It’s late. Scar is already asleep, and distantly, Jimmy imagines he can hear that cat Tango found for him meowing to him. Elsewhere, Fwhip is—doing nothing Jimmy cares about, thank you—and the sky is clear tonight, so he supposes Joel must be content. Grian had gone to make base with more of the strangers and strangely familiar, and Jimmy is here to hang up his hat and go to bed.
When he turns around, there’s a small yellow bird perched on his hatstand.
“Oh, you—go away,” Jimmy says, irritated.
The bird doesn’t speak, but Jimmy hears what it’s trying to say: if they’re here, that means it was real. If Jimmy knows them, and they know Jimmy, that means it was real. If it was real, that means everything else is too.
Jimmy crosses the room to stick his hat on his other pillow instead of the hatstand. With a surprisingly lovely song, the yellow bird flies off the hatstand and lands on the hat.
“Shoo,” Jimmy says. “Even if it were all real. Even if he’s here, and Tango’s as good as all those memories say, and—you don’t gotta stick around me, you know. Shoo. Besides, this all still has time to be a stupid dream.”
The bird sings sadly.
“Ugh,” Jimmy says, flopping in bed. “Even if it is all real, it’s not time yet anyway.”
The bird hops over to where Jimmy is flopped in bed and rests its head against Jimmy’s cheek. Outside, there’s a ranch he’s building for someone he met in a dream, and there are poppies in a vase downstairs, and Grian said that Jimmy couldn’t escape him, and Jimmy’s not sure that Grian knows what he meant when he said it.
The bird chirps sadly again.
“…it’s not your fault anyhow. I shouldn’t yell,” Jimmy says. “It’s hardly your fault everyone else—well.”
The bird chirps one last time before flying out the window. In Jimmy’s head, it’s gone to find Tango, or maybe Scott. Jimmy watches it.
“If I’m going to have to check the water tower for cod, I’m not taking it to Joel,” he says, as though there’s any logic to that whatsoever. “Do you know how much fun I’ll get made of for doing that? Nu-uh, no way.”
He blows out the candle. The room is dark. He goes to sleep, and he dreams of past lives. They aren’t so bad as all that, but he’d prefer they stay there, if it’s all the same anyway.
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idk about anyone else but for me /personally/ assigning any of the wof dragon tribes a single equivalent human culture or accent feels kind of weird or off. Unless you’re like. Specifically from that culture and know what you’re interpreting
like sure the ‘nightwings are British because they’re voiced that way in the audiobooks’ is funny at first but I once saw a post break down the accents by tribe and assign sandwings a Nigerian accent. Which IMMEDIATELY makes the fact that they’re commonly rogues and thieves in the story not a fun cowboy thing but a vaguely racist thing suggesting that all Nigerian people scam and steal, which. Given the ‘Nigerian prince’ thing is already a stereotype, well…-
and it definitely isn’t JUST that, I’m not trying to call a single person out. But these kind of 1-1 correlations lead to results like this 9/10 times and it just feels strange. Just mix stuff together. Mash ideas from different places into one. Don’t make the dragons a 1-1 parallel to a specific human culture because then any story you tell that may connect to a stereotype of that culture will come off really, really bad
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https://x.com/alex_abads/status/1771981713847026102?s=46&t=_O95qyWCF19YqZa3anslVw
i’ve watched this like 2 and a half times now, just in a row, because i couldn’t decide how i felt about it. at first i thought it was boring & had nothing going on, but it also… does have stuff going on? i finally figured it out, & i think the choreo style is very appropriate for ilia, and the music is appropriate with the choreo style, but it’s not what i would want to see out of a succession program… i think it’s an interpretation of the music, but not the interpretation i’d be drawn to. i think it feels empty to me, even though it’s not, because i’m not seeing what i want to see. all the straight arms & stuff, it’s a way you could interpret succession & its music, but not the way i would… i think i see the show a little differently from how he does, so this doesn’t feel like a succession program to me, but it is a succession program based on the way he sees the show. of course i’m not a choreographer or anything so i can’t tell you what i WOULD do but i just think i don’t vibe with it. however it IS a very good program. probably would’ve been super fun to have seen in person. shout out ilia
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WIP Files Game tagged by @broadway-heere-i-come
RULES: post the names of the files in your WIP folder, regardless of how non-descriptive or ridiculous. let people send you an ask with the title that most intrigues them, and then post a little snippet or tell them something about it!
BMC
Boyfs party meet
Jake nerv
Richjake type beat
DEH
J tells H ✔️
Old Friends
Online bf
Pretend
Exes ✔️
Nakdneodjenlg ✔️
Bedd ✔️
E thrpy
Here
Laryngitis
Ice cream shop
J prop
Jwed ✔️
Jare Zoe bffs
Writer Evan
Jarthar ✔️
Generally tagging all my mutuals who want to talk about their wips 🤝 (and also anyone else who wants to)
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True, cis people, especially cis women, have very much inserted themselves into conversations around transness where transmasculinity is involved. When it’s trans people it’s always gender conforming, binary, passing trans people (or those for whom that’s the goal), thinking only about other gender conforming, binary, passing trans people, who try to make sweeping statements about how trans men and mascs having access to male privilege.
It’s like they thought outside the cis-centric, binarist boxes for just long enough to realize they’re trans and then shut everything back down, or sometimes even specifically do so to play respectability politics. PLEASE, if you care at all about trans people beyond the ones you can make palatable to the cis, get rid of those boxes in your head for good.
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