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cophinebw · 5 years

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A ��pop-retro-intello” album for Evelyne Brochu

[ Agence QMI , March 15, 2019 ]

Evelyne Brochu compares the album project she is working on with Félix Dyotte to the musical collaboration between Beck and Charlotte Gainsbourg.

“I don’t promise it’s that good (laughs), but it’s like being in Felix’s musical universe, tailored to what he sees in me.”

For several months now, the actress has been making us think about this future album, on which we will discover the full extent of her talent as a singer, but the fantasy is about to become concrete: Evelyne Brochu recorded the songs last summer, and we could hear some of them “before the leaves are in the trees," she said in an interview with the QMI Agency. The full result will be available by the end of 2019.

The title of the album has been identified, but the artist prefers to keep it secret for the moment. As for the style emanating from it, Evelyne Brochu defines it, in an uncertain tone, as “francophone-pop-retro-intello", “a little ‘vintage’, but not completely”.

“It’s a mixture of the periods, the 60s, 70s and 80s,” she said. “We can recognize Félix Dyotte, but it’s like his world has been taken somewhere else. I’m very excited, it’s very exciting!”

Friend of the CEGEP

Félix Dyotte, singer-songwriter whose latest album, “Excès de politesses”, was released last fall, and a former member of the Chinatown band, and Evelyne Brochu have known each other since the CEGEP period.

“He’s always been a friend of mine,” said Evelyne. “I used to be a vocalist in one of his ‘bands’, Les Rats Repus. I hated the name of the band; when people asked me what we were called, I replied that it wasn’t important! (laughs)”

While a student at the Conservatoire d’art dramatique, the young woman violated the rules of her school - which prohibited students from working in artistic businesses outside its walls - by sneaking gigs with Les Rats Repus at the Inspecteur Epinle bar on Saint-Hubert Street in Montreal.

Since then, the buddies have never stopped pushing the point together, and when a friend gave them the idea of recording equipment professionally in tandem, they took the concept literally.

“I was in Budapest filming, and Felix sent me a message on Facebook asking me if we were doing it. And I said yes! He wrote me songs. It’s amazing how, sometimes, things that have always existed can suddenly blossom.”

Singing and music have always been part of Evelyne Brochu’s life, for whom chorales and singing lessons have been part of her daily life since childhood. In addition to her collaborations with Félix Dyotte, some of which have ignited social networks, the actress also lent her voice to Stefie Shock’s “12 belles dans la peau”, a compilation in which he reinterpreted Serge Gainsbourg’s repertoire.

“Music is a direct link to the soul,” she observed. “It is the only art for which you don’t need to interrupt your life to enjoy it. Unlike cinema and television, where you have to sit down to watch, or reading, where you have to stop to immerse yourself in the story. The music blends with the memories and belongs to us completely.”

During her pregnancy

Pregnant at the time of the production of her album - baby Laurier is now five months old-, Evelyne Brochu is convinced that her current condition has affected her delivery of the different songs in the studio.

“It certainly changed me as a human being, then it changes the whole human instrument. I was laden with this love, and when I sing to my child, now I see in his eyes that he already has a very powerful relationship with singing and music.”

Evelyne Brochu is in the cast of François Delisle’s film Ca$h Nexu$, which will be screened on March 22. She will shoot the third season of Trop starting May 1st and will also be part of Monia Chokri’s new feature film, La femme de mon frère, which is expected to be released this year.

She also hopes that the French series in which she played the role of a spy, Thanksgiving, recently presented on Arte (and currently available on the web), will be aired in Quebec in the near future.

“I would really like it to be seen here, it’s really good,” she said. “I am making the following appeal: I don’t know who does the ordering work on Club illico and on the specialty channels, but it would be nice if we could see it at home!”

#evelyne brochu #ebro #felix dyotte #thanksgiving #thanksgiving series #trop la serie #trop 3 #la femme de mon frère

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modernistestates · 5 years

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Modernist Estates’ Christmas Gift Guide

It’s nearly that time of year where I start to feel melancholy again. December is my least favourite month, but I’m going to try and reprogram my brain this year and enjoy it. Here to try and get me in the festive mood I’ve put together a Christmas Gift Guide. Actually, I don’t much like presents, unless its consumable or degradable in some way my natural reaction (years of living in a studio flat I guess) to a gift is ‘where the hell am I going to put it’. Anyway, I hope you are less humbug than me, here’s a list of things even I wouldn’t say no to.

