Finally finished my weird hanging painting thing (originally a secondhand partially-done 'paint by numbers' kit that I found at a thrift store and kept to repurpose lol)! Imagery somewhat based in my own worldbuilding projects, and text written in my constructed language for one of my fantasy species, but also vaguely inspired by old tapestries and illuminated manuscripts and etc. I've never been great at neat clean patterning or text, but it looks cool from afar, and I always enjoy making "props" or things that are somewhat like real objects that might could exist in my world. :0
(additional pictures/info under the readmore)
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Here's what it was originally! I probably didn't have to actually have a river running down the middle because it further makes the composition of the whole thing weird (various connected yet separate locations and things happening, instead of one unified event being portrayed), but I wasn't sure if I'd be able to fully cover up the already existing paint that was there.. and I can also kind of justify it by going with a more "all the imagery is just symbolic so it doesn't have to make exact sense" approach lol.. How is one half of the grass green and the other is suddenly snowy? shhhh.. it's not literal.. shhh...
Made a vague sketch, then painted over it, and then added more distinct lines in black pen. Center image first and border second.
The very last thing was the text, which actually took forever to translate because my conlang is still only like.. partially done, and some of the grammar is not worked out exactly how I would like it to be, so a few sentences I had to think about for a long time before just going "eh, this is probably not how I would do it if I considered it more, but I'll go with it for now" lol . I also am not entirely satisfied with all of the characters for the writing system, but again, it's good enough for a quick project, it doesn't have to be 100% accurate and perfect because it's a fake language that nobody knows anyway lol.
I thought about breaking down the text and translation here like I have for some of the tidbits of Avirrekava (the language) in things I've posted in the past, but I think it would take too long and is not interesting to anyone but me ghghj, so for the sake of getting the post out quickly, I shall not spend an hour typing All That lol.
The general jist of the writing though is that it's just about the Avirre'thel being cast out from the other elves, after abandoning their magic for immortality as a means to truly attain perfection (an important concept in elven culture), the usual, blah blah blah, but how it's Actually A Good Thing, because the gods are wrong and immortality is Cool actually and they like the shitty frozen lands they were sent to, so it's fine that everyone else is being a Hater about it lol
Lastly, here's a few photos outside in the sun to TRY and show the gold detailing actually shimmering or showing up! It really doesn't come through in photos, but there's plenty of little golden spots to highlight light or Importance.
Mostly the fire, the pink sparkle that represents magic, the red drop that represents blood, the light behind Inaashi's hands and head (common symbol for the elven religion/one of their main gods, shout out to anyone who read the ancient elven religion post and recognized that lol), the sun, and the symbol for the Avirre'thel/country of Navyete at the very top. I did a few other gold bits, but they're not highlighted because they're Significant, more just that it looked more symmetrical to have some gold on the border too lol.
Other things of note: The animals are not actually significant to Avirre'thel culture really, I just wanted to put a cat and a bird because I like them lol. (I also wanted to have a few funny looking creatures, as I was slightly trying to go with the 'in some old medieval painting the anatomy and perspective is very weird' vibe, though I think some of the other parts of it look too Normal to pull it off entirely). Same with the four leaf clover, which means nothing in their culture - but these are the only areas where stuff was just added self-indulgently .
Bligabata (giant cabbage that grows along rivers in Navyete) making an appearance! The architecture of the building IS based on actual concepts for ancient elven/older Avirre'thel architecture and metalwork. The Avirre'thel who's turning away from Inaashi/elves/magic and collecting blood, is doing so in a Special Bowl, as is part of their culture (collecting it in the hands, or just in a normal vessel would be disrespectful, they have Specific Bowls which is the only thing blood can be kept in, etc.).
The figure that represents Jhevona (and thus, a closer connection to magic, celestial imagery, etc.) is in weird ugly teal, which is not necessarily a color or design associated with them, as I don't have much common culture (like clothing) worked out for Northern Jhevona (who the avirre'thel would have come into contact with) yet, BUT everyone else is in more Typical colors (a northern elf in green, Inaashi in lavender + white + blue, an Avirre'thel in darker purples and reds).
Some things, like the four figures in the corners, and the two people + fish in the stream, do not currently have a meaning, but in-world they would.. Like, I could make up lore for how they're culturally significant and it would be true because I am god of the world, but I don't have anything currently. But just know.. they DO mean something, I just haven't decided it yet, maybe kind of fill in as I go, come up with a meaning later lol. Probably along the lines of an old myth from the ancient elven religion, a story, etc.
