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#this month was so incredibly hard to rank cuz there were so many good releases
slimim2000 · 10 months
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My top 20 kpop songs from October 2022:
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20: Generation - tripleS
19: Underwater - KWON EUN BI
18: Blank - JO YURI
17: Simulation - KWON EUN BI
16: Same But Different - LEE CHAE YEON
15: CASE 143 - Stray Kids
14: No Celestial - LE SSERAFIM
13: Some Love - DREAMCATCHER
12: Dead Man Running - SEULGI
11: Rainy Day - DREAMCATCHER
10: Crown - SEULGI
9: Lovable - JO YURI
8: HUSH RUSH - LEE CHAE YEON
7: Tick Tick Boom - CLASS:y
6: Impurities - LE SSERAFIM
5: Youth - KIHYUN
4: Sweet Sorrow of Mother - BIBI
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3: 28 Reasons - SEULGI
- listen. This song is just everything I wanted for seulgi’s solo debut. The vibe of the song fits her voice so incredibly well and the entire concept is just so cool. She’s one of the very few people in the industry rn that can pull off a song like this. The way it’s so stripped back really allows her vocals to shine. Rv honestly never disappoint. This entire EP was amazing -
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2: ANTIFRAGILE - LE SSERAFIM
- dare I say,,, soty… honestly, antifragile is iconic, so incredibly catchy and also really refreshing with its soundscape compared to the current industry. This song is a big slay and deserves all the praise -
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1: Anywhere But Home - SEULGI
- I fell in love with this song on first listen and just never fell out of love. It’s become sort of a comfort song for me and it never fails to make me feel nice and warm inside. Also just on a technical standpoint this song has such a good vibe. Idk how to express all the love for this song the is compressed in my body, but be assured it’s in there -
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imbeccablee · 4 years
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HAPPY BIRTH TO OUR LITTLE GREEN FERAL BOI-HC about how his birthday were when he was younger compared to now? (bonus points for Mama Inko being the only constant and for steadily more and more people being at his parties and deku having no idea how to deal with so many people who love him)
oh you KNOW I'm here for that Izuku angst!!! (sorry this is late, I didnt see this until yesterday night lmao)
before Izuku was diagnosed, he would invite katsuki and those other boys over after daycare. it would always be a little awkward bc technically those other boys are more katsuki's friends than Izuku's but their parents made them go anyway bc it was the nice thing to do
oftentimes the rest of the party would end up with the boys playing with Izuku's new toys (which made him a lil upset but his mom says he should share and not be selfish and besides, these are his friends, he wants them to like him, so its whatever. it is) and also playing Heroes (this is the one of the few times Izuku is allowed to play a hero with katsuki (bc theres no way in heck katsuki would play a villain) and Izuku LIVES for it)
usually the other boys will leave and katsuki will spend the night. this is always the best part for Izuku because, while katsuki does keep showing off, it's almost softer in a way, like the fact that it's just the two of them, alone, with the rest of the world shut out makes katsuki relax and unwind. izuku doesnt understand why katsuki isnt like this all the time. he doesnt know how to ask, either.
this of course ends with his fifth birthday. the months following his fourth, he eagerly awaits the arrival of his quirk, but it never shows. a week after his fifth birthday (which had been even more awkward and embarrassing since his quirk still hadn't manifested), he is diagnosed. and, well, nobody wanted to go to his party after that.
the kids thought he was weird and lame and the parents were afraid their own kids would hurt him somehow if they were to come over, because they all believed the quirkless to be weak and fragile. this of course also meant that none of the kids were allowed to invite him over to their parties, the only exception being katsuki's. and then katsuki fell off a log into a shallow river and izuku tried to help him up and, well.
he still invites people, oh yes. the first few years, he makes little invitation cards drawn in all might colors and an enthusiastic "you're invited!" on the front. inko, the sweetheart, helps put them in envelopes and carefully stored them in Izuku's backpack and Izuku passes them out. the first time no one shows, izuku is devastated. the second time, after yet another year of being downgraded and belittled and beaten and ignored, he is still devastated, but he is not surprised. the third time, it aches and aches and aches, and he decides he's not going to make cards anymore. it's just a waste of time and paper.
inko tried so very hard. those first few birthdays After were completely unsalvageable, but after the third (when Izuku accepted no one would come) they got better. izuku was still sad and inko was still guilty, but they always had a lovely time with katsudon and cake and all might specials. sometimes, his dad would even remember to call and wish him a happy birthday. izuku was- well, not happy, but content. he had his mother. he had his conviction, his dream. what else could he need?
