeldt, Mickey Nørregaard, Kim Winther, Thomas Kristian Bek, Sami Darr, Mads Rømer, Niklas Herskind, Bjarne Henriksen, Laura Christensen, Simon Kongsted, Gustav Dyekjær Giese … Serienbeschreibung: Vier Gefängnisbeamte sind gezwungen, einige große Veränderungen…
Tumblr media
View On WordPress
0 notes
watchingalotofmovies · 4 months
Text
The One and Only
Tumblr media
The One and Only    [trailer]
When handyman Niller comes to install Sus' new kitchen one day, their immediate crush is a sweet escape from both of their problematic relationships.
I can see how back then this became a big success for mainstream audiences in Denmark. But for me it feels more like a TV movie with a popular cast.
It's mostly predictable where it's going, and on its way to get there not really funny, and towards the end increasingly kitschy.
1 note · View note
arsphotographica · 7 months
Text
Tumblr media
1 note · View note
cinemacentral666 · 9 months
Text
The Boss of It All (2006)
Tumblr media
Movie #1,093 • Ranking Lars von Trier #9
LVT does… comedy? For someone so indelibly tied to the worlds of human pain if not inescapable and bludgeoning nihilism, this might seem like a strange departure. And that's entirely the idea. As he mentions in one of narration interludes where von Trier zooms out and speaks directly to the audience in voiceover: The point of comedy — in his mind — is to reveal the comedy. It exists for the sake of existing. The film actually ends with an apology for having made it, as if it so say it's all been a gigantic waste of time. There's nothing of substance to be milked from this genre. This is all, naturally, part of the rouse. And while this one takes some time to get its footing and grab hold of said captive audience, it seriously comes together in the end.
It's such a departure for a director who once killed a donkey on set and has filmed unsimulated sex in more than one production. The workplace comedy? This is seriously uncharted territory. It's skewering the idea of white collar business in addition to "office life" but there are other layers to this, as well. It's about the artifice of film and the great lie that is ACTING.
The editing and framing in this is really weird. It's completely strained and choppy. I know it's intentional — LVT actually "invented" a process called "Automavision" specifically for The Boss of It all (check out this mini-doc explaining it) — but it's still off-putting and takes time to get used to. He never used this technique again.
As for the film, the comedy, itself: it's a genius setup. The joke is one-note on the surface but there's a lot of fun to be had with this concept:
The owner of an IT company, Ravn, wishes to sell it. But, for years, he has pretended that the real boss lives in America and communicates with the staff only by e-mail. That way, all the unpopular decisions can be attributed to the absentee manager, while all the popular ones to him directly. But now, the prospective buyer insists on meeting the big boss in person. In a panic, the owner hires a failed, over-intellectualizing actor to portray this imaginary boss, and the actor proceeds to improvise all his lines, to the consternation of both the buyer and the company staff, who finally get to meet their ghostly boss.
In addition to inserting his own voice, there are several additional meta elements (one character negatively refers to the dogma movement at one point). It's meta in the best ways possible: never making a show of it and never taking itself so seriously. And yet the film still has some serious and fascinating things to say, mostly about the creative process. Just as the cinematic method employed to actually shoot and edit the picture, it ends up being about how actors assert a level of control over the end product that the director can never quite control. It's about how language and writing can only go so far ("the idea is God"). The idea of language (writing) in legal contracts expands on this theme. The difference between writing for art and for the law is just another stand-in for how the idea mutates given the context.
It all works because LVT is a genius writer (he's developed so much in this area over the years). Take the small, seemingly insignificant character played by the American actor and longtime von Trier collaborator, Jean-Marc Barr. His entire personality is that he doesn't quite understand the Danish language. It's a microcosm for anyone who feels confused about the plot, or — more to the point — the motivations of a film/filmmaker. It also seems to echo the naivety of his Europa character in a way. His face, not understanding what's going on, in the background of scenes is delightful.
Tumblr media
This ending is perfect. Von Trier manages to perfectly execute the idea in a way that somehow expands upon and embraces his previous style (and self-hating ethos). I didn't know what to expect from this outlier (his only narrative film that doesn't fall into a conceptual trilogy) and so I had no expectations. But I walked away inspired. This might be one of, if not his most underrated film.
SCORE: ⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️⭐️
I’ll be counting down all of Lars Von Trier’s movies right here at @cinemacentral666 every Thursday through September 2023
0 notes
cultfaction · 1 year
Text
Attachment trailer released
Image: Shudder Directed by Gabriel Bier Gislason, Attachment stars Josephine Park (Baby Fever), Ellie Kendrick (Game of Thrones), Sofie Gråbøl (The Killing), and David Dencik (No Time To Die). It will stream EXCLUSIVELY ON SHUDDER from FEBRUARY 9th, 2023. Attachment is a horror romance steeped in Jewish folklore. Maja (Josephine Park, Baby Fever), a Danish has-been actress, falls in love with…
youtube
View On WordPress
0 notes
deprotagonisten · 1 year
Text
Rose
Recensie Rose ★★★ - vanaf 1-12 in de bioscoop Een vermakelijke feelgood waarin je menig persoon verafgunst. Een eenvoudig, soms kinderlijk en voorspelbaar script, maar ook een film die aanspoort tot verbinding.
De dramafilm Rose gaat over de schizofrene Inger, die samen met haar zus en zwager naar Parijs gaat. Eenmaal daar zoekt ze iemand uit haar verleden. Wat wij van Rose vinden, lees je in onze recensie. (more…)
Tumblr media
View On WordPress
0 notes
lesbianjonimitchell · 7 months
Text
checked drtv and turns out there's a new show starring sofie gråbøl and charlotte fich. looking dykey in prison guard uniforms. i have been blessed
9 notes · View notes
displayheartcode · 1 year
Text
The best way of describing Attachment so far is that it's the anxiety of bringing your girlfriend home to meet your family, but you're most likely (and unknowingly) possessed by a dybbuk and everything is from the girlfriend's POV...so she think they're all in a horror movie. (They are!)
4 notes · View notes