Nathalie Du Pasquier Silkscreen print on Colorplan Trapezio, 2017 £400 I saw this print in Camden Arts Centre last year during her solo show Other Rooms. It’s an edition of 50 and think they only have a few left. I want one.

Available from Camden Arts Centre.

Egg Coddler designed by Wilhelm Wagenfeld From £10 (different sizes available) Designed by Jenaer Glas as a design classic in the Bauhaus style in 1933. The kitchen helper is versatile and suitable not only for preparing eggs in a glass, it is also suitable for making pies, soufflés, desserts and amuse gueule. The Eierkoch is considered a prototype of the modern glass design and wrote as such a design history. Within the scope of Edition Wagenfeld brings Jenaer glass the classic from the museum back on the market. The handmade egg cooker made of heat-resistant glass is characterised by its distinctive shape and fascinate lovers of classic design with its look and functionality until today.

Available from Connox.

TC 100 Tableware Credit to friend Ruth Lang for pointing me in the direction of the classic TC 100 Ulm designed crockery. She spotted the perfectly stacked tableware in Michael and Patty Hopkins’ house in Hampstead. Well if it’s good enough for them…

TC 100 was designed by Hans (Nick) Roericht in 1959 for his thesis project at the HfG school of design in Ulm, Germany. It went immediately into the permanent collection (as well as the cafeteria) of the MoMA in New York. TC 100 was produced from 1962 until 2006 by Thomas/Rosenthal.

Buy it direct from here.

The Barbican Estate Stefi Orazi (Published by Batsford) £40 Give me a break, as if I’m not going to include this. I spent the whole of last Christmas drawing up those plans, the least you can do is spend this Christmas looking at them.

Available from bookstores nationwide (support your local bookshop!) Or from my online shop thingsyoucanbuy.co.uk — enter BARB15 and receive 15% discount.

Runcorn Photobook £7 I posted a picture of the Southgate Estate on my Instagram the other day. An extraordinary scheme designed by James Stirling in the late 70s which was demolished in 1990. That’s 13 years it was standing for. Bonkers. Google pictures and I promise you’ll think ‘that’s a film set, surely’. Anyway, The Modernist quickly replied ‘We liked it so much we did a photo book on it’.

Buy it (as well as other in the series) here.

John Booth x Uncommon Projects Stool £240 Friends Uncommon Projects are soon to release a range of off-the-shelf furniture and objects (keep an eye on uncommonprojects.co.uk). They’ve recently teamed up with artist John Booth and Studio Voltaire to produce these beautiful limited edition stools. Constructed from maple-veneered birch plywood and finished with a water based lacquer and a powder coated steel Y frame.

Available in six different designs from House of Voltaire.

Max Bill Watch By Junghans From £395 I’ve recently re-discovered the watch. No more getting my phone out checking the time and ending up in a cycle of checking emails and social media, putting it back in your pocket and realising you didn’t even check the time. Long live the wristwatch! And what better way to wear your modernist credentials than on your wrist with this classic by Bauhaus architect and designer Max Bill.

Various models available from John Lewis (John Lewis!)

365 Journal £42 Just lovely! A hefty chunk of white paper, each page simply marked with a black number. The cover is bound with a removable plastic protector, which also features a front pocket. This book measures 160x230mm, with 368 pages. Flat lay binding. Designed by Marjolein Delhaas.

Available from Present and Correct.

#journal #Christmas gift guide

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gbumr · 3 years

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vimeo

TOSSWARE — Episode 03 from Happycentro on Vimeo.

Client: TOSSWARE Produced & Directed by: Happycentro Art Direction: Federico Galvani Set design & Photography: Federico Padovani Props Design: Stefi Cossu, Anna Rodighiero, Federico Padovani, Federico Galvani Dop Red Dragon: the awesome Gianluca Cordioli from Alchemy Studio’s Hands model: Anna Rodighiero Editing & Compositing: Federico Galvani, Davide Pagliardini, Erik Righetti Sound Design: TVCulture Dop Making Of: Stefi Cossu & Federico Padovani Making Of Soundtrack: “Giostra” by Federico Galvani Special thanks again to: Stefi Cossu for help and support

Take a look at: happycentro.it/portfolio/tossware/

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urwatchingdisneychannel · 1 year

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Merry Christmas, Anya!! @auradoniandreams

I hope you enjoyed your first gcwca secret Santa! It was so nice getting to know you and I hope you enjoy this drawing I made you! I couldn’t decide if I liked my normal style with no facial features or with the mouth and nose so you get two versions :)

Have a happy and healthy new year!

