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#tgaa case 2
hexadonis · 3 months
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assassin exchange
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pherredraws · 3 months
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i loeve you dai gyakuten saiban
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liimonadas · 4 months
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finished dgs2-3 last night and im deeply unwell about it. if anything bad happens to them in 2-4 or 2-5 im choosing to belive it doesn't.
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caiabresebun · 2 years
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getting ready for halloween 🎀
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crocrubies · 2 months
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been playing dgs and I'm a little obsessed with this guy
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hychlorions · 8 months
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ill-fitting
[ID: Art of Ryuunosuke Naruhodou’s attorney armband as depicted in the Great Ace Attorney. It’s on his arm, and Ryuunosuke (mostly off-screen) is tugging at it to show that there’s some leftover space — the armband is slightly too large for him. Susato Mikotoba (also mostly off-screen) reaches to touch the sunflower pattern on the armband. End ID]
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andstuffsketches · 10 months
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[sketches of Susato Mikotoba in TGAA case 2-1. 1. Haori, blushing and eyes sparkling, says “you’re sooo handsome Susato”. Susato, sweating, responds “I’m trying to get you off for murder here”. 2. Susato awkwardly says “Ryuunosuke, my cousin Ryuunosuke” 3. Susato grins forcedly and says, “women, am i right?” 4. Susato beams after the trial, taking off her cap as petals rain down around her]
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departedmars · 2 months
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inside your restless soul, your heart is dying
alternate version:
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kazumasdiary · 8 months
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one of the things im only now noticing about 2-3 is just how well it sets up for 2-4.
because. okay. 2-4 has a lot of big, dramatic moments. and these are powerful reveals, but they won't hit as hard if you're not invested: if you don't care about gregson and barok, then you're not going to care when bad things happen to them.
so 2-3 does its absolute best to make you care.
going into 2-4, the characters that are immediately going to have the biggest problems are, again, gregson and barok: you need to care that gregson dies, and you need to care that barok is arrested for it.
so, when you're investigating the exhibition stage, 2-3 reintroduces gina, and reintroduces her as gregson's apprentice. their relationship is antagonistic, but lighthearted: gregson clearly cares for her, at least enough to try and protect her, and to bring her to paris with him. and gina, for her part, looks markedly happier when you meet her again in 2-3- she has a dog and a brand new badge and she's having fun, because for once in her life, someone else is looking after her. gregson is looking after her.
and that way, when gregson dies, it matters- because even if you don't care, gina does.
gregson's death hurts, in part, because of gina's reaction. it's her grief that lets the player know what's been lost. and that grief gets its basis in 2-3, because 2-3 shows us that they care about each other- in establishing this relationship, 2-3 gives gina, and the player, something to lose when gregson dies.
and, speaking of giving people a relationship with another character to get you to care about them- then we have barok.
the first investigation phase of 2-3 begins by humanizing barok as hard as it possibly can. ryunosuke is allowed into his office for the first time, and- and least for me- whenever we examined something in there, the vibe of the subsequent interaction felt like nothing so much as "grumpy man dragged unwillingly into friendship." we're touching everything in his office, and he's clearly exasperated with us, but not enough to stop us from touching everything in his office. this is also, i think, the first example of ryunosuke and barok having any kind of relationship outside of the courtroom. we see ryunosuke's concern when he first finds out barok's been attacked, and if you examine the chessboard in his office, you can get a line about ryunosuke wanting to challenge him to a contest of shogi problems. so 2-3 starts by introducing us to a barok that is somebody outside of the prosecutor across the courtroom, that is something more than the terror of the reaper, and that'll matter later.
but most importantly, 2-3 gives barok a friend.
specifically, a friend that is silly. ridiculous, even. his character design and personality contrast starkly with barok's, and yet he's the one who tells us repeatedly that barok's really nice, actually- that barok was kind when albert knew him, and he doesn't know what happened to change him ten years ago but he still considers barok a friend.
and what's more, albert believes in him. when he's speaking to barok in the prison, you get this exchange:
Harebrayne: ......... Since I returned to England, I've heard lots of stories. Barok, are you really...? Van Zieks: What? Harebrayne: ......... Never mind. I know that you have my best interests at heart.
he's well aware that barok is known for essentially killing the people who prosecutes. and he almost asks about it! but he doesn't- he chooses to trust barok, instead.
ryunosuke is not even there for this interaction in the prison. the game makes a point of showing it to the player anyway. and i think it's because we need to know that at least one person is capable of trusting barok, that at least one person thinks barok is someone worth believing in.
because one case later, we're going to see barok in a prison cell, and he's going to tell us, "i'm not the reaper and i didn't do it." and we're going to have to believe him.