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I don't know, probably other stuff, but that's my Trying To Keep It Short rambling for now lol. I'm just glad I finally finished this! For how vaguely sloppy it is up close (everything being completely freehanded, only used rulers once when doing the initial sketch and lining where the border should be + my hands are shaky + the canvas is bumpy + my handwriting is scratchy and terrible + etc. etc.) it still took a REALLY long time, even when not trying to make it all perfect. Especially if including the text translation + writing, which took like 3+ hours itself.
Maybe all the asymmetry/lack of things being centered is NOT because I was too lazy to measure anything, but is actually because in-universe, it's a practice illustration made by some young apprentice who has to work on little canvases for years before he can be trusted will a full sized mural or tapestry. It's his first week on the job! of course he's uncoordinated! don't laugh at him!!! lol
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Hello person I never talked to in my life I saw your tags and. Please infodump about the songs for headphones rather than speakers thing if you feel like it bc I really want to know
HI!! it has been a ridiculous amount of time since you sent this, so I am very sorry. however, disclaimer that I have no expertise in music, but I do have a basic knowledge of music theory and lots of exposure (which I'm sure sounds silly, but simply means that I have a trained ear, if not mind).
I have noticed that with music produced before common availability of more sophisticated in-ear listening devices such as IPods or smart phones paired with earbuds or headphones lacks a lot of subtle, atmospheric sounds that mark more contemporary music produced within the last 10-15 years. These atmospheric sounds are things as directly understood as a result of a more isolated listening experience such as bird chirping or rustling leaves or as subtle and musical in nature as a soft chanting refrain or droning tone. Both of these, while different in purpose and nature, serve to fill out the sound of the music where background noise would, allowing artists to fully control the sound experience in a way previously unavailable.
this change can also be considered with the more widespread availability and usage of digital music making; when you have access to a sound effect, you don't have to count on it being there or figure out how to make the instruments you do have make those noises. there have been arguments made for decades (literally since the invention of the synthesizer) as to where or not this counts as part of the artistry as a new facet of the medium to be experimented with and added or diminishes the ultimate purpose and goal of music production. when new phases of technology are created and shared, there is always a boom of exploration coincident with a boom of... laziness, for lack of a better word. those who aim to use this new technology as a crutch rather than a tool. then, as the tide turns on this new technology and all the magic is gone, there's a turn back towards acoustic sound, now with elements of the previous era infused. think heavier guitar of grunge and punk versus 50's rock and how that infusion occurred AFTER synth wave in the 1980's, where those sounds overlap and converge (and, for a more interesting dive into music's role in culture, what that shift signifies).
there's also the issue of volume and dynamics. listening to heavier music with earbuds tends to be kind of unpleasant because that's not how it's designed to be played! the point is that it is loud and disruptive to OTHERS so it is necessarily sort of difficult to enjoy beamed into your ears with the magic of technology. on the opposite end of the spectrum, bedroom pop gets a bad reputation for sucking, especially to play on aux because that's not how THAT genre is meant to be played. it's quiet and has lots of subtle elements that are really easily lost in background noise that genres like death metal are engineered to cover, meaning that elements which serve to unite and fill out more key elements of the song get lost and leave it feeling hollow. there's a philosophy difference there.
which brings me to hyperpop as a perfect example of this change (its an excellent example of a lot things happening in music, even if it's a bit passe now. to editorialize more than I already am, I think it's gonna be one of those things we point to 10 years down the line and see as a huge shift but that remains to be seen). hyperpop uses this technology to blend older approaches to music with more contemporary approaches to sound production, which creates something that feels simultaneously nostalgic and completely alien; it translates really REALLY poorly to speakers because it's that adaption of heavyfastloud to a more isolated listening environment and can't be taken out.
SO TO SUMMARIZE I have no real point I just think it's really neat to look at shifts in cultural understandings and uses of technology through music and I really like thinking about and discussing it! apologies if my tags made it sound like anything other than that. if you have any questions or opinions to add feel free!! I'd love to discuss this more :3
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You be sure to care of yourself Sage and rest up. Sending you loads of hugs💕💕💕💕
Thank you so much Christy. 🥰 Trying to rest and recharge but practicing self care is hard. I did a little better today, took my medicine on time and managed to stay awake long enough for a shower and to eat something. Hopefully my body will be done recalibrating soon and I can write up something soft. 💕 Thank you for checking in on me. 🥰
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