(he steadfastly ignored the longing, the ache. nothing he could do would fix it so there was no point in dwelling on it. it was stupid to feel that way anyway. his birthday was just another day of the week, the month, the year. it didnt matter. he shouldnt feel so bad about it. it didnt matter)
he didn't even think about telling all might his birthday. by the time he was 14 going on 15, he didnt really care about it. it had just been a day he got a gift or two from his mother, his favorite dinner, and a night spent rewatching all might documentaries or movies or interviews. you know, like basically every night, but like, older this time. so he doesnt mention it and all might never brought it up, so his 15th birthday comes and goes like every other birthday did after his 8th.
the truth of the matter was all might figured Izuku would mention it at some point during his training, like offhandedly saying he had to get home early so he could have a celebration, or make small talk about what he'd gotten, or even ask for the day off. but Izuku never did and all might felt too awkward to ask when it was (he didnt want to seem too eager to shower young Izuku with presents like something deep inside him begged for with a vengeance, even though he very much wanted to give Izuku literally anything he asked for. it is a troubling feeling), so all might just assumed his birthday hadn't come up yet.
then all might finally gets a look at Izuku's file, since all might is now a teacher, and sees 07/15/XXXX written and probably breaks the speed of sound with how quickly he calls izuku
"why didnt you tell me about your birthday!!" "wh- I mean- it's just not that big of a deal, I didnt think it was-" "NOT THAT BIG OF A DEAL???"
he takes Izuku out to a very belated and nice birthday dinner and has to force an incredibly rare piece of decommissioned all might merch from his early days into Izuku's hands. despite his embarrassment and initial reluctance, that day is ranked in the top ten of his favorite days.
izuku doesnt learn his lesson, however, and neglects to tell his newly acquired friends about his date of birth. the only reason they find out is because all might, having been passing them by at the end of the school day, wished him a happy birthday.
"IT'S YOUR BIRTHDAY????" "uraraka please its not a big deal-" "I have to disagree midoriya, today should be special!" "I mean, I dont think birthdays are all that important either" "THANK YOU todoroki"
(and then Izuku thinks for 2 seconds WHY Todoroki thinks birthdays are unimportant and gets sad again but we're not focusing on that rn)
ochako DEMANDS that they celebrate bc theres no way in hell she's allowing her best friend to go without a birthday celebration with friends, but Izuku insists that they at least wait until summer vacation starts in less than a week, especially since he cant just come home with three friends without telling his mom
ochakos like >:( for a second, but concedes bc that's fair and then she launches herself at Izuku and gives him a big ole hug and says "happy birthday!!!" izuku's all sputtering and blushing, and then he feels a hand on either arm and Iida and Todoroki give him warm smiles and wish the same and it takes a good five minutes for his face to calm down and for him to come out from behind his arms once Ochako releases him.
so he tells his mom that his friends want to come over to celebrate soon and inko is just like 😭😭😭😭😭 because FINALLY her boy has GOOD FRIENDS who want to CELEBRATE HIM and Izuku freaks out cuz his mom is crying but she waves him off and tells him to tell the dekusquad that they can come over on saturday and that they can spend the night and that they'll have a wonderful time!!!
izuku relays two-thirds of that information in their group chat and they all agree and then basically Izuku is dreading the weekend bc the few birthday parties he's had with his "friends" before hadn't been all that great (besides the sleepover part with katsuki, though their current animosity kinda makes the memories bittersweet), and like, while he knows objectively Ochako, iida, and Todoroki are Much Better than those boys from his childhood, he just doesnt have a good frame of reference for how these things go.
anyway, so Saturday comes around and Izuku is just listlessly lazing around while his mother finishes cooking ("let me help you mom-" "nuh uh, this is for YOUR celebration mister, you arent doing a THING today), and then theres an enthusiastic knock on his door, and when he goes and opens it his friends greet him with yet another cheer of "happy birthday deku/midoriya!!"
izuku smiles because its sweet even if he doesnt particularly care about birthdays, and invites them in. they set their presents on the table and Izuku's like "you didnt have to!!" and Ochako's like "NONSENSE" and Iida is like "how could we show up at your birthday celebration without presents???" and todoroki's like "any chance to spend endeavour's money on things he wouldnt like is a chance I will never not take" and Izuku is just like akdjajdhajsb when his mom finally comes and greets them
and like. it's nice. it's really really REALLY freaking nice. Izuku didnt realize how much he was actually missing having people with him in his home besides his mom until they were there. there's a wonderful warmth filling his chest as they all eat his mother's homemade katsudon and talk about school and how excited they are for the upcoming summer trip. and when heroes come up, they ask him about different quirks and how they work and what he thinks of this hero and that hero and the only time he's interrupted from his tangents is when he stops himself because he's embarrassed for talking for so long. and then they smile and prompt him some more, saying they love hearing him talk about the stuff that interests him, and can anyone really blame him for bursting into tears?
