GUYSSSS what if ron isnt in heaven but in purgatory and hes just ... completely misunderstood it . "i am in heaven and the business prospects are dire. everybody seems to want everything for free!" YALL ???? THAT SOUNDS SO ODD???? i personally think he is definitely just talking symbolically and hes just happy that, wherever he is, he is happy there and likes it. OR. it could be that he is actually dead, and that hes actually somewhere else (because someone in hell has said that since the hell system changed so much, they really didnt know what happened after death, but they didnt think heaven existed) AND i think we got pretty good confirmation that heaven didnt necessarily exist in this show, but nobody said anything about purgatory...
yall. "business prospects are dire, everybody keeps asking for free things" sounds a loot like a business persons purgatory for me yknow? and if theres something we know ron will do, its completely misunderstand a situation he is in (miss you king fly high if you Are dead).
also im 1000% sure that the reason ron was talking about time was because hes in another plane, maybe one we havent even seen, and the time dilation is so weird that THATs why the messages werent going through thank you for listening to my pepe sylvia moment
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hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows
but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there
(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in
& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)
"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"
but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.
and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.
(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)
and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know
i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4
However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.
which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!
all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself
(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)
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mindhunter: we're going to make it super clear that Bill's son is autistic but because this is set in the 70s they don't know what autism is so they just think he acts strange for no reason and because Bill works hunting serial killers, when his son reacts strangely to a murder he starts getting worried he might grow up to be dangerous. Also we'll make our main character autistic coded and have him an scene with the kid where they're both super comfortable to further emphasize how they get each other.
stupid ass people writing tv reviews: omg what if this child grows up to be a serial killer.... he doesn't talk and he doesn't do facial expressions and he looks creepy :/
also stupid people: What if Holden turns out to be a serial killer... He just does his job TOO well and he's just weird idk
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I'm not gonna screenshot it bc 1/it really doesn't matter that much and 2/the person who made the comment is a kid but: a while ago I made a comic that's supposed to be a genuine study and reinterpretation of someone else's sprite comic (made in the spirit of authenticity too - to recreate the vibes of the sprite comics from that era, iirc very specifically because it's funny) and I got a comment on that comic's post that's like "glow up"
which is a compliment obvs. and the commenter probably didn't mean anything by it, it's a common expression. but I've been trying to find a way to gracefully put that comment away ever since it appeared lol
I just very much don't want my art to be taken as trying to one-up someone else's art when that's not the piece's intention. especially when the piece that inspired my art is perceived as "low effort" or "shitpost" or stuff like that. I did mention in the tags of that post that my considering it a study is entirely genuine, and I can legitimately write pages about the cool stuff I find in it other than and inherent in the haha funneys, but that's not for you guys that's for me. I just think that approaching art competition-first like that is a miserable way to do it, and (tipping into overthinking here if the whole tiny-comment-got-stuck-in-my-brain-for-almost-a-month part hasn't given that away yet lol) I really don't want that to be the takeaway from my own art. at least generally. if I actually think the source material is trash and what I'm doing is genuinely categorically better I'd just come out and say it lmao
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the other fundamental flaw with alec goes to winslow is the assumption that alec could be even remotely cool about having to attend school and then having Children From Normal Society attempt to interact with him or god forbid hold any level of social authority over him. and that's not even talking about the teachers. he would snap so fast he'd think he was entirely calm but he would not make it through lunch without surreptitiously tripping anyone and everyone who annoyed him. like he would hear people talking about going to see a movie with their family that weekend or deciding to get ice cream together after school and it would turn him into the joker. he would find the emmas of the world funny for all of three seconds but one too many incidents of someone shoving him in the hall and he would reflexively trip them into the nearest locker (no power needed), slam their head in the door, say "whoops," really sarcastically, and then say "whoops" significantly more genuinely when he realizes they're bleeding profusely. That Boy Is Not Half As Chill As He Thinks He Is
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