Love,

Your secret Santa Stefanie

#scheduled #gcwca secret santa #mirabel madrigal #disney encanto #disney fanart #fanart #stefy makes art #mine

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tayga-lover · 6 years

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Tayga New Years part 3!

This ones a long one! Enjoy 😘

————————————

Gaga walked to the door and opened it, she walked into the cement and practically ran to the sand because the hot sun made the cement hot. She walked the the beach chairs that Taylor had put there and sat down, she seen his sketchbook and smiled.

“Let’s see what my man has been drawing.” She grabbed it and opened it. A big smile formed on her face as she seen the beautiful images of plants, random people and random objects. As she flipped more papers she seen an imagine that looked slightly like her and she smiled even wider at the little hearts around the drawing of her. She flipped the the last drawing and seen that he was in the process of drawing palm trees.

Gaga grabbed the pencil and began to draw on the next clean page. Just as she did her first pencil mark she heard the roar of Taylor’s motorcycle. She stayed still and heard the bike turn off. He opened the door of the shack and walked in, she heard him call out for her and she giggled into her sleeve. “Stef, baby.” He walked out and seen her sitting there. “Why did you tell me you were out here?” He laughed and sat next to her.

“Just wanted to see how long it’d take for you to find me.” She shrugged and closed the sketchbook putting it aside. “You have beautiful drawings, Tay.” She smiled and he blushed.

“Thank you.” He smiled and gave her a container of many fruits and a plastic fork. “Here’s your fruit.”

“Thank youuuuu.” She cooed and opened the container putting a piece of pineapple into her mouth, she rolled her eyes back and moaned because of the flavor. Taylor chuckled and grabbed a bag he had on the floor under the chair, he opened it and took paint out, he grabbed a small paint brush and opened the tiny paint tube, squeezing out a small about of paint on his hand. He dipped the paintbrush in the paint and patted his lap waiting for her to place her legs on his lap. She giggled and did what he was motioning and control eat her fruit as the cold paint came in contact with her skin.

“Ooooooo, Tay that’s cold.” She giggled and cringed but didn’t move to not ruin what he was doing.

“Sorry, Stefi.” He lifted the brush and looked at her. She had the tip of a strawberry in between her lips and he stared at her lips as she bit the strawberry and the juice from it coated her lips in a sheer coat of red that made her lips look shiny, he was almost drooling and she licked her lips and giggled while chewing the fruit.

��Honey, focus on your painting.” She winked and bit what was left of the strawberry.

He groaned under his breath and began to paint again. Gaga watched him with a smile as she ate, she admired his very focused face as he was painting on her thigh, now with multiple paint colors on the back of his hand. She looked down at her thigh and watched as he was doing little strokes of paint as he was painting an anchor, suitcase, turtle, mermaid and a pirate hat with little designs everywhere. Her eyes watered as she watched that view, she had missed seeing him so focused on doing bits of art on her. She grabbed her phone from the cardigan pocket and took a picture of him leaned over painting, she zoomed the camera closer to his fingers, brush and what he was painting, she took another pic and debated whether or not she should post onto Instagram, she just locked her phone and put it on the arm of the chair before continuing to eat her fruit.

Taylor proudly took the paintbrush off of her after he painting a red heart. He looked up at her and smiled as she was just watching him. “I’m finished.” He backed up and she leaned forward looking at what he did.

“It’s beautiful, baby.” She smiled and her eyes watered again. Taylor just smiled proudly. Gaga put her empty container of fruit down and, very carefully to not ruin his painting, she crawled next to him and put her legs over his lap again, Taylor put his left hand on her unpainted thigh and his right arm around her small body. She looked up at him and grinned, she looked at his lips and began to lean in before she turned her head, “I am not going to lose.” She laughed, Taylor laughed as well and held her tighter.

“It’s so hard not to kiss you.” He lifted his hand from her thigh and placed his thumb on her lower lip. She smiled still with his thumb on her lip and grabbed his hand with hers, laying her head on his shoulder.

“It smells so yummy!” Gaga squealed when she walked into the kitchen, it was now 6pm and she had just walked out of a bath. She had just a towel around her and she grabbed her bag and dragged it to the room as Taylor watched in awe.

