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#tatiana nikolayeva
lilyflanders · 10 months
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pianists to check out:
rosalyn tureck: mostly you'll find bach, her rendition of goldberg variations sounds SHOCKING i kid you not when heard for the first time and after that that's the only "true" goldberg variations for me cannot be helped
tatiana nikolayeva: the only source of comprehensive work on shostakovich's preludes and fugues, she recorded the whole thing couple of times, you can check out youtube vids of her playing p's&f's live in like early 90's. also go to her for your bach and beethoven needs
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thedaysofdisorder · 2 years
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Tatiana Nikoláyeva: Bach Toccata and Fugue (piano version) in D minor, BWV 565, 1985
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Anatoly Konstantinovich Lyadov (1855-1914) - Barcarolle in F# Major, op. 44, written in 1898
Performer: Tatiana Nikolayeva
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bow-echo · 6 months
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Alyona Nikolayeva, Valery Bykovsky and Tatiana Titova, children of cosmonauts Valentina Tereshkova and Andrian Nikolayev, Valery Bykovsky and Gherman Titov. Photo: Alexander Mokletsov
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odedmusic · 1 day
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Tatiana Nikolayeva plays Schubert Sonata D.960
#OdedFriedGaon #OdedMusic #OdedFullAlbumPlaylist #OdedWeekendPlaylist
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musicainextenso · 2 years
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Dmitri Shostakovich: Prelude and Fugue in e minor Shostakovich composed his set of 24 preludes and fugues between 1950 and 1951. Originally, he wanted to write a cycle of finger exercises, but he aspired to create something of deeper meaning. According to the composer’s own words, he played Bach every day, so it is not surprising at all for him to compose something inspired by the two books of WTC. The cycle was dedicated to and premiered by pianist Tatiana Nikolayeva.
For Shostakovich, non-programmatic music meant the last refuge for expressing his own thoughts and emotions freely, without the fear of censorship and being accused of formalism.
The prelude is short, only 44 bars long, a lamentation orignating from a deep sorrow. This might be the reason for using the classic sigh-motif so frequently in this short movement. It is interesting how the diatonic structure turns into something harmonically experimental, creating the illusion of instability. 
The fugue written for four voices follows the prelude attacca, and uses similar structures as Bach did in his own fugues. We have two different subjects, which meet at the final part of the fugue, Another interesting fact about this movement is the peculiar way how Shostakovich balances between classical tonal conventions and an archaic, modal musical language.
For authenticity, I chose a recording by Tatiana Nikolayeva, who was not only the best interpreter of Shostakovich’s music, but a master performing Bach’s works too.
Noémi Baki-Szmaler, guest editor, @une-barque-sur-l-ocean
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las-microfisuras · 3 years
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Bach - Tatiana Nikolayeva (1984) French Suite n°1 BWV 812 in D minor
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onoffclassical · 4 years
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2020_08/10
[ Shostakovich ] Preludes and Fugues op. 87 played by Tatiana Nikolayeva
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1. in C major Moderato – Moderato  2. in A minor Allegro – Allegretto
3. in G major Moderato non troppo - Allegro molto 4. in E minor Andante – Adagio
5. in D major Allegretto – Allegretto 6. in B minor Allegretto – Moderato
7. in A major Allegretto poco moderato – Allegretto 8. in F-sharp minor Allegretto – Andante
9. in E major Moderato non troppo – Allegro 10. in C-sharp minor Allegro - Moderato
11. in B major Allegro – Allegro 12. in G-sharp minor Andante - Allegro  / 11 Missing for copyright reasons /
13. in F-sharp major Moderato con moto – Allegro 14. in E-flat minor Adagio - Allegro non troppo
15. in D-flat major Allegretto - Allegro molto 16. in B-flat minor Andante – Adagio 17. in A-flat major Allegretto – Allegretto 18. in F minor Moderato - Moderato con moto
19. in E-flat major Allegretto - Moderato con moto 20. in C minor Adagio – Moderato
21. in B-flat major Allegro - Allegro non troppo 22. in G minor Moderato non troppo – Moderato
23. in F major Adagio - Moderato con moto 24. in D minor Andante - Moderato
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Tatiana Nikolayeva - Scriabin 8 Etudes, op. 42
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A beautiful piece by Bach. It is rich with gracious harmonies and a light yet big melody. Enjoy!
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clavierissimo · 7 years
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lilyflanders · 10 months
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reconnecting with shostakovich again (not straightforwardly sad but will leave you a depressed husk but in an ascended kinda depressed husk way ykwim)
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thedaysofdisorder · 4 years
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Tatiana Nikolayeva plays Rachmaninoff Lilacs, op. 21 no. 5  
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Tatiana Nikolayeva plays Bach Partita No.6 in E minor, BWV 830
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senfonikankara · 3 years
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Bach | İngiliz Suiti No.4, Menuet II
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landrysg · 3 years
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And there goes the evening. =>
J.S. Bach, The Art of the Fugue, BWV 1080, Tatiana Nikolayeva, piano  
"The governing idea of the work was an exploration in depth of the contrapuntal possibilities inherent in a single musical subject." - Christoph Wolff
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