2-3 does a number of other things to lay the groundwork for 2-4: establishing the professor case, bringing kazuma back, all of that. but i highlight gregson and barok as examples because i think they focus on setting up emotional investment, as opposed to setting up plot elements. and maybe because of that, they stand on their own. gregson's relationship with gina and barok's relationship with albert have emotional weight, even without the context of anything that happens after. but those relationships also make what happens after matter more, because they give us a reason to care.
2-3 is not really a self-contained story, by any means, but it manages to be its own thing, with its own satisfying conclusion, while also serving the overarching plot. it's not perfect- by the end of the case, the professor mystery had so wholly overtaken the actual crime that i almost forgot harebrayne was the defendant. but i think 2-3 does a pretty good job, and i think that might be part of the reason why i like it.
(or it might just be the goths. this case has some really good witnesses, and i freely admit i may be biased.)
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snivyartjpeg · 8 months
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baroryuu week day 1 - Dark/Light
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5231045 · 1 year
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some edits xposted from twt
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saltyloafy · 7 months
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playing dgs2-4 rn and bro the way that kazuma smiles at ryunosuke from the prosecution bench,, THE WAY HE LAUGHS WHEN HE DESTROYS HIS ARGUMENT!! god he loves ryuu so much and he's so happy to watch him match him in court,,,
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THEY'RE SO IN LOVE I'M SICK 😭😭😭
kazuma is probably so flabbergasted comparing his most recent memory of ryuu being him defending himself in court vs how he is NOW. HE'S IMPROVED SO MUCH 😭😭 AND HE'S DESTROYING HIM!!! god I wonder how he feels abt ryunosuke wearing his defense band,,,, I'm gonna vom they're insane
also sidebar it's so funny that when kazuma finally got karuma back he didn't discard his placement sword he just,, has two swords now. what a guy, absolutely no notes I love him
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vonlipvig · 1 year
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tgaa2-3 the return of the great departed soul is such a standout case for all the best reasons. it literally has something for everyone. the drebber girls. the harebrayne girls. the milf lovers. there's old friends reuniting, there's enemies living under the same roof. there are masked amnesiacs and the unearthing of a long-forgotten conspiracy. at one moment they go into barok's office and roast the living shit out of him. there's a little bohemian boy who likes balloons. it's a case 3 that doesn't suck ass. it's glorious.
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jorenilee · 3 months
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watching a playthrough of tgaa 2 and I think its very funny you open the game and immediately get flashbanged by lesbians, and then you finally reunite with the other protagonist and he's had sex with fucking sherlock holmes
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mooseghost · 5 months
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I've been simultaneously playing The Great Ace Attorney with my brother while also trying to introduce it to a different person who has never played it
Unforseen side effect is that now I'm constantly switching between pretending that Kazuma is alive and pretending that Kazuma is dead
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ryutarotakedown · 2 months
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i have been slacking on posting dgs stuff here because the aa tumblr server is so good at quarantining my brainrot but No Longer. here is my latest subject of dgs thought™
gregson & gina are transmasc & transfem solidarity
gregson is a stealth trans guy. literally no one on earth knows this about him other than maybe herlock though i'm not sure how he would have found out either. he is very aware of what his empire thinks of people who don't conform and in true gregson style has decided that if he conforms well enough then maybe britain will finally love him back
gina would be stealth if she could but living on the streets isn't really conducive to voice training or outfit experimentation or anything so instead she's proud of it — she won't tell anyone who doesn't ask but doesn't try to hide that she's trans. she figures that the other gnc east end kids need someone to look up to and she'll be that person if necessary. better she be a target than them
gregson sees gina and feels a hot prickling shame settle over him. doesn't she know she needs to be careful?
gina sees gregson and thinks he's never had to worry about violence in his entire life. typical copper.
when he moves her into his flat she sees him getting ready one day with the victorian equivalent of a binder (a.k.a. a really tight corset) and thinks Oh
they never talk about it, because there's nothing to talk about. but she understands him a little more and he feels more understood around her.
there is once when she asks whether the corset damages his chest, wearing it that long. he scoffs and says that of course it does. she asks why he doesn't take it off except for sleep then. he says he can't take the risk.
she's always seen him as an unwilling dog to the state, but this is the first time she's felt a sort of weird compassion-pity about it.
when she first gets her inspector uniform he starts fussing over doing the sleeves properly. she says, "what are you, my old man?" and it stuns both of them into silence for a good minute
when he dies she runs to the coroner's and demands to look at his autopsy report. maria says gina has nothing to worry about. she understands too.
when the truth comes out she just feels this sort of hollow emptiness in her chest. she knows how much danger gregson was in. she knows how much it meant to him to be able to stay in the good graces of a government that would have hated him if he ever tried to be truer to himself.
but all the same, she wishes he had loved her more than the empire that killed him anyway
she puts flowers on his headstone and then goes to sholmes's for their weekly karaoke. she's brought some of her friends. they call each other the irregulars.
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