The door closed and he went back to cooking some steak, he check on the green beans before flipping the meat. He was now cooking with a smile on his face, he felt true happiness having her here, knowing she’s safe, happy and loved is all he could ever ask for.

Gaga looked at herself in the mirror as she examined the skin-tight red dress she had on. She put her hands on her waist and bit her lip, “too much?” She asked herself as she twirled. “Nothing's too much for me.” She laughed and took her hair tie off letting her hair fall just above her shoulders.

She looked into the mirror and grabbed a red lipstick, she put it on her plump lips then began to do some Smokey eyeshadow, topping it off with some shimmer gold eyeshadow. She put eyeliner and mascara. “Shouldn’t put all of this on, I will most likely cry.” She laughed to herself and began to comb her eyebrows and fill them in, although she didn’t really need it. And finally she slipped some black heels on, making her some inches taller. She combed her hair pushed the locks behind her ears. She smiled at her reflection in the mirror.

“Dinners ready Stef!” She heard Taylor call out to her and she opened put her diamond necklace on that Taylor gave her years ago. She walked to the door and slowly opened it, the lights were now off and the room was light with candles, the table had two plates and a handsome Taylor stood by the table with two glasses of red wine. His jaw dropped as she walked towards him, swaying her hips making him practically drool. Once she reached him she smiled and put her hands on each of his forearms,

“You cleaned up well, Kinney.” She smiled and ran her hands over the fabric of his white formal shirt.

“You look, wow.” He shook his head as he tried to speak. She smiled at his reaction and grabbed the glass of wine, sipping it.

“Thank you.” She smiled and winked as she sat down. Taylor quickly put his glass down and pushed her chair in. He then sat down at his and grabbed her hand. He just stared into her eyes and smiled at her, “shall we eat?” She asked and ran her thumb over the back of his hand. He nodded and they began to eat.

Two hours later, Bottle of wine almost gone and their plates completely empty, the two were laughing so hard tears nearly dropped from their eyes. “Oh Taylor.” Gaga laughed and she finished the rest of the wine in her glass.

“Wanna go outside, love?” He asked and she nodded. He stood up and reached his hand to her, she grabbed onto it and stood up, she grabbed a new glass of wine as they walked out.

“Oh heels aren’t good for the sand.” She laughed and stopped walking. Taylor turned and picked her up bridal style, walking to a blanket that was set on the sand. He put her down then laid down inself. She opened the wine bottle, leaned onto his chest and began to sip the red alcoholic liquid.

Taylor lightly ran the back of his fingers on her cheeks as he looked down at her. She turned her head and looked at him smiling. “Don’t drink too much, my beauty.” He cupped her cheek.

She didn’t say anything, she just put the tip of the bottle by his lips and tilted it, after filling his mouth she put it back against her lips and drank more. “I’m not a lightweight, hun. I’ll be fine.” She groaned as she looked at him then placed a wet kiss on his jaw.

“I lost.” She said, He laughed as she shrugged. “Well let’s cut it down to just mouth kisses, if I kiss your beautiful lips I lose.” He laughed and she nodded.

“Fine, I haven’t lost.” She smiled and began to kiss his neck. She began to suck on it, forming a hickey. He closed his eyes and put his hands on her waist. She stopped and poured more wine into her mouth. Taylor opened his mouth again and she poured some wine in, “you’re hot.” She whispered and he smirked, “You are.” He smiled and moved her hair back behind her ears. She smiled and put the bottle down, she pushed him down and pulled her dress up to her waist so she can straddle him, her breasts on his chest. She continued to plant kisses on his neck, her lipstick smearing and leaving red marks on his neck, some hickeys, others are her lipstick.

Taylor turned them over and began to kiss her neck, leaving hickeys. She held onto his shoulders and smiled in excitement as he grabbed both her arms, pinning them on top of her head on the sand, holding onto her wrists. He looked into her eyes and smiled before kissing the tip of her nose. He grabbed his phone from his pocket and went there some songs, still holding her wrists with his left hand, and clicked ‘Unchained Melody’ by The Righteous Brothers.

“Oh, so romantic.” She giggled and Taylor nodded letting her arms go.

“Let’s dance.” He helped her up and helped her take her heels off, her placed his hands on her waist and she had her hands on his shoulders. They stared into each other eyes with gentle smiles on their faces.