his friends are alarmed but his mom just smiles, tearing up herself, and she asks if he'd like a big hug, and he nods, face burning bright, and then they all gather him in a warm, enveloping embrace, and he wonders how in the hell he survived without this for so long?
he's so warm and loved and for the first time in forever he feels happy during his birthday celebration.
his 16th birthday party is so incredibly different from the parties he held before he was diagnosed and from the birthdays he spent with only his mother. he'd forgotten that feeling of being cared for by people who didnt need to, or rather he'd never really known it. there's a slight twinge that it took so long for him to learn this feeling, but it's completely overshadowed by the pure elation he feels at finally being able to breathe and relax and let himself be loved.
his friends still look concerned and they obviously have questions, but they dont pry as they all continue with the party. he opens their presents and cries again and then they watch a ton of hero movies and he cries a little more. iida worries he'll dehydrate himself and Ochako fuckin loses it and Todoroki has such a soft look on his face and GOD how has Izuku lived without friends? without THEM?
it's late when they turn in, with futons and mountains of pillows and blankets surrounding them on the living room floor. izuku is nestled between Ochako and Todoroki, and he stares at the ceiling as his friends doze around him. he can feel his heart beating in his chest and, with amusement, he feels his eyes watering again, but he blinks the tears away and whispers thickly, "hey guys?" once he gets sleepy questioning murmurs, he breathes in deeply and says, "thank you." in response Ochako and Todoroki schooch closer until they're cuddled on either arm and Izuku can see Iida doing the same on the other end of ochako. then Ochako mumbles, "anything for you, deku" to which the other two boys agree. and Izuku tries to not get choked up and fails again, but its okay, because its safe here and his friends are surrounding him with warmth and love and Izuku falls asleep happy.
(their second year they have another party, of course, but this one is bigger, with the whole class. it's in the dorm, which is fine bc he doesnt think his mom's apartment could hold all of them. it's just as wonderful as his 16th birthday. he managed to hold his tears back during nearly the entire thing, and the only reason he broke was because katsuki came up to him with a perfectly wrapped box, because everything katsuki does is perfect, and shoved it into his hands with a growled well wishes. katsuki yells at him and the class laughs good heartedly as he weeps, but Izuku is just focused on katsuki, who looks soft and relaxed and nearly identical to the version of him that Izuku saw so, so long ago. and as Izuku thanks him for the present and katsuki berates him cuz "you dont even know what it is yet you idiot open it already", izuku feels a new happiness bubbling up in him, because he's so incredibly glad katsuki has been able to heal as well)
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theworstbob · 6 years
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yellin’ at songs, week forty
oops
brief considerations of the songs which debuted on billboard on 10.11.1997, 10.13.2007, and 10.14.2017
10.11.1997
1) "Candle in the Wind 1997/Something in the Way You Look Tonight," by Elton John
princess diana seemed like a nice person and i don't agree that it is good that she passed on. i think she should have continued to live, and finally, i found a song that agrees with my worldview.
44) "Too Gone, Too Long," by En Vogue
So real talk this is late because one week I saw two Post Malone songs and I said fuck it because, like, it's, and I just, I don't think it's fair when older generations yell at younger generations? But the average '90s R&B track was infinitely better than the average '10s anything. You could drive down the street bumping the radio and a song like this, with that small miracle that happens around the 3:00 mark, and this would be like the seventh-best song you'd hear. Kids these days are just listening to songs that don't make any stabs at greatness, they just exist in a way that doesn't motivate you to change the station. The problem is with the children. I'm not actually talking about this song, I'm talking about the way people consume music. This song is heckin' great and everyone should listen to it 20 times and then try to get through a Post Malone song.
58) "Heaven," by Nu Flavor
In this overly intense '90s R&B slo jamz, the R&B boys plead to God to convince this woman to fuck them. That sentence is the last thing I wrote for YAS before taking a weeks-long sabbatical and I'm glad I found it.
63) "Love Gets Me Every Time," by Shania Twain
Where do we rank Shania Twain in the diva pantheon? Like, this is a song with a hook I recognized when I heard it, after 20 years of just not thinking about this song I heard "dolgurn gone and done it" and was like "oh yeah! This jam!" and not all singers can dig that deep into your memory, but in terms of historical import, where does she rank? You can't really argue that "country needs a rep in the pantheon" because um hello? Dolly? but there's at least four Shania songs that are absolutely legendary. Does that merit inclusion among the greats? Or is Shania just on that second tier with a Kelly Clarkson or a Carrie Underwood, reliable but not as powerful as the women we'll tell our grandkids about?