“Oh my love, my darling”- “I’ve hungered for your touch.” Taylor started to sing the the lyrics and Gaga continued, interrupting him but he didn’t mind. “I need your Love, I need your Love, God speed your love to me.” They sang together and she already had tears streaming down her face. She placed her head on his chest as the song finished and the next one, ‘Will Your Ever Be Mine’ by Donnie Elbert began to play and so Taylor began to sing.

“I want to hold you, hold you, baby till I can’t hold you no more, I want to squeeze you, squeeze you baby till I can’t squeeze you no more.” He sang and she wrapped her arms around his waist tightly. He smiled and continued to sing the songs as they dance, hours of dancing later it was getting close to midnight. They were now laying down laughing and swaying to the music.

“I want to love you love you baby till I can’t love you no more.” She sang as the same song came on again. Taylor smiled and grabbed her hands kissing the back of them.

As they sat there another song they love came on and Gaga gasped, ‘We belong together’ by Ritchie Valens.

“You’re mine and we belong together, for eternity.” They both sang with their foreheads against each other’s and at that very moment fireworks began to explode in the air and he looked at his phone seeing 12:00am. He smiled and cupped her cheeks, smashing his lips against hers. She giggled against his lips and kissed him back.

“Happy New Years, baby.” She said as they broke the kiss, tears streaming down her cheeks.

“Happy New Years, my love.” He wiped her tears again and placed his lips on hers again.

#taygashipper #tayga fanfiction #tayga #taylorkinney #ladygagafanfiction #ladygaga

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stefyjonas1 · 3 years

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Dirty Candi/Candy stickers and more now on my redbubble!

Each member of the group has a different order of colors for the letters on their jacket, so this one is based off Carrie's, but lmk if I should do other versions!

#stefy says stuff #stefy makes art #jatp #dirty candy #dirty candi #carrie wilson

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ruben-iev · 3 years

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vimeo

Dolce&Gabbana_With Love from Domenico & Stefano_TheMakingOf from Happycentro on Vimeo.

“Domenico Dolce and Stefano Gabbana reveal the craftsmanship behind every creation. From the outfits to the collaborations, every detail is a tale of trades and traditions. From the hands of artisans to yours, for the perfect gift.”

Dolce & Gabbana launch “With Love from Domenico and Stefano”, the #DGHolidays 2020 Campaign.

A hymn to craftsmanship, a storytelling that tastes like daydreams. A sort of hidden cam shows Domenico Dolce and Stefano Gabbana preparing to celebrate winter holidays. We see them packing some special gifts. Each object is fruit of the work and values they hold most dear, craftsmanship and Made in Italy.

Our friends at Happy Finish had fun with us bringing to life this campaign, inspired by the same artisanal approach.

We staged the italian DNA that gives shape to Dolce&Gabbana, a mix of elegance with the right dose of irony. To permeate the entire project with a special touch of optimism and positivity.

As usual, we managed the entire production process. From first sketches to the last note.

Moreover, the new challenge was combining real environments, that we shot “blind”, in advance, at the DG head quarter, with stopmotion animation made in studio later on.

The mannequins featuring Domenico Dolce and Stefano Gabbana were 3D sculpted and, in particular, the heads were made starting from stylists pictures, then 3D printed with DLP technology.

In other words, a little bit tricky

Discover more at With Love From Domenico & Stefano and have fun!

Client: DOLCE & GABBANA Executive Production Company: Happy Finish | happyfinish.com Produced & Directed by: Happycentro

Project Management: Pietro Cavalleri & Federico Padovani Art Director: Federico Galvani Dop: Federico Padovani Animation: The Amazing Duo Nicola Smanio & Federico Padovani Photography on location: Federico Padovani & Severino Orlandi Editing, Compositing & Color Grading: The One & Only Nicholas Bertini, Federico Galvani, Nicola Smanio Sculpting: Alessio Danubio Costume Design: Dolce&Gabbana Storyboard & Props Design: Andrea Alice Bronzetti & Erica Zipoli Production Assistant: Vera Leanza Still Life Photography: Davide Pellegrin Photo Editing: Marco OIO Oliosi Music: Dance Of The Mirlitons by Pëtr Il’ič Tchaikovsky Arr. Julian Gallant | Jeff Meegan | David Tobin | Rob Kelly Sound Design: TVCulture Making Of: Lovely Stefi Cossu & Federico Padovani

Special thanks to: Mirko Scolari & Pietro Cavalleri @ Happy Finish and kind people @ Dolce&Gabbana

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