65) "Electric Barbarella," by Duran Duran
One of the things that struck me as odd about the film Sing Street was the reverence with which the film treated Duran Duran. I always sort of thought Duran Duran was a boy band, but there was a film set in the heyday of Duran Duran's popularity, with a scene where an older brother extols the virtues of Duran Duran's musicianship to a younger brother, and I'm just like, "I never would have guessed this band was at the vanguard of new wave?" But I guess maybe they were a less dark Depeche Mode and I should check this out because this song from 1997 probably isn't indicative of peak Duran Duran? Hello welcome back to YAS I'm already asking questions to no one instead of offering criticism, it's like I never left.
70) "They Like it Slow," by H-Town
Sometimes, when you abandon a project for a while and come back, you notice things about the thing you're doing that you never would have noticed if you had worked on it in the last two months. To that end: I just realized all the 1997 and prolly most of the 2007 music videos were shot in 4:3. Like, when they filmed these music videos, they were composing shots with the idea they would be on TVs. That's kind of interesting! Like, when you go to film school, you probably have the idea you're gonna direct films, so having to compose shots for a smaller aspect ratio probably fucks you up a little bit. Anyway, I can't tell if this '90s R&B slo jamz is a parody or not.
87) "A Smile Like Yours," by Natalie Cole
"I have seen the bluest skies/Rainbows that would make you cry." It's absolutely amazing which lines in these songs gain significance from 20 years of events. Like, that line about rainbows takes on a whole new meaning now that we've all enjoyed and then forgot about the Double Rainbow video.
91) "Alright," by Jamiroquai
groovy! i’m okay with this! this is like what all the calvin harris songs would sound like if they were good.
92) "Spin Spin Sugar," by Sneaker Pimps
there's so much cool stuff happening in this song and i really just wanna sit down and get to know this band a lot more because they've always seemed like something i was supposed to like and now i realize that i do actually like them, unfortunately WE'RE LISTENING TO 100 SONGS TONIGHT GOODBYE GOOD SONG I WILL KEEP THIS MEMORY WARM IN MY HEART UNTIL THE END OF TIME
10.13.2007
58) "Tattoo," Jordin Sparks
This is a song that just barely missed the lyric video trend. If any song needed to have words appearing on random actors' skin, it was this one, it would have been such a no-brainer decision. Like, you do it right, hire some calligraphers and tell them to take it up a thousand notches, you have a classic lyric video. Wasn't e'er to be, though. Just a standard music video, and I guess a nice song? It's very2007. It's very the sort of song you'd give to the winner of a forgettable Idol season. "Oh, that? Uh, yeah, keep it. It's either going on this album or in that trash can, might as well use every part of the buffalo that is my brain."
80) "The Way I Am," Ingrid Michaelson
this is the sonic version of a scarf worn indoors in june
86) "Our Song," Tay Tay
"Our song is a slammin' screen door." Did you know Tay Tay's dad was an investment banker? I have reason to believe Tay Tay's only seen a screen door in movies. I dunno. Do rich people have screen doors? I've never been in a mansion, but I don't think screen doors would be appropriate for mansions.
91) "Shoulda Let You Go," Keyshia Cole intro./Amina
I like how Billboard gave Amina an "introducing" credit. You don't see that in music nowadays. Now it's just "hey this 17-year-old has a million plays on Soundcloud, what do you mean you 'haven't heard of him,' he's already been responsible for thirteen memes and they're all dead, we're actually over him already, he's lame now." It is now known that Amina was actually a woman who was okay at rapping. The point still stands, I'd at least like to know that the randos on these songs are people no one but the people who made this song know.
96) "Hypnotized," Piles ft./Akon
"I know she wet 'cuz she told me." I don't know why, but this line tickles me! "Piles, you got me so wet." "YO, SHE'S WET! I MADE HER WET, GUYS!" "You touch mine and I touch yours." Piles must be hypnotized because in my (admittedly limited) experience with his work he doesn't seem like a man who gives head. He seems like a man who needs to be coerced into reciprocating pleasure.
97) "Nothin' Better to Do," LeAnn Rimes
OK so real talk, while I was listening to this song I got distracted because I realized I hadn't updated my Poke Bank subscription in like a year and I have so many precious little babies I need to keep forever, and you know what? This is a fun song. I didn't really need to pay attention to it! It's a song about being naughty that keeps it PG enough to play on country radio, and I wouldn't mind bumping into it again!
100) "Fake It," Seether
So Amy Lee and the dude from Seether broke up. After the break-up, Evanescence hit first with "Call Me When You're Sober," which isn't a particularly devastating song, but the title is incredibly unsubtle, and, like, Seether's a shitty post-grunge band, of course he's an alcoholic, and Amy Lee is right to say "yo I'm kinda done with this, I don't like dealing with the drunk you." Seether strikes back by saying Amy Lee is a liar and that he "feels so raped," and Iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii'm gonna go ahead and say that's #problematic! Amy Lee made a dumb but fair song about how she was out of patience, and here comes Donald Trump by way of Creed to say "YOU ARE RAPING ME WITH THIS BREAK-UP." Like, I'm gonna go ahead and say that the part using rape metaphors to describe their feelings is the one in the wrong in this mediation.
10.14.2017
65) "I Fall Apart," by Post Malone 100) "Go Flex," by Post Malone
i could have spent eight minutes sitting perfectly still listening to ambient noise and have had the same emotional reaction. "never caught a feeling this hard/harder than the liquor i pour." oh fuck off already.
70) "Good Old Days," by Macklemore ft./Kesha
FINALLY. The pop music gods have heard my prayers: Macklemore rapping about nostalgia. Everything I love, in one delightful package! ...He shouts out Minnesota and this is probably gonna end up being the best song from this week because of that and also because this week is lookin' pretty horrible.
94) "Losing Sleep," by Chris Young
OK so real talk during this bro country joint I got distracted because I was looking at new music releases and APPARENTLY THERE'S AN ANIMATED MOVIE BASED ON "ALL I WANT FOR CHRISTMAS IS YOU?" IT WAS MADE THIS YEAR? THIS YEAR. YOU CAN BUY IT ON DVD TODAY AND OWN IT FOR THE REST OF YOUR FUCKING LIFE. I'm sorry. I'm not going to bother processing whatever bullshit this song is about, sex I guess, because THIS WORLD IS CAPABLE OF SO MUCH MORE. This is a movie. This is also a movie which presupposes that this entire time "All I Want for Christmas Is You" is about a puppy that Mariah Carey needed for a... charity fashion show? "Great! We're short one girl with a dog!" "Oh..." This is a cinematic masterpiece and my life is better for having stumbled across it. This and Pokemon Christmas Bash.
95) "Like I Loved You," by Brett Young
So the writer of Mariah Carey's All I Want for Christmas Is You is one Temple Mathews, who has also written The Little Mermaid II, Peter Pan II, and 101 Dalmatians 2. That is a fucking nuts credit roll, Temple. Dude also goes multiple years between projects, which suggests to me he's like someone at Disney's cousin, and every couple years that person at Disney goes "hey, Temple, wanna make $100,000?" and Temple says "fuck yeah bro" and Temple just lives off that. He makes smart investments and lives in a cabin in Montana and has never actually seen a movie because why would you look at pictures when you've got mountains in your backyard? Temple is living the best life. Dude's my hero. He has someone describe a cartoon to him and writes something based off that and never has to write a second draft.
97) "Round Here Buzz," by Eric Church
Listen, if Eric Church is gonna give us repeats of songs he's done before, at least he's giving us repeats of "Give Me Back My Hometown." It's a slower, sadder version of that song, one that can't be misconstrued as an "I'm poor AND PROUD OF IT!" anthem, this is a song that can only be about a dude thinking about a girl living a life without him while he lives a life with her ghost, but also "Give Me Back My Hometown" is more fun? I dunno, this still prolly gets 2017 SOTY, I've just heard it before. Also, Eric Church? Welcome to the Decade Dance Club. You are the 36th member, and the tenth white male country artist.
98) "Plain Jane," by A$AP Ferg
ok nvm this is song of the week, simply because in the first verse Ferg raised and lowered the volume of his voice. this song went somewhere! this song actually did something! it didn't just bleep and bloop for three minutes or be about how it's nice when things are good, Ferg had things he wanted to say and delivered his lines with actual emotions! he did the bare goddamn minimum, and by 2017 standards, that's pretty good! i'm actually going to remember this song a little bit!
Who won the week?
1997. Like, of course 1997 won. It had Sneaker Pimps and Shania, if 1997 lost to these other wack-ass years it would’ve been stunning.
Standings: 1997: 15 2007: 12 2017: 13 oh god all the songs for the next edition look awful, welp
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